brad pitt
McCoy on Movies: Once Upon A Time in Hollywood
Tarantino die-hards best suited to travel back in time for the hodgepodge buddy comedy/crime tale of Once Upon a Time in Hollywood
WATCH THE TRAILER(S) HERE:
DIRECTOR(S): Quentin Tarantino
But while Rick laments his falling star and Cliff tries to make him realize the sky isn’t falling with it, Sharon Tate (Margot Robbie) is living the high life as Rick’s new neighbor. Married to hotshot director Roman Polanski (Rafal Zawierucha), Sharon is enjoying a budding movie career and life with her husband … And her ex-boyfriend/hairdresser to the stars Jay Sebring (Emile Hirsch).
While Cliff is living his life fairly carefree, things are about to change when he picks up a hippie hitchhiker (Margaret Qualley) who can’t wait for him to meet Squeaky (Dakota Fanning), Tex (Austin Qualley) and Charlie (Damion Herriman). But since Charlie is the leader of a “family” that has a very unique view on the world, things are about to change in a way that only can happen in a Taratino-helmed picture …
THE REVIEW: For a movie that’s 2 hours and 40 minutes-plus in length, you would be inclined to hope Once Upon a Time in Hollywood wouldn’t feel a bit (1) disjointed; (2) incomplete; (3) half-baked and (4) have some focus storytelling flair to match its visuals that are writer/director Quentin Tarantino’s homage to the last “golden era” of Hollywood. Instead, what you have are two movies in one: (1) A buddy comedy about an aging film star (DiCaprio’s Dalton) finding his place in the world and (2) a crime fantasy drama about the Manson family and a stuntman’s interaction with them.If that sounds a bit confusing to you, watching Once Upon a Time in Hollywood will make it clearer how they are connected … Even though you will likely leave the theater with feelings as mixed as the movie itself.
A man who loves to do things brash and big, there is no wonder why Tarantino would love to explore the world of Hollywood in the 1960s. Likewise, given his penchant for crime tales and revisionist history, there is plenty of source material for Tarantino to utilize. Instead, Once Upon feels more like exploiting all of the glitz and glamour before devolving into a live-action cartoon of South Park-level insanity but with Family Guy-like intelligence. (By the way, I like both cartoons, but let’s be honest: One has gone from frathouse humor to a near graduate studies course on modern socio-political issues while the other will throw out a Conway Twitty clip or a chicken fight when there isn’t a more involved punchline.) Once Upon instead is a hodgepodge of everything that Tarantino wants to cram into a movie; problem is, when you try to cram everything in, a lot of those things don’t get the time they need to develop. And when you have a movie that is trying to essentially be two things in one, it often doesn’t work. Once Upon suffers this fate as the true crime aspects – Tarantino’s take features real people, but isn’t exactly based on a true story – at times feel forced and Dalton’s story was worthy of its own movie, not one in which it shares it with another idea.
On a positive note, DiCaprio does DiCaprio things which prove his worth as one of modern Hollywood’s best actors with Pitt smiling and charming his way as only he can through his scenes. Problem is, that’s pretty much all Pitt does save for the film’s twisted final 20 minutes. His interaction with the Manson Family is a bit like a pro wrestling character: You either buy it or you just kinda go “meh.”
The real tragedy may be Robbie’s performance, or rather the lack thereof of it. Robbie does very little as Sharon Tate other than laugh, smile, giggle and hug – that’s it – but it’s not her fault. There’s really not much else to her role nor is she given any opportunity to showcase why she could have been a compelling person other than a tragic footnote in real-life Hollywood history. With so much that could have been done with the character, Tarantino’s tribute to her feels more like a caricature of her, needless to say it does not achieve the desired result.
The main thing that will stick with audiences, however, is that outside of the Dalton tale, the film feels grandiose, long as its runtime and just a really potluck of stories and storytelling. If Tarantino’s plan really is to retire after 10 films, he’s going to need a dynamite exit piece to atone for the Once Upon. For this is the equivalent to New Coke, Kanye West’s 808 & Heartbreaks, the last season of Game of Thrones and LeBron James leaving Cleveland to take his talents to South Beach. Sure, there will be plenty of die-hard Tarantino fans that will laud it as the greatest thing since his last greatest thing, but the causal fan may simply go “I get it … But was it really worth getting?”
