Dayton937

Things to do in Dayton | Restaurants, Theatre, Music and More

Jonathan McNeal

TIFF Day #3 – 2024

By

Hello NEON Community!

Today was busier than I had initially planned.  When I wasn’t able to score a ticket to the new Mike Leigh film (HARD TRUTHS), I ended up booking tickets to two films that were a little further down on my list.  In addition, I ran into a colleague in distribution who invited me to a party – so That meant that I had four films and 2 parties instead of three films and 1 party…but things can change on a dime (I’m not complaining).

My first film of the day was one I had been waiting for – ANORA, dir Sean Baker (USA) “This Palme d’Or winner follows a turbulent relationship between a New York–based exotic dancer and the son of a Russian oligarch.”  We’ve played Baker’s work in the past at THE NEON – RED ROCKET and THE FLORIDA PROJECT…and this is certainly one to watch with a lot of early award season buzz. Despite the rambunctious and exuberant nature of the first hour, there’s always a feeling of sadness under the surface. Baker’s work is very sex positive and he doesn’t judge his protagonists, but you can feel that Anora really wants more than she’s got. VARIETY wrote that this film makes PRETTY WOMAN look like a Disney movie.”  (Quite interestingly…it was.  It was made by Touchstone Pictures – a subsidiary of Disney in the 1980’s.) This film has lots of laughs, lots of sex, and lots of heartache.  It’s rough and subversive – but you’ll fall for Anora. Mikey Madison in the lead role is quite a discovery.

Next up was something I hadn’t necessarily planned to see – SKETCH, dir Seth Worley (USA) “When a young girl’s peculiar drawings come to life, leaving a wake of chaos and crayon dust, a grieving family has to band together to fight them off in this feature debut.” (taken from TIFF catalog) The screenplay for this film is great right of the bat – it feels honest and genuine.  But I have to admit that I started to roll my eyes a bit when the monsters came to life…they just seemed a little too silly for the world that had been set up for us.  But I stuck with it…and I’m glad I did.  I had a true emotional response to this little gem, and the kids were fantastic.
The director introduced this film as “INSIDE OUT meets JURASSIC PARK,” and the curator from TIFF who introduced it said we haven’t seen a group of kids work together like this since THE GOONIES.  I agree with both sentiments.   (The Q&A had me in tears when one of the cast members was asked how he related to his character.). I’m not sure where this will land, but I can see audiences getting behind it.

My next film was a surprise ticket – K-POPS, dir Anderson .Paak (USA) “A father hopes to ride the coattails of his long-lost son’s rocketing stardom in this feature debut from eight-time Grammy winner Anderson .Paak.”  This polished film had a very invested audience…and many of the people on screen who elicited cheers and screams from the audience were actors/performers I don’t know (I knew folks like Earth, Wind & Fire, but I didn’t know the K-pop icons). Though the film is really about a father connecting with the son he never knew, the setting of a “reality” talent/gameshow couldn’t be further from a setting that interests me.  Though there was a lot of talent on display, I wasn’t fully invested in the story.  And though know there’s an audience for this film (I was surrounded by people who adored it), the movie (with moments of slapstick and some animation and montage scenes that seemed like fluff and filler instead of motivated plot devices) wasn’t really for me.

Before I went to my last film of the day, I stopped by Searchlight’s NIGHBITCH PARTY – a reception celebrating the premiere of the new Amy Adams’ film NIGHTBITCH (which I will hopefully see tomorrow).  I mingled with and met people who curate other cinemas and film festivals, and I chatted with one of the actors from the film.  Amy Adams, Scoot McNairy and others were at the party and posed for a few photos with the little boys who played her child in the film.  I only stayed for about an hour because I head to get to the film I’ve been most excited to see.

The last film of the day was my most anticipated – THE ROOM NEXT DOOR, dir Pedro Almodovar (Spain) “Tilda Swinton and Julianne Moore star in this visually exquisite and intimate adaptation of What Are You Going Through by Sigrid Nunez, Pedro Almodóvar’s first English-language feature.” I’m anxious to see this film again.  The story centers around two friends who are reunited after years apart…and how one of them asks the other to be “in the room next door” when she decides to take her own life instead of enduring another round of what seems like unhopeful Cancer treatment.  This film is full of references – to art, literature, film and event Almodovar’s own work (I found references to TALK TO HER, WOMEN ON THE VERGE, and PAIN AND GLORY – and I’m sure I’ll see more with another viewing). Sadly, Pedro was not in attendance…but he had good reason – only hours before, he won the Golden Lion from the Venice Film Festival…so he was in Italy accepting that award.  That said, Tilda, Julianne and John Turturro were there.  Their Q&A was pretty wonderful.  And even though a couple people asked seemingly inane questions, the ladies were able to steer their responses into philosophical and moving responses.
Almodovar films are known their production design, and Tilda said that most of the sets incorporate things from Pedro’s own apartment…the films really do seem like extensions  of his worldview and personal surroundings.
Tilda corrected one audience member when being asked about euthanasia.  She said, this film isn’t about euthanasia, it’s about someone taking their own life into their own hands and dying with dignity.  It was a powerful night.

I had one more party to stop at…but I just couldn’t bring myself to do it.  It’s already 1:00, and I knew I wanted to get this posted before too late.  I also just needed some quiet time after such a strong film.

Thanks for checking in!  Tomorrow is Cate Blanchett Day!!

Jonathan

TIFF Day #2 – 2024

By

Hello NEON Community!

Today’s early films had an Ohio focus!

My first movie of the day was THE LUCKIEST MAN IN AMERICA, dir Samir Oliveros (USA) “Featuring Paul Walter Hauser (Richard Jewell), Walton Goggins, and David Strathairn, this stranger-than-fiction drama resurrects a hugely popular 1980s game show and the ‘luckiest man in America’ who broke it.” (taken from TIFF catalog) Based on a true story about how a man memorized and beat the “random” lights on PRESS YOUR LUCK, the protagonist from this scandal was from Lebanon, Ohio!  This funny, tense, and upsetting film works on so many levels.  From it’s vintage-looking credits and camera work to the crazy set-up, this movie is a lot of fun.  Though the ending was slightly unsatisfying, I think this film ultimately works.

Shot largely in Wilmington, Ohio, my next film was NUTCRACKERS, dir David Gordon Green (USA) “Ben Stiller stars as a city slicker forced to look after a quartet of mischievous rural orphans in this fish-out-of-water comedy that speaks to the hidden talents in each of us just waiting for a chance to shine.” (taken from TIFF catalog) This film has a giant heart…and despite its formula-driven script (with some cringe-worthy moments) and its overly predictable turns, the film lands exactly where it wants to – and I think it will work well with audiences.  The 4 boys (real-life siblings from Ohio) are pretty great, and you’ll likely recognize some settings (and maybe even some locals).

My next film was my first public screening of the festival (meaning it wasn’t just industry folks – but open to the general public)…and the director & cast were there! (Due to last year’s strikes, hardly any films had casts in attendance…so this will be a nice change this year.)   THE LAST SHOWGIRL, dir Gia Coppola (USA) “A seasoned performer must plan for her future when her show abruptly closes after a 30-year run. Starring Pamela Anderson, Jamie Lee Curtis, and Dave Bautista.” From a good script written by Kate Gersten – someone who “was there” when the last big, old-fashion Vegas show closed (known as Jubilee! – which Gersten said was referred to as “the last of the tits and feathers shows” ) – this story seemed quite authentic, and Pamela Anderson said she had been “getting ready my whole life for this role.”  Touching and full of melancholy, Anderson and Curtis are great in this film.  And I love when there’s a moment in a film that evokes the crowd to burst into applause.  A solid film from Gia Coppola

My first documentary of the festival was MISTRESS DISPELLER, dir Elizabeth Lo (China, USA) “Sure to be a conversation starter and filmed with an astonishing emotional intimacy, Mistress Dispeller follows the work of a Chinese woman who practices unorthodox techniques to repair marital infidelity.” From the director of STRAY – a doc we played at THE NEON about a dog living on the streets of Istanbul – this film had a very intriguing set-up.  The lines of documentary ethics seemed to be blurred in order to get the material…but so was the story of the protagonist who is called in to make extramarital affairs disappear.  I loved a lot of this film, and the last 8-10 minutes were very satisfying.  The post-screening discussion was very enlightening and answered my questions…but I think there’s a much stronger 40-60 minute film here instead of a feature.
There’s no trailer for this film…but here’s a clip:

 

My 9th film for the festival and fifth film for today is a winner! WE LIVE IN TIME, dir John Crowley (United Kingdom, France) “Featuring gorgeously detailed performances from Oscar nominees Florence Pugh and Andrew Garfield, this inventively structured romance explores the question of how to make the most of our time in this world.” (taken from TIFF catalog) The energy was high when I arrived at the Visa Screening Room.  Hundreds of fans were cheering for Andrew Garfield…and he was just a few feet away when I was checking in.  When I got to my nosebleed seat (about 5 stories up), the crowd on the street was chanting “Florence. Florence.”  This town is so ready to welcome big stars again!
This gorgeous, nonlinear film did not disappoint.  With three different timelines playing against each other, the title resonates even stronger as we get to know a couple who are dealing with pregnancy, cancer and the day-to-day act of living.  It’s a beautiful story, and these two actors are at the top of their crafts…and having them talk about how they worked on this project has been the highlight of the festival so far.

