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Shirley MacLaine’s LAST WORD at THE NEON This Weekend

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Hello Everyone!

How can you not love Shirley MacLaine? From THE TROUBLE WITH HARRY to THE APARTMENT to THE CHILDREN’S HOUR to IRMA LA DOUCE to SWEET CHARITY to TERMS OF ENDEARMENT to STEEL MAGNOLIAS to POSTCARDS FROM THE EDGE to BERNIE – there’s so much to love! This Friday, we will bring this legend’s latest film to town – THE LAST WORD – and MacLaine fans won’t be disappointed. We will also hold onto both KEDI and THE SENSE OF AN ENDING for one more week.

Synopsis for THE LAST WORD: “In THE LAST WORD, Shirley MacLaine is Harriet Lauler, a once successful businesswoman in tight control of every aspect of her life. As she reflects upon her accomplishment, she’s suddenly inspired to engage a young local writer, Anne Sherman (Amanda Seyfried), to pen her life’s story. When the initial result doesn’t meet Harriet’s high expectations, she sets out to reshape the way she is remembered, with Anne dragged along as an unwilling accomplice. As the journey unfolds, the two women develop a unique bond which alters not only Harriet’s legacy, but also Anne’s future.” (Bleecker Street) Click this LINK to visit the film’s official site.

Don’t forget about THE REEL PADDLING FILM FESTIVAL – returning to town this Thursday evening at 7:30. Advanced tickets are available on-line or at THE NEON’s box office.

“LUNAFEST, a national festival of women’s films, comes to Dayton for the 8th time this Sunday, March 26 from 3:00-5:00 pm at THE NEON. This season’s program of nine selected films will compel discussion, make you laugh, tug at your heartstrings and motivate you to make a difference in your community. Incredibly diverse in style and content, the films are united by a common thread of exceptional storytelling – by, for and about women. Two additional short films will be presented by Pens to Pictures, a local filmmaking collaborative that worked with incarcerated women at the Dayton Correctional Institute to help them make their own short films, from script to screen. Funds raised by this event will go to the Breast Cancer Fund and to Pens to Pictures. Tickets are $10.00 ($5.00 for students) and donations over this amount are gratefully accepted. The event is sponsored nationally by Luna, makers of the nutrition bar, and locally by Dayton Women’s Rights Alliance and the Dayton chapter of the American Association of University Women. Tickets are now available at THE NEON’s box office.” (Press Notes) Visit the Lunafest official site to check out clips from this year’s festival.

Equitas Health is bringing the film FREEDOM TO MARRY to town on Thursday, March 30 at 7:30. This film is “The nail-biting, untold story of how same-sex marriage became law of the land. THE FREEDOM TO MARRY follows Evan Wolfson, the architect the movement, civil rights attorney Mary Bonauto and their key colleagues on this decades long battle, culminating in a dramatic fight at the United States Supreme Court. More than the saga of one movement’s history, this is an inspiringtale of how regular people can change the world.” To watch the trailer and reserve your ticket, visit this LINK.

“On Saturday, April 8, from 9:00 am until Noon, come out to Kick-off and Celebrate MINORITY HEALTH MONTH! This event is free and open to the entire community. Starting at 9:00 am, there will be a free breakfast and health screenings (Hepatitis B, Cholesterol, Blood pressure and confidential HIV), and a live radio broadcast with WROU’s Host Faith Daniels! At 10:00 am, health leadership awards will be given to Gina McFarlane-El, CEO, Five Rivers Health Center, the 2017 Shero of Health recipient, and Richard “Clay” Dixon, for Community Action Leadership. At 10:00, watch the award-winning movie UNNATURAL CAUSES: IS INEQUALITY MAKING US SICK? How do you have good health? How do you live longer? Housing, education, community development and so much more impact choices, behaviors, health conditions, and quality of life. Get answers on how to improve health and quality of life. Free popcorn. Funded by Public Health, Buckeye Health Plan, and the Ohio Commission on Minority Health.”

