Geborah

Maybe You Understand Me Now

May 9, 2011 By J.T. Ryder 4 Comments

The Philosophy Behind The Dirty Little Secrets Show

May 11, 2011 Show Poster

While, at first glance, this may seem like a very self serving article, insofar as I am the creator of the variety show Dirty Little Secrets and should not write about things I have a vested interest in. I am not, however, using this as a platform to promote the next show (which is on May 11^th!) because that would not only be in bad taste and self aggrandizing , but might also be viewed as potentially unethical (…at 8:00pm!). No… instead, this is an article about the impetus for creating the show, the philosophy behind the show and the hopes of what the show will one day become.

The way in which the idea of the show was formed was of the same fashion in which I do everything: haphazardly. It came to me slowly and was just a jumbled collection of thoughts, most of which was borne out of boredom and irritation. I was getting bored with the desperate attempts that performers and venues alike were going to entertain the masses. It probably hit critical mass when I went to see Trans Siberian Orchestra and, along with 4,263 guitarists and more lasers than the Rebel Alliance, they made it snow inside the arena. While novel in many respects, it was not nearly as useful or needed as it would be, say, in July. The irony was not lost on me as I walked back to my car in the snow, wondering why they didn’t just open up a skylight or something and allow the real snow in for free…and reduce the cost of the tickets. I also was getting bored with the whole “scene” scene.

I was never one for going to a crowded club and having beer spilled on my boots as I witnessed a “Triple Bill Extravaganza Of Epic Proportions” which turned out to be three musical groups from the same genre belting out seemingly the same melodies at a tooth shattering decibel level. The comedy scene consisted of emcee, middle act, headliner and “don’t forget to tip the wait staff!” before being unceremoniously directed to the door. Then there was the entertainment world of the theatres and pavilions and centers, which, to be honest, I would never be able to afford. Even for how high profile their acts are, there is a stringently preformatted, preprocessed feel to them, taking away any sense of danger or wonderment from the event. Straying off topic for the moment…can we please have a moratorium on the obligatory encore? This whole standing up and sitting down thing is too reminiscent of Mass and is also very disingenuous. Like there would be anyone at a Lynyrd Skynyrd concert saying to themselves, “My God! I can’t believe they are going to leave without playing Freebird! Stand up! Stand up and applaud people! They may have forgotten it was on their set list!”

I began to look back in fondness at the entertainment of my youth as, growing up, I watched Shock Theater, The Tonight Show with Johnny Carson and community theater where there was always a real danger in someone forgetting their lines or the stage possibly collapsing (it happened in Hagerstown, Indiana during The Fiddler On The Roof when I was about eight). There are so many things that I like, that you would never be able to find them all in one place. Where could I find good music, comedy, unusual acts, dancing and other more theatrical arts? Nowhere.

At this point, I started using the Wiley’s Comedy Niteclub Facebook page as a litmus test, posting up videos of various things, gauging people’s reactions by comments and views. I would post up random stuff from the Carol Burnett Show, Carson, the Dean Martin Show, older Catskills comedians and various vaudevillian movie clips. The reaction from the subscribers dwarfed the reactions to more modern fare. Maybe there were others that were bored or didn’t like all the frenzied build up and hype that seems to go into modern entertainment. That is when I started talking to others about the idea that was forming…

Lisa Bunny Foo-Foo and Todd The Fox

This is not to make it seem like I discovered something new, like plutonium or the law of gravity or that pair of Oakley sunglasses that I set down three months ago, which were never to be seen again. The idea that I had was simply to bring all the elements that I find entertaining into one big variety show. To be totally honest, I actually spoke to people that I had hoped would take it upon themselves to bring the show to fruition. I mean, the whole purpose of this was to entertain me, which would be pretty hard to do if I actually had to work at it! Sadly, there were no takers and it came down to a put up or shut up proposition and so I took the plunge.

