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TIFF 2018 – Day #1

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Hello!

Thanks for checking out my daily TIFF blog.  I hit the ground running on the first day of TIFF…I saw 5 films.  4 of the screenings were strictly with press & industry folks, and one was public screening that had all the glitz and glamour of the fest (red carpet, big stars, etc.).

First off was DOGMAN directed by Matteo Garrone.  Here’s the festival’s brief synopsis: “In the latest from Matteo Garrone (Gomorrah), mild-mannered Marcello spends his days grooming dogs, hanging out with his beloved daughter and, like most of his neighbourhood, trying to avoid Simoncino, a former boxer and resident bully with whom Marcello uneasily coexists — until a double-crossing prompts an ugly act of vengeance.”  This was the first of two Italian films I saw today – both shot in rather desolate locations that aren’t the Italy we’ve come to know in classic cinema.  This little film started out with some glimmers of hope, but it got really dark really fast.  I loved the protagonist, and I believed his trajectory, but this film isn’t for everyone.

https://www.youtube.com/watch?v=LI2JE_xjAaY

NON-FICTION, directed by Olivier Assayas, was next on my list.  Here’s the festival’s brief synopsis: “French auteur Olivier Assayas probes the promises and pitfalls of art in the age of digital communication, in this comedy about a Parisian publisher (Guillaume Canet) and his successful-actor wife (Juliette Binoche) adapting to the new-media landscape.”  This film covers all the bases in the debate/discussion of whether the digital age is helping or hindering society/artists/publishers/basic human communication.  Though it certainly has some insightful and funny moments, I found it to get tedious after a while.  When it comes to Assayas, I think my favorite is still SUMMER HOURS.

BURNING, directed by Lee Chang-dong, was next on my list.  Here’s TIFF’s brief synopsis: “In this thriller from director Lee Chang-dong, based on a short story by Haruki Murakami, a young man grows suspicious about the motives of a deceptive interloper who is hanging around with his childhood friend–turned–burgeoning love interest.”  This slow burn thriller is heavy on the “slow”…I could easily remove 40 minutes from its 2 Hr 28 Min runtime.  There were certainly some moments that worked, but I looked at my watch one hour in and couldn’t believe we weren’t at the half way point yet.

GRETA was my first public screening of the festival.  Here’s the brief synopsis from TIFF: “Isabelle Huppert teams with writer-director Neil Jordan to play the title role in this psychological thriller about a lonely, mysterious widow whose friendship with a naïve young woman (Chloë Grace Moretz) takes on an increasingly obsessive and sinister air.”  I was delighted that Jordan, Huppert and Moretz were all in attendance…as was Maika Monroe – a supporting star who stole several several scenes while on screen.  (Interestingly, Chloë Grace Moretz is the lead actress in the Opening Night Film of this year’s Dayton LGBT Film Festival – THE MISEDUCATION OF CAMERON POST.)  The film is glossy and full of some fun choices…but it’s perhaps the most over-the-top and campy thriller I’ve seen in years.  At one moment, when a major plot point is revealed, the audience burst into laughter and I immediately thought “Is that what Jordan intended – or was that supposed to be a gut-punch?”  Some of the music cues are so big, and some of the decisions are so on-the-nose – I couldn’t decide how I was feeling for most of the film.  But by the end, I was rooting for the protagonist and laughing along with the brilliant Huppert.  (I’ll post a picture I took of the cast on our FACEBOOK page.)

VICE OF HOPE, directed by Edoardo de Angelis, was my last film of the night.  This was the second film of the day set on the bleak seaside of Italy.  Here’s the brief TIFF synopsis: “To support her family, Maria works as a trafficker of surrogate mothers, transporting them from place to place along a river — but when one disappears, Maria is left with the task of finding her and must enter deeper into a world she wishes to escape.”  This film had more walk-outs than any film I can recently remember.  Granted, it was late at night and there were lots of parties going on, but I couldn’t bring myself to leave.  This was a world I’d never seen before, and Maria, the lead character (played by Pina Turco), was someone I really wanted to see overcome the odds.  Given the subject matter, you can’t escape the overall sad and desperate and humiliating tone of the film…but there were always glimmers of hope – and that’s what kept Maria going (as well as the viewer…well at least for me).