Vu-Do Swing is hoping to bring ALIVE AND KICKING to town on April 26, but they still need to reserve 55 tickets by April 17 to make it happen. “ALIVE AND KICKING is a feature-length documentary that takes an inside look into the culture of swing dancing and the characters who make it special. We explore the culture surrounding Swing dance from the emergence of the Lindy Hop to the modern day international phenomenon. The film follows the growth of Swing dance from its purely American roots as an art form, to countries all over the world. Alive and Kicking looks at the lives of the Swing dancers themselves to find their personal stories and why this dance fills them with joy.” If not enough tickets are reserved by the deadline, your credit card will never be charged. Click this LINK to watch a trailer and reserve your ticket.

The Dayton Jewish Film Festival will kick off in late April, but they’ll have a sneak peek at this year’s fest during a screening of the classic film THE FRISCO KID (starring Gene Wilder) on Sunday, April 2 at 3PM. Brochures for the entire festival are now available in our lobby, and you can visit the official site to read about the films, watch trailers and purchase tickets in advance. This year’s line-up looks pretty amazing!

We’ve added numerous films to our “Coming Soon” list, and I’m very happy that we’ve added FRANTZ (from Francois Ozon) and THEIR FINEST (a period film with Bill Nighy) to the line-up – they are films I loved in Toronto, and I know you’ll like them, too.

Thanks so much for your continued support.
See you soon,
Jonathan

SHOWTIMES for Tuesday, March 21 – Thursday, March 30:

KEDI (NR) 1 Hr 20 Min
Tuesday-Thursday (March 21-23): 3:10, 5:15, 7:20
Friday & Saturday (March 24 & 25): 1:00, 5:30, 9:45
Sunday (March 26): 1:00, 5:30
Monday-Wednesday (March 27-29): 3:00, 7:40
Thursday (March 30): 3:00

THE SENSE OF AN ENDING (PG-13) 1 Hr 48 Min
Tuesday & Wednesday (March 21 & 22): 2:50, 5:10, 7:30
Thursday (March 23): 2:50, 5:10
Friday & Saturday (March 24 & 25): 3:00, 7:20
Sunday (March 26): 7:20
Monday-Thursday (March 27-30); 5:10

REEL PADDLING FILM FESTIVAL (NR) 2 Hrs
Thursday (Mar 23): 7:30

THE LAST WORD (R) 1 Hr 48 Min
Friday & Saturday (March 24 & 25): 12:30, 2:50, 5:10, 7:30, 9:45
Sunday (March 26): 12:30, 2:50, 5:10, 7:30
Monday-Thursday (March 27-30): 2:50, 5:10, 7:30

LUNAFEST + PENS TO PICTURES (NR) 2 Hrs
Sunday (March 26): 3:00

FREEDOM TO MARRY (NR) 1 Hr 26 Min
Thursday (March 30): 7:30

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear)
March 31 – WILSON
April 4-9 – CONTEMPORARY COLOR (limited screenings, lots of local ties)
April 7 – FRANTZ
April 21 – COLOSSAL
May 5 – THEIR FINEST
May 26 – THE LOVERS
TBD – TONI ERDMANN, THE RED TURTLE, PERSONAL SHOPPER

New Michael Moore Film Now Playing at THE NEON!

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Where_to_Invade_Next-727341632-largeHello Everyone,

We just opened a documentary that is insightful, optimistic and terribly funny – Michael Moore’s WHERE TO INVADE NEXT. Knowing Moore’s work, you might look at the title and feel as though you already know where this film is going…but it’s actually quite a different tone (more below). In addition, we’re holding ANOMALISA as well as the OSCAR NOMINATED SHORTS (we’ve even brought back the documentaries for a few screenings). On February 19, we will open the new highly-anticipated Maggie Smith film – THE LADY IN THE VAN.

