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Arts & Entertainment

Local Filmmaker has Multiple Film Projects Ahead

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Jacob Stuart is collaborating with Dougie Brimson (CEO of Red Bus Movies, Green Street, We Still Kill the Old Way) to bring the true story of Roy Larner to the screen. Known as the “Lion of London Bridge,” Larner famously shouted “F**k you! I’m Millwall!” as he single-handedly fought off three terrorists during the 2017 Borough Market attack.

Actor Leo Gregory (Green Street, Top Dog) is set to portray Larner, with plans for crowdfunding to give the public a stake in this powerful story of resilience and injustice. Roy Larner will serve as a script consultant to ensure the film’s authenticity.

Get involved in supporting the project: https://www.justgiving.com/crowdfunding/jayne-jacob-369.

 

Mystery Thriller Daggers Inn Enters Final Stages of Post Production

Stuart, Consulting Producer on Daggers Inn, is thrilled to announce that the film, starring Terry Bamberger (Call the Midwife, The Good Ship Murder), has completed principal photography and is now in post-production. This atmospheric mystery thriller follows an enigmatic young woman determined to uncover the truth behind her sister’s murder in a secluded English village. Produced by Raya Films, Daggers Inn promises a suspense-filled narrative set against an evocative rural backdrop.

The production team is actively seeking finishing funds to complete post-production and bring this gripping story to audiences. The film will be available next year on most major VOD channels. To learn more about how you can support the film, visit https://rayafilms.com/daggersinn

Jacob Stuart is an internationally produced, award-winning screenwriter and producer whose films have featured renowned actors, including two-time award-winner Kevin Spacey, Alan Ruck, Costas Mandylor, Dave Sheridan, and Felissa Rose. As a screenwriter, his projects have included Emmy Award-winner Bill Oberst Jr., with many of his written works available on Tubi, Amazon, and more. Jacob is also the Founder of Screenwriting Staffing, an online community that connects screenwriters with industry buyers and employers. Over the past decade, Jacob has facilitated more than 300 deals, options, writing jobs, and representation agreements. Notably, he facilitated Bramble House Christmas on the Hallmark Channel, starring Autumn Reeser.

Mystery Night features “Clue” Movie Party

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Join Dayton Dinner Theater for a night shrouded in mystery, featuring themed food, drinks, music, trivia, and an interactive screening of the classic film Clue! This exciting event, held at The Brightside, includes creative pizza from Dayton Pizza Factory, a delightful salad, an appetizer, and dessert crafted by Baker Benji. Alcoholic beverages will be available for purchase.

Award-winning and nationally known actor Andrew Mitakides will be leading an interactive murder mystery skit. Musician Matt will be performing live mystery songs and playing name that tune.

And of course, costumes are encouraged. Choose your favorite character to wear!

Doors open at 5:45 pm, with food and live music from 6 to 7 pm. The movie begins at 7 pm, followed by a brief intermission for dessert and trivia at 8 pm, concluding the film around 9:15 PM.

HOW TO GO?

Nov 24, 2024 6:00 PM – 9:00 PM

The Brightside, 905 E 3rd St, Dayton, OH

Tickets $28 – available here: https://www.daytondinnertheater.com/events/clue-mystery-movie-party

Table reservations only for parties of 6 or more, otherwise we have open seating. For table reservations or other questions, please email   [email protected]

TheatreLab’s ‘Not Another Thanksgiving Play’ is just that!!

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TheatreLab is coming off of their community acclaimed ‘Lizzie,’ and switching gears with ‘Not Another Thanksgiving Play’….a sort of rom-com with  honest, heartfelt themes. I was so fortunate to get to sit down with Philip Drennen, who has returned from NYC to direct the show at the TheatreLab Dayton Space. 

937: Welcome home and congrats on the success of ‘Big Gay Jamboree’ in NYC! SO exciting!

PD: Thank you! It’s been fun.

937:  I’m intrigued by NATP!! So, what is the gist of this show?

