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Spotlight on the Dayton Theatre’s 2023-2024 Seasons- Part 2

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With all of the local theaters in town we thought we would spotlight their upcoming seasons. This will give you plenty of time to fill your calendars and purchase season tickets. Our second installment will spotlight The Dayton Theatre Guild and Dayton Playhouse. 

The Dayton Theatre Guild, Located at 430 Wayne Ave, begins their season with August Wilson’s Radio Golf– Directed by Robert-Wayne Waldron- With humor and courage, August Wilson’s Radio Golf examines the steep price “progress” can exact upon the soul. Performance dates are Aug 25–Sept 10, 2023.  They will follow Radio Golf with the thriller, Wednesday’s Child, By Mark St. Germain, Directed by K.L. Storer. When Becca is found dead, a homicide investigation digs into the lives of everyone who knew her. This dramatic play explores motherhood, passion, and the thin line between right and wrong. Production Dates are Nov 3–19, 2023

 

In January, Doug Lloyd will direct True West written By Sam Shepard. January 12-28, 2024. “A quintessentially American play about two brothers caught up in a cycle of hostility and violence, and desperate to gauge their manhood by the barometers of both myths, and of each other.”  …Theatre critic Deborah Klugman.

 

Flight of the Lawnchair Man, Directed by David Shough. Book by Peter UllianMusic & Lyrics by Robert Lindsey-Nassif, based on a concept by Robert Lindsey-Nassif. Loosely based on a true story, The Guild’s production takes off Mar 22–Apr 7, 2024. Flight of the Lawschairman is a musical that reminds us that dreams can come true if you believe in yourself.

 

Closing this wonderful season will be Superior Donuts “A witty, seductive, live-wire and greatly entertaining dark comedy that you just don’t want to end and you just don’t want to miss!” -Chicago Tribune. Written by Tracey Letts (August, Osage County) Superior Donuts explores the challenges of embracing the past and the redemptive power of friendship between an unlikely pair. Directed by Jared Mola, will perform Jun 7–23, 2024.

 

 

 

 

 

Tickets can be purchased here: https://daytontheatreguild.thundertix.com/


Dayton Playhouse, located at the beautiful Five Rivers’ Wegerzyn Gardens, 1301 E Siebenthaler, Dayton,  dances into their 2023-2024 season with the new musical, The Prom. Music by Matthew Sklar, lyrics by Chad Beguelin, and a book by Bob Martin and Beguelin, based on an original concept by Jack Viertel.  Directed by Tim Rezash, This musical follows four Broadway actors lamenting their days of fame, as they travel to the conservative town of Edgewater, Indiana, to help a lesbian student banned from bringing her girlfriend to high school prom. September 22, 2023- October 8, 2023

The ONE ACT Play That Goes Wrong, written by Henry Lewis, Henry Shields, and Jonathan Sayer, is a farce that takes place on the opening night of an overly ambitious 1920s-style murder mystery. Directed by Ray Gambrell, who directed the 2022 FutureFest Winner Every Livin’ Soul, takes the stage November 10 – November 19, 2023. 

Kathleene Clark, returns to direct Is There Life After High School, book by Jeffrey Kindley and music and lyrics by Craig Carnelia. In this memory musical, no cast member plays a single part, but instead, each represents an assortment of old grads looking back – mostly with affection – on their high school days. Come and remember The Kid Inside, January 12, 2024 – January 28, 2024.

Sense and Sensibility, adapted by Kate Hamill who said “I wrote Sense and Sensibility because I believe so deeply that the classics belong to everyone. When we ensure that narratives of all types can take center stage, we know that we can all be protagonists, no matter our gender or background or circumstance. We can be heroes — or heroines — of our own stories.” Directed by Jenni Cypher, Sense and Sensibility will run March 8, 2024-March 17, 2024

Dayton Playhouse will close their 2023-2024 Season with the musical Joseph And The Amazing Technicolor Dreamcoat. Lyrics by Tim Rice and music by Andrew Lloyd Webber. Director Dawn Roth Smith, plans to include a children’s choir for this production. Go, go see it!
May 10, 2024-May 26, 2024.