For a film that attempts to entertain by celebrating and then exploring Hollywood’s Golden Age, Once Upon a Time in Hollywood will be fortunate to settle for anything close to bronze.
Stayin’ Put for 1 More Week at THE NEON!
We had another great weekend at THE NEON…in fact, MIDNIGHT IN PARIS saw a small increase over the past few days. Both THE TREE OF LIFE and MIDNIGHT IN PARIS will stick around for another week…and we plan to at least open BEGINNERS on July 15.
Visit each film’s website by clicking on the links below:
Our new parking lot has new lines and is ready! You can access this lot (which has 2 different sections) from St. Clair. One section exits onto 5th Street…the other exits back onto St. Clair. All the spots are visible from our front window, and new light bulbs have been installed to make certain it is well lit. As always, this lot if free to NEON customers. If it is full, we can validate your ticket for the parking garage any time after 6:00 on weekdays or all weekend long. If you have questions, please don’t hesitate to call or write.
Take a look at the trailer for BEGINNERS – opening on July 15. You don’t want to miss this film!!
[yframe url=’http://www.youtube.com/watch?v=rXUFUp6vsxg’]
Hope to see you soon.
Take care!
Jonathan
SHOWTIMES for July 8 – July 14:
MIDNIGHT IN PARIS (PG-13) 1 Hr 40 Min
Friday: 12:50, 3:00, 5:10, 7:30, 9:40
Saturday: 12:50, 5:10, 7:30, 9:40
Sunday: 12:50, 3:00, 5:10, 7:30, 9:40
Monday – Thursday: 3:30, 6:00, 8:30
THE TREE OF LIFE (R) 2 Hr 18 Min
Friday, Saturday, Sunday: 1:00, 4:15, 7:00, 9:45
Monday – Thursday: 2:30, 5:15, 8:00
COMING SOON:
As always, all dates are tentative. Some of these dates will change.
In some cases, titles may disappear.
July 15 BEGINNERS
July 15 BUCK
July 22 PAGE ONE: INSIDE THE NEW YORK TIMES
Aug 5 SNOW FLOWER AND THE SECRET FAN
Aug 12 BEATS AND RHYMES: A TRIBE CALLED QUEST
Aug 26 ANOTHER EARTH
Aug 26 THE GUARD
Sept. 9 LIFE ABOVE ALL
Sept 23 HIGHER GROUND
TBD DOUBLE HOUR
TBD THE FUTURE
THE TREE OF LIFE – The Most Talked About Indie of the Year at THE NEON!
As planned, the fantastically charming POTICHE was only here for a week. And just as we suspected, MIDNIGHT IN PARIS is still performing very well, and audiences are adoring it…so it will stick around for at least another week.
Today (6/24), we open the most talked about indie film of the year – Terrence Malick’s THE TREE OF LIFE. Starring Brad Pitt, Sean Penn and Jessica Chastain, TREE OF LIFE was the winner of the Palme d’Or at this year’s Cannes Film Festival. This film has been given a 100% review by The New York Times, The Chicago Sun-Times, NPR, USA Today, Variety, Time Out New York, The Village Voice, and many more. Roger Ebert wrote, “The only other film I’ve seen with this boldness of vision is Kubrick’s 2001: A SPACE ODYSSEY, and it lacked Malick’s fierce evocation of human feeling.”
Synopsis for THE TREE OF LIFE: “The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father. Jack finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith. Through Malick’s signature imagery, we see how both brute nature and spiritual grace shape not only our lives as individuals and families, but all life.” (Fox Searchlight Pictures) Check out the beautifully designed official site.
[yframe url=’http://www.youtube.com/watch?v=WXRYA1dxP_0′]
Last week’s screening of WE WERE HERE was a marvelous, sold-out event – with a beautiful film and an insightful and brave panel discussion. Many thanks to all my friends and community partners who helped to make the evening such a success.
