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McCoy on Movies: Irresistible Skewers Modern Politics

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“Hmmm … Do you think that the NFL is going to have a season this fall or no?” Gary Zimmer (Steve Carell) and Diana Hastings (Mackenzie Davis) ponder their next move in a scene from writer/director Jon Stewart’s political satire IRRESISTIBLE. Credit: Daniel McFadden / Focus Features.

 

WATCH THE TRAILER(S) HERE:




KEY CAST MEMBERS: Steve Carell, Chris Cooper, Rose Byrne, Mackenzie Davis, Topher Grace, Natasha Lyonne, CJ Wilson, Brent Sexton and Will Sasso DIRECTOR(S): Jon Stewart

WEB SITE: www.watchirresistible.com

THE BACK STORY: A story of politics and tricks, Irresistible stars Steve Carell as Gary Zimmer. A strategist for the Democratic party, Gary is seeking a candidate that can galvanize the party — and more importantly, the general public – as a potential future presidential candidate.


And that’s when he comes across a viral video shot in Deerlaken, Wisconsin featuring Jack Hastings (Chris Cooper).


A retired Marine colonel, Jack’s speech at a local city council catches Gary’s attention as it has everything he could want in a candidate: Passion, emotional appeal and all American values with compassion for his fellow man. Intrigued, Gary heads to Deerlaken to convince Jack to run for office while getting to know his daughter Diana (Mackenzie Davis). Problem is, once Gary sees the opportunity to turn Jack into a star, his Republican strategist rival Faith Brewster (Rose Byrne) arrives on the scene to help the town’s incumbent mayor (Brent Sexton) win at any cost. 


So, what happens when small town America becomes the center of the political universe? A story that, as the events are set to prove, makes politics as unusual irresistible. 

THE REVIEW: Written and directed by Jon Stewart (yes, the former host of The Daily Show), Irresistible is a classic slow build comedy where sitting through the lead up to the payoff can at times feel a little like a chore – until the payoff hits.Carell is much like a smarter, savvier version of his former Michael Scott persona from The Office days with Byrne serving as a very Kellyanne Conway-esque foil to his character. Likewise, Cooper – ever great at playing the older everyman – turns in another solid performance to add to his extensive resume while showing a softer side than he typically gets to exhibit. And Davis is competent enough to do everything her character needs to do in a believable fashion to keep things moving along.

The thing, as alluded to above, that makes Irresistible a solid watch is the film’s last 15 minutes in which the point of the film hits home. Given Stewart’s knowledge (and well-known) critique of the American political system as it stands today, Irresistible sharply skewers everything from cable news, viral videos, the selling of a candidate’s image versus what they actually believe and of course, the two party system as a whole. While not re-inventing the wheel in any sense, Irresistible‘s biggest joke comes in showing how much the current setup is primed to show the joke is on all of us.

In doing so, the film packs enough laughs to show why, without major change, our current political system is quite possibly no laughing matter.

OVERALL RATING (OUT OF FOUR POSSIBLE BUCKETS OF POPCORN):

 
 

TIFF 2018 – Day #2

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Hello NEON Fans,

I caught four films today.

My first film of the day was DUELLES (MOTHERS’ INSTINCT), directed by Olivier Masset-Depasse.  This domestic, period thriller has made an interesting choice in renaming itself for English speaking audiences.  Whereas the French title actually means “dual,” they’ve gone a different direction by calling it “Mothers’ Instinct” for English speakers. Here’s the short synopsis from TIFF: “When a sudden tragedy uproots the lives of two women and their families, they begin to question the relationships they once held so dear, in this psychological thriller from Olivier Masset-Depasse (Illégal).”  This doesn’t really tell you much of anything…so I’m going to spoil the first 12 minutes.  A little boy is involved in an accident that results in his death, and the neighboring mother who witnessed the accident begins to feel as though the boy’s mother blames her for not saving the day.  As the story progresses, more unfortunate circumstances occur, and the mother in question begins to feel more and more suspicious.  We often wonder “is this maternal instinct at work…or is this just paranoia (bordering on mental illness)?”  Some of the score at the beginning of the film sets up the idea that we might not have the most reliable narrator, so we as audience members have to doubt whether or not we are always shown the truth.  Though the film works on a number of levels, there’s ultimately something missing. I’m glad I saw it, but it’s not a masterpiece.

