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On Stage Dayton

Dayton Dance Initiative Presents “The Light In Between”

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The Dayton Dance Initiative proudly announces its 8th season performance, The Light In Between, presented June 26 and 27 at 7:30 p.m. at the PNC Arts Annex in downtown Dayton.

This season features five new dance works choreographed and performed by artists from Dayton Ballet, Dayton Contemporary Dance Company, Cincinnati Ballet, Mutual Dance Theater, and an emerging student choreographer from Wright State University. The production continues Dayton Dance Initiative’s mission of fostering collaboration, artistic exchange, and innovative contemporary performance within the region’s professional dance community.

A major milestone for the organization, The Light In Between also marks Dayton Dance Initiative’s first-ever choreographic commission with an artist outside of Dayton. Supported through the Allegro Grant from The Dayton Foundation, the commission welcomes acclaimed artist David Morse of Cincinnati Ballet into the company’s expanding creative network.

Rooted in intimacy and connection, performances at the PNC Arts Annex place audiences in close proximity to the artists and creative process. Each evening will conclude with a post-show talkback, inviting audiences into deeper dialogue with the choreographers and performers.

“This season opens a new threshold for Dayton Dance Initiative,” says Artistic and Executive Director Jennifer Sydor. “Rooted in trust, time, and exchange, this first choreographic commission reflects our belief that connection-like light-travels, arrives, and reshapes the space it enters. What we practice here does not end in this space; it returns with us-not as answers, but as a subtle transformation that continues unfolding beyond the performance.”

Tickets are available through Dayton Live Ticketing, with prices ranging from $20-$36.50 plus fees. Student and professional artist discounts are available by phone or in person through the box office only by calling 937-228-3630.

Performance Information
The Light In Between

June 26 & 27, 2026 — 7:30 p.m.

PNC Arts Annex
46 W. Second Street, Dayton, OH
Tickets: $20-$36.50 plus fees

Student and professional discounts available through call in or the box office only.
Ticket link: Purchase Tickets Here

For more information, visit Dayton Dance Initiative

The RubiGirls Make their Mark…and Dayton is PROUD!!

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The two, Still-Performing, originals!

42 years in the making, Dayton’s hometown heroes, the RubiGirls, are finally getting the recognition they so deserve! Helping to raise nearly $4 million for non-profits and charities, the ‘Girls’ have proven they truly have found ‘A Different Way to Make A Difference!’ The group, which started on Rubicon Street in Dayton, in 1984,  found that during the late ’80s, the best way to get folks to open up about the HIV/AIDS crisis was through laughter. They began doing shows around the area which continued to gain momentum, and money. In those early years, the Girls were in demand at ‘Healing Weekends’ where people with HIV could get away and learn about new treatments, new therapies, make new friends….and be entertained by Rubi in the evenings. They were a beacon of peace and laughter for a time when there was little of either.  From there, the Girls began using any and all platforms available to bring relief to a population of people, and their families, that were facing tough times. Cost of medicines, housing, hospital stays….any and all things Rubi could help with, they did!

It was at Celebrity Night Club on North Main that things really took off! Packed houses, overflowing parking lots, and demands for more performances made for a group on the rise. In the 90’s, a documentary by Dayton Local Jonathan McNeal. entitled ‘The RubiGirls‘ hit screens worldwide. The film premiered in San Francisco in 2003, played in film festivals from Reno to Adelaide, Australia, and won awards in Atlanta, Long Island,

Rubi Girls – The Show Must Go On! – 2025

and Cleveland…and the celebrity status was set! The Girls, even today, make yearly appearances out of state, helping raise funds for non-profits in communities there. Today, the Girls, a bit older…the eldest being 63….still pride themselves on helping others. Moreso, the Girls are proud to shout from the rooftops, ‘We are From Dayton Baby!’

Shirt designed to commemorate their legacy!

For Rubi, recently finding out, after 5 years of scrutiny, that they were receiving an Ohio Historical Marker, seemed surreal. For the troupe, it’s always been about finding fun with the family together…and of course, ‘fun-raising!’ This weekend, a permanent bronze marker will be set in Dayton to say ‘Thank You’ to the Girls! 42 years into a ‘charitable way of life,’ the RubiGirls have given to the city a reason to be Proud. It was in our city that this group of men committed to helping the community. They have done just that. A huge congratulations to them….we are all head over HEELS for you!

