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On Stage Dayton Previews

Dayton Ballet’s ‘Cinderella’ Lures Long Island Danseur!

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The Dayton Ballet has proven resilient through the COVID crisis, keeping dancers on their toes, and landing guests from bigger cities! ‘”I need to perform LIVE, I need an audience. I was dancing with the Metropolitan in New York and kept hearing ‘The Met will never close, never close!’ And then they closed.”  Time to make some decisions for Long Island native, Christopher Brian Nachtrab. The 13 year ballet veteran thought ‘Is this it? Is this how it ends?’ “I immediately started looking around for companies trying to do some kind of live performing. There were a few. Of course, safety was the first thing you had to think about.” Nachtrab has worked with Sacramento and Richmond Ballet companies. He is a graduate of Indiana University.

Nachtrab falls hard for Dayton!

“I heard one of the first to really move ahead with at least some kind of safe performing was here in Dayton. Then, I heard about Cinderella, a ballet I love and have performed multiple times. I put word out that I was hoping to join the company as a guest!” Sometime later, word came from Dayton Ballet Director, Karen Russo Burke. “She’s amazing. Dayton has such a great team and she is an incredible leader.” Nachtrab landed a part….as the Ugly Stepsister! “I was thrilled.” His sister -in-crime is Dayton Ballet’s own Isaac Jones. “We have a great time together!”

Dayton Ballet’s ‘Cinderella’ runs 4/23-4/25 with virtual options as well. “The show, obviously has limited seating, but knowing the audience is live just makes such a difference. We need their reactions to help us perform!”

Some UGLY Stepsisters.

For Nachtrab, dance is in his blood, His mother was his instructor on Long Island. “She still teaches dance today, and she’s stellar at it!” Nachtrab knew being a boy in ballet was not the norm…”But my parents told me if it is what you want, we will stop at nothing to see that you are successful.”  And he has been. As a child he dreamt of performing with the Met, and then it happened. “I remember getting on that stage and just thinking, it’s come full circle!” A city just outside of that circle is new favorite for Nachtrab….DAYTON! “I was so impressed with how this city embraces the arts. It’s a stronger bond than many big cities. Dayton is rallying around the arts community, and with COVID, many of us were feeling depressed and isolated!” His love for Dayton was a quick one, visiting many restaurants, bars, the Oregon District and even a trip to the Drive-In. “There’s a lot to enjoy here.”

As for the Ballet’s ‘Cinderella,’ the production is serious, hilarious, true-to-tale and magical! The costuming, which folks have been floored by, is simply fantastic with design by DB alum Lowell Mathwich. Pristine sets and impressive design add to the flair of the Ballet.

‘Cinderella’ Gets Her Chance!

With all of that, and the chance to do a live performance, Nachtrab has found a home away from home…at least for now. “I am getting to do what I love, with a group of dancers who are exceptional! All of them!” For the Dayton Ballet, Nachtrab and our community, seeing the dancers live is not only a dream come true, it is, in a sense, a Cinderella story! And we all know how well that ends!

For more information visit:

CINDERELLA
Dayton Ballet
Friday, April 23, 2021 at 7:30 p.m.
Saturday, April 24, 2021 at 3:00 p.m.
Sunday, April 25, 2021 at 3:00 p.m.
Victoria Theatre
Live Stream premieres Saturday, April 24 at 3:00 p.m.

70 minutes (no intermission)

 

Muse Machine presents “In The Heights” with bonus Pre-Show Celebration!

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One the Dayton’s most valuable assets is its robust arts community, from visual art, music, and all forms of performing arts. We cultivate that talent in our youth, through innovative programs like Muse Machine, which serves over 75,000 students in southwest Ohio.

Every January, Muse Machine presents a musical that features more than 100 young people from across the Miami Valley. I was re-introduced to these musical performances last year, and I was simply blown away by the talent these teenagers display. There is no doubt, several . are bound for Broadway!

This year Muse Machine presents “In the Heights“, a musical by Lin-Manuel Miranda (creator of Hamilton). The story explores three days of the characters’ lives in the NYC Latino neighborhood of Washington Heights. On the brink of change, friends and family bring their hopes and dreams to life. The score features hip-hop, salsa, meringue and soul music.

The Muse Machine musical has been praised by The Dayton Daily News as “a performing arts all-star effort,” while The Oakwood Register has called it “an evening of true theatrical joy… ” You can see it for yourself Thursday January 16th through Sunday January 19th at the Victoria Theatre in Dayton, Ohio, January 16-19, 2020. Tickets available now through Ticket Center Stage.

Of course attending the performance is a fantastic way to support the organization. If you want to go above and beyond, and have some pre-show fun with fabulous people, consider attending Muse Machine’s annual Social & Show from 5:30 – 7:30 on Friday, January 17, 2020.

There you’ll enjoy cocktails & heavy hors d’oeuvres at Table 33. Each ticket will include food and two drink tickets with choice theatre seating.  It’s an evening you won’t want to miss!  Ticket sales for the Social & Show end January 11, 2020, so don’t delay!

HOW TO GO?

Social & Show Pre-Show Party / Fundraiser

Friday, January 17, 2020

5:30 – 7:30pm
Cocktails & heavy hors d’oeuvres
Table 33 (130 W 2nd St, Dayton OH 45402)

Muse Machine presents the hit musical
IN THE HEIGHTS at 8pm
From Lin-Manuel Miranda, creator of HAMILTON
Victoria Theatre (138 N Main St, Dayton OH 45402)

Each ticket includes food, two drink tickets and deluxe theatre seating (seats will be assigned on a first come, first served basis). $45 Ticket for Social only / $100 Social & Show

For info and registration: http://musemachine.com/social/

In the Heights performances:

Thursday January 16, 2020 7pm

Friday, January 17, 2020 8pm

Saturday, January 18, 2020 3pm

Saturday, January 18, 2020 8pm

Sunday January 19, 20020 2pm

Tickets start at $27 and can be purchased here:  https://my.ticketcenterstage.com/overview/6144?fbclid=IwAR04TtWvd-b5JrnGUPpTueUuNmU0tlgtFZOS2nboT3JzjTZBIG_wUJYA77w

‘Still Alice’ Review – Young at Heart Players – The Farewell

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Linguistics professor Alice Howland’s life-altering battle with early-onset Alzheimer’s disease grips with heartbreaking poignancy in Christine Mary Dunford’s 2013 drama Still Alice, excellently presented in its regional premiere courtesy of Young at Heart Players at the Dayton Playhouse.

