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We’re moving along with the highly anticipated film – MANK – David Fincher’s look at how Mankiewicz rushed to finish the screenplay for Orson Welles’ CITIZEN KANE. It opens tomorrow. If you still need to see THE CLIMB, Thursday will be your last chance. On Friday, we open the documentary ZAPPA for one week only. If you still need to see HILLBILLY ELEGY on the big screen, it will stick around for one more week.
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Synopsis for ZAPPA: “With unfettered access to the Zappa family trust and all archival footage, ZAPPA explores the private life behind the mammoth musical career that never shied away from the political turbulence of its time. Alex Winter’s assembly features appearances by Frank’s widow Gail Zappa and several of Frank’s musical collaborators including Mike Keneally, Ian Underwood, Steve Vai, Pamela Des Barres, Bunk Gardner, David Harrington, Scott Thunes, Ruth Underwood, Ray White and others.” (Magnolia Pictures) Click the image below to watch the trailer.
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Two new films that are already hot with Oscar buzz open this Friday at THE NEON. If you need to see THE WAY I SEE IT (which received rounds of applause this weekend), SAVE YOURSELVES! (the sci-fi/comedy with lots to say about today’s social media obsessed culture), or KAJILLIONAIRE (Miranda July’s latest Sundance hit), you only have until Thursday. ON THE ROCKS and THE TRIAL OF THE CHICAGO 7 open on Friday!
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By Lisa Grigsby
This week, we have two new films and three retrospective films for in-person screenings…and we’re adding 3 new films to our Virtual Cinema. On top of that, we’ve got a new film starting next Wednesday – so we’ve got a lot of ground to cover.
By Lisa Grigsby
Synopsis for REPRESENT – Virtual Cinema: “Equal parts personal and political, REPRESENT follows three women on both sides of the aisle who share the singular goal of improving their community through public service. Myya attempts to spark a youth movement and unseat the incumbent mayor of Detroit; Bryn, a farmer and working mother in Granville, OH, runs for township trustee; and Julie walks a tightrope between her identities as a Korean immigrant and Republican candidate for State Representative in a liberal Chicago suburb.” (Music Box Films) Click the image below to watch the trailer and pre-order 72 hour access to the film for $12. (This film will be available starting Friday.)
I appreciate so many of you reaching out with suggestions as to films I should explore or revisit to expand my knowledge of the struggle and inequalities that face Black people in our society — great recommendations like Ryan Coogler’s FRUITVALE STATION, Spike Lee’s 4 LITTLE GIRLS, and Sabaah Folayan’s WHOSE STREETS? I also loved hearing back from so many of you regarding the list of films on my screening list last week. If you’re looking for a particular film and you can’t seem to easily find it on Netflix or Amazon, there’s a great resource called justwatch.com that can help you find the film in question on-line.
Synopsis for LUCKY GRANDMA: Critics everywhere are loving Tsai Chin’s central performance. “Set in New York’s Chinatown, Chin portrays an ornery, newly-widowed 80-year-old eager to live life as an independent woman, despite her family’s concerns. When a local fortune teller (Wai Ching Ho) predicts a most auspicious day in her future, she decides to head to the casino, only to land herself on the wrong side of luck by suddenly attracting the attention of local gangsters. She then employs the services of a bodyguard from a rival gang. LUCKY GRANDMA is a dynamic comedy with a stand-out performance by Tsai Chin. A new song by Akwafina is also featured.” (Good Deed Entertainment) Jude Dry of indieWire writes, ” LUCKY GRANDMA is a wickedly entertaining dark comedy, steeped in the colors and characters of New York City’s Chinatown.” And Peter Debruge of VARIETY wrote, ” Chin is plainly the film’s greatest asset, a terrific actor with great comic timing and a tendency to underplay her character’s reactions…” This film can be watched on your computer, mobile device or on your TV via the KinoMarquee app on a variety of sources. Scroll to the bottom of the purchasing page for further details. Click the image below to watch the trailer and gain 5 day access to the film for $12.
Hello Everyone!
In the last 48 hours, we’ve made a lot of changes. We’ve added movies to our virtual cinema line-up, some future events have been postponed, and we’ve received word that cinemas are allowed to reopen in Ohio next week. So I’ll take you through all that news.