PD: Not Another Thanksgiving Play follows a group of 20-30 somethings who share a bond through Dungeons and Dragons. And no you don’t have to know anything about D&D to enjoy the show, I sure didn’t before I came on board to direct! The real story is each character coming to terms with their own happiness within their partner and themselves. Most of our characters are part of the LGBTQIA+ community and we see 2 of them go home to their family’s Thanksgiving after years of hiding their identities from their parents.

937: Ummmm, I think I lived that plot-line myself! Tell us why you decided to return home to direct his particular performance?

PD: While this may sound heavy, NATP is mostly a comedy of errors as we watch Daniel and Gemma take home beards (fake girlfriends) home to the parents; one set strict and conservative, the other warm and maybe a little TOO open. The play has a very “rom-com” feel to it and plays as a queer, millennial “Friends” or “Seinfeld”.

937: I know TheatreLab is known for its local casts!! What can you tell us about them this go’round?

PD: The playwright, Marley Masterson, is a local Dayton artist and a big reason we wanted to do this show. TLD prides itself on hiring and giving voice to local talent and all of our actors have been seen on our stages as well as starring in all of the Dayton theaters.

937: I know TheatreLab Dayton has been handling this season with a sense of mystery…can you hint at what’s to come? We know the theme is ‘Taking Back Their Story.’  Any more you can share??

PD: TLD has always been a bit unorthodox and this season is no exception as we slowly roll out our season one show at a time. We’re all about creating art for our community with the members of our community and we’ll do that however we need to!

937: I see what you did there….no hints! UmmmHmmm. What is the audience takeaway for this show in particular? 

PD: A big takeaway from NATP is that family is important and can look different for everyone. For some it’s mom and dad, for others it’s the chosen family we find at work, in school, or through a gaming club. And true happiness comes when we are true to ourselves. It might sound cheesy, but that’s what the holidays are all about!

937: Not cheesy at all….important to remember that! I have to ask you….how is it feeling to be home after your NYC premiere? 

PD: I’m really excited that I get to work on an original piece as my first project back in Dayton. Marley and I have worked together on this show as well as many past TLD productions and I wanted to make sure her voice gets heard. It’s a great way to get back into the Dayton Theater Scene!!

937: Well, congratulations to you, Philip. I know people are also tuning into your Dayton Drama Queens video-podcast. Much success with that as well. You can catch the latest TheatreLab Dayton performance on the dates times below. 

November 21st – 7:30pm.

November 22nd – 8:00pm

November 23rd – 8:00pm

November 24th – 2:00pm

The performances take place at:

TheatreLab Dayton. 116 North Jefferson St. 45402.

Visit theatrelabdayton.org

 

 

ALMOST, MAINE at Dayton Playhouse

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On a cold, clear winter night with the northern lights illuminating the sky, the residents of Almost find themselves navigating the complexities of love in unexpected and often humorous ways. The play captures moments of romance, heartbreak, and the magical realism that adds a touch of whimsy to the storytelling.”Almost, Maine” is a play written by John Cariani that takes place in the fictional town of Almost, which is located in a remote, northern part of the United States. The setting is quirky, as Almost is not quite a town due to its lack of organization, and it’s almost in Canada. The play consists of a series of nine interconnected vignettes, each portraying a different aspect of love.

Dayton Playhouse

Located in: Wegerzyn Gardens MetroPark
1301 E Siebenthaler Ave, Dayton, OH 45414
Showtimes:
Nov 15, 16, 22 & 23 8pm
Nov 17 & 24 2pm

Tix $18-20

McCoy on Movies: Red One

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Red One an entertaining albeit mismatched,
well-meaning Christmas action movie

 
“So … You know I could beat Cody Rhodes, right? All I need is one WWE contract …” Krampus (Kristopher Hivju) sizes up Callum Drift (Dwayne Johnson) in a scene from director Jake Kasdan’s RED ONE. Credit: Frank Masi/Prime © 2022 Amazon Content Services LLC.