Thanks so much for reading.
Tomorrow is Almodovar Day!

More soon,
Jonathan

TIFF Day #1 – 2024

By

Hello NEON Community,

Today was a rather somber start to my festival screenings.  All four films I screened had to do with grief in some regard.  Though there were no real stand-outs in today’s batch, I’m really looking forward to tomorrow’s screenings…and even more so, Saturday’s!  Keep reading to find out more.

My first movie of the day was a poetic film that has been banned in Vietnam by their Cinema Department – VIET AND  NAM, dir. Trương Minh Quý (Philippines, Singapore, France, Netherlands, Italy, Germany, Vietnam) “Amidst the darkness 1,000 metres underground sparkles an intimate romance between Viêt and Nam in this mystical story of two young miners in search of a brighter future.” (taken from TIFF catalog). This gay romance takes place in part in the coal mines – which is a dark and dangerous place.  Set in the aughts, this film is haunted by those who went missing or were buried in unmarked graves during the war in the 1970’s.  Both Viet & Nam are without fathers, and it doesn’t go unnoticed that while many people above ground are still searching and digging for loved ones, Viet and Nam are able to freely express their love for one another in the darkness of the underground (as if they’re buried themselves).  While characters often talk about their dreams, this film feels like one…it weaves images in a powerful, beautiful and eerie way.  All that said, this film is not one for the masses.  I must admit that I was lost on occasion as to relationships between characters, and  (like most films from today), I feel it could have been shorter.

Next up was DANIELA FOREVER, dir Nacho Vigalondo (Spain, Belgium) “In the latest from Nacho Vigalondo (COLOSSAL), Henry Golding (CRAZY RICH ASIANS) soulfully portrays a bereaved man who enrolls in a clinical trial for a drug that allows him to reunite with his lost lover (Beatrice Grannò) through lucid dreams.” (taken from TIFF Catalog) This had the bones for a good film with some interesting material, and its Michel Gondry influences are off the charts.  Though I liked its ultimate message that grief can truly be consuming and mess with your worldview, its attempts at whimsy and cleverness got to be too much.  At close to 2 hours, I thought this one could have been shorter, too.

Though many industry folks walked out early, I seemed to be one of the few people in the audience who embraced SAD JOKES, dir Fabian Stumm (Germany) “Set in present-day Berlin, this tragicomical second feature from writer-director-actor Fabian Stumm poignantly portrays modern queer life and the perseverance required of an artist.” For the most part, I rather liked this little film.  From its decisions to mostly leave scenes in a single, static, one-take shot to its writing and character development through multiple scenarios, this film is about a man who hasn’t been able to connect with many people since his last break-up (three years prior). The protagonist is raising a child with his best friend, and he is attempting to be a good father while putting himself out in the world again.  It’s heartbreaking and hysterical and very honest.

My last film of the day stars Gillian Anderson and Jason Isaacs – THE SALT PATH, dir Marianne Elliott (United Kingdom) “After losing their home and livelihood, a middle-aged couple impulsively set out on a 630-mile walk along the southwest English coast, a walk complicated to no small degree by the recent diagnosis of a terminal neurodegenerative disease.” (taken from TIFF catalog) Anderson is particularly strong in this film – her face is face is able to convey so much torment and pain as well as love and joy.  As this couple walk and encounter wind and rain and rising tides, you can really feel their struggle.  This story really does make you take stock of what you have…and that it could really all change on a dime.
Based on a best-selling memoir, this 118-minute movie would make a really strong 90 film…and maybe if it gets picked up for distribution, someone could make the ending a bit more satisfying and less abrupt.

Tomorrow, I hope to see 4 films again…including David Gordon Green’s new film NUTCRACKERS, starring Ben Stiller, which was shot in Ohio with some Dayton talent…and WE LIVE IN TIME, the new film from John Crowley starring Florence Pugh and Andrew Garfield.

On Sunday, I’ll see THE ROOM NEXT DOOR – the new film from my all-time favorite director Pedro Almodovar.  Fingers crossed that he, Tilda and Julianne are all there!

Thanks so much for reading!
More soon,
Jonathan

 

TIFF Bound! Submerging In Cinema!

By

Hello NEON Community,

Thanks so much for checking in.  I’m making a list and checking it twice…and three times…and four times…all in an effort to squeeze in as many films as possible from the 50+ films I’d like to see over the next several days at The Toronto International Film Fest.  In the end, I’ll only have room for 30-35 screenings, so some films will have to wait.

It’s early morning on Wednesday, Sept. 4, and I’m about to head to the airport.  When I get to Toronto, I’ll head right to the industry hub where I’ll get my credentials for the festival.  My pass will allow me to see a handful of public screenings (those are the ones with directors & stars in attendance with interesting Q&A’s) as well as numerous press and industry screenings (which are generally no-frills – but full of folks like me as well as some high profile journalists and studio execs…all kinds of people from the industry).

I’m staying in a condo just a couple blocks from the middle of everything,  and I’m very excited about several films…and it’s always fun to discover films I didn’t know I needed to see.

Here are couple titles I’m excited about:

THE ROOM NEXT DOOR – Pedro Almodovar’s English-language feature film debut – starring Tilda Swinton and Julianne Moore.  If you’ve read my blog and newsletters before, you might know that Almodovar is my favorite director of all time.  I can’t wait for this one.  It just received a 17-minute standing ovation at the Venice Film Festival earlier this week.

WE LIVE IN TIME – the new film from John Crowley (director of BROOKLYN) – starring Andrew Garfield and Florence Pugh.  I think this film looks lovely, and I’m a big fan of BROOKLYN.

MISÉRICORDE, the new film from Alain Guiraudie (director of STRANGER BY THE LAKE) is on my list as well.

In addition to movies, I’ll get to sit in on an interview with Cate Blanchett at an event called IN CONVERSATION: CATE BLANCHETT.  I’ve been a fan for years (and there was even that time when I was a co-worker of sorts)…so I’m anxious to see her in this scenario.

Every day, I’ll take notes when I’m seeing movies.  I’ll assemble those notes each night and publish my posts.  This serves as a way for me to get my thoughts down on a daily basis…and to take you along for the ride.

If you’re in Dayton, please stop in to keep my co-workers company at THE NEON.  Thanks for all of your support.

More soon,

Jonathan

TIFF Day #9 – 2023

By

Hello Dayton937,

Today was my final day of screenings for 2023.  Over the past 9 days, I’ve gone to 35 screenings..and I’ve screened 33 films.  How’s that possible?  I walked out of one and I saw one film 2 times.

There are/were so many other films at the festival that I wish I had been able to see – sometimes it was a matter of scheduling, and other times it was a matter of buzz not happening until after the opportunities had passed. HIT MAN, DREAM SCENARIO, AMERICAN FICTION, SING SING, and ZONE OF INTEREST are among the films I hope to catch in the months ahead.  Then there are the films of the season that didn’t screen at TIFF…they either already played at Cannes, Venice or Telluride…or they’ll be screening at NYFF – like PRISCILLA, POOR THINGS, ALL OF US STRANGERS, MAESTRO, FERRARI or KILLERS OF THE FLOWER MOON.  So there’s still a lot to see this year!

My first film today was complicated subject matter. MEMORY, dir Michel Franco (USA) “Past, present, and future collide when Saul (Peter Sarsgaard) follows Sylvia (Jessica Chastain) home from a high school reunion, in this touching and masterful film by director Michel Franco.” (TIFF Catalog)  Without giving too much away, Sarsgaard’s character is dealing with dementia – so his memories are inconsistent and unreliable.  Chastain’s character made accusations as a young person that weren’t believed…so her memories are challenged at every step.  The performances here are strong, but there are clearly moments of improvisation within the script – and some moments/performers are better than others.  Though there’s some great work happening here, I found myself cringing so often at decisions that characters were making…which I found truly upsetting.  But in the end, I guess that would only work if I felt an investment in them.

