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Smag

Saturday is SMAG’s Spring Fling!

May 22, 2015 By Dayton Most Metro

Contemporary dance lovers should make their way to the Dayton Playhouse (1301 E. Siebenthaler Ave., Dayton) this Saturday, May 23, for SMAG Dance Collective’s annual Spring Fling performance at 4 and 8 p.m.

Artistic director Michael Groomes founded the nonprofit troupe in 2003 to fill a void in Dayton’s artistic community.

“Back in 2003,” he recalled, “I was teaching dance at Sinclair Community College, and so I met lots of dancers, and it seemed like there were a lot of dancers in the area looking for opportunities to perform in styles outside of classical technique–hip-hop dancers, belly dancers, different types who weren’t getting a chance to be exposed to audiences. The [local] arts organizations, back then, were more performing at audiences as opposed to trying to engage them and get them to understand the capabilities of this abundance of artists we have in Dayton and the messages they want to get out.”

So Groomes made a promise to his children. To that end, SMAG is an acronym culled from the names of Groomes’ sons, Sean-Michael and Gavyn.
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“I promised my kids that by the time they were 12 years old, I would have a company in their name. In September 2003, my son was due to turn 12, and that August, I felt like it was the right time. We incorporated hip-hop dancers onstage with modern and ballet dancers…all of it, together. That was something new in Dayton.”

One of SMAG’s defining aspects has been unexpected artistic partnerships. Fueled by Groomes’ restless drive to constantly turn audiences’ concept of “art” on its head to create new ideas, SMAG has combined in the past with visual artists, fashion designers, live musicians improvising new works, and more.

“That’s something else that wasn’t really happening back when we got started,” Groomes said of the collaborations that have become a hallmark for the ever-evolving troupe. “I thought we could bring a different perspective to the table, and keep reforming that perspective.”

Expect more of these creative fusions as SMAG looks ahead to its 12th season.

“We’re working on a September fundraiser with K12 Gallery, a huge event with DJs and house music, and live performances in multiple styles. We’ll be working with the Dayton Metro Library’s outreach program. We’re trying to get to a Lakota-Sioux reservation in South Dakota to work with the youth there and learn how to fuse Native American dance style with contemporary.”

Internationally acclaimed painter Mike Elsass, a Dayton native who remains based here, has joined forces with SMAG in past years to create live works of visual art–at a previous Spring Fling show, dancers writhed and swayed across a giant canvas spread out on the stage floor as Mike wove among them painting both bodies and canvas. Groomes says Elsass will return to the fold next season for a new venture.

smagAdditionally, fall will see a new edition of SMAGmare, the collective’s yearly Halloween-themed performance typically held outdoors in the Oregon Historic District. SMAGmare began as a pop-up event to engage arts tourists wandering Fifth Street during October First Friday festivities, and was so successful that it’s become an anticipated annual feature. Going further in the spirit of multi-discipline collaboration, this year’s performance will pull in a local theatre group.

Outreach efforts like these have resulted in an incredibly diverse following for the group; SMAG performances routinely draw some of the most diversified audiences in the Dayton arts scene.

“You look at the U.S. census for Dayton, and that’s more or less what you’re gonna see when you look around at our dancers and audiences,” said Groomes. “It’s amazing to see the different types and faces and economic backgrounds that come together when we perform, and we’ve been extremely blessed to have that kind of support from across the board, and we’re looking forward to seeing more of that at the Spring Fling.”

SMAG’s Spring Fling show will serve as a platform for new works from both emerging and accomplished choreographers, including Groomes, whose entry is a civil rights-influenced piece.

“My piece in the show,” he said, “is inspired by the lives and works of three women: Ruby Bridges, the first black female child to be integrated into public school in New Orleans; Viola Liuzzo, the first white woman to die in her efforts to achieve civil rights; and Mahalia Jackson, who spent a lot of time traveling with Martin Luther King and served as kind of a hype man for him with her rousing gospel songs before his speeches. These were three incredible women who left a great legacy, and I wanted to honor that.”

The concert also features diverse and challenging works by SMAG associate ­artistic director Taiesha Green, Renee MeClendon of the McClendon Institute, Shonna Hickman-Matlock of DCDC, and Jordan Daughterty of DCDC2.

“We encourage the audience to be active,” Groomes said. “If you see something you like, speak up. Shout and cheer, because when the dancers get that feedback, they continue to step it up, and the audience gets back what they put into it. We want our audience to feel like they have the freedom to express themselves.”

Tickets for SMAG’s Spring Fling can be purchased at the door, or at http://www.brownpapertickets.com/event/754467; prices are $10 for students and seniors, $15 general admission, and $25 VIP seating. VIP ticket holders will also receive a gift upon entry.

Dancers interested in auditioning for SMAG’s upcoming season, or community artists interested in working with the troupe can call Michael Groomes at 937-329-6948, or email [email protected].