WATCH THE TRAILER HERE:

 

 

KEY CAST MEMBERS: Chris Evans, Dwayne Johnson, Lucy Liu, Kristopher Hivju, Kiernan Shipka, Mary Elizabeth Ellis, Wesley Kimmel and Bonnie Hunt with J.K. Simmons

 

DIRECTOR: Jake Kasdan
 
THE BACK STORY: Santa Claus needs a lot of help to make Christmas happen every year. From the trolls and elves needed to sort and organize toys to those who help keep his reindeer healthy, Nick (J.K. Simmons) has plenty of assistance. That includes Mrs. Claus (Bonnie Hunt) and Callum Drift (Dwayne Johnson), the head of his security detail working under Zoe Harlow (Lucy Liu), the director of an organization that keeps track of all the creatures of the mythical world. 
 
Jack O’Malley (Chris Evans), however, is only concerned with one person and one person only: himself. That’s among the reasons he will take on any nefarious job thrown his way, the man known only as “The Wolf” on the dark web specializing in finding people that can’t be found. Unfortunately for his ex Olivia (Mary Elizabeth Ellis), that doesn’t extend to finding time to spend with his son Dylan (Wesley Kimmel).
All their worlds are about to collide, however, once Jack helps an unknown client track down a secret location in the North Pole that just so happens to be jolly ol’ – and very in shape – St. Nick’s home. Who has kidnapped Santa Claus and why is a mystery Cal and The Director realize they can’t solve, so they decide to bring in some outside help in the form of Jack – and he’s going to help them whether he as a Level Four “Naughty Lister” likes it or not.

 

THE REVIEW: RED ONE is entertaining, thanks to the strong performances of the cast, its action sequences which don’t feel overtly hokey or forced and relatable story. However, given that the aforementioned action sequences and language are far too intense for anyone under 10, the message of the film is geared more towards adults and it’s length at just over 2 hours in length, it’s also a movie without a defined audience. While the film explores one of the lost staples of Christmas – seeing the goodness in others – it also cuts off the carrot off its snowmen’s respective faces by not quite fitting into one particular audience. 

 

For all his recent WWE and athletic prowess, RED ONE reminds us that behind Johnson’s physicality also lies a man capable of conveying emotion with a simple gaze, vocal tone or smile. Johnson plays well against Evans’ character’s very anti-Captain America-like behavior, which never feels forced or included for the story’s sake. It’s the classic “I don’t like you, I don’t like you either” polar opposites formula, but it works as both Evans and Johnson execute it well. 

 

The biggest standpoint performances, however, belong to the film’s lesser-known cast members.  

Kiernan Shipka’s portrayal of Gryla, the evil Christmas witch, is never out of place, helping to make her a formidable foe once she is introduced into the story, even her own personal backstory never truly comes into focus. It is Game of Thrones alum Kristopher Hivju, however, who steals the show as Nick’s half brother Krampus, so much so that if he were to get his own spin-off film, it might do better than RED ONE is likely to do on its own.

Overall, RED ONE is an entertaining affair, but its constant flip-flopping between wanting to be an action movie and a family affair makes for a balanced experience that ends up feeling unbalanced for the very audiences it seeks to attract. It’s sort of like Cars meets The Fast and the Furious, which while entertaining on their own aren’t exactly the easiest mashup to make work together. It’s got just enough to keep you watching, but not enough to truly hook you into adding it to your Christmas classics list.

To quote the Bible verse where the quote is found, “no one can serve two masters.” In the case of RED ONE, trying to make a Christmas action movie feels like trying to serve to audiences at once, possibly to its own detriment even though, in the end, it works better than it should.

If nothing else, one thing is for sure: You’ll never look at Rock ‘Em, Sock ‘Em Robots the same way ever again.

OVERALL RATING (OUT OF FOUR POSSIBLE BUCKETS OF POPCORN):
 

 

 

 

 

 

WSU Presents: Carrie: The Musical

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Inspired by the Stephen King novel of the same name and featuring music direction by Matt Ebright, this musical about teens and terror features music by Academy Award winner Michael Gore (“Fame”), lyrics by Academy Award winner Dean Pitchford (“Fame,” “Footloose”), and a book by Lawrence D. Cohen, screenwriter of the film. Cordes serves as a Wright State senior lecturer.