For more information or to donate to the RubiGirls, RubGirls Scholarshp or RubiGirls Foundation go to http://therubigirls.com.

Perfect time to catch ‘HAY FEVER!’ at Human Race.

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Cast of ‘Hay Fever.’ Judd Plattenburg Photography

Dayton’s beloved Human Race Theatre Company is continuing its fantastic season with Noel Coward’s ‘Hay Fever!’ I had the pleasure of asking the Artistic Director, Emily Wells, all about it!

D9: Thanks, Emily, for taking some time to let us all know about your most recent production at HRTC! Why was ‘Hay Fever’ chosen for the Human Race this season?
EW: Bob Hetherington was one of the resident directors of The Human Race for the first 10 years of the company, and he’s also my directing mentor. We knew we wanted to have him back to direct this season all about family.  When it came time to select a work together, we were dishing about the theme and classic titles that might be exciting for our audience to see our spin. Noël Coward’s HAY FEVER, with its family behaving badly, seemed like just the right fit!
D9: Sounds fun….what is the premise of the show for those who are unfamiliar??
EW: Hoping for a quiet weekend in the country with some guests, Judith and David Bliss find peace to be impossible when their children, Simon and Sorel, appear with guests of their own. A houseful of misunderstandings, games, and irrational tempers ensues as the quiet weekend comes to a hilarious and exhausting end.
D9: HRTC are masters at this type of comedy! With that in mind,  what themes do you hope resonate most with audiences today?
EW: I hope we’re all aware of how our words and actions affect those around us, but if we’re not, we’ll definitely sympathize with the guests who are treated badly by their hosts.  You may see how Mr. Coward’s work has influenced modern comedies like “Modern Family” and “Schitt’s Creek” among others.
D9: Shows like this are really character-driven. What qualities were you looking for when casting this production?
EW: This script is over 100 years old, but it feels as fresh as yesterday. Bob was able to flip the gender of a key character, adding a flair that I think would delight Mr. Coward. For a script like this, we also looked for great physical comedy skills, and timing, timing, timing!
D9: This sounds fun and inventive! What do you want audiences to feel when they leave the theater?
EW: Giddy, laughing, and just maybe a slightly better host for their next party.
D9: Ha, ha, ha!! What does the rest of this season hold for folks?
EW: We want to see folks turn out for our 40th birthday party on the 28th – Certified Human Night. Come as you are with a dash of 80’s fashion, and help us celebrate turning 40! Then, in June, The Hot Wing King by Katori Hall is going to be HOT! Gorgeous cast, a little spicy romance, and family drama – it’s the show everyone will be talking about into summer.

Catch ‘HAY FEVER!’

D9: Wishing you so much success with the rest of your season. Any thoughts for your audiences?                                                         EW: Audiences are our special sauce, so if you’ve not been to see us in a while – come see us!  We’ve got pricing for every budget, and Parent’s Day Out for families.  Next season will be announced very soon and we can’t wait to share what we’re cooking up for you.

D9: Thank you, Emily. Hay Fever is playing at the Loft Theatre April 8 – 19, 2026. For ticket info visit: https://www.daytonlive.org/

Dayton Ballet and DCDC Unite for a Historic Night of Funk and Dance

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Something unprecedented is about to go down at the Victoria Theatre. For the first time, Dayton’s two powerhouse dance companies, Dayton Ballet and Dayton Contemporary Dance Company, are sharing the same stage for Rhythm of the City, a celebration of the funk music born right here in the Gem City.

Running April 10th through 12th, the production brings together choreographers Alia Kache, Gary W. Jeter II, and Brandon Ragland, who have each crafted new works set to the sounds of Dayton funk legends like Ohio Players, Zapp, Heatwave, Lakeside, Faze-O, and Shirley Murdock. The evening also features a world premiere composition by LaFrae Sci.

This isn’t a concert, and it isn’t a traditional ballet, it’s something entirely new. Dancers from both companies will perform together, translating Dayton’s musical DNA into movement. And between every act, Deron Bell & the Time To Groove House Band will be right there on stage keeping the funk live and loud.

The collaboration is a landmark moment for both organizations. DCDC, founded in 1968, and Dayton Ballet, one of the oldest ballet companies in the country, have operated in the same city for decades but have never come together on stage quite like this. Rhythm of the City is part of DCDC’s 57th season, themed “Dancing in Our Light,” and it feels like the kind of event that only Dayton could produce — a city where funk was invented now watching its two greatest dance institutions honor that legacy side by side.

