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Baron Von Porkchop Returns to Local TV With Arcade Fever Special

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Artwork for the Arcade Fever Special by Eric Shonborn

Artwork for the Arcade Fever Special by Eric Shonborn

Late night movie fans will soon see the end of a nearly 10 month hiatus when Baron Von Porkchop returns to the local airwaves on August 16th. The Arcade Fever Special of Terrifying Tales of the Macabre will air at 11:59pm on DATV (Time Warner channel 5 or streamed at datv.org)

The 75 minute episode features local horror host Baron Von Porkchop’s quest to play a classic arcade machine at a local shop and is filled with quirky characters both old and new (including an appearance by your humble author in my recurring role as Susie the DJ). In between the Baron’s adventures, viewers will be treated to a cheesy staple of the B movie catalog, The Beast of Yucca Flats, which features Thor Johnson and Conrad Brooks of Plan 9 From Outer Space infamy.

The special will serve an appetizer for fans as the Terrifying Tales of the Macabre production team finishes work on season 3, set to air later this year.

“It feels good to be getting back in the saddle,” says writer, producer and director Matt Brassfield. “I really enjoy bringing this kind of programming to the Dayton area. We usually take a small break between seasons, but this year our cast and crew experienced two tragedies that kept us away from filming much longer than we originally intended. It’s nice to finally feel ready to get back to doing what I love.”

Earlier this year, two Terrifying Tales of the Macabre cast members died suddenly. In January, Brassfield’s mentor and fellow filmmaker Andy Copp passed away. Copp played Reverend Zealot, who shared his insights on cult films in a segment called the Cult Corner. In the spring the show lost, local musician and Brassfield’s longtime friend and coworker, Max Ervin, who played Sleazy Tom, the Baron’s goofy neighbor.

“Both Max and Andy were great friends and played great characters,” says Brassfield. “The zaniness of Sleazy Tom, who was one of our original concept characters, will definitely be missed as we move forward. Andy’s Reverend Zealot brought us great information on cult movies and is a character that originally appeared in New Shock Theatre, which Andy also directed. So he gave us not only his film knowledge, but a great connection to the shows that paved the way for us. Max and Andy were not only a big part of the show, but each was a big part of my life and are sorely missed.”

Baron Von Porkchop in the Arcade Fever Special of Terrifying Tales of the Macabre

Baron Von Porkchop in the Arcade Fever Special of Terrifying Tales of the Macabre

Brassfield created Terrifying Tales of the Macabre and the Baron Von Porkchop character in late 2010, having previously worked with Dayton’s own Dr. Creep and A. Ghastlee Ghoul. The show’s name comes from a movie concept that was being developed by Brassfield’s first film company, Independent B Movie.

“It was supposed to be an anthology film, kind of like Creepshow, says Brassfield. “With different scary stories through the film, connected through a sort of narration story.”

Brassfield had tapped Dr. Creep to be featured prominently in that narration story, but the film soon fell by the wayside as other projects and responsibilities took priority.

Terrifying Tales of the Macabre, the TV show, is produced through Brassfield’s current film company, Bloodline Video. The first two seasons and holiday specials follow the misadventures of the Baron, a Victorian era ghoul, in a modern setting with each episode’s storyline appearing in segments between a classic B movie or modern independent film. The third season will also follow this formula with a slight twist – Brassfield is enlisting local and regional filmmaker friends to write and direct some of the new batch of episodes.

Baron Von Porkchop (promotional photo by Fox Photography)

Baron Von Porkchop (promotional photo by Fox Photography)

“We’re always looking for ways to do new and creative things on the show while still staying true to the style we’ve developed,” says Brassfield. “For me, it’s going to be really cool to see filmmakers I’m friends with and whose work I admire, like Henrique Couto, Dusty Austin Joe Craven and Jeremy Hoyt, put their touch on what we’ve created.”

Despite the gap between the Arcade Fever Special and the launch of season 3, late night DATV viewers will still be able to get their horror host fix. Brassfield has curated a lineup of horror host programs from around the country to air in the Terrifying Tales of the Macabre timeslot until fresh Baron episodes can be delivered. The shows are part of a network called the Horror Host Underground, in which horror hosts from different parts of the country share episodes with one another to help promote hosting across the country and expose viewers to the wide variety of hosts that exist beyond their local market.

