Dayton937

Things to do in Dayton | Restaurants, Theatre, Music and More

Joshua Stucky

TheatreLab’s SMASH HIT ‘Lizzie’ is no AX-ident!!

By

Hurried…anxiety driven…and commanding, ‘Lizzie’ now playing at Mudlick Tavern’s Second Floor, has thrust TheatreLab back in the spotlight! DDN’s Russell Florence put it best…‘a wonderfully raw, vocally-impressive spooky season production…’ The show is directed by Mackensie King, and I had the pleasure of interviewing her about the show’s high praise!!

D9: Mackensie…you have a hit on your hands!! Why did you choose ‘Lizzie‘ in the first place??

MK: I have always loved horror and all things spooky. What drew me to this version of her story is how grounded and real it feels. The question I asked myself at the end of listening to it the first time was: is she GUILTY? Not did she do it, but are the things this woman went through about to justify what she did to escape them. Plus, the music for this show is unlike any other theatre show. It’s true rock/ metal and allows the cast to really show off their vocal chops.

D9: Timely, considering the Menendez Bros. story of late! There is one thing that audiences are 100% on…your cast! What can you tell me???

MK: The words “high octane” come to mind when I think about this cast. The vocals are absolutely top notch and SO full of power. Under all of that, there is true connection to the material. Sam Evans as Lizzie brings such understanding and sympathy to the character and she really makes you want for Lizzie to gain freedom. Allie Haines as Emma is so fun to watch because she is really finding how it feels to have to been the head of a family at such a young age. MJ Janovich is taking Alice in a direction I’ve never seen with youthfulness and hurt (and just wait until you hear her belt) and Leah Fox is HILARIOUS and terrifying as the banshee, Bridget.

D9: Strong ladies, indeed!! One thing I know TheatreLab is trying to do is incorporate more of a community feel in their productions! How did the whole Mudlick idea emerge?

MK: We really wanted to focus on bringing the arts TO Dayton. Unique venues really bring the audience in to the art and allow them to become participants. We have been neighbors with Mudlick for years and we wanted to partner with an incredible company. The show has a true rock show feel in the industrial space and Mudlick is curating specialty cocktails for the shows! 

D9: I hear the cocktails have been a smash!! Such a great idea. I always say when people leave a show, they should be left with something…a thought, a feeling…..what are you hoping folks get out of Lizzie???

MK: I hope people walk away with 2 things.   1. That the talent in Dayton is worth investing in. The talent that you will see on that stage is worth keeping around. And 2: Women are angry and we have a voice and it’s about time you all listen. 

D9: I, for one, hear you!!! I want to reiterate that this town is overflowing with talented folks!! Thanks for mentioning that! And thanks for being such an asset to Dayton’s theatre community Mackensie! So, what about this mysterious ‘Season’ TheatreLab is keeping close???

MK: Everyone is so excited. Keep Your Eyes Peeled….the announcement is coming soon!

You can catch ‘Lizzie’ on its remaining dates….

November 1 & 2 at 8:00pm. November 3 at 2:00pm.

TICKETS at http://theatrelabdayton.org.

 

 

 

It’s No Mystery…Human Race has a Hit on Their Hands!

By

For the Beloved Human Race Theatre, what could be more fun than a little October mystery…and this time it’s not Mr. Watson and Sherlock Holmes…it’s Ms. Holmes and Ms. Watson! KATE HAMILL’S MS. HOLMES & MS. WATSON – APT. 2B has been wowing Daytonians for a week now, and a few performances remain.

This spin through the orbit of the world’s most famous detective introduces us to female roommates Sherlock Holmes and Joan Watson. They’ve emerged from the pandemic fog as a deeply codependent and quasi-dysfunctional duo – solving mysteries, eating snacks and shaking off their pasts. But when they come face to face with a villain who seems to have all the answers? Hamill’s playful and theatrical style will deliver an unforgettable adventure chock full of heroism, friendship and, of course, the art of deduction.

“Bring your bestie, grab a snack and drink in the lobby, and settle in for an entertaining night,” notes Emily N. Wells, Artistic Director. “The twists and turns of this irreverent game keep you guessing to the very end.”

Guest Director Heather Wilson-Bowlby guides the powerhouse cast, featuring Shonita Joshi as Ms. Sherlock Holmes (Shipwrecked: An Entertainment!), Maggie Lou Rader as Ms. Joan Watson (Grounded, The Revolutionists), Kelly Mengelkoch as Mrs. Hudson and others (This is Tom Jones!, Deadline), and Matthew Sierra as Inspector Lestrade and others in his Human Race debut.

Joining Wilson-Bowlby on the production team are: Jeff Heater, Scenic Design; Diane D. Fairchild, Lighting Design; Janet G. Powell, Costume Design; emily c. porter, Sound Design; Lucia Thill, Associate Sound Design; Sarah Gomes, Props; Mark Tynan, Production Stage Manager; Danitza Piper, Assistant Stage Manager; Gina Cerimele-Mechley, Fight Director.

Ms. Holmes & Ms. Watson – Apt. 2B  will play in the Loft Theatre in downtown Dayton, with shows remaining on October 16 – 20, 2024.  Tickets are on sale through the Dayton Live box office, 937-228-3630, or online at www.humanracetheatre.org

The Human Race Theatre Company continues its commitment to high quality theatre with access points for all with two special ticket initiatives: two sections of $20 seats available at any time through the box office, and ten $10 rush seats available 90 minutes before any performance.

Looking for something a little ‘EXTRA’…..how about….. 

‘While We’re On The Subject’ on Sunday, October 20, 2 pm – Post-Show Discussion with the Cast

‘Parent’s Day Out ‘  on Sunday, October 20, 2 pm – Kids Separate Activities (5-12yo)

WANT MORE ABOUT EMILY, KAPPY AND THE HRTC? Click here for another exciting episode of ‘Dayton Drama Queens!’

‘OUT HERE DAYTON’ FILM FESTIVAL kicks off Thursday at Neon!

By

OUT HERE DAYTON FILM FEST is preparing for its 19 th  year of celebrating the best of
LGBTQIA+ films from around the world with the Miami Valley. Decisions were so hard to
make decisions that the festival decided to expand by an extra day.  Join OUT HERE at
THE NEON during the long weekend of Oct. 10-13 for 9 different screenings – featuring 25
short and feature-length films. And don’t forget the Friday Night Party – this year at Lily’s!
which is just a block away from THE NEON’s front doors.
Directors Luke Willis (LADY LIKE) and Caden Douglas (MOTHER FATHER SISTER
BROTHER FRANK) will be in attendance for Q&A’s following their films.
Tickets are $10 for each screening, and a scholarship button is available on the website’s main
page for anyone seeking complimentary tickets.
Visit www.outheredayton.org for more details.

