Dayton937

Things to do in Dayton | Restaurants, Theatre, Music and More

On Screen Dayton

Convention Center to Launch Halloween Movie Series

By

The Dayton Convention Center will launch is 1st Annual Halloween Movie Series. Movies will begin Saturday, October 1st and run through Saturday, October 22nd in the Theater of the Convention Center. There will be several movies at various times to appeal to the entire community.

“We are delighted to add to the line-up of fall festivities, here in Dayton. We hope to see old friends and new faces this October and we present our inaugural Halloween Movie Series,” shared Kelli Donahoe, General Manager of the DCC. “By offering multiple dates and movies for all ages, we are looking to provide an alternate option to your typical movie experience.”

“In addition to our concession offerings, Warped Wing will be on-site offering a complimentary tasting of their local craft brew during the evening movies, as a way to enhance your visit,” added Donahoe. “There will also be trivia and prizes at the start of each movie. So don’t be late!”

The Dayton Convention Center

22 E. Fifth Street
Dayton, OH 45402

937.535.5300

Tickets are on sale now @ Tickets & Deals (daytonconventioncenter.com)

Adults = $10.00, Children 12 & Under = $5.00

Over 600 seats in the theatre.

 

 

 

 

 

 

 

 

Dayton Independent Film Festival is This Weekend

By

The Dayton Independent Film Festival (DIFF) celebrates regional filmmaking and stories from Midwestern filmmakers who offer their DIFFerent and unique vision. This weekend they host their 3rd annual Film Festival at The Neon Movies.  The festival will showcase films from established professionals, emerging filmmakers, and students.  Celebrating impactful stories from narrative, documentary or animation— everyone has a story to tell, DIFF cannot wait to showcase these films and filmmakers.

Melanie Reindl, Director of Programming festival explains that this started out a class a the Univeresity of Dayton and has now grown into a 3 day festival that runs Fri, Sept 23- Sun, Sept 25th.

Opening night on Friday starts with a welcoming ceremony for all our filmmakers on the Neon patio  followed by a local shorts 7pm screening,  from documentary to drama—that celebrates stories and filmmakers from Dayton that includes:

SHATTERED: A City Under Pressure
Directed by UD Documentary Class

What was once a booming city of innovation and creation has seen its once former glory eroded by time and circumstance. Called home by bright minds such as the Wright Brothers, Paul Laurence Dunbar, and John H. Patterson, Dayton, OH was a homing beacon for creative minds with a drive to better themselves and their community.

Paul Laurence Dunbar: An American Poet
Directed by Kane Alan Stratton

Dayton, Ohio 1903. A world renowned poet delivers the incomparable verse, “I know why the caged bird sings.”

Stowaway
Directed by Benjamin Hollinger

Sam, a financially struggling car thief, and his partner Mia find a toddler in the back seat of the car they just stole. Now Sam must decide between protecting the toddler or giving up the car that could save his family from financial crisis.

SIA
Directed by Ashlei Shyne

”Sia” is a poetic short film that follows Nola & Sia, a Black queer female couple whose vibrant life together is upended when a global pandemic threatens to tear apart their entire world.

Analog Rainbow
Directed by Henry Czerwonka

A young woman plagued by her past gets a chance to revisit her earliest memories and discovers her childhood may not have been as carefree as she remembers.

Nonfiction Shorts
Saturday kicks off with nonfiction shorts from 1-3pm:

Safe Haven
Directed by Faith Marsh

Monica Kelsey turns her own past into a passion for saving abandoned babies.

A Near Constant and Escalating State of Panic
Directed by Jason Polevoi

A young father grapples with the pressures of modern parenthood during a 10-day COVID-19 quarantine.

The Year That Passed

Directed by Grace Simmons

The Year That Passed (2019) is an animation about loss, addiction and togetherness. Chronicling three successive, deeply traumatic events, this narrative explores grief as a recurrent process with its own unique setbacks and silver linings.

Memoria(l)

Directed by Ian Kelly

This beautifully animated documentary takes us back to Memorial Day, 1937, when Chicago police killed ten striking steelworkers. How do we remember this history?

Never Again Para Nadie


Directed by Anna Feder, Dan Frank, Justin Reifert

A peaceful demonstration in August, 2019 coordinated by a Jewish-led organization, Never Again Action, attempted to shut down a for-profit prison holding ICE detainees, only to be met with violence by correctional officers. In the smallest and poorest city in Rhode Island, citizens took a stand and learned how difficult it is to challenge the status quo.

Sons of Toledo


Directed by Monty Cole

After receiving the early morning news of his younger brother’s murder, a mourning barber pushes through the muddy waters of grief to find the courage to do the impossible – give his brother one last cut.

Fiction Shorts 1

Followed by Fiction Shorts from 4-6pm

Last Chance Moms

Directed by Mandy Fabian

Two best friends in their 40s, one pregnant and unexpectedly dumped by her man-child boyfriend, the other unable to get pregnant despite countless efforts, decide to raise a baby together.

Snow Globe & The Cat

Directed by Rick Page

‘Twas the Day after Christmas, when all through the house, ex-wife Lydia returns to get her revenge on Frank. Poor bastard.

Got Your Back

Directed by Mitch Hudson

In the 1960s, a group of high school buddies decide to climb their local water tower… Based on a true memoir, and produced in loving memory of Steve Cruea and Jim “Turd” Swanson.