 

Returning in 2024 FutureFest, a festival of new plays will be July 19-21, 2024.

Tickets for Dayton Playhouse can be acquired here: http://wordpress.thedaytonplayhouse.com/tickets/

 

Theater Brings Hope, Happiness and Healing to A COVID Weary World.

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For my husband and I, it was a trip to Columbus to see CATS (not a personal favorite, but wanted to see a real show) that made me realize the need we all have for live performance. Watching the quintessential ‘MEMORY’ belted with sheer perfection by Tayler Harris (Taylerharris.com) as Grizabella, something came over me….true tears streaming down my face! I MISSED THIS! We all missed real people, doing real songs on a real stage. No streaming necessary. From that moment, I thought, ‘How Do Our Resident Dayton Artists Explain this Visceral Response People are Having to Seeing Theater Again?‘

And I gathered a stellar cast….PHILIP DRENNEN, TINA MCPHERSON,  BRIAN SHARP, JAMIE PAVLOFSKY & KEVIN MOORE.

(Note: The interview questions are answered by corresponding initials of each respondent.)

Why do you feel that people are having such an emotional response to theater’s return, not only in NYC, but around the world?

Tina McPherson

PD: The escape that we enjoy in theater was stripped from us. There is a resilience to theater and the people who participate in it.  When we were not available to perform, or to be with each other, it hurt!

KM: Theater is LIFE-SIZED! Theater is living and breathing. Being detached from that live performance is not only disappointing, it’s a punch to the GUT. To work hard and then see COVID have us postpone or close again, it created such anxiety.

JP: People react with that depth because there is nothing like a performance right before your eyes.

BS: I think for some people arts are a vital part of their lives and purpose. Seeing it open again is energizing.

Almost daily, FACEBOOK and IG feature stories of understudies and swings jumping in to save shows affected by COVID. Can you relate to the sentiment of these ‘HEROES?’

Kevin Moore (& Scott Stoney)

TM: They are extremely talented and driven, the hardest working people in show business. They might cover between 3-8 roles and get called upon within an hour’s notice.

BS: In the MUSIC MAN, the understudy was given 4 hours to learn all she had been studying (blocking, choreography, etc…) and did it without missing a beat. Not only is that quite an accomplishment for the actor but it also puts the rest of the cast at ease knowing the show goes on as expected.

KM: I’ve been that person….one time, we had an actor with a debilitating migraine and Scott Stoney and I split up the part between the dancing and the dialog! And in a touring West Side Story, as an understudy, I was called up for two roles.

PD: …and it’s a ton of work, I am going in to a role for my most recent show as an understudy. It is what we do to ensure things work!

Local theater has faced many challenges during the Pandemic. What do you say to ‘hungry audiences’ ready to return to see shows?

PD: Even before the pandemic, safety is always at the forefront of what we do in the theater. Still is.

KM: Everyone just needs to find their level of comfort. Obviously, we are hopeful everyone is vaccinated, boosted, masked….we all must be responsible during this time.

Brian Sharp

BS: …and please come see the shows. Send a donation, buy a ticket, buy a gift certificate. Tell your friends! We need the audience. Small, local arts organizations have suffered significantly financially.

JP: We can’t wait to see you….grab a mask and spend a few hours with us!

What show in particular would you love to see in-person as a tribute to a return to live theater?

PD: BEAUTIFUL. I really want to see the Carole King musical as a friend of mine is in the production.

KM: DEAR EVEN HANSEN. I have tried to see this show a few times, on Broadway, off-Broadway…now it’s coming to the Schuster and I won’t be here! I know the powerful story. It’s just nagging at me that I have not seen it live.

JP: SUNDAY IN THE PARK WITH GEORGE, since we recently lost Sondheim. RAGTIME, for its timely message. ON THE

Jamie Pavlofsky

TOWN since it is a love letter to NYC.