STRANGE WAY OF LIFE, dir Pedro Almodovar (Spain) – REPEAT VIEWING!  I wanted to see the new Almodovar on the big screen again.  The film is only 30 minutes, so I scurried and chose a front row seat.  I wanted to be consumed by it…it’s Almodovar – so the production design and color palette are incredible, and the guys are all beautiful.  One fun fact about this short is that Almodovar shot it on an old set that Sergio Leone used to shoot three Westerns with Clint Eastwood (so many classic Westerns were shot in Spain…so when uninformed actors like Sam Elliott complain that there’s no place for gay characters in Westerns…and that directors who aren’t from America shouldn’t be making American Westerns – they need a bit of education).  The thrust of this film is mostly to answer a question that was posed in BROKEBACK MOUNTAIN but never answered…and because Almodovar was originally courted to direct BROKEBACK, he decided to answer the question 20 years later. (That said, Almodovar means no disrespect to BROKEBACK.  He says he loves what Ang Lee created.)

My next film was new Blanchett.  I couldn’t skip a chance to see Blanchett at work.  THE NEW BOY, dir. Warwick Thornton (Australia) “Starring Oscar winner Cate Blanchett, this spiritual drama from Warwick Thornton (TIFF ’17’s Sweet Country) hauntingly evokes Australia’s fraught colonial legacy through the story of one very special child.” (TIFF Catalog).  This story is about an Aboriginal boy who is dropped off at at place for orphans in the middle of nowhere Australia where a nun – Sister Eileen (Blanchett) – runs the shop….and Sister Eileen is also charged with converting the boys to Christianity (the pastor who is supposed to be in charge is mysteriously absent).  The boy seems to have a special gift – a little light that he conjures and uses for healing and comfort.  The film is gorgeously shot, relatively quiet and full of great performances.  It shows us what happens when we force our own doctrines on those around us.

What a way to end my festival! My final film was a documentary about one of my favorite filmmakers/filmmaking personalities – the late, incredible Agnes Varda!  VIVA VARDA, dir. Pierre-Henri Gibert (France) “This profile of filmmaker Agnès Varda brings fresh perspectives missing from her autobiographical work, as it covers her oeuvre spanning from her emergence in the French New Wave to acclaimed works such as Vagabond and The Gleaners and I.” (TIFF Catalog). I was a little nervous about this film.  How could a filmmaker create something fresh and new about Varda – she spent the last several years of her career telling us all about her life.   Well…In fact, there was a lot more to tell!  This concise, hour+ documentary is so packed with great material that I want to see it again again – sometimes focusing on the subtitles, sometimes focusing on the visuals…and then going back to the source material and watching the films.  (Next Criterion sale, I’ll be buying the 15-disc set.). Varda was a pioneer and quite a character.  The director introduced the film (and did a Q&A), and he said that the French have pivoted to a positive gaze of Varda’s work due in part to North America’s embrace…France had often written her off and not included her in much talk of the French New Wave until “recently.” I can’t wait to see this film again.

Before walking into  VIVA VARDA tonight, I was already mourning the end of this year’s festival.  I often hear industry folks complaining about being at the festival.  It’s like people complaining about where they live – what a bore.  I have absolutely adored submerging myself in international cinema over the past nine days.  During the last few years, I have truly missed this part of my job…and I’m so glad I was able to come back.

Over the coming days and weeks (and possibly through repeat viewings), I’m sure my feelings on certain films will evolve (sometimes due simply to more rested eyes).  I know that I can be a little rough on films sometimes, but I’ve been honest with my gut responses to all 33 films immediately after seeing them.  Thanks for coming along on the journey with me…I hope to see you back in Dayton.

My best,

Jonathan

TIFF Day #8 – 2023 – 30 Films Screened So Far

By

Hello Dayton937!

Today was looking slim initially.  My only official film on the books today was NYAD – everything else came as surprises…and we all know that not all surprises are good.

My first film was from Cuba. WILD WOMAN, dir. Alán González (Cuba). “Yolanda, a Cuban woman, goes from dancing her heart out at a house party to running against the clock to find her son and skip town once a video circulates from that gathering that seems to incriminate her.” (TIFF Catalog)  Not only did I feel like this film was missing a reel (that doesn’t really happen anymore), it also is as much about the landscape as it is about the main character.  Though the lead actress was quite compelling and gives an honest and rather heartbreaking performance, not everyone is as good. I ultimately was only slightly invested to find out “what happens” at the end, and I don’t see this film breaking out.

My next film was my first “early departure” from TIFF.  If you’re new to my blog, you might not know that I don’t review or name names for films that I don’t finish.  I don’t think it’s fair to write reviews for films that I don’t watch from beginning to end.  In this case, the idiot dialog and some really poor performances (it seemed like every line was said with a knowing smile) made me cringe a lot…and my eyes were starting to hurt from rolling so much.  It was noted at the start that it was being presented courtesy of Paramount+, so maybe you’ll stumble upon it there one day – let me know if you watch a movie with some really big stars there in the near future.

Next up was a film I was anxious to see…and it didn’t disappoint. NYAD, dir. Elizabeth Chai Vasarhelyi, Jimmy Chin (USA). “Annette Bening and Jodie Foster dive into the dangerous waters of the Florida Straits, in this film based on the true story of the woman who, at the age of 64, became the first person to swim from Cuba to the US without a shark cage.” (TIFF Catalog) This film was directed by the folks who brought us the incredible doc FREE SOLO – and it’s their first time directing a narrative.  They’s got the chops to do it…and with Bening and Foster as the talent, it turns into crowd-pleasing gold. As a bonus, Elizabeth Chai Vasarhelyi & the real Bonnie (Nyad’s best friend turned coach) were in attendance to introduce the film and partake in a Q&A after.  It was spectacular, and Bening is so very present and alive in this performance!  The film is inspiring on a lot of levels, and every now and then, I saw a little glimmer of my friend Julia Reichert in Annette Bening. I’m sad that most people will see this on Netflix…it deserves a big screen with good sound.

I tried to get a ticket to the film AMERICAN FICTION tonight, but demand was too high – and even though I waited over an hour, at least 100 of us were turned away…so instead, I chose a documentary about a performer I admire but didn’t know much about. LIL NAS X: LONG LIVE MONTERO, dir. Carlos López Estrada, Zac Manuel (USA). “Watch superstar Lil Nas X transcend genres and defy expectations in this revealing, jubilant, and inspiring musical documentary.”  This documentary, though certainly a PR piece, shined some light on a performer who is breaking down barriers.  I admire how unabashedly queer and flamboyant Lil Nas has become in the public eye over the past couple years, and it was nice to get some background on him as well as explore some production moments of the tour I wasn’t able to attend.  For all the quick fame and money that has come his way, Lil Nas still seems a bit naive but also grounded on some level…and that’s refreshing.  Madonna makes a quick appearance in the doc – which certainly seems to give a nod to TRUTH OR DARE – which was groundbreaking 30+ years ago.

Tomorrow is my last full day of screenings.  On some level, it’s hard to believe it’s winding down…on another, it seems like I’ve been here for months.

Thanks for reading!

Jonathan

TIFF Day #7 – 2023

By

Hello Dayton937!

24 hours ago, my schedule for today was slim.  I only had a couple potential screenings scheduled (and they were tentative)…then first thing this morning I mapped out 5 movies.  And a couple of them were fantastic.  It was a very full day!

My first screening of the day was a musical of sorts…all songs/performances are motivated from the radio or a boom box – and characters sing along. CHUCK CHUCK BABY, dir. Janis Pugh (UK). “A film of love, loss, music, and female friendship, set in and around the falling feathers of a chicken processing plant in industrial north Wales.” (TIFF Catalog) This love story is sweet and touching and some of it it is in a rather unlikely setting – a chicken processing plant. Though I found some of the story and motivations a little thin, there’s still a lot to like.

I had only read a little bit about my next film…and nothing had prepared me for it! MOTHER, COUCH, dir. Niclas Larsson (USA). “Three estranged children come together when their mother refuses to move from a couch in a furniture store, in this film boasting all-star talent including Taylor Russell, Ewan McGregor, Ellen Burstyn, F. Murray Abraham, Lara Flynn Boyle, and Rhys Ifans.” (TIFF Catalog) Very shortly after the start, I wondered, “Are we in purgatory?  Is this an existential crisis?  Is this the love-child of Charlie Kaufman and David Lynch?” With an ominous/0ften thriller-like score, this film is a strange one – set in a furniture store selling furniture from the past with current-day prices…but if you stick with with it until the end, it slowly reveals itself and has and you figure it out. I won’t give it away.

