Dayton937

Things to do in Dayton | Restaurants, Theatre, Music and More

Arts & Entertainment

Coming Up in Cincinnati Theatre: May 21-27

By Leave a Comment

…NEW THIS WEEK

THE WHISTLER

The Story: THE WHISTLER takes place in 1965 in an unnamed Southern city where the neighbors enjoy running pickaninnies off the road. With the Andy Griffith Show in its fifth season, professional whistler Henry has a steady royalty income though he hasn’t worked in years. His wife wants to move to New York to further her career as a page-turner; his 14-year old son wants to undermine the military-industrial complex, and for his parents to stop quarreling. Enter an edgy washed-up trumpet player who is drawn by Henry’s talent but reluctant to show himself; he’s been burned by white men too many times before. But he may be the one person whose heart is as pure and terrible as Henry’s own.
The Dates: May 24-June 10, 2012
Tickets and More Information: BTC listing

…CONTINUING

Matt Dentino, Jennifer J. Araya, Patrick Phillips & Danielle Muething,

BABES IN HOLLYWOOD

The Story: Get ready to swing, sway and swoon to over 30 of the most glorious songs of the Twentieth Century. BABES IN HOLLYWOOD salutes the legendary musical careers of Judy Garland and Mickey Rooney. 
The Dates: May 16-June 3, 2012
Tickets and More Information: Showboat Majestic | BTC listing

Brian Isaac Phillips as Shylock, Kelly Mengelkoch as Portia & Jared Joplin as Antonio. Photo by Jeanna Vella.

THE MERCHANT OF VENICE

Cincinnati Shakespeare Company

The Story: Passion, betrayal, and a bargain with a terrible price. In one of the Bard’s most controversial and thrilling plays, Antonio covers a debt for his friend Bassanio, from the complicated and persecuted Shylock—who has much reason to resent Antonio. Across lines of race and wrongdoing, Antonio must face a terrible fate, while Bassanio finds true love in the arms of the delightful Portia. Watch what happens as events culminate in a cross-dressing courtroom battle in THE MERCHANT OF VENICE.
The Dates: May 11-June 3, 2012
Tickets and More Information: Cincinnati Shakespeare Company | BTC listing

The cast of THE SECOND CITY 2: LESS PRIDE...MORE PORK. Photo by Sandy Underwood.

THE SECOND CITY: LESS PRIDE MORE PORK

Cincinnati Playhouse in the Park

The Story: The world’s premier comedy company will again set its razor-sharp sights on Cincinnati. What’s left to skewer? The Second City was in town long enough to know they haven’t come close to exhausting the material. Not to mention, between now and opening night, entire sports seasons will come and go, politicians will star on reality shows and streetcars may (or may not) be on track. The future holds nothing but promise for comedy at our expense. 
The Dates: April 29-July 1, 2012
Tickets and More Information: Cincinnati Playhouse in the Park | BTC listing

…ENDING THIS WEEK

SONGS FROM THE TALL GRASS

The Story: SONGS FROM THE TALL GRASS is about the struggles and the triumphs of breaking the sod in the Midwest. The music tells the story about life and love during a time of the great expansion of our country.
The Dates: May 18-27, 2012
Tickets and More Information: Fairfield Footlighters | BTC listing

…COMING SOON

AVENUE Q

Showbiz Players

The Dates: June 1-10, 2012
Tickets and More Information: Showbiz Players | BTC page |

CINCINNATI FRINGE FESTIVAL 2012

Cincinnati Fringe Festival

The Dates: May 30-June 9, 2012
Tickets and More Information: Cincinnati Fringe Festival | BTC page |

A MIDSUMMER NIGHT’S DREAM

Cincinnati Shakespeare Company

The Dates: May 29-30, 2012
Tickets and More Information: Cincinnati Shakespeare Company | BTC page |

YOU’RE A GOOD MAN, CHARLIE BROWN

Falcon Theatre

The Dates: June 1-9, 2012
Tickets and More Information: Falcon Theatre | BTC page |

 

Encore Theater Company – Audition Announcement

By Leave a Comment

Encore Theater Company LogoEncore Theater Company announces open auditions for TWO upcoming productions –35MM (a new musical in development as part of The Human Race Theatre Company’s Festival of New Musicals – August 2012) and the regional premiere of BLOODY BLOODY ANDREW JACKSON (Fall 2012). Both productions will take place Downtown Dayton.

“ETC is pleased to once again join forces with The Human Race with 35mm with music by Ryan Scott Oliver – one of the most exciting new voices in musical theatre.,” says David Brush, ETC artistic director.

AUDITION: Video Audition Submission submitted electronically
DEADLINE for video submission:  JUNE 1, Midnight

CALLBACKS: June 12, 7PM (Callback if needed)

REGISTRATION:
Email [email protected] with the following info & attachments
1)  Name (as you would wish it to appear in print),

     Age, Sex, preferred Phone & Email Address, Title of audition selections.

2)  Current Performance Resume (attachment)
3)  a Digital Video File Audition as described below, or a link to the video

     uploaded on a hosting website (YouTube, Facebook, etc ).


VIDEO MUST CONTAIN:

1)  At the beginnning of the video, please slate (“Hello, my name is … & I will

    be performing …”)

2)  Sing a 32-bar/2-minute selection from contemporary musical theatre or a

    current pop/rock song.  While a cappella performances are acceptable,

    preference is for live or vocals-free pre-recorded accompaninment.

3)  An approximate 1-minute monologue from a contemporary theatre piece.

    No Shakespeare.


SHOW INFO/CASTING

35mm: A Musical Exhibition
Songs by Ryan Scott Oliver * Based on the photography of Matthew Murphy

They say a picture is worth 1,000 words, but what about a song? Can one picture inspire a song? How about fifteen photos? In 35MM, each photo creates a different song completely disconnected from the other creating fifteen different and unique moments frozen in time; a glimmer of a life unfolding, a glimpse of something happening. This stunning new multimedia musical explores a groundbreaking new concept in musical theatre. With music and lyrics by Ryan Scott Oliver (Composer of Disney Theatricals’ upcoming stage musical Freaky Friday) and the contemporary photography of Matthew Murphy, this intricately woven collection of stories told through song re-imagines what the modern American musical can be.

AUGUST 3-4, 2012 – The Loft Theatre
(Rehearsals – Evenings, July 2012)
Seeking 3 men (baritone and tenor) and 2 women (alto, belty mezzo) – pop rock voices

Bloody Bloody Andrew Jackson
Music and Lyrics by Michael Friedman * Book by Alex Timbers

BLOODY BLOODY ANDREW JACKSON tells the story of America’s first political maverick. A.J. kicked British butt, shafted the Indians and smacked down the Spaniards all in the name of these United States–who cares if he didn’t have permission? An exhilarating and white-knuckled look at one of our nation’s founding rock stars, BLOODY BLOODY ANDREW JACKSON recreates and reinvents the life of “Old Hickory,” from his humble beginnings on the Tennessee frontier to his days as our seventh Commander-in-Chief. ETC is pleased to present this premiere FRESH from Broadway and perfect for election year!

October/November 2012 – Location TBD
(Rehearsals – September/October 2012)

Character Breakdown

ANDREW JACKSON

A roguish, man’s president. Deeply charming and sexy, so much so that you somehow don’t mind he’s a violent, arrogant, bigoted idiot. Fights passionately for what he believes in. Personifies “strong but wrong.” Ages throughout the show so should be able to play young. Must be adept at deadpan comedy. Guitar-playing a plus.

20s-Early 30s Up to a G belt High baritone rock

BANDLEADER

Dark and dangerous.

Late teens – 20s.

BLACK FOX

Native American chief. Intelligent, somber, with a hint of danger. Used to work alongside Jackson, an alliance that led him to tricking and betraying other tribes for Jackson. By the end of the show, he’s forced to beg his friend for mercy. Doubles as other roles, usually with Clay or Calhoun. Mid 20s-Mid 30s

FEMALE SOLOIST

Sings “Ten Little Indians”; Self-confident, attractive singer with powerful, emotive indie rock voice. Dark, mysterious, hip vibe. Doubles as other roles. Think Dresden Dolls, not musical theater. 20s Up to Bb Alto

HENRY CLAY

A backwoods version of Calhoun’s villainous senator. Think Crispin Glover. Greasy hair. Wears weasel pelts. Over-the-top and vivacious. Transparent in his villainy and revels in it. Tall, cadaverous. Doubles as other roles, usually with Black Fox. Late 20s-Mid 30s Baritone

JAMES MONROE

President of the United States. Old school American aristocracy. Foppish and overwhelmed. Exasperated by Jackson’s overreaching as well as by the idiocy of his advisors. Doubles as other roles.

Early-mid30s

JOHN C. CALHOUN

Gentlemen senator from the South. Sinister, good-looking, charming, and brilliant. A vain mastermind. Wears the finest clothes. The most restrained of the cabal. Tall, thin. Doubles as other roles, usually with Andrew Sr. Late 20s-Mid 30s Baritone

JOHN QUINCY ADAMS

Former President’s son. Whiny, spoiled, demanding. All grown up, has joined the Calhoun-Clay cabal. Really, really wants to be President. Like, right now. Think Bud Frump. Doubles as other roles. Early 20s-Early 30s Baritone

LYNCOYA

Adopted Native American son of Andrew Jackson. Sweet disposition with a wild streak.

MALE SOLOIST

Brooding, intense rocker with powerful, emotive indie rock voice. Angsty, good-looking, young, hip. Doubles as other roles. Think The Killers or Blink-182, not musical theater.

Late teens – Mid 20s rock Baritone

MARTIN VAN BUREN

Jackson’s right hand man. In over his head. A buffoon, well-intentioned and utterly lovable. Think Nicely-Nicely. Doubles as other roles. 20s-Mid 30s

RACHEL JACKSON

Jackson’s wife. Deeply religious and devoted, even maternal, to Jackson. Good if older than Jackson. Strangely alluring, not overtly sexual. Amy Sedaris-type. Doubles as other roles.

