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Shayna McConville

About Shayna McConville

Shayna V. McConville is the Cultural Arts Manager for the City of Kettering, a suburb of Dayton. She is currently a co-organizer of Pecha Kucha Dayton, a writer for the Dayton City Paper, and an advocate for local arts organizations and artists. Through 2011, Shayna was the Assistant Director of Exhibitions and Public Programs for Tyler School of Art, Temple University in Philadelphia, and the Founder and Director of the North Philadelphia Arts and Culture Alliance. She has worked in the creative sector for over a decade, including in arts administration at the Metropolitan Museum of Art, the Dayton Art Institute and at the University of Pennsylvania.

Reflecting on 2019 through PK Dayton

December 27, 2019 By Shayna McConville

For so many of us, 2019 will be remembered through a series of unthinkable events.  However bleak our year, the optimistic spirit of Daytonians was unmistakable, and our community’s kindness and generosity far eclipsed hate and destruction. We often found ourselves converging to commemorate the good. As I reflect on 2019, I see many of these gatherings as reflective of our experiences, our desire to connect with each other, and a place for respect and appreciation as we process the world around us.   

Emcee Aaron Primm at The Plaza – Photo Knack Creative

Several times in 2019, we gathered to share our stories during a PechaKucha event. In case you aren’t familiar with PechaKucha (or PK), here is a quick overview: PK is an event that started in Tokyo in 2003 by architects Astrid Klein and Mark Dytham. Their purpose was to create a fun, informal social event where stories could be shared, but long, boring presentations would be eliminated.  They requested that speakers use a simple presentation format comprised of 20 visual slides that are timed at 20 seconds per slide.  In 400 seconds, a speaker visually and verbally conveys a story to a captive audience. The PK experience caught on, and now “PechaKucha Nights” are hosted in over 1,200 international cities, including Dayton.

Celebrating our community was one reason that Jill Davis and Matt Sauer brought PechaKucha to Dayton in 2009. Over the past 10 years, PK Dayton has presented over 41 events, and included hundreds of speakers and thousands of audience members.  Matt and Jill have since passed the PK baton to I, Katy Kelly, Mike Beerbower and Jason Antonick, and we continue to organize PK events four times a year.

In 2019, 37 people from our community presented their ideas, accomplishments, challenges and stories. As I looked back at 2019 through my PK Dayton lens, I connect what our speakers have shared to the spirit of our city.  Here are a few examples.

Dayton is populated with local heroes – individuals and groups that dedicate their time and energy to the betterment of our community. Naval veteran Chef Thomas Johnson created Dayton Cooks, a West Dayton-based culinary arts job training program, presenting “Food for Thought: The Life of a Culinarian” with Dayton Cooks students catering the event. Lisa Grigsby of the Dayton Film Commission shed light on what it takes to be a film commissioner and economic development driver in her talk “Daytonwood,” including scouting regional helipads for a Mariah Carey production. Jes McMillan, a mosaic artist, shared “Community Artreach,” where collaborative efforts to create large-scale public art pieces throughout the region are a team effort. Amaha Sellassie presented “We Are the Ones We Have Been Waiting For” as he reflected on community organizing and advocacy work including the development of the Gem City Market in West Dayton which broke ground this fall.

PK Speakers at the DAI. Photo by Knack Creative

Speakers often recognize the attributes that make Dayton unique. April Alford told the story of how local artists created a place for people of color to share their art in the Miami Valley and around the country, while offering arts education to community members in “Black Heritage through Visual Rhythms.”  Sean Mitchell recognized that the greatness of Dayton was possible because of our collaborative nature and desire to work together for the greater good in “Collaboration, Community, and a Sweater.” 

PK presentations are not always celebratory; presentations can be challenging and reflect our society’s shortcomings.  Jacqui Taylor asked us to consider the under-representation of diversity in children’s books in “Long Overdue: Representation in Children’s Literature,” sharing the statistics gathered over the past few years that demonstrate this disparity. Joshua Weston shared his deeply personal story about a family trauma, a scandal and the stigma that effected his childhood in “Pew Baby.”     

Other speakers shared humor: Samantha Enslen presented “The Secret Life of Barbie,” based on a childhood photo album that she and her sister created around three Darci Dolls and their documented adventures as models and martial arts experts.  Lindsay Gustafson’s colorful, artist-inspired clothing (think Keith Harring prints or neon unicorns) mirror the art projects she makes with her middle school students in “Teaching the Arts: Fashion Edition.” Kristen Wicker recounts being scammed in “My Two Hours as a Federal Fugitive (or: Never Return a Call from the Social Security Administration)” with incredible illustrations by Josh Koenig. 