FIRECRACKERS, a French Canadian film from director Jasmin Mozafarri, borrows a lot of spirit and tone from FISH TANK and AMERICAN HONEY.  Here’s TIFF’s short synopsis: “An intense drama about two young women desperate to escape their repressive small town, whose friendship is challenged after a night of debauchery threatens to undo their grand plans for freedom.”   The yearning to escape their current life is honest, the performances are rich, and the camera is restless.  But I couldn’t help feeling that we’d seen this before (and better) from Andrea Arnold.

And finally…a Masterpiece.  CAPERNAUM, directed by Nadine Labaki, is a film that will clearly be a highlight for me at this year’s festival.  I fell in love with Labaki with her film CARAMEL that played at the festival (and at THE NEON) several years ago.  She’s a gifted director and a talented actress.  Here’s the brief synopsis from TIFF: “Nadine Labaki (2011 TIFF People’s Choice Award winner Where Do We Go Now?) explores the lives of children living on the fringes of Lebanese society, in this political and heartbreaking story of a young boy who sues his parents for bringing him into the world when they couldn’t properly care for him.”  This film is about so many things, and it’s Labaki’s call to action for us to help the disenfranchised children of the world…and for the people who need paperwork to prove their worth.  This film is heartbreakingly honest, and I couldn’t avert my eyes.  The central performance is so strong – among the best child performances ever on screen.  With over 500 hours of material shot for this film, the documentary-like style helps create a realism that is so refreshing in a narrative film.  This movie has been picked up by Sony Classics.  That means THE NEON will almost certainly play it…and I have a feeling it will almost certainly be nominated for “Best Foreign Film” this year.

BEAUTIFUL BOY, directed by Felix van Groningen, was my last film of the day.  Though van Groningen was the only person to introduce the film, the audience was in for a treat when the cast and authors of the source material all came onstage after the screening for a Q&A.  Here is the brief TIFF synopsis: “Based on the bestselling pair of memoirs by father and son David and Nic Sheff, Felix van Groeningen’s film chronicles the heartbreaking and inspiring experience of survival, relapse, and recovery in a family coping with addiction over many years.” Timothée Chalamet gives another Oscar-worthy performance as a boy dealing with drug addiction, and his performance along with Steve Carell’s, are what help to keep this film above water – they are both magnificent.  The repetition of using, recovery, relapsing, recovery is all part of  how recovery from drug addition often works, but it becomes a little exhausting as a narrative device (as I’m certain it does for the families dealing with this very issue).  I think this film could be used as a tool, and I think as the death toll rises annually for drug overdoses, it’s a much-needed topical film about an epidemic that is plaguing us.

I met up with a friend for a couple drinks after my screenings this evening, and it was good to catch up (and realize that he’s even working with more people I know).

Looking forward to a couple even bigger films tomorrow.

Thanks for reading,

Jonathan

 

Emma Stone serves up fitting tribute to Billie Jean King in Battle of the Sexes

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“You know, I never thought about this before but … How did your character seriously hook up with Jonah Hill in Superbad?!” Bobby Riggs (Steve Carell) talks things over with Billie Jean King (Emma Stone) in a scene from BATTLE OF THE SEXES. Credit: Melinda Sue Gordon © 2017 Twentieth Century Fox Film Corporation. All rights reserved.


WATCH THE TRAILER(S) HERE: 



KEY CAST MEMBERS: Emma Stone, Steve Carell, Andrea Riseborough, Sarah Silverman, Bill Pullman, Austin Stowell, Elisabeth Shue, Jessica McNamee and Fred Armisen 

WRITER(S): Simon Beaufoy

DIRECTOR(S): Jonathan Dayton and Valerie Feris

 
WEB SITE: http://www.foxsearchlight.com/battleofthesexes/HERE’S THE STORY: It was one of the most famous events in sports of the 1970s and eventually would become one of the most famous sporting events in history. But while the world saw a battle between a budding tennis star and a self-proclaimed male chauvinist pig, there was far more going on behind the scenes than meets the eye. For while Billie Jean King (Emma Stone) was battling what she saw as an unfair payscale for she and her fellow female players, she also was dealing with coming to terms with a budding “forbidden” love with hair dresser Marilyn Bennett (Andrea Riseborough) … Despite being married to her husband Larry (Austin Stowell).