Here is a look at the schedule for the beloved film festival:

THURSDAY, OCT. 10:
7:30
LADY LIKE – 89 min, USA/UK – dir. Luke Willis
The pages of Lady Camden's fairytale are filled with growth, discovery, and a true
passion for performance in this imaginative, heartfelt documentary. A student of
dance, Camden had performed ballet across many international stages before lip
syncing on the catwalk of RuPaul’s Drag Race.
Preceded by:
STAN BEHAVIOR – 15 min, USA – dir. Tyler C. Peterson
A drag queen (Ginger Minj) embarks on a quest for better workplace rights but
ends up in a dicey situation.
KINGS – 6 min, USA – dir. Eric Garcia
Two drag kings fall in love during a bathroom quickie.

FRIDAY, OCT 11:
7:00
THE QUEEN OF MY DREAMS – 98 min, Canada/Pakistan – dir. Fawzia Mirza
Queer Pakistani grad student Azra is worlds apart from her conservative Muslim
mother. When her father suddenly dies, Azra finds herself on a Bollywood-
inspired journey through memories – from her mother’s youth in Karachi to her
own coming- of-age in rural Canada.
Preceded by:
QUEEN SIZE – 19 min, France – dir. Avril Besson
This morning, Marina has an appointment with Charlie to sell her a mattress. This
evening, she will cancel her plane ticket.
9:30
Post-Screening Friday Night Party – Lily’s Dayton in the Oregon District

SATURDAY, OCT 12:
12:30
TOP DRAWER SHORTS – Pack #1.

3:30
A HOUSE IS NOT A DISCO – 91 min, USA – dir. Brian J. Smith
Gorgeous and emotionally charged, A HOUSE IS NOT A DISCO goes behind the
scenes of the infamous Fire Island Pines, a gay fantasyland on the East Coast,
to uncover real life pleasures and simmering conflict – capturing the energy and
ideas of today’s residents, as millennials connect with old timers to reframe the
focus and value of the community.
7:00
BOB MACKIE: NAKED ILLUSION – 105 min, USA – dir. Matthew Miele
Showcases the six-decade career of award-winning costume designer, Bob
Mackie. And like his costumes, Mackie is wholly unique and unfiltered, which
makes for a compelling and candid subject- with interviews including Cher, Pink,
Tom Ford, Miley Cyrus, RuPaul, Carol Burnett, and more.
Preceded by:
WOULDN’T MAKE IT ANY OTHER WAY – 21 min, USA – Hao Zhou
an aspiring costume designer visits their island homeland of Guam to make
costumes for a children’s theatre and reconnect with distanced parents.
9:45
MOTHER FATHER SISTER BROTHER FRANK – 86 min, Canada – dir. Cadan
Douglas
The Jennings family are having their traditional Sunday dinner. As tensions
reach a boiling point, an unwanted guest arrives: Frank, Father’s wayward brother. To what end with Mother, Father, Sister, and Brother go to get rid of
Frank? Mindy Cohn and Enrico Colantoni star in this comedy horror that’s full of
violence, gore and big laughs.
Preceded by:
THE DINNER – 12 min, Spain – dir. Jesus Martinez
There are some issues which cannot be left for later!


SUNDAY, OCT 13:
12:30
TOP DRAWER SHORTS – Pack #2

3:15
WHAT A FEELING – 111 min, Austria – dir. Kat Rohrer
A chance encounter at a lesbian bar brings two women of a certain age living
strikingly different lives together in this winning romantic comedy. Named after
Irene Cara’s classic anthem from Flashdance, WHAT A FEELING blends heart
with a lack of self-consciousness, telling a poignant story of new love amongst
two women in the “sandwich generation” while also never taking itself too
seriously.
6:00
TURTLES – 82 min, Belgium/Canada – dir. David Lambert
Now in their 60s, Thom and Henri are a married couple living an outwardly sweet
existence at their quaint home in Brussels with their pet turtles Topsy and Turvy.
As they celebrate Henri’s retirement from the police force, Thom sees this as a
perfect opportunity to rekindle their passion after 35 years. But Henri can’t cope with his newfound lack of purpose, and thus… the two start to drive each other
crazy.

An Astounding Visit to the ‘SOUTH PACIFIC!’

By

Dayton is known for its Arts and all that are involved in it. With that in mind DPAA has put together a production of ‘South Pacific’ that is not to be missed. The event, directed by Joe Deer, is getting all the buzz. Luckily, I was able to hear from Joe about that show and how it all came together!

937: First of all, thank you for taking a minute to share some information about the ‘SOUTH PACIFIC’ performance coming to the Schuster Center this weekend, September 21 and 22. I understand this version of the show is slightly different?

JD:  This version of South Pacific was created for a concert at Carnegie Hall about 20 years ago that starred Reba McEntire and the Broadway star, Brian Stokes Mitchell. It’s adapted by David Ives, who is a terrific comic playwright on his own and who has done many adaptations of classic musicals for the New York City Center encore series. It retains virtually every note of the original score, but has trimmed the book substantially. That said, this is still a heartwarming, charming, and very moving story. I don’t think audiences are going to recognize that very much has been cut. Every storyline is still intact and every character still appears.

937: I’m intrigued. I love the idea of a faster paced show! But how and when did this all come together for Dayton Performing Arts Alliance. Sounds like it was all hands on deck!

JD: Two years ago, Kathleen Clawson , the artistic Director of Dayton Opera, and Neal Gittelman invited me to help create a concert evening celebrating the life and work of Stephen Sondheim. We used students from the musical theater, acting and vocal performance majors out at Wright State University and that was a huge success. Almost immediately, they approached me again about a collaboration on a concert musical. By that time, Wright State University administrators had met with People at the Dayton Performing Arts Alliance and created a more formal collaborative agreement. This is the first project out of that.

937: What a collaboration…and it has all fallen together well?

JD:  This has been a really great collaboration. We have so many different kinds of members of the artistic community involved here. Dayton Opera. Wright State Alumni and Faculty.  The production team is largely from the Dayton, the opera, and Dayton Performing Arts Alliance. With all those different groups coming together, you might expect some difficulties in making things work. But, that has not been the case.

937: I love that it seems so community focused as a production! Tell me this Joe, since the show is pared down, do we lose any songs. People love the ‘South Pacific‘ soundtrack.