“I’m really excited about running the HHU block because I can expose the Dayton market to such hosts as Miss Misery from California, Nevada’s Sinister Minister and Cleveland’s Janet Decay. I really take a lot of joy in giving fans the opportunity to meet new hosts through their televisions and find the ones that they really connect to and identify with.”

If you want to learn more about the history of horror hosting in Ohio, be sure to check out Matt Brassfield’s Ohio Shock articles here on DMM. For updates on Terrifying Tales of the Macabre, check out the show’s Facebook page.

 

FILMDAYTON ANNOUNCES 2013 FILMDAYTON AWARD WINNERS

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xyublegiva1rlgct4da93er6bgscn32a  The FilmDayton Festival is back for the 5th year with submissions of shorts from around the world, great features you wouldn’t see elsewhere, valuable workshops for professionals or those looking for a behind the scenes view, and the  popular Pitch-It contest where you can share your movie plot idea for a chance at cash and prizes. The Festival, headquartered at The Neon, will take place on  Fri, Aug 23- Sun, Aug 25.

For the second year as part of the festival, FilmDayton honors talented Miami Valley residents who choose to offer their skills, creativity, innovation and support to the local community. This year’s honorees receiving FilmDayton Awards include:

Jud Yalkut – The Innovation Award – an award for a lifetime of innovation and creativity in filmmaking

A resident of the Dayton area since 1973, Yalkut was Assistant Professor of Art at Wright State University (where he yalkut_jud_600x480_01152013-1founded the film and video area of the Art Department), and taught at Sinclair Community College in Dayton and at Xavier University in Cincinnati. Jud started making video art in the 1960’s and collaborated with Nam Jun Paik on a series of groundbreaking video-film pieces. His work has influenced a number of other video artists and his innovative style broke boundaries between artist and spectator, inside and outside, reality and fantasy.

Jud’s film and video work has been exhibited at such venues as the Whitney Museum of American Art, The Museum of Modern Art, New York, the Miami University Art Museum, and Anthology Film Archives in New York, the Everson Museum in Syracuse, New York, the Pompidou Center in Paris, and throughout the U.S., Canada, Europe and Japan. (Award given posthumously)

 Andy Copp – The Filmmaker Award – a career award for excellence in filmmaking

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A native of Dayton, Andy’s first feature film, The Mutilation Man (1998) was a gritty, blood-soaked, fever dream set ina bleak, post-apocalyptic near-future. Shot on a mix of film and video, The Mutilation Man paid homage to his filmmaking heroes while presenting his own unique and personal vision. Andy was a fiercely independent filmmaker, as well as an emerging artist and innovative filmmaker.

As an educator and mentor, Andy also made an impact on the Miami Valley’s film community. He taught classes in film history and theory at Sinclair Community College, and presented workshops in various aspects of video production at the Miami Valley Cable Council, KIT-TV in Tipp City, DATV and FilmDayton. Andy teamed up with Rick Martin and horror host Dr. Creep to create Horrorama, an annual horror film marathon, which has raised thousands of dollars for charity since 1997. (Award given posthumously)

Levin Family Foundation –The Key Award- an award for special service to the regional film communitybanner-logo

The Levins have supported filmmaking in the Dayton region for decades. Sam Levin’s movie theatre empire consisted of 17 theaters in the Dayton region. In 1964, Sam was driven to improve the quality of movies showing at his theatres and wrote the feature film Girls on the Beach which features major musicians of the day and is still a cult hit today.

Recently, the Levin Family Foundation became involved with film through their generous underwriting of Take Us Home, a documentary depicting the challenges faced by Ethiopian Jews on exodus to Israel.

How to Go:

The public is invited to the 2013 Eichelberger FilmDayton Awards, Sunday August 25 @ 8PM at the Neon Movies.  Tickets are $9 and can be purchased at www.filmdayton.com.

 

REVIEW: Consumption Of The Heart/The Collective Volume IV Play Englewood Cinema

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Friday night September 28th local director Andrew Copp premiered the only Dayton theatrical showing of his new film Consumption Of The Heart. A 10 minute short that will be included in Jason Hoover’s upcoming collection of zombie themed films in The Collective Volume V premiering at the November Days of the Dead convention in Chicago. Filmed in two days Consumption is a living dead love story about a couple’s relationship on a downward spiral and how it’s changed when both undergo weird, mysterious physical changes which may or may not be caused by an outside epidemic.