Lawrence D. Cohen, book; Michael Gore and Dean Pitchford, music and lyrics.

Irving Berlin’s “Holiday Inn” at La Comedia

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A year of holidays in one wonderful musical!

‍Direct from Broadway! Irving Berlin’s Holiday Inn  tells the story of Jim, who leaves the bright lights of show business behind to settle down at his farmhouse…but life just isn’t the same without a bit of song and dance. Jim’s luck takes a spectacular turn when he meets Linda, a spirited schoolteacher with talent to spare. Together they turn the farmhouse into a fabulous inn with dazzling performances to celebrate each holiday, from Thanksgiving to the Fourth of July.

This joyous musical features thrilling tap-dance numbers, laugh-out-loud comedy, and a parade of hit Irving Berlin songs, including “Blue Skies,” “Easter Parade,” “Steppin’ Out With My Baby,” “Heat Wave,” “Be Careful, It’s My Heart,” “Cheek To Cheek,” “White Christmas” and many more!
To accommodate your busy holiday schedule, we have added Wednesday performances in November and December and Saturday matinees in December.

 

Tickets for La Comedia’s holiday show run $39-$79 and be reserved online

Matinees: Wednesday, Thursday, Friday & Sunday: Arrival time, 10:30 – 11:00 a.m. Buffet opens around 11:15, show begins around 12:30 p.m.

Evenings: Wednesday – Sunday: Arrival time, 5:30 – 6:00 p.m. Buffet opens around 6:15 p.m., show begins around 7:30 p.m.

Horror-Comedy Crust Coming to VOD Soon

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Jacob Stuart, Executive Producer of the horror-comedy Crust, is excited to announce the film’s limited release in select theaters across the United States. Starring Sean Whalen as a once-famous, down-on-his-luck child actor turned laundromat owner, Crust follows his character’s strange journey as he finds unexpected vengeance when a pile of abandoned socks transforms into a cute, yet murderous creature.

Alongside Whalen, the film features the talents of Alan Ruck (Succession, Ferris Bueller’s Day Off) and Daniel Roebuck (The Fugitive, The Devil’s Rejects), adding star power to this unique monster story. Recently featured in Deadline and other publications, Crust is set to hit VOD on November 12th, with Blu-ray and DVD pre-orders available now on Amazon.

Stuart will be the guest speaker at FilmDayton’s Connections on November 20th at 7pm, where he’ll delve into the critical role of pitch decks and TV Bibles in today’s entertainment industry—a must-have for any project aiming to captivate investors and audiences alike.  Attendence is free for members, $5 for all else.

 

 

DAI Exhibit Highlights Two Classic Animated Features

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Just in time for the holidays, enjoy these nostalgic exhibitions highlighting two beloved classics that continue to influence the art of animation at The Dayton Art Institute (DAI). Merry Grinchmas: Art of Dr. Seuss’ Holiday Classic & (B)ART! America’s Funniest Animated Family, on view now through January 19, 2025. Just in time for the holidays, enjoy these nostalgic exhibitions highlighting two beloved classics that continue to influence the art of animation.

View original drawings of Theodor Seuss Geisel (Dr. Seuss) and Chuck Jones, who brought Dr. Seuss’ beloved holiday tale to life in the 1966 animated special How the Grinch Stole Christmas!, then laugh alongside Homer, Marge, Lisa, Maggie and Bart as you experience the original handmade animation cels of the acclaimed series.

“The art displayed in our newest exhibitions explores the significant influence animation has had in pop culture and the worlds of art, entertainment and business,” said DAI Head Curator & Curatorial Affairs Director Jerry N. Smith. “Animation art is beloved worldwide, and for many of us, this medium is our introduction to art. This work showcases how in each animated classic, thousands of individual artworks come together to tell a story and create a larger singular work.”

In 1966, the animation of Chuck Jones brought to life Dr. Seuss’ treasured 1957 children’s bookHow the Grinch Stole Christmas! The animated story is a true television classic, with generations tuning in annually to watch the story of redemption with the despicable Grinch, the sweet Cindy Lou Who and the innocent dog Max. The exhibition Merry Grinchmas: Art of Dr. Seuss’ Holiday Classic features original cel art used in the cartoon’s production, along with concept drawings by Jones (famous for Looney Tunes) and those by Dr. Seuss.