Mid 20s-Mid 30s

THE STORYTELLER

Milquetoast, oppressively good-natured narrator. Wears a Puff the Magic Dragon-style sweater, thick glasses, and her hair in a bun. Loves history, loves Jackson, and loves telling the audience about both. Being in this show might be the most exciting moment in her life. If played by a younger actress, can double with other roles.

Late 30s-late 60s

VARIOUS FRONTIERSMEN, INDIANS, and SOLDIERS

20s-30s Male and Female. Double as other roles. Very strong pop voices.

The Laramie Project – May We Never Forget

By 5 Comments

Laramie Cast (l to r): Matt Turner, Matthew Smith, Angela Dermer, Robb Willoughby, Rachel Wilson, John Ray and Chris Hammond. (kneeling) Cydnie Hampton and John Dunn

Sinclair Community College wraps a very commendable season with an excellent production of “The Laramie Project,” a gripping account of gay University of Wyoming student Matthew Shepard, the victim of an appalling hate crime on the outskirts of Laramie, Wyoming in the autumn of 1998.

Compiled from over 200 interviews conducted by Moises Kaufman and members of the Tectonic Theater Project, “Laramie Project,” which debuted in 2000, mesmerizes with quiet intensity as wide-ranging perspectives of Shepard and Laramie citizens mesh to form an impressively authentic, brilliantly balanced, brutally honest three-act canvas of heartbreak, horror, humor and hope. Director Scott Stoney refreshingly energizes the storytelling with brisk immediacy (this is the most fast-moving version I have seen), but superbly pauses the pace to beautifully heighten the deeply touching poignancy in the finale of each act. A bicycle slowly crossing in front of the fence where Shepard was bound for 18 hours and hearing the cast mimic the patter of rain upon the announcement of Shepard’s death are some of the unique instances that stir emotions anew before intermission. Stoney, who astutely concludes the play with an inspired local nod, also ensures his wonderfully unified nine-member cast creates sharply distinctive personas while inhabiting multiple roles of varying ages and traits. Some actors are more adept chameleons, but the challenge is admirably met by all.

Angela Dermer, John Dunn, Chris Hammond, Cdynie Hampton, John Ray, Matthew Smith, Matt Turner, Robb Willoughby and Rachel Wilson comfortably handle the fluidity of the material, winningly accented by Patti Celek and Gion Defrancesco’s projections. The ensemble is also memorably spotlighted individually, particularly Ray’s fiery Fred Phelps, Willoughby’s tear-jerking Dennis Shepard, Wilson’s terrific turn as police officer Reggie Fluty, Hammond’s earthy embodiment of Reggie’s mother and Dunn’s excitable portrayal of a college student drawn to “Angels in America.”

The contributions of scenic/property designer Terry Stump, costumer Kathleen Hotmer, lighting designer Gina Neuerer and sound designer Stephen Skiles are equally appealing within this riveting play overflowing with relevant, thought-provoking potency.

“The Laramie Project” continues through May 26 in Blair Hall Theatre, Building 2, of Sinclair Community College, 444 W. Third St. Performances are Friday and Saturday at 8 p.m., Sunday at 2 p.m., Wednesday at 10 a.m. and Thursday at 7 p.m. Act One: 50 minutes, Act Two: 40 minutes; Act Three: 30 minutes. Tickets are $10-$15 (the Thursday performance is an additional $5 and includes pre-show appetizers and a cash bar). For tickets or more information, call (937) 512-2808 or visit www.sinclair.edu/tickets

Bonded by Music

By 2 Comments

Four months after the Dayton Playhouse elegantly saluted Rodgers and Hammerstein with the musical revue “A Grand Night for Singing,” the organization successfully closes its season with a very pleasant, emotionally honest production of the iconic duo’s final collaboration “The Sound of Music.”

Despite the unmistakable schmaltz inherent in Howard Lindsay and Russel Crouse’s strong libretto and Rodgers and Hammerstein’s marvelously infectious score, this engaging tale circa 1938 Austria of postulant Maria Rainer and her unexpected bond with Captain George von Trapp and his seven children strikes a chord. Director Brian Sharp embraces the material with a surprisingly traditionalist outlook (particularly using the original script/score featuring “An Ordinary Couple” instead of the revised edition containing film favorites “I Have Confidence” and “Something Good”), but he effectively emphasizes the transformative impact of song within the grief-tinged Trapp family thanks to Maria’s influence. The family finally has a reason to feel reborn and grow harmoniously closer when their voices blend, an element I haven’t sensed in previous productions. In fact, when Maria is told she has brought music back into the Trapp household it is a misty-eyed moment of genuine gratitude that touchingly reiterates Sharp’s approach.

Kelli Locker, an actress who sings, is a highly commendable Maria. She not only grasps Maria’s perky innocence and desire to be liked but the conflicted emotions born of her evolution into womanhood. Locker is also perfectly partnered with the absolutely terrific David Shough, the best Georg I have seen in years. In addition to offering a beautifully tender rendition of “Edelweiss,” Shough fully understands the fine line between pertinent sternness and off-putting rigidity, ensuring his well-crafted performance, which evolves impeccably, maintains an authoritative amiability.

In featured roles, Stephanie Shubert (Liesl), Logan Trzeciak (Friedrich), Taylor Winkleski (Louisa), Ben Kneblik (Kurt), Hope Whitestone (Brigitta), Sophia Shannon (Marta) and the particularly adorable Cate Shannon (Gretl) are enjoyable as the Trapp children. Joan Harrah (Mother Abbess), Laura Bloomingdale (Elsa Schraeder) and James Trzeciak (Max Dettweiler) are vocally strong and offer firm portrayals. As frustrated housekeeper Frau Schmidt, Dodie Lockwood offers a sharp perspective of the Trapp family past and present. David Stephen Thomas (an appealing Rolf), Terry Lupp (Sister Margareta), Cathy Long (Sister Berthe), Marabeth Klejna (Sister Sophia), David Lindsley (Franz) and Craig Smith (Herr Zeller) are also notable.

Bruce Brown provides an excellent scenic design. Costumer Marilyn Johnson supplies a lovely blue dress for Locker late in Act 1. Musical director Ron Kindell leads a steady orchestra.

“The Sound of Music” continues through May 27 at the Dayton Playhouse, 1301 E. Siebenthaler Ave. Performances are Friday and Saturday at 8 p.m. and Sunday at 2 p.m. Act One: 90 minutes; Act Two: 55 minutes. Tickets are $10-$15.  For tickets or more information, call (937) 424-8477 or visit www.daytonplayhouse.com

A Muddled Night at the Opera

By Leave a Comment

Casey Jordan and Samantha Helmstetter in The Phantom of the Opera (contributed photo)

The regional collegiate premiere of Andrew Lloyd Webber’s 1986 melodramatic megahit “The Phantom of the Opera,” which he co-adapted from the Gaston Leroux novel with Richard Stilgoe and Charles Hart, receives a strikingly designed yet off-kilter staging at Wright State University.

Director W. Stuart McDowell’s knack for creating attractive stage pictures is evident once again, but his decision to place the crux of the vocally impressive show in the hands of Casey Jordan is a big mistake. Jordan, familiar to WSU audiences for delightfully comedic work in “Anything Goes” and “Hairspray,” is simply out of his element attempting to embody the obsessive, maniacal, dungeon-dwelling Opera Ghost threatening the artists and owners of the Paris Opera House in the late 19th century. He oddly aims for a softer, introverted interpretation that leads him on the road to disadvantage because the Phantom, although emotionally wounded, is not a timid sentimentalist at his core. Without credible menace or a darkly brooding sensibility, the imposing role’s dramatic weight is basically non-existent. More startling is the fact that Jordan is completely devoid of passion opposite luminous soprano Samantha Helmstetter as Christine Daae. “Music of the Night” is particularly intended to be an Act 1 knockout, but Jordan, whose overdone hand gestures factor prominently in his performance, spends more time caressing the air instead of Helmstetter. In turn the song becomes a frustrating bore awkwardly worsened by the unnecessary presence of three Muses who repeatedly (or purposefully?) steal focus from Jordan. (I’m shocked McDowell changed the ending in favor of the Muses instead of Christine’s best friend Meg Giry, admirably portrayed by Taryn Lemmons.)

Thankfully, Helmstetter, fantastic two months ago in WSU’s “Berlin to Broadway with Kurt Weill,” steers the show in the right direction whenever she’s front and center. Her sublime vocals and earnest emotions are saving graces even when the plot deflates toward its sappy conclusion. “Think of Me” and “Wishing You Were Somehow Here Again” are poignantly rendered, but I found “Twisted Every Way,” an underrated yet potent moment addressing Christine’s perplexity and torment, to be her finest number in terms of depth. Due to Jordan’s seductive ineptitude, she believably radiates more heat alongside the handsome Patrick Ross (Raoul) who joins her for a heartfelt, lyric-driven “All I Ask of You.”

Kathleen Ferrini as diva Carlotta and Andrew Quiett as Piangi create a humorously conceited bond. They are notably joined by Chrissy Bowen (Madame Giry), Drew Helton (Firmin) Sean Jones (Andre) and the aforementioned Ross for a sharply executed “Notes” and a wonderfully soaring rendition of “Prima Donna” nearly worthy of an encore.
McDowell’s expert tech team consists of set designer Don David, lighting designer Nicholas Crumbley, costumer Lisa Loen, sound designer James Dunlap and properties masters John Lavarnway and Kim Townsend. Choreographer Sarah Wildman specifically ensures “Masquerade” arises with unified flair. Musical director Ryan Heinrich’s terrific orchestra proves Lloyd Webber’s music will always be “Phantom’s” main attraction.