STILL ALICE (left to right) Cher Collins (Dr. Tamara/Beth), Cassandra Engber (Alice), Steve Straswer (John), Chelsey Hall (Lydia), Brandon Shockney (Thomas), Rachel Oprea (Herself), and Shawn Hooks (Dr. Davis/Dan) comprise the cast of Young at Heart Players’ regional premiere of “Still Alice,” continuing through Dec. 1 at the Dayton Playhouse. (Photo by Fran and Annie Pesch)

Based on Lisa Genova’s 2007 novel and notably filmed in 2014 featuring Julianne Moore’s Academy Award-winning performance, Still Alice chronicles the complexities, shock, misunderstanding, and frustration that arises within the Howland family as Alice navigates her journey. As she undergoes a three-year race against time, an imperative component at the root of Annie Pesch’s expert direction, her supportive husband John as well as her two children Thomas and Lydia ultimately come to terms with her farewell. And in a surprisingly refreshing and theatrically fulfilling departure from the film, Alice is joined at nearly every moment by Herself, a character conveying her crucial inner thoughts.

In one of her finest performances, Cassandra Engber, frequently seen over the years with Dayton Theatre Guild, marvelously embodies Alice’s tear-jerking duality, an independent, vibrant intellectual celebrated around the world slowly evaporating into fragments of what she once was. With compellingly believable intent, avoiding melodrama or histrionics, Engber absolutely pulls the audience into the character’s confused angst. Certain situations find Alice inadvertently heading to the office in her pajamas, forgetting a family recipe and failing to recognize her daughter, but she remains a genuine beacon of warmth, love and resilience nonetheless. It’s a delicate balance, but Engber pulls it off splendidly, especially as emotions run high and stakes are raised as the disease takes hold. And as the disease progresses, Pesch and Logan Dabney’s efficient set strikingly disappears bit by bit, heightening the play’s riveting subtext to profound effect.

Additionally, Rachel Oprea is equally impactful and potent as Herself, attempting to make sense of Alice’s new way of living. Engber and Oprea’s terrific chemistry is key to the inherent compatibility unfolding in their insightful scenes, which is particularly notable regarding Oprea, astutely understanding the necessity of allowing Engber to take precedence in their interactions. Steve Strawser, in perhaps his most dynamic, emotional performance, is a relatable source of strength as John, trying to maintain his busy career while taking on the challenging role of chief caregiver at home and at doctor’s appointments. Brandon Shockney and Chelsey Hall are also winning as Thomas and Lydia, whose valiant attempts at caregiving are not effectively aligned with their present paths of fatherhood and a life in the theatre, respectively. Cher Collins (Dr. Tamara/Beth) and Shawn Hooks (Dr. Davis/Dan) complete the cast in very grounded, credibly concerned portrayals. In fact, Hooks is at the center of one of the play’s best scenes which finds Alice and John contemplating advance treatment following a series of memory questions.
“I miss myself,” Alice says. “My used to be self.” Without a doubt, this meaningful play, fittingly offered just in time for the holidays as the pleasures of family and memories become priorities, is an invitation encouraging and inspiring us all to simply embrace life to the fullest each and every day.

Still Alice continues through Dec. 1 at the Dayton Playhouse, 1301 E. Siebenthaler Ave., Dayton. Performances are 8 p.m. Friday and Saturday and 2 p.m. Sunday. The play is performed in 100 minutes without intermission. Tickets are $15 for adults and $12 seniors and students (open seating). Call (937) 654-0400 to make a reservation. For more information, visit youngatheartplayers.com.

In addition, a portion of the proceeds will benefit the Miami Valley Chapter of the Alzheimer’s Association.

 

Comedian Greg Warren Returns to Funny Bone

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Comedian Greg Warren grew up in St. Louis where his father was a high school wrestling coach and his mother made him play clarinet in the band. He has captivated audiences with anecdotes about the conflict inherent in meshing the two disparate high school identities of varsity wrestler and band geek. Greg’s “Flute Man” bit is a perfect encapsulation of the insecurities of high school and the ongoing quest to be cool, and is one of the most requested bits in the history of the Bob & Tom Show.
During college, Greg won a comedy contest and was invited to perform at Déjà Vu, a local club in Columbia, MO. After college Greg’s job at Procter & Gamble, brought him to Cincinnati where managed the Pringles potato chip line while often driving up to Jokers in Dayton to host shows before he made the decision to become a full-time comedian. Full disclosure- I owned Jokers and Greg became a regular at Jokers and a good friend, as well. Like so many or our regulars, we heard their acts over and over and could repeat most of their act word for word. Our entire staff would mimic along when he got to his “I moved today” bit.  He had another bit where he talked about going to the record store and when he was making a purchase they were asking him for info, and when they asked his street name, he replied G-Rock Greggy Greg. And to this day, that’s still how he’s listed in my phone.

G Rock and I celebrating at a wedding.

Somewhere along the line Greg went from being just another “local” comic to becoming a professional who got really funny.  He was invited to attend Montreal’s prestigious Just for Laughs Comedy Festival in 2002 as one of the featured New Faces of Comedy. I felt like a proud “comedy mom” when I stood in back watching his set that night and what was the beginning of many big breaks for Greg. He toured with The Bob & Tom All Stars Comedy Tour and appeared on BET’s Coming to the Stage and on Country Music Television. Greg has continued to play clubs, appear on tv shows like  Late Night with Seth Meyers, The Late Show and NBC’s Last Comic Standing.

I was also in the audience when he taped  Comedy Central’s Premium Blend back in 2009:

Greg will be appearing at the Dayton Funny Bone this coming Friday through Sunday and we got to talking about it and here’s what he said:
You’ve been playing Dayton for years- what do you look forward to about this market?  
Well Dayton is kind of a special place for me.  I don’t think I would have become a comic without Dayton.  Years ago I was living in Cincy, working in sales for Procter and Gamble.  I would drive up to Miamisburg all the time to Jokers Comedy Club by the Dayton Mall to work on my act.  Some of the sets were good.  Some were painful.  I would listen the cassette tapes on the drive back to Cincy.  I gotta admit, during more than one of those drives I seriously contemplated giving it up.  Somehow the sets started going smoother and the rides home were less painful.
There is something different about the Dayton crowds.  Part of it is diversity.  Part of it is a “blue-collar, just want to have fun, don’t take ourselves to serious” attitude.  I’m a slightly different comic when I’m there.  I’m not a big crowd work guy but somehow I always wind up talking to people in the crowd from the stage.  They force me out of my comfort zone and I get slightly irritated and wind up having more fun than I’ve had in months.
There are always a few old people in the crowd in Dayton.  I get a big kick out of them.  I used to always have fun arguing with this feisty elderly lady at Jokers.  It seems like there is always one of her in the crowd.

