On Stage Dayton

A Distinct Society, by Kareem Fahmy begins in the tranquil hush of a library that straddles the U.S. – Canada border, where life is about to change. Much the same could be said for Cooper Schairbaum, the youngest in the cast who is receiving rave reviews for his performance in the show. Schairbaum plays Declan Sheehan in the play directed by Brant Russell at the Human Race Theatre Company.

I was thrilled to get to chat with the rising star about his love of acting and any future productions.

937: Hi Cooper. I understand you are a local high schooler…right?

CS:  Yes. I am junior at Oakwood High School.

937: And….I heard you have some acting experience under your belt? What shows may have the readers perhaps seen you previously perform?

CS: I have played Billy in On Golden Pond, Sky in Mamma Mia, Jack in Into the Woods, and Windward and Cop in the Muse Machine’s The Little Mermaid and 9 to 5.

937: WOW! You have been bitten by the theater bug!! Where did this all start for you?

CS: My first show was The Addams Family in fourth grade, and I guess it all started from my mom who did theater in college and still loves it, so she really motivated me to participate in theater.

937: Well it is one of the few things you can do from cradle to grave. So, thank mom for getting you into something that can last a lifetime! What can you tell us about the show?

CS: It is inspired by true events. It focuses on all the things that can, in some cases, divide us…or unite us. It has a lot to do with connection…and how life can change.

937: And, people are really enjoying it. So, in doing this and other shows, does it make you want to continue with acting in your future?

CS: It really made me believe that theater in the future is a viable option for me but throughout this whole process I have realized that this is so demanding and I don’t think this is for me after high school.

937: Amen brother, it is hard work…but, keep that door open! Do you have advice for others looking to do community theater?

CS: Do it. You will always meet new friends that care about you. They will be friends to you for the rest of your life.

937: Congratulations Cooper. Bravo!

You can catch A Distinct Society at the Human Race 2/11-2/17. Shows Tuesday – Saturday at 7:30pm and Sunday at 2:00pm.

More info at https://humanracetheatre.org/

Dayton is known for its love of the arts and its dedication to theater. Thanks to the podcast ‘Dayton Drama Queens’ we get to go behind the scenes and meet those folks that make these iconic entertainment venues tick. In it’s first year the podcast featured: Jonathan McNeal-the Neon Movies; Brent Johnson-The RubiGirls; Darren Brown-traveling ‘Rocky Horror Picture Show‘; Philip Drennen-Off Broadway, ‘Big Gay Jamobree’; Shaun Yu-Classical Dayton; Kathleen Clawson-Dayton Opera; Mike Griest-DAI; Dan Zehringer-WSU Arts and Music; David Moyer and Mackensie King-TheatreLab Dayton; and Kappy Kilburn and Emily Wells-Human Race Theater Company. Check out this sizzle reel from Season 1.

The podcast, which is available on Spotify, iHeart, Apple and Amazon, has gained in popularity over the last few months and is now coming out with new episodes weekly.  The podcast also has a video component when viewed on YouTube. ‘DDQ’ is hosted by Joshua Stucky and Philip Drennen and is filmed at the Mitosis Studio on Jefferson in downtown Dayton.

With another season, which begins filming in January 2025, the hosts are looking to extend their reach in the Dayton area, bringing to light more amazing arts in the Miami Valley. ‘You’ll be amazed what we are finding in the area. Kids’ theater, choruses, banjo groups….you name it! Dayton has it. We want to highlight it!’ Highlights from Season One :

The podcast had a rocky start. Just as they got the ok to begin production, Drennen was off to NYC to kick-off his show ‘BGJ.’ Stucky was left to host the first few episodes alone, but Drennen helped complete the season. If all goes well, the ‘DDQ’ group hope to start doing some live remotes throughout the year at local events.

If you know of a group or individual that would like to be part on the podcast’s success, you can always contact the hosts at DaytonDramaQueens@gmail.com.

TheatreLab is coming off of their community acclaimed ‘Lizzie,’ and switching gears with ‘Not Another Thanksgiving Play’….a sort of rom-com with  honest, heartfelt themes. I was so fortunate to get to sit down with Philip Drennen, who has returned from NYC to direct the show at the TheatreLab Dayton Space. 

