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Shirley MacLaine’s LAST WORD at THE NEON This Weekend

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Hello Everyone!

How can you not love Shirley MacLaine? From THE TROUBLE WITH HARRY to THE APARTMENT to THE CHILDREN’S HOUR to IRMA LA DOUCE to SWEET CHARITY to TERMS OF ENDEARMENT to STEEL MAGNOLIAS to POSTCARDS FROM THE EDGE to BERNIE – there’s so much to love! This Friday, we will bring this legend’s latest film to town – THE LAST WORD – and MacLaine fans won’t be disappointed. We will also hold onto both KEDI and THE SENSE OF AN ENDING for one more week.

Synopsis for THE LAST WORD: “In THE LAST WORD, Shirley MacLaine is Harriet Lauler, a once successful businesswoman in tight control of every aspect of her life. As she reflects upon her accomplishment, she’s suddenly inspired to engage a young local writer, Anne Sherman (Amanda Seyfried), to pen her life’s story. When the initial result doesn’t meet Harriet’s high expectations, she sets out to reshape the way she is remembered, with Anne dragged along as an unwilling accomplice. As the journey unfolds, the two women develop a unique bond which alters not only Harriet’s legacy, but also Anne’s future.” (Bleecker Street) Click this LINK to visit the film’s official site.

Don’t forget about THE REEL PADDLING FILM FESTIVAL – returning to town this Thursday evening at 7:30. Advanced tickets are available on-line or at THE NEON’s box office.

“LUNAFEST, a national festival of women’s films, comes to Dayton for the 8th time this Sunday, March 26 from 3:00-5:00 pm at THE NEON. This season’s program of nine selected films will compel discussion, make you laugh, tug at your heartstrings and motivate you to make a difference in your community. Incredibly diverse in style and content, the films are united by a common thread of exceptional storytelling – by, for and about women. Two additional short films will be presented by Pens to Pictures, a local filmmaking collaborative that worked with incarcerated women at the Dayton Correctional Institute to help them make their own short films, from script to screen. Funds raised by this event will go to the Breast Cancer Fund and to Pens to Pictures. Tickets are $10.00 ($5.00 for students) and donations over this amount are gratefully accepted. The event is sponsored nationally by Luna, makers of the nutrition bar, and locally by Dayton Women’s Rights Alliance and the Dayton chapter of the American Association of University Women. Tickets are now available at THE NEON’s box office.” (Press Notes) Visit the Lunafest official site to check out clips from this year’s festival.

Equitas Health is bringing the film FREEDOM TO MARRY to town on Thursday, March 30 at 7:30. This film is “The nail-biting, untold story of how same-sex marriage became law of the land. THE FREEDOM TO MARRY follows Evan Wolfson, the architect the movement, civil rights attorney Mary Bonauto and their key colleagues on this decades long battle, culminating in a dramatic fight at the United States Supreme Court. More than the saga of one movement’s history, this is an inspiringtale of how regular people can change the world.” To watch the trailer and reserve your ticket, visit this LINK.

“On Saturday, April 8, from 9:00 am until Noon, come out to Kick-off and Celebrate MINORITY HEALTH MONTH! This event is free and open to the entire community. Starting at 9:00 am, there will be a free breakfast and health screenings (Hepatitis B, Cholesterol, Blood pressure and confidential HIV), and a live radio broadcast with WROU’s Host Faith Daniels! At 10:00 am, health leadership awards will be given to Gina McFarlane-El, CEO, Five Rivers Health Center, the 2017 Shero of Health recipient, and Richard “Clay” Dixon, for Community Action Leadership. At 10:00, watch the award-winning movie UNNATURAL CAUSES: IS INEQUALITY MAKING US SICK? How do you have good health? How do you live longer? Housing, education, community development and so much more impact choices, behaviors, health conditions, and quality of life. Get answers on how to improve health and quality of life. Free popcorn. Funded by Public Health, Buckeye Health Plan, and the Ohio Commission on Minority Health.”

Vu-Do Swing is hoping to bring ALIVE AND KICKING to town on April 26, but they still need to reserve 55 tickets by April 17 to make it happen. “ALIVE AND KICKING is a feature-length documentary that takes an inside look into the culture of swing dancing and the characters who make it special. We explore the culture surrounding Swing dance from the emergence of the Lindy Hop to the modern day international phenomenon. The film follows the growth of Swing dance from its purely American roots as an art form, to countries all over the world. Alive and Kicking looks at the lives of the Swing dancers themselves to find their personal stories and why this dance fills them with joy.” If not enough tickets are reserved by the deadline, your credit card will never be charged. Click this LINK to watch a trailer and reserve your ticket.

The Dayton Jewish Film Festival will kick off in late April, but they’ll have a sneak peek at this year’s fest during a screening of the classic film THE FRISCO KID (starring Gene Wilder) on Sunday, April 2 at 3PM. Brochures for the entire festival are now available in our lobby, and you can visit the official site to read about the films, watch trailers and purchase tickets in advance. This year’s line-up looks pretty amazing!

We’ve added numerous films to our “Coming Soon” list, and I’m very happy that we’ve added FRANTZ (from Francois Ozon) and THEIR FINEST (a period film with Bill Nighy) to the line-up – they are films I loved in Toronto, and I know you’ll like them, too.