Meanwhile, while living off the glory of his days as a former champion tennis player, 55 year-old Bobby Riggs (Steve Carell) is trying to be a good husband to his wife Priscilla (Elisabeth Shue). Unfortunately, his old gambling demons are quite alive and well as is his desire to regain the spotlight. This, of course, leads him to dream up an idea that will be as much spectacle as it is sport: a “battle of the sexes” between the top women’s player in the world and himself. 


What results, however, will be a battle that expands way beyond a simple tennis match. 

WHO WILL LIKE THIS FILM THE MOST? Emma Stone fans; Sarah Silverman fans; tennis historians; the LGBTQ community; 

WHO WON’T (OR SHOULDN’T) LIKE THIS MOVIE? Trump supporters; anti-LGBTQ supporters and the religious right; people who wish the film would dive deeper into the aftermath of King’s life following the event and the struggles she faced  

SO, IS IT GOOD, BAD OR ABSOLUTELY AWFUL? Some biopics go through painstaking detail to explore every aspect of its subjects’ lives; some present the most-glossed over, slapdash/mediocre puff pieces that fail to capture what made their subject matter.

Battle of the Sexes is neither of those things; instead, it is a film that simply attempts to showcase some aspects of its two lead characters in great stylish detail while at the same time, humanizing them while being very selective in displaying judgment of their actions. It’s really an ingenious trick on the part of co-directors Jonathan Dayton and Valerie Feris; there are no over-the-top dramatics, there are no true villains as much as there are people representing the ideals of the time from a very understandable (given the times) mindset. Then again, Margaret Court hasn’t exactly softened her stance on King’s life in her advance years, Bennett and King had a very public struggle that’s left out of the film and Stowell’s level-headed, let-me-do-what’s-best-for-the-woman-I-love-despite-our-own-turmoil may not exactly have been as it plays out on screen. 


Yes, the movie does take a few liberties with the actual facts, it does stick a mostly factual approach driven by a very up-to-the-task Stone. Stone captures King’s legendary competitiveness, shyness and desire to simply make things better for other women and Carell – who’s character almost becomes a tragic figure in a very Hollywood way before getting a very Hollywood moment at the end of the film – bring a great bit of levity to the whole scene as Riggs while Silverman is great as King’s tennis tour promoter/manager Gladys. (Think of a character fresh from The Carol Burnett Show or Rhoda living it up in sassy, glorious fashion while chain-smoking herself to death and you’ve got her character down pat.) Riseborough comes off as little more than a spacey, new-age chick that is everything King isn’t, but it plays well enough that it doesn’t feel as gimmicky/out-of-place as it might sound on paper. Throw in a “perfect for the current times even though the setting is the early 1970s” quote by a perfectly used Alan Cumming and the film hits enough beats to balance things out. 


Perhaps one day, the balance King fought for won’t need a movie to remind the world of how far it’s come. 

OVERALL RATING (OUT OF FOUR POSSIBLE BUCKETS OF POPCORN):

2 Big Hits & A BIG Thank YOU from THE NEON!

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The_Imitation_Game_3051179cHello Everyone,

This past weekend was really big at THE NEON! In fact, it was our third best weekend of the year (GRAND BUDAPEST HOTEL holds the title for “Best Weekend Ever” and the weekend we opened AUGUST: OSAGE COUNTY as well as INSIDE LLEWYN DAVIS was our second best of the year). Needless to say, we’re going to hold both THE IMITATION GAME and WILD for another week. Remaining showtimes for this current week can be found on our website at www.neonmovies.com

To learn more about each film, visit our site…or each of the film’s official sites:  THE IMITATION GAME and WILD.

Below are a couple featurettes about each of our films.  Take a look!

It is now 100% official that 2014 has been our Best Year Ever at THE NEON! Thank you so much for making that happen. Without customer loyalty and positive word of mouth, we could not have reached such success. THANK YOU!

