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Natalie Portman

2 New Films, 2 “Best Actresses” at THE NEON

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Hello Dayton Most Metro!

We’re moving along in a big way this weekend. If you still need to see LA LA LAND – now the highest grossing film in THE NEON’s history – Thursday will be your last chance to catch it with us. If you still need to see 20TH CENTURY WOMEN, Sunday will be your last chance to catch this gem at THE NEON. On Friday, we will open two very different films that have something in common. JACKIE and ELLE both have lead performances that have been nominated for “Best Actress” at this year’s Academy Awards. Natalie Portman gives an incredible performance as Jackie Kennedy – one that has garnered her numerous awards this season. Isabelle Huppert, one of my favorite actresses, has never been nominated for an Oscar before (which is hard to believe given her stunning body of work) – but she just won “Best Actress” and ELLE also took home “Best Foreign Film” at this year’s Golden Globes.

Showtimes and additional information can be found on our website – www.neonmovies.com …but you can check out the trailers here:

 

In the coming weeks, we have numerous special events – from one time only screenings to our upcoming Oscar Party.  Stay tuned to our website for the latest.

See ya at the movies,

Jonathan

Numerous Oscar Nominations for Films at THE NEON

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Hello Most Metro!

We were all set to move forward with JACKIE this weekend, but the execs at Lionsgate (the distributor for LA LA LAND) were insistent that we hold their hit for another week…and with good reasons. 1) LA LA LAND is still performing well. 2) LA LA LAND just scored the highest number of Oscar nominations ever received – 14 in all (tying with ALL ABOUT EVE and TITANIC). 3) In just under 4 weeks, LA LA LAND has become our #2 “Highest Grossing Film Ever” at THE NEON. Over the course of this upcoming weekend, it will likely move into the #1 spot! All that said, we will hold both LA LA LAND and 20TH CENTURY WOMEN for another week. I know that many of you are anxious to see Natalie Portman’s Oscar-nominated performance, but we promise that JACKIE will open on Feb. 3.

Speaking of Oscars, NEON titles performed very well this year. Past/current films that received nominations are: MOONLIGHT, MANCHESTER BY THE SEA, LOVING, NOCTURNAL ANIMALS, A MAN CALLED OVE, THE LOBSTER, 20TH CENTURY WOMEN, LA LA LAND, and LIFE, ANIMATED. Nominees that are still on their way to us include JACKIE, ELLE, THE RED TURTLE, I AM NOT YOUR NEGRO, TONI ERDMANN, and all of the OSCAR NOMINATED SHORTS (and possibly more). Of all the nominations, a couple “snubs” stood out to me. Annette Bening is absent from the list for 20TH CENTURY WOMEN. The film was recognized for “Best Screenplay,” but her role deserved recognition. Secondly, I was disappointed to not see EAGLE HUNTRESS among the nominations. Though “Best Documentary” is full of heavy hitters, I think this stunning but subtle, quiet film speaks to many issues and deserved more recognition.

For showtimes and descriptions of numerous special events at THE NEON, visit our official site: www.neonmovies.com

We hope to see you soon!

Jonathan

 

TIFF 2016 – Day #9 – Wrapping Up This Year’s Fest

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planetarium-posterHello Everyone,

My first film of my final day of screenings was PLANETARIUM – directed by Rebecca Zlotwoski and starring Natalie Portman and Lily-Rose Depp.  This is the story of two sisters who are mediums living in France and their relationship with a film producer.  Though the concept is intriguing (“sometimes you have to turn off the lights to see something” was an early quote that had promise) and I liked moments of the film, this was the biggest mess I saw at TIFF.  I don’t know what happened, but about an hour in, I felt like there were several films happening at once – and not in a good way. There were also a couple moments where Portman let out laughs that seemed like she was becoming completely unhinged…not her character, but Portman herself.  Attempts at “kinda sexy/kinda creepy” were in full swing – but the results were mostly just on the creepy end of the spectrum, and I eventually couldn’t wait for it to end.  Here’s a trailer…but you’ll have no idea what’s in store.