Jacobee Rose Buchanan, an artist and librarian, shared “As NEVER Seen on TV” which chronicled her experience of leaving NY to move back to Dayton and help her HGTV-obsessed mom with rehabbing a fixer-upper – an ultimate test of DIY endurance along with unexpected critters, no plumbing, and insurance claims.

Poster by Tracey Obenour.

Another valuable aspect of PK is its nomadic nature. Taking place in different venues around the region helps motivate many of our audience members to visit a new neighborhood or building.  We began the year at the Dayton Art Institute and learned about its remarkable beginnings 100 years ago through a Daytonian’s passion for the arts. We then took over the sanctuary at Grace Church, a vibrant community-centered space in the historic Dayton View neighborhood on Salem Avenue.  We celebrated our 40th PK event at the newly renovated Liberty Tower (known previously as the Hulman Building) in downtown Dayton and admired the stunning art deco architectural details. We ended the year at The Plaza Theatre in Miamisburg, celebrating a 1919 movie theatre that was lovingly restored through community efforts.

The PK Audience at Grace Church. Photo Knack Creative

This year was challenging, but this year also reminded me of why the people of our region are extraordinary. I remember the diverse stories our brave PK speakers shared, and the many connections that occurred with new and familiar faces in a crowd of people, I know we move into the New Year with hope, respect and compassion.

Save the Date for the first PK Night of 2020- Thurs, Feb 20th at the Dayton Art Institute

Filed Under: Community, The Featured Articles Tagged With: Jason Antonick, Jill Davis, Katy Kelly, Matt Sauer, Mike Beerbower, pechakucha, PK Night, Shayna McConville

Dayton’s 2018 Top Ten Visual Arts

December 26, 2018 By Shayna McConville

Dayton’s visual arts scene is abundant with compelling exhibitions and activities; selecting ten was a challenge.  Enjoy this review of my top ten favorite visual art exhibitions in 2018!

Connie Campbell, Archetypes
Rosewood Gallery
November 26 – December 28, 2018

Connie Campbell’s sculptures are created through mathematical references to the golden ratio, with intricate formulas to create each shape, curve, and line. Made with aluminum, copper, and wood, the sculptures echo animal skeletons and snares. Learn more about the exhibition and the artist here.

Kei Ito and Migiwa Orimo, Nuclear Fallout: The Bomb in Three Archives
Herndon Gallery, Antioch College
September 20, 2018 – December 7, 2018

Detail from Migiwa Orimo’s Souvenirs installation

This incredibly moving exhibition featured the work of Migiwa Orimo and Kei Ito, both reflecting on the 1945 atomic bombings of Japan. Orimo’s body of work, Proofs of Burden, is a reflection of the elements of destruction, censorship, constructed narratives, and reflections on popular culture through her research. Artist Kei Ito explores the 1945 bombings through personal narrative. Kei’s grandfather survived the destruction of Hiroshima, witnessing the horrors of radiation effects on his loved ones.  Learn more about the exhibitions here.

Drawing from Perception
Robert and Elaine Stein Galleries, Wright State University
January 16 – February 25, 2018

Abel Dolby, “L & G,” Graphite on paper

Drawing from Perception featured sixty artists with a focus on the tradition of observational renderings. Sometimes there is nothing better than admiring a beautifully rendered drawing! Stand outs included Bradley Mulligan’s still life; Abel Dolby’s studies of quiet domestic moments; Mark Lewis’ collaged cut paper scenes of Americana; and Amy MacLennan’s richly textured streetscape.  See more about the exhibition here.

Kim Rae Taylor, Rendered Complete Equals
Virginia Kistler, Fungal Impressions
Rosewood Gallery
April 16 – May 18, 2018

Rosewood Gallery was host to two excellent solo exhibitions featuring work by Kim Rae Taylor (Cincinnati) and Virginia Kistler (Gahanna, Ohio). Kim Rae Taylor’s exhibition Rendered Complete Equals explored materiality, process, relationships in mixed media paintings. Virginia Kistler’s Fungal Impressions documented the natural world through photographic processes. Learn more about these exhibitions here.

Muse: Mickalene Thomas Photographs and tête-à-tête
Dayton Art Institute
October 20 2018 – January 13 2019
Mickalene Thomas: I Can’t See You Without Me
Wexner Center for the Arts
September 14, 2018 – December 30, 2018

Mickalene Thomas, la leçon d’amour, 2008, c-print

Ohio lucked out with two important Mickalene Thomas exhibitions this fall – large scale painting and collage works at the Wexner Center for the Art’s, and photographs at the Dayton Art Institute. Thomas’ work is monumental in scale and examines representations of the female body in contemporary subject matter to art history. Both exhibitions reflect on the dual influence of photographs with her paintings and collage that initially brought her acclaim in the contemporary art world. Learn more about the Dayton Art Institute exhibition here.

