
Bill Franz’s Hidden Figures: Elon

By Bill Franz
By Bill Franz
Salona, part of my series Hidden Figures. Salona is a Haitian name that means “rare ruby” or “most beautiful.”
President Trump said the Haitians in Springfield are criminals who eat people’s dogs and cats. In fact they are legal, documented immigrants recruited by local businesses and supported by city officials as being good for the community.
The Springfield News-Sun quoted one of the Haitian immigrants: “No one wants to leave their native country, but a lot of bad things are happening right now because of the gangsters. We’re working here, we’re paying taxes here. We’re just trying to pursue a better life.”
The president says he is taking away the Haitian’s status as legal immigrants in August. That would force them to choose between returning to a violent, dangerous homeland and becoming “hidden figures” unable to work, drive or do other things legally. If he carries through with this threat the president will be hurting our local economy and increasing the number of undocumented immigrants.
It’s clear to me that the president’s attitude towards the Haitians employed in Springfield would be different if they were white. Just compare his statements about those Haitians with his statements about white farmers who are citizens of South Africa. He offered those white farmers a rapid pathway to U.S. citizenship if the South African government took actions that made them feel unsafe.
The president has always been in favor of immigration – as long as the immigrants are white. During his first time in office he repeatedly said he wanted more immigrants from “nice” (white) countries like Norway. Some of the people closest to the president are white immigrants, including his first wife, his current wife and his most important advisor, Elon Musk.
Facing discrimination because they are not white is nothing new for black undocumented immigrants. They have always been more likely to be deported than other immigrants, and more likely to suffer abuse during the process. I hope Salona and her family stay safe.
By Bill Franz
The inspiration for this series was President Trump’s lies about the Haitian immigrants in Springfield. His statement that they are criminals who eat people’s cats and dogs caused even Ohio’s Republican officials to complain. When a powerful person lies it makes me wonder what he’s hiding. It makes me want to know more about all of the immigrants he’s threatened and lied about. That eventually led me to this series.
As I post the pieces in this series I’ll share some of the things I’ve learned about our country’s immigrants. In this piece some basic facts are built into the image. The boy is standing on an orange floor that takes up 11% of the image because 11% of the people now in the U.S. were born elsewhere and have documents that show they are now U.S. citizens or legal residents.
The gold band represents the 3% of people in the U.S. who were born elsewhere and don’t have documents. These are the millions of “hidden figures” President Trump says he’ll round up, imprison and send out of the country.
The background in blue refers to the 85% of people in the U.S. who are descendants of immigrants.
The top line is 1% of the image. It represents the only U.S. residents who are not immigrants or their descendants – Native Americans.
This series is about undocumented immigrants – hidden figures – and in this piece I’m using a photo of the boy I call Mateo to represent one of them. I have no idea whether this boy is actually an undocumented immigrant. He could be a fifth generation American. When I’m given the opportunity to photograph a child like this I don’t ask about his immigration status. I just say thank you and take the photo.
By Bill Franz
Sugarcreek Photography Gallery
15 West Franklin St.
Bellbrook, OH 45305
Hours:
By Bill Franz
I remember showing some of my work at the gallery’s original location near the Arcade. Now it is in a great space near RiverScape.
Ed’s gallery is best known for its annual “We’re Doing it ALL Wrong” exhibition that runs from August 1 to September 28 this year. Artists from across the country submit work that highlights important social issues. I asked Ed where he got the idea for this annual show.
“I started my gallery 7 years ago” he told me. “From the first I wanted to do an exhibition with art work that was thoughtful and thought provoking – maybe even art that spurred people to take action. I didn’t want it to be political. I wanted it focused on issues. During that annual exhibition we sometimes have nonprofit nights, where people can learn more about the local groups that are addressing the issues referenced by the artists in the show.”
There is an interesting mix of art currently in the gallery, with prices ranging from $100 to $8,500. In the first photo above, Ed is standing in front of a beautiful painting by Beavercreek resident Alisa H Workman. She describes her work as lightly abstract floral art.
