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CHASING ICE & IT’S A WONDERFUL LIFE at THE NEON

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Hello Everyone,

We’ve got a hit! ANNA KARENINA had a great opening weekend. Thanks to everyone who came out to support it. If you were at THE NEON over the weekend, you more than likely saw the trailer for CHASING ICE – the beautiful and scary documentary that will open this Friday. If you still need to see THE SESSIONS (one of my favorite films of the year) or THE PERKS OF BEING A WALLFLOWER (a great little film that has helped us find a younger audience at THE NEON), you only have until Thursday to see them at THE NEON.

CHASING ICE is only slated to play for one week!  Hurry down!!

Synopsis for CHASING ICE: “In the spring of 2005, acclaimed environmental photographer James Balog headed to the Arctic on a tricky assignment for National Geographic: to capture images to help tell the story of the Earth’s changing climate. Even with a scientific upbringing, Balog had been a skeptic about climate change. But that first trip north opened his eyes to the biggest story in human history and sparked a challenge within him that would put his career and his very well-being at risk. Chasing Ice is the story of one man’s mission to change the tide of history by gathering undeniable evidence of our changing planet.” (National Geographic Channel) Click this LINK to visit the official site.

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The Family Holiday Film Series was off to a slow start this past weekend, but there are still 2 films left. If you know someone who might be interested in these special holiday films, we hope you’ll help us spread the word. Many thanks to the Dayton Holiday Festival, DP&L, and Channel 99.9 for their sponsorship.
Here are the last 2 films of this year’s line-up:
DEC. 8 at Noon – IT’S A WONDERFUL LIFE
DEC. 15 at Noon – ARTHUR CHRISTMAS
These films are FREE for children 12 & under and only $2 for everyone else.

If you were a fan of the one-night only screening of RIDE THE DIVIDE, mark your calendars now for January 23. We will host a one-night only screening of the new film REVEAL THE PATH. In a couple weeks, I will provide more details…but if you just can’t wait, you can check out the official site to find out more about the film.

The holidays are upon us, and we hope you won’t forget that NEON gift certificates make great presents! Whether they’re for the film-lover in your life…or the person who still needs to discover THE NEON…we sell them at our box office in $5 and $10 denominations.

Thanks so much for your ongoing support!
We hope to see you soon,
Jonathan

SHOWTIMES for Fri. Dec. 7 – Thur, Dec. 13:

ANNA KARENINA (R) 2 Hr 10 Min
Friday, Saturday, Sunday: 1:00, 4:00, 7:00, 9:45
Monday – Wednesday: 2:30, 5:15, 8:00
Thursday: 2:30, 8:00

CHASING ICE (PG-13) 1 Hr 16 Min
Friday: 1:15, 3:15, 5:15, 7:20, 9:30
Saturday: 3:15, 5:15, 7:20, 9:30
Sunday: 1:15, 3:15, 5:15, 7:20, 9:30
Monday – Wednesday: 3:30, 5:30, 7:30
Thursday: 3:30, 7:30

IT’S A WONDERFUL LIFE (NR) 2 Hr 10 Min
Saturday: 12:00 (Noon)

COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear.
Dec. 14 – HITCHCOCK
Dec. ? – SMASHED
Dec. ? – A ROYAL AFFAIR
Jan. 4 – HYDE PARK ON HUDSON
Jan ? – RUST AND BONE
Jan ? – ON THE ROAD
Feb ? – WEST OF MEMPHIS
Feb. ? – AMOUR
TBD – DIANA VREELAND: THE EYE HAS TO TRAVEL

Toronto Film Fest – Day #2

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Hello Everyone,

Another full day.

After my ticket line-up this morning, I went to see the Claude Miller’s final film starring Audrey Tautou – THERESE DESQUEYROUX.  It’s a quiet costume drama with rising currents of tension throughout.  I’m a big fan of Merchant Ivory films like HOWARDS END, MAURICE and REMAINS OF THE DAY – and though this film doesn’t deal as much with class as those films, and the score is very understated (by comparison to Richard Robbins’ Merchant Ivory scores) – I think the approach to design, period accuracy and dedication is similar.  This is the story of a woman who unhappily marries because she thinks it’s what was meant to do…even though she thinks emancipated thoughts.  Though many might find the pace too slow, I really fell inside the frame and thought it was a wonderful story of struggle for freedom – with no 100% likable character within reach.  Below is a clip…as there is no trailer yet.

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Next I saw THE PERKS OF BEING A WALLFLOWER – a wonderful little film that proves that Emma Watson will easily make the transition from the child star of the HARRY POTTER franchise to serious actress.  This high school story might seem like traditional, angsty material, but it’s handled very well, and the script is great.  Ezra Miller (from WE NEED TO TALK ABOUT KEVIN) has a wonderful supporting role, and lead – Logan Lerman – is really someone to watch…subtle & focused.  I’m not sure how Summit (the distributor) will handle this film – while at first glance it appears to be modern John Hughes…but I actually think it’s more thoughtful, honest & serious.

[yframe url=’http://www.youtube.com/watch?v=aog8680PVmU’]

And then came ANNA KARENINA – the new film by Joe Wright (ATONEMENT), starring Keira Knightley and Jude Law with a screenplay by Tom Stoppard.  I was excited about this film.  Though it eventually paid off, it took me 15-20 minutes to “get used” to/become invested in this highly stylized adaptation.  80% of the film takes place in a theatre — on a stage, in the wings, in the lobby, in the rafters, etc. (the other material is shot outdoors).  It’s a rather experimental film.  I call it equal parts Derek Jarman’s EDWARD II and Baz Luhrman’s MOULIN ROUGE.  It has exquisite costuming, set design, score, and screenplay…and the actors are doing some great work.  That said, even with this cast, it’s not a film meant for the multiplexes…we’ll see how Focus handles it this fall.  Joe Wright, Keira Knightley, Jude Law, Aaron Taylor-Johnson, and Olivia Williams were there.  When Knightley was asked if playing the part of Anna was intimidating (since it’s been played by some great actresses in the past), she responded, “I think every role is intimidating.  But Elizabeth Bennet was more so. Women want to be Elizabeth Bennet…people don’t tend to want to be Anna Karenina.”  Just watching this clip below makes me want to see the film again from the beginning.  There are some key issues that take place in the beginning…and I need to see it with fresh eyes.

[yframe url=’http://www.youtube.com/watch?v=IhGxs7cipDo’]

The most thoughtful Q&A of the day came after the screening of Sally Potter’s GINGER & ROSA.  I think this is Potter’s most “traditional” film in regards to storytelling style.  It’s set in the 60’s, and it’s the story of 2 best friends who are growing up in the age of the nuclear threat and the Cuban Missile Crisis.  It’s a coming-of-age story, and Elle Fanning does some incredible work.  This was the first time many people involved with the film had seen it.  Potter, Fanning, Christina Hendricks, Alice Englert, and Alesandro Nivola were all there…and it is a beautifully told story.  (I’m hoping that the Q&A surfaces on youtube sometime soon…Potter, Fanning and Nivola all had wonderful things to say.)

[yframe url=’http://www.youtube.com/watch?v=XD_pJgNRj9s’]

It was a great day…and now it’s time for bed.

Thanks for reading!!

Jonathan