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Maudie

AN INCONVENIENT SEQUEL Now Playing at THE NEON + FALSETTOS News!

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Hello Everyone!

We opened a new film yesterday that many people have been asking about – AN INCONVENIENT SEQUEL: TRUTH TO POWER. In addition to this powerful  new film, we’re holding LANDLINE and THE BIG SICK (this winner just keeps going and going) for one more week. (Details about a special screening of AN INCONVENIENT SEQUEL followed by a panel discussion can be found at the end of this newsletter.)  Next week, we plan to open MAUDIE.

Synopsis for AN INCONVENIENT SEQUEL – TRUTH TO POWER: “Former Vice President Al Gore continues his tireless fight, traveling around the world to train an army of activists and influence international climate policy. Cameras follow him behind the scenes — in moments both private and public, funny and poignant — as he pursues the inspirational idea that while the stakes have never been higher, the perils of climate change can be overcome with human ingenuity and passion.” (Paramount Pictures) Click this LINK to visit the film’s official site.

Due to local demand, THE NEON is excited to explore bringing a bit of Broadway to our screens. Buy your tickets now, and let’s see if we can make this one-night-only screening of FALSETTOS a success! “Nominated for five 2017 Tony Awards, including Best Revival of a Musical, Falsettos is a hilarious and poignant look at a modern family revolving around the life of a gay man Marvin, his wife, his lover, his soon-to-be-bar-mitzvahed son, their psychiatrist, and the lesbians next door. Originally created under the specter of the AIDS crisis, this timely musical about middle-class family dynamics manages to remain buoyant and satirically perceptive even as it moves towards its heartbreaking conclusion. Lincoln Center Theater’s production stars Christian Borle, Stephanie J. Block, Andrew Rannells, and Brandon Uranowitz, all of whom received Tony nominations for their respective performances.” FALSETTOS will screen Wednesday, August 16 at 7:30. Tickets are $12 each and are currently available on-line via this LINK. They are also available at THE NEON’s box office.

Dayton Writers Movement is gearing up for the premiere of UNWRITTEN – SEASON 2 on Sunday, Aug. 27 at 5:30. “UNWRITTEN is a serialized audio drama podcas – think radio play – written, acted and produced locally here in Dayton. The first season, which was up for several AudioVerse Podcast Awards, has reached 54+ countries and more than 1,600 cities with its dramatic storytelling and comedic timing. In Season 2, the podcast series continues the journey with a group of friends as they deal with the events of season 1 and wrangle mature social issues, uncover a mystery, and tackle their inner demons. The group will be premiering the first episode of Season 2 with a live talk back afterward. Advanced tickets are available for $6 each by clicking this Official Link. One Time Only Public Showing! (Explicit, mature content) For more information about the podcast, visit unwrittenpodcast.com” Tickets not sold on-line, if available, will be available at our box office starting 1 hour before the event.

This year’s Dayton LGBT Film Fest is shaping up, and we’re almost ready to start rolling out details. Mark your calendars for Oct. 13-15, it’s going to be a great weekend-long fest!  And speaking of film festivals, The Toronto International Film Festival has begun releasing titles from this year’s line-up…I’m getting pretty excited about several of them!

Some local organizations are very excited about our engagement of AN INCONVENIENT SEQUEL and the opportunity to continue local discussions about our climate with you. After Tuesday August 15’s 7:30 screening, representatives from Citizens Climate Lobby, Sierra Club Miami Group, The Climate Mobilization, and Move To Amend will hold a panel discussion. In addition, there will be other opportunities to engage with members from these organizations at various locations at different times around town. We’ll have flyers in our lobby this weekend that outline all the opportunities, and you can also find the flyer on our Facebook page by following this LINK.

Thanks so much for your continued support.
We hope to see you soon,
Jonathan

SHOWTIMES for Saturday, Aug. 12 – Thursday, Aug. 17:

THE BIG SICK (R) 1 Hr 59 Min
Saturday (Aug 12): 4:50, 9:30
Sunday (Aug 13): 4:50
Monday – Thursday (Aug 14-17): 5:15

LANDLINE (R) 1 Hr 37 Min
Saturday, Sunday (Aug 12-13): 12:30, 2:40, 7:20
Monday & Tuesday (Aug 14 & 15): 3:00, 7:45
Wednesday (Aug 16): 3:00
Thursday (Aug 17): 3:00, 7:45

AN INCONVENIENT SEQUEL: TRUTH TO POWER (PG) 1 Hr 38 Min
Saturday (Aug 12): 12:40, 2:50, 5:10, 7:30, 9:45
Sunday (Aug 13): 12:40, 2:50, 5:10, 7:30
Monday-Thursday (Aug 14-17): 2:50, 5:10, 7:30

FALSETTOS (NR) 2 Hrs 22 Min
Wednesday (Aug 16): 7:30

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear)
Aug. 18 – MAUDIE
Aug. 18 – THE LITTLE HOURS
TBD – LADY MACBETH
Aug 30 – PATTI CAKE$
Oct 6 – VICTORIA AND ABDUL
Oct 13-15 – DAYTON LGBT FILM FEST

2 Hot New Films at THE NEON – THE BIG SICK and THE HERO

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Hello Everyone!