937: Welcome home and congrats on the success of ‘Big Gay Jamboree’ in NYC! SO exciting!

PD: Thank you! It’s been fun.

937:  I’m intrigued by NATP!! So, what is the gist of this show?

PD: Not Another Thanksgiving Play follows a group of 20-30 somethings who share a bond through Dungeons and Dragons. And no you don’t have to know anything about D&D to enjoy the show, I sure didn’t before I came on board to direct! The real story is each character coming to terms with their own happiness within their partner and themselves. Most of our characters are part of the LGBTQIA+ community and we see 2 of them go home to their family’s Thanksgiving after years of hiding their identities from their parents.

937: Ummmm, I think I lived that plot-line myself! Tell us why you decided to return home to direct his particular performance?

PD: While this may sound heavy, NATP is mostly a comedy of errors as we watch Daniel and Gemma take home beards (fake girlfriends) home to the parents; one set strict and conservative, the other warm and maybe a little TOO open. The play has a very “rom-com” feel to it and plays as a queer, millennial “Friends” or “Seinfeld”.

937: I know TheatreLab is known for its local casts!! What can you tell us about them this go’round?

PD: The playwright, Marley Masterson, is a local Dayton artist and a big reason we wanted to do this show. TLD prides itself on hiring and giving voice to local talent and all of our actors have been seen on our stages as well as starring in all of the Dayton theaters.

937: I know TheatreLab Dayton has been handling this season with a sense of mystery…can you hint at what’s to come? We know the theme is ‘Taking Back Their Story.’  Any more you can share??

PD: TLD has always been a bit unorthodox and this season is no exception as we slowly roll out our season one show at a time. We’re all about creating art for our community with the members of our community and we’ll do that however we need to!

937: I see what you did there….no hints! UmmmHmmm. What is the audience takeaway for this show in particular? 

PD: A big takeaway from NATP is that family is important and can look different for everyone. For some it’s mom and dad, for others it’s the chosen family we find at work, in school, or through a gaming club. And true happiness comes when we are true to ourselves. It might sound cheesy, but that’s what the holidays are all about!

937: Not cheesy at all….important to remember that! I have to ask you….how is it feeling to be home after your NYC premiere? 

PD: I’m really excited that I get to work on an original piece as my first project back in Dayton. Marley and I have worked together on this show as well as many past TLD productions and I wanted to make sure her voice gets heard. It’s a great way to get back into the Dayton Theater Scene!!

937: Well, congratulations to you, Philip. I know people are also tuning into your Dayton Drama Queens video-podcast. Much success with that as well. You can catch the latest TheatreLab Dayton performance on the dates times below. 

November 21st – 7:30pm.

November 22nd – 8:00pm

November 23rd – 8:00pm

November 24th – 2:00pm

The performances take place at:

TheatreLab Dayton. 116 North Jefferson St. 45402.

Visit theatrelabdayton.org

TheatreLab continues to do some ‘outside of the box’ things in hopes of catching new theater-goers and launching new relationships. This time around, the company has joined forces with the University of Dayton to take us ‘Into the Woods‘ via the Sondheim Classic. I was lucky enough to get a chance to talk to 2 of the stars of the show….Kyle Channell and Madeline Stern.

JS: First of all, thank you for meeting with me. I know you are so excited to share info about the production!! Tell me what made you interested in being part of ‘Into the Woods?’

KC: Well, I feel like Into the Woods is a rite of passage for every theatre performer. It’s hard not to go for it when a production is being staged. There are so many iconic archetypes and characters throughout, so any chance to get involved is so tempting. TheatreLab Dayton is a name that has been popping up on my radar for a while, so when I heard they were doing ITW and I could make it work with finishing undergrad, I had to go for it.

MS: And for me….I will take any opportunity I get to be in a Sondheim show! My parents work in the theatre industry and had the incredible opportunity to work with Sondheim, so I was exposed to his music at a really young age. His shows have always been part of my life and musical DNA.  I’m so grateful for the way his art has impacted and inspired me as a performer through the different phases of my life.