On December 23, Sony Pictures revealed that they would move forward with screening the controversial film THE INTERVIEW at independent cinemas on December 25. Immediately following that announcement, we had numerous phone calls and emails asking if we would be playing the film. With only 2 screens, making such drastic, last-minute changes was out of the question for us. We told the press that we were investigating the possibility of bringing the film for select screenings during the first weekend of 2015…but that was misconstrued by many as “THE NEON is going to play THE INTERVIEW.” As it turns out, Sony refused our offer. Because they refused our offer and because the film is available on so many VOD platforms, we are no longer pursuing and engagement of the film. Thanks for your understanding.

KRW Cycles is attempting to bring another motorcycle-inspired film to town. “ON ANY SUNDAY: THE NEXT CHAPTER is an exploration into the pursuit of excitement, passion and life in the two-wheeled world of motorcycle riding. Experiences that are as relatable to a rider as a day with friends, others that explore human triumph and overcoming fear, and some which occur once in a lifetime. One moment of riding a motorcycle – On Any Sunday.Critically acclaimed director Dana Brown (“Step Into Liquid” and “Dust to Glory”) teams up with his father, Academy Award Nominee Bruce Brown (“The Endless Summer” and “On Any Sunday”) to journey deeper into the humanity, thrills and excitement of the global culture of motorcycle riding; those who are bonded by their passion for the race, the love of family and friendship, and on a deeper level – their quest for the thrill of the next ride.” This is a tugg event. The movie is scheduled to screen on Thursday, Jan. 15 at 7:30. If not enough reservations are made by Jan. 2, the event will be cancelled. Visit this LINK to reserve your ticket.

Thank you for your continued support.

Wishing you the happiest of holidays!
Jonathan

SHOWTIMES for Friday, Jan. 2 – Thursday, Jan. 8:

THE IMITATION GAME (PG-13) 1 Hr 54 Min
Friday & Saturday: 12:00, 2:30, 5:00, 7:30, 9:55
Sunday: 12:00, 2:30, 5:00, 7:30
Monday – Thursday: 3:00, 5:30, 8:00

WILD (R) 1 Hr 55 Min
Friday, Saturday: 11:45, 2:15, 4:45, 7:15, 9:45
Sunday: 11:45, 2:15, 4:45, 7:15
Monday – Thursday: 2:45, 5:15, 7:45

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
Jan. 9 or 16 – FOXCATCHER
TBD – OSCAR NOMINATED SHORTS
TBD – FORCE MAJEURE
TBD – MR. TURNER
TBD – STILL ALICE
TBD – OSCAR SHORTS
TBD – TWO DAYS ONE NIGHT
TBD – LEVIATHAN
TBD – WILD TALES
TBD – THE SECOND BEST EXOTIC MARIGOLD HOTEL

FRUITVALE STATION and THE WAY WAY BACK Open at THE NEON!

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The-Way-Way-Back-Liam-James-620x339Hello Everyone,

As much as we’d like to hold THE KINGS OF SUMMER (it performed very well over the weekend, and audiences loved it), we have to keep moving (otherwise we’d have to skip this weekend’s titles). On Friday (July 26), we will open 2 of the biggest indie hits of the summer – FRUITVALE STATION and THE WAY WAY BACK. Thursday will be your last chance to see 20 FEET FROM STARDOM and THE KINGS OF SUMMER. For this week’s remaining showtimes, visit our website at www.neonmovies.com.

Synopsis for FRUITVALE STATION: “Winner of both the Grand Jury Prize for dramatic feature and the Audience Award for U.S. dramatic film at the 2013 Sundance Film Festival, director Ryan Coogler’s FRUITVALE STATION follows the true story of Oscar Grant (Michael B. Jordan), a 22-year-old Bay Area resident who wakes up on the morning of December 31, 2008 and feels something in the air. Not sure what it is, he takes it as a sign to get a head start on his resolutions: being a better son to his mother (Octavia Spencer), being a better partner to his girlfriend Sophina (Melonie Diaz), and being a better father to Tatiana (Ariana Neal), their beautiful four year-old daughter. His resolve takes a tragic turn, however, when BART officers shoot him in cold blood at the Fruitvale subway stop on New Year’s Day. Oscar’s life and tragic death would shake the Bay Area – and the entire nation – to its very core.” (The Weinstein Company) With production design from WSU Motion Picture Alum Hannah Beachler! Beachler will be available for Q&As after screenings on Friday (July 26) at 7:30 and Saturday (July 27) at 5:10. Click THIS LINK to visit the film’s official site.