“The Phantom of the Opera” continues through May 27 in the Festival Playhouse Stein Auditorium of the Creative Arts Center at Wright State University, 3640 Col. Glenn Hwy., Fairborn. Performances are May 16-17 and 24 at 7 p.m., May 18-19, 25-26 at 8 p.m. and May 19-20, 26-27 at 2 p.m. Act One: 75 minutes; Act Two: 55 minutes. Tickets are $18-$20. For tickets or more information, call (937) 775-2500.

Bob MARLEY Documentary Opens Friday!

By Leave a Comment

Hello Everyone,

Over the past several weeks, numerous people have asked if we were going to play MARLEY – the new documentary about the brilliant musician Bob Marley. On Friday, it will finally arrive.
If you still need to see JEFF WHO LIVES AT HOME, Thursday will be your last chance to see it at THE NEON. DAMSELS IN DISTRESS and FOOTNOTE will stick around for another week. Remaining showtimes for this week can be found at our website – www.neonmovies.com.

And speaking of customer requests…we’ve had more calls and questions about THE BEST EXOTIC MARIGOLD HOTEL than any other film in recent memory. Fear not! It opens Friday, May 25.

Synopsis for MARLEY: “Bob Marley’s universal appeal, impact on music history and role as a social and political prophet is both unique and unparalleled. Marley is the definitive life story of the musician, revolutionary, and legend, from his early days to his rise to international superstardom. Made with the support of the Marley family, the film features rare footage, incredible performances and revelatory interviews with the people that knew him best.” Join us for our OPENING NIGHT PATIO PARTY. Before Friday’s 7:15 screening, live acoustic music will be presented on our patio by M Hunter of Columbus (performance begins at 6PM)!

[yframe url=’http://www.youtube.com/watch?v=VSvXlZlm6Zg’]

On Wednesday, May 23 at 6:30pm, United Food and Commercial Workers Union Local 75 has rented out our space for a special screening of INSIDE JOB – “the first film to expose the shocking truth behind the economic crisis of 2008″…and they’re inviting you to join them. “UFCW 75 represents nearly 30,000 members along the I-75 corridor in Ohio, Indiana, and Kentucky; our members work mostly in supermarkets, drug stores, food packing and food processing plants, and in health care facilities. We are Ohio’s largest private sector union. For questions, more information, or to RSVP, email [email protected].” (details provided by UFCW 75)

For those of you who use Facebook, we finally have an actual page…not just a “group” page. We will soon be fazing out the old group, so please LIKE us by visiting our page – which now has a very easy address: www.facebook.com/neonmovies
And don’t forget that your movie ticket gets you 15% off your food order at Sa-Bai…located directly behind THE NEON.

Thanks for your continued support.
We hope to see you soon,
Jonathan

SHOWTIMES for
Fri. May 18 – Thur. May 24:

MARLEY (PG-13) 2 Hr 24 Min
Friday, Saturday: 1:00, 4:15, 7:15, 10:00
Sunday: 1:00, 4:15, 7:15
Monday – Thursday: 3:30, 7:15

FOOTNOTE (PG) 1 Hr 43 Min
Friday, Saturday, Sunday: 12:50, 3:00, 7:20
Monday & Tuesday: 3:00, 7:20
Wednesday: 3:00
Thursday: 3:00, 7:20

DAMSELS IN DISTRESS (PG-13) 1 Hr 39 Min
Friday, Saturday: 5:10, 9:30
Sunday: 5:10
Monday & Tuesday: 5:10
Wednesday: no screenings
Thursday: 5:10

INSIDE JOB (PG-13)
Wednesday: 6:00 – RSVP Required

COMING SOON:
As always, all dates are tentative.  Many of these dates will change.
In some rare cases, titles may disappear.
May 25 THE BEST EXOTIC MARIGOLD HOTEL
June 1 SOUND OF MY VOICE
June 15 THE INTOUCHABLES
June 29 MOONRISE KINGDOM
July 6 TO ROME WITH LOVE
July 13 YOUR SISTER’S SISTER
July 27 BEASTS OF THE SOUTHERN WILD
TBD WHERE DO WE GO NOW?
DARLING COMPANION
LOLA VERSUS

Coming up in Dayton Theatre May 18th – May 31st

By Leave a Comment

Alright! Let’s get started with …

“Wicked” Watch!WICKED May 30 – June 24, 2012 – Schuster Center

Just a reminder to all you lovers of the Stephen Schwartz’s musical juggernaut, “Wicked” hits town on May 30th and stays through June 24. Tickets are on sale and good seats are still available! Visit the Victoria Theatre Association website at www.victoriatheatre.com for ticketing and further details.

Now Playing!

The Sound of Music

Dayton Playhouse

The Skinny: Dayton Playhouse’s well-received rendition of the classic continues this weekend and next. Tickets are on sale but my sources tell me seats are going fast. Like, super-fast. So if you want to see and hear all the songs you love so well, or introduce them to a new generation, it behooves you to call the box office at 937.242.8477 or to go to the website post haste!

Dates: The Sound of Music continues this weekend and closes on Sunday, May 27th.

Tickets: Please go online to www.thedaytonplayhouse.com to purchase tickets or get further information.

Coming Soon!

Band Geeks!

The Human Race Theatre Company

The Skinny: The Cuyahoga Marching Beavers are 75 trombones short of a Music Man, and there’s only one cornet left, but while the band may be close to extinction, its spirit isn’t. Band Geeks! is a rousing Glee with instruments, a tribute to the tribulations of the millions who have spent football halftimes pounding out Sousa-like renditions of “Maria.” If you were ever in a school band, ever knew someone in a school band, even ever heard a school band, you’ll recognize the woes and revel in the fun of Band Geeks!

Dates: Band Geeks! opens on May 31st and runs through June 17th.

Tickets: For ticketing and more information, please visit the Human Race Theatre Company website at www.humanracetheatre.org

SINCLAIR COMMUNITY COLLEGE THEATRE Laramie ProjectThe Laramie Project

Sinclair Community College Theatre Dept.

The Skinny: A powerful portrait of one town’s healing in the face of terrible tragedy. Five weeks after Matthew Shepard was kidnapped, beaten and left to die on the outskirts of Laramie, Wyo., members of the Tectonic Theater Project traveled to the small town to begin a series of more than 200 interviews with its residents. The result was The Laramie Project, a poignant and deeply moving play that showcases man’s capacity for both brutal intolerance and breathtaking compassion. Named one of Time Magazine’s 10 best plays of 2000.

Dates: The Laramie Project opens May 18th and closes May 26. There is a 1o:00 am performance on Wednesday, May 23rd, as well as an evening performance on Thursday, May 24th.

Tickets: For ticketing and more information, please visit the Sinclair Community College Theatre Department page at www.sinclair.edu/arts/theatre/season/

Shameless Self-Promotion!

In the interest of full-disclosure, I’ll admit here and now that I’m the Production Assistant for the Dayton Gay Men’s Chorus, so I’m all sorts of biased about their sheer awesomeness. That having been said, the DGMC’s productions aren’t exactly theatre, but I’m going to give them a plug here anyway:

ExtrABBAganza!

The Skinny: The DGMC’s Pride Weekend concert this year features the music of everyone’s favorite Swedes: ABBA. This 2-act, full-length concert is guaranteed to get you clapping and grooving in your seats!

Date: Pride Saturday, June 2nd at the Victoria Theatre.

Tickets: Tickets are on sale now and are cheaper when pre-ordered! Go to the Victoria Theatre Association website at www.victoriatheatre.com for further event-specific information. For more information on the DGMC, including history and Mission Statement, visit their website at www.daytongaymenschorus.org

 

I think that about wraps it up for this fortnight! Remember, contact me with anything you want to see mentioned, as well as any questions, comments, criticisms or witticisms (apologies to Terry Stump, Technical Director at Sinclair Community College, from whom I shamelessly stole that last bit!)

Coming Up in Cincinnati Theatre: May 14-20

By Leave a Comment

…BLINK AND THEY’RE GONE

BECKY’S NEW CAR

The Story: Fortyish Becky Foster has a decent job at an auto dealership, a solid husband named Joe, and a freeloading psych-major son living in her basement. Her life is…okay, if not sublime. But when she crosses paths with billionaire widower Walter Flood, she’s offered the chance to test drive a very different kind of existence – if she can just keep him in the dark about the one she already has!
The Dates: May 17-19, 2012
Tickets and More Information: Middletown Lyric Theatre | BTC listing

THE COMPLETE HISTORY OF AMERICA (ABRIDGED)

The Story: 600 Years of History in 6000 Seconds…History Will Never Be The Same! From Washington to Watergate, yea verily from the Bering Straits to Baghdad, from New World to New World Order – THE COMPLETE HISTORY OF AMERICA (ABRIDGED) is a ninety minute rollercoaster ride through the glorious quagmire that is American History, reminding us that it’s not the length of your history that matters – it’s what you’ve done with it!
The Dates: May 17-20, 2012
Tickets and More Information: Greater Hamilton Civic Theatre | BTC listing

…NEW THIS WEEK

Matt Dentino, Danielle Muething, Jennifer J. Araya & Patrick Phillips.

BABES IN HOLLYWOOD

The Story: Get ready to swing, sway and swoon to over 30 of the most glorious songs of the Twentieth Century. BABES IN HOLLYWOOD salutes the legendary musical careers of Judy Garland and Mickey Rooney. 
The Dates: May 16-June 3, 2012
Tickets and More Information: Showboat Majestic | BTC listing

SONGS FROM THE TALL GRASS

The Story: SONGS FROM THE TALL GRASS is about the struggles and the triumphs of breaking the sod in the Midwest. The music tells the story about life and love during a time of the great expansion of our country.
The Dates: May 18-27, 2012
Tickets and More Information: Fairfield Footlighters | BTC listing

…CONTINUING

Brian Isaac Phillips as Shylock, Kelly Mengelkoch as Portia & Jared Joplin as Antonio. Photo by Jeanna Vella.