The date of the first show was set for February 16^th and now all I had to do was find some performers and the rest was gravy. I made a few calls and booked a few acts and thought to myself, “Is that all there is to it?” Well, my subconscious, who has had some sort of vendetta out on me for years, remained silent, allowing me to blissfully walk into the nonstop whirlwind of promotions, preparations, press releases and scheduling that comes with each show. Had I known what was to go into each show…well, read on…

Our Beautiful Waitresses: Kira, Sarah and Kristina

I had booked a phenomenal jazz singer, Patricia Berg, Geborah, a modern jazz and hip-hop dancer, Henrique Couto, a…um…he’s…well, he has a mustache. He is kind of hard to describe. He’s like what would happen if the spirits of Tiny Tim and Sam Kinison possessed the body of Weird Al Yankovic and then coerced him to have sex with Judy Tenuta…Henrique would be the spawn of such a union. I also had a comedy troupe from Cincinnati that was supposed to be there, but they bailed at the last minute. I called Jay Madewell, who is a local musician and who was also playing drums that night for Henrique. Madewell suggested that I call Todd the Fox, who, as luck would have it, was available that evening. One of the other essential facets of the show was the selection of the waitresses. I knew I wanted unique, friendly waitresses and I thought it would be neat for them to be able to dress in retro or pin-up clothing. I wanted the waitresses to be the very beautiful face of the show, and model Sarah Walls, dance instructor Kira LaFave and the very versatile Kristina Savage have gone way beyond my expectations. If anything, they are not only the face of the show; they are the heart of the show.

Our Beautiful Waitresses: Lily, Sarah, Kira and Kristina.

Aside from a few technical glitches (don’t trust me around a CD player) the evening went beautifully…and this is where all of the time I had invested in running around, making phone calls and the ensuing chaos was made worthwhile. When the emcee, Vincent Holiday, said, “Goodnight!” and the lights came up…no one left. No one left and there was this energy…people were excited. The performers wanted to talk to the audience and the audience wanted to talk to the artists and to each other. Some of the musicians were taken aback because they were not used to performing in front of a “listening” audience and they had to scale back the act that they were used to performing in front of a rowdy bar crowd. The audience was exposed to forms of music and dance and comedy that they may never would have experienced before because they were usually performed at venues that they may not frequent. The performers were influenced by other performers that they, in turn, may never have shared a stage with. That is when I knew that this was right.

Over the course of several shows, we have had fantastic rock, ballad, R&B, soul and jazz singers, accomplished guitarists, drummers, saxophonists and other sundry musicians. We have had belly dancing, shadowbox dancing and other various forms of dance as well as sideshow performers, comedians and poets. Each show has unintentionally taken on it’s own hue and flavor, dictating for itself what the other acts should be, how it should be promoted and any other special features. For instance, the last show featured shadow dancers, a spoken word artist, a belly dancer, an R&B singer, an improv comedy troupe and Al Holbrook, who is a phenomenal soul/R&B singer and keyboardist. In contrast, the upcoming show will have legendary musician/comedian Dow Thomas, Kaleb Kane and Reverend Tommy Gunn from Hollywood’s FreakShow Deluxe, the lucha surf band Team Void and, rounding out the weirdness, hosts and emcees, A. Ghastlee Ghoul and Baron Von Porkchop, whose Tales of the Macabre television show has marched on in the footsteps of Dr. Creep. The next show will have…hell, I have no clue what the next show will have. It could have zydeco musicians paired up with juggling baboons for all I know…and that’s really the point.

Shadowbox Dancer and Al Holbrook

In an age of homogenized, prepackaged consumables (entertainment included) I think there should still be a danger there. I think that the audience should be should be able to come in to a theatrical setting and be surprised instead of entering with a head full of preconceived notions. I think that everyone who witnesses one of these shows should have a niggling feeling at the base of their skull telling them that, at any moment, all of this could go horribly wrong as it is all done without a net. I think that, when the show is over, the audience and the artists should be able to walk away with swirling images of the moments of unexpected brilliance that that they had witnessed, like when Todd The Fox and Lisa Bunny Foo-Foo took to the stage with a guitar, a suitcase and a washboard and tore the house down. This is all just proving that there is more out there on the desperate horizons of our everyday life that can still not only entertain and audience, but can make that audience feel as if they are part of the show as well, taking them out of the role of voyeur and allowing them to see through that fourth wall, sharing the symbiotic energy with the artists.