HOW TO GO?

Performances are Friday, April 10 and Saturday, April 11 at 7:30 PM, with a Sunday, April 12 matinee at 2:30 PM. Tickets are available through Dayton Live.

 

RubiGirls 42nd Season-Opener, ‘Spring Queening,’ is Completely Fresh!

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Sintell, Mahal, Peters, Plymouth and Summer

They’re back.  Dayton’s beloved RubiGirls are about to take the stage in Yellow Springs to kick off their 42nd Season. The opener, entitled Spring Queening,  is completely fresh, highly charged, and the laughs are plenty! ‘We are as excited as the crowd,’ stated India Summer. ‘We have been looking forward to this since November.” *The Girls are known for taking a break until Spring. ‘The best part of it is, we have the chance to bang out some new material! It is GOOD!’

And new material it is. In this ‘kick-off’ show, you will see some timely material in a world that has definitely changed in the last 12 months. ‘We’re ready to give our two cents. War, gas prices, inflation….I mean, we could take on quite a lot. I think the blend in this show is perfect!’ Says Emcee Dana Sintell. ‘I think what will stick with people is a whole different kind of ending….it’s needed right now!’

Girls Celebrating 42 Seasons!

The show in Yellow Springs is slated for March 28th at 7:30pm. As of this writing, the show has SOLD-OUT….three times! ‘They kept adding tickets, and then they would sell again….people are anxious to laugh and be in a community again!’ says Jackie O. ‘What I love about this particular show is it is a mix of bawdy, lewd, sweet and even poignant. It’s Rubi at its finest.

The season-opening show stars Summer, Sintell, O, Ileasa Plymouth, Annie Biotix, Taj Mahal and Fonda Peters. The RubiGirls are well known in the region as they contribute funds from their shows and appearances to local non-profits. This time, the show benefits HRC-Cincinnati.  “I mean, with drag bans and the likes, we need to be visible and accessible. This is all so crazy. The worry about drag while dropping bombs seems almost surreal.’ Sintell added.

The Girls had one of their most profitable years in 2025, reaching out to 100+ nonprofits and tipping the donation total to over $4M since their beginnings. For information or to donate to the RubiGirls visit https://therubigirls.com

 

DPH’s ‘Glass Menagerie’ brings Fragile Dreams to the stage.

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Photos by Kirsten Pribula | Kirsten Lynne Studios

In the day, when books were assigned, and great works were part of our literature, one story was read by thousands….. Tennessee Williams ‘The Glass Menagerie.’ The ‘memory play’ as it has been called, is a classic, and Dayton Playhouse is briunging it to the stage. I had the complete joy of talking with the show’s director Matt Meier, and one of its actors, Garrett Young. 

937:  Hi Garrett and Matt! Thanks for taking the time to highlight your upcoming production! Why did you choose ‘Glass Menagerie’

GY. I’ve loved the works of Tennessee Williams since I studied theatre in college. Opportunities to speak his beautiful prose don’t come along every day, so I jumped at the opportunity to audition and throw my hat in the ring.MM. I’ve also always loved Tennessee Williams, and when considering shows to possibly direct, Menagerie was my first instinct. The play has a beautiful simplicity on the surface and a rich undercurrent below.

Photos by Kirsten Pribula | Kirsten Lynne Studios

937:  How will this production compare to book/others?

GY. Our production of “Menagerie” is, I think, a lot funnier than your run-of-the-mill production. We were very careful to find the levity in the beauty and heartbreak of this story that fans of Williams know so well. Matt also decided from the outset that we were going to play up a lot of the queer elements tucked away in some of the subtext, and I’m proud to say that we have a very gay Menagerie on our hands!

MM. It is very gay! During an interview later in life, Williams, who was gay, asked, “who will tell our stories?” I think he unknowingly did with his first major work. Menagerie is often seen as Laura’s story, and I wanted to see it from Tom’s perspective — what is the cost for a queer person to become themselves? The play itself is very expressionistic, giving each production its own unique dreamlike world with ample freedom to explore. It’s funny, it’s heartbreaking, it’s quirky, and it’s so damn beautiful.
937:  A Gay Menagerie…LORD! Garrett, as an actor, what makes this role a challenge?

