…a conversation with Chris Erk
The Tap Factor
Dayton is a tap town. There, I said it. Most people in this city and region probably had no clue, and yet this is another thing that Dayton should be really proud about. It’s been a whirlwind of a year for tap dance in Dayton. First, we come to the painful realization that Sharon Leahy and Rick Good’s RHYTHM IN SHOES was closing up shop after 20-some years…but then we start hearing news of other amazing dance projects in the works. We hear of South Park resident Kandee Thacker-Mann (who had performed with the legendary Savion Glover) teaching urban kids the art of tap dance through her company SOLE PURPOSE. Then, out of the blue there’s news of another new tap company in town….THE TAP FACTOR.
THE TAP FACTOR? Honestly, the first time I saw a flier advertising the studio, I assumed that it was some of the soon-to-be-former R.I.S. members, establishing their next project. Upon a little bit of investigation, we started to hear about this new guy in town, one Christopher Erk…he’d been in some Broadway tours and all.? ? A Broadway tour that ended in Dayton, Ohio? How did a star performer in TAP DOGS end up in Dayton? This Chris Erk guy was kind of elusive at first…until a quick introduction on Fifth Street one day, then the occasional friendly wave across a bar or on the street. Then SLAM! The Tap Factor started shaking things up in Dayton! 
The first gig…at Urban Nights; a special guest appearance at R.I.S’s last performance; SOUL’D OUT DAYTON at C{Space; Broadway caliber guest performers flying in from NYC to teach master classes around town; THE DAYTON TAP PROJECT at Stivers.
I contacted Chris…I wanted to find out more about this force that suddenly flew into town less than a year ago. What did I find out? 1) Besides talented, he’s a really nice guy. 2) He really appreciates our city & the artistic environment here. 3) He’s on his way out of town.? ?
onStageDayton: Chris, Dayton is just getting to know you as a performer in our arts scene…but, you came to our city after a pretty interesting career in New York and on the road. For our DMM readers who are just being introduced to you, just who the heck are you?
Chris Erk: I am originally from CT where I grew up dancing extensively and training in musical theater and drama. When I was 15 years old I was hired for the National Tour of Tap Dogs with whom I went on to tour internationally for 5 years. After putting some time in on the road I settled in NYC where I lived and worked as a tap dancer/teacher/choreographer for the next 5 years. Work there was diverse. I spent a lot of time covering the bases of what the dance world could offer. From corporate entertainment, the teaching and convention circuit, to independent and company projects, there was plenty to get mixed up in while living in the city, and many friendships developed along the way. The exposure gained in my first stint of my career has geared me up for round two.
OSD: It seems that you are quite connected on the national dance scene…what do you find exciting about the future of American dance?
CE: The thing that excites me most about the future of the American dance scene is that there is a lot more going on by a lot more people. I notice the country realizing that it doesn’t take much to get something done. Communities are starting to come alive and more groups are being formed. I find the “flash stardom” shows are showing that there is a shot out there for the average Joe. I also think that globalization and internet sharing are making cross culture exchanges “the norm”. That alone is making for a deeper creative pool which in turn yields a more diverse product for a wider audience to enjoy.
OSD: We are sorry to hear that your time in Dayton is coming to an end. What personal opportunities did your time here provide for you as an artist and an educator?
CE: Leaving Dayton is definitely not going to be the easiest thing to do. From the moment I got to town I was given warm reception and the open heart of the town. Good luck and favor kept coming at the rate of disbelief. I couldn’t fathom that the town was really as kind as it seemed. Whenever there was a hand in need there was a hand indeed.
As an educator, I would say that I got to have my cake and eat it too. Whether I was teaching “Broadway Bounders” at WSU, giving the recreational class at Sinclair their first tap steps, enriching the experienced dancers at the local studios, or getting my hands dirty getting the Tap Factor crew comfortable to take their tap to the streets to share with the town, the breadth of what I had to offer as an educator and coordinator was full spectrum here in Dayton. As any teacher can tell you, you learn as much as your students do, and in that, I was spoiled here. I will not take that for granted as I move on.
I found that there are community supported opportunities for everyone who wants to participate in the arts in any capacity. As an artist, the work just flowed out stimulated by the backdrop and resources made available by the city. All of the work that I created in town was a product of good company. I am not set out on a mission to accomplish anything in particular as much as I just like to have a good time tapping with others. If there was no one to work with, there would have been no work produced on my end. In all actuality the demand was steady and therefore in a short time, we got a lot of great work done.
In Soul’d Out, the show I produced at C{space, I found that I was able to utilize every bit of skill I had under my belt as well as get my feet wet as a producer. In that experience I was able to dance, teach, choreograph, create, delegate, coordinate, share, invite, collaborate, direct, host, design, etc…all in one show. Artistically and beyond, there was no stone unturned.
OSD: You mentioned what a fantastic working environment Dayton is for artists, what factors make you feel that way?
CE: Dayton has many hungry people ready for action. They just need to be led and to know, it really isn’t that hard to get something done. There is a venue and audience for all. The theater community itself is thriving which also adds for good stimulation, incubation, and cross pollination. It is nice to have this website, for instance, as a go to for people to get plugged in to what’s happening in town. There is art in everything and Dayton seems to get it. The main factor in all of it is that it costs a fraction of the price you would pay in any major city. If you have goals and a plan, Dayton is the canvass to get ‘er done. I also must attribute the Downtown Dayton Partnership for being a major catalyst and supporter for my work here. The exposure of The Tap Factor would have been dwarfed it it weren’t for frequent supported events that allowed us to get busy.