A group of colorful abstracts currently in the gallery was painted in Cuba by the late Julio Antonio Pino Varens. He had a friend in Dayton who arranged to have the work sent here.
Also traveling a fair distance are the two pieces currently in the corner by California artist Juko. “She grew up in Dayton” Ed told me. “We went to school together. We lost touch when she moved away and only recently reconnected. In California she got a PhD and has had a great career in forest conservation. And she paints amazing abstract works that I’m happy to bring to Dayton.”
“One of the things I like most about having a gallery is choosing what work to show. This spring we’ll be showing work by Dayton’s Susanne Scherette King. I’ll enjoy being surrounded by her work for a month.”
Next time you’re downtown you should stop by Edward A Dixon Gallery and see what art Ed is currently surrounding himself with.
222 North St Clair
Dayton, OH 45402
Hours:
Thurs, Sat & Sun 12pm – 5pm
Friday 3pm – 8pm
Can’t visit during normal hours? Make an appointment!
Click here to make an appointment or
You can also call 937-985-2115 or email info@eadgallery.com.
By Bill Franz
By Dayton937
Just in time for the holidays, enjoy these nostalgic exhibitions highlighting two beloved classics that continue to influence the art of animation at The Dayton Art Institute (DAI). Merry Grinchmas: Art of Dr. Seuss’ Holiday Classic & (B)ART! America’s Funniest Animated Family, on view now through January 19, 2025. Just in time for the holidays, enjoy these nostalgic exhibitions highlighting two beloved classics that continue to influence the art of animation.
View original drawings of Theodor Seuss Geisel (Dr. Seuss) and Chuck Jones, who brought Dr. Seuss’ beloved holiday tale to life in the 1966 animated special How the Grinch Stole Christmas!, then laugh alongside Homer, Marge, Lisa, Maggie and Bart as you experience the original handmade animation cels of the acclaimed series.
“The art displayed in our newest exhibitions explores the significant influence animation has had in pop culture and the worlds of art, entertainment and business,” said DAI Head Curator & Curatorial Affairs Director Jerry N. Smith. “Animation art is beloved worldwide, and for many of us, this medium is our introduction to art. This work showcases how in each animated classic, thousands of individual artworks come together to tell a story and create a larger singular work.”
In 1966, the animation of Chuck Jones brought to life Dr. Seuss’ treasured 1957 children’s bookHow the Grinch Stole Christmas! The animated story is a true television classic, with generations tuning in annually to watch the story of redemption with the despicable Grinch, the sweet Cindy Lou Who and the innocent dog Max. The exhibition Merry Grinchmas: Art of Dr. Seuss’ Holiday Classic features original cel art used in the cartoon’s production, along with concept drawings by Jones (famous for Looney Tunes) and those by Dr. Seuss.
(B)ART! America’s Funniest Animated Family showcases the often-irreverent antics of Homer, Marge, Lisa, Maggie and Bart—alongside many other unforgettable figures from the longest-running animated series on American television. Since its debut in 1989, there have been more than 770 episodes. Initially crafted through traditional ink-and-paint techniques on transparent acetate cels, the first 13 seasons (1989–2002) were produced by hand before transitioning to cost-effective digital animation. These hand-drawn cels are featured in the exhibition. In the early seasons elements, now vital to the series, were created, including the famous sofa and living room set used to open each episode, which is replicated at the DAI, allowing guests the chance to truly enter the fictional world of Springfield.
Fun and colorful, these two exhibitions showcase the art of illustration. A family-friendly and nostalgic outing, guests will enjoy more than 400 works of original art, as well as interactive sensory stations, educational resources and photo opportunities.
“In addition to learning about the art of animation and illustration, those attending our newest special exhibitions can expect a joyful, playful, and nostalgic experience,” said DAI Director & President Michael R. Roediger. “This artwork was created to bring a smile to your face and brighten your day. We’re excited to offer each guest the chance to slip away from any of life’s stresses and spend time reconnecting with characters they know and love. These two exhibitions are fun, colorful and truly memorable.”