First off, we just found out about a new film that speaks to the much-needed discussions about race in America…and the distributor was excited for us to open it today (6/5/20). So we’ve added 1 ANGRY BLACK MAN, from writer and director Menelek Lumumbato, to our line-up. (More details below)
Our special screening of SHIRLEY (along with the Elisabeth Moss Q&A originally scheduled for 6/6/20) has been postponed with a new date TBD. Knowing that Saturday evening would be a time for national protests, the organizer of this nation-wide screening event had this to say, “The mission of the Movie Night platform is to cultivate a communal experience through cinema. Hosting the event this Saturday does not feel appropriate or supportive of the activism happening across the country.” We agree! If you pre-ordered a ticket, you should have already received an email from the organizers. I’ll keep you posted as to when this event will move forward.
Hello Most Metro!
I love good cinema. And for all of my college years and days in retail, Oscar season was a time for speculation and preparation for watching (and cheering and jeering) the event on the big night. But for most of the last 18 years, I have been so consumed with preparing for THE NEON’s Annual Oscar Party, I’ve hardly stopped to think who would win and who would lose. That is until Dayton Rotary stepped in. For the last four years, I’ve been asked to give a short presentation regarding the upcoming Academy Awards. This forces me to reflect on the year’s nominees and to think about who will take home Oscars. Below are some of my thoughts regarding this year’s big contenders.
Amy Adams – 6th Oscar nomination (5 supporting, 1 lead).
Marina de Tavira – 1st Oscar nomination, lots of accolades in Mexico.
Regina King – 1st Oscar nomination…lots of TV accolades.
Emma Stone – 3rd Oscar nomination…won for LA LA LAND.
Rachel Weisz – 2nd Oscar nomination…it’s been 13 years since nomination for CONSTANT GARDNER.
WHO WILL WIN? This year’s “Best Supporting Actress” Oscar will almost certainly go to Regina King. Her performance in IF BEALE STREET COULD TALK is heartbreakingly wonderful. I recently heard King speaking on NPR’s “On Point” about how she rarely watches her own work…but a friend convinced her she had to see this film on the big screen. Within the first five minutes, she knew this Barry Jenkins film was something special…and it turns out that I was just a few rows behind her at The Toronto International Film Festival. (If King doesn’t get it, Adams is a good second bet.)
Mahershala Ali – 2nd Oscar nomination…won for MOONLIGHT!
Adam Driver – 1st Oscar nomination…has won awards for GIRLS on TV.
Sam Elliot – 1st Oscar nomination EVER. Hard to Believe!!
Richard E. Grant – 1 Oscar nomination (though years of brilliant work).
Sam Rockwell – 2nd Oscar nomination…won for THREE BILLBOARDS…
WHO WILL WIN? Mahershala Ali appears to be the favorite at this time, but Sam Elliott could sneak in and get it. (That said, I’m rooting for Richar E. Grant.)
Yalitza Aparicio – 1st Oscar nomination, 1st film role ever!
Glenn Close – 7th Oscar nomination (4 leads, 3 supporting)
Olivia Colman – 1st Oscar nomination (lots of TV accolades and will be the Queen in next season of THE CROWN)
Lady Gaga – 1st Oscar nomination
Melissa McCarthy – 2nd Oscar nomination (1st was for BRIDESMAIDS)
WHO WILL WIN? It’s Glenn Close’s turn. The nominations show a diverse canon of work (DANGEROUS LIAISONS, FATAL ATTRACTION, ALBERT NOBBS, WORLD ACCORDING TO GARP, THE BIG CHILL)…but the brilliance doesn’t stop there – what about 101 DALMATIANS, PARADISE ROAD and more! The upset in this category would be Lady Gaga…who does have a lot of fans and support in the business (but I think it would be a posthumous “slap in the face” to Judy Garland – who did not win for her incredible work with this role).