 

What bit of yours is most requested by crowds? 
Flute Man.  Hands down.

The Bob & Tom show has been good to you over the years- what’s it really like when you’re there?

I love those guys.  They have been extremely good to me.  I will visit them on my way to Dayton.  These days when I go in, it’s a lot like hanging out with really funny friends because I am actually hanging out with really funny friends.  I really try to enjoy all of them when I go in the room.  I know I need to be funny but when I focus on enjoying them, the show goes better.

 

Besides working in the comedy clubs- what else are you working on ?
Well, I just shot a comedy special in July.  We are putting the finishing touches on the editing and hopefully it will come out early next year. It’s about farming and how little I know about it.

 

What question do you get asked over and over again?
Who told you it was a good idea to wear that shirt?

 

What do you look forward to doing the most when you get back home after a road gig?
It’s pretty unexciting but sit on my couch and sleep in my bed.  I like seeing my dog too.  He’s technically my Dad’s dog but he goes nuts when I show up.  I know everybody says their dog goes nuts when they see them but Red is on a different level with me.

 

Anything else you’d like to talk about:
I just got done reading a biography on The Wright Brothers.  It was such a great book. I feel even closer to Dayton.  I’m gonna go try and find some of the stuff from the book.  By the way, you guys didn’t support ‘em at first!  You called ‘em fools.  The Dayton Daily News refused to write about them.  The first real article was from some guy who wrote a newsletter on beekeeping!!! I forgive you for that Dayton. You called me a fool too at first.  You also continue to call me a fool.

 

Greg Warren’s shows at the Dayton Funny Bone:
Friday, Oct 11  Show Time:7:30 PM
Arrival Time:6:45 PM
21 & over
Friday, Oct 11  Show Time:10:00 PM
Arrival Time:9:15 PM
18 & over
Saturday, Oct 12   Show Time:7:30 PM
Arrival Time:6:45 PM
21 & over
Saturday, Oct 12ccShow Time:10:00 PM
Arrival Time:9:15 PM
21 & over
Sunday, Oct 13 . Show Time:7:30 PM
Arrival Time:6:45 PM
21 & over
Try this link for free tickets:

Troy Civic Theatre Presents “Making God Laugh”

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Troy Civic Theatre announces their upcoming production, MAKING GOD LAUGH.

Woody Allen once said: “If you want to make God laugh, tell him your plans”. Sean Grennan’s heart-warming dramatic comedy MAKING GOD LAUGH follows Ruth, Bill, and their three grown children during various holidays over the course of 30 years. Beginning in 1980, Richard, Tom, and Maddie start making plans for their lives, never guessing where their paths will end.

Director Steve Dietrich, from Sidney, is assisted by stage manager Peg Dietrich. MAKING GOD LAUGH stars Dayton actors Alain Alejandro as Bill, Rachel Smith as Maddie, and Gage Emerson as Richard, Troy actor Beth Shrake as Ruth, and Tipp City actor Derek Dunavent as Tom.

MAKING GOD LAUGH is being presented with permission from Playscripts. Performances run May 4-6, 11-13, 2018 at the Barn in the Park on Adams Street in Troy, at 8 pm on Fridays and Saturdays, and 2 pm on Sundays. Tickets are $14 each, and are available by calling the theatre box office at 937-339-7700 or online at troycivictheatre.com.

Troy Civic Theatre is a non-profit community theatre located about 20 minutes north of Dayton. TCT has been honored with several Dayton-area and Ohio regional and state performance and technical awards over the years, and has continued to bring quality entertainment to Troy for more than 50 years. For more information, please contact the theatre at 937-339-7700 or visit their website at http://www.troycivictheatre.com.

The Human Race Theatre Company Launches World Premiere of Family Ties

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One of the most beloved television families of the 1980s is set to make a long awaited return in the world premiere of Family Ties, written by Daniel Goldstein (The Song of Songs, Unknown Soldier and Row), based on the classic television series, directed by The Human Race’s President & Artistic Director Kevin Moore and produced by special arrangement by Araca Media & Entertainment.

Twenty years have passed and Alex P. Keaton, now running for Congress, returns to his parents’ Columbus home with his sisters, Mallory and Jennifer, who are parents of their own. Gathered together once again, they relive some of the most important moments from their childhood – the growing pains, heartbreaks and reconciliations – with fondness and appreciation for simpler times that defined a generation. The preview performance of Family Ties is Thursday, June 1. Opening night is Friday, June 2, and the production runs through June 25 at The Human Race’s home at downtown Dayton’s Loft Theatre.

 

Responsible for shepherding Goldstein’s play through development, New York City-based Araca Media & Entertainment believed the stage version of Family Ties—a series about a family living in central Ohio—should make its debut in the Buckeye State when it brought the property to The Human Race’s Kevin Moore in 2016. “To be hand selected as the theatre to bring this show to life is a huge honor, and speaks to our national reputation,” beams Moore, who has directed and produced dozens of new plays and musicals over the past thirty years. “Developing new works has become a vital part of our mission,” explains Moore, “and working with playwright Danny Goldstein has been a joy and privilege. Theatre is never more exciting than when you are creating something for the first time.”

Unlike most new works, Family Ties has the added benefit of nostalgia for Moore, and likely much of the country. “Being a TV show that I watched faithfully, I am thrilled to be able to continue the Keatons’ story,” he says, “and to find out how life played out for these characters who I, and America, loved for seven seasons.” While preparing for rehearsals on the play, which revisits many poignant moments in the characters’ lives twenty years earlier, Moore spent time watching and reviewing episodes from the television series. “The research—if I may call binge watching ‘research’—was refreshing.” He explains, “I was reminded how many tough and timeless issues are tackled in Family Ties, and how smart the writing of the TV show is. Yes, it is a comedy, but good comedy comes from good drama. And that’s what we’re really all about at The Human Race.”

 

 

CAST AND DESIGN TEAM

The six-member cast features Jim Stanek (Fun Home, Lestat, The Rivals on Broadway) as “Alex,” Eve Plumb (TV’s The Brady Bunch, Dawn: Portrait of a Teenage Runaway and Fudge, Unbroken Circle Off-Broadway) as “Elyse” and Lawrence Redmond (Intelligence at Arena Stage, A Prayer for Owen Meany at Cincinnati Playhouse in the Park, Elmer Gantry at Signature Theatre) as “Steven.” Thea Brooks (Dirty Dancing 1st national tour, I Love Lucy, Live on Stage national tour) plays “Mallory,” Sara Mackie (Hands on a Hardbody and Other Desert Cities at Ensemble Theatre of Cincinnati, Green Gables for HRTC) is the youngest daughter, “Jennifer.” Maggie Lou Rader (Heavier Than… at Know Theatre Cincinnati, Emma and Little Women at Cincinnati Shakespeare Company) rounds out the ensemble as Alex’s love interest, “Ellen.”