THE MERCHANT OF VENICE

Cincinnati Shakespeare Company

The Story: Passion, betrayal, and a bargain with a terrible price. In one of the Bard’s most controversial and thrilling plays, Antonio covers a debt for his friend Bassanio, from the complicated and persecuted Shylock—who has much reason to resent Antonio. Across lines of race and wrongdoing, Antonio must face a terrible fate, while Bassanio finds true love in the arms of the delightful Portia. Watch what happens as events culminate in a cross-dressing courtroom battle in THE MERCHANT OF VENICE.
The Dates: May 11-June 3, 2012
Tickets and More Information: Cincinnati Shakespeare Company | BTC listing

The cast of THE SECOND CITY 2: LESS PRIDE...MORE PORK. Photo by Sandy Underwood.

THE SECOND CITY: LESS PRIDE MORE PORK

Cincinnati Playhouse in the Park

The Story: The world’s premier comedy company will again set its razor-sharp sights on Cincinnati. What’s left to skewer? The Second City was in town long enough to know they haven’t come close to exhausting the material. Not to mention, between now and opening night, entire sports seasons will come and go, politicians will star on reality shows and streetcars may (or may not) be on track. The future holds nothing but promise for comedy at our expense. 
The Dates: April 29-July 1, 2012
Tickets and More Information: Cincinnati Playhouse in the Park | BTC listing

…ENDING THIS WEEK

ANGEL STREET

Lebanon Theatre Company

The Story: As the curtain rises, all appears the essence of Victorian tranquility. It is soon apparent however, that Mr. Manningham, a suavely handsome man, is not what he appears to be. When a caller from Scotland Yard visits Mrs. Manningham during one of Mr. Manningham’s many unexplained absences, pieces of the puzzle begin to fall into place. Author Patrick Hamilton has built and sustained some of the most brilliant, suspenseful sequences in modern theatre.
The Dates: May 11-20, 2012
Tickets and More Information: Lebanon Theatre Company | BTC listing

THE FANTASTICKS

Loveland Stage Company

The Story: Two fathers decide that they want their children to fall in love. The girl, Luisa, is a daydreamer with an active imagination. The boy, Matt, is a romantic. The two fathers decide to instigate a mock feud amongst themselves in order to help the boy and girl fall in love. They figure that this feud will give them the excuse to say no to the relationship, which of course will simply encourage the children’s love even more. The fathers go as far as to hire El Gallo to stage a mock abduction of Luisa, in which Matt can become a hero and save her. 
The Dates: May 11-20, 2012
Tickets and More Information: Loveland Stage Company | BTC listing

FIVE WOMEN WEARING THE SAME DRESS

Wyoming Players

The Story: During an ostentatious wedding reception at a Knoxville, Tennessee, estate, five reluctant, identically clad bridesmaids hide out in an upstairs bedroom, each with her own reason to avoid the proceedings below. They are Frances, a painfully sweet but sheltered fundamentalist; Mindy, the cheerful, wise-cracking lesbian sister of the groom; Georgeanne, whose heartbreak over her own failed marriage triggers outrageous behavior; Meredith, the bride’s younger sister whose precocious rebelliousness masks a dark secret; and Trisha, a jaded beauty whose die-hard cynicism about men is called into question when she meets Tripp, a charming bad-boy usher to whom there is more than meets the eye.
The Dates: May 11-19, 2012
Tickets and More Information: Wyoming Players | BTC listing

James Oblak as Skip, Will Slenick as Wally, Nick Laughlin as Denny & Lee Slobotkin as Eugene. Photo by Ryan Kurtz.

LIFE COULD BE A DREAM

Ensemble Theatre Cincinnati

The Story: SH-BOOM! From the creator of THE MARVELOUS WONDERETTES, comes the Crooning Crabcakes, the boy group banned from the Springfield High School prom that made it possible for The Marvelous Wonderettes to perform. The guys get one more chance at fame and fortune as Denny, Eugene, Skip and Wally form a singing group to enter and win the local radio contest and realize their dreams of making it to the big time! Featuring such classic songs as “Stay” (Just a Little Bit Longer),” “Runaround Sue,” “Tears On My Pillow,” “Unchained Melody,” “Earth Angel,” and of course the title song, Life Could Be A Dream is another musical trip down memory lane that will leave you laughing, singing and cheering!
The Dates: May 2-20, 2012
Tickets and More Information: Ensemble Theatre Cincinnati | BTC listing | BTC review |

Catherine Ross as Margaret Johnson & Abby Paljieg as Clara Johnson in Footlighters' THE LIGHT IN THE PIAZZA.

THE LIGHT IN THE PIAZZA

Footlighters Inc.

The Story: The show takes place in Italy in the summer of 1953. Margaret Johnson, the wife of an American, is touring the Tuscan countryside with her daughter, Clara. While sightseeing, Clara-a beautiful, childish young woman-loses her hat in a sudden gust. As if guided by an unseen hand, the hat lands at the feet of Fabrizio Naccarelli, a handsome Florentine, who returns it to Clara. This brief episode sparks an immediate romance between Clara and Fabrizio. Extremely protective, Margaret attempts to keep them apart. As the story unfolds, a secret is revealed about Clara: she is not all that she appears. Unable to suppress the truth, Margaret is forced to reconsider not only Clara’s future, but her own hopes as well.
The Dates: May 3-19, 2012
Tickets and More Information: Footlighters Inc. | BTC listing

OVER THE RIVER AND THROUGH THE WOODS

Mariemont Players

The Story: Nick, an Italian-American boy from New Jersey, wants to follow his dream and move to Seattle – far away from his beloved, but annoying, grandparents and their routine Sunday dinners. But both sets of grandparents scheme to keep him from moving, using the lovely, and single, Caitlin O’Hare as bait.
The Dates: May 4-20, 2012
Tickets and More Information: Mariemont Players | BTC listing

David St. Louis as Marvell Thunder, Terry Burrell as Good Sister Dupree, Jennie Harney as Glory Dupree & Trent Armand Kendall as Jaguar Dupree, Sr. Photo by Sandy Underwood.

THUNDER KNOCKING ON THE DOOR

Cincinnati Playhouse in the Park

The Story: Once upon a time, a mysterious, blues-playing stranger named Marvell Thunder arrives at the door of the Dupree family with a unique challenge — a “cutting contest,” in which twin guitars are the weapons of choice. If he has his way, the epic musical showdown will change everyone’s life forever. A mystical, magical celebration of love, family and the exhilarating power of music to free your soul. 
The Dates: April 21-May 20, 2012
Tickets and More Information: Cincinnati Playhouse in the Park | BTC listing

TITANIC THE MUSICAL

Cincinnati Music Theatre

The Story: TITANIC is based on the true story of the great ship’s maiden voyage from departure in Southampton, England to the sinking in the Atlantic by an iceberg. The show touches on issues such as class, immigration and mankind’s vulnerability in the face of nature. The story follows passengers and crew members who actually existed and were aboard the Titanic back in 1912.
The Dates: May 11-19, 2012
Tickets and More Information: Cincinnati Music Theatre | BTC listing

…COMING SOON

THE FOOL

Cincinnati Playwrights Initiative

The Dates: May 22, 2012
Tickets and More Information: Cincinnati Playwrights Initiative | BTC listing

CINCINNATI FRINGE FESTIVAL 2012

Cincinnati Fringe Festival

The Dates: May 30-June 9, 2012
Tickets and More Information: Cincinnati Fringe Festival |

A Limitless View at DVAC

By Leave a Comment

"Distance In Itself Invisible" - by Stefan Chinov

Selected from over 100 exhibiton proposals received from our its 2010 Biennial Call for Exhibitons, DVAC brings it close to home for it’s fourth and final exhibiton of the season. The two-person exhibition features painting, photography, sculpture and painting by Dayton-based artist Stefan Chinov and Cincinnati painter Craig Lloyd.

Titled Limitless View, artists Chinov and Lloyd explore different methods of understanding and re-thinking limitless landscapes—both real and imagined.

Primarily a sculptor and draftsman, Stefan Chinov’s new work was inspired by his recent residency on the Bulgarian, Chilean, Spanish and Russian bases of Antarctica. Chinov imprints the Antarctic landscapes with sculptural installations in ice and volcanic ash and documents its untouched vastness in photographs and video that underscore its mythic presence. Additionally, Chinov plays with the lines of landscape in his geometric studies rendered in three-dimensions in two large floor sculptures; and in two-dimensions in three large scale drawings. Chinov, born in Bulgaria, lives in Dayton and is currently an Assistant Professor at Wright State University.

Craig Lloyd

Craig Lloyd’s paintings of landscapes in central and southern Ohio and northern Kentucky capture the sensation of stopping to take in a more careful and contemplative view. Working in the field or developing images further in the studio, Lloyd optimizes light, atmosphere and seasonal changes to create an idealized version of contemporary frontiers where open space has become a commodity. His fine brushwork captures a clear summer day’s perfect puffy clouds as they perch above a vast expanse of rolling hills, densely-leaved trees, and storybook curves in the road. Lloyd lives in Cincinnati and is an Associate Professor at the College of Mount St. Joseph.

Together, these artists make for a remarkable exhibiton.

“Limitless View”
May 11 – June 16 at DVAC
118 N. Jefferson – Dayton, OH 45402
Opening Reception: May 11 5-10pm
Gallery Talk: May 17 6:15pm
 

 

Lone Star Family Feud

By 2 Comments

(Clockwise from Top R) Greg Smith, Barbara Jorgensen, Gayle Smith and Jeff Sams in Dividing the Estate (contributed photo)

The colorful Gordons of economically grim Harrison, Texas circa 1987 are torn between the importance of legacy and ensuring a viable monetary future in “Dividing the Estate,” Horton Foote’s 2008 Tony Award-nominated comedy having its local premiere at the Dayton Theatre Guild.

