Beavercreek Community Theatre is celebrating the spooky season with ‘Let the Right One In.’ This weekend is the final chance to see the production which is directed by Chris Harmon. Here is what he shared with us about this coming-of-age story.937: Why did you choose ‘Let the Right One in’ this Halloween season?
It’s a different take on both classic vampire lore, and coming-of-age stories. As a director, it presents as a new challenge to stage in a compelling, and accessable way.
937: What does this production promise for the audience?
The assembled score is comprised of a lot of early 80’s punk, and new wave music. The cast had a chance to offer a lot of input into this aspect of the production so it’s very collaborative in that sense. In terms of atmosphere, the space is really transformed into a stark Scandinavian vibe by the set, and experimental — and at times avant-garde lighting design. And it’s a vampire story, so of course there’s blood! Lots of it. At one point nearly half a gallon of blood in three seconds! Which is to say nothing of the actors who have invested considerable time into not only their craft but some exceedingly quick and clever set transitions.
937: Is it like the film?
Yes, and no. Yes in that the essence of the main character’s vulnerability and frankness is definitely present. No, in the sense that we don’t have a lake on stage that a body is discovered in.
937: What do you hope the audience walks away feeling?
I hope they feel that they have experienced something new in the theatre. I want them to feel exhilarated by an unconventional script. I definitely want them to question if this is a love story about Oskar and Eli, or is it not a love story.
937: Who makes up this strong cast?The two leads, Karter Hoffman as Oskar, and Sophia Harvey as Eli are fantastic in their roles. They are supported by an incredible ensemble which includes Everett Green, Jamie McQuinn, TJ Montgomery, Sasha Kozlova, Steven Mongelli, Grayson Thompson, Kobe Smith, and Maren Wasser.
Janet Powell has designed some really delightful 80’s Northern Europe costumes. Becky Howard’s design for props is exquisitely detailed. Both Michael Cardoza, and Nick Vanderpool have crafted some amazing very special, and surprising blood effects. Alex Kancler’s sound design is crazy compelling. Angelé Price-Maddah has been a fantastic assistant director. Kayla Graham is fight and intimacy coordinator – her work is incredibly essential to the piece. Andrew Darr’s lighting design is mysterious and vibrant. And my set design…well, it’s okay.
Tickets and Times: This Friday and Saturday at 8 p.m., Sunday at 3 p.m. Tickets at bctheatre.org
Anything You’d like to add? Yes. Lady Cardoza is a fabulous producer.
937: I’m sure our readers are as intrigued as I am. Make sure you catch the show at BCT this weekend! Thanks Chris!