Synopsis for WHERE TO INVADE NEXT: “WHERE TO INVADE NEXT is an expansive, rib-tickling, and subversive comedy in which Moore, playing the role of ‘invader,’ visits a host of nations to learn how the U.S. could improve its own prospects. The creator of FAHRENHEIT 9/11 and BOWLING FOR COLUMBINE is back with this hilarious and eye-opening call to arms. Turns out the solutions to America’s most entrenched problems already existed in the world – they’re just waiting to be co-opted.” (taken from Drafthouse Films) Entertainment Weekly wrote, “Where to Invade Next is so heartfelt and sincere, it’s tempting to say that Moore’s mellowed with age. But beneath its innocent-abroad optimism, the film has a stinging truth that’s hard to ignore.” Click this LINK to visit the film’s official site.

Our friends at ThinkTV are helping us once again to get a signal for our Annual FREE Oscar Party! This year’s telecast will happen on Sunday, February 28, and Ballots (where you can predict the winners for awesome prizes) are now available in our lobby. Our friends at Square One Salon & Spa are once again donating a fantastic prize that will part of our Grand Prize – “The Star Treatment.” Keep tuning in for more details!

“The Junior Leaguers Club of Dayton will sponsor a screening of OPPOSITE FIELD on March 5, 2016 at Noon. This is the club’s fifth annual fundraiser at THE NEON, and this movie is a classic underdog sports story about an Ugandan Little League team. This documentary is inspiring and will have the audience displaying a wide range of emotions as the team makes history as the first African team hosted by the Little League World Series. This is a great film for adults and our youth. The funds raised will go into the Junior Leaguers Club scholarship fund. The tickets are $30 for adults (which include movie, glass of wine, glass of soda, and popcorn) and $15 for students (which include soda and popcorn). Tickets can be purchased at THE NEON. Guest speakers for this screening will be Mr. Ron Johnson, president First Dayton Little League and Mr. Keith Byars, former NFL professional player and a little league player in his youth.” (taken from press notes)

Due to the upcoming holiday, we will have later hours on Sunday and earlier hours on Monday. Please see all of our upcoming showtimes below.

We hope to see you soon!
Thanks for your continued support!
Jonathan

SHOWTIMES for Saturday, Feb. 13 – Thursday, Feb. 18:

OSCAR NOMINATED SHORTS: ANIMATION (NR) 1 Hr 26 Min
Saturday, Sunday (Feb 13-14): 9:30
Monday (Feb 15): No Screening
Tuesday, Wednesday, Thursday (Feb 16-18): 3:15

OSCAR NOMINATED SHORTS: LIVE ACTION (NR) 1 Hr 47 Min
Friday – Thursday (Feb 12-18): 5:10

ANOMALISA (R) 1 Hr 30 Min
Saturday, Sunday, Monday (Feb 13-15): 12:00, 7:30
Tuesday (Feb 16): 7:30
Wednesday (Feb 17): No Screening
Thursday (Feb 18): 7:30

OSCAR NOMINATED SHORTS: DOCUMENTARY (NR) 2 Hr 44 Min
Saturday, Sunday, Monday (Feb 13-15): 1:50
Tuesday (Feb 16): No Screening
Wednesday (Feb 17): 7:30
Thursday (Feb 18): No Screening

WHERE TO INVADE NEXT (R) 1 Hr 59 Min
Saturday, Sunday (Feb 13 & 14): 11:50, 2:20, 4:50, 7:20, 9:50
Monday (Feb 15): 11:50, 2:20, 4:50, 7:20
Tuesday, Wednesday, Thursday (Feb 16-18): 2:50, 5:20, 7:45

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
Feb. 19 – LADY IN THE VAN (Maggie Smith – need we say more?)
Mar. 4 – JANIS: LITTLE GIRL BLUE
TBD – 45 YEARS (Oscar Nomination for Charlotte Rampling)
TBD – SON OF SAUL (Oscar Nominated “Best Foreign Film”)
March 25 – KNIGHT OF CUPS
April 1 – I SAW THE LIGHT
TBD – THE LOBSTER, DEMOLITION, THE BRONZE

TIFF 2015 – Day 1

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MV5BMTU1MDcxODk2OV5BMl5BanBnXkFtZTgwNzA5Nzc2NTE@._V1_SY317_CR2,0,214,317_AL_Hello Daytonians & Film Lovers!