Filed Under: On Stage Dayton Tagged With: Smag, SMAG's Spring Fling

Brilliant Leaps and Cautious Steps A Review of Dance in Dayton 2013 and What to Watch for in 2014

December 31, 2013 By Rodney Veal Leave a Comment

Another year has waltzed by, creating a beautiful stir in the Dayton dance community. I have been privileged to bear witness to some incredible moments of sublimeness amidst the cautious backdrop of these uncertain times in regards to patronage and audience building. Now more than ever we as patrons of the arts have to reinforce our commitment to the arts in our community. While financial support is critical to keeping the lights shining, an education and connoisseurship is vital to elevating our community collectively. These moments and individuals made this year a tantalizing appetizer for a brighter future.

In no particular order:

Sheri “Sparkle” WilliamsDCDC

How often do we have a goddess walking amongst us? For over forty-five years Sheri has illuminated and turned up the heat on the stages of Dayton and around the world. When they describe DCDC as a “world class” organization, they are really describing Sheri. What she brings to the world can only be attributed to the divine. Her artistry is on the level of Dame Helen Mirren, Meryl Streep and Aretha Franklin, an ageless category defying artistic genius that we are privileged to witness. She is worthy of our continued attention.

Dayton Ballet-crop of new choreographic voices

Kudos to Dayton Ballet and their commitment to elevating female choreographers in the realm of classical ballet. This season saw the beautiful work of Gina Gardner-Walther, Amy Seiwert and Susanne Payne. They released the aesthetic beauty and artistic abilities of the dancers and challenged them to new heights and we as an audience were grateful to witness.

DCDC Urban Impulse

This is what a satisfying concert looks like; one that combines community outreach and artistic ambition. It was a gamble that payed off brilliantly. I cannot imagine any lover of dance not leaving that show ecstatic.

DCDC Emergence
This company came back in the fall with a concert of original works that was inspired. The luscious, diverse choreographic works that made Boll Theatre feel like Lincoln Center for a brief autumn evening.

Paul Gilliam, Dayton Ballet

A physically gifted performer who brightens the stage with charm, grace and intelligence. I have been very fortunate to briefly witness his choreographic skills. And I believe we are witnessing a diamond in the rough. Breakout star of 2014

Jammie Walker, Dayton Ballet

A welcomed soulful and passionate presence at Dayton Ballet. A dancer who can handle classical and contemporary work with ease. I look forward to seeing more of him in 2014.

Shed by Kiesha Lalama

Ms. Lalama set an energetic work that was wonderfully constructed and rendered by the dancers at DCDC. The company came roaring back to prominence with this piece and this reviewer was incredibly grateful.

Extremely Close by Alejandro Cerrudo

Okay, so this piece was performed by Cincinnati Ballet, but I would be remise in not discussing it. I had no expectations for this evening of dance at the Aronoff, but as we entered the auditorium, we were greeted with a blank stage, except for a white wall partition and a steady stream of feathers lazily drifting into a pile center stage. It took this reviewer/audience on an unexpected journey, one that we all gladly took. Note to artistic directors in Dayton this guy is worth the investment.

Prodigal Son by George Balanchine

Closing the same concert for Cincinnati Ballet was a re-staging of Prodigal Son with coaching by Edward Villlella. They delivered a bravura performance that brought down the house.

Smag Dance Collective

Congratulations on the 10th anniversary of Smag Dance Collective. The tenacious Artistic Director Michael Groomes fights for his vision of dance that is interwoven into the fabric of our community quilt. This is dance by the people and for the people. He is truly an urban visionary walking amongst us and he and the company deserve our support.

The Brown Dance Project

A poignant, funny and beautifully rendered work created by choreographer Rodney Brown and danced by members of DCDC. MODULE is an educational community outreach work that deals with HIV prevention. A brilliant example of the power of art to address social issues. I was particularly impressed by the audience Q & A afterwards and the fact that they came out on a Saturday afternoon to embrace this necessary work.

Dayton Ballet2014

I am looking forward to several things: The choreography of DeShona Pepper Robertson for Dayton Ballet in the fall. The site specific installation piece being presented by Ohio Dance and created by Crystal Michelle Perkins. Amy Seiwert and Susanne Payne creating new choreography for Dayton Ballet. Dance concerts returning to the Blair Hall Theatre stage at Sinclair Community College. The return of DCDC to the Victoria Theatre stage and the revival of the Dayton Arts Project.

I can think of no better resolution than to see more dance. And in the immortal words of London Coe, #dateyourcity.

Filed Under: Arts & Entertainment, On Stage Dayton, The Featured Articles Tagged With: #dateyourcity, Blair Hall Theater, Dayton Ballet, Dayton Club Scene, DCDC, Ohio Dance, sinclair community college, Smag, The Brown Dance Project, Victoria Theater

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