Don’t Worry About It

Directed by Melissa Kong

After her father’s death, a young woman’s obsessive-compulsive disorder spirals out of control. She enters an intensive therapy program, where she must learn to deal with his death and OCD before it takes over her life.

A Balanced Breakfast

Directed by J.W. Cox

A neurotic, workaholic father sets out to find his favorite childhood cereal during an unexpected day off with his 13 year old daughter.

The Guitar Thief
Directed by Miguel Lepe Jr

Two mariachi players cope with rent increases, a changing neighborhood and a stolen guitar.

Fiction Shorts 2
And then another block of fiction shorts from 7-9pm:

Wild Card

Directed by Tipper Newton

Two strangers are brought together by a video dating service.

Gone Gray

Directed by Spaceship, Koura Linda

An under cover Special Agent finds herself in an interrogation room, facing off an interrogator determined to get her to give up. She will never let go of what she wants the most – and she will let no one stand in her way to get there.

One Foot In

Directed by Eric Schabla, Jack Whaley

A pair of eccentric graverobbers navigate the land and their tenuous kinship in search of the score of a lifetime.

Recuperación de los Caídos (Recovery of the Fallen)
Directed by Curtis James Matzke

A lone man wanders a barren landscape on a foreign planet, salvaging items off of bodies that have fallen to the surface. Recuperación de los Caídos was shot and produced in the Canary Islands under the advice and mentorship of director Werner Herzog.

We Are Nowhere

Directed by J. Cody Spellman

After aliens abduct her husband, Minnie receives a visit from a mysterious man in black.

Last and First Woman
Directed by Adnan Siddique

A passionate astronomy student disengages from her college curriculum upon the discovery of an illusive artifact.

Special Presentation: Dayton High School Shorts
Sunday the festival concludes with a special free presentation of shorts from local Dayton High School students from noon – 1:30pm:

The lineup includes:

Catcalling by Leigha Strozier
Reflections of Myself by Makayla Curington
Deceiver by Skylar Tucker
Valentine’s Day by Caleb Earick
Mortem by Danaysha Woodard
Barber by Danaysha Woodard
Keys by Joshua Molina Guiterrez
Cat by Caleb Earick

Get tickets for the Dayton Independent Film Festival online or at the Neon’s  box office. The  2022 Winning films have been announcned:

Best Local Film: Analog Rainbow
Best Student Film: Stowaway
Best Fiction Film: Don’t Worry About It
Best Documentary Film: Memoria(l)
Best Innovative Technique: Sons of Toledo

 

Celebrate National Cinema Day with $3 Movies

By

On National Cinema Day, which this year falls on Saturday, September 3rd,  movie tickets will be just $3 in the vast majority of American theaters as part of a newly launched promotion to lure moviegoers back to the theaters. Labor Day weekend is traditionally one of the slowest weekends in theaters.

The Cinema Foundation, a nonprofit arm of the National Association of Theater Owners,  announced the nationwide discount day in more than 3,000 theaters and on more than 30,000 screens. Major chains, including AMC, Cinemark and  Regal Cinemas, are participating, as are all major film studios. In participating theaters, tickets will be no more than $3 for every showing, in every format.

“After this summer’s record-breaking return to cinemas, we wanted to do something to celebrate moviegoing,” said Jackie Brenneman, Cinema Foundation president, in a statement. “We’re doing it by offering a ‘thank you’ to the moviegoers that made this summer happen, and by offering an extra enticement for those who haven’t made it back yet.”

After more than two years of pandemic, movie theaters rebounded significantly over the summer, seeing business return to nearly pre-pandemic levels. Films like “Top Gun: Maverick,””Minions: Rise of Gru,“”Doctor Strange in the Multiverse of Madness” and “Jurassic World Dominion” pushed the domestic summer box office to $3.3 billion in ticket sales as of Aug. 21, according to data firm Comscore. That trails 2019 totals by about 20% but exhibitors have had about 30% fewer wide releases this year.

Cinemark/Rave Theatres are taking the $3 price point even further, offering the following concession specials:

Organizers of National Cinema Day described the event as a trial that could become an annual fixture. While some other countries have experimented with a similar day of cheap movie tickets, the initiative is the first of its kind on such a large scale in the U.S.

Cinemark Dayton South 16

195 Mall Woods Dr,
Dayton, OH  45449

(937) 435-1806

Cinemark the Greene 14 and IMAX
4489 Glengarry Dr
Beavercreek, OH 45440
(937) 429-4130

7737 Waynetowne Blvd,
Dayton, OH 45424

Little Art Theater

47 Xenia Avenue
Yellow Springs, OH 45387

937-767-7671

The Neon Movies

130 E 5th Street
Dayton, OH 45402

 (937) 222-7469

Cinepolis

10251 Penny Lane at Austin Landing
Miamisburg, OH 45342

(937) 865-9716

McCoy on Movies: THIRTEEN LIVES

By

Colin Farrell, Viggo Mortensen lead dramatic based on true events tale that should garner Academy Award contention

“Yes, there is more water up ahead … But luckily, no sharks!” (L to R) Colin Farrell as John Volanthen, Joel Edgerton as Harry Harris and Viggo Mortensen as Rick Stanton in THIRTEEN LIVES, directed by Ron Howard, a Metro Goldwyn Mayer Pictures film. Credit: Vince Valitutti / Metro Goldwyn Mayer Pictures © 2022 Metro-Goldwyn-Mayer Pictures Inc. All Rights Reserved
WATCH THE TRAILER HERE:
 