Thanks for checking in to see how everything went with my first day of screenings.  I got up early and was in the Industry Box Office line by 6:55…and there were still several people ahead of me.  This line starts a little earlier each year, and some folks have joked about possibly camping out.  I’m glad to report that I did get the tickets I desired for Saturday – including the premiere of THE DANISH GIRL.

After grabbing tickets, I went to my first screening – HITCHCOCK/TRUFFAUT, directed by Kent Jones.  This is wonderful, and film lovers will delight.  Using the famous book written by French New Wave darling Francois Truffaut as a launching pad, this film explores that famous interview and is such the careers of both Hitch and Truffaut.  We get interviews from contemporary directors who have great relationships with the book (Wes Anderson, Martin Scorsese, David Fincher, Oliver Assayas and more), and numerous sound bites from the week-long interview back in the 60’s.  Hearing Hitchcock talk about his work will delight cinema theorists…especially when he talks about what’s really happening during a certain scene in VERTIGO.  (There is no trailer available for this film yet…just one of these famous stills.)

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Next up, I saw 45 YEARS, directed by Andrew Haigh.  Starring Charlotte Rampling and Tom Courtenay, this is a film about a couple preparing for their 45th Wedding Anniversary party.  Early in the film, Courtenay’s character receives a letter that the body of a former girlfriend has been found in the ice (she died in an accident while hiking by a glacier decades before).  The news shakes him to his core, and his wife begins to take offense that he still seems to care so deeply about someone else.  Full of some wonderful performances and always aware of the passing of time, this film makes you realize how quickly the foundation can be shaken from below your feet.  The sound design (and lack of score except for incidental music) was particularly interesting.  Though still a little “flummoxed” with the ending, I ultimately like this quiet, slow-paced film.

Before going back the apartment to get ready for Opening Night, I saw one more film – EVERYTHING WILL BE FINE, directed by Wim Wenders.  After Wenders made PINA (one of my favorite documentaries ever) in 3D, he decided that he would continue using that format for narrative film.  It’s certainly interesting to see a film where 3D is used as an artistic tool instead of an effect-driven gimmick.  That said, this film was all over the map.  Meandering, overscored, and  dotted with some bombastic moments and a weak screenplay, I found it difficult to care too much about the characters.

Last up, I went the official Opening Night film – DEMOLITION, directed by Jean-Marc Vallee (director of DALLAS BUYERS CLUB and WILD).  TIFF has a reputation for programming “not-so-great” films for Opening Night (THE JUDGE, SCORE: A HOCKEY MUSICAL, etc.).  But tonight’s film was quite good…perhaps the best they’ve programmed over the past decade.  This is the a about a man who seems to be unable to feel anything after the death of his wife (she dies in a car accident that leaves her husband unharmed).  Jake Gyllenhaal gives a wonderful performance as a man who is incapable of feeling emotions.  Driven by work, he is otherwise disconnected with the life he’s living.  Though there are moments written into the script that seem more driven by potential audience pleasure than character development, I rather liked this film.

Glenn Kiser, a director & friend who visited Dayton for The Dayton LGBT Film Festival a few years ago, invited me to the Opening Night screening and Party.  We had a great time catching up and the party was quite a sight (“people watching” is quite fun in this scenario, and complimentary booze certainly helps to make things merrier).

It’s 1:30am, and I need to be up in 5 hours.

All the best,

Jonathan