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McCoy on Movies: Drive-Away Dolls

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Ethan Coen’s latest cinematic escapade one not worth the drive 

 

“Maybe there’s a better movie hiding in this trunk?” Jamie (Margaret Qually) and Marian (Geraldine Viswanathan) take in an unexpected discovery in a scene from co-writer/director Ethan Coen’s DRIVE-AWAY DOLLS, a Focus Features release. Credit: Jojo Whilden © 2023 Paramount Pictures. All rights reserved.
WATCH THE TRAILER HERE:
 

 

 

KEY CAST MEMBERS: Margaret Qualley, Geraldine Viswanathan, Beanie Feldstein, C.J. Wilson, Joey Slotnick, Colman Domingo, Bill Camp, with Pedro Pascal and Matt Damon


DIRECTOR: Ethan Coen

THE BACK STORY: The scene: Philadelphia 1999, right on the verge of Y2K. Jamie (Margaret Qually) is a free-spirited individual who likes to have sex with any woman she sees fit, much to the chagrin of her police officer girlfriend Sukie (Beanie Feldstein). Marian is a very uptight woman stuck in an office job who can’t seem to move on from her last girlfriend years ago … Which is why she decides to plan a trip to Tallahassee, Fla., to go visit her Aunt Ellis (Connie Jackson). 

Seeing how Sukie has had enough of her cheating, Jamie invites herself along for the ride, determined to get her best friend some romantic action. Problem is, the duo don’t have a way of getting there. That’s when Jamie comes up with the idea to find one via a car delivery service owned by the understated Curlie (Bill Camp). Curlie just so happens to have a Dodge that needs to get to Tallahassee the next day, so the girls take the charge and are off.

Problem is, that Dodge contains two very special items in its trunk that the hot-headed Flint (C.J. Wilson) and his more even-keeled partner Arliss (Joey Slotnick) are supposed to pick up and drive to Tallahassee. What are they? Well, let’s just say they both once belonged to The Collector (Pedro Pascal) and now, much to his chagrin, they don’t … and The Chief (Colman Domingo) is determined to get them to his client. Who is his client, you ask? Senator Gary Channel (Matt Damon), a conservative, family-oriented politician desperate to get the silver briefcase and its contents back.
 
So what happens when an uptight, introverted lesbian hits the road with her good-time seeking fellow lesbian while unknowingly being pursued by two thugs over 1,000 miles? You’ll have to see the movie to find out.
 
THE REVIEW: Sometimes, you watch movies and go “This isn’t for me.” It happens. Maybe it’s because you don’t like the dialogue. Perhaps its because the subject matter doesn’t interest you. It could even be that the scenario is so ludicrous that unless you see Chris Bridges pop up in between Fast & Furious movies and State Farm commercials, you can’t buy in.
 
In the case of DRIVE-AWAY DOLLS, it’s all three coupled with just the sheer absolute goofiness of the film from start to finish.
 
Alongside his older brother Joel, Ethan Coen has made his fair share of beloved cinematic excursions. This include Fargo, Burn After Reading and No Country for Old Men. With Drive-Away Dolls, Coen has also delivered a film that might become a cult classic among the LGTBQIA+ lesbian community for its depictions sexuality and self-discovery … But not among anyone looking for a good movie.
Save for the scenes feature Beanie Feldstein, the humor – when present – in DRIVE-AWAY DOLLS fails to deliver its intended result. One day, filmmakers will learn quirky for the sake of quirky isn’t comedy; it’s just annoying – and unfortunately, for every one person that find’s Qualley’s character funny, someone else will see that person that ruins a party with their loud, obnoxious and “well, this is happening, so just roll with it” behavior. She is a pure antagonist to the point you often find yourself feeling bad for Viswanathan’s character.
Make no mistake, diversity in mainstream film is an important thing that needs to be encouraged and supported. That being said, DRIVE-AWAY DOLLS at times feels a little more exploitative than inspired in terms of its characters’ sexuality. (Editor’s note: As a heterosexual, cisgender male, I understand I am not the target audience for the film. However, I know that when I’m watching an extended scene that feels like it is included simply for either shock value or the audience’s titilation, it is a bit distracting to say the least.) And in case you needed someone to just say it for you, DRIVE-AWAY DOLLS is NOT going to make any routine Fox News’ watcher’s top 10 list for 2024.
Save for one very poignant sequence of Viswanathan’s and Qualley’s characters respectively coming to truly understand their relationship, a large portion of the film suffers from a Wes Anderson-level of quirky for the sake of quirky with ridiculous characters, dialogue and actions. While the film’s final 20-25 minutes do ramp things up in terms of watchability and enjoyment, the preceding hour is inane enough to make most audiences not care once they arrive.
Here’s to hoping that DRIVE-AWAY DOLLS is the start of more representation of the LGTBQIA+ community on screen but the last time they are showcased in such silly fashion.