In the midst of juicy gossip and seemingly trivial chitchat, Foote’s delightfully dysfunctional and relatable characters sharply uncover the unnecessary strife that occurs when money overtakes love among relatives. As a child of the Great Depression, matriarch Stella (Gayle Smith) loathes talk of dividing the land that has been in her family for generations, but differing viewpoints, personal and practical, are astutely crafted with charming authenticity and occasionally moving poignancy. There is also a startling undercurrent flowing throughout the tale as the overt neediness of Stella’s three supposedly mature children Lucille (Barbara Jorgensen), Mary Jo (Julie Hauwiller) and Lewis (Greg Smith) morphs into a humorous, pathetic and sad display. A lot of blame can be passed around as infighting swells, but Stella’s continual willingness to spoil her brood speaks volumes about her parenting choices and the repercussions of those decisions contributing to her family’s fiscal woes spiraling out of control.

Director Ralph Dennler establishes a great pace and masters the tricky dynamics of uneasy conversation (excellently realized in the Act 1 dinner scene), but a firmly combative attack is missing among his principal players. As Stella rules the roost, Smith is sweet and genteel instead of an authoritative vessel of domineering intimidation, which diminishes her clout and the power of her arguments. Jorgensen, Hauwiller and Smith are a prickly trio that could be more explosive and galvanizing, particularly in Act 1. Still, Jorgensen is well-suited as a devoted, widowed caregiver wholeheartedly invested in her mother as well as her loyal son (the amiable Jeff Sams), Hauwiller grasps Mary Jo’s persnickety personality and fervent desire to be seen as an equal among her siblings, and Smith credibly portrays the agitation and disgust stemming from Lewis’ alcohol and gambling addictions.

Oddly, the standout performances derive from characters who are not Stella’s descendants, fueling the production’s off-kilter nature. Geoff Burkman shrewdly dials up the salesmanship as Bob, Mary Jo’s realtor husband intent to sway Stella to reassess her convictions with forward-thinking results. Franklin Johnson, as memorable here as he was last season at the Guild in “The Boys Next Door,” is absolutely wonderful as elderly servant Doug, a talkative fussbudget prone to jealousy and melodramatics who appreciates the Gordons and his place in their history far more than they could ever comprehend. In many ways, the bond between Doug and Stella, which dates back to Stella’s childhood, runs incredibly deep and gives the play emotional heft.

Claire Alemdar, Tori Easterling Doby, Lori Grissom, Lolita Long, Wendi Michael and Bernadette Rose commendably complete the folksy cast. Alemdar and Grissom’s ’80s-era dresses are notably designed by Carol Finley.  Attractively accented by Blake Senseman’s set, “Estate” lacks intensity yet remains a relevant tale of sacrifice in today’s rocky financial climate.

“Dividing the Estate” continues through May 13 at the Dayton Theatre Guild, 430 Wayne Ave.  (Click here for show schedule).  Act One: 60 minutes; Act Two: 55 minutes. Tickets are $10-$17. For tickets or more information, call (937) 278-5993 or visit www.daytontheatreguild.org

[yframe url=’http://www.youtube.com/watch?feature=player_embedded&v=j8kHN7r1omU’]

Oscar-Nominated FOOTNOTE Opens Friday

By Leave a Comment

Hello Everyone,

On Friday, we finally get to open the Oscar-nominated film FOOTNOTE. If you’ve been to THE NEON in the past couple months, I’m almost certain you’ve seen the trailer for this film that has received critical accolades from around the world.

If you still need to see JIRO DREAMS OF SUSHI, it only plays through Thursday. JEFF WHO LIVES AT HOME and DAMSELS IN DISTRESS will play for another week. For remaining showtimes for this week, please visit our website at www.neonmovies.com.

Because of limited print availability, our upcoming schedule has moved around quite a bit. In addition, we’ve added some new, great titles (see the entire line-up below). On Friday, May 18, we will open the new documentary MARLEY – the definitive life story of the brilliant musician and political/social prophet Bob Marley. In celebration of this film, we will have live music on our patio – provided by Reggae musician M. Hunter of Columbus – starting at 6pm on May 18. We hope you’ll plan to join us. (More details will be provided in next week’s newsletter.)

Synopsis for FOOTNOTE: “Eliezer and Uriel Shkolnik are both eccentric professors who have dedicated their lives to their work. The father, Eliezer, is a stubborn purist who fears the establishment and has never been recognized for his work. Meanwhile his son, Uriel, is an up-and-coming star in the field, who appears to feed on accolades – endlessly seeking recognition. Then one day, the tables turn. When Eliezer learns that he is to be awarded the Israel Prize, the most valuable honor for scholarship in the country, his vanity and desperate need for validation are exposed. His son, Uriel, is thrilled to see his father’s achievements finally recognized but, in a darkly funny twist, is forced to choose between the advancement of his own career and his father’s. Will he sabotage his father’s glory?” (taken from Sony Pictures Classics) Nominated for “Best Foreign Film” at this year’s Oscars, this film is currently at 91% positive reviews on Rottentomatoes.com.  Visit the OFFICIAL SITE.

[yframe url=’http://www.youtube.com/watch?v=8dwe7GR9kO4′]

On Wednesday, May 23 at 6:30pm (registration begins at 6pm), United Food and Commercial Workers Union Local 75 has rented out our space for a special screening of INSIDE JOB – “the first film to expose the shocking truth behind the economic crisis of 2008″…and they’re inviting you to join them. “UFCW 75 represents nearly 30,000 members along the I-75 corridor in Ohio, Indiana, and Kentucky; our members work mostly in supermarkets, drug stores, food packing and food processing plants, and in health care facilities. We are Ohio’s largest private sector union. For questions, more information, or to RSVP, email [email protected].” (details provided by UFCW 75)

For those of you who use Facebook, we finally have an actual page…not just a “group” page. We will soon be fazing out the old group, so please LIKE us by visiting our page – which now has a very easy address: www.facebook.com/neonmovies

Thanks for your continued support.

We hope to see you soon,
Jonathan

P.S.  I saw MOONRISE KINGDOM last week.  Favorite film of the year so far.  Can’t wait to bring it to Dayton!!

[yframe url=’http://www.youtube.com/watch?v=ocac5Umhb9g’]

 

SHOWTIMES for
Fri. May 11 – Thur. May 17:

JEFF WHO LIVES AT HOME (R) 1 Hr 23 Min
Friday, Saturday, Sunday: 5:10, 9:30
Monday – Thursday: 5:10

FOOTNOTE (PG) 1 Hr 43 Min
Friday, Saturday, Sunday: 12:50, 3:00, 5:15, 7:30, 9:40
Monday – Thursday: 3:00, 5:15, 7:30

DAMSELS IN DISTRESS (PG-13) 1 Hr 39 Min
Friday, Saturday, Sunday: 12:45, 3:00, 7:20
Monday – Thursday: 3:00, 7:20

COMING SOON:
As always, all dates are tentative.  Many of these dates will change.
In some rare cases, titles may disappear.
May 18 MARLEY
May 25 THE BEST EXOTIC MARIGOLD HOTEL
June 1 SOUND OF MY VOICE
June 15 HYSTERIA
June 29 MOONRISE KINGDOM
LOLA VERSUS
DARLING COMPANION
July 6 TO ROME WITH LOVE
July 13 YOUR SISTER’S SISTER
July 27 BEASTS OF THE SOUTHERN WILD
WHERE DO WE GO NOW?

Coming Up in Cincinnati Theatre: May 7-13

By Leave a Comment

…BLINK AND THEY’RE GONE

THE CIVIL WAR

UC College-Conservatory of Music

The Story: THE CIVIL WAR is a moving musical meditation on the Civil War as seen through the eyes of Union and Confederate soldiers, slaves and landowners, along with American “everymen” from all levels of society. Featuring an eclectic score that includes gospel, folk, rhythm and blues, country and rock, the musical was nominated for a Tony Award for Best Musical. By turns humorous and emotionally gripping, THE CIVIL WAR is a sweeping portrait of a country torn by unrest and a moving tribute to the 620,000 men and women who made the greatest sacrifice for their principles.
The Dates: May 10-12, 2012
Tickets and More Information: BTC listing

THE COMPLETE IDIOT’S GUIDE TO ENLIGHTENMENT

The Story: A workshop production. An aging stand-up comedian unburdens himself in the middle of his night club act, spinning a tale that is at once a memoir of his late lamented stepfather and an account of the odd events that occurred at the funeral.
The Dates: May 10-11, 2012
Tickets and More Information: BTC listing

Disney’s CAMP ROCK THE MUSICAL

The Children’s Theatre of Mason

The Story: Based on the Disney Channel original movies CAMP ROCK and CAMP ROCK 2: THE FINAL JAM this production will fire up the stage with over a dozen songs, including “This Is Me,” “Can’t Back Down,” “It’s On,” and “We Rock.” Camp Rock is the ultimate camp for aspiring musicians! This summer at camp was supposed to be all about the music and having the time of their lives. But the new, flashy Camp Star across the lake now threatens Camp Rock’s very existence. To keep the doors open, Mitchie steps up, rallies her fellow Camp Rockers, and gets them into top shape for the ultimate showdown!
The Dates: May 11-13, 2012
Tickets and More Information: The Children’s Theatre of Mason | BTC listing

ELEPHANT SIGHS

Mad Anthony Theatre Company

The Story: Not long after moving to a small town, an uptight lawyer named Joel is invited to join a group of townsmen who meet in a ramshackle room at the edge of town. Joel has been chosen to replace a recently deceased and much beloved member. Joel accepts the invitation without ever asking just what exactly it is the group actually does. As an anxious Joel is swept up in the strange lives of the guys, the more apparent it becomes that each of them is just as lost as Joel. As the evening progresses the regulars finally reveal the mysterious reason for their gathering.
The Dates: May 1-6, 2012
Tickets and More Information: Mad Anthony Theatre Company | BTC listing