 

DIRECTOR: Ron Howard

KEY CAST MEMBERS: Colin Farrell, Viggo Mortensen, Joel Edgerton, Tom Bateman, Chris Jewel, Paul Gleeson, Thira ’Aum’ Chutikul, Sahajak ’Poo’ Boonthanakit, Popetorn ‘Two’ Soonthornyanakij, Thiraphat ’Tui’ Sajakul, Sukollawat ’Weir’ Kanarot and Pattrakorn ’Ploy’ Tungsupakul
THE BACK STORY: In 2018, a Thai soccer team of twelve boys and their head coach (Teeradon Supapunpinyo) ventured into a cave after practice. Then, much to their dismay, monsoon season started far earlier than expected, flooding the cave and trapping them inside. Once their families realized what had happened, their story captivated the nation and then the world, drawing attention from rescue volunteers around the globe.
Among those who find themselves motivated to help John Volanthen (Colin Farrell), the grizzled Rick Stanton (Viggo Mortensen) and anesthesiologist Harry Harris (Joel Edgerton), three veteran British cave divers. On a short list of recommended experts, the trio arrive on the scene only to discover things are far worse than they ever anticipated. But with a combination of help from the local governor (Sahajak ‘Poo’ Boonthanakit), the leader of his rescue team (Thira ‘Aum’ Chutikul) and the thousands of villagers and volunteers that come to help, the boys and their coach may have a chance to survive an extremely dire situation just yet.

THE REVIEW: There are two compliments I can give THIRTEEN LIVES that should sum up how good the Ron Howard-directed drama is: One, it’s the best work I’ve ever seen Colin Farrell do, which is high praise considering I have not always been a fan of his work (see Recall, Total) and two, the film at times feels more like a documentary than a scripted affair based on true events. There are no hokey “man up” inspirational speeches, the doubt, panic and anxiety of the situation is felt by multiple characters in a manner that never feels forced or inauthentic and the story, which is captivating on its own, features multiple insights into everything from Thai culture to the commonalities of humanity across borders. At no point in time do you feel like you’re watching characters; instead, you are watching people simply trying to help other people do something extraordinary than few of us likely could.
If the film has one flaw/deterrent, it would be it’s 2-and-a-half-hour run time. Then again, given the two-plus weeks the boys were stuck in the cave, that’s a small sacrifice to make to take in a compelling tale worthy of Academy Award consideration in several categories come next year.
THIRTEEN LIVES almost feels like a bit of a misnomer for the film title-wise. For the movie may begin with your focus on 13 lives, but by its end, it’s incredibly difficult to think about the thousands of people that came together to save them and others that will be inspired by their efforts.
OVERALL RATING (OUT OF FOUR POSSIBLE BUCKETS OF POPCORN):

 

 

 

McCoy on Movies: Bullet Train

By

Brad Pitt leads ensemble cast through violent, entertaining action comedy

“So … Who’s your favorite character on Atlanta, man?” Lemon (Brian Tyree Henry, left) gets acquainted with Ladybug (Brad Pitt) in a scene from David Leitch’s BULLET TRAIN. Credit: Scott Garfield © 2022 Sony Pictures Entertainment. All rights reserved.
WATCH THE TRAILER HERE:
 
 
DIRECTOR: David Leitch
KEY CAST MEMBERS: Brad Pitt, Aaron Taylor-Johnson, Brian Tyree Henry, Hiroyuki Sanada, Bad Bunny, Zazie Beets, Joey King, Logan Lerman, Andrew Koji, Michael Shannon … And three special players in small but entertaining roles
THE BACK STORY: An Americanized re-envision of the 1975 Japanese film of the same name, Bullet Train stars Brad Pitt as Ladbybug. Ladybug, of course, is a fake name, one given to Pitt’s character by his employer, a mysterious voice on the other end of a cell phone that has left him several supplies in a locker at a Japanese train station.
You see, Ladybug has been instructed to get on a bullet train heading toward Kyoto and simply grab a briefcase with a sticker on the handle. That’s it. It’s so simple, in fact, that Ladybug knows something must be wrong the job. But, having been trying to get himself in order following deep conversations with his therapists, he takes the gig as a fill in for the person who was supposed to do it and aboard the train he goes.
As fate – and trust me, fate will play a big role upon this train – would have it, Ladybug’s instincts prove right. For you see, upon this train is quite the cast of characters. There are Tangerine and Lemon (Aaron Taylor-Johnson and Brian Tyree Henry, respectively), a pair of brothers who have the briefcase in question as well as the facially-tattooed son of the White Death, a well-known Japanese crime lord.
Also on the train is Kimura (Andrew Koji), the son of the mysterious Elder (Hiroyuki Sanada), a man who knew the White Death would be, well, the death of the crime family to which they both once belonged. Kimura’s son is in the hospital after being pushed off a roof, which has driven him (at the Elder’s behest) to seek revenge … But on whom? Then there’s the Prince (Joey King), a seemingly innocent school girl who is definitely not what she seems.
And with the train stopping at stations along the way – and various characters being able to enter and exit at will – Ladybug is going to learn and learn rather quickly that he’s likely going to need a lot more therapy if he ever gets off this train.
THE REVIEW: What happens when you let the director of Deadpool 2 create a film that features just the right amount of insane violence with humor and plot twists to keep you engaged? You get Bullet Train, a near perfect thrill ride of gun, knife and swordplay, characters that should not be charismatic since they, for the most part, are all terrible people and 2 hours of turn-your-brain-off-and-just-enjoy-it fun.
As much as he has been tabloid fodder for most of his career, it’s easy to forget just how good of an actor Pitt can be. Bullet Train finds him at his comedic best, exhibiting flawless comedic timing while making you intrigued to see what his character will do (or have to deal with) next. The same can be said for Taylor-Johnson and Tyree (in what might be his best big screen role to date, presenting a character who is capable of both great violence and great sensitivity (and sometimes in the same moment).
That’s not to overlook Zoey King in her role as Prince, a character that the audience will love to hate but can’t just because of how great her performance is. Even the minor/secondary characters are given roles that add up to big laughs/moments under Leitch’s direction, a skill he utilizes as well here as he did in Deadpool 2.
Now, that’s not to suggest Bullet Train is for everyone. The language is harsh and the violence is on a Mortal Kombat level from start to finish (and I mean the video games, not the most recent movie) to the point the recent-released The Gray Man might feel competition. Unlike that film, however, Bullet Train never takes itself too seriously and instead is presented in a tongue-in-cheek fashion that knows you’re in on the jokes and balances that with characters dedicated to their cause.
In short, in a summer in short supply of competition, Bullet Train should reach no. 1 with a bullet given its high joke ratio, body count and quality of all the things that happen in between.
OVERALL RATING (OUT OF FOUR POSSIBLE BUCKETS OF POPCORN):