GY. I narrate a lot of the play, and that can feel kind of unnatural as an actor, so I’m definitely looking forward to having an audience to play off of!937:  And Matt….as a director, why would you say this show is challenging?

MM. It was intimidating diving into this play. It’s been produced thousands of times in its 80+ year history. Many people have read or seen it, so why should they revisit it? Why is it relevant today? The challenging (and fun!) part of the process has been trying to answer these questions as a team.

937: What do you hope the audience takes away from this production?

GY. I think we can all relate to having to make difficult choices that might be best for our own journey, even if those choices hurt the ones we love. We all do the best we can with the circumstances we’re given to survive life’s toughest moments, but at the end of the day, we survive, and our story continues.

MM. I hope audiences can see their own families and sacrifices in these characters — the good, the bad, and the ugly. And I hope they talk about the show in the car or over a drink.

Photos by Kirsten Pribula | Kirsten Lynne Studios

937:  No doubt about that…this story definitely leads to discussion. Anything else you would like to add for our readers?

GY. This is going to be such a dreamy, unforgettable production with an incredible cast and creative team. I think we could all use a little escape right about now, and The Glass Menagerie is the perfect remedy!

MM. Agreed. I’m so grateful to be a part of creating this production alongside a team of insanely talented artists. We’ve got a special production on our hands. Come see it!

937: Love you both…break some legs. Here is the info….

  • Dates: March 13–22, 2026.
  • Special Event: A 30-minute talkback session with the production team is scheduled for Sunday, March 15, 2026.
  • Partnership: The production features a partnership with the Greater Dayton LGBT Center.
  • Tickets: https://daytonplayhouse.thundertix.com/events

Gem City Groundlings Brings Tony Award–Winning Dark Comedy God of Carnage to Dayton This March

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Civility doesn’t stand a chance — and the results are absolutely hilarious.

Dayton’s Gem City Groundlings is bringing the Tony Award–winning dark comedy God of Carnage to the stage this month, and if the material is any indication, audiences are in for one unforgettable night out.

Written by playwright Yasmina Reza, the play drops audiences inside the Novaks’ living room, where two sets of parents gather to calmly sort out a playground altercation between their kids. Mature. Measured. Completely adult about it. For about five minutes. What unfolds from there is a razor-sharp, escalating demolition of social niceties — egos collide, alliances flip, and the thin veneer of civilized behavior peels back to reveal something far more entertaining underneath.

It’s the kind of show that makes you laugh, squirm, and quietly wonder if you’ve been in that exact living room before.

For Gem City Groundlings, it’s a natural fit. The company has built its local reputation on bold, actor-driven work that doesn’t shy away from complexity — and God of Carnage is exactly that kind of theatre. Sharp, intimate, and impossible to look away from.

A Few Dates Worth Noting

The run kicks off March 4 with a Preview Night, and Sunday, March 8 is Pay-What-You-Can Donation Day — a great opportunity to catch a sharp production at your own price.

Performance Schedule

God of Carnage plays two Dayton-area venues this month:

The Lift — March 4–8 114 S. June St., Dayton, OH 45404

Brick and Beam Event Center — March 12–14 55714 Hills Ave., Kettering, OH 45414

Tickets and info at gemcitygroundlings.com — or follow Gem City Groundlings on social media for updates.

 

 

‘Golden Age’ of Radio Live at Beavercreek CT!

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Community Theaters in the area are providing some amazing and unique performances lately. This time, it’s Beavercreek Community Theatre! Saul Caplan, who is directing this production, talked with me about ‘Beaver Transceiver Radio Theatre!’

937: Hi, Saul. It is so exciting to hear you are bringing an old-time radio show to life in Beavercreek!! Why did you choose to do this type of show in particular?

