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Jonathan McNeal

TIFF Day #9 – 2023

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Hello Dayton937,

Today was my final day of screenings for 2023.  Over the past 9 days, I’ve gone to 35 screenings..and I’ve screened 33 films.  How’s that possible?  I walked out of one and I saw one film 2 times.

There are/were so many other films at the festival that I wish I had been able to see – sometimes it was a matter of scheduling, and other times it was a matter of buzz not happening until after the opportunities had passed. HIT MAN, DREAM SCENARIO, AMERICAN FICTION, SING SING, and ZONE OF INTEREST are among the films I hope to catch in the months ahead.  Then there are the films of the season that didn’t screen at TIFF…they either already played at Cannes, Venice or Telluride…or they’ll be screening at NYFF – like PRISCILLA, POOR THINGS, ALL OF US STRANGERS, MAESTRO, FERRARI or KILLERS OF THE FLOWER MOON.  So there’s still a lot to see this year!

My first film today was complicated subject matter. MEMORY, dir Michel Franco (USA) “Past, present, and future collide when Saul (Peter Sarsgaard) follows Sylvia (Jessica Chastain) home from a high school reunion, in this touching and masterful film by director Michel Franco.” (TIFF Catalog)  Without giving too much away, Sarsgaard’s character is dealing with dementia – so his memories are inconsistent and unreliable.  Chastain’s character made accusations as a young person that weren’t believed…so her memories are challenged at every step.  The performances here are strong, but there are clearly moments of improvisation within the script – and some moments/performers are better than others.  Though there’s some great work happening here, I found myself cringing so often at decisions that characters were making…which I found truly upsetting.  But in the end, I guess that would only work if I felt an investment in them.

STRANGE WAY OF LIFE, dir Pedro Almodovar (Spain) – REPEAT VIEWING!  I wanted to see the new Almodovar on the big screen again.  The film is only 30 minutes, so I scurried and chose a front row seat.  I wanted to be consumed by it…it’s Almodovar – so the production design and color palette are incredible, and the guys are all beautiful.  One fun fact about this short is that Almodovar shot it on an old set that Sergio Leone used to shoot three Westerns with Clint Eastwood (so many classic Westerns were shot in Spain…so when uninformed actors like Sam Elliott complain that there’s no place for gay characters in Westerns…and that directors who aren’t from America shouldn’t be making American Westerns – they need a bit of education).  The thrust of this film is mostly to answer a question that was posed in BROKEBACK MOUNTAIN but never answered…and because Almodovar was originally courted to direct BROKEBACK, he decided to answer the question 20 years later. (That said, Almodovar means no disrespect to BROKEBACK.  He says he loves what Ang Lee created.)

My next film was new Blanchett.  I couldn’t skip a chance to see Blanchett at work.  THE NEW BOY, dir. Warwick Thornton (Australia) “Starring Oscar winner Cate Blanchett, this spiritual drama from Warwick Thornton (TIFF ’17’s Sweet Country) hauntingly evokes Australia’s fraught colonial legacy through the story of one very special child.” (TIFF Catalog).  This story is about an Aboriginal boy who is dropped off at at place for orphans in the middle of nowhere Australia where a nun – Sister Eileen (Blanchett) – runs the shop….and Sister Eileen is also charged with converting the boys to Christianity (the pastor who is supposed to be in charge is mysteriously absent).  The boy seems to have a special gift – a little light that he conjures and uses for healing and comfort.  The film is gorgeously shot, relatively quiet and full of great performances.  It shows us what happens when we force our own doctrines on those around us.

What a way to end my festival! My final film was a documentary about one of my favorite filmmakers/filmmaking personalities – the late, incredible Agnes Varda!  VIVA VARDA, dir. Pierre-Henri Gibert (France) “This profile of filmmaker Agnès Varda brings fresh perspectives missing from her autobiographical work, as it covers her oeuvre spanning from her emergence in the French New Wave to acclaimed works such as Vagabond and The Gleaners and I.” (TIFF Catalog). I was a little nervous about this film.  How could a filmmaker create something fresh and new about Varda – she spent the last several years of her career telling us all about her life.   Well…In fact, there was a lot more to tell!  This concise, hour+ documentary is so packed with great material that I want to see it again again – sometimes focusing on the subtitles, sometimes focusing on the visuals…and then going back to the source material and watching the films.  (Next Criterion sale, I’ll be buying the 15-disc set.). Varda was a pioneer and quite a character.  The director introduced the film (and did a Q&A), and he said that the French have pivoted to a positive gaze of Varda’s work due in part to North America’s embrace…France had often written her off and not included her in much talk of the French New Wave until “recently.” I can’t wait to see this film again.

Before walking into  VIVA VARDA tonight, I was already mourning the end of this year’s festival.  I often hear industry folks complaining about being at the festival.  It’s like people complaining about where they live – what a bore.  I have absolutely adored submerging myself in international cinema over the past nine days.  During the last few years, I have truly missed this part of my job…and I’m so glad I was able to come back.

Over the coming days and weeks (and possibly through repeat viewings), I’m sure my feelings on certain films will evolve (sometimes due simply to more rested eyes).  I know that I can be a little rough on films sometimes, but I’ve been honest with my gut responses to all 33 films immediately after seeing them.  Thanks for coming along on the journey with me…I hope to see you back in Dayton.

My best,

Jonathan

TIFF Day #8 – 2023 – 30 Films Screened So Far

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Hello Dayton937!

Today was looking slim initially.  My only official film on the books today was NYAD – everything else came as surprises…and we all know that not all surprises are good.

My first film was from Cuba. WILD WOMAN, dir. Alán González (Cuba). “Yolanda, a Cuban woman, goes from dancing her heart out at a house party to running against the clock to find her son and skip town once a video circulates from that gathering that seems to incriminate her.” (TIFF Catalog)  Not only did I feel like this film was missing a reel (that doesn’t really happen anymore), it also is as much about the landscape as it is about the main character.  Though the lead actress was quite compelling and gives an honest and rather heartbreaking performance, not everyone is as good. I ultimately was only slightly invested to find out “what happens” at the end, and I don’t see this film breaking out.

My next film was my first “early departure” from TIFF.  If you’re new to my blog, you might not know that I don’t review or name names for films that I don’t finish.  I don’t think it’s fair to write reviews for films that I don’t watch from beginning to end.  In this case, the idiot dialog and some really poor performances (it seemed like every line was said with a knowing smile) made me cringe a lot…and my eyes were starting to hurt from rolling so much.  It was noted at the start that it was being presented courtesy of Paramount+, so maybe you’ll stumble upon it there one day – let me know if you watch a movie with some really big stars there in the near future.

Next up was a film I was anxious to see…and it didn’t disappoint. NYAD, dir. Elizabeth Chai Vasarhelyi, Jimmy Chin (USA). “Annette Bening and Jodie Foster dive into the dangerous waters of the Florida Straits, in this film based on the true story of the woman who, at the age of 64, became the first person to swim from Cuba to the US without a shark cage.” (TIFF Catalog) This film was directed by the folks who brought us the incredible doc FREE SOLO – and it’s their first time directing a narrative.  They’s got the chops to do it…and with Bening and Foster as the talent, it turns into crowd-pleasing gold. As a bonus, Elizabeth Chai Vasarhelyi & the real Bonnie (Nyad’s best friend turned coach) were in attendance to introduce the film and partake in a Q&A after.  It was spectacular, and Bening is so very present and alive in this performance!  The film is inspiring on a lot of levels, and every now and then, I saw a little glimmer of my friend Julia Reichert in Annette Bening. I’m sad that most people will see this on Netflix…it deserves a big screen with good sound.

I tried to get a ticket to the film AMERICAN FICTION tonight, but demand was too high – and even though I waited over an hour, at least 100 of us were turned away…so instead, I chose a documentary about a performer I admire but didn’t know much about. LIL NAS X: LONG LIVE MONTERO, dir. Carlos López Estrada, Zac Manuel (USA). “Watch superstar Lil Nas X transcend genres and defy expectations in this revealing, jubilant, and inspiring musical documentary.”  This documentary, though certainly a PR piece, shined some light on a performer who is breaking down barriers.  I admire how unabashedly queer and flamboyant Lil Nas has become in the public eye over the past couple years, and it was nice to get some background on him as well as explore some production moments of the tour I wasn’t able to attend.  For all the quick fame and money that has come his way, Lil Nas still seems a bit naive but also grounded on some level…and that’s refreshing.  Madonna makes a quick appearance in the doc – which certainly seems to give a nod to TRUTH OR DARE – which was groundbreaking 30+ years ago.

Tomorrow is my last full day of screenings.  On some level, it’s hard to believe it’s winding down…on another, it seems like I’ve been here for months.

Thanks for reading!

Jonathan

TIFF Day #7 – 2023

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Hello Dayton937!