JD: The score for this revolutionary musical remains very much intact. With one notable exception – you’re going to hear 46 musicians playing a score that was written for about half that number.  There’s a kind of enhanced time machine quality to getting to perform a score like this with an orchestra the quality of the Dayton Philharmonic. Kathleen was very intentional about finding singers that are the quality Dayton Opera patrons are used to hearing, but who have an understanding and love for this kind of musical theater. She did a remarkable job. I will tell your readers that a number of Dayton actors who are some of their favorites are in this, including Bruce Cromer, Jake Lockwood, Josh McCabe, and a handful of others. I leave rehearsal at the end of the day feeling so happy to work with the quality of singing actor that we are fortunate to have this production.

937: This just sounds incredible!! What do you feel the audience with walk away with after seeing ‘South Pacific?’

JD: I think audiences are gonna walk away from this production surprised by how relevant it still feels. You are uplifted and awakened to the revolutionary nature of this show, which is now 75 years old. Rodgers and Hammerstein were very daring in what they set out to do. And the show won a Pulitzer Prize for drama as a result. That’s very unusual.

937: You know I’m in that musical theatre stuff myself, and my love also goes into the visual aspect. What can we expect there?

JD:  We have a marriage of very traditional scenery and costumes with some very 2024 technology that helps to tell the story. But, the real stars of the show are Rodgers and Hammerstein and the remarkable performers who bring the score and story to life. This production is going to be thrilling for every audience member. Whether you have a lot of familiarity with this show or whether it’s a brand new experience for you.I am simply thrilled to be part of it.

937: ALL THE SUCCESS in the world to you Joe! Cannot wait to see this!

SOUTH PACIFIC show on  September 21, 2024, at 7:30pm & September 22, 2024, at 2:30pm. Performances are in the Winsupply Theatre at the Schuster Center. For tickets click below:

Rodgers and Hammerstein’s South Pacific

 

 

 

 

Sweet, ‘Superior Donuts’ are ready at the GUILD!

By

The Dayton Theatre Guild wraps us its season with Tracy Letts‘ ‘Superior Donuts.’ The show focuses on a Polish loner who keeps his tight grip on what is referred to as the last donut shop in the Northern Part of Chicago. The show opens with a trashed donut shop that will set the stage for reckonings of all kinds, with all kinds!

Arthur P (played marvelously by KL Storer) knows the world around his shop is changing but can’t be nudged to do the same. Enter Franco Wicks (you will feel the energy change when Andre Tomlinson appears on stage in the role, wow!) who tries to put a shot in the arm of the shop as well as the grumpy Mr. P. It is these 2 and their interaction that really keeps you engaged with this production. Their vulnerability is believable, and more-so when they are on the stage alone-together!

As they ‘come to terms’ with their pasts, and we see their future hopes unwind, we are moved from moments of high drama to almost sitcom like scenes. (Yes, the play was a movie and a pilot for just that!) Along the ride of these 2 characters we meet some gems. Mike Beerbower‘s Russian ‘enterpreneur’ has hilarious moments….the sweatsuit alone is laughable. One-liners delivered by Percy Vera (Officer Bailey) and Heather Martin (Officer Osteen) are initially shocking, and then keep the humor alive, in moments of otherwise deep thought. Martin’s first few lines give you a sense of ‘where we are’ in Chi-Town.

Throughout the show, we are thrust into some reminiscing that Letts felt necessary, but to be honest, it’s the present that makes us buy-in to these characters. Lady Boyle (played by Jennifer Lockwood) keeps us grounded in the fact that no one wants to see the shop close, but her expressions prepare us for what seems inevitable. Also wrapped into the story is Franco’s ‘bad decision’ to borrow money from the wrong guys….Maximillian Santucci‘s Luther Flynn is SPOT-ON!

Jared Mola, who directed ‘Donuts’, does a magnificent job of pacing the show! It’s one of those ‘quick’ and impactful 2 hour plays! Red Newman (Scenic Design) and Marjorie Strader (Lighting Design) delivered the goods as well. For my friend Amy and Me, the fight scene (nice work Kayla Graham) was well done…especially having the audience right on top of the action.

If you are a Letts fan, know this is not as extreme as some of his shows can go….it’s really about characters…with real, heartfelt issues to resolve. The Dayton Theatre Guild once again proves they are stellar in their desire to bring plays, worthy of seeing, to life in our town!

For information on ‘Superior Donuts’ and the GUILD, click here:

https://daytontheatreguild.org/production/superior-donuts/

 

 

UD and TheatreLab go ‘Into the Woods’ together!

By

TheatreLab continues to do some ‘outside of the box’ things in hopes of catching new theater-goers and launching new relationships. This time around, the company has joined forces with the University of Dayton to take us ‘Into the Woods‘ via the Sondheim Classic. I was lucky enough to get a chance to talk to 2 of the stars of the show….Kyle Channell and Madeline Stern.

JS: First of all, thank you for meeting with me. I know you are so excited to share info about the production!! Tell me what made you interested in being part of ‘Into the Woods?’

KC: Well, I feel like Into the Woods is a rite of passage for every theatre performer. It’s hard not to go for it when a production is being staged. There are so many iconic archetypes and characters throughout, so any chance to get involved is so tempting. TheatreLab Dayton is a name that has been popping up on my radar for a while, so when I heard they were doing ITW and I could make it work with finishing undergrad, I had to go for it.

MS: And for me….I will take any opportunity I get to be in a Sondheim show! My parents work in the theatre industry and had the incredible opportunity to work with Sondheim, so I was exposed to his music at a really young age. His shows have always been part of my life and musical DNA.  I’m so grateful for the way his art has impacted and inspired me as a performer through the different phases of my life.

JS: Wow Madeline, so cool. You both have roles that are intricate and important to the ‘story-telling’ that makes ITW such a beloved story. What resonates with you about your respective roles….Madeline, you first this time!!

MS: (the WITCH) The Witch has such an interesting emotional arc through the show. Her story is about intergenerational trauma and how we’re all just trying to do better than our parents did, and their parents before them. Her mother cursed her with ugliness because the Baker’s Father stole her beans, which was completely outside of her control. Not something a kind and loving mother would do, if you ask me! The Witch tries so desperately to be a better mother than hers was, but ends up holding on to Rapunzel too tightly. She loves her so deeply and tries to do right by her, but continues to make mistakes. It’s just so human to love so deeply and be so flawed. I think we can all see a bit of ourselves in that dynamic.

JS: Ummm, that’s like a spot-on description of the role….take notes folks….Kyle?