Edmund Merricle, Recent Paintings
Dutoit Gallery
May 2018

Martyr, 2018, oil on linen

It was great to see the quirky color palettes, focused nautical content and joyful painting of Edmund Merricle at Dutoit Gallery. Learn more about the exhibition here.

Julia Oldham, Dogs of Future Earth
Blue House Gallery
October 13 – 31, 2018

Oldham is a prolific artist, with fascinating artwork and travels on her resume. Oldham’s recent series was part of an artist residency in Chernobyl, where she documented the feral dogs that roam the seemingly empty town, descendants of those that survived the nuclear disaster.  Blue House featured her large-scale fantastical collages, as well as videos, allowing a glimpse into a reality blended with science fiction.  Learn more from the Blue House website.

Akram Zaatari, The Fold – Space, time and the image
October 05, 2018 – February 10, 2019

Cincinnati Contemporary Art Center

The photo-based work of Akram Zaatari represents sometimes haunting narratives, but his work extends beyond his own studio – Zaatari is also the co-founder of the Arab Image Foundation, which preserves a history of photographic images from the Middle East. This exhibition impressively balances his artistic vision and preservation work. Learn more here.

Juan-Sí González, Displacement: Collective Practice to Recover Memory
Rosewood Gallery
October 15 – November 16

In Displacement, Juan-Sí González digs deep into his own personal archive, from his youth in Cuba, to his political asylum which eventually led him to Dayton, Ohio.  This exhibition was a dense, emotional, and significant telling of an artist’s story, as well as his connections to his present-day community. Learn about González exhibition’s here.

Ashley Jude Jonas, it’s likely in front of you
Dutoit Gallery
November 2018

Jonas’ thoughtful artwork can be highly conceptual, but always is deeply intentional and sensitive to various aspects of material, dimensionality and balance. Her work is most successful when viewers the time to understand the relationships each piece puts forward, both formally and theoretical.  A truly beautiful exhibition.  Learn more here.

BONUS PICKS

Joel Whitaker, When Things Go Missing
Dayton Visual Arts Center
September 7, 2018 – November 3, 2018
Whitaker’s beautiful, quiet photographs documented of sites of trauma, including locations of tornado touch-downs in the American South and “photographs that explore the idea of losing things—the transitory nature of all things.” An incredibly poetic exhibition. Learn more here.

Ann Kim, Time Cycles, but Never Back to Now
Dutoit Gallery
July 2018
Featuring work made from the artist’s experience living in two locations at opposite points on the globe, Kim’s intimate mixed media paintings echo the movement of the tides and a feeling of standing simultaneously between night and day.  The exhibition includes photographs documenting the locations, and sand samples carefully labeled with the latitude, longitude and date of each collected unit. Learn more here.

Stratum: New Work by Amy Kollar Anderson & Kate Huser Santucci
February 22 – March 24, 2018
Dayton Visual Arts Center
In this unexpected and fun exhibition, the artists documented their collaborative process of creating new works, with the result a richly layered, textured, and sometimes colorful play on each other’s aesthetic tendencies and techniques.  The creative process was documented with notes and photos displayed alongside the finished work. Learn more here.

The Woods in Color: Works by Jean Koeller
Springfield Museum of Art
July 28, 2018 -January 6, 2019

Koeller’s incredible use of color and her perception of what some would call the mundane – like piles of wood – transcend to masterful compositions of abstraction, tonality, surface tension and quiet moments of reprieve.  A must see exhibition; learn more here.

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Filed Under: The Featured Articles, Visual Arts Tagged With: Blue House Gallery, Dutoit Gallery, Herndon Gallery, Robert and Elaine Stein Galleries, Rosewood Gallery, Visual Arts

Top Ten Visual Arts Events in 2017

December 15, 2017 By Shayna McConville

It was a vibrant year for the visual arts in Dayton. Choosing only ten exhibitions and events is not an easy feat, and regrettably there were many that didn’t make this list. The ten here inspired me, and in my opinion were remarkable for the many reasons listed below! Enjoy!

Robert Blackstone
Crystal City
Courthouse Square, Downtown Dayton
Ongoing, opened in September 2017

Robert Blackstone’s imagination, memories and stories infuse his monumental Crystal City with a wide range of emotion and wonder. Created in several versions over the past 25 years, Blackstone’s large-scale installation is dense with materials from thrift shops, garage sales, the garbage and off the street. Crystal City is a memorial to family, to Dayton, a testament to love and an ongoing passion for creating something meaningful. Check in at the Collaboratory to learn when Crystal City is open to the public at http://www.daytoncollaboratory.org.