JS: Wow Madeline, so cool. You both have roles that are intricate and important to the ‘story-telling’ that makes ITW such a beloved story. What resonates with you about your respective roles….Madeline, you first this time!!

MS: (the WITCH) The Witch has such an interesting emotional arc through the show. Her story is about intergenerational trauma and how we’re all just trying to do better than our parents did, and their parents before them. Her mother cursed her with ugliness because the Baker’s Father stole her beans, which was completely outside of her control. Not something a kind and loving mother would do, if you ask me! The Witch tries so desperately to be a better mother than hers was, but ends up holding on to Rapunzel too tightly. She loves her so deeply and tries to do right by her, but continues to make mistakes. It’s just so human to love so deeply and be so flawed. I think we can all see a bit of ourselves in that dynamic.

JS: Ummm, that’s like a spot-on description of the role….take notes folks….Kyle?

KC: The Baker is a complicated, beautifully flawed man. However, what is truly endearing about him is his willingness to change – that is a rare trait in so many men and male characters throughout theatre canon. The complicated relationship between him and his father directly dictates his relationship with fatherhood, so his evolution has been a treat to explore. I’m fortunate to tackle paternal roles frequently, but I have yet to find one I connect with so personally as I do with the Baker.

MS: I love roles that allow me to blend my classical and musical theatre training. I would love to play Amalia in She Loves Me, Dot in Sunday in the Park with George, Francesca in Bridges of Madison County, Rodgers and Hammerstein- basically everything Kelli O’Hara has done.

JS: You two need to write ‘character descriptors’ for script companies.  HA HA! Keeping that in mind, what role are you still wanting to tackle in your career?

KC: Good question. There are so many amazing characters I want to play. I’d love to tackle Vanya, Hamlet, Phil Connors in Groundhog Day, Sweeney Todd, Tony in WSS, etc. The Baker was a big one, but I’m happy I got to tackle it the first time.

MS:I love roles that allow me to blend my classical and musical theatre training. I would love to play Amalia in She Loves Me, Dot in Sunday in the Park with George, Francesca in Bridges of Madison County, Rodgers and Hammerstein- basically everything Kelli O’Hara has done.

JS: OMG….quick story. I met her, didn’t know who she was…it was literally 20 plus years go…and she was in ‘Jekyll and Hyde’ on some tour back then. 10 years later she’s doing ‘South Pacific’ and I’m like, that’s that lady who people said would be famous some day…um….I think she’s been nominated for 8 Tonys..and of course, now the ‘Gilded Age.’ Sorry, I digress…

So when did you know acting was ‘for you?’

MS: My parents love to tell the story of me at about 3 years old, coming out into the living room and singing “Ol’ Man River” from Show Boat in the lowest notes I could possibly squawk out. I knew from the time I could talk that I was going to be a singer.

KC: The theatre bug bites early and hard. My work in the theatre began when I was about 8, and honestly, it’s been an inextricable element of who I am ever since. Whether I would pursue this professionally was never really in question, it’s just a matter of who I am.

JS: You two are a delight to chat with. Thank you both so very much. Anything else you would like to share with our readers?

MS: Well, hmmm, in addition to performing, I teach voice lessons through the Madeline Stern Vocal Studio online. I also love creating content for singers on Instagram and TikTok @SingwithMadeline. Check out if you want to learn more about me!

KC: Feel free to follow me at kyle.channell on Instagram or check out my website at kylechannell.com! I hope you enjoy the show and please keep supporting the theatre scene wherever you are. This is an industry still recovering from COVID so your patronage is what keeps the theatre scene both in Dayton and beyond alive.

JS: Well said Kyle. I am hoping you both ‘break-a-leg’ this weekend and continue to entertain on that stage for a lifetime.

Come see Kyle and Madeline….

• May 16 – 19, 2024
• Boll Theatre at the University of Dayton, 300 College Park Avenue, 45469

For more information and tickets to TheatreLab Dayton’s Into the Woods go to http://bit.ly/TLDIntoTheWoods