Knowing I was going to potentially screen 5 films today, I almost cancelled this one in order to meet up with some friends…but upon reading a bit more about it, I decided to keep on schedule.  The original French title for this film is HLM PUSSY – a codename the young ladies of this film give to themselves – meaning low income housing pussy. I’m so glad I went to see it.  SISTERHOOD, dir. Nora El Hourch (France). “Three teenage girls, inseparable friends, struggle with the aftermath of a pivotal incident that brings to light their differences in race, social class, and cultural privilege, threatening their seemingly invincible bond.” (TIFF Catalog). The performances in this film are incredible…the three young leads are all phenomenal – and I didn’t feel like I was watching performances.  The story of social media and class, and race and privilege are contemporary and so honest.  This is Nora El Hourch’s first feature, and I’m absolutely certain we’ll see more from her – I was shaken and moved and very invested in this great film.

My next film was my third film dealing with WWII…and it’s also based on a real person. IRENA’S VOW, dir. Louise Archambault (Canada, Poland). “In occupied Poland, a former nurse (Sophie Nélisse) risks her own life to shelter a dozen Jewish men and women from the Nazi war machine.” (TIFF Catalog). This is an absolutely fascinating story told with a lot of gloss.  There were some big eye roll moments (like the Jews hidden in the basement preparing food for a dinner party so Irena could keep up with the pace)…that said, there were some good moments of tension, too.  Overall, it wasn’t gritty enough for me to totally get behind it (I also questioned some of its messaging, t00)…but I think it will find an audience – particularly in the Jewish Film Fest circuit.  The historical updates at the end were a treat after seeing the film.

My last film of the day turned out to be a gem….something that really spoke to me. FLIPSIDE, dir. Chris Wilcha (USA). “Chris Wilcha helped adapt This American Life to television. His new documentary embodies the spirit of that show as he tries to save a New Jersey record store, in this comic yet deeply moving reflection on opportunities lost and gained.” (TIFF Catalog). This doc is about so many things…it’s about a filmmaker who has several unfinished projects, it’s about his closets in his parents’ house – full of stuff from his childhood and teenage years, it’s about writing and working, it’s about family, it’s about a dying record store.  In the course of making this film, the filmmaker is able to include segments of many unfinished films (which validates the initial work in some regard), and he went back home to talk with his parents about where he came from and what he’s achieved.  I related so much to this film, and it even had me in tears.  (I have to paraphrase because I can’t read my scrawling handwriting) – at one point in the film, Wilcha talks about being middle-aged and beginning to understand one of life’s great paradoxes…he said you can feel devastating, debilitating heartbreak for not accomplishing certain things you set out to do in life – while also feeling good about where you’re at and the choices you’ve made. This struck a real chord with me, and I hope we can bring this film to town.

 

Thanks for reading!

Jonathan

TIFF Day #6 – 2023

By

Hello Everyone.

I saw three films today, and that has my count up to 22 over the past  6 days.

I started my day with the biggest sob of the fest so far. ONE LIFE, dir James Hawes (UK). “Sir Anthony Hopkins stars as Sir Nicholas Winton, a British stockbroker who helped rescue hundreds of children from Europe on the verge of the Second World War, an act of compassion that was almost forgotten for 50 years.” (TIFF Catalog). Some might think this little film is too easy or on-the-nose…and I would understand where they’re coming from…but I don’t agree.  This film works and achieves exactly what it set out to do.   The narrative has parallel story lines – a more contemporary story about a man cleaning his office and remembering his past…and the memories come to life of the work he did just before WWII.  It’s powerful…it’s inspiring…it speaks to current political and humanitarian issues.  With handsome photography, score and production design, I know this would be a hit with our audience.  I’m showing two pics from this film because Hopkins isn’t the only big star in this film.

My next film covered some similar territory as ONE LIFE – but this biopic is itching to get Kate Winslet another Oscar nomination. LEE, dir. Ellen Kuras (UK). “Oscar winner Kate Winslet stars in this fascinating portrait of the great American war correspondent Lee Miller, whose singular talent and ferocious tenacity gave us some of the 20th century’s most indelible images.” (TIFF catalog) Lee Miller was a model turned photographer, and she most famously worked as a war correspondent for British Vogue.  The film is set up as Miller is being interviewed about her life and career – so the life story is told through flashbacks that are motivated by photos that she is showing her interviewer (played by Josh O’Connor from THE CROWN).  I questioned some tonal “shifts” in the film, but ultimately thought it was a strong endeavor and spurred my interest to learn more about the subject.  Some people might feel cheated by the last 15 minutes…I rather liked the ending (as well as the contextual photos and “update” at the end).

My final film today was a mini crowdpleaser – complete with audience applause in the middle of the movie…but sadly, it’s not the next JOJO RABBIT.  NEXT GOAL WINS, dir. Taika Waititi (USA). “Michael Fassbender, Elisabeth Moss, and Oscar Kightley star in Taika Waititi’s comedy about the American Samoa soccer team’s attempt to make a World Cup — 12 years after their infamous 31-0 loss in a 2002 World Cup qualifying match.” (TIFF catalog) This film treads familiar territory.  In fact, it’s so familiar that some of the jokes seem lifted directly from TED LASSO.  It’s an underdog story, and you really start rooting for the losing team – and I did find myself on the edge of my seat a few times.  Unfortunately, there were moments when Michael Fassbender’s disposition changed on a dime – and I questioned a few times if I had fallen asleep and missed something.  Regardless, there’s still a lot to like about this rag-tag soccer team, and I think audiences will embrace the movie together on the big screen…but it’s not great. (And I kinda hate that Waititi put himself in the film…his intro is so unnecessary, and his caricature is cringe-worthy.)

No big parties or anything crazy tonight.  I’m going to write THE NEON’s newsletter and hopefully get a good night’s slepp.

Thanks for reading!

Jonathan

 

TIFF Day #5 – 2023

By

Hello Everyone,

My first film of the day was a story I knew in part because we’ve played material over the years at The Dayton LGBT Film Fest  (now known as OUT HERE DAYTON FILM FEST) about Bayard Rustin.  RUSTIN, dir George C. Wolfe (USA). “George C. Wolfe brings Bayard Rustin’s story to life, with a joyous performance by Colman Domingo as the activist who organized the 1963 March on Washington while being forced into the background because of his sexuality.” (TIFF Catalog)  I was a little nervous about this film with its opening scenes.  There was a little too much camera mugging and the tone seemed too easy and light…but I ultimately think it was a device to get the masses hooked into sitting down for a good history lesson. Rustin was ahead of his time for a lot of his reasons, and I hope people of all backgrounds check out this crowd pleasing film.  One line that really stood out for me was when Rustin talks about his detractors.  “The day I was born, I was born a homosexual.  They either believe in freedom and justice for all – or they don’t.”  Domingo is fantastic!

My second film of the day was a public screening, and Elliot Page and director Dominic Savage were in attendance. CLOSE TO YOU, dir. Dominic Savage (Canada, UK). “Sam (Elliot Page) has a chance encounter with an old friend (Hillary Baack) on his way home to a dreaded family reunion that forces him to confront long-buried memories.” (TIFF Catalog) This trans story about a man visiting family who hasn’t been home in almost 5 years has some really incredible moments.  In fact, there’s a moment when my audience burst into applause about 80 minutes into the film.  Savage’s process for filmmaking is to essentially have a draft…he knows where he wants the film to go and the trajectory of the story – but dialog is up to the actors.  Some takes go 20-50 minutes long as actors play their roles and figure out the material together.  Unfortunately, I felt like this rawness didn’t always work…there were some moments that seemed a little too stilted – as though some of the family members had never met (and maybe that’s the point…they never really did get to know each other) – but I can’t help but feel like more editing would help.  This film is worth it for a few key moments and for the original story.

At my next screening, I fell in love.  The three lead character’s in Alexander Payne’s new film are incredible.  THE HOLDOVERS, dir. Alexander Payne (USA). “Paul Giamatti stars in Alexander Payne’s latest about the bond that forms between a strict professor and a belligerent student he’s stuck supervising over the winter holiday at an elite boarding school.” (TIFF Catalog)  The screenplay to this film is gold, and the performances are spectacular.  Underneath the bristling and biting dialog are warm and tender moments that are well-earned. Alexander Payne was in attendance, and he spoke of his love for TIFF audiences.  He said he loves how cinema culture is woven into the fabric of Toronto life…and “for my money, Toronto is the Paris of North America.” Da’Vine Joy Randolph (who also had a very small part in RUSTIN) and Dominic Sessa will hopefully become even bigger stars! I loved this film…and I can’t wait to see it again.