 

OVERALL RATING (OUT OF FOUR POSSIBLE BUCKETS OF POPCORN):

 

 

 

 

 

McCoy on Movies: AIR: Courting a Legend

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“Man, I’m telling you – one day we will sign and then end our business relationship with a rapper from Chicago and both moves will be great for business!” Howard White (Chris Tucker, pictured) discusses the basketball shoe game with Sonny Vaccaro (Matt Damon) in a scene from AIR: Courting a Legend. Credit: Ana Carballosa © Amazon Content Services LLC.

WATCH THE TRAILER HERE: 
DIRECTOR: Ben Affleck

KEY CAST MEMBERS: Matt Damon, Ben Affleck, Chris Tucker, Jason Bateman, Chris Messina, Matthew Maher, Viola Davis with Marlon Wayans and Matthew Maher

 

 

THE BACK STORY: Long before Nike was the worldwide leader in all things athletic apparel, the Beaverton, Ore. based company was known for running shoes … And not much else. For in the basketball shoe market, Adidas was king with Converse running a close second. In 1984, the era of Reaganomics, revolutionary technology, sitcoms and the explosion of pop music icons, third place meant being last to the point that if something didn’t change, Nike CEO Phil Knight (Ben Affleck) was faced with the prospect of shutting down his company’s basketball division altogether.
Sonny Vaccaro (Matt Damon), however, believed there was one athlete that could change the company’s fate if they could just get him to sign with the company. Who was that man? None other than the man who would eventually go on to be known as “His Airness” – and in the eyes of meany, the greatest competitive athlete of all time, Michael Jeffrey Jordan (played by Damian Delano Young).
Problem is, everybody knows that Jordan is not going to sign with Nike. His intentions are to sign with German-based Adidas despite the loss of its founder and namesake Adolf Dassler. And not only does Jordan’s agent David Falk (Chris Messina) know it, so does Nike Basketball exec Howard White (Chris Tucker), Head of Basketball Marketing Rob Strasser (Jason Bateman), Jordan’s former USA Basketball coach George Raveling (Marlon Wayans) and Jordan’s mother, Deloris (Viola Davis).
But since he’s a gambling man and believes that Jordan is the future of not only Nike, but basketball itself, Vaccaro isn’t ready to take “no” for an answer, what is about to transpire is going to change the sneaker industry forever … As long as he can find a way to get Jordan to sign on the dotted line …
THE REVIEW: Ask any dedicated sneakerhead what is the most important sneaker of all-time is and the odds are beyond good that it will be one with the famous “Jumpman” logo. For as AIR illustrates in great, gripping detail, one man can in fact change the world – and the efforts Vaccaro and company went through to get him is as an American story as sneakers are an industry.
With an all-star ensemble cast, you’d expect each actor in AIR to, much like a basketball team itself, play their positions well en route to trying to achieve their championship aspirations. AIR‘s squad does so on an all-star level from start to finish, each role meaning something no matter how big or small it may be.
Whereas Damon’s Vaccaro is the point guard keeping everything moving and functioning, Tucker comes in with flash and scores in bunches when he uses his charisma and quick wit. As shark-like agent David Falk, Messina’s interactions with Damon’s character likewise play out like intense one-on-one scrimmages.
Affleck’s portrayal of Knight captures all of the Nike head man’s famous (alleged) quirks expertly with Bateman coming in to play the veteran teammate that tries to keep things calm but knows he can’t stop Damon’s character from doing what he’s going to do, so he’s willing to sacrifice to do what’s best for all involved. Add in Davis’ strong performance as Jordan’s mother and the cast is a delight to watch.
Kudos must also be given, however, to the painstaking detail with which Affleck crafts AIR. Every 80s homage – from the fashion and music to the technology involved (remember when having a car phone was a big deal?) serves to enhance the film’s aesthetic as much as its storytelling. In re-creating that world so well, it really showcases the 80s entrepreneurial spirit that was so crucial to Nike’s growth so well in addition to setting up all the dominos that would fall following its historic deal.
In short, those looking for a great film with equal parts of comedy and drama, inspiration and inspired storytelling, AIR is worth lacing up your sneakers for and heading to the theater this spring.
OVERALL RATING (OUT OF FOUR POSSIBLE BUCKETS OF POPCORN):
 

 

 

 

 

McCoy on Movies: Jason Bourne

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Matt Damon is back in most famous solo role … But does Jason Bourne have enough fight left in the tank to deliver a hit?