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Synopsis for THE WAY WAY BACK: “THE WAY, WAY BACK is the funny and poignant coming of age story of 14-year-old Duncan’s (Liam James) summer vacation with his mother, Pam (Toni Collette), her overbearing boyfriend, Trent (Steve Carell), and his daughter, Steph (Zoe Levin). Having a rough time fitting in, the introverted Duncan finds an unexpected friend in gregarious Owen (Sam Rockwell), manager of the Water Wizz water park. Through his funny, clandestine friendship with Owen, Duncan slowly opens up to and begins to finally find his place in the world – all during a summer he will never forget.” The cast in this film is terrific – featuring one of Dayton’s own – Allison Janney! Click THIS LINK to visit the film’s official site.

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“Roger Brown — the greatest basketball player Dayton has ever known — will be inducted into the Naismith Hall of Fame on Sept. 8. Without the love and sacrifice of 84-year-old Daytonian Arlena Smith, it wouldn’t be happening. Join us at THE NEON on Aug. 15 at 7:30 for a benefit screening of the acclaimed documentary UNDEFEATED: THE ROGER BROWN STORY, with all proceeds going toward Arlena Smith’s trip to Springfield, Mass., for Brown’s Hall of Fame induction. Arlena and her late husband Azariah could not have children of their own, so they regularly welcomed troubled teenagers into their modest West Side home. One of those was Roger Brown. Among the greatest young basketball players in New York City history, Brown in 1961 had been unfairly implicated in a gambling scandal just as he was finishing his freshman year at the University of Dayton. Though never charged with a crime, he was kicked out of school and banned for life by the NBA. The Smiths came to the rescue. They opened up their home, found Brown a job, gave him the strength to move on. And finally, Brown bloomed anew. In 1967, he became the first player of the ABA’s Indiana Pacers. He led them to three championships, and became an Indianapolis City Councilman. All along, until his death at age 54 of cancer, Brown credited the Smiths — his ‘second parents’ — for making it possible.” (taken from press notes) Mark your calendars now! Tickets, just $10 each, are now available at our box office and at EbonNia Gallery.

“The Libertarian Party of Ohio is hosting an evening of film, food, and discussion in support of the rights of individuals, families, and farmers to make healthy choices about what to grow and eat without interference from government. Food, Freedom and Farmageddon begins at 6:30 p.m. Thursday, Aug. 8, with the film Farmageddon: The Unseen War on American Family Farms screening at 7:30 p.m at the The Neon, 130 E. Fifth St., Dayton. Fressa and Harvest Mobile Cuisine, two of Dayton’s most popular food trucks, will be parked right outside, and local food vendors will have their goods for sale. Also co-sponsoring the event is The Heights Cafe of Huber Heights. Admission is $5.” (taken from Libertarian Party Press Notes) Click THIS LINK to reserve your seat.
Hope to see you this weekend!

All the best,
Jonathan

SHOWTIMES for Fri. July 26 – Aug 1:

FRUITVALE STATION (R) 1 Hr 25 Min
Friday, Saturday, Sunday: 12:50, 3:00, 5:10, 7:30, 9:45
Monday – Thursday: 3:00, 5:10, 7:30, 9:45

THE WAY WAY BACK (PG-13) 1 Hr 43 Min
Friday, Saturday, Sunday: 12:30, 2:45, 5:00, 7:15, 9:30
Monday – Thursday: 2:45, 5:00, 7:15, 9:30

COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear.
TBD – FILL THE VOID
TBD – IN THE HOUSE
Aug. 2 – I’M SO EXCITED
Aug. 23 – BLUE JASMINE
TBD – BLACKFISH
TBD – THE HUNT