 

The creative team includes Tamara L. Honesty (Other Desert Cities, Becky’s New Car and Lombardi at HRTC), scenic design; Janet G. Powell (Sweeney Todd, The Full Monty and the world premiere of Family Shots at HRTC), costume design; Human Race Resident Artist John Rensel (The Glass Menagerie, Crowns and Next to Normal for HRTC), lighting design; Human Race Resident Artist Jay Brunner (the world premiere of 26 Pebbles, The Glass Menagerie and Hail Mary! at HRTC) sound design; and Lexi Muller, production stage manager.

 

Family Ties reunites audiences with one of the most beloved television families of the 1980s. Twenty years have passed and Alex P. Keaton, now running for Congress, returns to his parents’ Columbus home with his sisters, Mallory and Jennifer, who are parents of their own. Gathered together once again, they relive some of the most important moments from their childhood—the growing pains, heartbreaks and reconciliations—with fondness and appreciation for simpler times that defined a generation.

 

 

Performance and special event information

Tickets for the preview performance of Family Ties on June 1 start at $35 for adults, $32 for seniors and $17.50 for students. For all performances June 2 – 25, single ticket prices start at $40 for adults, $37 for seniors and $20 for students. Prices vary depending on the day of the week and seating location. Group discounts are available for parties of 10 or more. The Human Race is offering a pair of discount ticket opportunities during the run of the show. A limited number of $12 and $25 side-area seats are available in advance for all performances. The Sunday, June 4 7:00 p.m. performance is “Sawbuck Sunday,” when any available seat can be purchased in person for just $10 at the Loft Theatre box office two hours prior to the show. Discounts are subject to availability and some restrictions apply.

 

All performances are at The Human Race’s home in the Metropolitan Art Center’s Loft Theatre, located at 126 North Main Street in downtown Dayton, Ohio. Show times for Family Ties are 8:00 p.m. on Thursday, Friday and Saturday evenings. Performances on Sunday, Tuesday and Wednesday evenings begin at 7:00 p.m., and at 2:00 p.m. on Sunday matinees.

 

Tickets and performance information for Family Ties are available at www.humanracetheatre.org or by calling Ticket Center Stage at (937) 228-3630, and at the Schuster Center box office.

 

 

 

4 Reasons to Go See ‘Motown’

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The toe-tapping, hand-clapping and incredibly soulful national tour of “Motown the Musical,” presented by the Victoria Theatre Association’s Premier Health Broadway Series, continues through Sunday, April 16 at the Schuster Center.

Chester Gregory (Berry Gordy) and the cast of Motown (Photo by Joan Marcus)

Nominated for four 2013 Tony Awards, “Motown” chronicles the highs and lows of the iconic Detroit-based record label founded by Berry Gordy (vividly portrayed by Chester Gregory of Broadway’s “Sister Act” and “Tarzan”). Using the framework of the label’s famed 25th anniversary concert in 1983, the show depicts how Gordy meticulously molded the careers of some of the most influential African-American artists in recording history including Diana Ross, Smokey Robinson, Marvin Gaye, and Michael Jackson. Nearly 60 classic songs accent the story which breezily follows the label through eventful periods of joy, promise, heartbreak, and turmoil.
Here are four reasons why you should see this entertaining crowd-pleaser, which is notably staged by Dayton native Schele Williams who served as associate director on the original Broadway production working closely with Gordy and director Charles Randolph-Wright.

 

THERE’S MORE TO THE STORY
Based on Gordy’s 1994 book “To Be Loved: The Music, The Magic, The Memories of Motown,” “Motown” is by no means a tribute concert. The music certainly bolsters the action, but Gordy doesn’t cheat the audience by simply letting the songs tell the story. Although he stood by his creed stating “competition breeds champions,” Gordy faced considerable adversity. He frankly details the infighting, jealousy, racism, contractual predicaments, financial calamites, and misunderstandings that occurred. Interestingly, he devotes significant time to his relationship with Diana Ross (a wonderfully engaging and elegant Allison Semmes dazzlingly costumed by “Project Runway” finalist Emilio Sosa), but thankfully other key players get their due. “At Motown, we called ourselves a family,” Gordy says in the show’s production notes. “And we were – a big family.”

ACTORS EMBODY SPIRIT OF LEGENDS

David Kaverman as Smokey Robinson in Motown (Photo by Joan Marcus)


The cast of “Motown,” which includes Wright State University graduate Jeremy Gaston of Springfield, is uniquely required to portray individuals firmly cemented in the hearts and minds of generations of music lovers. Moreover, many of these legendary artists are still alive. However, the challenge is handled skillfully from the aforementioned Gregory and Semmes (who starred in the show’s 2016 Broadway return engagement) to the quietly endearing David Kaverman as tunesmith Smokey Robinson. “Smokey is a cool dude with a poet’s heart,” Kaverman said. “I’m capturing his essence –not impersonating him. Smokey is very charismatic and star quality exudes from him. He did so much for Motown, particularly bringing many acts from the neighborhood to the label like The Supremes. But the director and creative team (stressed the importance) that we are playing real people with real personalities who had real input. Every moment in the show is a moment that actually happened and has weight. Berry Gordy gave us notes on how to portray the characters as well. I also met Smokey Robinson when the tour was in L.A. so it was great to get his stamp of approval.”

 

NOSTALGIA FUELED BY CAVALCADE OF HITS
Martha and the Vandellas said it best: “All you need is music, sweet music.” And you can’t get any better than the cavalcade of hits in this showcase, vibrantly choreographed by Patricia Wilcox and Warren Adams, including “Dancing in the Street,” “Shop Around,” “My Guy,” “You’re All I Need to Get By,” “Please, Mr. Postman,” “Get Ready,” “Ain’t Too Proud to Beg,” “What’s Going On,” “Reach Out (I’ll Be There),” “You’ve Really Got a Hold on Me,” “Stop in the Name of Love,” and “My Girl.” “The music is so nostalgic,” Kaverman noted. “People gravitate toward music they heard in their teens or 20s and that describes our audience. The music really captured a romanticized sense of love as well. The music still pervades our culture today because it’s so good. Whether you hear these songs on the radio or in a grocery store, they will always be with us and in us as Americans.”