“Now, for the last time before I start breaking things, explain the ending of No Country For Old Men so that I understand it!” CIA Director Robert Dewey (Tommy Lee Jones) gets confronted by an old nemesis (Matt Damon) when the titular character comes looking for answer in JASON BOURNE. Credit: Melinda Sue Gordon © 2016 Universal Pictures. All rights reserved.


WATCH THE TRAILER(S) HERE:





KEY CAST MEMBERS: Matt Damon, Tommy Lee Jones, Alicia Vikander, Vincent Cassel, Riz Ahmed, Ato Essandoh, Scott Shepherd, Bill Camp and Julia Stiles

WRITER(S): Paul Greengrass and Christopher Rouse (screenplay); Robert Ludlum (characters)
DIRECTOR(S): Paul Greengrass

WEB SITE: http://www.jasonbournemovie.com/
THE STORY AS BEST WE KNOW IT: Picking up a decade after the events of The Bourne Ultimatum, Jason Bourne begins with showing just how far off the grid the titular character (Matt Damon) has gone, since he earning a living as an underground fighter in Greece. So, when he sees former Treadstone operative Nicolette “Nicky” Parsons (Julia Stiles) only to discover she has information for him … And this information could end up causing Bourne to ask more questions with answers he may not ready to handle.


Meanwhile, CIA Director Robert Dewey (Tommy Lee Jones) is alerted to Nicky’s activities when an old laptop goes off and cyber intelligence agent Heather Lee (Alicia Vikander) alerts him to the problem. Now about to launch a program more intense than the Treadstone one that birthed the CIA’s prodigal son, Dewey can’t afford to have Parsons and Bourne popping up causing trouble. Thus, in addition to have teams ready to track him around the world, he has a man simply known as the Asset (Vincent Cassel) ready to strike at a moment’s notice to take care of the problem. But since he’s working very closely with Aaron Kalloor (Riz Ahmed), a Mark Zuckerberg-like head of a company called Deep Dream on its latest software release, Dewey has bigger fish to fry.


That is, if Bourne doesn’t end up frying him and everyone connected to Treadstone and the CIA’s latest Black Ops program first.

WHO WILL LIKE THIS MOVIE THE MOST? Matt Damon fans; Alicia Vikander fans; Edward Snowden enthusiasts; People that enjoyed the previous Bourne films (not including that one starring a current Avengers-alum we shall not speak of)

WHO WILL HATE THIS MOVIE THE MOST? Those who are starting the notice all the similarities between the Bourne movies in terms of story and scenes; Julia Stiles fans; Those growing tired of following all the twists and turns as Bourne fills in the gaps in his backstory. 
SO IS IT GOOD, GREAT, JUST ALL RIGHT OR DOWNRIGHT AWFUL? A film that personifies the mantra “the more things change, the more they stay the same,” Jason Bourne is fine action movie that will satisfy fans of the Bourne series … Even if they’ve seen a LOT of it before. 


Over time, film franchises develop certain traits that become the selling points of their existence. In Jason Bourne, director Paul Greengrass (who also co-wrote the script) makes sure all the tentpoles are present so there’ no mistaken what film you’re watching. Unfamiliar with the Bourne movie staples checklist? It includes: 