My last film of the day has a big Dayton/Ohio connection.  Produced by Daytonian Karri O’Reilly, this film had a lot of familiar names attached.  I attended the premiere, and Karri was one of the very first people Ethan Hawke thanked.  He said that she “willed this film into being.” WILDCAT, dir. Ethan Hawke (USA). “Ethan Hawke explores the life and art of American author Flannery O’Connor — played by his own daughter, Maya Hawke — in his latest interrogation of the artist’s way.” (TIFF Catalog) This film is a bit complicated as it is about an writer’s process…we hop around from Flannery’s life to her inspirations and her stories – being told on-screen using people from her daily life – so I can already hear some of our customers saying they’re confused.  That said, if you let the film wash over you, the visual styles are different enough to let you understand where you are in Flannery’s early days of writing.  For such an “intimate” story, it’s a really big film…and Karri told me they were able to do it with a very modest budget.  Flannery O’Connor fans, literature fans and people who enjoy thoughtful, well-crafted films will find a lot to love in this film.  The Q&A after the film and the after-party were a blast.  I’ve attached a couple photos for you below.  Maya Hawke, Laura Linney and Christine Dye are all terrific in this film…and they (among numerous other cast and crew) were at the party.

Maya Hawke as Flannery O’Connor in WILDCAT

Photo taken by Soozie Eastman of 502 Film in Louisville. (My hand is in the right corner taking a similar picture, but Soozie’s was better!)

The praises of Daytonian Karri O’Reilly were flowing from Ethan Hawke.  I even overheard “let’s do more” while posing for this pic!

Thanks for reading.  It’s super-late…and I have an 8:30 screening.

My best,

Jonathan

TIFF Day #4 – 2023

By

Hello Everyone!

I discovered a great feature about my industry pass which allows me to gain access to even more films.  I was afraid some of my days would only have a couple screenings…but now I’m certain I’ll have at least 3 each day.

Today I screened 4 films and popped into Janus’s industry party where I saw a few familiar faces (sometimes you have to go to Toronto to see people from Columbus and Cincinnati).

UNICORNS, dir. Sally El Hosaini, James Krishna Floyd (UK, USA, Sweden) “An alluring fusion of forbidden romance and colliding cultures, Unicorns stars Ben Hardy and newcomer Jason Patel as two people who might become lovers, if only they can build a bridge between their very different worlds.” (TIFF Catalog) Though rather predictable and familiar, this tale will find an audience based on strong performances – particularly from Ben Hardy.

My second film of the day was such a treat! WICKED LITTLE LETTERS, dir.Thea Sharrock (UK) “Olivia Colman and Jessie Buckley play neighbours who get on each other’s nerves in this dark comedy about a small English town where residents start receiving anonymous, expletive-laden letters, igniting a scandal in their community.” (TIFF Catalog) Because the director and producers (one of whom is Olivia Colman’s husband) had a flight to catch, they were interviewed about the making of the film before we screened it…and I’m so glad I went in with a bit of background.  Based on a true story, this cheeky comedy is laugh-out-loud funny but has so much to say (about gender and even religion).  The absolutely splendid performances and production design/cinematography/costumes make for a terrific film.  Certainly a favorite so far! (I was filled with glee when Eileen Atkins appeared on screen…a personal favorite!)

SEVEN VEILS, dir. Atom Egoyen (Canada). “Atom Egoyan and his Chloe star Amanda Seyfried reunite for this knotty psychodrama about a young theatre director forced to re-examine her own trauma while working on a remount of Salome.” (TIFF Catalog) Fans of opera will certainly like this visually intriguing, behind-the-scenes film about the mounting of a SALOME production – but something was missing for me. I like seeing an artist at work, and I like seeing how a show/performance/film comes together…but I never really felt an honesty in the home-video flashbacks and in Seyfried’s performance to feel like we were getting to a real place.  There were some laughable moments in the material in some of the drama (as in several audience members started laughing) that had me question tone/intention.

My final film of the day was perhaps the most “mainstream” of my selections so far. KNOX GOES AWAY, dir. Michael Keaton (USA). “Michael Keaton directs and plays Knox, a hitman losing his memory, putting him in a race against time to help his estranged son (James Marsden) cover up a messy crime.” (TIFF Catalog) This entertaining film is surprisingly touching with some laughs and tense moments along the way.  I think it will certainly find distribution. This film also stars Al Pacino and a sweet, small role with Marcia Gay Harden.

Off to bed.  Looking forward to WILDCAT and THE HOLDOVERS tomorrow!

Thanks for reading,

Jonathan

TIFF Day #3 – 2023

By

Hello Everyone,

Just three screenings today…but a solid day.  It’s hard to believe that 3 days have flown by so quickly.  I’ve seen 11 films, spent time with Jake (before he returned to Dayton earlier today) run into a handful of old friends and colleagues on the street, watched a movie with a filmmaker whose work we’ve screened at OUT HERE DAYTON FILM FEST (formerly known as The Dayton LGBT Film Fest), and still managed to keep up with this blog.  That said, I have yet to do the whole late night party scene…things have changed a bit since I’ve been gone – the festival and myself.

My first film was made in Montreal.  SOLO, dir. Sophie Dupois (Canada). “Set in Montreal’s vivacious drag scene, this tender character study from writer-director Sophie Dupuis (Underground) focuses on a talented young performer whose past and present merge in unexpected ways.” (TIFF Catalog) Simon is a successful makeup artist and drag performer, but when a Oliver, new guy shows up in the dressing room, he sets his eyes on something new.  At first, the chemistry is wonderful – but eventually we realize that Simon is willing to compromise himself for what he thinks he needs in his life..and Oliver is a master manipulator.  This film is well done with great, fleshed out performances…and full of people I “know.”

HIS THREE DAUGHTERS, dir. Azazel Jacobs (USA). “A tense, captivating, and touching portrait of family dynamics starring Carrie Coon, Elizabeth Olsen, and Natasha Lyonne as sisters who converge after their father’s health declines.” (TIFF Catalog) What this film lacks in visual appeal (there are some very strange choices about shooting people up against a blank wall), it makes up for in screenplay and performances.  This little gem’s third act is terrific…and the claustrophobia of being in a relatively small New York apartment for the majority of the film works on a lot of levels in creating tension and drama.  These women are all terrific.

IN CONVERSATION WITH PEDRO ALMODOVAR (with screening of STRANGE WAY OF LIFE, dir. Pedro Almodovar (SPAIN)).  Today’s event with Almodovar was a treat.  Almodovar talked with Cameron Bailey for about 45 minutes about his career – and it was insightful and delightful.  He talked about the “transition” from screwball comedies to melodrama and the industry’s rating system.  Then he screened the short film STRANGE WAY OF LIFE – a gay Western with Ethan Hawke and Pedro Pascal…which Almodovar explained was his sort of answer to BROKEBACK MOUNTAIN (which he had been asked to direct years ago).  “Two lovers reunite after 25 years apart, but secret ulterior motives threaten to spoil the relationship, in this emotional western from Pedro Almodóvar.” (TIFF Catalog)  Pedro then returned to the stage to talk for a bit more before taking questions from the audience.  Sadly, there wasn’t much time for questions and I didn’t get to ask mine.  (Almodovar apologized to the audience that neither of the lead actors would be seen naked in the film.)

 

I’m about to head out and meet one of our Board members for a cocktail this evening.  Susan and her husband are at the festival for the first time, and I’m anxious to hear what they’re seeing and how they like their experience so far.

Until tomorrow!

Thanks for reading,

Jonathan

 

TIFF Day #2 – 2023

By

Hello Dayton937,

Today was a slimmer day for screenings.  Only three movies!

GONZO GIRL, dir. Patricia Arquette (USA). “Willem Dafoe and Camila Morrone star in Patricia Arquette’s high-flying, fast-paced directorial debut based on Cheryl Della Pietra’s semi-autobiographical novel chronicling her time as Hunter S. Thompson’s personal assistant.” (TIFF Catalog)  Though the names have been changed for the sake of the “novel,” this story of a young woman’s time as Hunter S. Thompson’s assistant is about a person meeting their “idol,” only to be be disappointed (but nonetheless grateful for the experience and the lessons along the way…and the material).  The performances are strong and Arquette’s direction is assured (Arquette has a subtle, strong supporting role, too) and the energetic “trip” is worth the ride.  There’s a cautionary line that Thompson’s secretary gives the new assistant in the movie – “Water down your drinks and fake half the lines he gives you, that’s the only way to survive.” That’s not a bad life lesson.