THE SECRET SCRIPTURE, directed by Jim Sheridan, was my second film of the day.  It was also Rooney Mara’s third film in this year’s festival.  Though Rooney was the star of the film, it was Vanessa Redgrave who shined.  This is the story of an older woman in a mental institution who has keep a journal in between the lines and in the margins of her Bible.  One of the first quotes we get from her journal is “I did not kill my child.”  Through a series of flashbacks, we see her as a younger woman in the 1940’s.  A true beauty, she turns heads everywhere she goes, and people in the town are quick to call her a whore…including the town’s priest who is clearly infatuated with her. Though I felt the story got a little muddled, it’s ultimately beautifully told and will easily find fans.  The Q&A with Jim Sheridan was a treat.  With Irish accent seemed to forgive all of his foul-mouthed responses, and the stories of working with actors (Vanessa Redgrave and the children from IN AMERICA in particular) were fantastic and full of insight.  There’s no trailer for this film yet, but here’s a still.

the-secret-scripture

My last film of the fest was THE LIMEHOUSE GOLEM, directed by Juan Carlos Medina and starring Bill Nighy & Olivia Cooke (ME AND EARL AND THE DYING GIRL).  In Victorian-era London, a detective has been given his first murder case – a case that has the city on edge as a serial killer is performing more and more heinous acts.  This beautifully styled period piece is a far cry from what you’d expect given the costumes and set-pieces.  With lots of blood and gory details of the crimes, it’s at times unsettling but ultimately rather predictable. There are some moments that should be big…but the materials isn’t there…so the decision was to over-score them – which actually ends up detracting from the scenes in question.  I wanted to like this film more, but I came out feeling it was really quite average.  There’s no trailer for this film yet, so here’s a still.  (Upon looking for images from the film, I found out that Alan Rickman was originally supposed to play the part of the detective – which would have added a different level of eeriness.)

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And so my screenings have come to an end.

I saw 30 films (not counting the two I walked out of), I met several great folks in the industry, I saw numerous big stars and directors, and I ate a lot of poutine.  In all, it was an incredible trip.

So here’s the wrap-up.  (All categories have films listed in the order in which I saw them.) My 3 favorites were: MOONLIGHT, NOCTURNAL ANIMALS and LA LA LAND.  Close behind were JULIETA, LOVING and SOUVENIR (BIRTH OF A NATION would be on this list, but I actually saw it several weeks ago and not at TIFF).  Some really good films that are 100% worth viewing but didn’t make it to the very top of my list are MANCHESTER BY THE SEA, FRANTZ, LION, A UNITED KINGDOM, THEIR FINEST, MAUDIE, PATERSON, JACKIE, and UNKNOWN GIRL.  For the other 15 films and how I felt about them, you’ll have to back-track through my blog.

Thanks so much for reading, and I appreciate your continued interest in THE NEON.

All the best,

Jonathan

 

TIFF 2016 – Day #7

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csqaun7wgaqgaq3Hello Everyone,

Thanks for coming back!  Today was my last day during this trip when I have to  wake up before 6am!  I saw three more films (which takes me to 24 total), and I had a nice dinner.  Though there was an invitation to meet up for late drinks, I had to turn it down.  I’m simply too tired and getting more than 4 hours of sleep sounds much better.

My first film of the day was PATERSON, by Jim Jarmusch – who has a cult-like following.  This film stars Adam Driver as “a working-class poet in a small New Jersey town who practices his craft amidst the quiet magic of everyday life.” (TIFF on-line catalog)  As always, Jarmusch finds both humor and pathos in the idiosyncrasies and mundane routines of his characters.  That said, I think this film is his most accessible.  And though not a lot “happens,” I was engaged and liked peeking in on these rather charming characters.  (There is not trailer available, but here’s a clip.)