No parties tonight for me.  I’m going to bed early and looking forward to another full day tomorrow (though maybe only 4 films).

Thanks for reading,

Jonathan

Reinventing The Telling of Stories – A New Interactive Website About Dayton Wants Your Input

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POSTCARDIn the Spring of 2012, Emmy-winning, Oscar nominated filmmakers Julia Reichert and Steve Bognar, along with about 15 other media artists, hit the streets of Dayton asking the question, “How is Dayton doing?” Engaging subjects in thoughtful interviews and creating compelling, non-fiction stories is nothing new for Reichert and Bognar – but it turns out that this project was much more difficult than anticipated.

“This was a really ambitious project,” said Bognar. “We were attempting to take the pulse of the whole city. And we did not know what the answers would be.”

After identifying a handful of focus neighborhoods, the group—which was a collaboration with WYSO 91.3 FM— split into teams. They began to find and interview people who were in the process of reinventing themselves. In addition, the group documented over 35 events throughout the city. After weeks and months of sifting through hundreds of hours of material (not to mention a whole different language of web design), the resulting efforts can now be seen on an interactive website – ReinventionStories.Org.

Upon logging on the site, the first thing you’ll see is a beautifully animated introduction featuring a vintage postcard of the city and various soundbytes from numerous interviews. This introduction leads into an 18-minute documentary featuring 7 individuals from various neighborhoods. Using a combination of still photography, audio interviews and video footage, users get a sense for who these people are and how they are in the process of reinventing themselves. Each piece ends with a sort of cliffhanger. This 18-minute piece is merely Act One of three. In the coming weeks, each of the seven characters’ stories will continue in Act Two and Three. Reichert says that as the stories unfold, more dramatic material will reveal itself. She said, “These stories fit together to tell a bigger story about the city. We wanted to capture our City’s life and diversity and to show that we’re not all that far from each other. We’re all in this together.”

7 StoriesThe 7 subjects of the documentary on ReinventionStories.org.

Those ideas are conveyed even more as we “Drive the Road.” This section of the website takes the viewer down East 3rd Street. The voice of Carol Coffey, teller of one of the stories, asks: “ What signs of life do you see in Dayton?” While passing storefronts and houses, a series of bubbles appear that allow the user to watch short stories about events from over the summer, prompting the viewer to think about that question. One story is about the Dayton Gay Men’s Chorus, another is about the Blessing of the Bikes, another, the World Soccer Tournament, sponsored by Welcome Dayton.

The storytellers want us to think about the fabric of the city…that all these very different events are happening in the same town.

In a third section of the site, the user is asked questions like “Where do you see signs of life in Dayton?” or “What city event do you most look forward to each year?” Once answered, the responses are broadcast via twitter. @ReinventDayton

In addition to new sections of the documentary, the coming months will see more coverage of events while “Driving Down the Road” and additional questions posed to users. The team also noted that “treasures have yet to be unveiled.”

The website went live in late February, but the idea is to let the website become a living, breathing site that will reveal more elements in time. The interactive part will rely on users to keep it fresh and alive. By April, Daytonians can upload their own stories of reinvention.

NEENAH JULIA STEVENeenah Ellis of WYSO and filmmakers Steve Bognar & Julia Reichert.

This project came about when WYSO director Neenah Ellis approached Reichert and Bognar regarding a national competition called LOCALORE – a new initiative of the Association of Independents in Radio (AIR), in collaboration with Zeega (a group of people who want to push non-fiction storytelling into unchartered territory*). Hundreds of organizations applied for the competition – only 10 were selected.

Bognar said he had so much fun running around the city over the summer. He noted that there was so much to do and that events were all always well attended. “When we started, we weren’t really sure how the city was doing. But luckily for the project and for the community, a corner was turning as we hit the streets. People were taking risks, opening new businesses, forming groups,and we caught the wave.” Reichert added, “A year later, we can answer with certainty. Yes. The city is very much alive and growing.

 

*AUTHOR’S BONUS NOTE FOR CINEASTES – Bognar told me that Zeega is named after Dziga Vertov – director of the masterpiece MAN WITH A MOVIE CAMERA. This is a great treat for film lovers. Vertov’s films and theories influenced the cinema verite movement…which pushed “non-fiction storytelling into unchartered territory.”