In essence, the overall philosophy of the show is this: to create a community. A community between the artists that grace the stage. A community of audience members that find kindred souls with similar interests and, most of all an all encompassing community of everyone involved. Of course, I would like to have a larger audience (which is slightly difficult since the shows are held on Wednesdays) and this is not so I can line my own pockets with more money. I want to be able to pay the performers what they are more than worth. I’d like to give bonuses to the waitresses and be able to create props and such for the show itself, to make it better for the audience. I would also like a larger audience because I feel that the performers I have had deserve a larger audience, and one that is there to take in the experience, not to pound back brew with background music. Maybe I’m just too naively idealistic, but all of this has opened my eyes to the creativity that exists in Dayton and I would love to draw all that creative energy into one place… then it will be a Dirty Little Secret no more…

Video of the February 16th Show	Video of the March 16th Show
Video of the March 23rd Show	Video of the April 27th Show

Reaching For The Brass Pole

October 27, 2010 By J.T. Ryder 24 Comments

Pole Vixens Xtreme Takes Exercise To New Heights

Light streams in from the massive, industrial windows, highlighting the pastel purple and pinks of the décor, glinting off of the poles that shoot down from the ceiling, like metallic stalactites that securely anchored themselves into the floor. The light also plays off the forms of several women, glinting off of their perspiring bodies as they enthusiastically work out to a high energy deep bass groove. Laughter and congratulatory catcalls can be heard over the music as Geneva Duncan’s voice is heard over the cacophony, instructing her class in a cajoling tone, demonstrating to all what the next moves will be and what she hopes to achieve with them. In between classes, I was able to talk to Geneva Duncan, owner and instructor for Pole Vixens Xtreme. The first thing I wanted to know was how she hoped to overcome the common perceptions that immediately leap to people’s minds when their hear the words, “pole dancing.” To my surprise, instead of completely distancing herself from the more tawdry aspects associated with strip clubs, Geneva has chosen to embrace some of those features and mold them into her own vision, thereby taking away any of the negative connotations that some may have.

Geneva Duncan and Crystal Sullivan ~Photo by Brooke Medlin

“My goal is to actually incorporate some of the stripper moves and make it more elegant. With that in mind, we have created a whole workout regime while keeping the sensuality of the movements.” Geneva went on to outline her reasoning for incorporating the pole into her exercise routine. “Every woman, I don’t care who you are, has a yearning to be a sensual creature. We, as women, always criticize ourselves and we are not 100% confident or comfortable with our looks. Out goal is to get you out of that mode and to try something different and something out of the ordinary.”

Geneva went on to address the perceptions of pole dancing by stating;

“A lot of men get the idea twisted. I can’t say all men, but a lot of men. When you say ‘pole dancing’ they automatically think strippers, go-go dancing and women hustling for money.” To counteract that, Geneva explains that, “What we’re trying to do is to change the mind frame of people who think like that, so you can feel comfortable sending your wife to a class because it can only enhance your intimacy. It can also enhance her figure and enhance her confidence level and it can bring back a spark to your relationship.”

I asked Geborah, Pole Vixen’s Zumba instructor, the same question about overcoming people’s perception of the poles.

“Well, the only way that people can get over the controversial idea of pole fitness is to come through here and see what we are doing. I think it is definitely important for people to get their knowledge firsthand as far as what pole fitness is all about.” Geborah add rather succinctly that, “We do not strip in here…absolutely not. We are very classy and tasteful women who love to work out and feel sexy while we are doing it.”

Mardi McNeil ~Photo by Frank Coleman

As the group got ready for Geborah’s Zumba class, I spoke with Mardi McNeil, Pole Vixen’s business manager about how they were marketing the programs, who was their target demographics and what were some of the classes that are available and what kind of classes may be available in the future.

“Right now, most of our marketing is online, through Facebook and our website as well as by word of mouth. We have posted some flyers and signs, like for this event and we just shot a commercial today. Our target audience is every woman of every size, every fitness level and from ages eighteen to ninety-nine.” As for the classes available, Mardi said, “Well, right now we have the Polercise classes, which is basically the pole fitness which incorporates the use of the pole predominantly. We also have Zumba classes with Geborah as well as target classes, like the Absolutely Abs class and the Booty-Max class, that target a specific area that someone might want to work on. We’ve got some other things in the works, like getting some punching bags in for kickboxing and we are looking at potentially adding yoga and massage therapy classes.”

I watched as Lady Geborah led the ladies through a distinctive Zumba routine, interspersed with standard stretching exercises, repetitive movement exercises and gently laced with Latin and jazz dance movements. The women were enjoying themselves so much, it didn’t seem like a workout at all…except for the perspiration and the satisfied exhaustion afterwards. Was Zumba a definitive workout?

Geborah ~Photo by Brooke Medlin

“Oh yes, definitely! The Zumba class format combines both slow and fast rhythms that tone and sculpt the body. You can get a full body workout when you’re doing Zumba. You can burn from 250 up to 1,000 calories based on how hard you want to work out in a Zumba class. It will help you tone your muscles as well as help you lose inches. Zumba is the new way to work out.” Geborah said, emphatically.