 

 

Local Filmmaker Victor Bonacore Debuts Woke-Exploitation Girl-Gang Thriller: THRUST!

By

Local film crew Tranzient Pictures brings you their first feature length film THRUST! A low budget, exploitation film shot almost entirely in and around Dayton, Ohio. After a year of production the movie is ready for an audience! THRUST! Takes place in a dystopian world run by girl gangs.

The story centers on two lovers, Aloe & Vera hailing from The Punk Boiz as they embark on a mariujana fueled, revenge journey. Weaving their way through the colorful apocalypse to try and rid the world of the last scumbag alive, who is wreaking havoc amongst the female, fronted future. THRUST!

THRUST! Will make its OHIO PREMIERE at The Little Art Theater in Yellow Springs Ohio on Saturday August 6th 2022 at 10pm. This screening will be presented by the cast & crew live in person including scream queen legend Linnea Quigley, director Victor Bonacore (Diary of a Deadbeat) and star Erin Brown, Allison Egan, Scarlett Storm, Sadie Tate, Felicia Fisher & more surprises!  THRUST! Runs 1:59:00 Minutes long, unrated & for mature audiences only!

THRUST! Will have its Ohio encore showing on Sunday August 7th at 7pm at The Neon located in downtown Dayton, Ohio. Linnea, cast & crew will be in attendance for this show as well! THRUST!

Stars a plethora of local talent lead by a cast of indie starlets including Erin Brown (The artist formerly known as Misty Mundae) Allison Egan (Primordial, Eat it Up) Linnea Quigley (Return of the Living Dead, Night of the Demons) Ellie Church (Headless,Harvest Lake) Roni Jonah (Space Babes from Outer Space) Sadie Tate (Feaster Sunday) Independent wrestlers Queen Aminata (AEW) Jessicka Havok (Impact Wrestling) Ace Austin (Bullet Club) and Madman Fulton (EX-WWE,Impact).

Featuring a score from local new wave artists Dirty/Clean and featuring songs and more from Yellow Springs electro punk duo Yikes A Band! THRUST!

Kick off show!
Friday August 5th, 8pm
Yellow Cab Tavern, featuring live performances from:

Mike Hunchback
(guitarist of Screeching Weasel and ex-Nightbirds)

Weedghost
(Ohio Noise)

Yikes A Band!
(first show in 3 years)

McCoy on Movies: The Gray Man

By

Ryan Gosling, Chris Evans star in the Russo’ brothers shootout-heavy live-action video game that isn’t one

“Say something else about Drive and you’re gonna get it!” Six (Ryan Gosling) in a scene from Anthony and Joe Russo’s action thriller THE GRAY MAN. © 2022 Netflix. All rights reserved.
WATCH THE TRAILER HERE:

 

DIRECTOR: Anthony and Joe Russo

KEY CAST MEMBERS: Ryan Gosling, Chris Evans, Billy Bob Thornton, Regé-Jean Page, Ana de Armas, Dhanush, Jessica Henwick, Alfre Woodard and Julia Butters
 