Fans, viewers, local and regional filmmakers all watched taking part in a unique Q&A. Several pondered whether the broadcasted situation was the cause and if the resulting changes made a bad relationship better and drew the couple closer together in emotion and love till the bitter end or if it made a bad relationship worse with both deciding that even with the most dire of circumstances happening it was still better than going on as they were. Slyly, Mr. Copp wouldn’t reveal his true intent or message so we’ll just leave that to the viewer to decide.

Consumption takes a unique spin on the living dead genre and asks are they more dead or dying on the inside or out though the ‘consumption’ works on many levels. The music early in the film portrays the feelings of despair, physical neglect and being unwanted. Brandi Bishop does a great job of turning the situation to her advantage for better or worse taking charge and taking what she wants reawakening their passion and desire.  It could be considered the closest thing to a dark Harlequin novel that a blood splattered claustrophobic cannibalistic romance drama of the living dead can get. Mr. Copp seems to want certain questions to linger without answers and sometimes one’s own interpretation/enjoyment of the film ‘is’ the best answer.

Next up Jason Hoovers The Collective Volume IV: Emotions. This installment in the ongoing series features 10 short films 10 minutes long each showcasing a different emotion. Hoover never uses finished movies, he tells eager filmmakers what he wants and then they go out, produce and return with product. The collective covers a vast emotional gamut filmed in several cinematic styles each with its own creativity, story and delivery evoking a different response from the viewer.

3 O’Clock Productions shares the Regret of a genetic scientist who’s experiments take a violent and beastly turn for the worse in this unique crime/drama update of a classic horror tale. Liberty or Death Productions gets us all loose and filled with Lust when a female ghost hunter decades later visits the house of The Wedding Night Tragedy. She sets up equipment and starts to document and explore but slowly and surely becomes seduced by its spirited charms. Freakwolf Productions makes us Fear the dark and feel slightly awkward watching a not so subtle and creepy psychiatrist advice his patent on how to cure her fear. It’s all about taking baby steps my dear.

Dustin Mills Productions asks for Trust as the doomed main character scarfs down the most deadly Italian pie since Nightmare on Elm Street 4’s Soul Pizza. No worries though, ‘help’ is on the way. Over Analyzed Productions feels Envy with a blast of seedy street drama as Sara is jealous of her hot to trot working girl roommate Kate AKA Desire. After Kate goes out on call Sara takes a shot at customer service at the wrong time and ends up in the dubious clutches of the Crowe brothers but never fear Desire returns and an action tag team is born.

Winged Dolphin Productions tells the story of a sadists Schadenfreude. A somewhat bizarre take on Greek Mythology told with a deadly dose of dental dream analysis and sedative’s. Cinephreak Pictures is the Rage as we’re quickly reunited with the Hook Squad as Sara becomes Envy in this funny and action packed bullet flyin, jive talkin grindhouse thrilla.Seems Mama Crowe’s mighty peeved off about the demise of one of the brother’s so she sends out Brutus and his evil diabolical henchmen brethren to the warehouse to dispose of our heroic sassy gorgeous girl-power. It’s a beastly, juiced up, blood bath showdown for sure as Desire and Envy with new found help from a dice throwing killa pimp combat Mama’s sleazy spawn.  The chainsaw carrying, hockey mask wearing, HGH taking family’s pride and joy and the other hygiene challenged brother are ready to kill and mame. Not everybody’s comin home for dinner tonight.

Spiral Filmworks is in Denial as we learn about the most gruesome untold crime story of the early 90’s, the ‘true’ story of Martha ‘Grammy’ Louise Kemper the town church organist and nice old lady….. or so they thought. Told by narration we revisit the town,locations, sites and the house itself Six Degrees of Helter Skelter style while the gruesome, horrific, unspeakable discoveries and facts come to light about the truly sadistic, evil freak she was. Rivaling Gein, Dahmer and HH Holmes for over 6 decades Kemper amassed a staggering list of victims and a macabre museum of souvenirs. The film finishes with her trial, conviction and sentencing. Red Panic Button Films shows Hate a new face with a story of a destructive street punk loser that basically could care less about anything with a particular dislike for junkyard drivers side truck doors. He’s offered help and salvation mid way through but burns it in another act of rebellious pointless defiance. This one doesn’t have a pretty ending.