Several related programs will be offered in conjunction with the Merry Grinchmas: Art of Dr. Seuss’ Holiday Classic & (B)ART! America’s Funniest Animated Family. These include:
These exhibitions are from the collection of Bill Heeter and Kristi Correa.
Admission to Merry Grinchmas: Art of Dr. Seuss’ Holiday Classic & (B)ART! America’s Funniest Animated Family is included in the museum’s general admission, which includes access to all Special and Focus Exhibitions currently on view, as well as the museum collection galleries. General admission is $15 adults; $10 seniors (60+), active military and groups (10 or more); $5 students (18+ w/ID) and youth (ages 7–17); and free for children (ages 6 & younger). Admission is free for museum members. Membership information can be found online atwww.daytonartinstitute.org/membership.
By Dayton937
The CO is currently seeking artist / artisan-created items, ornaments, and decor for consignment for the holiday season. Submissions should meet the following criteria:
MUST
Be modern/contemporary in design and style; exhibit the highest level of craftmanship; be structurally sound, safe, non-toxic, fit for its intended use, and display ready; all necessary hardware and components must be included (earring backs, wired paintings, matted prints)
DEADLINE: NOVEMBER 1, 2024
NOT ACCEPTED
Country craft or boho; items with mechanically produced components (jewelry with commercially-produced chainmail or pendant); items featuring holiday tropes (Santa Claus, reindeer, Christmas trees, etc)
HOW TO APPLY
QUESTIONS?
Call us at 937/224.3822 or via email at shop@codayton.org
By Dayton937
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By Bill Franz
I visited Mark at his home in Dayton’s South Park neighborhood. There was no answer when I knocked on his front door so I went around behind. I walked towards a small frame building at the back of the lot that I thought that might be Mark’s studio.
People tell me that should be my studio” said a voice behind me. “It’s an old carriage house, built in 1895. But the light is better inside the house. I didn’t hear you knock, but since you’re out back you can see my other artistic pursuit – this flower garden. When I bought this house in 2001 this backyard was just grass. I’ve planted all of this.”
We went into the house and into a small room off the dining room, with an easel on one side and a walls filled with art. “Much of this art will be in a show at Sinclair Community College, Building 13 (corner of 5th and Perry) in the 4th floor gallery. There’s free parking in lot K behind the building. The show runs from August 12 to September 13 and the gallery is open 8-6 Monday through Friday and 9-12 Saturday.”
Mark’s recent paintings, the ones that will be in his show, are different from the ones I’ve seen several years ago. I asked him about that. “I had a desire to include more abstract images along with realistic components, much like this de Kooning image I have framed on my shelf. This piece is a good example, with the primarily realistic images of the two men and the primarily abstract elements in the lower right.
“The colors of this series are also a change for me. I used to work in more earth tones but in this series I’m using a lot of cooler, more synthetic tones, more blue and especially magentas. And I use a lot of blacks to try to anchor things so the painting doesn’t get too busy. As I work on these pieces it’s less about tightening up my portrayal of something and more about the colors – do I need more blue, not does that eye look right.”
I asked Mark is he’d always been an artist I’ve always been an artist. “It was sort of a given since infancy. My parents met in college. My mother was a painter and my Dad was a metalsmith. My grandmother was an art teacher and her father was an architect. Both my sisters went into art as well. I got my MFA in Miami, which brought me to Ohio from my home in Wisconsin. Then I landed at Sinclair Community College where I’m a Professor in the Fine Arts Department.”
“I rework my paintings a lot. In one piece a woman was shopping at a corn stand carrying a bag. Now it’s a man shopping at the stand and carrying a baby. This piece I’m painting now probably has about 5 more hours of work before it’s done. I’ve already changed the position of the lady’s hand. I think I’ll darken the right side, to give the illusion of looking through a screen door. I’ll also pull the shadows a bit. And I need to decide if the man’s pants need a pocket. Now it sort of looks like he’s wearing tights.”