(B)ART! America’s Funniest Animated Family showcases the often-irreverent antics of Homer, Marge, Lisa, Maggie and Bart—alongside many other unforgettable figures from the longest-running animated series on American television. Since its debut in 1989, there have been more than 770 episodes. Initially crafted through traditional ink-and-paint techniques on transparent acetate cels, the first 13 seasons (1989–2002) were produced by hand before transitioning to cost-effective digital animation. These hand-drawn cels are featured in the exhibition. In the early seasons elements, now vital to the series, were created, including the famous sofa and living room set used to open each episode, which is replicated at the DAI, allowing guests the chance to truly enter the fictional world of Springfield.

Fun and colorful, these two exhibitions showcase the art of illustration. A family-friendly and nostalgic outing, guests will enjoy more than 400 works of original art, as well as interactive sensory stations, educational resources and photo opportunities.

“In addition to learning about the art of animation and illustration, those attending our newest special exhibitions can expect a joyful, playful, and nostalgic experience,” said DAI Director & President Michael R. Roediger. “This artwork was created to bring a smile to your face and brighten your day. We’re excited to offer each guest the chance to slip away from any of life’s stresses and spend time reconnecting with characters they know and love. These two exhibitions are fun, colorful and truly memorable.”

 

Several related programs will be offered in conjunction with the Merry Grinchmas: Art of Dr. Seuss’ Holiday Classic & (B)ART! America’s Funniest Animated Family. These include:

 

  • Community Tour: November 2, 1–2 p.m.; November 23, 1­–2 p.m.; December 7, 1–2 p.m.; December 19, 6–7 p.m.; January 18, 1–2 p.m.
    Cost: Members: Free, Non-members: Included with the Price of Admission
  • Family Studio Special: December 7, 12:30–3:30 p.m.
    Cost: Members: $20, Non-members: $25, Member Family 4-pack: $70, Non-member Family 4-pack: $90
  • Adult Studio Special: November 16, 12:30–3:30 p.m.
    Cost: Members: $35, Non-members: $45
  • Ask Me Anything: November 7, 6–7 p.m., December 12, 6–7 p.m. and January 9, 6–7 p.m.
    Cost: FREE

 

These exhibitions are from the collection of Bill Heeter and Kristi Correa.

Admission to Merry Grinchmas: Art of Dr. Seuss’ Holiday Classic & (B)ART! America’s Funniest Animated Family is included in the museum’s general admission, which includes access to all Special and Focus Exhibitions currently on view, as well as the museum collection galleries. General admission is $15 adults; $10 seniors (60+), active military and groups (10 or more); $5 students (18+ w/ID) and youth (ages 7–17); and free for children (ages 6 & younger). Admission is free for museum members. Membership information can be found online atwww.daytonartinstitute.org/membership.

 

Paranormal Cirque Oct 31- Nov 3

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Acrobats of the Air, Illusionists, Freaks, Mysterious creatures coming to Beavercreek

Get ready to be transported to a world of spine-chilling excitement and jaw-dropping acrobatics. Paranormal Cirque, the darkly enchanting circus experience, is coming to Dayton!

Under the iconic black and red big top tent, prepare to be captivated by a unique blend of circus arts, theater, and cabaret. Experience the thrill of death-defying stunts while being immersed in a hauntingly beautiful atmosphere.  From daring aerialists to mystifying illusionists, this show promises to leave you on the edge of your seat with a delicious mix of nightmares and fantasies.

No-one under the age of 13 will be admitted to the show. Guests aged 13 – 17 must be accompanied by an adult.

Truly a Paranormal experience like no other, Paranormal Cirque is a thrilling adventure for all ages.

Don’t miss this unforgettable opportunity to witness the extraordinary. Paranormal Cirque is coming to Beavercreek, OH, and it’s a show you won’t want to miss!