Last but certainly not least JABB Pictures causes us Grief by showing us the slow minute by minute, second by second basement torture of a guy who’s past has finally caught up with him and his poor completely innocent and unaware girlfriend. This short may be the biggest strain on the eyes making the viewer time conscious, appealing to fans of faux stuff films similar to August Underground. However this scene of circular torture may be the most impressive of the group considering the entire short is one continuous pan shot with no edits or re-takes. So all the yelling, screaming, dialogue and taunting had to continue for the full ten minutes and it was only shot once.

Hoover formed Jabb Pictures in 2008 teaching himself camera work, editing, producing and directing. His first film ‘Spike’ debuted in 2009 at HorrorHound weekend in Cincinnati and was chosen as an official selection at Fright Night Film Fest in Louisville Kentucky.  His second film ‘Polly’ debuted at HorrorHound March 2010. Receiving four out of five stars from several horror movie websites. With momentum on his side in March 2011 he started the Collective series hailed as the most unique short film collection of the independent scene. His first feature film is slated for an early 2013 release.

Consumption of the Heart/Collective Vol 4: Emotion Premiere at Englewood Cinema

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On Friday September 28 Englewood Cinema will showcase eleven big independent film experiences. Englewood is known for its yearly show of support to local filmmakers including Horrorama and featuring films that could be considered ‘slightly’ off the mainstream radar and older vintage classics that otherwise would never see the big screen again.

First up is local independent visionary, artist and Horrorama host Andrew Copp’s short Consumption of the Heart which will appear in the upcoming Collective Volume 5 collection. Mr. Copp is known for his deep, dark and diabolical approach to the camera creating graphic, surrealistic, unforgettable images, scenery and themes turning the most perverse/twisted idea’s into macabre beauty. His 1998 visually disturbing and brutal gore-splashed tale of self torture and blood lust The Mutilation Man ranks as an exercise in stamina for the eyes. 2009’s Quiet Nights of Blood and Pain is a psychological drama dealing with the post emotional/mental effects of heavy combat and the violence of the mind. In 2010 he turned his interest from exploring inner torture to the outer epidermis in the Tattoo Documentary Ink & Flesh featuring Dayton artist Chad Wells. Mr. Copp’s boldest and most controversial vision to date is the upcoming nightmarish, surreal tale of obsessive vengeance for a lost love taking a man’s mind, heart and soul to the brink of utter madness in Church Of The Eyes. Friday nights excursion into the drifting apart emotions and anatomical decay/physical deterioration a couple willingly experiences to rekindle the lost flame is a ‘consuming’ if not physically grotesque show of their true love and devotion to each other. The film is unrated but contains adult themes and graphic content and will be the ONLY Dayton screening.

Next up is Indie filmmaker Jason Hoover and Jabb Pictures fourth volume is a series of ten 10 minute short films by different teams each about a different emotion. Volume three was exclusively directed by women relating to the theme ‘ten minutes to live’. Volume four carries with it a wide variety of celluloid inspiration and degeneration. Featured film Bryan Wolfords Myctophobia is about a woman’s crippling Fear of the dark while David Ross’  black and white Greek import Flash of The Wire explores SCHADENFREUDE, Pleasure in the suffering of others. Two entries by Jason Hoover, Frankie-a take on Grief and the urban mockumentary 101 Taylor Street discusses Denial. There’s a saying about not drinking the Koolaid, well Dustin Mills’ Epidemic about Trust warns us to stay away from the pizza too.  James Mannan covers Lust and ghost hunting in Death Do Us Part. Jim Dougherty’s films Regret about genetic lycanthropy in Contrition, series staple 14 year old Dakota Meyer shows Hate in Luke 1:17. The collection ends with a double dose of grind-house humor about the worlds oldest professional with Happy Hooker Bang Bang, David Paul Bonnell tells the sordid tale of the Envy a girl has for her ‘working’ roommate while its street walking counterpart Jakob Bilinski’s Bloody Hooker Bang Bang: A love Story is all the Rage.

Several of the evening’s filmmakers will be there to sign copies and talk to fans. Friday night September 28th 11:00 pm $5 at the door 320 West National Rd, Englewood Ohio 45322. For more info go to www.facebook.com/pages/Independent-Shadow-Cinema/214329891916690, coppfilms.weebly.com,366weirdmovies.com and jabbpictures.com.

The Independent Shadow Cinema – Underground No More

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Zombies, Lesbian Vampires and Mexican Wrestlers..Oh My!