Saul: I didn’t really choose this show; it chose me. About a year ago, Matt Owens and Chris Harmon from Beavercreek Community Theatre approached me with the idea of doing an evening of old-time radio shows. What they DIDN’T know was that my car radio was permanently set to XM 148 – Radio Classics, and so their idea appealed to me immediately! We then started a months-long process of reading and listening to shows and scripts to put together what we think is going to be a good, fun evening.
937:  I feel like all you participate in is FUN and GOOD! I have had the pleasure of acting with you in ‘Cabaret’, one of my favorite shows ever! Tell me Saul, do you prefer directing to acting?
Saul:  These days, it’s about 50/50. There are still some really good bucket roles out there I haven’t gotten a chance to do yet, but if all I do from here on out is direct, I’ll be very happy.
937: Understood, but you are an icon on the stage! So, what are you hoping the audience gets from this production?
Saul:  Two things, really. We hope the older audience members will get a sense of nostalgia for some of the shows and characters they might remember, and we hope the younger folks will get a glimpse of an old style of entertainment. “Theatre of the Mind” as it was called.
937: Love that you are reviving this kind of entertainment. It’s classic stuff!! Since it’s radio…what can we expect to see within the show itself?
Saul: Actors standing at microphones, holding their scripts. A sound engineer creating some (not all) live sound effects, a live organist providing music, and other actors sitting around, reading and playing cards and waiting for their cues.
937: Love the authenticity!! People will love this.  What are the days/times for this production?
Saul: Friday-Sunday March 6-8; 13-15
937:  For tickets, go to www.bctheatre.org (NOT .com!) Saul, thanks for taking time to talk with me. I am sure you will have a captive audience!
Saul: Well, please come, and please give us your feedback. We’ve been making this up as we go along, and we’d really like to know what you thought.

 

Dayton Ballet presents Tchaikovsky’s The Sleeping Beauty

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Join the Dayton Ballet for an unforgettable experience for audiences of all ages, THE SLEEPING BEAUTY unfolds like a beautiful dream – where good triumphs over evil, love breaks a curse, and music and dancing transport you to a world of fantasy. You’ve seen the movie, but the ballet is an immersive experience for the senses boasting lush scenery, gorgeous recognizable music, and dazzling dancing.

How to Go?
Friday, Feb 20, 7:30PM – Buy Tickets
Saturday, Feb 21, 7:30PM – Buy Tickets
Sunday, Feb 22, 2:30PM – Buy Tickets
At the Schuster Center

Wayne and Clover offer Friday Fun Before the Flurries!

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There is all kind of talk about the impending weather coming in Saturday and Sunday. With that in mind, Wayne and Clover coffee shop at 1201 Wayne, is having another ‘Coffee For Good’ event supporting Artemis. The coffee house will have a Trivia night featuring 3 rounds of 12 questions, coffee drinks, complimentary wine and pastries. The event, which costs $15 per person, promises good, competitive trivia with a fun ‘Champion’ trophy that will be housed at the coffee shop for future events.

Wayne and Clover are deep into their ‘Coffee for Good’ program which raises money through events and coffee sales to support area non-profits and charities. Their December events raised $600 for Miami Valley Meals with the support of the RubiGirls, their Nextdoor neighbors! The trivia event starts at 7pm, with the first question around 7:15pm. The event is emceed by the ‘Queen of Questions’ Josh Stucky. To get in on the fun, before the flurries, go to

Trivia at W&C

Glass Menagerie Auditons at Dayton Playhousse

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Performances: March 13–22, 2026 (Fridays, Saturdays, Sundays)
Auditions: January 19 & 20, 2026, 7pm. Attend one or both nights. Auditions will consist of cold reads from the script. Please bring a current photo and résumé, if available. Please arrive by 6:45 to complete the audition form.
Rehearsals: Beginning January 26, 2026. Typically Monday–Thursday evenings and some weekends. Please bring a complete list of conflicts between January 26 and March 22, 2026. A sample rehearsal schedule can be found here (tentative and subject to change).
About: A story of love, longing, and fragile dreams, this American classic follows the Wingfield family as they navigate hope and heartbreak. When Amanda pressures her son, Tom, to find a suitor for his shy sister, Laura, their carefully built illusions begin to shatter.
Style: While the design will be expressionistic, performances should feel real, honest, and complex. Characters are big and bold but never caricatures (think White Lotus). This is a contemporary take: funny, dark, emotionally grounded, and sharp. Find the humor. Avoid the melodrama.
Roles available: 2 men, 2 women. All roles are open to actors of any race, ethnicity, gender identity, body type, and ability. Actors of all backgrounds are strongly encouraged to audition.
Please note: Light intimacy required for Laura and Jim.
Character breakdown:
TOM (He/him; 20s–30s)
Queer; closeted, but thinly veiled. Sarcastic, restless, and too smart for the life he’s stuck in. Funny and guarded. Desperate to escape his dead-end day job and toxic relationship with his mother, but haunted by the cost of doing so.
AMANDA (She/her; late 40s–early 50s)
Larger-than-life, faded Southern belle. Controlling but charming; fierce but fragile. An aging single mother trying her best. Vain, narcissistic, and deeply in denial, she clings to the shreds of the life she dreamed of, unable to face the truth of what remains.
LAURA (She/her; 20s)
Strong, capable, and tender, but treated like glass. Introverted and intensely anxious, Laura escapes into vinyl records and fragile fantasies. We strongly encourage actors with visible or invisible disabilities to audition. Please do not make any disability-related acting choice if you are able-bodied.
JIM (He/him; 20s)
Golden retriever energy. Charming, flirty, handsome, genuine, bright, and warm. A former jock who peaked in high school and is coasting on natural charisma. Confident, light, and easy.
Production Team:
Director: Matt Meier
Producer: Brandon Shockney
Stage Manager: Emma Allington
Set Designer: Rachel Robinson
Costume Designer: Kate LaFollette
Light Designer: Michael Lee