LES MISERABLES

Broadway in Cincinnati

The Story: Cameron Mackintosh presents a brand new 25th anniversary production of Boublil & Schönberg’s legendary musical, Les Misérables, with glorious new staging and dazzlingly reimagined scenery inspired by the paintings of Victor Hugo. This new production has been acclaimed by critics, fans and new audiences and is breaking box office records wherever it goes. The New York Times calls this Les Misérables “an unquestionably spectacular production from start to finish.” The London Times hails the new show “a five-star hit, astonishingly powerful.”
The Dates: May 8-13, 2012
Tickets and More Information: Broadway in Cincinnati | BTC listing

…NEW THIS WEEK

ANGEL STREET

Lebanon Theatre Company

The Story: As the curtain rises, all appears the essence of Victorian tranquility. It is soon apparent however, that Mr. Manningham, a suavely handsome man, is not what he appears to be. When a caller from Scotland Yard visits Mrs. Manningham during one of Mr. Manningham’s many unexplained absences, pieces of the puzzle begin to fall into place. Author Patrick Hamilton has built and sustained some of the most brilliant, suspenseful sequences in modern theatre.
The Dates: May 11-20, 2012
Tickets and More Information: Lebanon Theatre Company | BTC listing

THE FANTASTICKS

Loveland Stage Company

The Story: Two fathers decide that they want their children to fall in love. The girl, Luisa, is a daydreamer with an active imagination. The boy, Matt, is a romantic. The two fathers decide to instigate a mock feud amongst themselves in order to help the boy and girl fall in love. They figure that this feud will give them the excuse to say no to the relationship, which of course will simply encourage the children’s love even more. The fathers go as far as to hire El Gallo to stage a mock abduction of Luisa, in which Matt can become a hero and save her. 
The Dates: May 11-20, 2012
Tickets and More Information: Loveland Stage Company | BTC listing

FIVE WOMEN WEARING THE SAME DRESS

Wyoming Players

The Story: During an ostentatious wedding reception at a Knoxville, Tennessee, estate, five reluctant, identically clad bridesmaids hide out in an upstairs bedroom, each with her own reason to avoid the proceedings below. They are Frances, a painfully sweet but sheltered fundamentalist; Mindy, the cheerful, wise-cracking lesbian sister of the groom; Georgeanne, whose heartbreak over her own failed marriage triggers outrageous behavior; Meredith, the bride’s younger sister whose precocious rebelliousness masks a dark secret; and Trisha, a jaded beauty whose die-hard cynicism about men is called into question when she meets Tripp, a charming bad-boy usher to whom there is more than meets the eye.
The Dates: May 11-19, 2012
Tickets and More Information: Wyoming Players | BTC listing

Brian Isaac Phillips as Shylock, Kelly Mengelkoch as Portia & Jared Joplin as Antonio. Photo by Jeanna Vella.

THE MERCHANT OF VENICE

Cincinnati Shakespeare Company

The Story: Passion, betrayal, and a bargain with a terrible price. In one of the Bard’s most controversial and thrilling plays, Antonio covers a debt for his friend Bassanio, from the complicated and persecuted Shylock—who has much reason to resent Antonio. Across lines of race and wrongdoing, Antonio must face a terrible fate, while Bassanio finds true love in the arms of the delightful Portia. Watch what happens as events culminate in a cross-dressing courtroom battle in THE MERCHANT OF VENICE.
The Dates: May 11-June 3, 2012

Tickets and More Information: Cincinnati Shakespeare Company | BTC listing

Tom Highley as Bruce Ismay, Shawn Toadvine as Thomas Andrews, and Rick Kramer as Captain EJ Smith.

TITANIC THE MUSICAL

Cincinnati Music Theatre

The Story: TITANIC is based on the true story of the great ship’s maiden voyage from departure in Southampton, England to the sinking in the Atlantic by an iceberg. The show touches on issues such as class, immigration and mankind’s vulnerability in the face of nature. The story follows passengers and crew members who actually existed and were aboard the Titanic back in 1912.
The Dates: May 11-19, 2012
Tickets and More Information: Cincinnati Music Theatre | BTC listing

…CONTINUING

James Oblak as Skip, Will Slenick as Wally, Nick Laughlin as Denny & Lee Slobotkin as Eugene. Photo by Ryan Kurtz.

LIFE COULD BE A DREAM

Ensemble Theatre Cincinnati

The Story: SH-BOOM! From the creator of THE MARVELOUS WONDERETTES, comes the Crooning Crabcakes, the boy group banned from the Springfield High School prom that made it possible for The Marvelous Wonderettes to perform. The guys get one more chance at fame and fortune as Denny, Eugene, Skip and Wally form a singing group to enter and win the local radio contest and realize their dreams of making it to the big time! Featuring such classic songs as “Stay” (Just a Little Bit Longer),” “Runaround Sue,” “Tears On My Pillow,” “Unchained Melody,” “Earth Angel,” and of course the title song, Life Could Be A Dream is another musical trip down memory lane that will leave you laughing, singing and cheering!
The Dates: May 2-20, 2012
Tickets and More Information: Ensemble Theatre Cincinnati | BTC listing

Catherine Ross as Margaret Johnson & Abby Paljieg as Clara Johnson in Footlighters' THE LIGHT IN THE PIAZZA.

THE LIGHT IN THE PIAZZA

Footlighters Inc.

The Story: The show takes place in Italy in the summer of 1953. Margaret Johnson, the wife of an American, is touring the Tuscan countryside with her daughter, Clara. While sightseeing, Clara-a beautiful, childish young woman-loses her hat in a sudden gust. As if guided by an unseen hand, the hat lands at the feet of Fabrizio Naccarelli, a handsome Florentine, who returns it to Clara. This brief episode sparks an immediate romance between Clara and Fabrizio. Extremely protective, Margaret attempts to keep them apart. As the story unfolds, a secret is revealed about Clara: she is not all that she appears. Unable to suppress the truth, Margaret is forced to reconsider not only Clara’s future, but her own hopes as well.
The Dates: May 3-19, 2012
Tickets and More Information: Footlighters Inc. | BTC listing

OVER THE RIVER AND THROUGH THE WOODS

Mariemont Players

The Story: Nick, an Italian-American boy from New Jersey, wants to follow his dream and move to Seattle – far away from his beloved, but annoying, grandparents and their routine Sunday dinners. But both sets of grandparents scheme to keep him from moving, using the lovely, and single, Caitlin O’Hare as bait.
The Dates: May 4-20, 2012
Tickets and More Information: Mariemont Players | BTC listing

The cast of THE SECOND CITY 2: LESS PRIDE...MORE PORK. Photo by Sandy Underwood.

THE SECOND CITY: LESS PRIDE MORE PORK

Cincinnati Playhouse in the Park

The Story: The world’s premier comedy company will again set its razor-sharp sights on Cincinnati. What’s left to skewer? The Second City was in town long enough to know they haven’t come close to exhausting the material. Not to mention, between now and opening night, entire sports seasons will come and go, politicians will star on reality shows and streetcars may (or may not) be on track. The future holds nothing but promise for comedy at our expense. 
The Dates: April 29-July 1, 2012
Tickets and More Information: Cincinnati Playhouse in the Park | BTC listing

David St. Louis as Marvell Thunder, Terry Burrell as Good Sister Dupree, Jennie Harney as Glory Dupree & Trent Armand Kendall as Jaguar Dupree, Sr. Photo by Sandy Underwood.

THUNDER KNOCKING ON THE DOOR

Cincinnati Playhouse in the Park

The Story: Once upon a time, a mysterious, blues-playing stranger named Marvell Thunder arrives at the door of the Dupree family with a unique challenge — a “cutting contest,” in which twin guitars are the weapons of choice. If he has his way, the epic musical showdown will change everyone’s life forever. A mystical, magical celebration of love, family and the exhilarating power of music to free your soul. 
The Dates: April 21-May 20, 2012
Tickets and More Information: Cincinnati Playhouse in the Park | BTC listing

…ENDING THIS WEEK

BLOODY BLOODY ANDREW JACKSON

Know Theatre of Cincinnati

The Story: BLOODY BLOODY ANDREW JACKSON uses the story of America’s controversial seventh president, “the man who invented the Democratic Party, doubled the size of our nation, and signed the Indian Removal Acts that started the Trail of Tears,” to investigate the attraction and terrors of American populism, using a raucous blend of outrageous comedy, anarchic theatricality and an infectious rock n’ roll soundtrack.
The Dates: March 31-May 12, 2012
Tickets and More Information: Know Theatre of Cincinnati | BTC listing

Jonathan Zeng as Joseph, Michelle Koopman-Wells as The Narrator & Donnie McGovern as Pharoah in JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT..

JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT

Covedale Center for the Performing Arts

The Story: The Biblical, all-sung saga of Joseph and his coat of many colors comes to vibrant life in this delightful parable. Joseph, his father’s favorite son, is a boy blessed with prophetic dreams. When he is sold into slavery by his jealous brothers and taken to Egypt, Joseph endures a series of adventures in which his spirit and humanity are continually challenged.
The Dates: April 19-May 13, 2012
Tickets and More Information: Covedale Center | BTC listing

PLAY IT AGAIN, SAM

Stagecrafters

The Story: Allan Felix has this thing about Humphrey Bogart. If only he had some of Bogart’s technique…Bogey comes to the rescue of Allan (who is bookish and insecure with women) with a fantastic bevy of beauties played out in hilarious fantasy sequences. Fixed up with gorgeous women by friends, he’s so awkward that even Bogey’s patience is tried. Allan mostly resembles a disheveled, friendly dog and this is what ultimately charms his best friend’s wife into bed. It’s a tough life, making it in the world of beautiful people but if you can’t be a hero it helps to have one…
The Dates: May 5-13, 2012
Tickets and More Information: Stagecrafters | BTC listing

…COMING SOON

Matt Dentino, Danielle Muething, Jennifer J. Araya & Patrick Phillips.