KC: The Baker is a complicated, beautifully flawed man. However, what is truly endearing about him is his willingness to change – that is a rare trait in so many men and male characters throughout theatre canon. The complicated relationship between him and his father directly dictates his relationship with fatherhood, so his evolution has been a treat to explore. I’m fortunate to tackle paternal roles frequently, but I have yet to find one I connect with so personally as I do with the Baker.

MS: I love roles that allow me to blend my classical and musical theatre training. I would love to play Amalia in She Loves Me, Dot in Sunday in the Park with George, Francesca in Bridges of Madison County, Rodgers and Hammerstein- basically everything Kelli O’Hara has done.

JS: You two need to write ‘character descriptors’ for script companies.  HA HA! Keeping that in mind, what role are you still wanting to tackle in your career?

KC: Good question. There are so many amazing characters I want to play. I’d love to tackle Vanya, Hamlet, Phil Connors in Groundhog Day, Sweeney Todd, Tony in WSS, etc. The Baker was a big one, but I’m happy I got to tackle it the first time.

MS:I love roles that allow me to blend my classical and musical theatre training. I would love to play Amalia in She Loves Me, Dot in Sunday in the Park with George, Francesca in Bridges of Madison County, Rodgers and Hammerstein- basically everything Kelli O’Hara has done.

JS: OMG….quick story. I met her, didn’t know who she was…it was literally 20 plus years go…and she was in ‘Jekyll and Hyde’ on some tour back then. 10 years later she’s doing ‘South Pacific’ and I’m like, that’s that lady who people said would be famous some day…um….I think she’s been nominated for 8 Tonys..and of course, now the ‘Gilded Age.’ Sorry, I digress…

So when did you know acting was ‘for you?’

MS: My parents love to tell the story of me at about 3 years old, coming out into the living room and singing “Ol’ Man River” from Show Boat in the lowest notes I could possibly squawk out. I knew from the time I could talk that I was going to be a singer.

KC: The theatre bug bites early and hard. My work in the theatre began when I was about 8, and honestly, it’s been an inextricable element of who I am ever since. Whether I would pursue this professionally was never really in question, it’s just a matter of who I am.

JS: You two are a delight to chat with. Thank you both so very much. Anything else you would like to share with our readers?

MS: Well, hmmm, in addition to performing, I teach voice lessons through the Madeline Stern Vocal Studio online. I also love creating content for singers on Instagram and TikTok @SingwithMadeline. Check out if you want to learn more about me!

KC: Feel free to follow me at kyle.channell on Instagram or check out my website at kylechannell.com! I hope you enjoy the show and please keep supporting the theatre scene wherever you are. This is an industry still recovering from COVID so your patronage is what keeps the theatre scene both in Dayton and beyond alive.

JS: Well said Kyle. I am hoping you both ‘break-a-leg’ this weekend and continue to entertain on that stage for a lifetime.

Come see Kyle and Madeline….

  • May 16 – 19, 2024
  • Boll Theatre at the University of Dayton, 300 College Park Avenue, 45469

For more information and tickets to TheatreLab Dayton’s Into the Woods go to http://bit.ly/TLDIntoTheWoods

 

 

 

 

The ‘Lion King’ remains a Creative Masterpiece.

By

 

Simba and fans!

I have always had a love/hate relationship with Disney musicals, but let’s give this one what it is due…..there’s a sense of divinity in this classic. Is it the rhino… the elephant baby, the plethora of herded animals…or what about the ballet of birds, the hideous hyenas….so much to sit and marvel! Disney went all the way in and with the ingenious use of costuming and a fabulous musical score, I kindly tip my safari hat to this one.

Watching the audience was, in itself, a treat. Children with mouths wide open as actors paraded a few times down the aisles. Adults laughing at the jokes keenly written for their pleasure. The ROAR of the crowd when that final curtain comes down, and you ‘feel the love tonight!’

‘Lion King‘ doesn’t sugar-coat the story either…as broadway can sometimes do. The heart-breaking circumstances that lead us through the ‘sibling rivalry’ of Scar and Mufasa; the desperation of needing to find purpose in Simba; and the undying support of Nala….what a VOICE! There are strong players throughout the production. Rafiki, Pumbaa and Timon delight the captive audience. Zazu flies in and out just enough to move the plot forward.

All that aside, take a minute and really watch what’s happening in this cavalcade…..the technology that makes it GOOOOOOO! Look to Scar’s mask, the lionesses’ choreography, the endless puppetry..It’s a GAS, just ask Pumbaa! During the show, a young girl sat directly in front of me. Her excitement was palpable. She believed what was on that stage…it was real. These characters, be they men, women or beast, were at the Schuster Center and they were ALIVE. Their story was important and needed to be heard….and she listened. As we made our way out, her grandmother asked ‘Well, what did you think?’ Her eyes, still large from the sights, ‘I’m so glad he got to be King! He’s a good lion.’

And there it is….in true Disney fashion…a reason to believe  that all is well in the world. At least it is at the Schuster for a few more nights!!!

For more information click here:

The Lion King

 

 

 

 

‘My, Oh My!’ Tina is a Powerhouse!

By

Tina, the Musical, packs so much energy, you’ll be exhausted just watching it. And it’s not all upbeat and bouncy. The show takes us through Tina’s life and times. Nothing is left to the imagination, and at times, you will feel the heartache and heartbreak that Tina Turner endured. From the time the curtain rises, we get a sense that there’s a lot to Tina….and from her early life as Anna Mae Bullock, to her brilliant rise to stardom as a single act, we get to cheer her on.

The perseverance, the passion and the push forward that she models is a good lesson for everyone. For most of us. we know the story…we saw the incredible movie that opened the door on Tina’s struggles and successes. But, as is always the. case, the stage brings an intimacy. You are there. At no other time in the musical is that more apparent then the scene right before intermission. ‘I Don’t Wanna Fight’ plays as Tina sees her way out. So Satisfying.

The musical features all the songs you know and love from Tina’s anthology and Ike’s as well. Most of the songs fit perfectly with the story’s progression (although ‘We Don’t Need Another Hero’ pops in at a strange time.)

It’s really in the final moments of the actual show that you feel the audience sit-up as if to say, ‘There’s Tina!’ Do yourself a favor and hang in there after that curtain falls…you’ll thank me. You will be on your feet!

The cast is superb. Big, bellowing voices, high kicking dancers and acting that is more than run of the mill convincing. You feel it.

There are some magic moments, like  ‘Let’s Stay Together’ and how it was fits in the script, and I really loved ‘River Deep, Mountain High,’ because it was pure, and poppy! OH, and of. course ‘Proud Mary!’ need I say anything about that quintessential favorite.