Christian Bale – 4th Oscar nomination…won for THE FIGHTER
Bradley Cooper – 7th Oscar nomination (3 of these nominations are for this film)
Willem Dafoe – 4th Oscar nomination…recent nomination was for last year’s FLORIDA PROJECT, 1st nomination was in 1987 for PLATOON
Rami Malek – 1st Oscar nomination (lots of accolades for TV’s MR. ROBOT)
Viggo Mortensen – 3rd Oscar nomination
WHO WILL WIN? This is a tough one. Many folks are banking on Christian Bale (think of that range – from EMPIRE OF THE SUN as a kid to THE MACHINIST to BATMAN to Dick Cheney). The other big contender is Rami Malek – who has garnered a lot of love this award season. I’m going with Bale.
ROMA has one big thing going against it. Netflix! Will the Academy be kind to a film that has been released by a company that wants to completely change the way films are consumed by the public? Netflix knew they had to get this film into cinemas in order for it to get serious Oscar consideration…and we played it at THE NEON because I consider it the best film of the year. But Netflix rarely wants cinemas to play their films…they want consumers to subscribe to their service. They are not team players and the integrity of how a film is viewed is low on their list of priorities. Big corporate profits over artistic integrity seems to be the order of the day…even when filmmakers ask for their films to get more theatrical exposure. So we’ll see what happens…do members of the Academy care about all of this…or will they base their votes on the power of this film?
THE FAVOURITE divided our audience at THE NEON like no other film this year. We had people see it numerous times and we had people complain that the film was “pornographic” or “stupid” or “wasn’t funny at all.” It’s my opinion that this very dark comedy has a lot to say about the lengths people will go to gain power…and it also speaks about the disconnect by many of those in power and the people they represent. I think it’s a brilliant film (although one with a very grim worldview).
A STAR IS BORN – this is the 4th version of this story. The 1937 version won a special award for its use of color and also won a “Best Screenplay” Oscar. The 1954 Cukor version (with Garland) did not win any Oscars (and is the strongest version of this story). The 1976 version with Streisand won “Best Song”…and this latest version will also win Gaga an Oscar for “Best Song.”
One special note about the other nominees is that Hannah Beachler, a woman who grew up in Centerville and attended Wright State University for Motion Picture Production, is the first ever African American to be nominated for “Best Production Design.” BLACK PANTHER has broken a lot of barriers this season, and it’s exciting to see Beachler get such wonderful recognition (she’s had an incredible career – working on such wonderful films as FRUITVALE STATION, MOONLIGHT and many more…including Beyonce’s LEMONADE).
A couple quick notes:
It’s hard to believe that this is Spike Lee’s 1st Oscar nomination!
Alfonso Cuaron is nominated for 4 Oscars this year…not only did he write and direct ROMA, he also shot and produced it. All four of these roles have received recognition.
Foreign films have received a lot more love than usual this year. In addition to ROMA’s 10 nominations, COLD WAR received 3 nominations (WARNING…BIG PLUG AHEAD…COLD WAR is currently playing at THE NEON), NEVER LOOK AWAY has two nominations, and BORDER is nominated for “Best Makeup.” And speaking of foreign films (ANOTHER BIG PLUG), CAPERNAUM, one of my absolute favorites of 2018, opens this Friday at THE NEON.
WHO WILL WIN? The only way ROMA won’t win this year would be for “political” (aka Netflix) reasons. I feel pretty confident that it will win regardless. But if it doesn’t, the Oscar could go to GREEN BOOK – a film that despite some controversy, has received a lot of awards and admiration this season.
As for our Oscar Screening Party...as always, it’s FREE! The Academy Awards will be screened in our large auditorium this Sunday, February 24 – and you could win awesome prizes throughout the night…including our grand prize from our friends at Square One Salon & Spa. Ballots are available in our lobby and must be turned in before the first award is presented. We hope you’ll join us! We’ll be seating as close as possible to 7:00pm for the pre-show.
Hope to see you soon at THE NEON,
Jonathan
Hello NEON Fans.
Thanks for checking in. I’ve been across the country and around the world over the past several days…all via the magic of cinema. And I have broken my old record! I saw 39 films over the course of 9.25 days at the incredible Toronto International Film Festival. This is always a highlight of my year, and I have assembled quite a list of films that I want to bring to audiences in Dayton.
