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Danielle Kubasky

’35MM’ Review – Dare to Defy Productions – The Story Within

October 7, 2016 By Russell Florence, Jr.

Composer Ryan Scott Oliver’s 2012 multimedia song cycle “35MM: A Musical Exhibition” receives an admirable treatment from Dare to Defy Productions through Oct. 8 in the Mathile Theatre of the Schuster Center.

(left to right) Zach King, Natalie Sanders, Alan Ruddy, Danielle Kubasky, and Skyler McNeely rehearse Dare to Defy Productions’ presentation of “35MM: A Musical Exhibition,” a song cycle bridging the worlds of music and photography.

Unique in concept but lacking cohesive depth, “35MM” uses a series of eclectic photographs by Matthew Murphy to tell intriguing, hilarious and occasionally confusing tales of romance, connection, disillusionment, and hope. Overall, this vignette-driven showcase is at its best when love dominates the conversation. For instance, a song centered on a photo of a couple at odds on a playground swing set is certainly more enticing than a song built on the oddities of a kooky doll. Perhaps if Oliver would have created his song cycle based solely on the ups and downs of relationships, the results would have been more distinctive and relatable. Some of the songs are not perfectly matched to the photos as well which halts momentum. Nevertheless, his ambitious work beckons the audience to examine the trials and tribulations of life through focus, perspective and the sheer passage of time.

Director AJ Breslin helms Oliver and Murphy’s world with very little interference. Due to the Mathile’s intimacy, this breezy production instantly conjures a cozy, coffee shop vibe which suits the show’s introspective nature and important attention to projections. Breslin’s minimalist, straightforward approach clearly allows each song to speak for itself, but at the same rate it’s difficult to hear some of the more frenzied lyrics. Still, his committed, energetic and passionate five-member cast, taking on the vocal challenges of the harmonically intricate score with vim and verve under the music direction of David McKibben, joins forces with ample opportunities to entertain. Natalie Sanders and Zach King, a volatile Queenie and Burrs last season in Dare to Defy’s “The Wild Party,” winningly reunite for the spirited “Make Me Happy.” Sanders, looking as statuesque as ever in basic black, wonderfully opens the show with “Stop Time” and notably drives the dark high school drama of “The Ballad of Sara Berry” with gusto. It’s also great to see Alan Ruddy and Danielle Kubasky reuniting for the first time since appearing as and Princeton and Kate Monster in Beavercreek Community Theatre’s 2015 production of “Avenue Q,” Ruddy, effectively balancing comedy and poignancy throughout, strongly renders “The Seraph” while Kubasky shines in “Twisted Teeth.” Skyler McNeely, who appeared with Sanders in Sinclair Community College’s 2015 production of “Songs for a New World,” teams with Kubasky for a terrifically emotive rendition of the heartbreaking “Hemming & Hawing” chronicling the twisted complications and imperfections of love. Keyboardist Nick Garvin leads a fine five-piece band.

The contemporary pop/rock/punk essence of “35MM” may not appeal to musical theater fans more inclined to embrace Rodgers and Hammerstein, but it’s a prime example of Dare to Defy’s eagerness to look outside the box.

 

“35MM: A Musical Exhibition” continues Oct. 7 at 8 p.m. and Oct. 8 at 2 and 8 p.m. inside the Mathile Theatre of the Schuster Center, Second and Main Streets, Dayton. The production is performed in 80 minutes without intermission. Tickets are $19.50-$24.50. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit ticketcenterstage.com. Patrons are reminded the show contains adult language.

 

 

 

 

Filed Under: Arts & Entertainment, On Stage Dayton Reviews, The Featured Articles Tagged With: Alan Ruddy, Danielle Kubasky, Dare to Defy Productions, Mathile Theatre, Natalie Sanders, Skyler McNeely, Zach King

ON STAGE DAYTON REVIEW: A Chorus Line (Beavercreek Community Theatre) – What They Did For Fun

March 8, 2013 By Russell Florence, Jr. 6 Comments

Beavercreek Community Theatre - Chorus LineOverreaching can be precarious in the topsy-turvy world of community theater, especially when an organization has to live up to iconic material. A recent case can be found at Beavercreek Community Theatre where James Kirkwood, Nicholas Dante, Marvin Hamlisch and Ed Kleban’s 1975 Tony and Pulitzer Prize-winning “A Chorus Line” receives a bizarre treatment.

Director Doug Lloyd, who rarely missteps when staging musical theater, startlingly assembles a jarring hodgepodge of clashing ages, skills and sizes for this classic look at aspiring hopefuls longing to join an upcoming Broadway musical. Each dancer’s wonderfully insightful background remains attractive as always, but the sheer legitimacy of their world, including the critical proficiency to appear as viable Broadway-caliber dancers, is totally amiss here, cheapening the show’s legacy and intent. In fact, the awkward costuming appallingly suggests the show takes place at some point between 1975 and 2013. It also doesn’t help matters that the pre-recorded use of Hamlisch and Kleban’s dandy score, including such gems as “At the Ballet,” “Nothing,” “What I Did for Love” and “One,” sounds so thin and distant you’d think it was playing in a car stereo in the parking lot.

As for the cast, only Mick Merkle (Larry), Tina de Alderete (Diana), Joshua Hughes (Mark), Sandra Hyde (Sheila), Matt Curry (Richie), Lisa Glover (Connie) and Akayla Crawford (Maggie) walk away marginally unscathed. Matt Owens, who hardly dances even in the crucial opening number, particularly barks and bellows his way through his one-dimensional portrayal of director/choreographer Zach, who has difficulty grasping the job-hungry desperation of his former flame Cassie (an uncomfortable, reserved Kristan Stanforth who truly struggles in “The Music and the Mirror”). Lloyd’s ensemble, attempting Stacy Gear’s Michael Bennett-inspired choreography to the best of their abilities, also includes Lindsay Sherman, Maggie Carroll, Danielle Kubasky, Meagan Kuchan, Brian Kester, Ben Douglas, Nicholas Sutton Brown, Mike Stockstill, Anthony Fende, Gary Watts, Jordan DuVall, Ryan Garner, and Allison Willardson.

I’ve no doubt Beavercreek Community Theatre greatly admires “A Chorus Line.” However, the troupe fails to present it realistically. They haven’t gone as far as to stage an all-black version of “1776” but authenticity matters.

“A Chorus Line” continues through March 10 at the Lofino Center, 3868 Dayton-Xenia Rd., Beavercreek. Performances are Friday and Saturday at 8 p.m. and Sunday at 3 p.m. The production is performed in 120 minutes without intermission. Tickets are $13 for adults and $11 for students and seniors. For tickets or more information, call (937) 429-4737 or visit online at http://bctheatre.org

 

 

Filed Under: On Stage Dayton Reviews Tagged With: A Chorus Line Article, Akayla Crawford, Allison Willardson, Anthony Fende, Beavercreek Community Theatre, Ben Douglas, Brian Kester, Danielle Kubasky, Doug Lloyd, Gary Watts, Jordan DuVall, Joshua Hughes, Kristan Stanforth, Lindsay Sherman, Lisa Glover, Maggie Carroll, Matt Curry, Matt Owens, Meagan Kuchan, Mick Merkle, Mike Stockstill, Nicholas Sutton Brown, Ryan Garner, Sandra Hyde, Tina de Alderete

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