Nice Work If You Can Get It

Hugely entertaining and marvelously accented by the timeless tunes of George and Ira Gershwin, “Nice Work If You Can Get It,” a 2012 Tony Award nominee for Best Musical presented at the Schuster Center courtesy of the Victoria Theatre Association’s Premier Health Broadway Series, pleases as a giddy throwback to bygone musical comedy.

Based on Guy Bolton and P.G. Wodehouse’s book for the 1926 Gershwin musical “Oh, Kay!,” “Nice Work” is a silly, summertime, Prohibition-era romantic farce that finds goofy criminals, sexy dames, handsome henchmen, and the haughty upper crust colliding on Long Island. As is standard fare for such zany stories, mistaken identity runs rampant nearly to the point of excess. However, librettist Joe DiPietro, who won Tonys for Best Book and Score for “Memphis,” keeps the tale peppy and engaging with enough twists, particularly in Act 2, to genuinely delight even when corny jokes and double entendres provoke eye rolls along the way.

Photo by Jeremy Daniel (www.JeremyDanielPhoto.com)

Alex Enterline (Jimmy Winter) and the female ensemble of “Nice Work If You Can Get It.” (Photo by Jeremy Daniel)

In a refreshing turn of events for a national tour, the leading players actually outshine their Broadway counterparts. As wealthy, spoiled playboy Jimmy Winter, created to one-dimensional effect by Matthew Broderick, Alex Enterline truly sparkles with charm, finesse and excellent, lyric-conscious vocals. He is perfectly matched by the outstanding Mariah MacFarlane as bootlegger Billie Bendix, who pines for Jimmy although he’s been married three times and is currently engaged. MacFarlane, a sublime soprano specifically navigating “Someone to Watch Over Me” with lovely tenderness and surprising humor, surpasses Tony nominee Kelli O’Hara in the role due to a more convincing grasp of Billie’s tough, tomboy sensibilities. Enterline and MacFarlane’s beautifully breezy treatment of “’S Wonderful,” which director/choreographer David Eggers winningly recreates from Kathleen Marshall’s original vision, is particularly joyful and smile-inducing as the carefree duo dances merrily throughout Jimmy’s living room.

In addition to splendid Tony-nominated costumes designed with period panache by the late, great Martin Pakledinaz and a top-notch orchestra conducted by Charlie Reuter, the featured performers are strong overall. Reed Campbell and Aaron Fried terrifically and respectively fuel the comedic chaos as Cookie McGee and Duke Mahoney, Billie’s cohorts. Rachael Scarr is a ditzy pleasure as modern dance interpreter Eileen Evergreen, Jimmy’s fiancé. Stephanie Gandolfo beguilingly seduces as the incredibly daft Jeannie Muldoon, who is convinced Duke is heir to the British throne. Thomas Schario admirably appears in the thankless role of Chief Barry. The terrific Barbara Weetman hits the mark as Millicent Winter, Jimmy’s sassy, sophisticated mother. Benjamin Perez duly commands attention as uptight Senator Max Evergreen. As Duchess Estonia Dulworth, Max’s no-nonsense, pro-prohibition sister, Stephanie Harter Gilmore is too young to fully sell Estonia’s seasoned, domineering gravitas, but steals the show during a kooky Act 2 dinner sequence that finds her hilariously “Looking for a Boy.”

“Nice Work” doesn’t possess the conceptual aptitude of “Crazy for You,” the finest Gershwin-inspired tribute to date, but certainly satisfies as a warm, inviting dose of feel-good fun to cure the chilly winter blues.

“Nice Work if You Can Get It” continues through Feb. 15 at the Schuster Center, Second and Main Streets, Dayton. Performances are today and Friday at 8 p.m., Saturday at 2 and 8 p.m. and Sunday at 2 and 7:30 p.m. Act One: 75 minutes; Act Two: 60 minutes. Tickets are $25-$97. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com.