24 hours ago, my schedule for today was slim.  I only had a couple potential screenings scheduled (and they were tentative)…then first thing this morning I mapped out 5 movies.  And a couple of them were fantastic.  It was a very full day!

My first screening of the day was a musical of sorts…all songs/performances are motivated from the radio or a boom box – and characters sing along. CHUCK CHUCK BABY, dir. Janis Pugh (UK). “A film of love, loss, music, and female friendship, set in and around the falling feathers of a chicken processing plant in industrial north Wales.” (TIFF Catalog) This love story is sweet and touching and some of it it is in a rather unlikely setting – a chicken processing plant. Though I found some of the story and motivations a little thin, there’s still a lot to like.

I had only read a little bit about my next film…and nothing had prepared me for it! MOTHER, COUCH, dir. Niclas Larsson (USA). “Three estranged children come together when their mother refuses to move from a couch in a furniture store, in this film boasting all-star talent including Taylor Russell, Ewan McGregor, Ellen Burstyn, F. Murray Abraham, Lara Flynn Boyle, and Rhys Ifans.” (TIFF Catalog) Very shortly after the start, I wondered, “Are we in purgatory?  Is this an existential crisis?  Is this the love-child of Charlie Kaufman and David Lynch?” With an ominous/0ften thriller-like score, this film is a strange one – set in a furniture store selling furniture from the past with current-day prices…but if you stick with with it until the end, it slowly reveals itself and has and you figure it out. I won’t give it away.

Knowing I was going to potentially screen 5 films today, I almost cancelled this one in order to meet up with some friends…but upon reading a bit more about it, I decided to keep on schedule.  The original French title for this film is HLM PUSSY – a codename the young ladies of this film give to themselves – meaning low income housing pussy. I’m so glad I went to see it.  SISTERHOOD, dir. Nora El Hourch (France). “Three teenage girls, inseparable friends, struggle with the aftermath of a pivotal incident that brings to light their differences in race, social class, and cultural privilege, threatening their seemingly invincible bond.” (TIFF Catalog). The performances in this film are incredible…the three young leads are all phenomenal – and I didn’t feel like I was watching performances.  The story of social media and class, and race and privilege are contemporary and so honest.  This is Nora El Hourch’s first feature, and I’m absolutely certain we’ll see more from her – I was shaken and moved and very invested in this great film.

My next film was my third film dealing with WWII…and it’s also based on a real person. IRENA’S VOW, dir. Louise Archambault (Canada, Poland). “In occupied Poland, a former nurse (Sophie Nélisse) risks her own life to shelter a dozen Jewish men and women from the Nazi war machine.” (TIFF Catalog). This is an absolutely fascinating story told with a lot of gloss.  There were some big eye roll moments (like the Jews hidden in the basement preparing food for a dinner party so Irena could keep up with the pace)…that said, there were some good moments of tension, too.  Overall, it wasn’t gritty enough for me to totally get behind it (I also questioned some of its messaging, t00)…but I think it will find an audience – particularly in the Jewish Film Fest circuit.  The historical updates at the end were a treat after seeing the film.

My last film of the day turned out to be a gem….something that really spoke to me. FLIPSIDE, dir. Chris Wilcha (USA). “Chris Wilcha helped adapt This American Life to television. His new documentary embodies the spirit of that show as he tries to save a New Jersey record store, in this comic yet deeply moving reflection on opportunities lost and gained.” (TIFF Catalog). This doc is about so many things…it’s about a filmmaker who has several unfinished projects, it’s about his closets in his parents’ house – full of stuff from his childhood and teenage years, it’s about writing and working, it’s about family, it’s about a dying record store.  In the course of making this film, the filmmaker is able to include segments of many unfinished films (which validates the initial work in some regard), and he went back home to talk with his parents about where he came from and what he’s achieved.  I related so much to this film, and it even had me in tears.  (I have to paraphrase because I can’t read my scrawling handwriting) – at one point in the film, Wilcha talks about being middle-aged and beginning to understand one of life’s great paradoxes…he said you can feel devastating, debilitating heartbreak for not accomplishing certain things you set out to do in life – while also feeling good about where you’re at and the choices you’ve made. This struck a real chord with me, and I hope we can bring this film to town.

 

Thanks for reading!

Jonathan

TIFF Day #6 – 2023

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Hello Everyone.

I saw three films today, and that has my count up to 22 over the past  6 days.

I started my day with the biggest sob of the fest so far. ONE LIFE, dir James Hawes (UK). “Sir Anthony Hopkins stars as Sir Nicholas Winton, a British stockbroker who helped rescue hundreds of children from Europe on the verge of the Second World War, an act of compassion that was almost forgotten for 50 years.” (TIFF Catalog). Some might think this little film is too easy or on-the-nose…and I would understand where they’re coming from…but I don’t agree.  This film works and achieves exactly what it set out to do.   The narrative has parallel story lines – a more contemporary story about a man cleaning his office and remembering his past…and the memories come to life of the work he did just before WWII.  It’s powerful…it’s inspiring…it speaks to current political and humanitarian issues.  With handsome photography, score and production design, I know this would be a hit with our audience.  I’m showing two pics from this film because Hopkins isn’t the only big star in this film.

My next film covered some similar territory as ONE LIFE – but this biopic is itching to get Kate Winslet another Oscar nomination. LEE, dir. Ellen Kuras (UK). “Oscar winner Kate Winslet stars in this fascinating portrait of the great American war correspondent Lee Miller, whose singular talent and ferocious tenacity gave us some of the 20th century’s most indelible images.” (TIFF catalog) Lee Miller was a model turned photographer, and she most famously worked as a war correspondent for British Vogue.  The film is set up as Miller is being interviewed about her life and career – so the life story is told through flashbacks that are motivated by photos that she is showing her interviewer (played by Josh O’Connor from THE CROWN).  I questioned some tonal “shifts” in the film, but ultimately thought it was a strong endeavor and spurred my interest to learn more about the subject.  Some people might feel cheated by the last 15 minutes…I rather liked the ending (as well as the contextual photos and “update” at the end).

My final film today was a mini crowdpleaser – complete with audience applause in the middle of the movie…but sadly, it’s not the next JOJO RABBIT.  NEXT GOAL WINS, dir. Taika Waititi (USA). “Michael Fassbender, Elisabeth Moss, and Oscar Kightley star in Taika Waititi’s comedy about the American Samoa soccer team’s attempt to make a World Cup — 12 years after their infamous 31-0 loss in a 2002 World Cup qualifying match.” (TIFF catalog) This film treads familiar territory.  In fact, it’s so familiar that some of the jokes seem lifted directly from TED LASSO.  It’s an underdog story, and you really start rooting for the losing team – and I did find myself on the edge of my seat a few times.  Unfortunately, there were moments when Michael Fassbender’s disposition changed on a dime – and I questioned a few times if I had fallen asleep and missed something.  Regardless, there’s still a lot to like about this rag-tag soccer team, and I think audiences will embrace the movie together on the big screen…but it’s not great. (And I kinda hate that Waititi put himself in the film…his intro is so unnecessary, and his caricature is cringe-worthy.)

No big parties or anything crazy tonight.  I’m going to write THE NEON’s newsletter and hopefully get a good night’s slepp.

Thanks for reading!

Jonathan

 

TIFF Day #5 – 2023

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Hello Everyone,

My first film of the day was a story I knew in part because we’ve played material over the years at The Dayton LGBT Film Fest  (now known as OUT HERE DAYTON FILM FEST) about Bayard Rustin.  RUSTIN, dir George C. Wolfe (USA). “George C. Wolfe brings Bayard Rustin’s story to life, with a joyous performance by Colman Domingo as the activist who organized the 1963 March on Washington while being forced into the background because of his sexuality.” (TIFF Catalog)  I was a little nervous about this film with its opening scenes.  There was a little too much camera mugging and the tone seemed too easy and light…but I ultimately think it was a device to get the masses hooked into sitting down for a good history lesson. Rustin was ahead of his time for a lot of his reasons, and I hope people of all backgrounds check out this crowd pleasing film.  One line that really stood out for me was when Rustin talks about his detractors.  “The day I was born, I was born a homosexual.  They either believe in freedom and justice for all – or they don’t.”  Domingo is fantastic!

My second film of the day was a public screening, and Elliot Page and director Dominic Savage were in attendance. CLOSE TO YOU, dir. Dominic Savage (Canada, UK). “Sam (Elliot Page) has a chance encounter with an old friend (Hillary Baack) on his way home to a dreaded family reunion that forces him to confront long-buried memories.” (TIFF Catalog) This trans story about a man visiting family who hasn’t been home in almost 5 years has some really incredible moments.  In fact, there’s a moment when my audience burst into applause about 80 minutes into the film.  Savage’s process for filmmaking is to essentially have a draft…he knows where he wants the film to go and the trajectory of the story – but dialog is up to the actors.  Some takes go 20-50 minutes long as actors play their roles and figure out the material together.  Unfortunately, I felt like this rawness didn’t always work…there were some moments that seemed a little too stilted – as though some of the family members had never met (and maybe that’s the point…they never really did get to know each other) – but I can’t help but feel like more editing would help.  This film is worth it for a few key moments and for the original story.