 

A SPECIAL SING-A-LONG
Adhering to the fact that music is a universal and unifying language, “Motown” brings the audience to the forefront in Act 2. Semmes’ charming rendition of “Reach Out and Touch” evolves into a heartwarming sing-a-long bound to leave a smile on your face. “Hearing the audience sing and wave their hands is a beautiful moment,” Kaverman said. “People who typically go to church might be used to acknowledging the person next to them, but it rarely happens in the theater. It’s a moment that allows the audience to understand that we’re all in this world and this country and this show together. It’s a message of togetherness that’s very creative.”

 


“Motown the Musical” concludes today at the Schuster Center, Second and Main Streets, Dayton. Performances are at 2 and 7:30 p.m. Tickets are $30-$97. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit ticketcenterstage.com.

 

‘Paris,’ ‘Phantom’ and more headline Victoria season

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A delightful assortment of Broadway crowd-pleasers comprise the Victoria Theatre Association’s very strong 2017-2018 season.

The VTA’s Premier Health Broadway Series, Projects Unlimited Star Attractions, Morris Company Family Series, and National Geographic Live! Series were announced Monday, Feb. 27 in the Mead Theatre of the Schuster Center. Overseen by VTA President and CEO Ken Neufeld who revealed titles along with staff members, the ceremony, framed by the welcoming theme “Our Stages Await,” gathered over 650 Victoria ticket holders, donors, sponsors, and friends.

Phantom of the Opera



The upbeat, six-show Broadway Series consists of Lin-Manuel Miranda’s Hispanic-meets-hip-hop “In the Heights” (the 2010 Tony Award winner for Best Musical), the local premiere of the 2015 Gershwin-inspired musical “An American in Paris” (featuring director/choreographer Christopher Wheeldon’s absolutely gorgeous Tony Award-winning choreography), Rodgers and Hammerstein’s “The Sound of Music” (a brand new production superbly reconceived by Tony Award-winning director Jack O’Brien of “Hairspray”), the local premiere of the charmingly silly 2016 Tony Award-nominated Renaissance spoof “Something Rotten!” (playfully directed and choreographed by Casey Nicholaw of “The Book of Mormon”), the return of Andrew Lloyd Webber’s blockbuster “The Phantom of the Opera” (featuring new staging and design), and the local premiere of the 2014 Tony and Grammy Award-winning hit “Beautiful –The Carole King Musical” (chronicling the rise of King’s career as an iconic songwriter).

Something Rotten!

In addition, the Pittsburgh CLO and Kansas City Starlight’s production of Disney’s “The Little Mermaid” will kick off the Projects Unlimited Star Attractions, a promising slate including the Bollywood-driven “Mystic India,” “A Christmas Carol,” “A Christmas Story” (a collaboration with the Human Race Theatre Company), and the return of illusionist Adam Trent.

Surprise guests included Sarah Bockel who understudies the role of Carole King in the Broadway production of “Beautiful” and Nick Rashad Burroughs currently on tour as the Minstrel in “Something Rotten!” Bockel particularly performed King’s tender ballad “Will You Still Love Me Tomorrow” and toe-tapping “Beautiful.”

“Carole King” is such an inspiration,” Bockel said. “Her lyrics are so simple yet deep that anyone can connect with them. ‘A Natural Woman’ means so many things to so many people, (the feeling) you’re perfect the way you are. This show is about an everyday woman – a daughter, a mom, a wife – who is just trying to live her best life. She’s trying to take care of the people she loves. She’s a woman going through heartbreak but in doing so finds herself.”
‘‘Something Rotten!’ is ridiculously funny,” Burroughs noted. “It’s truly a love letter to musicals that’s lighthearted and tuneful.”

Musical selections were also offered by three students from Wright State University’s Musical Theatre Department. Eli Davis introduced “An American in Paris” and “The Phantom of the Opera.” Lauren Everett performed “My Favorite Things” from “The Sound of Music.” Alejandra Solis performed “Breathe” from “In the Heights.”

 

Premier Health Broadway Series
(all shows at Schuster Center)

 

In the Heights (Oct. 3-8, 2017)

 

An American in Paris (Nov. 7-12, 2017)

 

The Sound of Music (Feb. 13-18, 2018)

 

Something Rotten! (March 20-25, 2018)

 

The Phantom of the Opera (April 11-22, 2018)

 

Beautiful: The Carole King Musical (May 22-27, 2018)

Projects Unlimited Star Attractions
Disney’s The Little Mermaid (Aug. 8-13, 2017– Schuster Center)

 

Mystic India: The World Tour (Oct. 26, 2017 – Schuster Center)

 

A Christmas Carol (Nov. 28-29, 2017 – Victoria Theatre)


The Illusionists Present Adam Trent (Dec. 3, 2017 – Schuster Center)

 

A Christmas Story (Dec 12-17, 2017 – Victoria Theatre)

 

Morris Furniture Company Family Series
(all shows at Victoria Theatre)

 

How I Became a Pirate (Nov. 4, 2017)

 

Mr. Popper’s Penguins (Jan. 20, 2018)

 

Step Afrika! (March 3, 2018)

 

Journey to Oz (April 7-8, 2018)

 

The Olate Dogs Variety Show: Rescue Tour (May 5, 2018)

 

National Geographic Live! Series
(TBA, all lectures at Victoria Theatre)

 


Season tickets are on sale for the Premier Health Broadway Series. New Season Ticket Holders will be seated once current Season Ticket Holders’ renewals are fulfilled. Renewal packets for all current Premier Health Broadway Series Season ticket holders will mail Feb. 28. The deadline for current season ticket holders to request changes to Broadway Season ticket packages is March 13. The deadline to renew 2017-2018 Broadway Season Ticket packages is March 20.  Season Ticket sales for the Morris Furniture Company Family Series and National Geographic Live Series begin later in the spring, as well as new packages for the Projects Unlimited Star Attractions. Additional Star Attractions will be announced at a later date. For more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com or www.victoriaheatre.com

 

 

TAP THAT!! 42nd Street Delivers the Goods!

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For many of us, the story of Peggy Sawyer is one we all hoped to live. That one big chance to breakthrough, be the star & hit the heights. Well, 42nd Street, now playing at the Schuster Center, hits the heights indeed!

 
From the opening of the curtain, which teases perfectly, through the big finale, which satisfies with some unbelievable hoofing, 42nd Street reminds us that dreams do come true…..even if they are somebody else’s!