OSD: In the past year you have had the opportunity to collaborate with several other arts and community organizations…what are some of the highlights from these experiences?
CE: I would have to say that I was honored to have at least one opportunity to dance with Rhythm in Shoes. They joked and announced me in their final show at the Cityfolk festival as it being my first and last gig with the company. I was sad for that to be the case as I had gained much respect for their historical contribution to the town. They gave me their blessing and came out of retirement for a moment to perform with me and my friends in Soul’d Out. It really was a treat.
I am also sad to leave with out getting some puppets tapping for Zoot. I may have to make sure I get that taken care of at some point. I was also treated with the task of choreographing Gypsy at the Dayton Playhouse. That was my first community theater experience and a blessed one.
As I had mentioned before, the DDP has been a great resource to lean on, from writing press releases, finding space, to booking gigs, they really are there to be taken advantage of if one wishes to get pugged into the Dayton Circuit. I have also made great friends with some local movers and shakers. Local artist Mike Elsass and Peter Benkendorf of Blue Sky have been readily available for engagements in candid guidance and encouragement. Without their vote of confidence, some of the moves I made may have been handled with less follow through.
My future was headed towards, of course developing The Tap Factor, but also working with Ann Rassmusen to create space and opportunity for people who need a chance and a helping hand in getting their work out to the world. I believe there is a void in that capacity here in town and it will be exciting to see if and what will be created and by whom.
OSD: November 13th’s “Dayton Tap Project,” was most likely your last gig in the city. What story were you able to tell through your performance? What type of audiences were you hoping to reach & what is the personal message that you wanted them to take away from the show?
CE: In The Tap Factor segment in the showcase, you pretty much got a point for point account of the works that have come out of my time here. It was a nice recap and a great chance for me to dance with some of the company members that have been around through the whole process. I also cut up the stage with my best friend, Anthony Russo. There was tap dancing as you know it and may have never seen before. There were no age or language barriers up. It’s good clean fire. This was a priceless opportunity…I’m just sayin’…I want audiences to just have fun and let loose with us. No messages to be stated here. Each individual will make of it what they will.
OSD: What’s next for you?
CE: Next I am going to go back East and throw my self back into the whirlwind of NYC. There is a lot to latch onto. I plan on spending time developing my craft, continuing my college education, and reuniting with my professional peers to see what’s been shaking. I know I will have a wealth of experience from my time here to share.
OSD: Chris, thanks for taking time to chat with onStageDayton, we wish you well and hope that you will spread the word on the East Coast what a great arts scene Dayton, Ohio has!
CE: Trust me, I have been an advocate for Dayton since the moment I landed here. I have already had several friends in to get hands involved the arts scene. There are still stories to unfold about what the future holds for the arts in this town. There is a storm brewing up here and I will continue to let the world know that they are about to find out! I am not one to predict the future. I never would say that my time here had ended. All I can say for now is peace and love to you Dayton, onward. There is magic happening here and in due time it’s going to pop and the secret will be out. Trust I will be back for the party. Thank you! See you soon 🙂
In our conversation, Chris kept discussing how much he has enjoyed his time in Dayton, and the many great people & things to do that he’s heard about but hasn’t yet had the opportunity to meet/experience. You can tell what an organizational genius he is, because he went ahead made some lists and emailed them to me!
My Top 10 things I need to do before leaving Dayton:
1. Meet an Ervin
2. Box at Drakes Gym
3. Get on one of Dayton’s Bike paths
4. Have a Bad Juan Margarita
5. Go to the Dayton Arts Scene
6. Teach a class at Stivers
7. Dance one more time with the Puzzle of Light
8. See a show at the Loft
9. Go to a UD game
10. See a show at Canal Street Tavern
Top 10 favorite people:
1. Joe Deer (WSU Theatre)
2. Tristan Cupp (Human Race Theatre Co./Zoot Theatre Co.)
3. Ann Rassmusen (C{Space)
4. Mike Elsass (Artist/The Color of Energy Gallery)
5. Peter Benkendorf (Blue Sky Project)
6. Kristen Wicker (Downtown Dayton Partnership)
7. Russel Florence, Jr. (onStageDayton on DaytonMostMetro.com)
8. Brian Sharp and Wade Hamilton (Dayton Playhouse)
9. Gina Nuerer (Sinclair Theatre)
10. Susan Byrnes (Artist/UD’s ArtStreet)
My Top 10 Spots I am taking with me!
1. Lihn’s
3. Tanks
6. Palermo’s
9. Boston Stoker (iced tea)
10. Brixx Cafe
Photos by Sarah Babcock & Kidtee Hello
-SA
We encourage local theatre companies to submit calendar items HERE, and official press releases to [email protected].
Shane Anderson & David Brush work with locally based Encore Theater Company.Katherine Nelson, a senior theatre major at Cedarville University, serves as the Literary Intern for ETC. The local theater company recently moved into the new arts collective space in the Oregon Arts District, along with Zoot Theatre Co & Rhythm In Shoes. Encore Theater Company has a mission to help develop new works of musical theater, most recently Next Thing You Know and The Proof, two new musicals in development.
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