At my next screening, I fell in love.  The three lead character’s in Alexander Payne’s new film are incredible.  THE HOLDOVERS, dir. Alexander Payne (USA). “Paul Giamatti stars in Alexander Payne’s latest about the bond that forms between a strict professor and a belligerent student he’s stuck supervising over the winter holiday at an elite boarding school.” (TIFF Catalog)  The screenplay to this film is gold, and the performances are spectacular.  Underneath the bristling and biting dialog are warm and tender moments that are well-earned. Alexander Payne was in attendance, and he spoke of his love for TIFF audiences.  He said he loves how cinema culture is woven into the fabric of Toronto life…and “for my money, Toronto is the Paris of North America.” Da’Vine Joy Randolph (who also had a very small part in RUSTIN) and Dominic Sessa will hopefully become even bigger stars! I loved this film…and I can’t wait to see it again.

My last film of the day has a big Dayton/Ohio connection.  Produced by Daytonian Karri O’Reilly, this film had a lot of familiar names attached.  I attended the premiere, and Karri was one of the very first people Ethan Hawke thanked.  He said that she “willed this film into being.” WILDCAT, dir. Ethan Hawke (USA). “Ethan Hawke explores the life and art of American author Flannery O’Connor — played by his own daughter, Maya Hawke — in his latest interrogation of the artist’s way.” (TIFF Catalog) This film is a bit complicated as it is about an writer’s process…we hop around from Flannery’s life to her inspirations and her stories – being told on-screen using people from her daily life – so I can already hear some of our customers saying they’re confused.  That said, if you let the film wash over you, the visual styles are different enough to let you understand where you are in Flannery’s early days of writing.  For such an “intimate” story, it’s a really big film…and Karri told me they were able to do it with a very modest budget.  Flannery O’Connor fans, literature fans and people who enjoy thoughtful, well-crafted films will find a lot to love in this film.  The Q&A after the film and the after-party were a blast.  I’ve attached a couple photos for you below.  Maya Hawke, Laura Linney and Christine Dye are all terrific in this film…and they (among numerous other cast and crew) were at the party.

Maya Hawke as Flannery O’Connor in WILDCAT

Photo taken by Soozie Eastman of 502 Film in Louisville. (My hand is in the right corner taking a similar picture, but Soozie’s was better!)

The praises of Daytonian Karri O’Reilly were flowing from Ethan Hawke.  I even overheard “let’s do more” while posing for this pic!

Thanks for reading.  It’s super-late…and I have an 8:30 screening.

My best,

Jonathan

TIFF Day #4 – 2023

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Hello Everyone!

I discovered a great feature about my industry pass which allows me to gain access to even more films.  I was afraid some of my days would only have a couple screenings…but now I’m certain I’ll have at least 3 each day.

Today I screened 4 films and popped into Janus’s industry party where I saw a few familiar faces (sometimes you have to go to Toronto to see people from Columbus and Cincinnati).

UNICORNS, dir. Sally El Hosaini, James Krishna Floyd (UK, USA, Sweden) “An alluring fusion of forbidden romance and colliding cultures, Unicorns stars Ben Hardy and newcomer Jason Patel as two people who might become lovers, if only they can build a bridge between their very different worlds.” (TIFF Catalog) Though rather predictable and familiar, this tale will find an audience based on strong performances – particularly from Ben Hardy.

My second film of the day was such a treat! WICKED LITTLE LETTERS, dir.Thea Sharrock (UK) “Olivia Colman and Jessie Buckley play neighbours who get on each other’s nerves in this dark comedy about a small English town where residents start receiving anonymous, expletive-laden letters, igniting a scandal in their community.” (TIFF Catalog) Because the director and producers (one of whom is Olivia Colman’s husband) had a flight to catch, they were interviewed about the making of the film before we screened it…and I’m so glad I went in with a bit of background.  Based on a true story, this cheeky comedy is laugh-out-loud funny but has so much to say (about gender and even religion).  The absolutely splendid performances and production design/cinematography/costumes make for a terrific film.  Certainly a favorite so far! (I was filled with glee when Eileen Atkins appeared on screen…a personal favorite!)

SEVEN VEILS, dir. Atom Egoyen (Canada). “Atom Egoyan and his Chloe star Amanda Seyfried reunite for this knotty psychodrama about a young theatre director forced to re-examine her own trauma while working on a remount of Salome.” (TIFF Catalog) Fans of opera will certainly like this visually intriguing, behind-the-scenes film about the mounting of a SALOME production – but something was missing for me. I like seeing an artist at work, and I like seeing how a show/performance/film comes together…but I never really felt an honesty in the home-video flashbacks and in Seyfried’s performance to feel like we were getting to a real place.  There were some laughable moments in the material in some of the drama (as in several audience members started laughing) that had me question tone/intention.

My final film of the day was perhaps the most “mainstream” of my selections so far. KNOX GOES AWAY, dir. Michael Keaton (USA). “Michael Keaton directs and plays Knox, a hitman losing his memory, putting him in a race against time to help his estranged son (James Marsden) cover up a messy crime.” (TIFF Catalog) This entertaining film is surprisingly touching with some laughs and tense moments along the way.  I think it will certainly find distribution. This film also stars Al Pacino and a sweet, small role with Marcia Gay Harden.

Off to bed.  Looking forward to WILDCAT and THE HOLDOVERS tomorrow!

Thanks for reading,

Jonathan

TIFF Day #3 – 2023

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Hello Everyone,

Just three screenings today…but a solid day.  It’s hard to believe that 3 days have flown by so quickly.  I’ve seen 11 films, spent time with Jake (before he returned to Dayton earlier today) run into a handful of old friends and colleagues on the street, watched a movie with a filmmaker whose work we’ve screened at OUT HERE DAYTON FILM FEST (formerly known as The Dayton LGBT Film Fest), and still managed to keep up with this blog.  That said, I have yet to do the whole late night party scene…things have changed a bit since I’ve been gone – the festival and myself.

My first film was made in Montreal.  SOLO, dir. Sophie Dupois (Canada). “Set in Montreal’s vivacious drag scene, this tender character study from writer-director Sophie Dupuis (Underground) focuses on a talented young performer whose past and present merge in unexpected ways.” (TIFF Catalog) Simon is a successful makeup artist and drag performer, but when a Oliver, new guy shows up in the dressing room, he sets his eyes on something new.  At first, the chemistry is wonderful – but eventually we realize that Simon is willing to compromise himself for what he thinks he needs in his life..and Oliver is a master manipulator.  This film is well done with great, fleshed out performances…and full of people I “know.”

HIS THREE DAUGHTERS, dir. Azazel Jacobs (USA). “A tense, captivating, and touching portrait of family dynamics starring Carrie Coon, Elizabeth Olsen, and Natasha Lyonne as sisters who converge after their father’s health declines.” (TIFF Catalog) What this film lacks in visual appeal (there are some very strange choices about shooting people up against a blank wall), it makes up for in screenplay and performances.  This little gem’s third act is terrific…and the claustrophobia of being in a relatively small New York apartment for the majority of the film works on a lot of levels in creating tension and drama.  These women are all terrific.

IN CONVERSATION WITH PEDRO ALMODOVAR (with screening of STRANGE WAY OF LIFE, dir. Pedro Almodovar (SPAIN)).  Today’s event with Almodovar was a treat.  Almodovar talked with Cameron Bailey for about 45 minutes about his career – and it was insightful and delightful.  He talked about the “transition” from screwball comedies to melodrama and the industry’s rating system.  Then he screened the short film STRANGE WAY OF LIFE – a gay Western with Ethan Hawke and Pedro Pascal…which Almodovar explained was his sort of answer to BROKEBACK MOUNTAIN (which he had been asked to direct years ago).  “Two lovers reunite after 25 years apart, but secret ulterior motives threaten to spoil the relationship, in this emotional western from Pedro Almodóvar.” (TIFF Catalog)  Pedro then returned to the stage to talk for a bit more before taking questions from the audience.  Sadly, there wasn’t much time for questions and I didn’t get to ask mine.  (Almodovar apologized to the audience that neither of the lead actors would be seen naked in the film.)

 

I’m about to head out and meet one of our Board members for a cocktail this evening.  Susan and her husband are at the festival for the first time, and I’m anxious to hear what they’re seeing and how they like their experience so far.

Until tomorrow!

Thanks for reading,

Jonathan

 

TIFF Day #2 – 2023

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Hello Dayton937,

Today was a slimmer day for screenings.  Only three movies!