Faced with an unloving mother, a pompous husband and a world that wasn’t exactly ready for the star that was Tina Turner, the show is so incredibly redeeming, and, for the record, Tina will remain an inspiration to us all!

For More Information….log-on to: https://www.daytonlive.org/venues/schuster-center/

Magnolia Theatre Company Serves Up ‘5 Lesbians Eating a Quiche!’

By

Gina Handy Minyard is ready to share ‘5 Lesbians Eating a Quiche‘ with the Dayton audience….the tale is ‘beautiful,’ ‘uplifting’ and ‘interactive.’ I was so excited to catch up with her to get more about Magnolia Theatre Company‘s latest production!

JS: Hi Gina. Thank you for taking time to chat. about your upcoming production! First, why did you choose this show in particluar?

GM: Hi Josh. Well, MTC loves a theme! The 2023-24 season focuses on joy, love, and belonging.  ‘Five Lesbians Eating a Quiche’ is a perfect way to show these things.  Although the show has a funny title, it really tells a beautiful story about these 5 women and how they work together in good times- a quiche breakfast, and bad times- the threat of an atomic bomb.  We wanted audiences to be able to laugh this year.  Also, we are committed to uplifting underrepresented groups and lesbians are a group that are often missing from the theatrical stage.  We are proud to bring this to Dayton audiences.

JS: True….and it’s something I never really considered. So, what should audiences expect from this production?

GM: This show is interactive!  Audience members will be attending the 1956 Annual Quiche Breakfast.  They become an active participant in our world.  They can expect to be taken back to a simpler time, and they will laugh a lot.  The show was written with an improvisation element, so no two shows will be the same.

JS: Love that! It definitely makes things fresh…for you and for your viewers. I guess, I really am interested in what this show centers around. The title certainly catches your attention!

GM: It’s 1956 and The Susan B. Anthony Society for the Sisters of Gertrude Stein are having their annual quiche breakfast. As the assembled five women await the announcement of the society’s prize-winning quiche, the atomic bomb sirens sound! Has the Communist threat come to pass? How will the women respond as their idyllic town and lifestyle faces attacks?

JS: Ummmmmm….that is not at all where I thought this story was heading. WOW. Intrigued!! Good for the Magnolia Theatre Company for reaching toward such a unique play. (The MTC has quite a history. It was founded in 2012 by Gina Handy Minyard. MTC quickly became one of the most talked about theatres in Pennsylvania. Minyard, a professional actor, had become more aware of the gender disparities in the theatre, and research proved there was a lack of female leadership and opportunities for women. Inspired by change, she decided to start a professional theatre company dedicated to women. The company moved to Dayton, OH in 2014 where the need for professional theatre for women was bigger than ever. MTC joined the ImPACt program at the Victoria Theatre Association. Their first show, Parallel Lives, was produced with 100% local, female talent. MTC has continued in its quest, producing the fundraiser Broadway Beveled, an evening of male songs and monologues gender flipped. Magnolia Theatre Company also started Femme Artisan, a staged reading series dedicated to new and under produced work. In 2022, with the help of the Montgomery County Arts and Cultural District, MTC became a 501(c)3 organization. They have become a producing partner with the University of Dayton’s Theatre, Dance and Performance Technology program for the 2023-24 season and is a new member of Dayton Live’s Community Spotlight Program.)

JS: So, Gina, I know you are directing the show. Who are the 5 cast members?

GM: It’s a great cast. Sarah Gomes, Emma Massey, Skye Hodgkin, Cydnie Hampton, and Vera Allen. Our stage manager is Alyssa Jenkins.

JS: Stellar group. How do people see the show?

GM: It runs April 4,5 and 6 at  7:30 pm.  April 6 and 7  at 2pm. We are performing at  the PNC Arts Annex  56 W. 2nd St. Dayton, OH 45402. The show runs 70-75 min. No intermission.

JS: To you and all the cast, BREAK LEGS!! Thank Gina!

For more info, go to http://www.daytonlive.org/events/five-lesbians-eating-quiche/

 

Heart-Warming ‘One Life’ is a Beacon of Hope for the Modern World.

By

We need heroes these days. People to take us from this incessant era of anger, heart-ache and the fake bliss that is social media. We need people who think beyond themselves. People who look to help others in the face of evil and terror. Our time, this time in the world is not anything new or out of the ordinary. There will always be poverty, war, homeless and HATE. We have those in check, and so, what we need are heroes like the one depicted in ‘One Life,’ a film now showing at the Neon Movies.

It is rare I think to write about film. It’s always ‘iffy’ to go there. But, if you like a recommendation, here it is. Sitting at 93% on Rotten Tomatoes, ‘One Life’ is proving to be that little film with a big heart, and a big consensus “You should see it…”

Anthony Hopkins (the perfect pick) stars in the film,  along with Helena Bonham-Carter (a role made for her) and Johnny Flynn (such a strong, staid performance.) Flynn plays the younger Nicky Winton. the hero of our story. Winton was instrumental in saving lives during the occupation of Czechoslovakia. His focus was on the children, who needed an escape from the oncoming Nazi regime. 5 decades later, Hopkins, the elder Winton, reflects on, and is haunted by, what became of those children. And we are in for an emotional roller-coaster, as the story unfolds, almost told too conventionally….Here is what happened, and here is why it mattered. But within that conventional style, we are given the facts, and the faces of heroes. (Bring your Kleenex) It all comes together with the film’s defining moments, and our hearts are, alas, FULL!

Though there will be times when you want to push the needle forward more quickly and with more finesses in the film, it’s the beauty of the actors’ performances that keep us engaged. The children in the film alone seem like seasoned performers, tugging at our heart-strings, yet never letting us forget the horror they are facing. The atmosphere, both in flashbacks and in the later years, is well-executed….there are definite ‘moods’ to both.

The film is directed by James Hawes, (the Challenger Disaster, 2013). His modest story-telling in ‘One Life‘ again retains his desire to get the story right…and let the reality in that, do the work. The movie is based on the book ‘ If It’s Not Impossible…: The Life of Sir Nicholas Winton.’ by Barbara Winton.

For Winton, it was always about doing what’s right by people. Within the hour and 45 minute film, you cannot help but think about our world….anti-semitism, invasion, refugees, and of course, the misplaced children. Injustice…I mean isn’t that what always brings about rising heroes…in film and in life. You will leave the theater, teary-eyed and wondering who will save us from ourselves…in our ‘One Life?’