Susan Byrnes
Motion Capture
Dayton Art Institute Experiencenter
December 2017 – April 2018

Inspired by movement, painting and technology, Susan Byrnes’ Motion Capture is a series of photo stills, animations, and clothing with imbedded light technology. Created with students at Dayton’s Cleveland Elementary School and in collaboration with artist Tess Cortes, Motion Capture demonstrates “light drawing,” and the ever-present technological tools that influence our daily lives. Download the Pablo app, put on the light-up jacket and shimmy on the exhibition dance floor to create your own light drawing! More information at http://www.daytonartinstitute.org.

The Secrets We Keep
New Works by Zoe Hawk, Ashley Jonas & Stephanie McGuinness
Dayton Visual Arts Centre
January 13-February 24, 2017

 

The Secrets We Keep featured paintings, prints and installations referencing domesticity and relationships. The intimate worlds created by artists Zoe Hawk (Doha, Qatar), Ashley Jonas and Stephanie McGuinness (Dayton, Ohio) reveal many ideas of the home and of the familiar, but also inner anxieties and the unexpected. Learn more at daytonvisualarts.org.

Michelle Stitzlein
Industrial Nature
Springfield Museum of Art
January 21 – May 28, 2017

Texturally dense, found object tapestries made Michelle Stitzlein’s Industrial Nature a knockout exhibition. Stitzlein’s transformation of garden hoses, wires, hub caps, and other household items were pushed to a grand scale, giving the audience an opportunity to reckon with the environment, waste and nature, all while being drawn into beautiful abstract worlds. Learn more at http://www.springfieldart.net.

Beth Cavener Demonstration
Rosewood Arts Centre
April 27 – 30, 2017

It is not often that a three-day artist demonstration can impact people’s lives, but it happened with ceramic artist Beth Cavener. In conjunction with the Hi Fructose exhibition at the Akron Art Museum, Cavener spent three days at Rosewood explaining her ceramic sculpture process to a captivated audience while creating a 500-pound clay hare. Her tenacity as an artist, innovation with material and generosity in sharing her story was truly inspiring. Learn more at http://www.playkettering.org/rosewood.

Colette Fu
Structure Unbound: Interdisciplinary Book Art
The Robert and Elaine Stein Galleries, Wright State University
January 17 – February 26, 2017

 

Colette Fu, “Bamei (Cave in the Forest),”

Structure Unbound examined how pop-up books and paper structures can create narratives and stories in three-dimensional space. Colette Fu was the featured artist, whose artwork demonstrated the mastery of documenting ideas, people and moments of rural Chinese traditions in the form of a pop-up book. Her artworks are remarkably constructed, visually compelling, fresh, and transform what could be traditional documentary images into contemporary times. Learn more at liberal-arts.wright.edu/art-galleries.

Reimagining Works
Dayton Metro Library

Terry Welker, “Fractal Rain,” 2017, stainless steel, acrylic prisms.

The Dayton Metro Libraries, through the conceptual direction of local art hero Jane Black, launched Reimagining Works in conjunction with the renovation and rebuild of their dozen-plus facilities. Reimagining Works asked artists to find inspiration in the Dayton Art Institute collection and propose a new piece to add to Dayton’s legacy. This year, the Main Branch in downtown Dayton opened to much celebration and included significant works by Terry Welker, Susan Byrnes, Paula Wilmot Kraus, Katherine Kadish, Andrea Myers and Gretchen Durst Jacobs. Learn more at daytonmetrolibrary.org.

Rosewood Gallery’s Year of Paper
Cynthia Gregory, The Poet’s Desk, March 6 – April 7, 2017
Heather Lea Reid, Intersubjective Indulgence, March 6 – April 7, 2017
Emily Moores, Cathedral, April 17 – May 19, 2017
Nicholaus Arnold, No One Was Having a Very Good Time, July 17 – August 18
Frank Travers, What Remains, July 17 – August 18
Andrew F. Dailey, Drawn Through, October 16 – November 17

Nicholaus Arnold, “No One Was Having a Very Good Time,” 2016, paper bag installation.

Mid-career artists working with paper stood out in Rosewood Gallery’s 2017 solo exhibitions. The material was pushed in different directions by each artist, including Heather Lea Reid’s colorful depictions of her daughter, Emily Moores reimagined architectural space in cut paper, Cynthia Gregory’s re-creation of objects in paper, Andy Dailey’s intimate graphite drawings, Nicholaus Arnold’s ominous environment of paper bags, and Frank Travers anthropomorphic prints. Through these many exhibitions, these artists reinforced the material as a versatile vehicle for art. Learn more at www.playkettering.org/gallery.