MIKEE HUBER – INTUITIVE ABSTRACT PAINTER

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I ran into Mikee Huber at Front Street, Dayton’s largest community of artists and artisans.  I asked her for a photo and a short interview.  Mikee posed in front of some work by Mike Elsass.  I thought that was fitting because the first paintings I ever saw by Mikee reminded me of some of Mike’s work.

That was my “Controlled Chaos” series” Mikee told me, “where I used oil paints that flowed into each other.  I painted those with my hand.  To many viewers they seemed completely abstract but they were inspired by things I had seen at work – microscopic views of aerospace materials during testing.”

I also remembered seeing some of Mikee’s work that was geometric – completely different from the first work I had seen.  I asked if those pieces related to maps of various locations.

 

“That’s my connection series.  I was trying to use vibrant colors and intersecting lines to show the diversity of urban life and the bonds that tie individuals and communities together.”

“My website (https://mikeehuber.square.site/)  shows my different series.  I like working in series, taking one idea and pushing it as far as I can, and then moving on to another idea, another series.  Although I do find myself returning to some of the series again and again.”

“Friday, November 1 from 5-9pm I’m exhibiting a brand new series at The Betty Gallery at Front Street (1001 Second Street, B-C Door, Third Floor).  It’s called “Finding My Way Downeast”.    It features paintings inspired by my time as artist in residence in Maine.   My work in Maine was made possible in part by an Artist Opportunity Grant funded by the Montgomery County Arts & Cultural District and administered by Culture Works.”

I asked Mikee if she could give me a preview of her show and she shared this piece.

 

“The title of this piece is a haiku, which will be printed on the back.”

peach and pink embrace,

water and sky dance in light–

where land meets the sea.

“You can see that this work is different from my other work, but there is one thing that’s similar.  I’ve always made abstract paintings inspired by things I have seen.   With my first series I was inspired by things seen through a microscope.  Here the inspiration is things seen as I walked along the Maine seacoast.”

On her phone Mikee showed me a few other photos of works in her show.  I asked about the red door.

“There was an actual door in the woods behind my studio in Maine.  It was unattached to anything,  just standing by itself in the woods.  For days I walked past it and then I took the time to walk through.  For some reason, walking through that door caused me to look at my surroundings differently and then to paint in a different way.”  The title of this piece is

red door in the woods,

I step through, leaving behind

old plan–art unfolds.

Here’s one more

 

ocean’s vibrant dance–

clouds paint ripples on the sea,

nature’s vivid song.

I visited Mikee’s studio once when she was on Crane Street.  I asked where her studio was today.

“Like a lot of artists, during Covid I created a studio in my home.  It’s not as much space as I’d like, but we’re working on a plan to build a major addition.  The new space would give me my dream studio.   When it’s finished, which may be a few years off, you and your camera are invited.”

TheatreLab’s SMASH HIT ‘Lizzie’ is no AX-ident!!

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Hurried…anxiety driven…and commanding, ‘Lizzie’ now playing at Mudlick Tavern’s Second Floor, has thrust TheatreLab back in the spotlight! DDN’s Russell Florence put it best…‘a wonderfully raw, vocally-impressive spooky season production…’ The show is directed by Mackensie King, and I had the pleasure of interviewing her about the show’s high praise!!

D9: Mackensie…you have a hit on your hands!! Why did you choose ‘Lizzie‘ in the first place??

MK: I have always loved horror and all things spooky. What drew me to this version of her story is how grounded and real it feels. The question I asked myself at the end of listening to it the first time was: is she GUILTY? Not did she do it, but are the things this woman went through about to justify what she did to escape them. Plus, the music for this show is unlike any other theatre show. It’s true rock/ metal and allows the cast to really show off their vocal chops.

D9: Timely, considering the Menendez Bros. story of late! There is one thing that audiences are 100% on…your cast! What can you tell me???

MK: The words “high octane” come to mind when I think about this cast. The vocals are absolutely top notch and SO full of power. Under all of that, there is true connection to the material. Sam Evans as Lizzie brings such understanding and sympathy to the character and she really makes you want for Lizzie to gain freedom. Allie Haines as Emma is so fun to watch because she is really finding how it feels to have to been the head of a family at such a young age. MJ Janovich is taking Alice in a direction I’ve never seen with youthfulness and hurt (and just wait until you hear her belt) and Leah Fox is HILARIOUS and terrifying as the banshee, Bridget.