https://www.youtube.com/watch?v=vWHA1lcjUt4

JACKIE, the new film about Jackie O’ starring Natalie Portman, was next on my list.  Directed by Pablo Larrain (who also has a film about Pablo Neruda at the festival), this film takes a look at the assassination of JFK through the point of view of Jackie.  The film opens with Jackie greeting a journalist just a few days after the assassination. As she answers questions, we get her version of the story – both anecdotes about the making of the TV special when she led press through the White House as well as her account of what happened in Texas and preparing for the funeral.  She is very candid, but she also makes quite clear that she’ll have the final edit on the piece that is written.  When the journalist says that he just wants the truth, it is finally said that “I will settle for a story that’s believable.”  That sentiment is the film in a nutshell.  It took me a little while to buy Portman as Jackie, but eventually she won me over.  Fox Searchlight picked up this film within the last 48 hours, and they plan to have it released in time for Oscar season.

jackie-1

My final film of the day was UNA – a new film based on the play BLACKBIRD, directed by Benedict Andrews and starring Rooney Mara & Ben Mendelsohn.  This is the story of a young woman in her mid-20’s confronting a middle-aged man at his place of work. It’s been 12 years since they’ve seen each other…and that was when she was 13 and he sexually abused her.  It’s my understanding that the play is just two characters…and adapting it for the screen seemed a bit forced to me.  From ducking behind boxes and into bathroom stalls to hide from other workers, it seemed a bit of a stretch to buy the actions of the characters.  I ultimately had really mixed feelings.  The material is intriguing and bold, but I didn’t buy the set-up (trouble with the man’s position at work is a tangent that seems oddly tacked on).  In addition, I feel like the material didn’t ring with honesty.  SPOILER ALERT…don’t read more if you don’t want to know too much! The director spoke of each character having “unfinished desire” for one another.  I’d be anxious to hear a true feminist read of this material/adaptation.  By the end, I didn’t hate it, but I also can’t recommend it.  There is no trailer for this film, but here’s a clip:

I’ve got three films tomorrow and I get to sleep in until 7:30!  I also plan to meet an old friend for dinner – someone I met in line for Almodovar’s TALK TO HER back at the festival in 2002.

Thanks for reading,

Jonathan

Sally Field’s DORIS & Star-Studded Malick Film Open Friday at THE NEON!

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rs_634x939-151119112930-634-hello-my-name-is-doris-posterHello Everyone,

We’re cleaning house this week! If you need to see HITCHCOCK/TRUFFAUT, MUSTANG, SON OF SAUL or LADY IN THE VAN, Thursday will be your last chance to catch them at THE NEON. On Friday, we’ll begin a film that many of you have expressed excitement about – HELLO, MY NAME IS DORIS – starring Sally Field. In addition, we’ll begin a film by master filmmaker Terrence Malick with a star-studded cast – KNIGHT OF CUPS.

Synopsis for HELLO, MY NAME IS DORIS: “When Doris Miller meets John Fremont, her company’s hip new art director, sparks fly-at least for Doris. In the cluttered house she shared with her late mother, Doris mines the Internet for information on her one-and-only, guided by the 13-year-old granddaughter of her best pal Roz. When Doris begins showing up at John’s regular haunts, she wins over his Williamsburg friends. Her new life brings Doris a thrilling perspective, but also creates a rift between her and her longtime friends and family, who believe she’s making a fool of herself over a guy half her age. Eager for all the experiences she has missed out on, Doris throws caution to the wind and follows her heart for the very first time.” VARIETY wrote, “A showstopper. Sally Field shines.”