TheatreLab’s ‘Edwin Drood’: Come for the Music, Stay for the Verdict!!

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Charles Dickens Legendary ‘The Mystery of Edwin Drood’ is next up in TheatreLab Dayton’s season. Murder, mayhem, and music fill this much-loved mystery! I had the pleasure of speaking to Philip Drennen, the director of the local production.

937: Hey Philip! Thanks for taking a minute to chat about this exciting production of ‘Edwin Drood!’ People often call this show an unfinished masterpiece. Can you elaborate?
PD: Yep! The Mystery of Edwin Drood is based on Charles Dickens’ final, unfinished novel. Dickens passed away before revealing who killed Edwin Drood—or even if he was murdered at all. That mystery became the heart of the musical, giving audiences the rare chance to decide the ending themselves.
937: That is a great gimmick! And I know people go out of their way for that verdict piece alone!! Is that what drew you to ‘Drood?’
PD: We were drawn to Drood because it’s playful, theatrical, and deeply interactive. It fits perfectly with our desire to connect directly with our audience and invite them into the storytelling in a truly hands-on way.

937: That in mind,  what can the audience expect from this version of the show?

PD: Expect a hilarious, high-energy whodunit with lots of heart. Each night, the audience votes on who the killer is, which character is actually the detective in disguise, and which two characters fall in love—so no two performances are ever the same.

937: And how would you say this show fits into your theme this year?

PD: This season is all about exploring the full range of human emotion and connection. While Drood is packed with comedy, it also has real warmth, sincerity, and intimacy—especially with the actors performing just feet away from the audience.

937: What is coming up the rest of this season?

PD: In March, we’ll be presenting Nunsense, followed by Amour, which will close out the season back at the PNC Arts Annex.

937: Sounds great, Philip.  If people want tickets, where is the show, and what should they know?

PD: The Mystery of Edwin Drood runs January 22–25 at the PNC Arts Annex. Tickets are available at  https://www.daytonlive.org/events/edwin-drood/ The show features immersive staging, including table seating right on the floor, putting audiences in the middle of the action.

937: Anything else you’d like to tell readers?

If you love British-style musical comedy—think Spamalot or Something Rotten!—this show is right up your alley. Plus, every ticket supports local Dayton artists and designers. We’re proud to keep our tent right here at home, and we hope audiences will come and be part of the mystery with us.

937: Thank you, Philip, and break their legs!

 

For more information about TheatreLab Dayton, visit:

https://www.theatrelabdayton.org

 

Trivia Triumph Punctuates RubiGirls’ ‘Best Season Ever!’

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With almost 700 seats sold for the annual ‘Show Must Go On‘ at the historic Arcade, the RubiGirls again proved they are a force for good in the Dayton area. This year, the ‘Girls’ were deep into their ‘Best Season Ever‘ which was, in reality, their 41st year raising fun and funds. Within their 41st season, The Girls were able to benefit 110 local non-profits and charities, and provide scholarships to five graduating high school students in the area. It was, at the very least, a breakthrough year in terms of funds raised. ‘What we experienced was not what many non-profits felt this year. Our donations were sound and solid, and our shows were full at every turn. It is interesting to note that we have been able to find a path through tougher times. It seems that entertainment is truly craved in the area, and we do it with humor and parody. The laughs led to donations. Donations lead to helping as many as we can in the region.’ Says the ‘Mother Rubi’ herself, Dana Sintell. Along with Fonda Peters, the two have been here for every single season. ‘We have seen it all over the years. Right now, we are seeing a big increase in concern for charitable organizations! Being a pass-through organization, we have the ability to take those donations and easily disperse them to multiple organizations. People like knowing that a donation to us helps many!’ said Sintell.