D9: Strong ladies, indeed!! One thing I know TheatreLab is trying to do is incorporate more of a community feel in their productions! How did the whole Mudlick idea emerge?

MK: We really wanted to focus on bringing the arts TO Dayton. Unique venues really bring the audience in to the art and allow them to become participants. We have been neighbors with Mudlick for years and we wanted to partner with an incredible company. The show has a true rock show feel in the industrial space and Mudlick is curating specialty cocktails for the shows! 

D9: I hear the cocktails have been a smash!! Such a great idea. I always say when people leave a show, they should be left with something…a thought, a feeling…..what are you hoping folks get out of Lizzie???

MK: I hope people walk away with 2 things.   1. That the talent in Dayton is worth investing in. The talent that you will see on that stage is worth keeping around. And 2: Women are angry and we have a voice and it’s about time you all listen. 

D9: I, for one, hear you!!! I want to reiterate that this town is overflowing with talented folks!! Thanks for mentioning that! And thanks for being such an asset to Dayton’s theatre community Mackensie! So, what about this mysterious ‘Season’ TheatreLab is keeping close???

MK: Everyone is so excited. Keep Your Eyes Peeled….the announcement is coming soon!

You can catch ‘Lizzie’ on its remaining dates….

November 1 & 2 at 8:00pm. November 3 at 2:00pm.

TICKETS at http://theatrelabdayton.org.

 

 

 

“Lizzie: The Musical” at Mudlick Tap House

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TheatreLab Dayton is thrilled to invite you to a theatrical experience like no other! “Lizzie: The Musical” is coming to Mudlick Tap House, and you don’t want to miss this electrifying show.

Featuring a rock-infused score and a story that will keep you on the edge of your seat, this bold retelling of the Lizzie Borden saga delves into themes of female empowerment, justice, and breaking societal norms. It’s a gripping, high-energy show, perfect for an unforgettable night out in Dayton!

Performance Dates:

  • October 24 at 7:30 PM
  • October 25 at 8:00 PM
  • October 26 at 8:00 PM
  • October 27 at 2:00 PM
  • November 1 at 8:00 PM
  • November 2 at 8:00 PM
  • November 3 at 2:00 PM

All performances will be held on the second floor of Mudlick Tap House (135 E 2nd St, Dayton, OH 45402), offering a cozy, intimate setting for this electrifying performance. While you’re there, why not enjoy some of Mudlick’s craft beers and delicious food before or after the show?

“Lizzie: The Musical” is packed with drama, intrigue, and incredible rock music. Get ready to be swept away by this dynamic production! Tickets are selling fast—be sure to grab yours today at theatrelabdayton.org.

Come join us for a night of murder, mystery, and rock ‘n’ roll!

2nd Annual Dead City Film Fest Sat in Fairborn

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This Saturday is the 2nd annual Dead City Film Fest.  We asked Jordan Terrell, co-founder of the Fairborn Phoenix, about why he created this festival and he share with us “we created a film festival I would want to go to. Filmmaking in essence is a punk rock art forum. To get a film finished is an incredibly difficult task where everything is against you. It’s often Shoot now, ask for forgiveness later, don’t forget your bolt cutters and sell your car to finish the film.”

This weekend they will be  celebrating 20 films from local and world wide talent. 