Catch ‘One Life’ at the Neon until 3/28! Info Below:

https://www.neonmovies.com/home

 

If you’re heading to ‘HADESTOWN’….’Wait For Me!’

By

 

For those of us who went through mythology classes, we know the story. We know the beginning, the middle, and yes, the END! THAT ENDING! Like most of the Dayton audience, I felt the need to change it up…to make it different….to stop the inevitable….but ‘It’s a sad song, and we’re gonna sing it anyway!’ From the jump, ‘Hadestown‘ dives right into the story. Our focus falls to Orpheus (J Antonio Rodriguez…with a falsetto like no other)  and his love for Eurydice (Amaya Braganza, with her smooth, solid voice). The tale is rough and wrought with issues…hunger, poverty and longing. It grinds…until the frenetic Persephone makes her entrance. The character, one for the mythological ages, is played with an almost gymnastic quality by Lana Gordon. (She will wow you in the second act!) If you recall, Persephone lives half of the year with her hubs Hades (Matthew Patrick Quinn…who adds an emotional quality to his character, which I’ve not seen in previous performances). Their troubled relationship ebbs and flows throughout, delivered with voice and VOICES!

The story moves on the ‘track’, taking us from Eurydice‘s strife of freezing and needing sustenance; through Orpheus‘ idealism and hope to bring Spring along; Persephone‘s time ‘down below’ casting the world into cold and dark; and Hades strict control of his underworld, where lyrics on building walls, and silencing uprisings seem timely, today!

As the train continues forward…barreling into hell, we wish we could stop things…the decisions Eurydice‘s makes for her future; the anger Hades feels for the world he cannot control; the choice of Orpheus to take the ‘test!’ (DON’T DO IT!!). And throughout, there is this emotional current pulling at our heartstrings as we go. (There were tears from many in the audience as fate deals us that ‘blow.’) All the while, we relate. We relate to the themes whispering in our ears….doubt, worry, survival. Those voices brought to life through strong vocals from the Fates ( Marla Louissaint, Hannah Schreer & Lizzie Markson.)

Throughout our show, the onstage musicians take us on a musical ride that truly is dynamic. They are, each and every one, masters of their craft. You almost want a concert featuring…well…just them! And along with them is Hermes (played by the endearing Will Mann). He connects so well, reminding us that this not gonna be easy!

No doubt, the story could drag, but the visuals (the lighting, the special effects), the set (with its nod to New Orleans) and the sounds (especially during the beloved ‘Why we Build The Wall’) keep us enthralled and engaged. It is hard to let your attention wander.

Look, this isn’t your run of the mill Broadway show. It’s obscure, and handles political issues seamlessly. It has songs that are beyond our everyday Broadway experience (‘Doubt Comes In‘, ‘Our Lady of the Underground‘, ‘Hey, Little Songbird‘) It tackles a classic tale with hope for a resolution, and then takes us where we knew were going all along. It’s eerie and odd, beautiful yet broken.

There’s a reason ‘Hadestown‘ can at times be polarizing. Strong feelings on both sides of the aisle. In the words of a friend in attendance ‘I hate unhappy endings.’ To that I say, ‘It’s a sad song, and we’re gonna sing it anyway!’ 

For further information on times and tickets, click below!

https://www.daytonlive.org/events/hadestown/?gad_source=1&gclid=Cj0KCQjwncWvBhD_ARIsAEb2HW8ljCZApo1EYrwidJ44OSIL-nmV5nvo_HqgQhqj3WBzQlcyRhcqsN8aAmS4EALw_wcB

 

 

Misery Packs a Terrifying PUNCH!

By

Stephen’s King frightening tale of an obsessed fan, MISERY, comes to life this weekend at the PNC Arts Annex. TheatreLab‘s deep dive into the novel looks eerie, and excellent. I was lucky enough to catch up with the show’s director, Allie Haines. She gave me the lowdown, on this blood-curdling ride through the mind of a psychopath….the notorious Annie Wilkes.

JS: Hi Allie….so good to see you. So, tell me this, Why Misery??

AH: Hi Josh…yes, TheatreLab has a history of success presenting shows around the Halloween season and we’ve been wanting to introduce plays into our offerings, so Misery felt like a no brainer. The story feels timeless and relevant with its issues of fame, obsession, and addiction and we wanted to give the audience an immersive, voyeuristic view inside of this nightmare.

JS: It’s a story so many know…and love, especially the film. Are there parallels?

AH: Quite similar, actually! You can expect the same thrilling ride, with our own compelling twists and turns throughout. Complete with sledgehammer!

JS: Yay, the sledgehammer. (For those of you unfamiliar, you will appreciate the loyalty to the story King wrote. Let’s juist say, some of the props are stars as well.) Thinking in terms of stars, there is a lot of talk about this cast. What can you share with us?

AH: These actors. Phew!!! Every night they surprise us, make us laugh, gasp in horror and send chills down our spines. Naman Clark plays a suave and confident Sheriff Buster, Kaleb Smith enters the chat as the sarcastic and endearing famous author Paul Sheldon, and Adelyn Helms embodies our Annie Wilkes with a mastery that’s at once both enchanting and terrifying. They are a truly phenomenal cast that must be seen to be believed, bringing these classic characters to life – for a new generation of Misery devotees.

JS: I’m a devotee. I think about some of those scenes, and find myself rooting for Annie….sick as that is! It’s just got so much energy in the show…all over the place energy. I know people are dying to get tickets….what are the dates/times?

AH: 4. One weekend only! November 2-4th. Link for tickets is right here: https://www.daytonlive.org/events/misery/

JS: There are also rumors about TheatreLab using their own space for upcoming performances. The previews for Misery were a hit….from the sinister elevator ride, to the immersive performances. Whats the story with all of that?

AH:5. Our rehearsal space on Jefferson St really lends itself to performance and experiential opportunities and opening up our final rehearsals of Misery to the public and transforming our space into a version of the show felt like the beginnings of a new direction for TLD. Up next, [title of show] will be playing in our space and our wheels are already turning with ideas for more intimate, immersive, and one of a kind theatrical experiences.

JS: YAY! Smart! Ok, so, with all the word on theaters around the country facing tough times….how can Dayton get involved in TLD. Are there opportunities to support beyond tickets?

AH: We believe live theater and telling these stories on stage cultivates empathy, connection and hope in our beautiful, yet fractured world. Art is essential. We need your support to continue this crucial work, to compensate local artists and spark deep conversations about the human experience. You can get involved in so many ways! Visit our website and contact us if you’d like to volunteer or donate (we accept Venmo, PayPal, and good ol fashioned checks and cash!). You truly are our best advocates! If you come to our show and enjoyed it – spread the word online and to your friends! You make a huge difference in allowing The Lab to continue to INVOLVE, INNOVATE and INSPIRE! Thank you!