We will have a new neighbor in the next few days – Sabai: Asian Cuisine & Sushi Bar. What we have been using for our parking lot for the past several years will soon become theirs. Luckily, we will be able to utilize a new space that’s visible from our front windows. Please start getting in the habit of parking in our new lot…though there aren’t parking lines yet, there will be soon. We’ve painted a couple of the posts to make the lot quite easy to find.
Hope to see you this weekend.
Take care!
Jonathan
SHOWTIMES for June 24 – June 30:
MIDNIGHT IN PARIS (PG-13) 1 Hr 40 Min
Friday, Saturday, Sunday: 12:50, 3:00, 5:10, 7:30, 9:40
Monday – Thursday: 3:30, 6:00, 8:30
THE TREE OF LIFE (R) 2 Hr 18 Min
Friday, Saturday, Sunday: 1:00, 4:15, 7:00, 9:45
Monday – Thursday: 2:30, 5:15, 8:00
COMING SOON:
As always, all dates are tentative. Some of these dates will change.
In some cases, titles may disappear.
July 1 DOUBLE HOUR
July 8 BUCK
July 15 PAGE ONE: INSIDE THE NEW YORK TIMES
July 15 BEGINNERS
Aug 5 SNOW FLOWER AND THE SECRET FAN
Aug 12 BEATS AND RHYMES: A TRIBE CALLED QUEST
Aug 26 ANOTHER EARTH
Aug 26 THE GUARD
Sept. 9 LIFE ABOVE ALL
Sept 23 HIGHER GROUND
Woody’s Latest – Midnight In Paris + Incendies!
If you haven’t had a chance to see WINTER IN WARTIME, BILL CUNNINGHAM NEW YORK, and/or THE BEAVER, you only have through Thursday (6/9) to see them at THE NEON. On Friday, we will open the Oscar-nominated political thriller INCENDIES and Woody Allen’s latest film MIDNIGHT IN PARIS (check out the stellar cast in the description below). Both of these new films come with a great response from critics and audiences alike!
I’m delighted to announce a couple big changes to our calendar. 1) POTICHE has been dated for a one-week engagement. It will open on June 17. This was one of my favorites in Toronto last year (I generally don’t respond to comedies the way I do to serious films). It’s wonderfully charming, and Catherine Deneuve is superb! 2) Due to the success of THE TREE OF LIFE in larger markets, Fox Searchlight has bumped up our opening date. THE TREE OF LIFE will now open on June 24!
Synopsis for INCENDIES: “When notary Lebel sits down with Jeanne and Simon Marwan to read them their mother Nawal’s will, the twins are stunned to receive a pair of envelopes – one for the father they thought was dead and another for a brother they didn’t know existed. In this enigmatic inheritance, Jeanne sees the key to Nawal’s retreat into unexplained silence during the final weeks of her life. With Lebel’s help, the twins piece together the story of the woman who brought them into the world, discovering a tragic fate as well as the courage of an exceptional woman.” (Sony Pictures Classics) Click This Link to visit the film’s official site (the trailer will have your heading to THE NEON this weekend).
[yframe url=’http://www.youtube.com/watch?v=YDf-XuYid1A’]
Synopsis for MIDNIGHT IN PARIS: “Owen Wilson, Marion Cotillard, Rachel McAdams, Kathy Bates, Michael Sheen, Adrien Brody and Carla Bruni star in Woody Allen’s romantic comedy about a family on a business trip in the City of Light. As a young couple engaged to be married experiences a profound transformation during their visit to Paris, an idealistic man with a romanticized view of the city finds that there’s plenty of truth to that old adage about the grass being greener on the other side.” (Jason Buchanon, All Movie Guide) Click This Link to be directed to the official site for MIDNIGHT IN PARIS.