“I’ve created a lot of work for this show at Sinclair, and I’m looking forward to seeing it all up. You’ve seen a lot of it, Bill as you walk around the house. But some of it’s hanging beside older pieces and some is stacked two or three deep. It’ll be fun seeing it as a body of work all hanging together.”
By Bill Franz
I also visited Shawna’s Gallery – https://www.chasinglightartstudio.com/ – at 1410 South Main Street, Studio C, Springboro, Ohio 45066. The studio is on the second floor, so you climb a flight of stairs to get to it.
At the top of the stairs you enter one of two small rooms where you can buy works by more than 15 area artists. Then you enter the large room where Shawna paints and where she gives classes.
“When I first moved to Springboro I took yoga classes here” Shawna told me. “As the morning sun streamed through these windows I always thought it would be a great place to paint. Now I can.””
“Opening this business four years ago has been like a dream come true. Now I can make art and teach in my own space. I first taught art to kids when I lived in California and I was surprised how much I loved it. I’m not sure I could tell you which of those activities – making art and teaching art – I like the best. I usually teach adults one-on-one, and I have regular group classes for kids.”
“For more visits to the studios of local artists go to https://billfranz17.com/ ”
By Dayton937
The Edward A. Dixon Gallery in Downtown Dayton is collaborating with the Dayton Dance Initiative to put on a special Artist Reception for Marilynn Page and her Ballet inspired artwork.
An exhibition featuring several paintings by artist Marilynn Page will open First Friday, May 2024. “Marilynn was inspired by these powerful athletes to paint this particular series of work” says gallery owner Ed Dixon. He adds “The artwork is colorful, full of movement and shows the strength of these male and female dancers.”
The exhibition will open with an Artist Reception for Marilynn that will feature a performance by the Dayton Dance Initiative. A portion of the evening’s sales from the artwork will go to the Dayton Dance Initiative. The collective is made up of dancers from some of the area’s professional dance organizations. The dancers will put on a short performance the evening of the reception at 7pm with movements influenced by Marilynn Page’s artwork. “Through movement and live musical accompaniment, Dayton Dance Initiative dancers bring to life the ballet inspired paintings of Marilynn Page. Revel in Marilynn’s vision as it extends beyond the canvas into embodied expression, and ultimately into our hearts.” – Jennifer Sydor, Artistic Director, DDI.
The Artist Reception is free and open to the public and will be from 6pm-8:30pm(performance at 7pm) at the Edward A. Dixon Gallery located at 222 N. St. Clair Street. Light refreshments will be provided. Free on-street parking is available near the gallery. The exhibition will remain on view in May on Thursday through Sunday from 12pm-5pm each day except Fridays from 3pm-8pm.
222 North St. Clair Street
Dayton, Ohio 45402
Thursday 12pm – 5pm
Friday 3pm – 8pm
Saturday 12pm – 5pm
Sunday 12pm – 5pm
By Bill Franz
By Dayton937
On Thursday, March 21, 2024, the Dayton Art Institute (DAI) will welcome all in the community to the museum, free of charge, for a special Art For All day.
On Art for All Days, the museum will offer free general admission to its collection galleries, as well as the Special and Focus Exhibitions The Artistic Life of Aka Pereyma, James Pate, Techno-Cubism: The Art of Line Painting, Telling Stories: World Literature in Art.
James Pate, Techno-Cubism: The Art of Line Painting
The museum will be open from noon to 8 pm on March 21. Throughout 2024, DAI will offer two additional Art for All days. On Sunday, June 30, and Friday, November 15, guests will receive free admission.
For more information about planning a visit, including current museum hours and updates, go to www.daytonartinstitute.org/visitor call 937-223-4ART (4278).
By Bill Franz
By Bill Franz