https://www.youtube.com/watch?v=Pdn-CcRypo8

Synopsis for KNIGHT OF CUPS: “Knight of Cups follows writer Rick (Christian Bale) on an odyssey through the playgrounds of Los Angeles and Las Vegas as he undertakes a search for love and self. Even as he moves through a desire-laden landscape of mansions, resorts, beaches and clubs, Rick grapples over complicated relationships with his brother (Wes Bentley) and father (Brian Dennehy). His quest to break the spell of his disenchantment takes him on a series of adventures with six alluring women: rebellious Della (Imogen Poots); his physician ex-wife, Nancy (Cate Blanchett); a serene model Helen (Freida Pinto); a woman he wronged in the past Elizabeth (Natalie Portman); a spirited, playful stripper Karen (Teresa Palmer); and an innocent Isabel (Isabel Lucas), who helps him see a way forward. Rick moves in a daze through a strange and overwhelming dreamscape — but can he wake up to the beauty, humanity and rhythms of life around him? The deeper he searches, the more the journey becomes his destination.” THE VILLAGE VOICE wrote, “KNIGHT OF CUPS might be both the most intoxicating film [Malik] has ever made-a deluge of gorgeous, kinetic images and sounds-and, in some ways, the most perplexing.” Click this LINK to visit the film’s official site.

It’s almost time for THE DAYTON JEWISH FILM FESTIVAL, and this year’s selections look like a winning line-up! The fest begins in early April with screenings and speakers all around town. Here’s a list of films that will screen at THE NEON:
Thursday, April 7 – 7:15pm – ATOMIC FALAFEL
Sunday, April 10 – 7:15pm – THE LAST MENTSCH
Tuesday, April 12 – 9:30am – GETT: THE TRIAL OF VIVIANE AMSALEM
Tuesday, April 12 – 7:15pm – BORROWED IDENTITY
Thursday, April 14 – 7:15pm – APPLES FROM THE DESERT
Sunday, April 17 – 5:20pm – MAKING MORNING STAR
Sunday, April 17 – 7:15pm – DOUGH
Advanced tickets are available on the festival’s official site.

On Wednesday, April 20 at 7:30, “Go Wild for Earth Month at the WILD AND SCENIC FILM FESTIVAL presented by Aveda and the SierraClub. The evening will be a celebration of wilderness and waterways as we take a cinematic tour of rivers, lakes, oceans and the individuals exploring, enjoying, and protecting them. Over 15 films spanning the globe highlight why our waterways should be wild.” (taken from press notes) Tickets are $10 each and can be purchased in advance via this LINK. If tickets remain, they will be sold one hour before the event at our box office. All proceeds benefit the Sierra Club.

We hope to see you soon!
Thanks for your continued support!
Jonathan

SHOWTIMES for Tuesday, March 22 – Thursday, March 31:

THE LADY IN THE VAN (PG-13) 1 Hr 44 Min
Tuesday – Thursday (March 22-24): 3:00, 7:30
FINAL DAY – March 24!

SON OF SAUL (R) 1 Hr 47 Min
Tuesday-Thursday (March 22-24): 5:10
FINAL DAY – March 24!

HITCHCOCK/TRUFFAUT (PG-13) 1 Hr 19 Min
Tuesday-Thursday (March 22-24): 5:15
FINAL DAY – March 24!

MUSTANG (PG-13) 1 Hr 37 Min
Tuesday-Thursday (March 22-24): 3:15, 7:30
FINAL DAY – March 24!

HELLO, MY NAME IS DORIS (R) 1 Hr 35 Min
Friday & Saturday (March 25 & 26): 12:20, 2:40, 5:00, 7:20, 9:30
Sunday (March 27): 12:20, 2:40, 5:00, 7:20
Monday – Thursday (March 28-31): 3:00, 5:15, 7:30

KNIGHT OF CUPS (R) 1 Hr 58 Min
Friday, Saturday, Sunday (March 25-27): 12:30, 3:00, 5:30, 8:00
Monday – Thursday (March 28-31): 3:00, 5:30, 8:00

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
April 1 – I SAW THE LIGHT
April 8 – DEMOLITION
April ? – REMEMBER
April 22 – MILES AHEAD (shot in Cincinnati & Dayton)
April ? – THE DARK HORSE
April ? – KRISHA
May 6 – SING STREET
May 13 – LOVE AND FRIENDSHIP
May 27 – THE MEDDLER
June 10 – MAGGIE’S PLAN
June 17 – DARK HORSE