A few films that will be screened include:

The Happiest Guy in the World – Lance Oppenheim – who just got picked up at A24 for his first fiction after his incredible documentary films Some Kind Of Heaven, Sperm World and Ren Faire

Local Talent Highlights:

The Zombie Defense — Jarrod Robbins and Jason Snellman from Fairborn
“You See What I Deal With?” —  Carly Baker from Middletown
Blood Geyser – John Maslowski – Mayfield Heights Ohio
Murdrum Joseph Job Gailey from Cincinnati
STONED by J.W. Cox from Middletown

World Premiere of Infernalis from first time producer Kira L. Wilson

International flavor
Cuban filmmaker with a spectacular film EYES – Braulio HernandezFrench Animations Sclera and Covoit Fatal
As well as a spectacular low budget gore horror from director Juanjo Avi of Spain Turno de Noche: The Wrong Place where a serial killer stumbles into a junkyard meeting the Scrap Yard Watchman.
The audience votes for their favorites by beer tickets. Winner of this year’s festival will receive a $1000 package from Midwest Grip and Lighting to help get their next film closer to the finish line.
After the films, enjoy a punch show by Sheller and Ace Slite.
Enjoy some food Food by Director’s Cut Food Truck

Sat, Nov 02, 2024, 3-10pm

 Dead City Film Fest
Fairborn Phoenix

34 S Broad St,
Fairborn, OH 45324

 

Art Encounters Third Sunday Art Hop

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Join us for an afternoon filled with art, fun, and community spirit! It’s a fantastic way to explore and support local creativity while discovering a wide selection of handcrafted artisanal goods and one-of-a-kind gifts. This month, we’re excited to feature our Artist of the Month, Sarah Maxwell. Visit us at Front Street, Building 100, Door B/C, Third Floor, and experience the vibrant energy of Dayton’s art scene!

It’s No Mystery…Human Race has a Hit on Their Hands!

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For the Beloved Human Race Theatre, what could be more fun than a little October mystery…and this time it’s not Mr. Watson and Sherlock Holmes…it’s Ms. Holmes and Ms. Watson! KATE HAMILL’S MS. HOLMES & MS. WATSON – APT. 2B has been wowing Daytonians for a week now, and a few performances remain.

This spin through the orbit of the world’s most famous detective introduces us to female roommates Sherlock Holmes and Joan Watson. They’ve emerged from the pandemic fog as a deeply codependent and quasi-dysfunctional duo – solving mysteries, eating snacks and shaking off their pasts. But when they come face to face with a villain who seems to have all the answers? Hamill’s playful and theatrical style will deliver an unforgettable adventure chock full of heroism, friendship and, of course, the art of deduction.

“Bring your bestie, grab a snack and drink in the lobby, and settle in for an entertaining night,” notes Emily N. Wells, Artistic Director. “The twists and turns of this irreverent game keep you guessing to the very end.”

Guest Director Heather Wilson-Bowlby guides the powerhouse cast, featuring Shonita Joshi as Ms. Sherlock Holmes (Shipwrecked: An Entertainment!), Maggie Lou Rader as Ms. Joan Watson (Grounded, The Revolutionists), Kelly Mengelkoch as Mrs. Hudson and others (This is Tom Jones!, Deadline), and Matthew Sierra as Inspector Lestrade and others in his Human Race debut.

Joining Wilson-Bowlby on the production team are: Jeff Heater, Scenic Design; Diane D. Fairchild, Lighting Design; Janet G. Powell, Costume Design; emily c. porter, Sound Design; Lucia Thill, Associate Sound Design; Sarah Gomes, Props; Mark Tynan, Production Stage Manager; Danitza Piper, Assistant Stage Manager; Gina Cerimele-Mechley, Fight Director.

Ms. Holmes & Ms. Watson – Apt. 2B  will play in the Loft Theatre in downtown Dayton, with shows remaining on October 16 – 20, 2024.  Tickets are on sale through the Dayton Live box office, 937-228-3630, or online at www.humanracetheatre.org

The Human Race Theatre Company continues its commitment to high quality theatre with access points for all with two special ticket initiatives: two sections of $20 seats available at any time through the box office, and ten $10 rush seats available 90 minutes before any performance.

Looking for something a little ‘EXTRA’…..how about….. 

‘While We’re On The Subject’ on Sunday, October 20, 2 pm – Post-Show Discussion with the Cast

‘Parent’s Day Out ‘  on Sunday, October 20, 2 pm – Kids Separate Activities (5-12yo)

WANT MORE ABOUT EMILY, KAPPY AND THE HRTC? Click here for another exciting episode of ‘Dayton Drama Queens!’