SUMMER QAMP, Jennifer Markowitz (Canada). “At Camp fYrefly in rural Alberta, queer, non-binary, and trans teens get to just be kids in a supportive space, surrounded by counsellors who can relate to their experience ― and help them toast the perfect marshmallow.” (TIFF Catalog). There are some powerful moments in this little documentary about queer youth going to summer camp…and there’s something wonderful about LGBTQIA+ kids getting such positive affirmations in a place where they don’t have to be afraid to express who they are.  There’s a lot to like here (I wouldn’t mind a short film about Marshall – one of the counselors), but overall, I didn’t love this doc.  I found it to be overscored and a bit repetitive. I recommend seeing it (but it’s not something I’d need to revisit).

DICKS: THE MUSICAL, Larry Charles (USA). “Larry Charles (Borat) conducts an uproarious musical-comedy riff on The Parent Trap that follows a pair of identical twins who conspire to reunite their divorced and disturbingly deranged parents (Nathan Lane and Megan Mullally).” (TIFF Catalog) A24’s raunchy, irreverent musical was my last film for the day.  This movie is based on material that comedians Josh Sharp and Aaron Jackson have been working on for years (they’re also the stars of the film).  IndieWire wrote this about the opening night, midnight screening: “No amount of context can prepare folks for the film’s final number, with a chorus that refers to God as a slur. The song that leapt from the screen out into the audience, with a flash mob of chorus members jumping out their seats to sing along, and pride balloons and penis inflatables dropping down onto attendees.”  This movie has some great melodies, fun material (Megan Thee Stallion & Megan Mullally steal the show), and some real laugh-out-loud moments.  It is destined to reach cult status, but I thought it wore a little thin pretty quickly.  The cast appears to be having a blast making this film (that’s almost always true when there’s a gag reel at the end), and I think it would be much more fun in a party-like environment (instead of the industry screening I attended).

Jake is heading back to Dayton tomorrow, and I’m sticking around for another week…lots more films to see.

Tomorrow is something I’m looking forward to most of all – IN CONVERSATION WITH PEDRO ALMODOVAR!

Hope you tune back in for Day #3.

Thanks for reading,
Jonathan

TIFF 2023 – Day #1

By

Hello Everyone,

Off to the races.  I had five screenings on the agenda for today – 3 with industry folks and 2 with the general public.  Of the five, one was a real winner…and one had a lot of merit but could have been trimmed by 30 minutes (I know some critics will greatly disagree with me on that).

LAST SUMMER, dir Catherine Breillat (France).  My first film of the day was from a director who is quite used to working with taboo subject matter…and this was no exception. “In the latest film by French provocateur Catherine Breillat, a prominent lawyer’s passionate affair with her 17-year-old stepson threatens both her career and family.”  (TIFF Catalog)  In the opening scene of this (intentionally) cringe-inducing film, the protagonist is dealing with an underage client who is preparing for court.  She tells the girl, “in court, the victims often become the accused” – which sets a certain tone for the rest of the film.  Though the film certainly has some memorable moments and worked on some levels,  there were multiple decisions for a lingering camera which became frustrating and laborious.  And in the end, I ultimately didn’t buy the attraction and thus the affair – so the film really didn’t work for me.

THE CRITIC, dir Anand Tucker (United Kingdom).  Next up was a rather handsomely designed period film with Ian McKellan chewing up the dimly lit scenery. “Gemma Arterton and Ian McKellen star as adversaries forced to take desperate measures to save their careers, in this scintillating tale of ambition and deceit in the theatre world.” (TIFF Catalog). Though lovely to look at, I found some of the story a bit hard to follow initially…this was due in part to tiredness and the fact that all interior scenes at night appeared to be lit with a 20 watt bulb…which had me a little confused keeping track of characters who mostly appeared in shadows.  Though McKellan is having a ball, he is sadly better than the material.    It’s a noir-ish story which doesn’t quite commit to the genre.

FLORA AND SON, dir John Carney (US & Ireland).  My winner for the day was this little gem! “The latest from writer-director John Carney (ONCE, SING STREET) features a revelatory performance from Eve Hewson as a young mother trying to connect with her teenage son through a shared love of music.” (TIFF Catalog) The rough-around-the-edges characters are so wonderful in this heartwarming (and occasionally crass) story about an Irish woman who ends up taking on-line guitar lessons from a guy in California (played by Joseph Gordon Levitt) while trying to build a relationship with her son.  Lots of laughs and several tears…it really works.  (NOTE: We may bring this to THE NEON at the end of the month.)

ANATOMY OF A FALL, dir. Justine Triet (France). “Winner of this year’s Palme d’Or, and starring German actress Sandra Hüller, Justine Triet’s Anatomy of a Fall is a riveting portrait of a complex woman put on trial for the murder of her spouse.” (TIFF Catalog) (One big detail of the short synopsis from the catalog is the fact that the only potential witness of what transpired is the woman’s visually impaired son.)  I’ve heard a lot of great things about this (mostly) courtroom drama, and it works on a lot of levels…but boy, oh boy – it’s longer than it needs to be.  (And this was the 2nd film today which thematically explored a victim being put on trial during court proceedings.)  One of the strongest moments of the film is a tennis-match-like argument that is fascinating for its character development.  A solid film with an outstanding lead performance (but don’t go in the slightest bit tired).

NORTH STAR, dir. Kristin Scott Thomas (United Kingdom).  This is Kristin Scott Thomas’s directorial debut, and I was sadly a bit disappointed.  I considered leaving early and just going to bed…but I’m glad I didn’t.  There’s a 10-minute scene in a cemetery that’s worth the whole film (and I’d bet my next paycheck it’s the scene that was the genesis for the entire movie).  Some funny moments.  Some touching moments.  But I could have easily seen this as a short film.

NORTH STAR – directed by Kristin Scott Thomas

And now it’s time for bed!  Bright and early tomorrow!

Thanks for reading!!

Jonathan

P.S.  Here’s a little picture of me and Jake just before heading into the NORTH STAR screening.

 

Returning to Toronto International Film Fest – 4 Years Later!

By

Hello Dayton937!

It’s been 4 years since I’ve made the trip to Toronto for TIFF (The Toronto International Film Festival), and my soul has truly missed it.  I know that this year will be very different.  Not only has COVID changed how festivals work, the ongoing writer & actor strikes will also likely change the energy at this year’s festival.  Regardless, I’m anxious to go and submerge myself in multiple screenings of international cinema for 9 days.

The illuminated sign on King Street West indicates the start of the festival!

I’m feeling a little out of practice, but I hope to update you every day with details about the films I’m seeing, the Q&A’s I’m observing and the glitterati I’m spotting.  I’m not sure how many parties will be happening this year, but I hope to pop in on a couple.

For industry folks, the fest works a little different.  I will have an opportunity to see 10 films with the general public.  These are the screenings where directors, producers and stars might walk the Red Carpet and be interviewed for television.  When people think “glamorous film festivals,” these are the screenings that come to mind.  That said, the majority of the films I screen will be in multiplex settings with other press and industry folks.  I might get sandwiched between an international sales agent on one side and someone writing for HOLLYWOOD REPORTER on the other.  It’s fun to rub elbows with a variety of people who make this industry tick.

Maya Hawke as Flannery O’Connor in WILDCAT

I already have a handful of tickets to screenings and events.  In addition to the premiere of NORTH STAR on Opening Night (the directorial debut of Kristin Scott Thomas – starring Scarlett Johansson), Taika Waititi’s latest NEXT GOAL WINS and the anticipated feature WILDCAT (directed by Ethan Hawke and produced by Dayton’s own Karri O’Reilly), I’m so delighted that I scored a ticket to IN CONVERSATION WITH PEDRO ALMODOVAR – a sit down interview (Charlie Rose-style – but in front of an audience)  with my favorite filmmaker of all time!

I’ll try to stay on top of updating this blog on a daily basis after my first day of movie watching.  (Screenings start on Sept. 7 – and I’ll have a full day!)  I’ll screen films through the 15th and head back to Dayton on the 16th.

Thanks for reading.

More soon,

Jonathan

What’s on Screen at The Neon

By

We had a very solid weekend at THE NEON with nice, steady business for all screenings. Thanks to everyone who came out to support our 2 big Academy Award contenders – LIVING and WOMEN TALKING – as well as CAROLE KING: HOME AGAIN. It felt great to have so many people enjoying films with us. Both films are going to stick around for another week, and you still have a chance to see CAROLE KING this evening if you missed it on Sunday.