GONZO GIRL, dir. Patricia Arquette (USA). “Willem Dafoe and Camila Morrone star in Patricia Arquette’s high-flying, fast-paced directorial debut based on Cheryl Della Pietra’s semi-autobiographical novel chronicling her time as Hunter S. Thompson’s personal assistant.” (TIFF Catalog)  Though the names have been changed for the sake of the “novel,” this story of a young woman’s time as Hunter S. Thompson’s assistant is about a person meeting their “idol,” only to be be disappointed (but nonetheless grateful for the experience and the lessons along the way…and the material).  The performances are strong and Arquette’s direction is assured (Arquette has a subtle, strong supporting role, too) and the energetic “trip” is worth the ride.  There’s a cautionary line that Thompson’s secretary gives the new assistant in the movie – “Water down your drinks and fake half the lines he gives you, that’s the only way to survive.” That’s not a bad life lesson.

SUMMER QAMP, Jennifer Markowitz (Canada). “At Camp fYrefly in rural Alberta, queer, non-binary, and trans teens get to just be kids in a supportive space, surrounded by counsellors who can relate to their experience ― and help them toast the perfect marshmallow.” (TIFF Catalog). There are some powerful moments in this little documentary about queer youth going to summer camp…and there’s something wonderful about LGBTQIA+ kids getting such positive affirmations in a place where they don’t have to be afraid to express who they are.  There’s a lot to like here (I wouldn’t mind a short film about Marshall – one of the counselors), but overall, I didn’t love this doc.  I found it to be overscored and a bit repetitive. I recommend seeing it (but it’s not something I’d need to revisit).

DICKS: THE MUSICAL, Larry Charles (USA). “Larry Charles (Borat) conducts an uproarious musical-comedy riff on The Parent Trap that follows a pair of identical twins who conspire to reunite their divorced and disturbingly deranged parents (Nathan Lane and Megan Mullally).” (TIFF Catalog) A24’s raunchy, irreverent musical was my last film for the day.  This movie is based on material that comedians Josh Sharp and Aaron Jackson have been working on for years (they’re also the stars of the film).  IndieWire wrote this about the opening night, midnight screening: “No amount of context can prepare folks for the film’s final number, with a chorus that refers to God as a slur. The song that leapt from the screen out into the audience, with a flash mob of chorus members jumping out their seats to sing along, and pride balloons and penis inflatables dropping down onto attendees.”  This movie has some great melodies, fun material (Megan Thee Stallion & Megan Mullally steal the show), and some real laugh-out-loud moments.  It is destined to reach cult status, but I thought it wore a little thin pretty quickly.  The cast appears to be having a blast making this film (that’s almost always true when there’s a gag reel at the end), and I think it would be much more fun in a party-like environment (instead of the industry screening I attended).

Jake is heading back to Dayton tomorrow, and I’m sticking around for another week…lots more films to see.

Tomorrow is something I’m looking forward to most of all – IN CONVERSATION WITH PEDRO ALMODOVAR!

Hope you tune back in for Day #3.

Thanks for reading,
Jonathan

TIFF 2023 – Day #1

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Hello Everyone,

Off to the races.  I had five screenings on the agenda for today – 3 with industry folks and 2 with the general public.  Of the five, one was a real winner…and one had a lot of merit but could have been trimmed by 30 minutes (I know some critics will greatly disagree with me on that).

LAST SUMMER, dir Catherine Breillat (France).  My first film of the day was from a director who is quite used to working with taboo subject matter…and this was no exception. “In the latest film by French provocateur Catherine Breillat, a prominent lawyer’s passionate affair with her 17-year-old stepson threatens both her career and family.”  (TIFF Catalog)  In the opening scene of this (intentionally) cringe-inducing film, the protagonist is dealing with an underage client who is preparing for court.  She tells the girl, “in court, the victims often become the accused” – which sets a certain tone for the rest of the film.  Though the film certainly has some memorable moments and worked on some levels,  there were multiple decisions for a lingering camera which became frustrating and laborious.  And in the end, I ultimately didn’t buy the attraction and thus the affair – so the film really didn’t work for me.

THE CRITIC, dir Anand Tucker (United Kingdom).  Next up was a rather handsomely designed period film with Ian McKellan chewing up the dimly lit scenery. “Gemma Arterton and Ian McKellen star as adversaries forced to take desperate measures to save their careers, in this scintillating tale of ambition and deceit in the theatre world.” (TIFF Catalog). Though lovely to look at, I found some of the story a bit hard to follow initially…this was due in part to tiredness and the fact that all interior scenes at night appeared to be lit with a 20 watt bulb…which had me a little confused keeping track of characters who mostly appeared in shadows.  Though McKellan is having a ball, he is sadly better than the material.    It’s a noir-ish story which doesn’t quite commit to the genre.

FLORA AND SON, dir John Carney (US & Ireland).  My winner for the day was this little gem! “The latest from writer-director John Carney (ONCE, SING STREET) features a revelatory performance from Eve Hewson as a young mother trying to connect with her teenage son through a shared love of music.” (TIFF Catalog) The rough-around-the-edges characters are so wonderful in this heartwarming (and occasionally crass) story about an Irish woman who ends up taking on-line guitar lessons from a guy in California (played by Joseph Gordon Levitt) while trying to build a relationship with her son.  Lots of laughs and several tears…it really works.  (NOTE: We may bring this to THE NEON at the end of the month.)

ANATOMY OF A FALL, dir. Justine Triet (France). “Winner of this year’s Palme d’Or, and starring German actress Sandra Hüller, Justine Triet’s Anatomy of a Fall is a riveting portrait of a complex woman put on trial for the murder of her spouse.” (TIFF Catalog) (One big detail of the short synopsis from the catalog is the fact that the only potential witness of what transpired is the woman’s visually impaired son.)  I’ve heard a lot of great things about this (mostly) courtroom drama, and it works on a lot of levels…but boy, oh boy – it’s longer than it needs to be.  (And this was the 2nd film today which thematically explored a victim being put on trial during court proceedings.)  One of the strongest moments of the film is a tennis-match-like argument that is fascinating for its character development.  A solid film with an outstanding lead performance (but don’t go in the slightest bit tired).

NORTH STAR, dir. Kristin Scott Thomas (United Kingdom).  This is Kristin Scott Thomas’s directorial debut, and I was sadly a bit disappointed.  I considered leaving early and just going to bed…but I’m glad I didn’t.  There’s a 10-minute scene in a cemetery that’s worth the whole film (and I’d bet my next paycheck it’s the scene that was the genesis for the entire movie).  Some funny moments.  Some touching moments.  But I could have easily seen this as a short film.

NORTH STAR – directed by Kristin Scott Thomas

And now it’s time for bed!  Bright and early tomorrow!

Thanks for reading!!

Jonathan

P.S.  Here’s a little picture of me and Jake just before heading into the NORTH STAR screening.

 

Returning to Toronto International Film Fest – 4 Years Later!

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Hello Dayton937!

It’s been 4 years since I’ve made the trip to Toronto for TIFF (The Toronto International Film Festival), and my soul has truly missed it.  I know that this year will be very different.  Not only has COVID changed how festivals work, the ongoing writer & actor strikes will also likely change the energy at this year’s festival.  Regardless, I’m anxious to go and submerge myself in multiple screenings of international cinema for 9 days.

The illuminated sign on King Street West indicates the start of the festival!

I’m feeling a little out of practice, but I hope to update you every day with details about the films I’m seeing, the Q&A’s I’m observing and the glitterati I’m spotting.  I’m not sure how many parties will be happening this year, but I hope to pop in on a couple.

For industry folks, the fest works a little different.  I will have an opportunity to see 10 films with the general public.  These are the screenings where directors, producers and stars might walk the Red Carpet and be interviewed for television.  When people think “glamorous film festivals,” these are the screenings that come to mind.  That said, the majority of the films I screen will be in multiplex settings with other press and industry folks.  I might get sandwiched between an international sales agent on one side and someone writing for HOLLYWOOD REPORTER on the other.  It’s fun to rub elbows with a variety of people who make this industry tick.

Maya Hawke as Flannery O’Connor in WILDCAT

I already have a handful of tickets to screenings and events.  In addition to the premiere of NORTH STAR on Opening Night (the directorial debut of Kristin Scott Thomas – starring Scarlett Johansson), Taika Waititi’s latest NEXT GOAL WINS and the anticipated feature WILDCAT (directed by Ethan Hawke and produced by Dayton’s own Karri O’Reilly), I’m so delighted that I scored a ticket to IN CONVERSATION WITH PEDRO ALMODOVAR – a sit down interview (Charlie Rose-style – but in front of an audience)  with my favorite filmmaker of all time!

I’ll try to stay on top of updating this blog on a daily basis after my first day of movie watching.  (Screenings start on Sept. 7 – and I’ll have a full day!)  I’ll screen films through the 15th and head back to Dayton on the 16th.

Thanks for reading.