THE BACK STORY: Based on the novel of the same name by Mark Greaney, THE GRAY MAN stars Ryan Gosling as Six. Serving time in a Florida prison, he is offered a chance to leave by the mysterious Donald Fitzroy (Billy Bob Thornton) … But there’s a catch: He must work for the FBI as an assassin called in to take out the worst of the worst – but as a shadow operative, working “in the gray” allows them to disavow any knowledge of his existence.
After a job goes sideways, however, Six learns that what he thought he knew to be true may not exactly be the truth – and now, his life may be in danger as a result. So once he starts digging for answers, CIA Director Carmichael (Regé-Jean Page) starts intensifying his efforts to stop him – which results in bringing in the loosest canon possible: Lloyd Hansen (Chris Evans), a washout of the same program that birthed Six. Lloyd is determined to bring down Six by any means necessary … And if that means involving Six’s former partner (Ana de Armas), Fitzroy or even Fitzroy’s niece Claire (Julia Butters) in his scheme, so be it.
But Six is going to do whatever he has to do to survive and protect those closest to him, no matter how high the body count may be.
THE REVIEW: Ever wonder what would happen if you could make a movie that was 1/2 standard spy thriller and 1/2 a live action video game with guns a’blazing? Well, if so, THE GRAY MAN – which by its end feels like an AR-15 lovers’ best dream – delivers on that premise exponentially.
Gosling does the thing you would expect him to do fairly well, mixing his “I’m good looking, but I can be serious and brooding” thing well against Evans’ absolute playful yet psychopathic Lloyd. If there was ever a role to make people not just think of him as Steve Rogers’ alter-ego, this would be it as Captain America would likely vomit in disgust at what Lloyd does from the moment he gets on screen to the final credits. The ladies of THE GRAY MAN get in their fair share of moments as well, be it de Armas in the standard sexy-yet-serious-and-troubled foreign spy operative you’re not supposed to be sure of who’s side she’s on or young Butters in the too smart for her own age until gunplay starts Dakota Fanning/Man on Fire role.

Seriously though: THE GRAY MAN‘s tonal shift from worldwide spy thriller to live-action video game is so dramatic that it almost – almost – becomes comically enjoyable. Then again, in a country where 330-plus mass shootings have occurred this year, it might be either the best-or-worst timed release this summer. Having not read the source material, I cannot speak to whether or not the novel on which THE GRAY MAN is as standard issue as it is on film, but once the bullets start flying and body count piles up sky-high, it really doesn’t matter.

What will matter is how much you enjoy watching good-looking people in wild, crazy shootouts (replace the cars in the Fast & Furious franchise with bullets) … And given its mix of humor and gunplay coupled with our current national vibe, THE GRAY MAN will likely add up to plenty of views in theaters and streaming smart devices nationwide.

 

OVERALL RATING (OUT OF FOUR POSSIBLE BUCKETS OF POPCORN):
 

 

 

McCoy on Movies: Minions: The Rise of Gru

By

Minions: The Rise of Gru offers more of friendly-if-not-familiar animated entertainment

“Fine, fine – I’ll tell you the story of my how the guy who voices me once did a sequel to a popular Jim Carrey he’d rather forget about!” Gru (Steve Carrel) finds himself flanked by Bob (left) and Kevin (right) in a scene from Illumination’s MINIONS: THE RISE OF GRU.  Credit: © 2022 Universal Studios. All rights reserved.
WATCH THE TRAILER HERE:

 

DIRECTOR: Kyle Balda

KEY CAST MEMBERS: Steve Carell, Taraji P. Henson, Alan Arkin, Lucy Lawless, Dolph Lundgren, Russell Brand, Michelle Yeoh, Danny Trejo, Julie Andrews and Pierre Coffin
 
THE BACK STORY: While we know him as the world’s greatest supervillain now, Gru (Steve Carell) was once a 10 year-old boy who just aspired to one day be known as such. His inspiration? The Vicious 6, a band of villains led by his hero Wild Knuckles (Alan Arkin). But as fate would have it, for as little as Gru knows about how to be a world-class villain, Knuckles is just as aloof how his status of the Vicious 6’s leader may soon be up for grabs. For Belle Bottom (Taraji P. Henson) has her own ideas for who should be in charge and the rest of the crew – giant robotic-claw armed Jean Clawed (Jean-Claude Van Damme), evil sister Nunchuck (Lucy Lawless), Swedish roller-skating champ Svengeance (Dolph Lundgren) and Stronghold (Danny Trejo) – does as well.
So, when young Gru ends up in San Francisco with his hero facing the wrath of the Vicious 6, it’s going to be up to his minions to save him … If they can get their act together first.
THE REVIEW: Can you believe it’s been more than a decade since Steve Carell’s animated villainous alter-ego came into our lives? Well, if three Despicable Me movies and its subsequent two Minions spinoffs hadn’t made you aware, the lovable little yellow, goggled creatures have been entertaining audiences for a dozen years.
And, as much as I wish minions were real so I could have one or two of my own, the series is starting to become a bit stale as the bananas they covet.
At an hour and 30 minutes, Minions: The Rise of Gru isn’t a long affair – and for good reason. The story is a bit minimalistic and feels very familiar from start to finish. That’s not to say the film isn’t without its moments, however. The backstory of Dr. Nefario is entertaining and Michelle Yeoh as an acupuncturist with a secret life helps make Bob, Kevin and Stuart’s martial arts escapades fun enough and San Francisco feels as alive as it ever has in animated form.
That being said, there’s really no new ground being broken in the The Rise of Gru and it likely won’t win the franchise any new fans that weren’t enthralled with the first four films. Then again, it’s simplicity might help keep it light years (pun intended) ahead of the competition.
Maybe next time out, they’ll just think of bringing a ripe banana to the show instead of one that is starting to turn a little brown.

 

OVERALL RATING (OUT OF FOUR POSSIBLE BUCKETS OF POPCORN):
 

 

 

Midnight Showing of Rocky Horror Picture Show

By

Many of the audience will bring props, or in this case, they’ll have participation bags at the door you can purchase, while you’re picking up a beer.

Rice To throw at newlyweds Ralph Hapschatt and Betty Munroe at the beginning of the show. Many fans will bring rice, though there is concern it will harm birds that eat it (snopes.com says it won’t, but you decide). It also can beslick onstage. American Stage’s kit includes a bubblemaker instead.