JS: Ummmmm…..that was like a practiced speech Alle….but I get it. Best of luck with Misery, and for the season itself. And thank you!

AH: See you at the show….Thanks Josh.

 

 

RAVE REVIEW! Provocative and Passionate….”Mockingbird” is Magnificent!

By

I have to admit, I was fearful of a stage adaptation of Harper Lee’s ‘To Kill A Mockingbird.’ As a teacher who made sure students were aware of rich literature, ‘Mockingbird‘ stands alone. Aaron Sorkin‘s play strikes every chord, and keeps the pace perfectly throughout. It’s raw, it’s uncomfortable and it’s powerful!

From the outset, the stage is deep and dark…invoking the South of the past. Large stage pieces, choreographed in their movements as we glide through the story, bring to mind the expansive porches, imposing courtrooms, and live oaks hanging eerily in the background. The mood is quiet and curious. As the actors make their initial entrance, you recognize the characters….Scout, Tom, Atticus….and each is as you pictured them when you read the novel. Perfectly cast are Richard Thomas (Atticus), who gets a rousing applause as he sets foot on the stage…(Yes, It’s John Boy from the ‘Waltons’)….Melanie Moore (the endearing Scout)….Yaegel Welch (the heartbreaking Tom)….and a crowd favorite Jacqueline Welch (the soul-filled Calpurnia.) There is NOT ONE….I repeat, NOT ONE character that isn’t played to the ‘t’ by this cast. Each as believable as the next.

And it goes beyond sets and actors. ‘Mockingbird‘ is tough….it’s agonizing. Faced with unfairness, prejudice and injustice, the audience has to endure the inevitable. We have to take a look inside ourselves and see who we are, by seeing who they are. Us! From the injured parties…Mayella (Mariah Lee), Link Deas (Greg Wood)…to those attempting to make wrongs right…..Judge Taylor (Jeff Still), Jem Finch (Stephen Cefalu, Jr.)…we see ourselves. Many times….not liking what we see. What this play does is bring us together to realize our world, even today, needs people to say ‘enough!’ It reminds us that when one of us is wronged, all of us are wronged. And REMARKABLY it does it with humor and gentleness.

It’s the audience that becomes that litmus for this production. Gasps, tears, laughs and rousing applause say it all. There is hope in all things. We are reminded that the world we live in can be evil. But through the eyes of our 3 young heroes, we find a way to look to a future of ‘being better.’ It’s not right to ‘Kill a Mockingbird…’ you know the line. But, as you leave this beautifully atmospheric production you get Why! It sticks….and you exit the theatre thinking of how you can make a difference in this unjust world.

SEE THIS SHOW…..IT MATTERS!

Info: Harper Lee’s ‘To Kill A Mockingbird.’

Tickets@ Dayton Live

October 17-22 at The Schuster Center.

 

 

 

 

 

 

Dayton’s Beloved Human Race Theatre Provides Much Needed Laughs in ‘Tom Jones!’

By

Wells, Brown and Cordes

 

The Human Race Theatre Company is on a mission…to be a resource for laughter with the World Premiere (yes, I said World) of the bawdy and outrageous ‘This is Tom Jones!’ I am again, so fortunate to have the opportunity to talk to some of the folks responsible for this fun, frenzied love story. This time around, I was able to chat with Emily Wells (Director), Mark Brown (The musical’s writer) and Jamie Cordes (one of the stars!)

JS: Thank you all for taking a minute to talk about what looks like a hoot! Mark, can you tell us a bit about the show?

Mark Brown: Of course. It’s a two hour romp…fast-paced, Boy meets Girl story based on Henry Fielding’s work.  It’s chock full of 1960’s British Invasion style music…set in the 1700’s.

JS: Weird?

MB: Yes, but this weird world that’s been created really works…full of hi-jinx and surprises.

Emily Wells: It really does work. There’s romance blended seamlessly into the show as well. It’s beautifully done.

Jamie Cordes: It has such a vibe….its a groovy, hip, fast paced, blast of a time.

JS: Mark, I know your ‘Around the World in 80 Days’ also played at the Race! Are you from somewhere near here?

MB: Actually, I am from New Jersey, but reside in Los Angeles.

Cast of ‘This is Tom Jones!’

JS: Well, I can tell you, you have quite a fan base here with ’80 Days!’ So, this being a World Premiere, have you had to make changes, or work the show differently than you anticipated.

MB: Funny you should ask….yes, putting it together here, there have been 7 revisions, 2 songs have been cut….and I have incorporated 2 scenes from the non-musical version of the show. It really has helped make the show special. I have been so lucky working with Kyle Mangold and Melinda Porto, the whole cast and crew actually. Everyone here is super nice! Truly.

EW: And the cast is only 9 people, yet they tackle 34 characters. And they do it well.

JS: Speaking of the cast, Jamie what attracted you to ‘Jones?’

JC: I am a huge fan of new(er) works in theatre.  I’ve been a part of numerous workshops of new works at The Human Race and The Puzzle in NYC.  When I read the script, I laughed out loud so many times.  I LOVE what Mark Brown has written.  It is Monty Python, Austin Powers and Airplane (the movie) humor set in an 18th century story.  Being involved in this premiere and sharing it with Dayton audiences is exciting.

JS: And the cast and crew include folks from here. Right Emily?x

EW: Yes. Correct. The show has some of our resident artists as well as others who call Dayton home. That has been a goal of ours, involving community in our productions. I believe our show Bar-B-Q was made up of 75% local people. So, we are committed to making that part of the Human Race. It’s important to put dollars into our city and our people.

JS: Great point! I feel like the Human Race is connecting well with the community and ticket-buyers. Do you guys feel that for this season?

JC: The Human Race Theatre continues to entertain and inspire audiences with new(er) works that are thought provoking and explore the human condition.  The stories on this 2023-24 season are diverse in content providing opportunities to see unique, beautiful and humorous theatrical works.

EW: We are reaching out to theater lovers in a time when many people have limited resources. We have special ticket pricing like ‘pay what can’ productions. We want everyone to see the shows. We have many young folks on staff who remind us to keep things accessible for all ages. It’s important because there is a magic in theater, that relationship between audience and artist that can only happen live. And each and every night is a unique one night experience!

Laughs Abound in 'Jones!'JS: And what do you feel audiences can expect from ‘Jones?’ 