  • Jason Bourne will ALWAYS disappear into a crowd and only one person, either his latest attempted assassin or the woman trying to possibly help him will see him right before he turns out of sight;
  • The government official in charge – in this case, Tommy Lee Jones’ Dewey – will ALWAYS have a secondary backup plan in the form of an assassin designed to take Bourne out and be willing to sacrifice the first line of defense to get them into position to kill him;
  • There will ALWAYS be a male assassin that has either a personal connection to Bourne and/or seems to be his equal since they went through similar training that he must fight in a really crowded room or underground space;
  • If you get close to Jason Bourne, you’re going to die … Or at the very least, have to go into hiding;
  • Any cell phone in a Bourne movie will at least be used once or twice to feature a U.S. government official making a veiled or direct threat that will eventually but certainly blow up in their face;
  • Bourne will suffer a series of flashbacks that will only become clear right before his final confrontation sequence;
  • The government official he is set to face off with will always try to convince Bourne he needs to “give in” to being Bourne and forget anything about being David Webb (his birth name in case you forgot);
  • Bourne will ALWAYS learn he was lied to even more than he already had learned he had been lied to before; AND
  • Bourne is ALWAYS gonna leave someone a message to let them know that if they pursue him, he’s one step ahead of them AFTER everything above happens.
Now, while all of the above sounds formulaic … Well, sorry. That doesn’t make it any less true. It also doesn’t make Jason Bourne any less entertaining once things really get rolling after a somewhat slow start.
Looking every bit like a man who has had the government trying to kill him for more than a decade (and a very in shape but definitely 45 year-old man), Damon proves himself more than still capable of making you believe in the mystique that is his character: Calculated, skilled, confused and trying to make sense of it all. When it’s time to punch, kick and/or shoot, he does. When it’s time for him to be surprised by a new revelation that the audience may or may not see coming, he’s surprised and conflicted. And everything else pretty falls into place.
Likewise, Jones plays his role like many of his male predecessors before him: Cold, calculating and calm under pressure with Cassel doing what an assassin with a vendetta against our protagonist would. Jason Bourne isn’t attempting to reinvent the wheel by any means, just make sure it is shiny and still looks good. Per her usual, Alicia Vikander is able to make her character have more meaning (both in terms of her significance to the story and her actions) than one might expect. Doing both of those things is vital to the story working, but without Vikander exhibiting skill in doing so, the film would largely fall apart, so she deserves credit for making sure that not only does not happen, but makes you wonder how her character will evolve in the Bourne universe.
In short, Jason Bourne ultimately proves you’ll remember his name … Even if you remember a little bit of this story because you’ve seen bits and pieces of it before.

RATING OUT OF FOUR BUCKETS OF POPCORN:

HYDE PARK ON HUDSON and PROMISED LAND at THE NEON

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promised-land-poster-2-640x423Hello Everyone,

Everything must go! If you still need to see ANNA KARENINA, HITCHCOCK or SMASHED, you only have until Thursday (Jan. 3) to see them at THE NEON! On Friday (Jan. 4), we will open two new, exciting films – HYDE PARK ON HUDSON (starring Bill Murray as FDR) and PROMISED LAND (the new film from Gus Van Sant starring Matt Damon). For this week’s remaining showtimes, visit our website at www.neonmovies.com

Synopsis for HYDE PARK ON HUDSON: “In June 1939, President Franklin Delano Roosevelt and his wife Eleanor host the King and Queen of England for a weekend at the Roosevelt home at Hyde Park on Hudson, in upstate New York – the first-ever visit of a reigning English monarch to America. With Britain facing imminent war with Germany, the Royals are desperately looking to FDR for support. But international affairs must be juggled with the complexities of FDR’s domestic establishment, as wife, mother, and mistresses all conspire to make the royal weekend an unforgettable one. Seen through the eyes of Daisy, Franklin’s neighbor and intimate, the weekend will produce not only a special relationship between two great nations, but, for Daisy – and through her, for us all – a deeper understanding of the mysteries of love and friendship.” (Focus Features) Click HERE to visit the official site.

[yframe url=’http://www.youtube.com/watch?v=RqQzNyxSShM’]

Synopsis for PROMISED LAND: “In Promised Land, Matt Damon stars as Steve Butler, a corporate salesman whose journey from farm boy to big-time player takes an unexpected detour when he lands in a small town, where he grapples with a surprising array of both open hearts and closed doors. Gus Van Sant (GOOD WILL HUNTING and MILK) helms the film from an original screenplay written by John Krasinski & Matt Damon.” (Focus Features) Also stars John Krasinski, Frances McDormand, Hal Holbrook and Rosmarie DeWitt. This film about fracking and the strength of small town communities should hit close to home for many in the Miami Valley. Click HERE to visit the official site.