Confetti or bubbles At the end of the I Can Make You a Man (the Charles Atlas song) reprise, the Transylvanians throw confetti as Rocky and Frank head toward the bedroom. Or you could blow bubbles instead — easier to clean up.

Newspaper* When Brad and Janet are caught in the storm, Janet covers her head with a newspaper, and you should do the same. Oh look, you have a good one in your hands. Take it!

Flashlight or glow stick* Light up the place during the “There’s a light” verse of Over at the Frankenstein Place. Refrain from using lighters — you have a newspaper on your head.

Rubber glove During and after the creation speech, Frank snaps his rubber gloves three times. Do the same in synch each time for an awesome sound effect.

Water gun To mimic the rainstorm Brad and Janet are caught in. Good thing you have a newspaper on your head!

Toast What’s an audience member to do when Frank-N-Furter proposes a toast? Throw a piece on stage!

Bell During the song Planet Schmanet — Wise Up Janet Weiss, ring the bell when Frank sings “Did you hear a bell ring?” (Shaking keys also work.)

Noisemakers At the end of the creation speech, the Transylvanians respond with applause and noisemakers. Go for it.

Toilet paper When Dr. Scott enters the lab, Brad cries out “Great Scott!” That’s your cue to toss rolls of toilet paper — purists prefer the Scott brand. American Stage’s kit includes a piece of plaid instead.

Playing cards* During the song I’m Going Home, Frank sings “Cards for sorrow, cards for pain.” Let the cards fly.

 

This list comprises recommended items to bring to the theater, but be advised that some props, such as the hot dogs and a water gun, will not be allowed.

Commit these scenes to memory and use them as a prop guide.

  • Wedding bells! (rice)
  • Brad and Janet get caught in a thunderstorm (water guns) while looking for help, so Janet takes cover underneath a newspaper (newspaper). Fortunately, Janet sees a light up ahead (flashlight).
  • Dr. Frank-N-Furter introduces his creation (gloves).
  • The Transylvanians welcome Rocky with confetti and noisemakers.
  • “Great Scott!” (toilet paper, Scotts preferably)
  • What’s an audience member to do when Frank-N-Furter proposes a toast? Throw a piece on stage! (toast)

Rocky Horror Picture Show
Midnight Showing

The Fairborn Phoenix

34 S. Broad Street, Fairborn

The show starts at Midnight, but Doors will open at 9pm for people to meet cast, have a drink and grub down in the historic theater.
Get Your Tickets Online · $15

Cannes Hit ELVIS and Crowd-Pleasing PHANTOM OF THE OPEN at The Neon

By

We’ve got to keep moving. If you still need to see the wonderful Sundance-winning comedy CHA CHA REAL SMOOTH – you’ve only got a few more chances. We found a way to keep EIFFEL for a few screenings over the weekend…but June 26 will be its last day. Baz Luhrmann’s ELVIS opens Thursday night and the crowd-pleasing golf comedy THE PHANTOM OF THE OPEN (which is based on a true story) starts Friday.