James Luckett, The View Behind the Café, and Leah Stahl, Artifacts
Dutoit Gallery
June 2017

Leah Stahl, “Unknown Backseat Specimen 23” from “Artifacts” series

Both James Luckett and Leah Stahl find the invisible in the world they inhabit, and create images that recognize the beauty, oddities and unexpected things most would not even think to notice. Luckett’s The View Behind the Café manages to find still lifes in a strip mall parking lot by his place of employment. Stahl’s children unintentionally helped inform her project Artifacts creating the evidence that Stahl documents of things they touched, lost and discarded in the nooks and crannies of their lives. Learn more at www.dutoitgallery.com.

Ubuhle Women: Beadwork and the Art of Independence
Dayton Art Institute
June 24 2017 – September 10 2017

Ntombephi “Induna” Ntobela, “Tribute to My Sister Bongiswa,” 2010. Glass beads sewn onto fabric. Anacostia Community Museum/Smithsonian Institution

The DAI’s summer exhibition was colorful, intricate and awe-inspiring. Ubuhle Women: Beadwork and the Art of Independence showcased the labor-intensive artworks created by a group of South African women. The subjects depicted range from AIDS awareness to the natural world to religious icons. An exhibition sure to cause anxiety for the impatient artist! Learn more at daytonartinstitute.org.

BONUS PICKS

Beth Holyoke
The Refugee Series
Yellow Springs Brewery
March 6 – April 2
Affected by the tragedy of the Syrian refugee crisis, artist Beth Holyoke has spent months volunteering in Greek refugee camps and translating the crisis into her artwork. Drawn onto ceramic pieces, Holyoke captures stories, feelings and the effects of transience and displacement. Learn more at yellowspringsbrewery.com.

Breathing Deeply, Pushing Back
Dayton Visual Arts Center
August 25 – September 22
A remarkable exhibition that hinged on so-called controversial artwork created by teenagers, Breathing Deeply, Pushing Back was an investigation of the artist as activist. The exhibition featured students from the Dayton Regional STEM School and guest artists Michael Casselli, Carris Adams, Juan-Si Gonzalez and Christina Springer.

Tyler Peffley
Diction
Blue House Gallery
June 2017
Tyler Peffley exhibition Diction explored moments of technology, place and popular culture in over 70 drawings. Often representing the figure in decades past, Peffley utilizes the intimate and immediate media of watercolors and graphite to capture each scene. Learn more at http://thebluehousearts.com/.

Filed Under: The Featured Articles, Visual Arts Tagged With: “Fractal Rain, Ashley Jonas & Stephanie McGuinness, Beth Holyoke, James Luckett, Robert Blackstone, Shayna McConville, Susan Byrnes, Terry Welker, Tyler Peffley, Visual Arts, Zoe Hawk

Top Ten for Dayton Visual Arts, 2015

December 30, 2015 By Shayna McConville

The Dayton region is alive with visual art—and every year I am amazed at how much took place, and regret not attending all the art exhibitions, performances and studios throughout the Miami Valley. And from what was seen, it was an amazing year in contemporary art. Well done, Dayton!

Mallory Tay: Malaise
ArtStreet White Box Gallery
University of Dayton
January 15 – February 19, 2015

IMG_4572

Mallory Tay gallery talk, January 2015

Mallory Tay transformed the ArtStreet’s White Box Gallery into a landscape of figurative/abstract, decorative/functional textiles. Her solo exhibition Malaise focused on family dynamics, both positive and negative. Tay, an alumna of the University of Dayton, crocheted walls, fabricated figures, and even made blankets to crawl under. Interaction was in full swing: visitors couldn’t stop taking selfies and kids (and adults) were delighted to weave through the textile maze. Learn more about the exhibition here.


Digital Abstraction and Nathanial Smyth: The Higgs Field in Pictures
Dayton Visual Arts Center
January 20 – February 27, 2015

IMG_4612

Nathanial Smyth, “The Higgs Field in Pictures”

Two exhibitions at the Dayton Visual Arts Center explored digital technologies and artmaking, utilizing video, photography, print, animation, and more. The group exhibition Digital Abstraction, curated by the late Jud Yalkut with co-curators, Tom Baggs and Tess Cortes, featured artists Tom Baggs, Benjamin Britton, Lisa Britton, Netta Bits, Wynne Ragland, Jr., Ansen Seale, Jim Shupert, Andy Snow, Nancy Willman, McCrystle Wood, Sherman Walter Wright and Jud Yalkut. Concurrent to Digital Abstraction, Nathanial Smyth’s photo collage installation The Higgs Field in Pictures featured hundreds of images stapled together into a structure resembling a series of water drops, all depicting familiar Dayton hangouts. Learn more about the exhibition here.