We’re moving forward in a big way this weekend. If you still need to see THE BEGUILED or BEATRIZ AT DINNER, Thursday will be your last chance to catch them at THE NEON. You also have one last chance to catch Cate Blanchett in MANIFESTO on Wednesday evening. On Friday, we’ll officially begin two hot, new films – THE BIG SICK and THE HERO. (We’ll have a special preview screening of THE BIG SICK on Thursday evening with 10 extra bonus minutes of stand-up from cast members of the film.)

Synopsis for THE BIG SICK: This is the best reviewed romantic comedy in a long, long time. Critics and audiences alike are loving this film, and it’s currently rated “97% Fresh” on rottentomatoes.com! “Based on the real-life courtship between Kumail Nanjiani and Emily V. Gordon, THE BIG SICK tells the story of Pakistan-born aspiring comedian Kumail (Nanjiani), who connects with grad student Emily (Kazan) after one of his standup sets. However, what they thought would be just a one-night stand blossoms into the real thing, which complicates the life that is expected of Kumail by his traditional Muslim parents. When Emily is beset with a mystery illness, it forces Kumail to navigate the medical crisis with her parents, Beth and Terry (Holly Hunter and Ray Romano) who he’s never met, while dealing with the emotional tug-of-war between his family and his heart. THE BIG SICK is directed by Michael Showalter (HELLO MY NAME IS DORIS) and producer by Judd Apatow (TRAINWRECK, THIS IS 40) and Barry Mendel (TRAINWRECK, THE ROYAL TENENBAUMS).” (Lionsgate) Click HERE to visit the film’s official site.

Synopsis for THE HERO: Many of our regulars keep asking “When is that Sam Elliott movie coming?” Well it’s finally here! “Lee Hayden (Sam Elliott) is an aging Western icon with a golden voice, but his best performances are decades behind him. He spends his days reliving old glories and smoking too much weed with his former-co-star-turned-dealer, Jeremy (Nick Offerman), until a surprise cancer diagnosis brings his priorities into sharp focus. He soon strikes up an exciting, contentious relationship with stand-up comic Charlotte (Laura Prepon), and he attempts to reconnect with his estranged daughter, Lucy (Krysten Ritter), all while searching for one final role to cement his legacy.” (The Orchard)

 

Joseph Bargdill of Broken Lamp Productions has rented our space to premiere his new film INCRUENTUS on Thursday, July 27. “Zoe finds herself trapped in a web of lies while she turns into a Vampire. Will she die or be sucked into a web of trickery from her husband and friends or overcome the poison of her infection? INCRUENTUS will have its world premier on July 27th at 7:30pm. Tickets can be purchased now for $7 at THE NEON’s box office. The film will be introduced and followed by a Q&A with the director and producer.” (Broken Lamp Productions)

Dayton filmmaker Alfred Powell is premiering his new documentary with us on Sunday, August 6 at 5:30. “WE BELIEVE IN US is an intriguing true story of a once prominent inner city football power located on the southwest side of Dayton. In a breathtaking manner this raw documentary brilliantly transports you through the daily saga and life a young black coach and his staff and his players during their unpredictable 2015 season. This story simultaneously captures the realism of generational poverty, stigma, stereotypes, and promise while embracing the power of hope and survival. Dunbar High School – where disappointment is often undefeated – provoked this team to make a promise to themselves. When no one else in the world believes in us…We Believe In Us.” (press notes) Tickets are $5 each and are currently available at THE NEON’s Box Office.

Thanks so much for your continued support.
We hope to see you soon,
Jonathan

SHOWTIMES for Tuesday, July 11 – Thursday, July 20:

THE BEGUILED (R) 1 Hr 33 Min
Tuesday & Wednesday (July 11 & 12): 3:00, 5:15, 7:30
Thursday (July 13): 3:00, 5:15
FINAL DAY – July 13!

BEATRIZ AT DINNER (R) 1 Hr 23 Min
Tuesday (July 11): 3:15, 5:20, 7:40
Wednesday (July 12): 3:15, 5:20
Thursday (July 13): 3:15, 5:20, 7:40
FINAL DAY – July 13!