[yframe url=’http://www.youtube.com/watch?v=iBqPv6xO6es’]

A few NEON regulars have asked if I would publish my “Top 10” list for the year. Unfortunately, I just can’t. I feel as though I still need to see so many movies before I decide. (I have yet to see ZERO DARK THIRTY, ARGO, HOLY MOTORS and dozens more.) One thing is for certain. Of the films I have seen, AMOUR is my favorite…and we will bring it to town in February (if you’ve seen the trailer for this film and were unimpressed, you’re not alone…I don’t think the trailer does any service for the brilliant film). Other films that I really liked that have yet to show in town are RUST AND BONE (perhaps you’ve seen the gorgeous and intriguing trailer at THE NEON), QUARTET (Maggie Smith in Dustin Hoffman’s directorial debut) and IN THE HOUSE (Ozon’s new, incredible film).

In reviewing our 2012 numbers, here are the Top 10 films at THE NEON (in order of box office performance) –
MOONRISE KINGDOM (the best by far!), THE BEST EXOTIC MARIGOLD HOTEL, THE ARTIST (this film didn’t open until January of 2012 in Dayton), ANNA KARENINA, THE INTOUCHABLES, TO ROME WITH LOVE, THE MASTER, TINKER TAILOR SOLDIER SPY, BEASTS OF THE SOUTHERN WILD and JEFF WHO LIVES AT HOME (Though the #10 almost went to HITCHCOCK …it was that close!).

We’ve never announced anything like this before, but we thought that some of you might be interested…
THE NEON is excited to spread the word about an investment opportunity for people who love good, independent filmmaking. This Spring, a Dayton-native who currently lives and works in NYC will return to town in order to shoot a feature-length film. We’ve shown her work in the past, and we believe in her Dayton-centric screenplay and vision. If you’d like to find out more about the opportunity to invest in this project, please respond to me via e-mail or telephone. Someone associated with the film will contact you with more details. My contact info: [email protected] or (937)222-8452

If you were a fan of the one-night only screening of RIDE THE DIVIDE, mark your calendars now for January 23. We will host a one-night only screening of the new film REVEAL THE PATH. “REVEAL THE PATH is a genre-defying adventure film that contemplates what it means to live an inspired life using the bicycle as a mechanism to explore, dream and discover. Regions explored include Scotland’s lush valleys, Europe’s snow capped mountains, Morocco’s high desert landscapes, Nepal’s rural countryside and Alaska’s rugged coastal beaches…Meet the locals living modest yet seemingly fulfilling lives, leading us to question what it means to live an inspired life – however humble or extravagant. Join in as the creators of RIDE THE DIVIDE take you on an adventure that will leave you with an eager desire to chart your own course to far away lands or simply to discover with eyes wide open what’s right around the bend.” (taken from press notes) Check out the official site to find out more about the film and to purchase advanced tickets. (We will not be selling advanced tickets for this event at our box office…they will only be available on the official site.)

Thanks so much for your ongoing support throughout the year!
It’s officially Oscar season, and we hope to see you soon,
Jonathan

SHOWTIMES for Fri. Jan. 4 – Thur, Jan. 10:

HYDE PARK ON HUDSON (R) 1 Hr 34 Min
Friday, Saturday, Sunday: 12:50, 3:00, 5:10, 7:20, 9:30
Monday – Thursday: 3:00, 5:15, 7:50

PROMISED LAND (R) 1 Hr 46 Min
Friday, Saturday, Sunday: 12:45, 3:00, 5:15, 7:30, 9:45
Monday – Thursday: 3:00, 5:30, 8:00

COMING SOON:
As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear.
Jan. 11 – DIANA VREELAND: THE EYE HAS TO TRAVEL
Jan 25 – RUST AND BONE
Jan. ? – A ROYAL AFFAIR
Feb. 15 – AMOUR
Feb ? – WEST OF MEMPHIS
Spring – ON THE ROAD

SMASHED and Exciting Announcement at THE NEON

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smashed_imageHello Everyone,

HITCHCOCK and ANNA KARENINA are still performing well for us, so we’re going to keep both…but we’ll also add a new film into the mix for one week.  On Friday, we will open SMASHED – the new film which just earned an Independent Spirit Award nomination for Mary Elizabeth Winstead.

Synopsis for SMASHED: “A married couple whose bond is built on a mutual love of alcohol gets their relationship put to the test when the wife decides to get sober.” (taken from Sony Classics) Starring Mary Elizabeth Winstead, Aaron Paul, Octavia Spencer and Megan Mullally. Click this LINK to visit the film’s official site.