 
Gerrianne Genga who plays the upbeat, comic relief Maggie, is a standout. She brings to the stage that wacky, scene stealing character for which Daytonians are suckers. Her lively presence is balanced well with Kara Gibson Slocum’s spot on diva, Dorothy Brock. This iconic role carries much of the first act, and Miss Slocum delivers the ‘Dorothy’ fans desire.

 
No performance of 42nd Street would be complete without the delightful supporting roles that appear throughout the show. Annie (Kahlia Davis) is exceptional at grabbing the audience’s eye during the big numbers. Billy Lawlor (Connor Coughlin) surprises all with his booming voice and adorable delivery. Andy (Carlos Morales) proves that he has those ‘dancing feet’ talked so much about in the title song!


And then there are the leads…which I prayed could live up to other performances of this spectacular I have seen before. Rest assured, they did! Clara Cox, who brings Peggy Sawyer to life like a slow burn…building, building, brilliant! By the show’s end, you actually believe she came from nowhere and made it big! her tap-dancing was so fun to watch.

 
So the pressure fell to Matthew J Taylor in the role of director Julian Marsh. The lady behind me Tuesday Night put it best stating, “That man can do anything!” It appears so, with his story ending solo, comic timing and romantic charm, Taylor was easy to fall in love with.

 
But, let’s be real…why do people go to 42nd Street? It is packed with such great songs
like ‘We’re In The Money,’ ‘Keep Young and Beautiful,’ ‘I Only Have Eyes For You’ and of course, ‘Lullaby of Broadway!’ With these great tunes, comes the main reason for it’s popularity…amazing dancing!

 
Nearly every song in the show is a major production, relying heavily on great set design and fun, sometimes silly props. The finale had the audience screaming…literally screaming with delight. You are exhausted for the cast…but, even after the finale, there’s a finale. PHEW! And one more time they awe you!

 
As a huge Broadway Fan, I always get a little nervous that traveling shows might not give you that overall theater experience….but I encourage you to follow the crowds to that Naughty, Bawdy, Gaudy, Sporty…..42 Street!!
The production of 42nd Street runs January 10-15 at the Schuster Center. Tickets at ticketcenterstage.com, or call 937.228.3630.

Jeff Murphy Brings Liza, Judy & Barbara To The Stage

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jeffmAt age 4, Jeff Murphy was mesmerized. He was watching “A Star is Born”, starring Judy Garland, on a tiny black and white TV in the family living room. He didn’t know the beautiful woman with the extraordinary voice, but he was certain of one thing; it was love at first sight.

Just as little Judy, then named Frances Gumm, watched her parents do eight shows a day in Vaudeville, Jeff watched his mother and father star as the local darlings of community theater. The theater was a comfortable second home, and he immediately went from front row center into the spotlight. In one form or another, he’s been there ever since.

As a Celebrity Illusionist, Jeff Murphy has channeled Liza Minnelli, Judy Garland & Barbara Streisand just to name a few. Traveling the world, he brought his leading ladies to Tokyo, Sydney, Atlantic City, and New York including Madame Tussaud’s and The Plaza Hotel. He guest starred as a ‘fabulously crazy’ Liza Minnelli impersonator, on David E. Kelley’s FOX television series, ‘The Wedding Bells’.

 Jeff is an accomplished producer, director and choreographer with theatrical award nominations and credits.  Busy on both sides of the curtain, Jeff is also an accomplished producer, director and choreographer. One New York production he created, produced, and stared in, “Below the Valley of the Dolls”, gained him a MAC award nomination. Backstage reviewer Martin Schaeffer writes; “Murphy is much more than a campy drag. Underneath it all is a germ of real dramatic depth. Of course is doesn’t hurt that he has lots of talent”. John Hoglund, of Cabaret Hotline, writes; “Murphy is a very talented singer, dancer, and actor.liza_body

Jeff attended the acclaimed American Academy of Dramatic of Arts and acting credits include creating the role of Hansel in the New York City Opera retelling of Hansel and Gretel “Babes in the Woods”, title role “Peter Pan”, Puck in “A Midsummer Night’s Dream”, and the Artful Dodger in “Oliver!”.

This Friday, Oct 28th The Dayton Woman’s Club will present a Dinner and a show featuring illusionist Jeff Murphy as Liza, Judy & Barbara. Seating is limited to 112 so make early reservations!!!

Reservations must include an entrée choice of:
Caramel Apple Pork Chops OR Spiced Turkey Roast
Both served with:
Oregon Fall Salad, DWC Wheat/White Yeast Rolls,
Broccoli & Stuffing Casserole, Twice Baked Sweet Potatoes
Apple-Rhubarb Crisp w/ Caramel Sauce

Complimentary Appetizers & Cash Bar at 5:30 p.m. to Include: Cranberry Meatballs & Cheese/Crackers
Dinner: 6:00 pm,  Show: 7:00 pm
$27.00 members / $30.00 non-members (tax, tip,non-alcoholic beverage included)
RSVP @ (937) 228-1124

Check Out American Idiot This Weekend

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American Idiot is based on the 2004 Grammy-winning album by punk rock band Green Day, written by front man Billie Joe Armstrong and Tony Winner Michael Mayer.
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Dare to Defy Productions will present American Idiot,  a show that  follows the journey of three life long friends on different paths. Two of them leave the unsatisfying, yet safe, suburban life for the excitement of the Big City- and eventually the war-torn Middle East. The third stays behind in their hometown with this pregnant girlfriend and an uncertain future.

Check out this preview trailer:


Featuring chart topping hits including “21 Guns,” “Boulevard of Broken Dreams,” “Wake Me Up When September Ends,” “Holiday,” and title song “American Idiot,” the Tony Award winning show uses the music of the album to tell the story. Love and Loss, Addiction and redemption, life and death, and the endless pursuit of The American Dream, everyone can relate to this telling story.
American Idiot will be presented in the Victoria Theatre, at 8pm  on May 20th and 2pm and 8pm on May 21st, 2016. Tickets can be purchased online at ticketcenterstage.com or by calling the Box Office at 1-888-228-3630.

 

 

Dancing Bodies and Melodic Voices Come Together

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Body & Voices_croppedJPEGMusica, Dayton’s Chamber Choir, is partnering with the Dance Department at Stivers School for the Arts to present Body & Voices, a program utilizing the talents of both musicians and dancers.

 

The Musica ensemble will be under the direction of Artistic Director, Dr. Jeffery Stern and the Stivers dancers are under the direction of Adjunct Faculty and Choreographer, Rodney Veal.

The Body & Voices concert will capture the spirit and convey the story of the American Civil War through song and movement. Our program tells this story in four sections: a study of one of the most popular composers of the time, Stephen Foster; a look into the burdens of war; exploration of songs representing the struggle to end slavery; and a finale representing American patriotism. Mr. Veal says, “we are very excited to be collaborating with Musica on this concert, which allows us to interpret these wonderfully arranged classic choral works through modern dance.”