BABES IN HOLLYWOOD

The Dates: May 16-June 3, 2012
Tickets and More Information: Showboat Majestic | BTC listing

BECKY’S NEW CAR

The Dates: May 17-19, 2012
Tickets and More Information: Middletown Lyric Theatre | BTC listing

THE COMPLETE HISTORY OF AMERICA (ABRIDGED)

The Dates: May 17-20, 2012
Tickets and More Information: Greater Hamilton Civic Theatre | BTC listing

SONGS FROM THE TALL GRASS

The Dates: May 18-27, 2012
Tickets and More Information: Fairfield Footlighters | BTC listing

The Invisible Becomes Visible – This American Life Hits the Big Screen

By Leave a Comment

Radio Spectacular Comes To The Big Screen Via This American Life Live!

On May 10 the ultimate “shared experience” will be simulcast in over 550 theaters between the US and Canada as PRI’s award winning show, This American Life (TAL) brings radio to the big screen for the third time! TAL host and executive producer (and public radio rockstar) Ira Glass, serves as ring master for the cinematic event broadcasting live from NYU’s Skirball Center for the Performing Arts in NYC. The Invisible Made Visible is the theme for this production, starring a veritable “whose who” of the public radio culture!

For starters, there are feature stories from Ira Glass himself, as well as regular contributors David Sedaris and David Rakoff and yet another regular, Mike Birbiglia, throws in a short film into the mix. Also joining these TAL all stars is the host of NPR’s Snap Judgment, Glynn Washington, as well as comic Tig Notaro, author Ryan Knighton (to the delight of Canadian TAL fans) and live music with audience interactive Android / iPhone App performance by the band OK Go. Original animation and projected illustrations will be sprinkled throughout the show plus special surprise guests!

BUT WAIT! There’s MORE! What, you may be asking yourself, would a radio show be without dance?  The Monica Bill Barnes & Company of New York is not only featured in this performance, but was the motivation behind bringing This American Life back into the cinema!  In a recent interview, Glass recounts how inspired he was while attending a live performance of Monica Bill Barnes & Company for the first time…

“There was something about they way they did their performance that reminded me of our radio show. There was something about the personality of it and the way the dances unfolded. They were just very good actors. The pieces seemed to be about moments of awkwardness and anxiety and the thought flashed in my head.” Glass went on to say that, “Our audience would really be into this, it’s just like our radio show…but it’s entirely visual, maybe we should think about doing another cinema event.”

I asked him how long it took from the actual moment of inspiration to the concrete production of this live show. He was surprisingly specific…

“I saw the dance show (I’m pulling it up on my calendar as we speak) June 4th, 2011, but we didn’t really decide to do it until September.” He cites being in ‘infinite editing mode’ on a Birbiglia film during the Fall of 2011 and preparing for the January 2012 Sundance Film Festival, for putting this live event momentarily on the back burner.

Yet, this moment of inspiration led Glass into a parallel universe to produce The Invisible Made Visible. For the better part of the last year, while continuing to work on the radio show, Glass found himself in “the weirdest period of my life” approving drafts from Disney animators, attending dance rehearsals, as well as working with the band OK Go in developing an interactive iPhone & Android app. To heighten the shared experience, the vision for the music app is to include 50,000 audience members in a musical performance with OK Go, similar to the bands 2012 interactive music video, Needing/Getting which aired as a Chevrolet commercial during the Superbowl.

“We basically tried to invent things that you could never do on the radio.” – Ira Glass

This production is not the only cinematic venture in the life of Ira Glass. In the summer of 2011 he co-wrote and shot a feature film with humorist and author Mike Birbiglia titled Sleepwalk With Me, which is based on Birbiglia’s This American Life piece of the same name which, in turn, was developed into a book and one man show. In January of this year Sleepwalk With Me received an audience award at Sundance Film Festival and will be go into general release August 24, 2012.

When asked what his thoughts were pertaining to the Invisible Made Visible project, he laughingly said, “I wished for a multi media adventure and I got my wish!”

When I asked Ira if fans could look forward to these cinematic/multimedia events on a regular basis, say every two years or so, he gave an enthusiastic nervous laugh, saying, “I have no idea if we’ll ever do it again! It is such an ambitious sort of undertaking that with all the animations and movies and things like that, it’s either going to be the most AMAZING thing that we have ever put on, or, it’s going to be a complete train wreck! There’s no middle ground! It’s going to be the greatest triumph of the shows history OR we will always look back on this day as the WORST thing that we ever attempted. Nothing in between is possible!” (more nervous laughter) “That is my promise to the audience!”

Judging from the success of the radio show, the brief stint of This American Life on Showtime and the last two cinema events, Glass doesn’t have much to worry about. The financial weight of this, the third, live show is much less daunting than the previous one in 2009. That entire production was funded from the pockets of TAL and was an extreme business risk.

“This time we’re doing it for the purest of reasons. It seemed like it would be fun for the audience and fun for us.” – Ira Glass

Even with the hefty price tag of such a production for a cinematic event like this, the thought of the possible higher revenue from Pay Per View is not as attractive to Glass as one might think. The impetus for taking on such a huge endeavor such as this may be explained by something Glass had been witness to in the past. As a huge fan of Howard Stern, Ira recalled how magical it felt to be in a theater with other fans and the moment of sharing the standing “O” when Stern entered the theater.

“One of the big advantages to doing it in a movie theater is, I know that when we’ve done our show live on stage, it’s exciting for people who are fans of a radio show to get together with a group of people who are fans of the same show.” Glass said.

Glass respects the intelligence of  the audience of This American Life, and leaves it up them to discern the difference between journalism and story telling. Briefly touching on the recent controversial Mike Daisey episode, Mr. Daisey Goes to the Apple Factory and the following retraction show in March 2012, Glass spoke to issues of fact checking and the responsibility of shows that deliver a mix of off beat news through entertainment.

Pertaining to the pitfalls that can occur with a show such as TAL, Glass said, “Truthfully, I would like to believe that the audience is sophisticated enough that they can tell the difference and that we don’t have to cue them.”

Even in light of his high regard for the audience, technical concerns and complicated timing during this live show is nerve wracking.

“I feel confidence in the material but, it’s a very complicated tech thing to pull off and so I feel very nervous about that.” Glass expounded on that thought by saying, “I feel confident or I wouldn’t be doing a show…but I go into it very, very worried. It’s also the excitement of doing things you’ve never done. Hopefully, with fear comes enjoyment.”

With all the anxiety that comes with producing such an ambitious event, Glass is equally excited about the format. He loves the energy and reaction of a live audience versus being in a sound proof production booth.

“It’s exciting to be on stage in front of people, especially with material that you’re excited to present! Maybe this is a bad thing to say because we have all these people collaborating, but I am most excited about my own part of the show.” Glass went on, saying, “I’m most excited about the parts I get to perform! There’s a story I get to tell at the top of the show and there’s another one in the middle of the show and their both going to be really fun to perform!” Taking on a giddy tone, his inner geek came out while talking about mixing music, quotes and cues live with an iPad. “It’s really fun to do!”

“I feel like we’ve been doing promos on the air and try to express to the audience, ‘No, no! I know I’ve promoted other things but this one is really unusual and special!’ and I don’t know how to wave my arms around enough and say, ‘We’re pulling all the stops out here! Even stops we didn’t know existed!’” Glass added, “I want to communicate to the audience, ‘We’re not kidding this time! You’re not going to want to miss this one!’ The stuff we’re making for the show is so exciting! The animation and the movie that Mike Birbiglia did…they’re so exciting that it’s really hard not to just show (it to) those to people and say, ‘See what we’re talking about?!?’…but then we don’t want to spoil it.”

Dayton, Ohio witnessed this “live” mix in the flesh last May (2011) when Ira performed his solo act at Victoria Theater, in support of WYSO. I was fortunate enough to be in the first class of WYSO’s  Community Voices as a producer training. Ira conducted our last class the afternoon before his show. He had a lot of great stories and practical advice. One thing that stands out with me even today was his advice on finding stories, which was pretty simple actually: “Do stories on things that amuse you.”

This American Life has always had its finger on the pulse of what amuses people. Whether it’s tragic or comical, it draws us in. They have done what radio of the past has done; given a shared experience using only sound. This live show is the rare event to bring us the sight that goes with it.

Things you should know before attending the show:

~ Dayton showings are at Regal Hollywood 20 at Fairfield Commons in Beavercreek, Dayton South 16 (near Dayton Mall), and Huber Heights 16. Tickets are $20.00 and can be purchased in advance here: http://www.fathomevents.com/originals/event/thisamericanlife2012.aspx

~ If you have an iPhone or Android and would like to participate in the live interactive “OK Go” performance, (imagine being encouraged to loudly use your phone in a theater), you need to get the App before going to the theater. Cell phone reception is poor in theaters for a reason, so don’t wait to download your App in the theater. You can get it via iTunes or the App store or for easier linkage, go here: http://www.thisamericanlife.org/blog/2012/04/download-the-live-show-app

[yframe url=’http://www.youtube.com/watch?feature=player_embedded&v=RKePFF3zUlE’]

Dayton Circus Sideshow Lucky 7

By Leave a Comment

Laurana Wong performs at Sideshow I

In 2006, local artist Laurana Wong had a vision to “expose the burgeoning underground art scene and interconnect it with the more established art community while bringing attention to Downtown Dayton through a grand-scaled and highly public display of the art that is so ripe in this town. The event will be free of charge and open to as wide of a population as we can reach. The guests will be at least as diverse as the involved…”  And that year in a vacant space in the Cannery, Sideshow was born.

This was (and still is) the quintessential do-it-yourself grassroots independent local art show in the region.  Artists and volunteers came together to prepare a vacant space that had collected decades debris and dirt.  A stage was built, walls for hanging art were added, a dumpster was filled – and through it all, tight bonds were formed between dozens of local artists all coming together to organize an awesome event.  That night on June 24th, over 60 artists and performers (including Laurana herself) put on an amazing show that had people mesmerized and speechless, with many shaking their heads in disbelief that they were “still in Dayton” – a phrase uttered at each of the following Sideshows that speaks both to how strong our independent arts community is, and how many in the region are still unaware.  After that first wildly successful Sideshow, The Dayton Circus Creative Collective was born, with a simple mission: “The Circus is dedicated to building a nourishing environment that will encourage community interaction, artistic collaboration, and the empowerment of the individual. We offer a place to create, perform, and share freely in the experience of living.”