Julie Green: The Last Supper
Dayton Art Institute
February 21 – April 12, 2015

IMG_6494

Julie Green, “The Last Supper: 600 Plates Illustrating Final Meals of U.S. Death Row Inmates”

Hundreds of plates lined the white gallery walls in Julie Green’s The Last Supper: 600 Plates Illustrating Final Meals of U.S. Death Row Inmates. Green immortalized illustrations of final meal requests from hundreds of death row inmates in blue glazes on ceramic plates. Spanning decades and cities, the series is a jarring humanization of people’s end of life rituals in our judicial system. The exhibition was part of the yearlong symposium “Human Rights, Faith and Reason” through the University of Dayton. Learn more about the exhibition here.

Landon Crowell: Constructed Landscapes
Rosewood Arts Centre
April 13 – May 8, 2015

Landon Crowell, "Constructed Landscapes"

Landon Crowell, “Constructed Landscapes”

Landon Crowell presented a series of sculptures reimagining building blocks. Highlights included the plywood sculpture “Score and Curl,” a seemingly simple manipulation of a massive sheet of plywood, displayed horizontal with a curled edge, scored surfaces, somehow adding a delicacy to a rough material. “This work is meant to be stark and, in some cases, even feel unfinished,” said Crowell. Exploring issues including memory and landscape, Crowell strives to “create an inner tension between the artwork and the viewer.” Learn more about the exhibition here.

Colleen McCulla: Daily Collages
Rollins/Welker Studio
May 2015

Colleen McCulla, “050615”

Colleen McCulla has been impressing the Dayton art world with her hand cut collages, one made every day since 2012. From floor to ceiling on every available wall in the Rollins/Welker Studios, McCulla’s collages are powerful images that evoke charm, wit, humor and mystery, further intriguing by the seemingly infinite process of being creative daily, no matter what each day’s circumstances. Learn more about her work here.

HWD Sculpture Exhibition
Rosewood Arts Centre
August 10 – September 11, 2015

Rob Millard-Mendez, “Vest for a Precocious Futilitarian”

HWD began at Rosewood Gallery as a celebration of ceramics, and has since expanded to include all three-dimensional artworks.  This year’s exhibition included a range of fibers, wood, metals, paper, organic materials, clay, and so much more. The magic of a group sculpture show continues to be the relationships between techniques, materials and content—and the way individual sculptures can relate to each other through this 3D language. Learn more about the exhibition here.

Holdfast
Dayton Visual Arts Center
September 4 – October 17, 2015

IMG_8626

“Holdfast” installation at Dayton Visual Arts Center

From a house boat anchored in the gallery to drawings and sculptures adorning the walls both inside the boat and out, Holdfast was a refreshing journey of sorts from the artist collective Four-Footed Fellows Correspondence Club (Travis Head, David Dunlap, Zach Stensen and Josh Black). In residence for several weeks to create the installation, the result was a diaristic approach to travel, artmaking and observations of the world around us. Learn more about the exhibition here.

Mychaelyn Michalec: No accounting for taste
Welker Rollins Studio
September

Mychaelyn Michalec installation

A mash-up of familiar American furniture and domestic environments in a muted palette, Mychaelyn Michalec’s paintings are incredibly seductive, comforting and offer a constant re-examination into each piece’s many layers. Learn more about Michalec’s work here.

WISH MOUNTAIN
Blue House Gallery
October 10 – 31, 2015

IMG_9202

VanHecke, “Glitterettes” detail

Walking through dangling balloons under the glow of a neon sign reading “Katy Perry,” Blue House’s latest exhibition Wish Mountain brings new context to everyday objects. Featuring the work of Chicago-based artists Brian Edward Selke and Casey VanHecke, humor, material exploration and unexpected dichotomies are joyously abundant. Learn more about the exhibition here.

KP Project 1
November 15 – 17, 2015
Front Street Warehouse

Arjan Zazueta, “I’ll Be Your Horse, If You’ll Be My Rider,” 2014

Tucked into the downtown Front Street Warehouse was the inaugural pop-up exhibition “Project 1” of Kelsey Projects. Project 1 featured paintings, drawings, prints, photographs and sculptures work of 16 artists from Dayton and beyond.  Installed on the rough white walls of the industrial warehouse studio, the exhibition was hinged on relationships between each artwork linked by color, form and patterns. Learn more about the exhibition here.