More soon,

Jonathan

What’s on Screen at The Neon

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We had a very solid weekend at THE NEON with nice, steady business for all screenings. Thanks to everyone who came out to support our 2 big Academy Award contenders – LIVING and WOMEN TALKING – as well as CAROLE KING: HOME AGAIN. It felt great to have so many people enjoying films with us. Both films are going to stick around for another week, and you still have a chance to see CAROLE KING this evening if you missed it on Sunday.

“Open Caption Mondays” continue to be well-received. On Monday, Feb. 6, WOMEN TALKING and LIVING will be presented with Open Captions. As a reminder, seating is no longer assigned on Mondays-Thursdays for traditional engagements.

Need a refresher regarding our current engagements? Click the images below to watch each film’s trailer.

LIVING:
WOMEN TALKING:
UPCOMING SPECIAL EVENTS:ONE MORE SCREENING TONIGHT! Wednesday, Feb. 1 at 7:30 – CAROLE KING: HOME AGAIN – LIVE IN CENTRAL PARK. Tickets $12.50 each – available now!

“CAROLE KING: HOME AGAIN – LIVE IN CENTRAL PARK, which presents musical icon Carole King’s triumphant May 26, 1973 homecoming concert on The Great Lawn of New York City’s Central Park before an estimated audience of 100,000. The complete multi-camera 16mm footage filmed and recorded by Lou Adler in 1973 has never before been released.” Click the image below to watch the film’s trailer!
TICKETS ARE REALLY MOVING NOW! MIDWEST PREMIERE of WRONG REASONSwith visiting director (and Middletown, Ohio native) Josh Roush. “When an ambiguously intentioned masked man kidnaps a drug addicted punk singer, it triggers a police investigation as well as a media circus.” This film was exec-produced by and stars Kevin Smith. It will screen Saturday, February 4 at Noon, and ticket are $12.50 each – available now! Click the image below to watch the film’s trailer.
“On February 9, 2023, at 6:00 pm, The Miami Valley School will present PAUL LAURENCE DUNBAR: BEYOND THE MASK. The filmmaker, Frederick Lewis, a professor at Ohio University, will be on hand to introduce the film and lead a post-screening discussion. The screening, which is presented through The Miami Valley School’s Speaker Series, is free and open to the public. Interested guests may register online at this LINK. BEYOND THE MASK is a feature-length documentary on the life and legacy of the first African American poet/writer to gain international fame. Born to former slaves in Dayton, Ohio, Paul Laurence Dunbar (1872-1906) is best remembered for his poem “We Wear The Mask” and for lines from “Sympathy” that became the title of Maya Angelou’s famous autobiography I KNOW WHY THE CAGED BIRD SINGS. More than eight years in the making, BEYOND THE MASK received major funding from the National Endowment for the Humanities with additional support from Ohio Humanities.” (taken from press notes)
Among so many surprises with this year’s Academy Award nominations was the inclusion of Andrea Riseborough for “Best Actress” in a film called TO LESLIE. We think this film is worth seeing on the big screen…not only because of Riseborough’s incredible performance, but because it also stars Dayton’s own Allison Janney. TO LESLIE will screen 2 times in February – Sunday, Feb. 12 at 4:00 and Thursday, Feb. 16 at 7:30. Tickets are on sale now! Click the image below to watch the film’s trailer.
ONLY A COUPLE TICKETS REMAIN! “While there is nothing wrong with the de rigueur heart-shaped box of chocolates or calling in that dedicated love song to Delilah on your way home from work, THE NEON is giving you a chance to change it up this Valentine’s Day with a date night showing of the 25th Anniversary of YOU’VE GOT MAIL. In addition to the movie, the cocktail and desserts will be a nod to NYC’s Café Lalo, an iconic landmark restaurant made popular by the movie in the 90s. Tickets are available now until sold out. $25 includes a movie ticket, an adult beverage (wine, beer, or house cocktail), a small popcorn, and dessert from the former owner of St. Anne the Tart (and current board member at THE NEON), Megan Smith. YOU’VE GOT MAIL has two local ties as well! Dave Chappelle played Kevin Jackson, best friend to Tom Hanks’s character, Joe Fox. Additionally, Mary Beth Kuhn of Germantown was an art director on the film.” (Megan Smith) Tickets are available at our box office or via our official site!
“Homelessness is a Humanitarian Crisis in the United States. Join us for a screening of LEAD ME HOME – Feb. 15 at 4pm. More than 500,000 people experience homelessness every night in America. LEAD ME HOME is a short documentary (40 minutes) that tells these real-life stories giving audiences a rare, in-depth look at the scale, scope and diversity of what it means to be unsheltered and unhoused while calling into question uninformed attitudes and outmoded polices. After watching the film, the audience will hear from members of our community facing housing insecurity and have an opportunity to learn more about what we can do as a community around housing justice. In lieu of an entrance fee, we are collecting donations of socks and toiletries for the unhoused in our community. Donations will be given to St. Vincent Shelter. This screening is part of a week-long focus on housing in our community beginning with the opening of the National Building Association’s Eviction Exhibit on February 13, 2023 at the Dayton Metro Library.” (Sponsored by Kathy Rowell, Professor of Sociology at Sinclair in Support of St. Vincent Shelter System in Dayton.) To reserve your spot, please visit this eventbrite LINK.
“Did you know there are more than 32,000 mothers in America, many from conservative, Christian backgrounds, who fully accept their LGBTQ+ children? They call themselves “mama bears” because while their love is warm and fuzzy, they fight ferociously to make the world kinder and safer for all LGBTQ+ people.” This special, one-time screening of MAMA BEARS, with visiting director Daresha Kyi (who graduated from The Miami Valley School), will take place on Saturday, March 11 at Noon…and tickets are Free due the generosity of The Hope Collective – the church that utilizes our auditoriums for worship on Sunday mornings. (Doors will open on March 11 at 11:15 – tickets will be first-come, first-serve that day.)
National Theatre Live’s presentation of THE CRUCIBLE is heading to our big screen this March.The classic Arthur Miller play is “a five-star scorcher” writes THE SUNDAY TIMES, and TIME OUT writes “It doesn’t get much more spectacular.” “A witch hunt is beginning. Raised to be seen but not heard, a group of young women in Salem suddenly find their words have an almighty power. As a climate of fear, vendetta, and accusation spreads through the community, no one is safe from the trial. Lyndsey Turner (HAMLET) directs this contemporary new staging, designed by Tony Award-winner Es Devlin (THE LEHMAN TRILOGY).” (ByExperience) Tickets are $12.50 each and available now. Wed, March 15, 2023 at 7:00 and Sun, March 19 at 4:00
We were delighted to partner with The Human Race Theatre Company during their 2019/2020 Season – “Women of Influence: Their Power, Passion & Pitfalls.” PNC came on board to sponsor our spectacular line-up of films that spoke to each play in The Human Race’s season – and then the world closed down after our third screening. We are now pleased to announce that we finally have a new date for BE NATURAL: THE UNTOLD STORY OF ALICE GUY-BLACHE – Wednesday, March 29 at 7pm. If you purchased a pass for this series, it will still be honored for this screening. Otherwise, tickets will be $10 each – available starting this Friday. Click the image below to watch the film’s trailer.
   

SHOWTIMES for Wednesday, Feb. 1 – Thursday, Feb. 9:

LIVING (PG-13): 1 Hr 42 Min

Wednesday & Thursday (Feb 1 & 2): 2:50, 5:10, 7:30

Fri, Sat, Sun (Feb 3-5): 12:30, 2:50, 5:10, 7:30

Monday-Thursday (Feb 6-9): 2:50, 5:10, 7:30

WOMEN TALKING (PG-13) 1 Hr 44 Min

Wednesday (Feb 1): 3:00, 5:15

Thursday (Feb 2): 3:00, 5:20, 7:40

Friday (Feb 3): 12:40, 3:00, 5:20, 7:40

Saturday (Feb 4): 3:00, 5:20, 7:40

Sunday (Feb 5): 12:40, 3:00, 5:20, 7:40

Monday-Wednesday (Feb 6-8): 3:00, 5:20, 7:40

Thursday (Feb 9): 3:00

CAROLE KING: HOME AGAIN (NR) 1 Hr 20 Min

Wednesday (Feb 1): 7:30

WRONG REASONS (NR) 1 Hr 40 Min

Saturday: 12:00

PAUL LAURENCE DUNBAR: BEYOND THE MASK (NR) 2 Hrs

Thursday: 6:00

COMING SOON:

(All Dates Are Tentative. Dates Often Move And Sometimes Disappear)

TBD: TURN EVERY PAGE

Feb 12 & 16 – TO LESLIE (2 screenings only!)

Feb ? – EO

Feb. ? – ALL QUIET ON THE WESTERN FRONT

Feb 17 – OSCAR SHORTS

Feb 24 – EMILY

Cannes Hit ELVIS and Crowd-Pleasing PHANTOM OF THE OPEN at The Neon

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We’ve got to keep moving. If you still need to see the wonderful Sundance-winning comedy CHA CHA REAL SMOOTH – you’ve only got a few more chances. We found a way to keep EIFFEL for a few screenings over the weekend…but June 26 will be its last day. Baz Luhrmann’s ELVIS opens Thursday night and the crowd-pleasing golf comedy THE PHANTOM OF THE OPEN (which is based on a true story) starts Friday.