Leesa Haapapuro - "Pot Luck"

Sideshow has moved around to different locations over the years, with one of the most popular venues being The Merc on Third Street across and down from The Cannery.  Next was the old Unicorn Bar at Third and Jefferson, then The Armory in the OD – and finally now at the permanent home to the Dayton Circus – The Yellow Cab Building across and down from Garden Station at 700 E. Fourth St.  This 7,300 square foot space was built in 1964 and has a mix of spaces including a large garage area, artist studios, community meeting rooms and event spaces.

This year on Friday, May 11 (Urban Nights), and Saturday, May 12  the Dayton Circus Creative Collective will present its annual multimedia extravaganza, Sideshow 7 – which will feature work by more than 50 artists and more than 20 acts by performers and bands. In addition, there will also be performance art on Friday, and a fashion show and fire spinners on Saturday evening. Admission is free, but donations will accepted to support The Sideshow and the Circus.

I talked to this year’s co-organizer Kate Ervin about Sideshow 7…

DMM: What will make this Sideshow different from past Sideshows?

Kate: All our Sideshows vary year to year based on the tastes of the organizers and locations. Since this our second year in our semi-permanent home at the Yellow Cab, we’ve been able to settle in a bit and make the space more comfortable, rather than working with a completely abandoned shell of a building. In recent years, I’ve wondered if the general public associated The Sideshow with Dayton’s very large dark/goth/horror scene, however we truly don’t intend to highlight any one subculture. Therefore I’ve made it my mission to fill the building with nothing but fun this year, with rainbow color, cartoons, and good luck symbols for our seventh year!

DMM: Why do YOU think people across the region should check out Sideshow?

Kate: As a community-based arts festival, you’re likely to experience the creativity of your friends and neighbors. Even more, YOU are invited to participate in any manner you see fit, whether or not you are an “artist”–we welcome the contributions of everyone (shameless plug for volunteering – click here!)

DMM: What are you personally looking forward most to seeing?

Kate: I’m especially proud of the artists who have taken up my call to “go big” and make interactive installations to transform the space. A trio of street artists–ETCH, Nate Harrah, and Neal Chaney–have been working long nights on a giant Rube Goldbergy/Plinko machine that will predict your future. Kat Keller, an MFA student at OSU, created an outdoor “sensory experience” room with lighting, sound, and visuals. Leesa Haapapuro stepped up to build and cater our food table this year, making it a beautifully-designed carnival game.

 

Dayton Most Metro is proud to be the Media Sponsor this year!!!

Performance Schedule for Sideshow 7

Friday May 12

6:00-6:30 Emevol

6:30-7:15 Father’s Day

Todd The Fox (with Lisa BunnyFooFoo) Photo Credit: Val Slayton

7:15-8:00 Todd The Fox

8:00-8:45 The Fair Shakes

8:45-9:30 Dan Raridan & The Calientes

9:30-10:15 C. Wright’s Parlour Tricks

10:15-11:00 The Show

11:00-11:30 Vag Speak

11:30-12:15 Jasper The Colossal

Jasper the Colossal - Photo Credit: Amanda Barbosa

12:15-1:00 The White Soots

 

Saturday May 12th

6:00-6:25 Two Suns

6:25-6:55 The Low Land Healers

6:55-7:25 Haunted Palace

7:25-8:05 Northwest Ordinance

8:05-8:15 Atomik Geisha Fashions

8:15-8:55 Skratchmatik with the Funk Lab Crew

8:55-9:05 Daddy Katz Fashions

9:05-9:45 Starving In The Belly Of The Whale

9:45-9:55 Nina Kahn Fashions

Dirty Socialites

9:55-10:40 Tim Pritchard and The Boxcar Suite

10:40-10:50 Cachet G! Fashions

10:50-11:30 Lurchbox

11:30-12:15 The Dirty Socialites

12:15-1:00 Oxymoronatron

 

Artist Lineup for Sideshow 7

Nicholaus Arnold

Josh Arnold

Kristin Bailey

Gary Blowers

Blue Sky Tech-Arts Collaborative (Terry Welker, Christina, Pereyma, Rodney Veal, Teresa Olivaria, James Balmer, Denise Brooks, and others)

Neal Chaney

Jennifer Clarke

Matt Coffee

Alessandro Cortez

Jeff Dabney

Laura Daniel

Megan Dooley-Smallwood

Jen Dyke

Kate Ervin

ETCH

Summer Rose Fig

Cherry Fullam

Christine Gaffney

Charlie Gast

Stephanie Gorby

Mike Guidone

Amber Gwin

Leesa Haapapuro

Don Habill

Nate Harrah

James Hayden

Steve Heman

Amanda Jasnowski

David Jewell

Kat Keller

Micah Kemplin

David Kenworthy

Braille Korp

Crystal Leisure

Christina Lewis

Richard Duerr Lober

Joey London

Melissa Lush

Agatha MacAlpine

Shayna McConville

Ali Troubadour

Tracy McElfresh

Sarah McLain

Sharon Middelchylde

Chesterton David Miller

Jonathan Missall

Gary Mitchell

Sharon Mohler

Lisa Newman

Michael Officer

Michael Profitt

Rachael A. Redolfi

Bill Reid

Heather Lea Reid

Ben Riddlebarger

Ron Rollins

Katherine Schwab

David Sloane

David Sparks

Spyder

Frank Travers

Julia Trimboli

Wendy Wagener-Harris

Tamra Wallace

Tom Watson III

Patrick Woehl

A Lawyer Walks Into A Comedy Club…

By 1 Comment

Many of you may know that for years I owned a comedy club here in town.  Folks are always asking me who’s funny and to tell them when someone good is coming to town.  That’s hard for me to do, for a couple of reasons.  One- after 20+ years of seeing comic’s I became very jaded, what makes me laugh tends to be the obscure or the sick deviant stuff.  Another is that I really prefer to know what you like before I recommend someone.  I can send you to see  a squeaky clean show, political satire or  silly song parodies, but not every show is for everybody.  Every now and then there’s an act that I think is pretty all encompassing and this week the Funny Bone at The Greene has him, Paul Mecurio.  He’s an emmy winner for his work on The Daily Show!

Here’s what the Huffington Post has to say about Paul:

Paul Mecurio took an interesting route to becoming a comedian, beginning his career on Wall Street as a mergers and acquisitions lawyer and moonlighting in the clubs. Now he headlines comedy clubs around the country. Most recently, Paul launched Got No Game with Paul Mecurio, a new web series on HBOSports.com which tackles the world of sports with a comical look at the compelling stories and outrageous events away from the field through original sketches and one-on-one interviews. New episodes of Got No Game with Paul Mecurio will post each Friday through September 4.
[yframe url=’http://www.youtube.com/watch?v=3JHDaq1yU9U&feature=relmfu’]
Mecurio has been featured on his own “Comedy Central Presents” half-hour special and has made numerous TV appearances including Late Night with Conan O’Brien,The Late, Late Show with Craig Kilborn, CNN, MSNBC, and many others. For his work as a writer on Comedy Central’s The Daily Show, Paul won both an Emmy Award and a Peabody Award (the Pulitzer prize for broadcast journalism). When he’s not on the road, Paul frequently opens for live tapings of The Daily Show with Jon Stewart and Who Wants to Be A Millionaire? Paul can also be heard on the nationally syndicated Bob & Tom Radio Show. As the “Image Makeover Guy” on Bob & Tom, Paul doles out advice on how public figures can improve their images. Paul’s “Consumer Man” pieces about life as a frequently aggravated consumer have been featured on Bob & Tom and in The New York Times Magazine.

You probably  know I do an interview with local Chefs called 10 ?’s.   Paul wanted to know if I could interview him to help get the word out that he’d be here, so  I sent him my 1o ?’s.  Here ‘s what he shot me back in 2 minutes.  And that’s a record for quickest answers!

What is your favorite ingredient to cook with?

Bob Costas interviews Paul as an "asterisk"

OXYCODONE–IT TRANSPORTS THE FOOD … AND YOU!

What ingredient do you dread?

URANIUM, VERY DIFFICULT TO WORK WITH AS A REDUCTION SAUCE

What’s your favorite dish to make? 

CHEF BOYARDEE RAVIOLI … NOW IF I CAN JUST FIND SOMEONE TO OPEN THE CAN FOR ME, IT WOULD BE PERFECT

What’s your favorite pig out food?

PIZZA, ICE CREAM AND CHOCOLATE CHIP COOKIES, ALL AT ONCE … I;M A BUSY MAN

What restaurant, other than your own do you like to dine at in the Miami Valley?

THERE’S S A GREAT DUMPSTER AT FIFTH STREET & WAYNE AVE

What’s your best advice for home chefs?

FLAME RETARDANT JOCK STRAP.

If you could invite any 4 guests to a dinner party who would they be and why?

3 GANG MEMBERS AND DONALD TRUMP, SO I COULD WATCH THEM BEAT UP DONALD TRUMP WHILE I EAT — DINNER AND A SHOW.

Who do you look up to in the industry and why?

THE COLONEL –COME ON ELEVN HERBS AND SPICES?  ELEVEN!  THE MAN’S A GENIUS

What do you do in the Miami Valley on a day off?

READ THIS BLOG POST AND WEEP.

(though I seem to remember some nights we spent at Diamonds with the Jokers staff…)

Share a kitchen disaster, lucky break or other interesting story:

I WAS COOKING PASTA AND FORGOT TO PUT WATER IN THE POT-THE PASTA WAS A LITTLE UNDERCOOKED.
So go check Paul out this week at Funny Bone, make reservations, shows do sell out and tell ’em Lisa sent you!  But remember there’s a 2 item minimum and don’t heckle, you’re never gonna be as funny as the pro’s and Paul is one of the best!