[yframe url=’http://www.youtube.com/watch?v=BYRWfS2s2v4′]
We’re all set for next week’s screening of WE WERE HERE. “WE WERE HERE is the first documentary to take a deep and reflective look back at the arrival and impact of AIDS in San Francisco. It explores how the City’s inhabitants were affected by, and how they responded to, that calamitous epidemic. Though a San Francisco-based story, We Were Here extends beyond San Francisco and beyond AIDS itself. It speaks to our capacity as individuals to rise to the occasion, and to the incredible power of a community coming together with love, compassion, and determination.” WE WERE HERE will screen on June 16 at 7PM. Tickets are $8 each and are currently available at THE NEON box office. This screening is sponsored by The Greater Dayton LGBT Center. Be sure to take a look at thetrailer, and get your tickets early. After the film, we will have a discussion with representatives from AIDS Resource Center Ohio, Miami Valley Poz 4 Poz, an early HIV/AIDS community educator, and more. Additionally, we will have the opportunity to see a series of incredible photographs in THE NEON’s lobby. Here’s the story:Approximately half way through WE WERE HERE, there are several beautiful and chilling photos of a man with AIDS. These photos were the final project of the late John Davis of Dayton. His sister contacted me a couple weeks ago and offered us the opportunity to display the entire series. THE NEON will hang all 17 photographs in our lobby before the screening.
[yframe url=’http://www.youtube.com/watch?v=oCxqJgpejbs’]
THE NEON has been rented out for a special screening of BICYCLE DREAMS. Advance tickets ($10 each + $1 handling fee) must be purchased on-line (visit Link). Remaining tickets will be sold at the door the night of the event for $15 each. “BICYCLE DREAMS tells the true story of the Race Across America, a 3000-mile bicycle race that challenges riders to cross the country in just ten days. They must overcome searing desert hear, agonizing mountain climbs, and endless stretches of open road, all while battling extreme exhaustion and sleep deprivation. But when tragedy strikes the race, this simple test of human endurance is instantly transformed into something far more daunting. These voyageurs discover what is truly at stake as they pedal on, praying for the deliverance only the finish line can bring. By journey’s end, some are saved, others are lost, but all learn that the fuel that takes a soul toward its own true destiny is desire.” (taken from press notes)
Hope to see you soon,
Jonathan
SHOWTIMES for June 10 – June 16:
MIDNIGHT IN PARIS (PG-13) 1 Hr 40 Min
Friday, Saturday, Sunday: 12:50, 3:00, 5:10, 7:30, 9:45
Monday – Thursday: 3:00, 5:10, 7:30, 9:45
INCENDIES (R) 2 Hr 10 Min
Friday, Saturday, Sunday: 1:00, 4:15, 7:00, 9:30
Monday – Wednesday: 2:45, 5:15, 8:00
Thursday: 2:45, 9:45
WE WERE HERE (NR) 1 Hr 30 Min + Discussion
Thursday: 7:00
COMING SOON:
As always, all dates are tentative. Some of these dates will change.
In some cases, titles may disappear.
June 17 POTICHE
June 24 TREE OF LIFE
July 1 DOUBLE HOUR
July 8 BUCK
July 15 PAGE ONE: INSIDE THE NEW YORK TIMES
July 15 BEGINNERS
Aug 5 SNOW FLOWER AND THE SECRET FAN
Aug 26 ANOTHER EARTH
2 Hot, New Films Open Friday at THE NEON!
If you haven’t had a chance to see this year’s Academy Award winning film IN A BETTER WORLD, you only have until Thursday to catch it at THE NEON. (And you really shouldn’t miss it!) On Friday, we will open 2 new films – Jodi Foster’s third directorial effort – THE BEAVER and Morgan Spurlock’s latest documentary – POM WONDERFUL PRESENTS: THE GREATEST MOVIE EVER SOLD.
We will also hold I AM for a couple screenings per day for one more week.