Be sure to check out the trailers below for WILDHOOD (which is currently rated “100% Fresh” on rottentomatoes) and KINKY BOOTS (the uplifting musical that has quite a large fan-base)!
On Monday, June 27, both of our films – ELVIS and THE PHANTOM OF THE OPEN – will be presented with open captions (where captions will be projected on the screen).
We’ve got a booking in the works for July 1…so stay tuned to our official website and social pages for an announcement later in the week.
NEW IN-PERSON ENGAGEMENTS:
Synopsis for ELVIS: At the Cannes Film Festival in May, ELVIS received a 12-minute standing ovation…and numerous critics have predicted that Austin Butler will be a part of the Oscar race next year!! “ELVIS is an epic, big-screen spectacle from Warner Bros. Pictures and visionary, Oscar-nominated filmmaker Baz Luhrmann that explores the life and music of Elvis Presley, starring Austin Butler and Oscar winner Tom Hanks. A thoroughly cinematic drama, Elvis’s story is seen through the prism of his complicated relationship with his enigmatic manager, Colonel Tom Parker. As told by Parker, the film delves into the complex dynamic between the two spanning over 20 years, from Presley’s rise to fame to his unprecedented stardom, against the backdrop of the evolving cultural landscape and loss of innocence in America. Central to that journey is one of the significant and influential people in Elvis’s life, Priscilla Presley (Olivia DeJonge).” (Warner Brothers) Click the image below to watch the film’s second trailer.
Synopsis for THE PHANTOM OF THE OPEN: “THE PHANTOM OF THE OPEN follows Maurice Flitcroft (Mark Rylance), a dreamer and unrelenting optimist who managed to gain entry to The British Open Golf Championship Qualifying in 1976 and subsequently shot the worst round in Open history, becoming a folk hero in the process.” The LA TIMES writes, “Rylance makes golf irresistible in inspiring true story! Rylance compels as the star of his own kooky fable,” and THE WASHINGTON POST writes, “A sly little gem grounded in a fantastic performance by Rylance!” Click the image below to watch the film’s trailer.
UPCOMING SPECIAL EVENTS:
THE DAYTON JEWISH FILM FESTIVAL is heading toward the finish line with three more films! The festival is back in person this year (and additionally being offered virtually). You won’t find these films on a big screen anywhere else in town…so don’t miss your chance to see them this week!
Here’s the remaining line-up of films playing at THE NEON:
Tuesday, June 21 at 7pm – 200 METERS
Thursday, June 23 at 7pm – I AM HERE
Sunday, June 26 at 7pm – WET DOG
For more details about all the films, click the image below to visit the festival’s official site.
For the last 2 weeks, in partnership with ThinkTV and The Dayton Metro Library, we’ve had really nice turn-outs for our FREE Family Summer Film Festival…but there’s room for more! Please help us spread the word!  Each week, doors will open at 10:30am, and tickets will be given on a first-come, first-serve basis. Events will start with Read-Along videos with Dayton Metro Library’s Ms. Winnie and continue with programming from the PBS Kids library. Children will leave each screening with activity books and other materials to promote continued learning over the summer. Parents and caregivers will also be provided with resources to keep learning happening at home and prevent the “summer slide.” These materials are courtesy of ThinkTV and The Dayton Metro Library.
Featuring episodic shorts from popular characters in the PBS Kids library, screenings will give an opportunity for families to enjoy the movie-going experience together in a budget-friendly way while keeping kids thoughtfully engaged. Each Saturday will focus on a different program. Here are the four programs that remain:
June 25 – “Jungle Animal Day” with THE WILD KRATTS
July 2 – “Be My Neighbor Day” with DANIEL TIGER – this screening will be preceded by a hands-on event on THE NEON’s patio hosted by The Dayton International Peace Museum
July 9 – “Exploring the Library” with CURIOUS GEORGE – this screening will be followed by a post-screening “hands on” event at the Dayton Metro Library Main Branch where children will have an opportunity to meet “Curious George” at 12:30
July 16 – “Nature Day” with NATURE CAT
Click the image below to watch this year’s preview.
We’ve booked a wonderful, award-winning film for PRIDE Night at THE NEON on Thursday, June 30 at 7pm – WILDHOOD – and tickets are already on sale! This film is currently rated “100% Fresh” on rottentomatoes, and THE HOLLYWOOD REPORTER writes, “WILDHOOD combines the foundation of heartrending coming-of-age narratives with the feel-good elements of road trip flicks to create a delicate, not to mention visually appealing, sophomore film.” Here’s a brief synopsis: “In a rural east-coast trailer park, Link lives with his toxic father and younger half-brother Travis. When Link discovers his Mi’kmaw mother could still be alive, it lights a flame and they make a run for a better life. On the road they meet Pasmay, a pow wow dancer drawn to Link. As the boys journey across Mi’kma’ki, Link finds community, identity, and love in the land where he belongs.” (Wolfe Releasing) Click the image below to watch the film’s trailer. EVERYONE is Welcome to PRIDE Night at THE NEON!
After our recent successful screenings of ANYTHING GOES, many folks have been asking for more musicals…and now you’ve got ’em! Save the dates! On Wed, July 6 at 7pm & Sun, July 10 at 4pm, we will present KINKY BOOTS – beautifully captured from the London stage. On August 10 & 14, we’ll present 42ND STREET – also captured from the West End. Tickets are $12.50 each and available now! Click the image below to watch a short trailer for KINKY BOOTS.
“Scripted In Black is back at it again with some of our favorite Black movie classics + community social hours! This time around, we’re coming more live + personal with timeless Black classics while giving homage to local Black talent and businesses, Whether you’re in the mood to search for true love, plotting to make it big by any means necessary, or getting well-versed with the dynamic nature of hood politics, this year’s film series allows us to collectively experience the art of Black cinema, together. This movie night series is a chance to celebrate as a community the importance of Black storytelling and the way it honors the multi-dimensional layers of our culture, experience, and perspective. This movie night series is the perfect way to close out a busy work week or end the weekend with nothing but high-vibes.”  (Scripted in Black press release) Tickets to each event will cost $28 and include admittance to the pre-screening social hour, a voucher for popcorn & soda, and admission to the film. Social hour will begin 90 minutes before each screening on THE NEON’s patio. LOVE JONES will screen on Sunday, July 29 at 4:30. B*A*P*S will s screen on Sunday, Aug 28 at 4:30, NEW JACK CITY will screen on Thursday, Sept. 29 at 7:30. Tickets for each event are available via THE NEON’s website and box office. Click the image below to visit Scripted In Black’s official website.
Thank you for all of your continued support!
We hope to see you soon,
Jonathan
IN-PERSON SHOWTIMES for Tuesday, June 21 – Thursday, June 30:
EIFFEL (R) 1 Hr 48 Min
Tuesday & Wednesday (June 21 & 22): 3:30, 7:00
Thursday (June 23): 3:30
Friday, Saturday, Sunday (June 24-26): 4:15
FINAL DAY – June 26!
CHA CHA REAL SMOOTH (R) 1 Hr 47 Min
Tue (June 21): 3:15
Wed (June 22): 3:15, 7:15
Thurs (June 23): 3:15
FINAL DAY – June 23!
FAMILY SUMMER FILM FESTIVAL with PBS KIDS (NR) approx. 1 Hr
Saturday (June 25): 11:00 – THE WILD KRATTS
DAYTON JEWISH FILM FESTIVAL
Tuesday, June 21 – 200 METERS – 7pm
Thursday, June 23 – I AM HERE – 7pm
Sunday, June 26 – WET DOG – 7pm
ELVIS (PG-13) 2 Hrs 39 Min
Thursday (June 23): 7:15
Fri, Sat, Sun (June 24-26): 12:30, 4:00, 7:30
Monday-Thursday (June 27-30): 3:15, 7:00
THE PHANTOM OF THE OPEN (PG-13) 1 Hr 46 Min
Friday & Saturday (June 24 & 25): 1:15, 7:20
Sunday (June 26): 1:15
Monday-Wednesday (June 27-29): 3:30, 7:20
Thursday (June 30): 3:30
COMING SOON – In-Person Screenings:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear)
July 1 – Booking in Progress – TBA Soon!
July 15 – MRS. HARRIS GOES TO PARIS
July 15 or 22: MARCEL THE SHELL WITH SHOES ON
TBD: MEMORIA

NEON News: MORE OSCAR SHORTS

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Audiences have loved CYRANO as well as the OSCAR NOMINATED SHORTS: LIVE ACTION, and both will stick around. If you still need to see THE WORST PERSON IN THE WORLD, a film that a few of our regulars have considered to be the best film of 2021, you only have a couple more chances.