[yframe url=’http://www.youtube.com/watch?v=uVZmINZyj-U’]

We’ve never announced anything like this before, but we thought that some of you might be interested…
THE NEON is excited to spread the word about an investment opportunity for people who love good, independent filmmaking. This Spring, a Dayton-native who currently lives and works in NYC will return to town in order to shoot a feature-length film. We’ve shown her work in the past, and we believe in her Dayton-centric screenplay and vision. If you’d like to find out more about the opportunity to invest in this project, please respond to me via e-mail or telephone. Someone associated with the film will contact you with more details. My contact info: [email protected] or (937)222-8452

If you were a fan of the one-night only screening of RIDE THE DIVIDE, mark your calendars now for January 23. We will host a one-night only screening of the new film REVEAL THE PATH. “REVEAL THE PATH is a genre-defying adventure film that contemplates what it means to live an inspired life using the bicycle as a mechanism to explore, dream and discover. Regions explored include Scotland’s lush valleys, Europe’s snow capped mountains, Morocco’s high desert landscapes, Nepal’s rural countryside and Alaska’s rugged coastal beaches…Meet the locals living modest yet seemingly fulfilling lives, leading us to question what it means to live an inspired life – however humble or extravagant. Join in as the creators of RIDE THE DIVIDE take you on an adventure that will leave you with an eager desire to chart your own course to far away lands or simply to discover with eyes wide open what’s right around the bend.” (taken from press notes) Check out the official site to find out more about the film and to purchase advanced tickets. (We will not be selling advanced tickets for this event at our box office…they will only be available on the official site.)

On January 4 we will open 2 new films – HYDE PARK ON HUDSON (with Bill Murray as FDR) and PROMISED LAND (starring Matt Damon, John Krasinski and Frances McDormand – directed by Gus Van Sant)! I think we’ll start the year off with some enthusiastic audiences…this also means that everything on this week’s playlist will leave on January 3. We hope you’ll hurry down.

Thanks so much for your ongoing support!
Just a reminder – we’re open 365 Days a Year!

We hope to see you soon,
Jonathan

SHOWTIMES for Fri. Dec. 28 – Thur, Jan. 3:

ANNA KARENINA (R) 2 Hr 10 Min
Friday, Saturday, Sunday: 1:00, 4:00, 7:10
Monday – Thursday: 2:30, 5:15, 8:00

HITCHCOCK (PG-13) 1 Hr 38 Min
Friday, Saturday, Sunday: 2:45, 5:00, 7:20, 9:30
Monday – Thursday: 3:00, 7:50

SMASHED (R) 1 Hr 21 Min
Friday, Saturday, Sunday: 12:40, 9:45
Monday – Thursday: 5:30

COMING SOON:

As always, all dates are tentative. Many of these dates will change.
In some rare cases, titles may disappear.
Jan. 4 – HYDE PARK ON HUDSON
Jan. 4 – PROMISED LAND
Jan. 11 – DIANA VREELAND: THE EYE HAS TO TRAVEL
Jan 25 – RUST AND BONE
Jan. ? – A ROYAL AFFAIR
Feb. 8 – ON THE ROAD
Feb. 15 – AMOUR
Feb ? – WEST OF MEMPHIS

Running the Sahara;111 Days, 4300 Miles, & 6 Countries Across the Desert

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Even the Outdoor Evangelist has his limits.

Can you imagine running across the desert for 111 Days, covering approximately 4300 Miles, and traversing 6 countries?  I can’t either, so I’m excited to attend this FREE showing of “Running the Sahara,” a National Geographic film narrated by Executive Producer, Matt Damon. I hope you will too. Running the Sahara Poster

The screening of “Running the Sahara” is a kick-off to the Adventure Summit weekend.  The Adventure Summit is one of the largest expositions of outdoor skill, culture and experience in the Midwest. On March 4th, at 7pm,  you can witness this documentary covering the amazing adventure of Charlie Engle, the Keynote Speaker of The 2010 Adventure Summit at the Wright State University Student Union.   Charlie will be delivering his keynote on Friday night at 8pm.

From RunningtheSahara.com, “The Running the Sahara documentary explores the physical and emotional impact of this tremendous test of strength and determination. The film will allow us to relive the runners’ life-changing experience as we watch them brave the elements in one of the most extreme environments on Earth and meet the unique people of the Sahara, struggling with immense daily challenges. The film’s narrative follows the runners on their quest, each step toward the finish line building in great anticipation of answering the question: Can this amazing human feat truly be possible?”Runner Plus

The screening of “Running the Sahara” is brought to you by Runners Plus and The Adventure Summit.  The first 50 people in attendance will receive a free sub and refreshments thanks to Runners Plus.