MB: It’s one of those plays that has a message that isn’t in your face, or hitting you over the head. The show is total escapism blended with some nonsense and the message is revealed simply. I am hopeful people will laugh for 2 hours…who doesn’t want to do that?!

JC: I can’t express enough the joy This is Tom Jones! has provided.  The cast, creative team, and band are wonderful.  So much laughter in exploring this piece and we can’t wait for audiences to go on the journey with us!

JS: BREAK-A-LEG and again, thank you ALL for giving us a little insight into this show! Emily, continued success for you and your Company! BRAVO!

 

 

‘This is Tom Jones’ Plays September 7 – Septmber 24.

Showtimes :

Tuesdays and Wednesdays 7pm.

Thursdays, Fridays and Saturdays 8pm

Sundays (varied, check times.)

For tickets, visit:

https://www.daytonlive.org/events/this-is-tom-jones/

The Human Race Theatre is at 126 North Main Street, Downtown.

 

 

 

 

 

 

The Theatre Guild Continues to Move the Needle Forward with ‘Radio Golf.’

By

Waldron Directs ‘Radio Golf’ at Theatre Guild.

The Dayton Theatre Guild has long been known for its cutting edge productions, and its expert presentation of tough subject matter. August Wilson’s ‘Radio Golf‘ remains firmly in that path! I was lucky enough to catch up with the show’s director, Robert-Wayne Waldron. He gave us the inside scoop to this latest performance.

JS: Rob, so good to see you and to get a minute to chat about ‘Radio Golf.’ And with that, why ‘Radio Golf?’ What stuck out about it that made it seem like the play to do today?

RWW:  I did not choose the show it was chosen by the Dayton Theatre Guild to open its 23-24 season. I was chosen from 3 other directors. I jumped at the chance it’s been a few years since I’ve been at the helm of a show and its August Wilson! Radio Golf is the final play in August Wilson’s Century Cycle of ten plays set in Pittsburgh 1997. It tells the story of Harmond Wilks a real-estate developer  who is running to be the first Black mayor of Pittsburgh. When he confronted with sacrificing the past in order to pursue progress.

JS: The show has such depth and truly looks at gentrification and politics….etc. What do you hope audiences get from this show?

RWW: I hope our audience gain a better understanding of the continuing struggle of the Black community to preserve our history and traditions and embrace progress without sacrificing that past.

JS: Timely for sure. I know the Theatre Guild is known for dynamic ‘straight’ plays (non-musicals). How would you say this show is relevant in our climate today?

RWW: First of all, it’s August Wilson, the poet of theatre’s Black America. This show puts it right out there, the things that are still happening today the destruction of neighborhoods and communities in the name of progress, but for who…. certainly not the people in those communities. That’s because this progress and the improvements are out of the financial reach of the people in these communities.

JS: We literally can look around our area and see the same. Wow! So, for you, what is it in directing that you enjoy?

Cast of ‘Radio Golf.’

RWW: I enjoy the process of get a show to the stage. Expressing my creativity and working with the actors to bring the words of the script to life.

JS: And do you have a personal favorite show you have done in the area?

RWW: I have directed a lot of theatre over the years! If I had to pick one, it would be this one Radio Golf.   It came along at a difficult time in my life, health wise, and it created an outlet for me not to be in my head with my health issue. I’m working with this amazing cast of actors and its been an awesome experience.

JS: Speaking of….who are you cast and crew?

RWW: Director: Robert-Wayne Waldron, Harmond Wilks: S. Francis Livisay, Mame Wilks: Jena Perry, Roosevelt Hicks: Lessley Scott, Sterling Johnson: Andre Tomlinson & Elder Joseph Barlow: Franklin Johnson.

August Wilson’s Radio Golf at DTG.

JS: This sounds like a real success for the Guild….what about ticket info?

RWW: August Wilson’s Radio Golf opens today, August 25th and runs weekends thru Sept 10th At the Dayton Theatre Guild 430 Wayne Avenue!

Tickets can be purchased online at Daytontheatreguild.org.
JS: Break a leg, my friend. And thanks for talking with me!
Make sure and look into all the great theater happening in dayton this weekend and every weekend!
Keep up by revisiting us at Dayton937.com.
Josh is always looking to highlight your next performance!
Reach out so he can get the story out about your upcoming production!

 

AlphaTrips. D is for Dublin! BridgePark is a Great Big Getaway!

By

Bridge Park is Dublin’s newest development that combines upscale residential living with unique dining, shopping and attractions in Downtown Dublin. Now, before you poo-poo the whole, ‘here we go again, a manmade neighborhood…’ give it a once over. Unlike its unrelated cousins (the Greene and Easton), Bridge Park has found a way to bring the new into the old. Utilizing an actual Bridge, the entertainment district seamlessly blends into the historic side of the city. (Wouldn’t that have been novel in Dayton!!) The expansive district, designed by Crawford-Hoying, cost over $20,000,000 and is literally chock full of favorites and upstarts alike.

Among the places to visit for food in Bridge Park are Columbus’s beloved ‘North Market-Dublin,’Frank and Carl’s’ and ‘Weenie Wonder.’ There is a little bit of something for everyone, although shopping is not the forte here as it is in many ‘manmade’ neighborhoods. Kids and grown-ups alike will love ‘PINS Mechanical‘, for bowling, games and food, too! There is a ‘16-Bit’ video lounge on-site, and while the kids are playing, moms can go enjoy various spas in the area.

One of the best surprises came from AC Marriott, yes the same designers who are bringing ‘The Foundry‘ rooftop to Dayton. In the Dublin hotel, VASO, a rooftop experience awaits, the view is stunning and the bar is large and forever full! Parking at Bridge Park is ample, which again, makes for a more stress-less experience. Dinner was ‘Kitchen Social’ for our little group…and it was top-notch! (Heads-Up…it’s loud for those who think about such things.)

There are a plethora of events in the area throughout the year. Dublin’s Irish Festival is massive and well-known!! You can get all of that information by going to their website at visitdublinohio.com

Aside from the brick and mortar, you can walk along the river and enjoy the views from both sides…watching bikers in the historic area, seeing families hand-in-hand along the walkway and the sunset (at least when we were there) can be idyllic from the roof. No doubt, Dayton has its advantages….most importantly, we don’t have to endure the tax base that Dublin does….but as long as they are paying, go and enjoy this upscale, inviting haven!

Bridge Park is located at 6634 Riverside Dr. Dublin, OH 43017.

For specific information to the development, click here: https://www.bridgepark.com