It seemed as if I was witnessing a choreograph dance routine rather than a regular workout. It looked effortless and sensual, unlike other Zumba classes that looked very rigid and brittle. It just didn’t appear to be what one would envision when one would picture a regular gym workout.

“No, it doesn’t and that is one of the reasons that I love it because, being that I love dance and fitness and dance is the easiest way for me to exercise.” Geborah said, with a laugh. “I love to share the opportunity for other people to dance as well as work out and also to learn different techniques while they’re dancing and get a good workout. You gain so much when you get involved in Zumba fitness.”

I asked Geborah about her conspicuous incorporation of dance rhythms and movements into her program and the sensual eroticism that it conveys.

“It does. I mean, as a lady, you love to move and shake your hips. It’s a natural thing for a woman to move her body gracefully and to move her hips. There is a sensual nature to it.” As for the dance movements, Geborah said, “With Zumba, you can do Latin dance moves, ranging from Salsa to the rumba. You can do hip-hop dance moves, but I like to incorporate jazz as well as some more modern movements as well. I’m all about movement.”

Geneva Duncan and Crystal Sullivan ~Photo by Brooke Medlin

During a break, I was able to speak to one of students, Crystal Sullivan, to ask her why she had picked Pole Vixens Xtreme.

“I picked Pole Vixens Xtreme, first of all, because of the safe environment: I feel comfortable there. It’s just a very warm and welcoming atmosphere because I am kind of self conscious about my body…” After a pause, Crystal continued by saying, “I have issues with how big I have gotten, but here, I feel comfortable. Here, I’m not embarrassed. I feel open and free to actually work out so that it will really benefit my body versus going to a gym and not giving it 100% because I’m kind of worrying about what the person next to me is thinking. I guess, just overall, I love the comfort level here at Pole Vixens.”

I wondered if there was a ‘feel good’ aspect to the classes, over and above the general yearning to stay fit.

“Oh absolutely! Working out here doesn’t become tedious because there is always laughter, the friendship, the camaraderie…it’s just like hanging out with your girlfriends.” Crustal added that, “We mentally encourage one another, we emotionally encourage one another and we support each other no matter what size, shape, complexion or age.”

After the classes were over, Geneva and I got to sit down for a moment. The first thing I needed was for her to define some of the things about her unique approach to exercise, such as what to call it.

“Polercise. That is a signature type of exercise routine that was created by my mother, Miss Sue, and that is a signature type of class that also goes along with our other signature classes.” Geneva explained further that, “Polercise is like full fledged cardio, with a warm up and a cool down at the end, but the main thing about Polercise is that we are doing a full cardio workout incorporating the poles. It’s a lot of swings on the pole and stances utilizing the pole. We’ve got 1,200 square feet to workout in, so we’re definitely going to get that cardio pumping.”

Geneva Duncan and Denise Brookshire ~Photo by Brooke Medlin

From what I had seen, it also looked as if utilizing the poles also created a demanding muscular workout as well, using kinetic energy as well as adaptations of some familiar isometric exercises.

“Oh yes, we are definitely training your muscles, and here’s the thing: Every class is different! It’s muscle confusion to the max. We confuse the muscles by having you do things one way and then switch it up or energize it another way.” I had to have Geneva explain to me what ‘muscle confusion’ was. “Muscle confusion, to those that don’t know the term, are when your muscles are getting worked one way one day, and then the next day, it’s totally different. If you do the same routines and work the same muscles, you end up on a plateau and your body ends up conditioned to it and the exercise stops being relevant. So, we need to confuse your muscles where they are getting stretched in every way possible.”

Although there are several layers to this, albeit the obvious one being the fitness aspect and the running undercurrent of sensuality that the classes imbue, there is one thing that seems to sum up the differences between Pole Vixens and other larger box-type gyms: a unified camaraderie. Crystal seemed to encapsulate that best when she said;

“We are literally all in this together. It’s not a workout because you’re hanging out with your friends. That’s exactly what it feels like.”

To check out all Pole Vixens Xtreme has to offer, go online to their website.

Geborah

The Philosophy Behind The Dirty Little Secrets Show

Pole Vixens Xtreme Takes Exercise To New Heights

Check out Pole Vixens Commercial Here!