Thanks so much for your continued support.
See you soon,
Jonathan

SHOWTIMES for Tuesday, March 21 – Thursday, March 30:

KEDI (NR) 1 Hr 20 Min
Tuesday-Thursday (March 21-23): 3:10, 5:15, 7:20
Friday & Saturday (March 24 & 25): 1:00, 5:30, 9:45
Sunday (March 26): 1:00, 5:30
Monday-Wednesday (March 27-29): 3:00, 7:40
Thursday (March 30): 3:00

THE SENSE OF AN ENDING (PG-13) 1 Hr 48 Min
Tuesday & Wednesday (March 21 & 22): 2:50, 5:10, 7:30
Thursday (March 23): 2:50, 5:10
Friday & Saturday (March 24 & 25): 3:00, 7:20
Sunday (March 26): 7:20
Monday-Thursday (March 27-30); 5:10

REEL PADDLING FILM FESTIVAL (NR) 2 Hrs
Thursday (Mar 23): 7:30

THE LAST WORD (R) 1 Hr 48 Min
Friday & Saturday (March 24 & 25): 12:30, 2:50, 5:10, 7:30, 9:45
Sunday (March 26): 12:30, 2:50, 5:10, 7:30
Monday-Thursday (March 27-30): 2:50, 5:10, 7:30

LUNAFEST + PENS TO PICTURES (NR) 2 Hrs
Sunday (March 26): 3:00

FREEDOM TO MARRY (NR) 1 Hr 26 Min
Thursday (March 30): 7:30

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear)
March 31 – WILSON
April 4-9 – CONTEMPORARY COLOR (limited screenings, lots of local ties)
April 7 – FRANTZ
April 21 – COLOSSAL
May 5 – THEIR FINEST
May 26 – THE LOVERS
TBD – TONI ERDMANN, THE RED TURTLE, PERSONAL SHOPPER

TIFF 2016 – Day #6

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maudie-movie-poster-lgHello!

Today’s schedule had me down for 5 films…and though I got into the fifth, I just wasn’t loving it enough to stick around (thus I won’t review it).  Instead, I’ll go over the four films I screened in their entirety.

THEIR FINEST was my first screening at 9:30am, and it was packed in one of Scotiabank’s biggest venues.  Lone Scherfig (AN EDUCATION) delivers a very solid film about the film industry in England during WWII.  The story centers around a female writer who is initially hired to help write and flesh out the female voices just as the industry is also realizing that they need to make a picture that boosts morale on the homefront.  Bill Nighy, who plays an egotistical old pro actor, is a scene-stealer…and the film will be an crowd-pleaser.  Full of nostalgic winks and nods as well as colorful characters, this is an “acquisition title,” and I believe it will get picked up.  There’s no trailer yet for THEIR FINEST…so a photo will have to do at this point.

Their Finest Hour and A Half Directed by Lone Sherfig

Their Finest Hour and A Half
Directed by Lone Sherfig

MAUDIE, a biopic about Canadian folk artist Maud Lewis, was next on my list.  With an outstanding performance by Sally Hawkins which is touching, physically demanding and full of hysterical funny moments that make Maud all the more endearing, the film is about Lewis’s relationship with her husband (played by Ethan Hawke) and her rise to fame in the art world.  Challenged by childhood rheumatoid arthritis, everything from daily chores to even holding a brush look painful for Maud – but we fall in love with her desire to paint on just about any stationary object.  Directed by Aisling Walsh (she’s done a lot of television work including FINGERSMITH with Hawkins), this is a slower character piece – but I think it could easily find an audience with Neon patrons.  There’s no trailer for this film yet, but here’s a clip.

Once in a while at TIFF, I let myself see a big, splashy Hollywood movie.  One that clearly won’t be coming to THE NEON, but one that’s receiving some critical buzz.  A couple years ago, it was GRAVITY…this year, it was another sci-fi film – ARRIVAL, directed by Denis Villeneuve.  Though I can rattle off a handful of sci-fi films that I greatly admire, this isn’t a genre that usually attracts my attention, and this alien film intrigued me because it wasn’t going to be full of explosions and battle scenes.  Amy Adams plays a linguist who is hired by the government to attempt communicating with aliens who have landed 12 ships around the world.  There’s some really lovely work happening in this film – from the central performance to terrific special effects.  But there’s also some clunky ideas (especially in the third act) that keep me from embracing the film.  I realize that many, many people will love this one…but it’s not for me.

My last full film of the day was THE SALESMAN, directed by Asghar Farhadi (A SEPARATION and THE PAST).  The film opens with people needing to evacuate their building as it is beginning to crack and may soon crash. We follow a young theatrical couple (who are mounting a production of DEATH OF A SALESMAN) as they are displaced and soon find a new apartment that was formerly inhabited by a prostitute (though they don’t know that immediately).  An incident in the new place leaves the couple forever changed, and the film then becomes a subtle thriller.  With narrative elements and themes that I greatly admire, this film is well-done and solid – though not quite up to par with his previous two films due to a somewhat strained final act. There is no trailer yet for this film, but here’s a clip:

I wrapped up the night by attending a low-key party for lgbt industry folks.  I was glad to meet a few new people, and I’m crawling into bed before 2:00…so glad tomorrow is the last day I have to get up before 7:00.

Thanks for reading,

Jonathan