This Friday, we’re opening 5 more Oscar contenders…THE OSCAR NOMINATED SHORTS: ANIMATION. As always, this collection is quite a mix of styles and subjects, but in the past, we’ve had some attendees bring children to this program. This year is different…this collection of shorts contains a lot of adult content (essentially a hard R), and children will not be permitted. Next week, we’ll sprinkle in some screenings of the nominated DOCUMENTARY SHORTS.
Over the past week, I’ve been communicating with Julia Reichert about Part 2 of her Retrospective – JULIA REICHERT: 50 YEARS IN FILM. Right now, we’re looking at Wednesdays in April, and we plan to get all of those details secured next week. Stay tuned!
As national protocols regarding COVID safety are altered across the country, THE NEON’s Board realizes that a shift in our policies will eventually need to happen. Every day, we have to turn away potential customers who weren’t aware of our protocols…and conversely, every day we have customers thank us for our strict policies. The Board is not taking this next step lightly, and we understand that we’ll never be able to make everyone happy. That said, until decisions are made, our current COVID protocols will remain in effect.
NEW IN-PERSON ENGAGEMENTS:
Synopsis for OSCAR NOMINATED SHORTS: ANIMATION: This year’s program of animated shorts features five award-winning shorts that range in style, subject, and nationality. (Please note, this year’s selection is not suitable for children!) Nominees included ROBIN ROBIN (UK, 32 min), BOXBALLET (Russia, 15 min.), AFFAIRS OF THE ART (UK/Canada, 16 min.), BESTIA (Chile, 15 min), and THE WINDSHIELD WIPER (USA/Spain, 14 min). Click the image below to watch a trailer for this year’s Oscar Nominated Shorts.
UPCOMING SPECIAL EVENTS:

TOMORROW NIGHT! “K. Carter, with film creator Jeremy Tkach, give a glimpse into the progress of a man’s passions in a city thriving after chaos. This documentary shines a light on the process of a native Dayton talent pursuing his passions: music and his community. After devastating tornadoes, a mass shooting, and in the midst of a global pandemic, K. Carter continues to work on his music and plan a music festival for a small urban city. Viewers will see the teams behind Carter’s endeavors and the words of those who look up to him. His journey to making an album not only spans across time but across state lines, while planning a festival has its own challenges. See the connections made and the leaps bound to bring something special to Dayton, Ohio.” Join us on Thursday, March 3 at 7:30 for the World Premiere of SON OF HIP HOP: A RAPUMENTARY – followed by a Q&A with K. Carter and Jeremy Tkach! Tickets only available at this

We’ve booked 2 special screenings of The West End’s ANYTHING GOES – set for March 27 & 30, and tickets are already on sale! What I’m even more excited about is that WSU’s Joe Deer, who was in the 1987 Broadway revival of ANYTHING GOES and has directed productions of this show several times, will introduce the screening on Wednesday, March 30. This is a filmed version of last summer’s West End production starring the luminous Tony-winning Sutton Foster. Don’t miss this Cole Porter treat on the big screen! Tickets are $12.50 and available now at our box office or on-line! More details can be found on our website. Click the image below to watch a trailer.
TICKETS ARE FLYING! We’ve booked a special event for Thursday, April 21 at 6:30. Many of you are familiar with THE DISASTER ARTIST – the story & film about the making of what is regarded as “the greatest bad movie ever made” – the cult hit THE ROOM. On April 21, we will screen THE ROOM along with special guest actor & author Greg Sestero (he co-starred in THE ROOM and wrote the book THE DISASTER ARTIST). Greg will host a Q&A, we’ll screen THE ROOM, and then you will have an opportunity for a meet & greet. Tickets are $20 each and are already on sale!
On Sunday, March 27, you’re invited to our FREE Academy Awards Screening Party. Doors will open at 7pm and the official broadcast of the ceremony will begin at 8pm…though seating will be limited. That said, you can reserve your spot in advance by coming to THE NEON starting on Saturday, March 26 at Noon. (Only two reserved seats per person. i.e. If you have a party of 6 who want to sit together, 3 of you need to come and claim your seats.) More details and official party ballots (so you can play along and win great prizes) are available now at our Box Office!

What’s On Screen at The Neon

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Neon Movies on Fifth Street

This Friday, we’re bringing the film that Paul Thomas Anderson (writer and director of LICORICE PIZZA) calls “The best movie in the world” – Joachim Trier’s THE WORST PERSON IN THE WORLD…nominated for 2 Academy Awards. We’re also bringing back DRIVE MY CAR for 3 encore screenings due to high demand after it was nominated for 4 Academy Awards including “Best Picture.” And because our return engagement of BELFAST was met with so much enthusiasm this past weekend, it will stick around for another week. LICORICE PIZZA will stay for 1 more week, but if you need to see THE POWER OF THE DOG or THE LOST DAUGHTER, you only have a couple more chances. And don’t forget that we’ ll begin our engagement of Joe Wright’s CYRANO(starring Peter Dinklage) next Thursday, Feb. 24 (tickets are already on sale). If you need more details about any of these titles, please visit our official site – www.neonmovies.com

NEW IN-PERSON ENGAGEMENTS:
Synopsis for THE WORST PERSON IN THE WORLD: “Director Joachim Trier returns with another modern twist on a classically constructed character portrait of contemporary life in Oslo. Chronicling four years in the life of Julie, THE WORST PERSON IN THE WORLD examines one woman’s quest for love and meaning in the modern world. Fluidly told in twelve chapters, the film features a breakout performance by Cannes Best Actress winner Renate Reinsve as she explores new professional avenues and embarks on relationships with two very different men (Anders Danielsen Lie and Herbert Nordrum) in her search for happiness and identity.” (Neon Releasing) Click the image below to watch the film’s trailer. This film has been nominated for “Best Screenplay” and “Best International Film.”
CONTINUING IN OUR VIRTUAL CINEMA
To read more about the few films that are still available, please visit our WEBSITE. Here’s a LINK with a video I made about how Virtual Cinema works. Our Virtual Cinema is in its last days (at least for now), but you still have a chance to check out a couple titles from home.
UPCOMING SPECIAL EVENT:
“K. Carter, with film creator Jeremy Tkach, give a glimpse into the progress of a man’s passions in a city thriving after chaos. This documentary shines a light on the process of a native Dayton talent pursuing his passions: music and his community. After devastating tornadoes, a mass shooting, and in the midst of a global pandemic, K. Carter continues to work on his music and plan a music festival for a small urban city. Viewers will see the teams behind Carter’s endeavors and the words of those who look up to him. His journey to making an album not only spans across time but across state lines, while planning a festival has its own challenges. See the connections made and the leaps bound to bring something special to Dayton, Ohio.” Join us on Thursday, March 3 at 7:30 for the World Premiere of SON OF HIP HOP: A RAPUMENTARY – followed by a Q&A with K. Carter and Jeremy Tkach! Tickets only available at this LINK.
We’ve booked 2 special screenings of The West End’s ANYTHING GOES – set for March 27 & 30, and tickets are already on sale! What I’m even more excited about is that WSU’s Joe Deer, who was in the 1987 Broadway revival of ANYTHING GOES and has directed productions of this show several times, will introduce the screening on Wednesday, March 30. This is a filmed version of last summer’s West End production starring the luminous Tony-winning Sutton Foster. Don’t miss this Cole Porter treat on the big screen! Tickets are $12.50 and available now at our box office or on-line! More details can be found on our website. Click the image below to watch a trailer.
You’re hearing about this first! We’ve just booked a special event for Thursday, April 21. Many of you are familiar with THE DISASTER ARTIST – the story & film about the making of what is regarded as one of the worst movies of all time – the cult hit THE ROOM. On April 21, we will screen THE ROOM along with special guest actor & author Greg Sestero (he co-starred in THE ROOM and wrote the book THE DISASTER ARTIST). Mark your calendars now…you’ll be the first to get ticketing details in next week’s newsletter.
Details for this year’s screening party of the March 27 Academy Awards (always a FREE Event for NEON fans) will be revealed soon!

We’re delighted to be the sponsor for a wonderful program on WDPR Discover Classical – THE SCORE – “a celebration of symphonic music in film.” You can listen to this program on Sunday’s at 5pm on 88.1FM or via WDPR’s official site. To read more THE SCORE and the focus of each week’s program, visit this official

POWER OF THE DOG, LOST DAUGHTER, BELFAST & More at The Neon

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On Monday, while making predictions and confirming our engagements of THE POWER OF THE DOG and THE LOST DAUGHTER, we decided to throw in a handful of screenings of BELFAST. I’m glad we did. Our slate for this weekend is golden. (I’ll go into more details with each synopsis.) In addition to those 3 films arriving on Friday, you’ll still have chances to see LICORICE PIZZA (nominated for 3 Academy Awards including “Best Picture”) and PARALLEL MOTHERS (nominated for 2 Oscars including “Best Actress”). If you still need to see WHO WE ARE: A CHRONICLE OF RACISM IN AMERICA, Thursday will be your last chance to see it at THE NEON.