Be sure to check out the trailers below for WILDHOOD (which is currently rated “100% Fresh” on rottentomatoes) and KINKY BOOTS (the uplifting musical that has quite a large fan-base)!
On Monday, June 27, both of our films – ELVIS and THE PHANTOM OF THE OPEN – will be presented with open captions (where captions will be projected on the screen).
We’ve got a booking in the works for July 1…so stay tuned to our official website and social pages for an announcement later in the week.
NEW IN-PERSON ENGAGEMENTS:
Synopsis for ELVIS: At the Cannes Film Festival in May, ELVIS received a 12-minute standing ovation…and numerous critics have predicted that Austin Butler will be a part of the Oscar race next year!! “ELVIS is an epic, big-screen spectacle from Warner Bros. Pictures and visionary, Oscar-nominated filmmaker Baz Luhrmann that explores the life and music of Elvis Presley, starring Austin Butler and Oscar winner Tom Hanks. A thoroughly cinematic drama, Elvis’s story is seen through the prism of his complicated relationship with his enigmatic manager, Colonel Tom Parker. As told by Parker, the film delves into the complex dynamic between the two spanning over 20 years, from Presley’s rise to fame to his unprecedented stardom, against the backdrop of the evolving cultural landscape and loss of innocence in America. Central to that journey is one of the significant and influential people in Elvis’s life, Priscilla Presley (Olivia DeJonge).” (Warner Brothers) Click the image below to watch the film’s second trailer.
Synopsis for THE PHANTOM OF THE OPEN: “THE PHANTOM OF THE OPEN follows Maurice Flitcroft (Mark Rylance), a dreamer and unrelenting optimist who managed to gain entry to The British Open Golf Championship Qualifying in 1976 and subsequently shot the worst round in Open history, becoming a folk hero in the process.” The LA TIMES writes, “Rylance makes golf irresistible in inspiring true story! Rylance compels as the star of his own kooky fable,” and THE WASHINGTON POST writes, “A sly little gem grounded in a fantastic performance by Rylance!” Click the image below to watch the film’s trailer.
UPCOMING SPECIAL EVENTS:
THE DAYTON JEWISH FILM FESTIVAL is heading toward the finish line with three more films! The festival is back in person this year (and additionally being offered virtually). You won’t find these films on a big screen anywhere else in town…so don’t miss your chance to see them this week!
Here’s the remaining line-up of films playing at THE NEON:
Tuesday, June 21 at 7pm – 200 METERS
Thursday, June 23 at 7pm – I AM HERE
Sunday, June 26 at 7pm – WET DOG
For more details about all the films, click the image below to visit the festival’s official site.
For the last 2 weeks, in partnership with ThinkTV and The Dayton Metro Library, we’ve had really nice turn-outs for our FREE Family Summer Film Festival…but there’s room for more! Please help us spread the word!  Each week, doors will open at 10:30am, and tickets will be given on a first-come, first-serve basis. Events will start with Read-Along videos with Dayton Metro Library’s Ms. Winnie and continue with programming from the PBS Kids library. Children will leave each screening with activity books and other materials to promote continued learning over the summer. Parents and caregivers will also be provided with resources to keep learning happening at home and prevent the “summer slide.” These materials are courtesy of ThinkTV and The Dayton Metro Library.
Featuring episodic shorts from popular characters in the PBS Kids library, screenings will give an opportunity for families to enjoy the movie-going experience together in a budget-friendly way while keeping kids thoughtfully engaged. Each Saturday will focus on a different program. Here are the four programs that remain:
June 25 – “Jungle Animal Day” with THE WILD KRATTS
July 2 – “Be My Neighbor Day” with DANIEL TIGER – this screening will be preceded by a hands-on event on THE NEON’s patio hosted by The Dayton International Peace Museum
July 9 – “Exploring the Library” with CURIOUS GEORGE – this screening will be followed by a post-screening “hands on” event at the Dayton Metro Library Main Branch where children will have an opportunity to meet “Curious George” at 12:30
July 16 – “Nature Day” with NATURE CAT
Click the image below to watch this year’s preview.
We’ve booked a wonderful, award-winning film for PRIDE Night at THE NEON on Thursday, June 30 at 7pm – WILDHOOD – and tickets are already on sale! This film is currently rated “100% Fresh” on rottentomatoes, and THE HOLLYWOOD REPORTER writes, “WILDHOOD combines the foundation of heartrending coming-of-age narratives with the feel-good elements of road trip flicks to create a delicate, not to mention visually appealing, sophomore film.” Here’s a brief synopsis: “In a rural east-coast trailer park, Link lives with his toxic father and younger half-brother Travis. When Link discovers his Mi’kmaw mother could still be alive, it lights a flame and they make a run for a better life. On the road they meet Pasmay, a pow wow dancer drawn to Link. As the boys journey across Mi’kma’ki, Link finds community, identity, and love in the land where he belongs.” (Wolfe Releasing) Click the image below to watch the film’s trailer. EVERYONE is Welcome to PRIDE Night at THE NEON!
After our recent successful screenings of ANYTHING GOES, many folks have been asking for more musicals…and now you’ve got ’em! Save the dates! On Wed, July 6 at 7pm & Sun, July 10 at 4pm, we will present KINKY BOOTS – beautifully captured from the London stage. On August 10 & 14, we’ll present 42ND STREET – also captured from the West End. Tickets are $12.50 each and available now! Click the image below to watch a short trailer for KINKY BOOTS.
“Scripted In Black is back at it again with some of our favorite Black movie classics + community social hours! This time around, we’re coming more live + personal with timeless Black classics while giving homage to local Black talent and businesses, Whether you’re in the mood to search for true love, plotting to make it big by any means necessary, or getting well-versed with the dynamic nature of hood politics, this year’s film series allows us to collectively experience the art of Black cinema, together. This movie night series is a chance to celebrate as a community the importance of Black storytelling and the way it honors the multi-dimensional layers of our culture, experience, and perspective. This movie night series is the perfect way to close out a busy work week or end the weekend with nothing but high-vibes.”  (Scripted in Black press release) Tickets to each event will cost $28 and include admittance to the pre-screening social hour, a voucher for popcorn & soda, and admission to the film. Social hour will begin 90 minutes before each screening on THE NEON’s patio. LOVE JONES will screen on Sunday, July 29 at 4:30. B*A*P*S will s screen on Sunday, Aug 28 at 4:30, NEW JACK CITY will screen on Thursday, Sept. 29 at 7:30. Tickets for each event are available via THE NEON’s website and box office. Click the image below to visit Scripted In Black’s official website.
Thank you for all of your continued support!
We hope to see you soon,
Jonathan
IN-PERSON SHOWTIMES for Tuesday, June 21 – Thursday, June 30:
EIFFEL (R) 1 Hr 48 Min
Tuesday & Wednesday (June 21 & 22): 3:30, 7:00
Thursday (June 23): 3:30
Friday, Saturday, Sunday (June 24-26): 4:15
FINAL DAY – June 26!
CHA CHA REAL SMOOTH (R) 1 Hr 47 Min
Tue (June 21): 3:15
Wed (June 22): 3:15, 7:15
Thurs (June 23): 3:15
FINAL DAY – June 23!
FAMILY SUMMER FILM FESTIVAL with PBS KIDS (NR) approx. 1 Hr
Saturday (June 25): 11:00 – THE WILD KRATTS
DAYTON JEWISH FILM FESTIVAL
Tuesday, June 21 – 200 METERS – 7pm
Thursday, June 23 – I AM HERE – 7pm
Sunday, June 26 – WET DOG – 7pm
ELVIS (PG-13) 2 Hrs 39 Min
Thursday (June 23): 7:15
Fri, Sat, Sun (June 24-26): 12:30, 4:00, 7:30
Monday-Thursday (June 27-30): 3:15, 7:00
THE PHANTOM OF THE OPEN (PG-13) 1 Hr 46 Min
Friday & Saturday (June 24 & 25): 1:15, 7:20
Sunday (June 26): 1:15
Monday-Wednesday (June 27-29): 3:30, 7:20
Thursday (June 30): 3:30
COMING SOON – In-Person Screenings:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear)
July 1 – Booking in Progress – TBA Soon!
July 15 – MRS. HARRIS GOES TO PARIS
July 15 or 22: MARCEL THE SHELL WITH SHOES ON
TBD: MEMORIA