Having grown up nurtured by Dr. Creep on Shock Theater, fighting sleep while watching the dusk to dawn horror fests at the Captain Kidd and Belmont Drive-In Theaters and relishing the peculiarities found at the bottom of bargain bins full of obscure DVDs, I felt an immediate understanding of what he is trying to create with the Independent Shadow Cinema. Andy himself is quite an accomplished aficionado within  the world of the weird, having worked with Dr. Creep, being one of the people behind the annual Horrorama charity film festival and directing six of his own horror genre films, including The Mutilation Man, The Atrocity Circle and Black Sun.

While other people may look down their collective noses at people like us for being drawn towards entertainment that they would deem sophomorically disgusting or visual training manuals for psychopaths, we know that those kind of people are eaten first by the zombie hordes, usually in a humorous manner, thus stripping them not only of their flesh, but also their self deluded decorum.

What Andy Copp is trying to bring to the screen, as well as to the darkened streets of Dayton, is a world unseen by the masses. A world of the uncanny, the unbridled, the uninhibited. A world shown is a series of stroboscopic scenes splashed with copious amounts of arterial red. With the Independent Shadow Cinema, Andy is trying to breathe life into the self indulgently dying corpse of local cinema and allowing it, for a moment, to live within the minds of an audience hungering for visions of the weird and wonderful.

J.T.: I guess the first question would be: What was the impetus to start the Independent Shadow Cinema?
Andy: Well, the idea came out of me wanting to do the old school midnight movies that I grew up going to. The ones like Flicker Palace had years ago and Page Manor had back in my college days. There hasn’t been anything like that in a long time and back in the nineties, I worked at the Neon Movies as one of the managers back before the switchover and I brought in a lot of movies from Hong Kong and things like that and they were really successful. I realized that there was an audience for it here in town, but there was nothing catering to that right now and there hasn’t been since I had done it in the nineties. I’m also one of the guys that run Horrorama (Horrorama is a charity movie marathon that has been active since 1997) and we have a dedicated audience here in town that comes to that event every year. Since I had worked with Englewood Cinema with Horrorama, I approached Mike who runs things there and presented the idea of running underground midnight movies and he said, “Well, let’s try to do this then” and so we went ahead and launched it. So we went for it, trying to bring more interesting movies that you’re not going to see anywhere else, like the old midnight pulp movie shows, and to give the people something interesting to do on Friday nights.

J.T.: Are you targeting more of the grind house/horror show genre?
Andy: A little bit. Right now, what I’m doing is I’m bringing in a lot of the really obscure, indie/underground stuff, but the people who are interested in that type of thing are also going to be interested in the grind house/exploitation films and people who like that are going to like the stuff that we’re currently playing. The stuff that we’re playing right now is pretty obscure and relatively unknown, but definitely, that’s the crowd we’re going for.

J.T.: What do you have coming up for the next show?
Andy: On Friday, we have a movie that was made in 2000 called Meatmarket and it’s a zombie flick…actually, it’s a really wild zombie flick. It’s got everything. It’s got zombies, lesbian vampires, Mexican wrestlers and things blowing up. It’s a movie that aims to please. It was made in Canada for just under $2,000. It’s incredibly low budget, but you wouldn’t know that by watching it because the production values are really high. That’s the kind of stuff that we’ve been showing: the stuff that’s made for peanuts, but that are incredibly ambitious.

J.T.: What’s the main message that you want to get out?
Andy: That we’re here and that we’re doing something different. In Dayton, there’s always this grumbling that there’s nothing interesting going on; “Oh, Dayton doesn’t have anything cool or different!” but here we are on Friday nights with these kick ass, interesting movies that you probably haven’t heard of that are definitely satisfying. For five bucks, you can see some wicked ass movie that will leave you feeling satisfied. Also, the way I have structured it, there’s always a free movie, a second feature, and I never say what it is so it’s always going to be a surprise. So, from 11:30pm until 2:30am, you get two crazy movies for five bucks.

J.T.: Now, with most people’s experiences of midnight movies is limited to Rocky Horror Picture Show, are there people that show up with a certain amount of misconceptions?
Andy: Right! This isn’t Mystery Science Theater 3K or Rocky Horror Picture Show. I’m not inviting people to come and yell and throw things and make fun of these films…that’s not our thing. This is to come and appreciate something unusual and have a good time. I don’t want this to be Troll 2. These are genuinely interesting movies, so if people are coming to make fun of them, I’m not so interested in them being there, but if they are there to find something that they have never seen or experienced, then those are the people we are looking for. Also, with the more people that we can get to come out, the more crazier and bigger movies that we’ll be able to bring in. There’s a whole world of these types of movies that just don’t make it to Dayton. The Gateway in Columbus plays new movies like this every Saturday night. If we raised our audience numbers, we’d be able to get movies like Hobo With A Shotgun or The Troll Hunter…we just can’t afford those right now.