This Sunday, February 13, we will have our first ever FREE POPCORN DAY! Whether you’re just passing by or joining us for a movie, any beverage purchase starting at Noon until closing on Feb. 13 will get you a FREE SMALL POPCORN (one free popcorn per customer). You can stop by and grab a beer “to go” before you kick-off your pregame at home…or grab a soda for your screening of THE POWER OF THE DOG – either way, the popcorn will be on us!
Please pay close attention to this week’s schedule. Some movies are only screening a handful of times, so I’ve moved them all around in order to get a mix of matinee and evening times throughout the week.
More nominees are on the way! THE WORST PERSON IN THE WORLD (nominated for “Best International Film” and “Best Original Screenplay”) opens next Friday. CYRANO and many of the OSCAR NOMINATED SHORT FILMS will open on Feb. 25. Other surprises are also in store. (FYI – Tickets for opening weekend of CYRANO are slated to go on sale this Friday morning!)
NEW IN-PERSON ENGAGEMENTS:
Synopsis for THE POWER OF THE DOG: Nominated for 12 Academy Awards including “Best Picture” and “Best Director” (Jane Campion is the first woman to ever be nominated twice for this award – how is that possible?). “A domineering rancher responds with mocking cruelty when his brother brings home a new wife and her son, until the unexpected comes to pass.” Starring Benedict Cumberbatch, Kirsten Dunst, Jesse Plemons, and Kodi Smit-McPhee – all nominated for their performances! Click the image below to watch the film’s trailer.
Synopsis for THE LOST DAUGHTER: Nominated for 3 Academy Awards including “Best Actress” for Olivia Colman. In the feature directorial debut from Maggie Gyllenhaal, Colman gives a strong and unsettling performance – one that has been winning awards around the world. “A college professor confronts her unsettling past after meeting a woman and her young daughter while on vacation in Italy. Her obsession with the woman and her daughter prompts memories of her early motherhood.” Click the image below to watch the film’s trailer. Gyllenhaal was nominated for her “Adapted Screenplay” for this film!
Synopsis for BELFAST: We had a feeling that nominations might renew interest in this gem…so we re-booked it without knowing it would garner 7 Academy Awards nominations including “Best Picture” (and a surprise nomination for the much-loved Judi Dench). We’ll have BELFAST for 5 special screenings starting Friday, Feb. 11. Director Kenneth Branagh’s “semi-autobiographical film which chronicles the life of a working class family and their young son’s childhood during the tumult of the late 1960s in the Northern Ireland capital.” (Focus Features) With Jamie Dornan, Caitriona Balfe, Judi Dench and Ciaran Hinds…and introducing Jude Hill. Click on the image below to watch the film’s trailer.
CONTINUING IN OUR VIRTUAL CINEMA
To read more about the few films that are still available, please visit our WEBSITE. Here’s a LINK with a video I made about how Virtual Cinema works. Our Virtual Cinema is in its last days (at least for now), but you still have a chance to check out a couple titles from home.
UPCOMING SPECIAL EVENT:
“K. Carter, with film creator Jeremy Tkach, give a glimpse into the progress of a man’s passions in a city thriving after chaos. This documentary shines a light on the process of a native Dayton talent pursuing his passions: music and his community. After devastating tornadoes, a mass shooting, and in the midst of a global pandemic, K. Carter continues to work on his music and plan a music festival for a small urban city. Viewers will see the teams behind Carter’s endeavors and the words of those who look up to him. His journey to making an album not only spans across time but across state lines, while planning a festival has its own challenges. See the connections made and the leaps bound to bring something special to Dayton, Ohio.” Join us on Thursday, March 3 at 7:30 for the World Premiere of SON OF HIP HOP: A RAPUMENTARY – followed by a Q&A with K. Carter and Jeremy Tkach! Tickets only available at this LINK.
We’re set for 2 special screenings of The West End’s ANYTHING GOES – set for March 27 & 30, and tickets are already on sale! What I’m even more excited about is that WSU’s Joe Deer, who was in the 1987 Broadway revival of ANYTHING GOES and has directed productions of this show several times, will introduce the screening on Wednesday, March 30. This is a filmed version of last summer’s West End production starring the luminous Sutton Foster. Don’t miss this Cole Porter treat on the big screen! Tickets are $12.50 and available now at our box office or on-line! More details can be found on our website. Click the image below to watch a trailer.
Details for this year’s screening party of the Academy Awards (set for March 27)…always a FREE Event for NEON fans…will be revealed soon!

WHO WE ARE Opens Friday at The Neon

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On Friday, we will open one of the most powerful documentaries I have seen in a long time – WHO WE ARE: A CHRONICLE OF RACISM IN AMERICA. I think this film should be part of a national curriculum, and I hope you’ll help me spread the word about this important engagement. LICORICE PIZZA continues to be our biggest draw – so it will stick around. PARALLEL MOTHERS will hold for a second week, and DRIVE MY CAR is coming back for three more encore screenings this weekend.

Academy Award nominations are coming out on Feb. 8, and we’re pretty sure we know a couple contenders coming down the pike that haven’t screened at THE NEON. So starting next Friday, you’ll have a chance to see Jane Campion’s THE POWER OF THE DOG(starring Benedict Cumberbatch) and Maggie Gyllenhaal’s feature directorial debut THE LOST DAUGHTER (starring Olivia Coleman) on our big screen.

On Sunday, February 13, we will have our first ever FREE POPCORN DAY! Whether you’re just passing by or joining us for a movie, any beverage purchase starting at Noon until closing on Feb. 13 will get you a FREE SMALL POPCORN (one free popcorn per customer). You can stop by and grab a beer “to go” before you kick-off your pregame at home…or grab a soda for your screening of THE POWER OF THE DOG – either way, the popcorn will be on us!

NEW IN-PERSON ENGAGEMENTS:
Synopsis for WHO WE ARE: A CHRONICLE OF RACISM IN AMERICA: Rated “100% Fresh” on rottentomatoes and the winner of numerous awards at film festivals across the country, this film is a Must-See! “Interweaving lecture, personal anecdotes, interviews, and shocking revelations, in WHO WE ARE: A CHRONICLE OF RACISM IN AMERICA, criminal defense/civil rights lawyer Jeffery Robinson draws a stark timeline of anti-Black racism in the United States, from slavery to the modern myth of a post-racial America.” (Sony Classics) Robert Daniels of THE LOS ANGELES TIMES wrote, “Through Robinson’s fervor for truth, Emily and Sarah Kunstler’s WHO WE ARE chronicles how such heartaches, when observed on a personal level, remind us how knowing the unchangeable past can still improve the alterable future for the better.” Click the image below to watch the film’s trailer.
CONTINUING IN OUR VIRTUAL CINEMA
To read more about the few films that are still available, please visit our WEBSITE. Here’s a LINK with a video I made about how Virtual Cinema works. Our Virtual Cinema is in its last days (at least for now), but you still have a chance to check out a couple titles from home.
UPCOMING SPECIAL EVENT:
We’re set for 2 special screenings of The West End’s ANYTHING GOES – set for March 27 & 30, and tickets are already on sale! What I’m even more excited about is that WSU’s Joe Deer, who was in the 1987 Broadway revival of ANYTHING GOES and has directed productions of this show several times, will introduce the screening on Wednesday, March 30. This is a filmed version of last summer’s West End production starring the luminous Sutton Foster. Don’t miss this Cole Porter treat on the big screen! Tickets are $12.50 and available now at our box office or on-line! More details can be found on our website. Click the image below to watch a trailer.
THE NEON wants to keep our Staff and Patrons safe! Our Board of Directors has sought advisement from Combined Health Dayton & Montgomery County and the Center for Disease Control…we’re also looking at other arthouse cinemas in major markets across the country. We have recently made one minor change to our policy. Masks are now required for all guests age 2 and higher until further notice.  All patrons aged 12 and over will be required to present proof of vaccination with a photo ID or a negative COVID-19 test from the last 72 hours. (Self-reported vaccination records not verified by a third party health care provider are not acceptable. Test results must include name, test result, and a timestamp within the past 72 hours.) We will continue to monitor the community’s health data and amend our policies based on guidance.
Please stay tuned to THE NEON’s website for the latest updates. A couple helpful hints!! Take a single picture of your photo ID and your vaccination card in the same shot. You’ll be able to flash this photo at our box office, and that will work as proof enough for us. If you have a smart phone, you could also download the app that most folks in NYC are using to get into movies, Broadway shows and restaurants – NYCCOVIDSAFE. This app will have you take a photo of your ID and your vaccine card – and it saves you from having to hunt for a photo on your phone. I downloaded it, and it’s very easy to use.
Please remember – We ask that you arrive before showtime to allow for checking everyone in before the auditorium gets dark!