kate winslet | Dayton937

Hi Again.

Thanks for coming back. Today, in addition to 4 films and one late night party, I managed to have a window of time that allowed me to have a nice dinner and small shopping spree – so I have now contributed nicely to the Canadian economy.

First thing this morning, I saw THE DRESSMAKER, directed by Jocelyn Moorhouse and starring Kate Winslet. Moorhouse, known for her weepie HOW TO MAKE AN AMERICAN QUILT, wasn’t quite sure which tone to give to this most recent novel adaptation…so she went with several. What starts out as a “Screwball Western” changes genres and mood so many times, it’s difficult to explain. Winslet, returning home after a long absence, appears as a curvaceous outlaw – her nontraditional weapons are her Singer sewing machine, a great gold swing and her feminine wiles. Accused of killing a classmate while in grade school, she hasn’t been back to town for years. Now she’s back to take care of her mother and set things straight. This Australian film is completely bonkers! It also stars the awesome Judy Davis and the terribly sexy Liam Hemsworth, and was penned by P.J. Hogan (MURIEL’S WEDDING). Though I found this film to be an overall disaster, I couldn’t stop watching – the performances are fun and some of the material is quite hysterical.

https://www.youtube.com/watch?v=580PmstF7IA

Next up was a film that many have been quite excited about. WHERE TO INVADE NEXT, directed by Michael Moore isn’t quite what it seems. There is no trailer yet for this film that critics are dubbing “Michael Moore’s Happy Film,” and if you watch the clip below, even the press was speculating about the subject of the film before it premiered (the young woman in the clip mentions what the film is about…and she’s completely wrong). In what might seem to be Michael Moore’s most optimistic film, he visits various countries and gives us ideas as to how we could do things better. From Italy’s vacation policies to school lunches in France to Slovenia’s no tuition for college system, Moore explains that these practices lead to better living conditions, a more productive work force and overall better state of affairs. This film is a crowd-pleaser.

http://www.youtube.com/watch?v=2ZVGbH2awic

I then scurried across town for the under-attended MA MA, directed by Julio Medem. Medem, known for his film LOVERS OF THE ARCTIC CIRCLE and SEX AND LUCIA, was in attendance along with the stunning lead actress Penelope Cruz. This is the story of woman who finds out she has breast Cancer but continues to be a most compassionate, giving/forgiving woman. Critics have not been terribly kind to this beautifully executed melodrama (but they rarely are with this genre). Though not without its flaws, I really liked this film. (Unfortunately, I can’t find a trailer with subtitles, but you should watch this one regardless.)

ANOMALISA, directed by Charlie Kaufman & Duke Johnson, was my final film for the day. This stop-motion puppet film, written by the much beloved Kaufman (BEING JOHN MALKOVICH, ADAPTATION, ETERNAL SUNSHINE OF THE SPOTLESS MIND), is 100% made for adults. It’s a relatively simple story about a motivational speaker staying overnight at a hotel trying to escape his monotonous life. There is no trailer for this film – only the Kickstarter campaign below. The film won the Grand Jury Prize in Venice, and word has it that it is being picked up for distribution.

Thanks for reading! Only a few days left.

More tomorrow,

Jonathan

Hello Everyone.

On my second day, I set out to see 4 films…but I really only saw 3. I sat down for my first film, and I simply couldn’t take it. After 5 minutes, I thought I might leave. After 10 minutes, I couldn’t stand it…but I thought I needed to give it more time. After 30 minutes, I simply couldn’t tolerate seeing one of my favorite actresses in such a terrible film. So I left.

A couple hours later, I made my way to LABOR DAY – the new film by Jason Reitman starring Kate Winslet and Josh Brolin. This is the story of a mother and son who live alone in a small town in the late 1980’s. Winslet’s character is extremely lonely and depressed, and her son (a nice performance by Gattlin Griffith) tries to keep her afloat. An escaped convict works his way into their home, and rather unlikely relationships ensue – new lover for mom and a father figure for her son. The movie is shot beautifully, and the performances are really wonderful – Winslet’s melancholy is palpable. I really loved a lot about this film, but it sadly has a few big annoyances…a couple bad situations and a couple moments of laugh-out-loud bad screenwriting. A slight recut could fix a lot…but I don’t think that will happen before its release.

Next up was the world premiere of the first animated feature by Chomet (director of THE TRIPLETS OF BELLVILLE) – ATTILA MARCEL. As a big fan of PARIS JE T’AIME, I was already familiar with the fact that he can direct live material with great success – he did the short about the little boy with mime parents. This film is highly stylized with lots of charm and a lot of great music. It’s the story of a mute piano player who is raised by his overbearing aunts. After meeting an herbalist who lives on a secret floor in his building, he begins to explore hidden memories of his deceased parents. Though a bit clunky (a couple devises just don’t work) and a bit long, it’s got enough magic to keep you invested…and you’ll root for the protagonist all the way through. (Sorry…there’s no trailer with subtitles.)

[yframe url=’http://www.youtube.com/watch?v=gxYhMGHKZzo’]

My last film of the day was BAD HAIR from Venezuela. This is the story of a curly-haired boy who lives in the projects with his mother and her newborn. It’s a gritty existence – surrounded by gunfire, violence and rough terrain. More than anything in the world, the little boy wants straight hair so he can be “like a singer.” The mother fears that her son is gay, and her lack of education and fear for his well-being makes her take strides to eventually “heal” her son. This is a grim film – but not without moments of sheer joy. The performances are incredible from everyone, and the material is transportive. Though I wish the film had been 10-15 minutes shorter (not a whole lot happens…it would be stronger if it was tighter), I think it’s my favorite film of the festival so far (it brings to mind two other films – the great performances of childhood in TOMBOY and the gritty style of FISH TANK).

[yframe url=’http://www.youtube.com/watch?v=uW0o1jz5d9Y’]

After screening 3 films, I met up with Glenn Kiser – director of SABBATICAL (which won the Audience Award at last year’s Dayton LGBT Film Festival). We had a great time catching up, and he mentioned that Dayton was one of his favorite festival experiences during his travels with SABBATICAL. I don’t think he was just feeing me a line – he mentioned the great sense of community, the friends he made, and his overall experience. I think we can be proud of that!

I’m currently in line for tickets…then off to 3 films today and a big party tonight. More soon. Thanks for reading!

Jonathan

TIFF 2015 – Day #6

Toronto – Day #2 – 2013