“Open Caption Mondays” continue to be well-received. On Monday, Feb. 6, WOMEN TALKING and LIVING will be presented with Open Captions. As a reminder, seating is no longer assigned on Mondays-Thursdays for traditional engagements.

Need a refresher regarding our current engagements? Click the images below to watch each film’s trailer.

LIVING:
WOMEN TALKING:
UPCOMING SPECIAL EVENTS:ONE MORE SCREENING TONIGHT! Wednesday, Feb. 1 at 7:30 – CAROLE KING: HOME AGAIN – LIVE IN CENTRAL PARK. Tickets $12.50 each – available now!

“CAROLE KING: HOME AGAIN – LIVE IN CENTRAL PARK, which presents musical icon Carole King’s triumphant May 26, 1973 homecoming concert on The Great Lawn of New York City’s Central Park before an estimated audience of 100,000. The complete multi-camera 16mm footage filmed and recorded by Lou Adler in 1973 has never before been released.” Click the image below to watch the film’s trailer!
TICKETS ARE REALLY MOVING NOW! MIDWEST PREMIERE of WRONG REASONSwith visiting director (and Middletown, Ohio native) Josh Roush. “When an ambiguously intentioned masked man kidnaps a drug addicted punk singer, it triggers a police investigation as well as a media circus.” This film was exec-produced by and stars Kevin Smith. It will screen Saturday, February 4 at Noon, and ticket are $12.50 each – available now! Click the image below to watch the film’s trailer.
“On February 9, 2023, at 6:00 pm, The Miami Valley School will present PAUL LAURENCE DUNBAR: BEYOND THE MASK. The filmmaker, Frederick Lewis, a professor at Ohio University, will be on hand to introduce the film and lead a post-screening discussion. The screening, which is presented through The Miami Valley School’s Speaker Series, is free and open to the public. Interested guests may register online at this LINK. BEYOND THE MASK is a feature-length documentary on the life and legacy of the first African American poet/writer to gain international fame. Born to former slaves in Dayton, Ohio, Paul Laurence Dunbar (1872-1906) is best remembered for his poem “We Wear The Mask” and for lines from “Sympathy” that became the title of Maya Angelou’s famous autobiography I KNOW WHY THE CAGED BIRD SINGS. More than eight years in the making, BEYOND THE MASK received major funding from the National Endowment for the Humanities with additional support from Ohio Humanities.” (taken from press notes)
Among so many surprises with this year’s Academy Award nominations was the inclusion of Andrea Riseborough for “Best Actress” in a film called TO LESLIE. We think this film is worth seeing on the big screen…not only because of Riseborough’s incredible performance, but because it also stars Dayton’s own Allison Janney. TO LESLIE will screen 2 times in February – Sunday, Feb. 12 at 4:00 and Thursday, Feb. 16 at 7:30. Tickets are on sale now! Click the image below to watch the film’s trailer.
ONLY A COUPLE TICKETS REMAIN! “While there is nothing wrong with the de rigueur heart-shaped box of chocolates or calling in that dedicated love song to Delilah on your way home from work, THE NEON is giving you a chance to change it up this Valentine’s Day with a date night showing of the 25th Anniversary of YOU’VE GOT MAIL. In addition to the movie, the cocktail and desserts will be a nod to NYC’s Café Lalo, an iconic landmark restaurant made popular by the movie in the 90s. Tickets are available now until sold out. $25 includes a movie ticket, an adult beverage (wine, beer, or house cocktail), a small popcorn, and dessert from the former owner of St. Anne the Tart (and current board member at THE NEON), Megan Smith. YOU’VE GOT MAIL has two local ties as well! Dave Chappelle played Kevin Jackson, best friend to Tom Hanks’s character, Joe Fox. Additionally, Mary Beth Kuhn of Germantown was an art director on the film.” (Megan Smith) Tickets are available at our box office or via our official site!
“Homelessness is a Humanitarian Crisis in the United States. Join us for a screening of LEAD ME HOME – Feb. 15 at 4pm. More than 500,000 people experience homelessness every night in America. LEAD ME HOME is a short documentary (40 minutes) that tells these real-life stories giving audiences a rare, in-depth look at the scale, scope and diversity of what it means to be unsheltered and unhoused while calling into question uninformed attitudes and outmoded polices. After watching the film, the audience will hear from members of our community facing housing insecurity and have an opportunity to learn more about what we can do as a community around housing justice. In lieu of an entrance fee, we are collecting donations of socks and toiletries for the unhoused in our community. Donations will be given to St. Vincent Shelter. This screening is part of a week-long focus on housing in our community beginning with the opening of the National Building Association’s Eviction Exhibit on February 13, 2023 at the Dayton Metro Library.” (Sponsored by Kathy Rowell, Professor of Sociology at Sinclair in Support of St. Vincent Shelter System in Dayton.) To reserve your spot, please visit this eventbrite LINK.
“Did you know there are more than 32,000 mothers in America, many from conservative, Christian backgrounds, who fully accept their LGBTQ+ children? They call themselves “mama bears” because while their love is warm and fuzzy, they fight ferociously to make the world kinder and safer for all LGBTQ+ people.” This special, one-time screening of MAMA BEARS, with visiting director Daresha Kyi (who graduated from The Miami Valley School), will take place on Saturday, March 11 at Noon…and tickets are Free due the generosity of The Hope Collective – the church that utilizes our auditoriums for worship on Sunday mornings. (Doors will open on March 11 at 11:15 – tickets will be first-come, first-serve that day.)
National Theatre Live’s presentation of THE CRUCIBLE is heading to our big screen this March.The classic Arthur Miller play is “a five-star scorcher” writes THE SUNDAY TIMES, and TIME OUT writes “It doesn’t get much more spectacular.” “A witch hunt is beginning. Raised to be seen but not heard, a group of young women in Salem suddenly find their words have an almighty power. As a climate of fear, vendetta, and accusation spreads through the community, no one is safe from the trial. Lyndsey Turner (HAMLET) directs this contemporary new staging, designed by Tony Award-winner Es Devlin (THE LEHMAN TRILOGY).” (ByExperience) Tickets are $12.50 each and available now. Wed, March 15, 2023 at 7:00 and Sun, March 19 at 4:00
We were delighted to partner with The Human Race Theatre Company during their 2019/2020 Season – “Women of Influence: Their Power, Passion & Pitfalls.” PNC came on board to sponsor our spectacular line-up of films that spoke to each play in The Human Race’s season – and then the world closed down after our third screening. We are now pleased to announce that we finally have a new date for BE NATURAL: THE UNTOLD STORY OF ALICE GUY-BLACHE – Wednesday, March 29 at 7pm. If you purchased a pass for this series, it will still be honored for this screening. Otherwise, tickets will be $10 each – available starting this Friday. Click the image below to watch the film’s trailer.
   

SHOWTIMES for Wednesday, Feb. 1 – Thursday, Feb. 9:

LIVING (PG-13): 1 Hr 42 Min

Wednesday & Thursday (Feb 1 & 2): 2:50, 5:10, 7:30

Fri, Sat, Sun (Feb 3-5): 12:30, 2:50, 5:10, 7:30

Monday-Thursday (Feb 6-9): 2:50, 5:10, 7:30

WOMEN TALKING (PG-13) 1 Hr 44 Min

Wednesday (Feb 1): 3:00, 5:15

Thursday (Feb 2): 3:00, 5:20, 7:40

Friday (Feb 3): 12:40, 3:00, 5:20, 7:40

Saturday (Feb 4): 3:00, 5:20, 7:40

Sunday (Feb 5): 12:40, 3:00, 5:20, 7:40

Monday-Wednesday (Feb 6-8): 3:00, 5:20, 7:40

Thursday (Feb 9): 3:00

CAROLE KING: HOME AGAIN (NR) 1 Hr 20 Min

Wednesday (Feb 1): 7:30

WRONG REASONS (NR) 1 Hr 40 Min

Saturday: 12:00

PAUL LAURENCE DUNBAR: BEYOND THE MASK (NR) 2 Hrs

Thursday: 6:00

COMING SOON:

(All Dates Are Tentative. Dates Often Move And Sometimes Disappear)

TBD: TURN EVERY PAGE

Feb 12 & 16 – TO LESLIE (2 screenings only!)

Feb ? – EO

Feb. ? – ALL QUIET ON THE WESTERN FRONT

Feb 17 – OSCAR SHORTS

Feb 24 – EMILY

Cannes Hit ELVIS and Crowd-Pleasing PHANTOM OF THE OPEN at The Neon

By

We’ve got to keep moving. If you still need to see the wonderful Sundance-winning comedy CHA CHA REAL SMOOTH – you’ve only got a few more chances. We found a way to keep EIFFEL for a few screenings over the weekend…but June 26 will be its last day. Baz Luhrmann’s ELVIS opens Thursday night and the crowd-pleasing golf comedy THE PHANTOM OF THE OPEN (which is based on a true story) starts Friday.