The next Independent Shadow Cinema event is scheduled for Friday June 17th at 11:00pm at the Englewood Cinemas, 320 West National Rd, Englewood, Ohio and will feature the zombie movie Meatmarket along with an as yet to be announced second feature.

Festival Dares You to Have A Good Time Watching Bad Film

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“I’ve seen better film on teeth!” – Bo Catlett, Get Shorty.

Filmmaker Andy Copp’s latest film festival is an all night endurance test of truly bad cinema called “Pay To Get Out Alive”.

This first-time event is unlike anything experienced in Dayton, so I’ll let Andy explain the concept:

“Here is how it works. $15 bucks to get in at 9:30 pm and it goes for 12 hours – all night long. The most mind punishing cinematic trash I could lay hands on. After the first two hours you start to earn money back towards getting back out the door. Each hour you stay after those first two you get $1 back. So if you stay the whole duration the whole event only costs you $5!!!

But can you stand it is the question? The films include:

Black Devil Doll From Hell (1986) – Considered by most to be the WORST movie ever made. Worse than TROLL 2, worse than any Ed Wood movie. You do not know bad until you have seen this.

THE GEEK (1971) You ever wonder if Bigfoot has sex? Well this movie answers that question as well as shows lots of scenic footage of the Oregon countryside.

ROAD OF DEATH (1971) – Insane biker trash starring BOTH of Thora Birtch’s adult film star parents! Directed by the immensely untalented master behind the anti-classic THE GUY FROM HARLEM!

RUBBER’S LOVER (1996) A genuinely good film in the Japanese cyberpunk tradition full of exploding bodies, arterial spray, excessive medical experimentation, unhealthy sexual desires, and the entire cast screaming for 90 minutes.

APHRODISIAC: THE SEXUAL SECRETS OF MARIJUANA (1970) – Truly inspired and brain damaged “educational” film film about how pot increases your sexual abilities and can save the world.

There will also be lots of other films, surprise shorts, trailers and other bits and pieces to fill out the festival.

There will be contests and prizes and a most outrageous costume event.”

For additional info visit the “Pay To Get Out Alive” facebook page.

14th Annual Horrorama Film Festival Set To Deliver Thrills, Chills & Squeals

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There are two types of horror movies: the cheaply-produced, teen scream-a-thons that Hollywood has been churning out over the last decade or so, and the classic horror films from classic horror auteurs.  For over a decade, the Horrorama film festival has been serving up the latter, and will continue its annual celluloid celebration of  ghoulishly gruesome gore on Friday, Oct. 29 at Englewood Cinemas.

Four frightening features are lined up for Horrorama 2010:  Sam Raimi’s “Evil Dead II – Dead By Dawn”, Wes Craven’s “The Hills Have Eyes”, “The Asylum of Satan”and the Italian film “Pieces”, which “Hostel” director Eli Roth hails as one of his favorite horror films of all time.

New this year is the Horrorama Short Film Festival, a collection of original film shorts submitted from film makers across the country. Henrique Couto’s “Slay Ride”, Rachel Deacon’s ” A Fever and A River” and Andrew Shearer’s “Half Full” are a handful of the featured short films.

Additionally, costume, screaming and “zombie walking” contests (with prizes) will be held and are sure to keep horror fans shrieking throughout the night.

The doors open around 6 PM, with the film screenings starting at 6:30. Tickets are $11 in advance or $13 the day of the show. All of the proceeds of the 14th Annual Horrorama Film Festival will benefit Dr Creep’s (Barry Hobart) health care fund and The Susan G. Komen Breast Cancer Foundation.

Stay tuned to DaytonMostMetro.com as we’ll have a quick rundown of the all-time favorite horror films of event organizers Andy Copp, Rick Martin and Matt Brassfield.

HORRORAMA 2010 – 14 Years of Fright!

Englewood Cinemas

320 W. National Road

Friday Oct. 29th

For additional information, please visit Horrorama’s facebook page.