Hello Everyone,
All of us at THE NEON have been working long hours the past several days, and I hope you’re able to discern this newsletter – my eyelids are quite heavy as I type this note. As soon as the benefit was over on Sunday night, we began prepping our projection booth, auditoriums and lobby for some major changes and improvements. On Monday morning, the 35mm projection gear was removed, and new digital projectors (and servers and cases and lenses and cables and monitors and…) began to arrive that afternoon. While technicians have been preparing our new system, the staff has been busy painting, cleaning and painting some more. Our old carpet is being torn up right now, and the new carpet will be laid this afternoon.
Sunday’s benefit was a big success! Thanks so much to all of you who attended. We set our limit to 120 tickets…and we sold the 120th ticket just as the party was getting started. Additional thanks to everyone who made a donation to our cause! Our goal for fundraising was set at $25,000, and we’re currently at $22,160. That’s really wonderful!
On Friday, we will open with all new digital projection. While we will hold onto our last two titles – SLEEPWALK WITH ME and ARBITRAGE – we’ll also open a new documentary that has been a huge hit on the festival circuit. SEARCHING FOR SUGAR MAN is part mystery part historical document, and music lovers can’t get enough.
Synopsis for SEARCHING FOR SUGAR MAN: “Searching for Sugar Man tells the incredible true story of Rodriguez, the greatest ’70s rock icon who never was. Discovered in a Detroit bar in the late ’60s by two celebrated producers struck by his soulful melodies and prophetic lyrics, they recorded an album which they believed would secure his reputation as the greatest recording artist of his generation. In fact, the album bombed and the singer disappeared into obscurity amid rumors of a gruesome on-stage suicide. But a bootleg recording found its way into apartheid South Africa and, over the next two decades, he became a phenomenon. The film follows the story of two South African fans who set out to find out what really happened to their hero. Their investigation leads them to a story more extraordinary than any of the existing myths about the artist known as Rodriguez.” (Sony Pictures Classics) Click this link to visit the official site.
[yframe url=’http://www.youtube.com/watch?v=tDw7OqVBT-w’]
“Help support DATV and be inspired by short films that aim to make a difference in our lives. DATV presents the MEDIA THAT MATTERS SHORT FILM FESTIVAL on Thursday, November 8th at 7:30pm, at THE NEON in Downtown Dayton. The MEDIA THAT MATTERS SHORT FILM FESTIVAL is the premier national showcase for short films on the most important topics of the day. The films engagediverse audiences and inspires them to take action. The festival features 12 jury selected short films that tackle a broad range of social issues with humor, humanity and honesty in 12 minutes or less.” (provided by DATV) Tickets are $10 each, and we have a few available at our box office and on DATV’s site. For more details about the event and the films, visit the official site.
Though we’ve got lots to still learn (training on the new projection equipment will begin this afternoon), this weekend marks the start of a new era for THE NEON – the culmination of months worth or research and preparation. We hope to see you soon.
Thanks so much for your ongoing support!
All the best,
Jonathan
SHOWTIMES for Fri. Oct. 19 – Sun. Oct. 25:
ARBITRAGE (R) 1 Hr 47 Min
Friday, Saturday, Sunday: 5:15, 9:30
Monday – Thursday: 5:15
SLEEPWALK WITH ME (NR) 1 Hrs 30 Min
Friday, Saturday, Sunday: 1:00, 3:10, 7:30
Monday – Thursday: 3:10, 7:30
SEARCHING FOR SUGAR MAN (PG-13) 1 Hr 26 Min
Friday, Saturday, Sunday: 1:00, 3:00, 5:10, 7:20, 9:30
Monday – Thursday: 3:00, 5:30, 8:00
COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear
very soon – KILLER JOE
very soon – LIBERAL ARTS
Nov. ? SAMSARA
Nov. 16 (2 weeks only) – A LATE QUARTET
Nov. 21 – THE SESSIONS
Nov. 30 – ANNA KARENINA
Leave a Reply