 

Body & Voices will be presented in the recently renovated Eichelberger Hall at Stivers School for the Arts on Saturday, March 12 at 7:00 and Sunday, March 13 at 3:00.

 

Tickets are $15 for adults and $12 for Students and Seniors. For more information, call (937) 619-9755 or visit www.musicadayton.org.

Stage set for annual ArtsGala at Wright State

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10416 1150The annual Wright State University ArtsGala, which has raised more than $2 million for arts scholarships during its 16-year history, is scheduled for Saturday, April 9, with an impressive program featuring student performances in theatre, dance, motion pictures, music and visual arts.

 

The event will showcase the efforts of Wright State fine and performing arts students and educators who have been recognized for their achievement by Academy Award–winning actor and Wright State supporter Tom Hanks. Hanks and Amanda Wright Lane, great grandniece of the Wright brothers, are co-chairs of Rise. Shine. The Campaign for Wright State University, a $150 million fundraising campaign that promises to further elevate Wright State’s prominence by expanding scholarships, attracting more top-flight faculty and supporting construction of state-of-the-art facilities.

 

“Wright State is training the artists of tomorrow. I know because I’ve worked with some of Wright State’s alumni, and they’re among the best in their fields,” Hanks said about Wright State’s arts students. “Wright State not only has one of the most outstanding arts programs in Ohio, but one of the best in the entire nation.”

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The 6:30 pm to midnight event in the Creative Arts Center is presented by the College of Liberal Arts. The popular black-tie-optional ArtsGala is regarded as one of the area’s premier arts events, drawing nearly 800 patrons each year.

 

“Our students are eager to showcase their tremendous skills to our community at ArtsGala 2016,” said Kristin Sobolik, Ph.D., dean of the College of Liberal Arts. “This year will be particularly special as we unveil the brand-new addition to our world class Creative Arts Center, which includes a two-story art gallery and dance and stage combat studios. This additional space will offer guests even more venues to enjoy our amazingly talented fine and performing arts students.”

 

This year is ArtsGala’s 17t10416 0212h anniversary celebration with many special events designed to celebrate the occasion.

Features this year include:

  • Wind Symphony, featuring Stars and Stripes Forever
  • Selections from our spring musical, The Music Man
  • Live artistic creation by student artists
  • Student film festival
  • Chamber orchestra
  • Opera performances
  • Dance performances
  • Five themed dining rooms
  • Cigar tent
  • Top-quality wine, bourbon and craft beer tastings
  • Martini lounge featuring music and dancing

 

A silent auction will offer over 100 items for bidding, including:20150328-ArtsGala-B0412

 

  • Artwork by Wright State faculty, students and alumni
  • Wide variety of wines
  • Assortment of luxury gift baskets, gift cards and dining certificates

 

ArtsGala’s presenting sponsors are Barnes & Noble at Wright State and Morris Home Furnishings. Other major sponsors include Chartwells, Emerson Climate Technologies, Gloria and Don Graber, HORAN, Zoe Dell Nutter, ThinkTV, Pamela and Malte von Matthiessen and WHIO-TV.

ArtsGala tickets ($200 each) and information are available at (937) 775-5512 or http://www.wright.edu/artsgala.

 

‘Kinky Boots,’ ‘Motown,’ ‘Dirty Dancing’ headline Victoria season

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seasonBox office and pop-friendly titles, familiar and new, are on the horizon from the Victoria Theatre Association for its 2016-2017 season.

 
The VTA’s Premier Health Broadway Series, Projects Unlimited Star Attractions, Morris Company Family Series, National Geographic Live! Series, and Frank M. Tait Foundation Discovery Series were announced Monday, Feb. 22 in the Wintergarden of the Schuster Center. Emceed by Meteorologist Tara Hastings of WDTN, the ceremony was attended by more than 400 people and incorporated business/community leaders, media personalities, and Victoria subscribers, donors and friends.

 
The nostalgia-driven, six-show Broadway Series, to be held solely at the Schuster Center, consists of the return engagements of “42nd Street” (last seen at the Victoria Theatre over a decade ago) and “Jersey Boys” (last seen in 2012) along with the local premieres of “Dirty Dancing” (based on the 1987 film of the same name), “Motown the Musical”(one of the most highly entertaining musicals conceived in recent years), the 2013 Tony Award-winning Best Musical “Kinky Boots” (featuring a terrific score by Cyndi Lauper), and the in-development magic/puppetry spectacular “Circus 1903” (from the creators of “The Illusionists” and “War Horse”). The local premiere of the family-friendly “Elf the Musical,” based on the 2003 film of the same name and the only production announced thus far on the Star Attractions slate, will arrive Thanksgiving week at the Schuster Center.

KINKY BOOTS

The cast of “Kinky Boots” (contributed photo)

“Broadway is very good at balancing the traditional with the new,” said VTA President and CEO Ken Neufeld who humorously wore a pair of kinky boots during the event’s climax to accent his enthusiasm for the hit musical. “I think our season offers a balance that will appeal to everyone. ‘Circus 1903’ is a particular leap of faith for us because it is still being developed in Australia, but we are fortunate to be among only about a dozen organizations in America to have the chance to present it.”

 
Additionally, musical selections were notably offered by the Deron Bell Band, Gina Handy of Magnolia Theatre Company, and students from Wright State University’s musical theater department.


Premier Health Broadway Series
(all shows at Schuster Center) 

Jersey Boys (Oct. 18-23, 2016)

42nd Street (Jan. 10-15, 2017)

Dirty Dancing (March 14-19, 2017)

Motown the Musical (April 11-16, 2017)

Kinky Boots (May 23-28, 2017)

Circus 1903 (June 13-18, 2017)

CIRCUS

Projects Unlimited Star Attractions

Elf the Musical (Nov. 22-27, 2016 – Schuster Center)


Frank M. Tait Foundation Discovery Series
(all shows at Victoria Theatre)

We the People (Nov. 7, 2016)

The Wright Brothers (Nov. 15-16, 2016)

Edward Tulane (Nov. 17, 2016)

Brown Bear, Brown Bear (Feb. 1, 2017)

I Have A Dream (Feb. 16, 2017)

The Lightning Thief (Feb. 28, 2017)

Anne of Green Gables (April 4, 2017)

The Cat in the Hat (April 7, 2017)

Mufaro’s Beautiful Daughters (April 21, 2017)