BONUS PICKS

Enchanted Forest
September 2015

bonus pick - enchanted forest
On a farm outside of Dayton, artists Christina Pereyma, Jane Black and Leesa Haapapuro led participants on an adventure in collaboration, spectacle and incredible creativity. Using sticks and wire, a wooly mammoth sculpture emerged in the forest and performances in both Ukrainian tradition and music were highlights, but the pleasure of enjoying the arts through making it with a group of folks that might not venture to do this for fun was the best part.

Downtown Dayton Murals

bonus pick - murals

Etch and Tiffany Clark mural at Toxic Brew Company

Dayton had an incredible year for murals. From the massive, 1,000 foot long “River Run Mural,” designed by Amy Deal, to the K12 Gallery and Tejas building façade, to murals by the collaborative team Etch and Tiffany Clark at Toxic Brew Company in the Oregon District and East End Community Services on Xenia Avenue, these murals are adding new color and character to Dayton’s urban spaces.

Terry Welker: The Consent
September 21 – October 16
Rosewood Gallery

P1010803The amazing architect, city planner and sculptor Terry Welker created an incredible kinetic installation inspired by the poem by Howard Nemerov of the ritual of ginkgo leaves each autumn. Kids and adults couldn’t stay away from the pillow pile at the installation’s center.

From the poem:

Late in November, on a single night
Not even near to freezing, the ginkgo trees
That stand along the walk drop all their leaves
In one consent, and neither to rain nor to wind
But as though to time alone: the golden and green
Leaves litter the lawn today, that yesterday
Had spread aloft their fluttering fans of light.

Filed Under: The Featured Articles, Visual Arts Tagged With: contemporary art, Dayton, Dayton Visual Arts Center, Rosewood Arts Center, Rosewood Gallery, Top Ten

Kettering Cultural Arts Manager Picks Her Top Moments in Dayton Visual Arts 2013

January 6, 2014 By Shayna McConville 1 Comment

Dayton was home to numerous amazing art exhibitions, collaborations and projects in 2013. Although there were many, many more superb events that are not on this list, the arts listed below serves as a glimpse into the vitality of the Dayton region’s creative folks and spaces! Enjoy!

CIRCUS!
Dayton Visual Arts Centre

January 2 – 11P1100868
A collaborative project between artist Leesa Haapapuro and the Young People’s Homeschoolers program at K12 Gallery culminated into a short show at the Dayton Visual Arts Center. The young circus performers next to their murals, sculptures and paintings, created an incredible new world of possibility and magic for youth and adults.

Jud Yalkut: Visions and Sur-Realities
University of Dayton
Jan. 31 through March 7

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Nam June Paik and Jud Yalkut, Beatles Electroniques, 1969

One of Dayton’s most treasured artists, Jud Yalkut was revered for his advocacy of the arts, his pioneer video works, his collages and his writing.  The exhibition captured many of his artworks, including special screenings of his film and video works, many of which hadn’t been seen by the public in decades.  Jud passed away in July 2013, marking an end of an era and a huge loss to the Dayton arts community.  Learn more about the his timely retrospective and career here.

The week of May 4 – 12
Urban Nights, 
Sideshow 8, Art on the Playground and AIA Architecture Week
Throughout Dayton and Kettering

 

The high quality and numerous events that took place over the first and second weekends of May was inspiring; Dayton’s Urban Nights, The Circus Creative Collective’s Side Show 8, Kettering’s inauguralArt on the Playground and AIA’s Architecture Week brought thousands of people out to participate in Dayton arts and culture.

Reinvention Stories
Dayton Art Institute
June 30 – September 29

dcp_Twin Towers Portrait_Emily Evans

Emily Evans, Untitled (Twin Towers), 2012

As evidence of Dayton’s vitality, a special project launched in January captures the city’s pulse. Local radio station WYSO 91.3 and filmmakers Julia Reichert and Steve Bognar teamed-up to create the multi-platform media project Reinvention Stories, a series of audio stories and short films of Dayton and its residents. The project, instigated by WYSO’s general manager Neenah Ellis, is based on a series of questions: how does a city of inventors reinvent itself? How are individuals reinventing themselves? How are people dealing with the economic turmoil of recent years? How is Dayton doing? Through this documentation, a collection of videos and photographs were selected by Eva Buttacavoli, Executive Director of the Dayton Visual Arts Centre, and partnership with the Dayton Visual Arts Center and WYSO 91.3. Learn more bout the project at http://www.reinventionstories.org.

Inside Out 11M
August 4
Missing Peace Art Space and Synergy Incubator

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Inside Out 11M at Missing Peace Art Space

Inside Out 11M is a project based on Jr’s Inside Out with a focus on the question of immigration. Focusing on the residents of Dayton, the project captured portraits of hundreds of kids, adults and seniors. From the website: “A nationwide participatory art initiative aimed at creating a portrait of America that includes immigrants and the descendants of immigrants alike.”  Learn more about the project here.