Rubi Girls – The show Must Go On! – 2025

The history of the Girls is well-known in the area. A group of college friends started putting on shows on Rubicon Street (thus the name), and the shows found an audience quickly. From that attic (in a house since torn down,) the girls found their mission…fighting discrimination and HIV! ‘It took off around 1985. We were bringing laughter to some dark times. And we found our footing there! It exploded as the need for HIV dollars became an emergency.’ Dayton’s legendary drag troop was born.

With that, they have had the internal battles that were sure to follow a group of grown men doing shows for 41 years around the city, state, and even country. ‘We’ve had drama! But this season proved we still have the love and laughter people so desire.’ Their Best Season Ever drew to a close on 12/8 at the Dayton Art Institute with a fun-filled night of trivia. ‘We had the 3 old goats together. Dana was there, Fonda, too, and the beloved India Summer. We are the longest-lasting performers in the RubiFamily. We know how to play off of each other well.  It was a great way to end the season. A packed house, a ton of laughs, and a new set of faces who left endeared to our mission.’

We had to ask the inevitable question…’If this is the Best Season Ever, what happens next season?’

‘Oh, we got that figured out! Next season is ‘Better Than The Best Season Ever!‘ Sintell quipped. ‘Listen, we have people out there who really are in need. We have to keep elevating what we bring to the city we love!!’

You can donate to the RubiGirls and follow their schedules at https://therubigirls.com/ Merchandise and sponsorships are available as well.

***The Girls are made up of local professionals that use their talent solely for fund-raising purposes.

If you are a nonprofit or know of a charity in need, have them reach out to the website and click the Grants on the website.

 

 

 

 

 

 

Enjoy the Ride ‘Back to the Future!’

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‘Oh My God….that car was amazing!’  ‘The backdrops were eye-popping!’ ‘I loved the tongue-in-cheek musical numbers!’

‘Back to the Future’ at the Schuster, is a free-wheeling tribute to the beloved movie, and a lot more! Although the songs, which at times can feel a little bit karaoke, are full-on fun and silly, you often lose focus on a cast that is giving it their all throughout the romp. I couldn’t help but notice that folks were anxious in the first act to see the ‘legendary’ DeLorean and its magical entrance. Meanwhile, a story is being told for all of us as well. Through hi-tech staging…and reminders of days gone by (1985 was 40 years ago….WTF!)….we are thrown into a land of the McFly family which remains true to the form as created for the film. There are some fun, if not over-the-top, intros to each of the family members. Lucas  Marty does a good job of maintaining the look and vibe for movie fans. Mike Bindemann‘s George is funky and endearing. Fisher Lane Stewart gives 110% to the Dave role, and Abbey Freidmann‘s Linda foots the bill. Perhaps the McFly to watch in this performance is Zan Berube‘s Lorraine. She seamlessly does it all…gives you the frump, the fabulous, and ‘freaky’ sides of the mom figure!

The energy picks up in the theatre when David Josefberg‘s take on Doc Brown, hits the stage. Throughout the show, he makes his moments, HIS MOMENTS! Also of note, Cartreze Tucker belting ‘Gotta Start Somewhere’  and the devilish performance by Nathaniel Hackmann as Biff. And yes, the car. The CAR! I didn’t want to like it…almost was dead-set on not liking it…just to be contrary. But the truth is, it’s pretty astounding to watch. Blended with backgrounds that look alive and real (the high school gym scene is a mind-trip!)…the car is, in its own way, another star of the show!

 

Advice…go into the theatre looking to have a good time. A fun, funny, fantastic frolic awaits….

that kids of all ages will enjoy!

Ticket info at http://daytonlive.org

 

 

 

 

DGMC ‘SLAYS’ the HOLIDAYS!