Dave Chappelle Screening to Benefit Gem City Market

By

A special screening  of the documentary, “DAVE CHAPPELLE LIVE IN REAL LIFE” on Sunday, June 12 @7PM, at the Schuster Center will benefit fundraiser for West Dayton’s Gem City Market.

The Documentary, directed by Dayton’s Academy Award-winning duo, Julia Reichert & Steven Bognar, Produced by Dave Chappelle & Julia & Steve, chronicles the tumultuous summer of 2020, as Dave Chappelle and his comedian friends begin doing socially-distant comedy shows at the height of the pandemic, and as protests for racial justice echo across America in the wake of George Floyd’s murder.

Tickets go on sale to the public on Friday, June 3 at 10am on Dayton Live and will range from $43 – $103.

 

The film is a celebration of community during hard times, and features many of the world’s best comedians when they visit Yellow Springs.

 

This event will be a phone-free experience. Use of phones will not be permitted in the performance space.

Upon arrival at the venue, phones will be secured in individual Yondr pouches that will be opened at the end of the event. Guests maintain possession of their devices at all times, and can access them throughout the event only in designated Phone Use Areas within the venue. All devices will be re-secured in Yondr pouches before returning to the performance space. Please make any of your last-minute phone calls prior to your arrival at the gates.

McCoy on Movies: The Lost City

By

The Lost City

 

“Wait – there may be a script for ‘Miss Congeniality 3: Where’s the Magic, Mike?” over there! Romance cover model turned would-be jungle savior Alan (Channing Tatum) and the woman behind his success, Loretta Sage (Sandra Bullock) try to escape the jungle in a scene from THE LOST CITY. Credit: © 2022 Paramount Pictures. All rights reserved.
 
WATCH THE TRAILER HERE: 

<

DIRECTOR: Aaron and Adam Nee
KEY CAST MEMBERS: Sandra Bullock, Channing Tatum, Daniel Radcliffe, Da’Vine Joy Randolph, Oscar Nuñez, Héctor Aníbal and Brad Pitt
 
THE BACK STORY: Loretta Sage (Sandra Bullock) is three things: (1) A frustrated archeologist-type researcher who’s (2) settled for being a best-selling romance novel writer who’s grown tired of her creation, especially because (3) she’s not over the death of her husband several years ago. Alan (Channing Tatum) is better known to the public as Dash, the fictional male hero featured in all Loretta’s books.

So, what happens when Loretta is forced by her publicist Beth (Da’Vine Joy Randolph) to do a book tour with Dash? Well, disaster, as you might expect. But you know what’s even worse than a bad press event for Beth? Having the son of a rich man in the form of Abigail – yes, Abigail – Fairfax (Daniel Radcliffe) kidnap your writer because he believes her writings may actually make her the one person qualified to help him find an ancient “Crown of Fire” of red diamonds in a remote jungle.

But for Alan, this is simply the perfect opportunity to be the hero Loretta has always written Dash out to be …

 

THE REVIEW: The Lost City is 2022’s version of Romancing the Stone … Except it’s not. Instead, it’s more like a cold Mountain Dew on a hot summer day: It’s enjoyable as you consume it, only to realize that it probably was a lot worse for you than you originally thought once it’s gone.
The film isn’t officially a remake of Stone … But you’d be hard pressed to watch Michael Douglas and Kathleen Turner’s 1984 flick and not feel like it’s a diet Dew version of its predecessor. Tatum does everything he can to keep the rather predictable (and utterly ludicrous even by romantic comedies in a jungle standards) story together. Radcliffe’s performance is … something, as are the majority of non-memorable side characters. Joy Randolph is given a nice slot as a dedicated woman who just happens to be black (and not the other way around), but at a certain point, The Lost City just becomes your standard fish-out-of-water romantic comedy with plenty of tired one-liners. (Poor Oscar Nuñez … That’s all I’ll say about that.)
Here’s the rub, though: None of what I just said will matter to most as the film’s core demographic: Ladies who like the romantic fantasy depicted in most of the books that its female lead hates she is good at writing. It’s an audience pleaser you can watch on a date night, with your mom on a mother/daughter day and “cute” enough to offset its eyeroll-inducing moments.
In the words of Will Ferrell’s fictional son Texas Ranger in Talladega Nights: The Ballad of Ricky Bobby, The Lost City is “all jacked up on Mountain Dew!” But America loves to do the Dew, which means that if you’re looking for a mindless and cute comedy that prefers those things over originality, by all means visit The Lost City.
There are worse places you could take an “uncharted” adventure cruise if you like cubic zirconia films masquerading as gems.
OVERALL RATING (OUT OF FOUR POSSIBLE BUCKETS OF POPCORN):

 

 

s