My last film of the festival was SHOPLIFTERS – a film that will almost certainly be nominated for “Best Foreign Film” in this year’s Oscar race. “Equal parts incisive social critique and nuanced family portrait, the latest from Japanese master Hirokazu Kore-eda — winner of this year’s Palme d’Or at Cannes — follows a small band of marginalized misfits struggling to make ends meet in a merciless urban environment.” This sad but charming film reveals itself in wonderful ways. Familial relationships aren’t what they immediately seem, and even when things seem to get a little sinister, you can forgive some of the actions because you’ve walked beside the characters for a while and better understand their motives. This film has a lot to say, and it was a great way to bid adieu to this year’s festival.
In the coming days, I’ll write a wrap-up and keep you abreast as to this year’s TIFF award-winners.
And don’t forget that we’ve got lots happening at THE NEON over the next several weeks. From THE DAYTON LGBT FILM FESTIVAL to numerous special events…and of course our traditional engagements (some of which are coming from TIFF in the very near future).
Thanks for sharing in this little journey with me.
Hope to see you soon at the movies!
Jonathan
Hello!
Day #8 had me seeing 4 more films.
ROMA, directed by Alfonso Cuarón, was my first film of the day. “Alfonso Cuarón’s cogent and nuanced semi-autobiographical feature chronicles one year in the life of a middle-class family in 1970s Mexico City.” This black-and-white feature film is simply sublime. With themes of class and position in society as well as government/societal upheaval, this film is full of visual metaphors and is incredibly sophisticated. One might think “not much happens in this film”…but ultimately – EVERYTHING happens. This film should 100% be viewed on a big screen. Though Netflix has it set to premiere on their channel, this film deserves a theatrical release. In a word, it’s Incredible!
https://www.youtube.com/watch?v=fp_i7cnOgbQ
HIGH LIFE, directed by Claire Denis, was up next. “Master French filmmaker Claire Denis’s long-anticipated English-language debut and provocative sci-fi drama stars Robert Pattinson, Juliette Binoche, Mia Goth, and André Benjamin as a group of criminals sent into deep space.” This is perhaps one of Denis’ most accessible films (as far as “I’m following what’s happening”) – but it’s also still quite avant garde…and I can imagine customers saying “what the hell?” for most of the film. The mini description fails to explain that the spaceship (which looks somewhat like a floating hard drive) is essentially being used as a laboratory in which Binoche’s character does sexual experiments on its “recycled scum” inhabitants. Complete with rape scenes and other bloody violence, this film is a challenging film that will likely have many searching for its rosetta stone.
I attended the next film based on its description. I had no idea that it was a big studio picture. THE HATE U GIVE, directed by George Tillman, Jr, simply sounded like an important film that I wanted to support. “A timely commentary in the Black Lives Matter era, George Tillman, Jr.’s adaptation of the novel by Angie Thomas follows Starr, a promising student and cherished daughter whose life is upended, then galvanized, when a friend is senselessly shot dead by police.” This film is targeted at a young adult audience, and it’s so refreshing that it’s not about vampires or a fish-out-of-water comedy. This is an urgent tale about a young black student who consciously alters her persona between her school self (which is in a private school full of affluent white kids) and her at home self. I hope this film finds a wide, diverse audience – but I’m afraid it might only end up preaching to the choir. The plot takes some unexpected turns and covers a lot of bases, but it’s ultimately a strong film that needs to be seen by a lot of people.
RED JOAN, directed by Trevor Nunn, was my last film before an incredible dinner of Japanese tapas (but that’s a different story). “Academy Award winner Judi Dench and Sophie Cookson take on the complex persona and legacy of Joan Stanley, the seemingly demure physicist who was also a long-serving British spy for the KGB.” This film is based on a novel…that is very loosely based on a real woman named Melita Norwood. The film uses the framing device of Dench’s character being arrested and interrogated while flashing back to WWII era material where she may have been conspiring with the Russians. Handsomely shot with strong performances, this film will certainly go over well at THE NEON if it finds a US distributor. It contains both great dramatic moments and sequences with wonderful, thrilling tension. The fact that “nuclear bombs and who has them” continues to be a fear in today’s climate shows how little things have changed.
Things are winding down here at the festival. Many big players have gone home, and the lines for movies are easier to navigate. I have one more full day of films and then one Saturday morning screening before flying home.
Thanks for checking in.
Jonathan