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The DGMC is ready to deck the halls for the holidays. Their annual concert, which has been a mainstay of the area for many years, promises another stellar performance. I was so excited to get to speak to member, Marc Driscoll about the upcoming event.
937: Hi Marc. Thanks for spending some time with me to share the word about this year’s concert for DGMC! So, to start, tell me about the history of DGMC‘s Holiday concerts!?
Marc: Thank you, Josh. Members of the Dayton Gay Men’s Chorus and our fans look forward to our holiday show each year. Every year we add a little twist to the show to keep things fresh. Sometimes that means an orchestra, sometimes it’s silly costumes. This year it’s all about bells!
937: Thus the name….
Marc: Yes!! Our theme is Slay Bells Ring this year. We are singing all about bells, including some of your favorite Christmas Carols, as well as a few new songs! We are joined this year by the Gem City Ringers who add a special touch to several of our numbers, and also play a few songs of their own.
937: Love the play on ‘sleigh’ and ‘slay!’  So creative. And adding ringers just seems perfect! Are there any featured singers this time around?
Marc: Baron Creutz sings a beautiful tenor solo on Alleluia. Also,  Jeffrey Sypek and Chris Perry dazzle in “Pure Imagination.”
937: To those of you reading who have not seen the choir in some time, believe me, these guys are such  talents. So, Marc,  what songs do you particularly love performing this time around?
Marc: Carol of the Bells is a Christmas classic and is sure to entrance the audience. Festival Sanctus is simply a gorgeous piece. And Oh! Christmas Tree will have the audience in stitches.
937: You guys always find a way of adding the humor to the concerts, which keeps folks coming back for more! For our readers, what are details for location, price, dates?
Marc: We are back at Westminster Presbyterian in downtown Dayton on December 6th with two shows. One at 2pm and one at 6pm. Tickets are $30 and can be purchased at  http://Daytongaymenschorus.org or at the door.
937: As always, break legs…and ring, bring, sing in the Holidays once again for all of us! Is there anything else you liked to mention about the concert, Marc?

Marc: Let’s see….our small group ensemble Noteworthy is back and very excited to sing again! Director Kathy Clark wrote an original piece for the show that will leave toes a tapping. Also, there are opportunities to win raffle baskets filled with amazing prizes.

937: Sounds holiday ‘ish!’ Love it! Thanks Marc, and thanks yo all of the DGMC for spreading a little magic this season!

‘Perfect’ Little Production at TheatreLab this Weekend!

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TheatreLab Dayton kicks off their season with a crowd-pleaser!! We took a minute to check in with their Executive Director, Philip Drennen!
937: What made you put I Love You, You’re Perfect, Now Change  first and foremost this season?

I Love You, You’re Perfect, Now Change is one of those shows that feels like it was written with the audience sitting right there in the room with us. We wanted to bring Dayton something joyful to kick off the holiday season, something that lets you laugh at yourself, your dating history, your loved ones, and the absolute absurdity of trying to be a human in a relationship.

937: I will say, we need some of that today, for sure Philip. I know you are doing the show at your rehearsal space on Jefferson….Is the venue intentional for this show?
Very much so! The intimate space puts the audience right in the mix, which is exactly how this show works best. These scenes and songs feel like you’re listening in on your best friend’s group chat.

937: I;m aware of the dynamite group you have doing this ‘little’ show! A small but strong cast…tell us about this group of actors!
This cast is tiny but mighty. They’re quick, fearless performers with great comedic timing and the ability to pivot from belly laughs to emotional gut-punch in a blink. They sing, they act, they transform into dozens of characters over the course of the night and they make it look effortless.

937: Dayton has so much talent. Never cease to amaze. This show is always referred to as a crowd pleaser… why so?
Because everyone sees themselves somewhere in it. Whether you’re single, married, divorced, on the apps, whatever, the humor is universal  And the audience leaves feeling lighter than when they came in. That’s a crowd pleaser to me!

937: You have such great energy about this show. Love that!  TheatreLab loves to mix up its genres! What’s next?
We sure do. We love keeping Dayton on its toes. Next up is a new Dayton tradition, Merry QUIZmas, and then we switch gears to The Mystery of Edwin Drood in January.

937: That Merry QUIZmas thing is so fun. And it really has a warm and holiday’ish’ feel. Love it!  When are performances, and how do I get tickets?
Performances for ILYYPNC are Thursday at 7:30pm, Friday & Saturday at 8pm, and Sunday at 2pm  and it’s this weekend only. Tickets are limited (and going fast), so we recommend snagging them now at theatrelabdayton.org.

937: As always, thank you, Mr. Drennen, and the absolute best to all this weekend! Break you freaking legs!