Every year, the Librarian of Congress names 25 motion pictures that are at least 10 years old and register as “culturally, historically or aesthetically” significant.
For a filmmaker to get one of their films in the registry is an honor. “Growing Up Female” (1971), which Yellow Springs filmmaker Julia Reichert made with her future husband, James Klein, a classmate at Antioch College in Ohio, was selected by the Library of Congress for the National Film Registry in 2011.
Julia, who won an Academy Award for “American Factory,” a documentary feature about the Chinese takeover of a shuttered automobile plant in Dayton, Ohio, died December 1st after a 4 and 1/2 year fight with cancer.
According to her partner Steven Bogner, “Julia was told, shortly before her death that UNION MAIDS would be added to the National Film Registry, joining Julia and Jim’s debut film GROWING UP FEMALE on this prestigious list of historically significant works of American cinema. She was grateful and proud.”
The Oscar-nominated “Union Maids,” one of nine documentaries were chosen this year, told the story of three female union workers in the 1930s.
“For the longest time, women’s voices, especially working-class women’s voices, were not respected let alone heard,” co-director Julia Reichert, who died earlier in December from cancer, wrote in a statement. “Documentaries presented men as the experts, the historians, the authorities. We hoped this film would just show you how vital, wise, funny and essential these women’s voices were and are, to the struggles of working people to get a better deal.”

Fueled by the murder of George Floyd, shut-in by the closures of business and unable to perform around the country, the movie follows Dave Chappelle as he provides the community he calls home with two things desperately needed in difficult times – economic and comic relief. What began as an experimental socially-distanced live comedy show in a neighbor’s cornfield, grew into an unforgettable summer with his neighbors, friends and fellow comedians. Ultimately, Chappelle’s cornfield concerts would serve as a model of courage not just for his community, but for the entire live entertainment industry.
to Los Angeles, Houston, Minneapolis, Portland, Cleveland, Louisville and Madison before the pandemic shut everything down. 



Additionally, Jenell Ross will be honored with the 2020 Lifetime Achievement Award. Ross is president of Bob Ross Auto Group in Centerville, Ohio, the first African-American owned Mercedes-Benz Dealership in the world and the only one owned by an African-American woman. She is the only second-generation African-American female automobile dealer in the country. Ross was first honored as a Women of Influence honoree in 2012. 

HANNAH BEACHLER, (1971- ) Groundbreaking media production designer
MAJOR GENERAL GEORGE R. CROOK, (1828-1890) Leader in the U.S. military and civil rights activist
DR. RICHARD A. DEWALL, (1926-2016) Pioneer heart surgeon
ROBERT C. KEOPNICK (1907-1997) Nationally known sculptor, talented teacher
POLICE SERGEANT LUCIUS J. RICE AND POLICEWOMAN DORA BURTON RICE (1876-1939; 1882-1940) Long serving pioneer Police officer and community activist Policewoman
JULIA REICHERT (1946- ) Pioneering independent filmmaker and educator







Dayton’s own Academy Award nominated, Emmy winning filmmakers Julia Reichert and Steven Bognar announce the launch of REINVENTION STORIES – a multiplatform documentary project which tells stories of Daytonians who have started over in their lives.
The award-winning short film “Sparkle” by local documentarians Steven Bognar and Julia Reichert has been picked up by PBS for viewing across the nation. Premiering February 7 at 9 PM, you can see the short as part of a new show on PBS.
It’s well-documented that the Dayton community is one of extraordinary innovation, arts and collaboration. That synergy will be on display at tonight’s sold-out November 2 (and newly added second performance November 4) with A Premiere Evening – a benefit for the world-renowned Dayton Contemporary Dance Company.
she recovers from the first major injury in her 38-year career. Reichert and Bognar followed Williams through her months-long recovery process and offers the project to answer the question “Will she ever dance again?” The film offers audiences a rare behind-the-scenes look at DCDC’s rehearsals and performances. A Q&A with the filmmakers follows the screening.