HWD: Regional Sculpture Exhibition
August 26 – September 27
Rosewood Gallery

rosewood_wilson_austere consumption
Roscoe Wilson, Austere Consumption

HWD, or Height x Width x Depth, featured dozens of artists working in three-dimensional form. Participating artists were featured from Ohio, Pennsylvania, West Virgina, Kentucky, Michigan and Indiana.  Highlights included the work of  Don Williams, Terry Welker, Rebecca Emrick, Courtney Kessel, Carrie Longley, David Kenworthy, Erica Wine, and so many more. Learn more about the exhibition here and photos are here.

Soo Sunny Park
Unwoven Light
Wright State’s Robert and Elaine Stein Galleries

September 15 – October 13

sonnysoo
Image courtesy of Wright State University

Exploring the boundaries between drawing and sculpture, Park’s chainlink fence and plexiglass transformed the Stein galleries into a moving experience.  Originally commissioned by Rice University, Park’s beautiful installation has been traveling to galleries around the country.

National Bronze Sculpture Symposium
October 13 – 26
Yellow Springs Arts Council

carreno-pour
Image courtesy of Bernie Carreno

The Yellow Springs Arts Council launched its first symposium in October, focusing on the process of lost-wax bronze casting.  Commissioning four sculptors, including D’jean Jawrunner (New Mexico), Susan Byrnes (Cincinnati), Brian Maughan (Yellow Springs), and John Weidman (New Hampshire), the artists created works on site for two-weeks, culminating in a live pour of their molds.  Exhibitions, lectures and artist talks complemented the artmaking daily.  More info is here.

Object of Devotion:
Medieval English Alabaster Sculpture from the Victoria and Albert Museum
Dayton Art Institute
October 26  – January 5, 2014

object-dai
Anonymous, English, The Fifth Sign of the Last Judgment, c. 1440-1470. Courtesy of the Victoria and Albert Museum.

A stunning collection of medieval alabaster sculptures, on loan from the Victoria and Albert Museum, demonstrate the dramatic, narrative and intricate scenes interpreted from biblical texts.  An art form popular in the 15th and 16th centuries, alabasters were considered a low-end of medieval craft for centuries. Over 40 examples at the Dayton Art Institute show the merit of this art form, which finally gained recognition by scholars and collectors in the twentieth century.

Bullet: Who Pulls the Trigger?
Art Street, University of Dayton
September 24 – November 3

bullet_DECA

James Pate and DECA students collaborative drawing

Art Street presented a complicated, difficult and important question within the multi-faceted collaborative art installation with artist James Pate, Dayton Early College Academy, South Chicago Art Center and Newtown, CT artists. Focused on creating a dialogue on issues of gun violence with a focus on South Chicago, Newtown and Dayton, panel discussions were a major component to the gallery exhibition. Artworks included New York artist S.B. Woods’ Meditation on Mourning, paintings made by Sandy Hook shooting survivors, Dayton-based artist James Pate and a group of DECA high school students. From the website: “This piece was conceived in part by James Pate, and in part by the students. After a conversation about gun violence, the students came to the consensus that ‘we as a society pull the trigger.’” Chicago artist Sarah Ward and students from the South Chicago Art Center created etchings of bullets to symbolize one for every person affected by gun violence on a daily basis. Read more about the exhibition here.

Dia de los Muertos
November 1

 

Dayton’s Day of the Dead parade and celebration took place on Friday, November 1, from the Oregon District to the historic St. Anne’s Hill neighborhood.  Hundreds of folks participated, many donning costumes and painted faces as music, art and food commemorated our loved ones. Stivers School for the Arts students, professional and emerging musicians and artists contributed to the celebration.  Spearheaded by volunteers, including Jean Howat Berry, MB Hopkins, Tonia Fish, Lisa Grigsby, and several others, the event found support from the community in its crowdsourcing fundraiser, as well as Welcome Dayton’s sponsoring of the parade, and Missing Peace Art Space and the Unitarian Fellowship for World Peace hosting.

Filed Under: Visual Arts Tagged With: aia, Art on the Playground, Art Street, Dayton Visual Arts Center, Dia de los Muertos, Inside Out, James Pate, Jud Yalkut, Leesa Haapapuro, Missing Peace Art Space, National Bronze Sculpture Symposium, ReInvention Stories, Robert and Elaine Stein Galleries, Rosewood Gallery, Sideshow, Soo Sunny Park, Synergy Incubator, University of Dayton, Urban Nights, Yellow Springs

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