The Gray Man

THE BACK STORY: Based on the novel of the same name by Mark Greaney, THE GRAY MAN stars Ryan Gosling as Six. Serving time in a Florida prison, he is offered a chance to leave by the mysterious Donald Fitzroy (Billy Bob Thornton) … But there’s a catch: He must work for the FBI as an assassin called in to take out the worst of the worst – but as a shadow operative, working “in the gray” allows them to disavow any knowledge of his existence.

After a job goes sideways, however, Six learns that what he thought he knew to be true may not exactly be the truth – and now, his life may be in danger as a result. So once he starts digging for answers, CIA Director Carmichael (Regé-Jean Page) starts intensifying his efforts to stop him – which results in bringing in the loosest canon possible: Lloyd Hansen (Chris Evans), a washout of the same program that birthed Six. Lloyd is determined to bring down Six by any means necessary … And if that means involving Six’s former partner (Ana de Armas), Fitzroy or even Fitzroy’s niece Claire (Julia Butters) in his scheme, so be it.

But Six is going to do whatever he has to do to survive and protect those closest to him, no matter how high the body count may be.

THE REVIEW: Ever wonder what would happen if you could make a movie that was 1/2 standard spy thriller and 1/2 a live action video game with guns a’blazing? Well, if so, THE GRAY MAN – which by its end feels like an AR-15 lovers’ best dream – delivers on that premise exponentially.

Gosling does the thing you would expect him to do fairly well, mixing his “I’m good looking, but I can be serious and brooding” thing well against Evans’ absolute playful yet psychopathic Lloyd. If there was ever a role to make people not just think of him as Steve Rogers’ alter-ego, this would be it as Captain America would likely vomit in disgust at what Lloyd does from the moment he gets on screen to the final credits. The ladies of THE GRAY MAN get in their fair share of moments as well, be it de Armas in the standard sexy-yet-serious-and-troubled foreign spy operative you’re not supposed to be sure of who’s side she’s on or young Butters in the too smart for her own age until gunplay starts Dakota Fanning/Man on Fire role.

Seriously though: THE GRAY MAN‘s tonal shift from worldwide spy thriller to live-action video game is so dramatic that it almost – almost – becomes comically enjoyable. Then again, in a country where 330-plus mass shootings have occurred this year, it might be either the best-or-worst timed release this summer. Having not read the source material, I cannot speak to whether or not the novel on which THE GRAY MAN is as standard issue as it is on film, but once the bullets start flying and body count piles up sky-high, it really doesn’t matter.

What will matter is how much you enjoy watching good-looking people in wild, crazy shootouts (replace the cars in the Fast & Furious franchise with bullets) … And given its mix of humor and gunplay coupled with our current national vibe, THE GRAY MAN will likely add up to plenty of views in theaters and streaming smart devices nationwide.