Synopsis for THE BEAVER: “Plagued by his own demons, Walter Black was once a successful toy executive and family man who now suffers from depression. No matter what he tries, Walter can’t seem to get himself back on track… until a beaver hand puppet enters his life.” (Summit Entertainment)
[yframe url=’http://www.youtube.com/watch?v=ttv-gvOzaPw’]
Synopsis for POM WONDERFUL PRESENTS: THE GREATEST MOVIE EVER SOLD: “We live in an age where it’s tough even to walk down the street without someone trying to sell you something. It’s at the point where practically the entire American experience is brought to us by some corporation. Utilizing cutting-edge tools of comic exploration and total self-exploitation, Spurlock dissects the world of advertising and marketing by using his personal integrity as currency to sell out to the highest bidder. Scathingly funny, subversive, and deceptively smart, “The Greatest Movie Ever Sold” shines the definitive light on our branded future as acclaimed filmmaker and master provocateur Morgan Spurlock (“Super Size Me”) attempts to create the “Iron Man of documentaries,” the first ever “docbuster”! He may very well have succeeded.” (Sony Picture Classics)
[yframe url=’http://www.youtube.com/watch?v=T4Ng2P3zxfM’]
Please Take Note – The YMCA has canceled their special screening of THE OTHER SIDE– previously scheduled for May 26.
A panel is in place for our screening of a powerful and moving documentary called WE WERE HERE. “WE WERE HERE is the first documentary to take a deep and reflective look back at the arrival and impact of AIDS in San Francisco. It explores how the City’s inhabitants were affected by, and how they responded to, that calamitous epidemic. Though a San Francisco-based story, We Were Here extends beyond San Francisco and beyond AIDS itself. It speaks to our capacity as individuals to rise to the occasion, and to the incredible power of a community coming together with love, compassion, and determination.” WE WERE HERE will screen on June 16 at 7PM. Tickets are $8 each and are currently available at THE NEON box office. This screening is sponsored by The Greater Dayton LGBT Center. Be sure to take a look at the trailer, and get your tickets early. After the film, we will have a discussion with representatives from AIDS Resource Center Ohio, Miami Valley Poz 4 Poz, an early HIV/AIDS community educator, and more. Additionally, we will have the opportunity to see a series of incredible photographs in THE NEON’s lobby. Here’s the story: Approximately half way through WE WERE HERE, there are several beautiful and chilling photos of a man with AIDS. These photos were the final project of the late John Davis of Belmont, Ohio. His sister contacted me a couple weeks ago and offered us the opportunity to display the entire series. THE NEON will hang all 17 photographs in our lobby before the screening.
[yframe url=’http://www.youtube.com/watch?v=oCxqJgpejbs’]
If you’ve been to THE NEON lately, you’ve more than likely seen our note at the front counter about pricing. Here’s what it states: “Effective June 3, 2011. At THE NEON, we strive to have the best films, the best customer service and the best prices. While we don’t intend on changing these goals, we must unfortunately raise our admission prices. On June 3, all General Admission, Matinee and Senior Citizen tickets will increase by 50 cents. Our ticket prices have not increased since August of 2008…and our new ticket prices will still be at least $2 less expensive than all the first-run multiplexes in the region. Thanks for your understanding.” We hope this won’t deter you from coming to THE NEON…as we have dozens of great films coming our way in the weeks and months ahead.
On Monday, May 30, we will open earlier than usual. Because it’s Memorial Day, we will treat it like a weekend day. Perhaps we’ll see you then.
Take care,
Jonathan
SHOWTIMES for May 27 – June 2:
I AM (NR) 1 Hr 17 Min
Friday, Saturday, Sunday, Monday: 1:00, 5:15
Tuesday – Thursday: 5:15
THE BEAVER (PG-13) 1 Hr 31 Min
Friday, Saturday, Sunday, Monday: 1:10, 3:15, 5:20, 7:30, 9:45
Tuesday – Thursday: 3:15, 5:20, 7:30, 9:45
THE GREATEST MOVIE EVER SOLD (PG-13) 1 Hr 30 Min
Friday – Thursday: 3:10, 7:20, 9:30
COMING SOON:
As always, all dates are tentative. Some of these dates will change.
In some cases, titles may disappear.
June 3 BILL CUNNINGHAM NEW YORK
June 3 WINTER IN WARTIME
June 10 INCENDIES
June 17 DOUBLE HOUR
June 24 MIDNIGHT IN PARIS
July 1 TREE OF LIFE
July 8 BUCK
July 15 PAGE ONE
July 15 BEGINNERS
TBD POTICHE