The Mayhem Poets (May 1, 2017)
Morris Furniture Company Family Series
(all shows at Victoria Theatre)

 Muts Gone Nuts (Oct. 29, 2016)

A Year with Frog and Toad (Jan. 21, 2017)

Pinkalicious The Musical (Feb. 25, 2017)

The Cat in the Hat (April 8-9, 2017)

Mufaro’s Beautiful Daughters (April 22, 2017)

 

National Geographic Live! Series
(all lectures at Victoria Theatre)

Hilaree O’Neill, mountaineer: Down to Nothing (Jan. 31, 2017)

Steve Winter, wildlife photojournalist: On the Trail of Big Cats (March 6, 2017)

Pete McBride, adventurer/photographer: Chasing Rivers (April 24, 2017)

 

Season tickets are on sale for the Premier Health Broadway Series. New season ticket holders will be seated once current season ticket holders’ renewals are fulfilled. Renewal packets for all current Premier Health Broadway Series season ticket holders were mailed the morning of Feb. 22. The deadline for current season ticket holders to request changes to Broadway Season ticket packages is March 14. The deadline to renew 2016-2017 Broadway Season ticket packages is March 28.  Season ticket sales for the Morris Furniture Company Family Series and National Geographic Live! Series begin later in the spring, as well as new packages for the Projects Unlimited Star Attractions. Additional Star Attractions will be announced at a later date. For more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com or www.victoriaheatre.com

 

Human Race Presents A Classic: The Glass Menagerie

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glass-menagerieThe Human Race begins the second half of its 29th season with Tennessee William’s first great masterpiece, The Glass Menagerie. Memories come alive and love becomes desperate in this shimmering drama of a family on the edge. Tom struggles to make it in a modern day world while his reclusive sister hides amongst the small glistening crystalline creatures she collects. Their mother holds tight to a fantasy of Southern gentility and the belief that a certain gentleman caller will be the answer to their problems. With an edge as sharp as broken glass, it’s a story that cuts deep into the longing of human hearts. The production at The Human Race’s downtown Dayton home at The Loft Theatre is directed by Greg Hellems and features actors Scott Hunt, Jennifer Joplin, Claire Kennedy and Drew Vidal.

Director Greg Hellems revealed his unique and exciting vision of the play:

Even before it opened on Broadway in 1945, The Glass Menagerie had proved itself to be a powerhouse hit with audiences and critics, quickly earning the then unknown Tennessee (real name “Thomas”) Williams national recognition as a voice of his generation. Considered to be semi-autobiographical in nature, the play takes elements of Williams’ own early life—growing up in St. Louis with an overprotective Southern mother and an emotionally troubled sister, toiling in a shoe factory, a difficult relationship with his father—and pours them into the tortured soul of its protagonist and narrator, “Tom Wingfield.” Described by the playwright as a “memory play,” The Glass Menagerie was unusual for its time, the script was filled with considerable and detailed stage directions from Williams to ensure its presentation in the manner he envisioned, the story is filled with intentional symbolism and its dialogue highly poetic and lyrical in nature. Even after Williams went on to win two Pulitzer Prizes for A Streetcar Named Desire and Cat on a Hot Tin Roof, his The Glass Menagerie was heralded as a defining work that changed the American Theatre and opened up new ways of writing dramatic literature.

In defining his vision of The Glass Menagerie for The Human Race, director Greg Hellems focused on Williams’ early life and how he sought to purge himself of guilt and regret, just as his doppelganger on stage, “Tom,” must do. “I see the theatre as Tom’s purgatory,” explains Hellems, “in which he must make his nightly confession to explain his actions and to justify his decision to abandon his mother and his disabled sister.” The story in the play is Tom’s memory, but it’s telling has an unintended consequence. “The ghosts of Tom’s illusion—his mother, his sister, his co-worker, Jim—respond with vitality and life, and won’t succumb to Tom’s conscious desire to win us over,” Hellems says. “Once Tom steps into his memory, it is no longer under his control, and he must face the reality of his past decision.”
12440517_10153973782553013_419460117151032450_oThe four-member cast of The Human Race’s production features two of the company’s Resident Artists, native Daytonian Scott Hunt (Rent and Les Misérables on Broadway, Big River and Shenandoah with HRTC) as the troubled son, “Tom,” and Cincinnati’s Jennifer Joplin (HRTC’s Miracle on South Division Street, Other Desert Cities and God of Carnage) as his mother, “Amanda,” as well as Wright State University graduate Claire Kennedy (HRTC’s Lend Me a Tenor, Twelfth Night, Romeo and Juliet) as sister “Laura” and Ball State University assistant professor Drew Vidal (The Three Musketeers at Illinois Shakespeare Festival, Red Light Winter at Shafer Street Playhouse) as the gentleman caller, “Jim.”

Earlham College professor Eric Barker’s (The Repertory of St. Louis, CATCO, Richmond Shakespeare Festival) set combines a stylistic setting with real world furnishings in his first turn as scenic designer for The Human Race. Local artist/designer Ayn Kaethchen Wood (The Zoot Theatre Company, Yellow Springs Kids Playhouse, HRTC’s Under a Red Moon) serves as costume designer. Resident Artist John Rensel returns to set the mood as lighting designer. Sound designer Jay Brunner (HRTC’s The Santaland Diaries, The Full Monty, Family Shots) has created an original musical score to accompany the action onstage. Kay Carver is the production stage manager. The show’s producer is Human Race Associate Artistic Director Tara Lail.
Tickets for the preview performance of The Glass Menagerie on February 4 start at $35 for adults, $32 for seniors and $17.50 for students. For all performances February 5  – 21, single ticket prices start at $40 for adults, $37 for seniors and $20 for students. Prices vary depending on the day of the week and seating location. Group discounts are available for parties of 10 or more. The Human Race is offering a pair of discount ticket opportunities. Side-area seats are available at all performances for $25 each, on sale two weeks prior to performance. The Sunday, February 7 7:00 pm performance is “Sawbuck Sunday”, when any available seat can be purchased in person for just $10 at The Loft Theatre box office two hours prior to the show. Discounts are subject to availability and some restrictions apply.

All performances are at the Metropolitan Art Center’s Loft Theatre, located at 126 North Main Street in downtown Dayton, Ohio. Show times for The Glass Menagerie are 8:00 p.m. on Wednesday through Saturday evenings. Performances on Sunday and Tuesday evenings begin at 7:00 pm and at 2:00 pm on Sunday matinees.

Tickets and performance information on The Glass Menagerie are available at www.humanracetheatre.org or by calling Ticket Center Stage at (937) 228-3630, and at the Schuster Center box office.