Be sure to check out the trailers below for WILDHOOD (which is currently rated “100% Fresh” on rottentomatoes) and KINKY BOOTS (the uplifting musical that has quite a large fan-base)!
On Monday, June 27, both of our films – ELVIS and THE PHANTOM OF THE OPEN – will be presented with open captions (where captions will be projected on the screen).
We’ve got a booking in the works for July 1…so stay tuned to our official website and social pages for an announcement later in the week.
NEW IN-PERSON ENGAGEMENTS:
Synopsis for ELVIS: At the Cannes Film Festival in May, ELVIS received a 12-minute standing ovation…and numerous critics have predicted that Austin Butler will be a part of the Oscar race next year!! “ELVIS is an epic, big-screen spectacle from Warner Bros. Pictures and visionary, Oscar-nominated filmmaker Baz Luhrmann that explores the life and music of Elvis Presley, starring Austin Butler and Oscar winner Tom Hanks. A thoroughly cinematic drama, Elvis’s story is seen through the prism of his complicated relationship with his enigmatic manager, Colonel Tom Parker. As told by Parker, the film delves into the complex dynamic between the two spanning over 20 years, from Presley’s rise to fame to his unprecedented stardom, against the backdrop of the evolving cultural landscape and loss of innocence in America. Central to that journey is one of the significant and influential people in Elvis’s life, Priscilla Presley (Olivia DeJonge).” (Warner Brothers) Click the image below to watch the film’s second trailer.
Synopsis for THE PHANTOM OF THE OPEN: “THE PHANTOM OF THE OPEN follows Maurice Flitcroft (Mark Rylance), a dreamer and unrelenting optimist who managed to gain entry to The British Open Golf Championship Qualifying in 1976 and subsequently shot the worst round in Open history, becoming a folk hero in the process.” The LA TIMES writes, “Rylance makes golf irresistible in inspiring true story! Rylance compels as the star of his own kooky fable,” and THE WASHINGTON POST writes, “A sly little gem grounded in a fantastic performance by Rylance!” Click the image below to watch the film’s trailer.
UPCOMING SPECIAL EVENTS:
THE DAYTON JEWISH FILM FESTIVAL is heading toward the finish line with three more films! The festival is back in person this year (and additionally being offered virtually). You won’t find these films on a big screen anywhere else in town…so don’t miss your chance to see them this week!
Here’s the remaining line-up of films playing at THE NEON:
Tuesday, June 21 at 7pm – 200 METERS
Thursday, June 23 at 7pm – I AM HERE
Sunday, June 26 at 7pm – WET DOG
For more details about all the films, click the image below to visit the festival’s official site.
For the last 2 weeks, in partnership with ThinkTV and The Dayton Metro Library, we’ve had really nice turn-outs for our FREE Family Summer Film Festival…but there’s room for more! Please help us spread the word!  Each week, doors will open at 10:30am, and tickets will be given on a first-come, first-serve basis. Events will start with Read-Along videos with Dayton Metro Library’s Ms. Winnie and continue with programming from the PBS Kids library. Children will leave each screening with activity books and other materials to promote continued learning over the summer. Parents and caregivers will also be provided with resources to keep learning happening at home and prevent the “summer slide.” These materials are courtesy of ThinkTV and The Dayton Metro Library.
Featuring episodic shorts from popular characters in the PBS Kids library, screenings will give an opportunity for families to enjoy the movie-going experience together in a budget-friendly way while keeping kids thoughtfully engaged. Each Saturday will focus on a different program. Here are the four programs that remain:
June 25 – “Jungle Animal Day” with THE WILD KRATTS
July 2 – “Be My Neighbor Day” with DANIEL TIGER – this screening will be preceded by a hands-on event on THE NEON’s patio hosted by The Dayton International Peace Museum
July 9 – “Exploring the Library” with CURIOUS GEORGE – this screening will be followed by a post-screening “hands on” event at the Dayton Metro Library Main Branch where children will have an opportunity to meet “Curious George” at 12:30
July 16 – “Nature Day” with NATURE CAT
Click the image below to watch this year’s preview.
We’ve booked a wonderful, award-winning film for PRIDE Night at THE NEON on Thursday, June 30 at 7pm – WILDHOOD – and tickets are already on sale! This film is currently rated “100% Fresh” on rottentomatoes, and THE HOLLYWOOD REPORTER writes, “WILDHOOD combines the foundation of heartrending coming-of-age narratives with the feel-good elements of road trip flicks to create a delicate, not to mention visually appealing, sophomore film.” Here’s a brief synopsis: “In a rural east-coast trailer park, Link lives with his toxic father and younger half-brother Travis. When Link discovers his Mi’kmaw mother could still be alive, it lights a flame and they make a run for a better life. On the road they meet Pasmay, a pow wow dancer drawn to Link. As the boys journey across Mi’kma’ki, Link finds community, identity, and love in the land where he belongs.” (Wolfe Releasing) Click the image below to watch the film’s trailer. EVERYONE is Welcome to PRIDE Night at THE NEON!
After our recent successful screenings of ANYTHING GOES, many folks have been asking for more musicals…and now you’ve got ’em! Save the dates! On Wed, July 6 at 7pm & Sun, July 10 at 4pm, we will present KINKY BOOTS – beautifully captured from the London stage. On August 10 & 14, we’ll present 42ND STREET – also captured from the West End. Tickets are $12.50 each and available now! Click the image below to watch a short trailer for KINKY BOOTS.
“Scripted In Black is back at it again with some of our favorite Black movie classics + community social hours! This time around, we’re coming more live + personal with timeless Black classics while giving homage to local Black talent and businesses, Whether you’re in the mood to search for true love, plotting to make it big by any means necessary, or getting well-versed with the dynamic nature of hood politics, this year’s film series allows us to collectively experience the art of Black cinema, together. This movie night series is a chance to celebrate as a community the importance of Black storytelling and the way it honors the multi-dimensional layers of our culture, experience, and perspective. This movie night series is the perfect way to close out a busy work week or end the weekend with nothing but high-vibes.”  (Scripted in Black press release) Tickets to each event will cost $28 and include admittance to the pre-screening social hour, a voucher for popcorn & soda, and admission to the film. Social hour will begin 90 minutes before each screening on THE NEON’s patio. LOVE JONES will screen on Sunday, July 29 at 4:30. B*A*P*S will s screen on Sunday, Aug 28 at 4:30, NEW JACK CITY will screen on Thursday, Sept. 29 at 7:30. Tickets for each event are available via THE NEON’s website and box office. Click the image below to visit Scripted In Black’s official website.
Thank you for all of your continued support!
We hope to see you soon,
Jonathan
IN-PERSON SHOWTIMES for Tuesday, June 21 – Thursday, June 30:
EIFFEL (R) 1 Hr 48 Min
Tuesday & Wednesday (June 21 & 22): 3:30, 7:00
Thursday (June 23): 3:30
Friday, Saturday, Sunday (June 24-26): 4:15
FINAL DAY – June 26!
CHA CHA REAL SMOOTH (R) 1 Hr 47 Min
Tue (June 21): 3:15
Wed (June 22): 3:15, 7:15
Thurs (June 23): 3:15
FINAL DAY – June 23!
FAMILY SUMMER FILM FESTIVAL with PBS KIDS (NR) approx. 1 Hr
Saturday (June 25): 11:00 – THE WILD KRATTS
DAYTON JEWISH FILM FESTIVAL
Tuesday, June 21 – 200 METERS – 7pm
Thursday, June 23 – I AM HERE – 7pm
Sunday, June 26 – WET DOG – 7pm
ELVIS (PG-13) 2 Hrs 39 Min
Thursday (June 23): 7:15
Fri, Sat, Sun (June 24-26): 12:30, 4:00, 7:30
Monday-Thursday (June 27-30): 3:15, 7:00
THE PHANTOM OF THE OPEN (PG-13) 1 Hr 46 Min
Friday & Saturday (June 24 & 25): 1:15, 7:20
Sunday (June 26): 1:15
Monday-Wednesday (June 27-29): 3:30, 7:20
Thursday (June 30): 3:30
COMING SOON – In-Person Screenings:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear)
July 1 – Booking in Progress – TBA Soon!
July 15 – MRS. HARRIS GOES TO PARIS
July 15 or 22: MARCEL THE SHELL WITH SHOES ON
TBD: MEMORIA