MANIFESTO (NR) 1 Hr 35 Min
Wednesday (July 12): 7:30
FINAL SCREENING!

THE BIG SICK (R) 1 Hr 59 Min
Thursday (July 13): 7:30 Preview with Bonus – THE BIG(GER) SICK
Friday & Saturday (July 14 & 15): 11:50, 2:20, 4:50, 7:30, 9:55
Sunday (July 16): 11:50, 2:20, 4:50, 7:30
Monday – Thursday (July 17-20): 2:45, 5:10, 7:40

THE HERO (R) 1 Hr 33 Min
Friday & Saturday (July 14 & 15): 12:50, 3:00, 5:10, 7:20, 9:30
Sunday (July 16): 12:50, 5:30, 7:40
Monday – Thursday (July 17-20): 3:00, 5:15, 7:30

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear)
TBD – MAUDIE
TBD – A GHOST STORY
TBD – LADY MACBETH
TBD – LANDLINE

TIFF 2016 – Day #6

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maudie-movie-poster-lgHello!

Today’s schedule had me down for 5 films…and though I got into the fifth, I just wasn’t loving it enough to stick around (thus I won’t review it).  Instead, I’ll go over the four films I screened in their entirety.

THEIR FINEST was my first screening at 9:30am, and it was packed in one of Scotiabank’s biggest venues.  Lone Scherfig (AN EDUCATION) delivers a very solid film about the film industry in England during WWII.  The story centers around a female writer who is initially hired to help write and flesh out the female voices just as the industry is also realizing that they need to make a picture that boosts morale on the homefront.  Bill Nighy, who plays an egotistical old pro actor, is a scene-stealer…and the film will be an crowd-pleaser.  Full of nostalgic winks and nods as well as colorful characters, this is an “acquisition title,” and I believe it will get picked up.  There’s no trailer yet for THEIR FINEST…so a photo will have to do at this point.

Their Finest Hour and A Half Directed by Lone Sherfig

Their Finest Hour and A Half
Directed by Lone Sherfig

MAUDIE, a biopic about Canadian folk artist Maud Lewis, was next on my list.  With an outstanding performance by Sally Hawkins which is touching, physically demanding and full of hysterical funny moments that make Maud all the more endearing, the film is about Lewis’s relationship with her husband (played by Ethan Hawke) and her rise to fame in the art world.  Challenged by childhood rheumatoid arthritis, everything from daily chores to even holding a brush look painful for Maud – but we fall in love with her desire to paint on just about any stationary object.  Directed by Aisling Walsh (she’s done a lot of television work including FINGERSMITH with Hawkins), this is a slower character piece – but I think it could easily find an audience with Neon patrons.  There’s no trailer for this film yet, but here’s a clip.

Once in a while at TIFF, I let myself see a big, splashy Hollywood movie.  One that clearly won’t be coming to THE NEON, but one that’s receiving some critical buzz.  A couple years ago, it was GRAVITY…this year, it was another sci-fi film – ARRIVAL, directed by Denis Villeneuve.  Though I can rattle off a handful of sci-fi films that I greatly admire, this isn’t a genre that usually attracts my attention, and this alien film intrigued me because it wasn’t going to be full of explosions and battle scenes.  Amy Adams plays a linguist who is hired by the government to attempt communicating with aliens who have landed 12 ships around the world.  There’s some really lovely work happening in this film – from the central performance to terrific special effects.  But there’s also some clunky ideas (especially in the third act) that keep me from embracing the film.  I realize that many, many people will love this one…but it’s not for me.

My last full film of the day was THE SALESMAN, directed by Asghar Farhadi (A SEPARATION and THE PAST).  The film opens with people needing to evacuate their building as it is beginning to crack and may soon crash. We follow a young theatrical couple (who are mounting a production of DEATH OF A SALESMAN) as they are displaced and soon find a new apartment that was formerly inhabited by a prostitute (though they don’t know that immediately).  An incident in the new place leaves the couple forever changed, and the film then becomes a subtle thriller.  With narrative elements and themes that I greatly admire, this film is well-done and solid – though not quite up to par with his previous two films due to a somewhat strained final act. There is no trailer yet for this film, but here’s a clip:

http://www.youtube.com/watch?v=_VcfinMasfw

I wrapped up the night by attending a low-key party for lgbt industry folks.  I was glad to meet a few new people, and I’m crawling into bed before 2:00…so glad tomorrow is the last day I have to get up before 7:00.

Thanks for reading,

Jonathan