BS: In NYC, I’m dying to see MUSIC MAN. I want to see COMPANY. I need to feel the crowd and the excitement of BROADWAY. It gives me energy to bring home…and locally I want to see all that I can!

TM: I am happy to see ANY show being produced in these extraordinary times. I will say that is the bigger challenge to a theater when you have a large cast. There is more opportunity for people to become ill, so safety is, again, the top priority!

Finally, Dayton is alive with the Arts! Why do you feel other places around the country look at Dayton as a ‘Beacon of Light’ for the performing arts?

TM: When I worked at Dayton Live, I remember casts would come from all over the place to our little town and say ‘all my friends say you haven’t lived until you’ve played Dayton!’ It’s true. We are a welcoming, creative community.

Philip Drennen

PD: I think it’s because we start young in Dayton. Muse Machine, area school programs, youth theaters…So many opportunities for kids!

JP: I think we have a spirit that attracts artists to come and be with us so they can soak up the great energy we have in Dayton!

BS: We can thank Kettering and Patterson for believing that having a strong arts community would attract the right executives and their families to the arts organizations!  It has long been said (and true) that Dayton has more theater than Cincinnati and Columbus combined.

KM: It’s ‘In The Water.’ Seriously. We are where five rivers meet and with that comes an incredible energy. Home to inventions, patents, creativity….there is an openness here, and acceptance of creative people. Edgar Casey said ‘Dayton is a Karma Center.’ It has

a natural energy…and I believe it!

A huge thank you to our resident theater folks….and now,  let’s all get back to the theater…so that, as Grizabella reminds us….we can ‘Let the Memory LIVE AGAIN!’

 

 

 

 

 

 

 

 

 

 

 

Saluting Dayton’s 2015-16 Theater Season

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10443106_10152241549014755_6691478090546029427_oAmerica’s independence, murderesses at odds, family dysfunction upended by a gentleman caller, brave children thriving on creativity to survive the horrors of a concentration camp, and disheartened young adults navigating a post-9/11 world are some of the stories that bolstered Dayton’s 2015-16 theater season.

Looking back, let’s start with the bold, risk-taking Playground Theatre, a millennial-focused troupe changing the landscape of Dayton theater with an edgy off-Broadway vibe. Case in point: An exceptionally acted, up close and personal local premiere of Reasons to Be Pretty, Neil LaBute’s scathing account of image, regret, deception, and disillusionment directed with razor sharp tension and riveting intimacy by David Brush. Fine premieres thrived elsewhere at community theaters thanks to the Dayton Theatre Guild’s lovely Outside Mullingar and Last Gas as well as Young and Heart Players’ kooky, introspective Circle Mirror Transformation. As for musicals, Dayton Playhouse scored with challenging classics 1776 and Carousel while Beavercreek Community Theatre offered highly engaging accounts of The Addams Family and Spring Awakening

Collegiate theaters also hit the mark with a solid slate of musicals. Wright State University’s Chicago, The Music Man and Miss Mayor showcased the superior quality audiences have come to expect while Sinclair Community College notably produced an infectious, playful and soul-stirring Wiz. Drama standouts included University of Dayton’s captivatingly poignant staging of the Holocaust drama And A Child Shall Lead (co-produced by Zoot Theatre Company), Sinclair’s terrifically ensemble-driven One Flew Over the Cuckoo’s Nest, and Clark State Community College’s commendable Angels in America: Millennium Approaches.

On professional stages, the fantastic return engagement of The Lion King gave the Victoria Theatre Association late-season momentum, but the production was actually one of an assortment of outstanding national tours this season including A Night with Janis Joplin, Once, Pippin, The Book of Mormon, and The Bridges of Madison County. Human Race Theatre Company specifically excelled with a wonderfully haunting and heartfelt Glass Menagerie. Feminine-centric Magnolia Theatre Company produced a splendid local premiere of the engrossing one-woman show K of D, but also greatly entertained with the delightful cabaret Broadway Beveled. Dare to Defy Productions pulled out the stops with American Idiot, but also impressed with the hilarious Great American Trailer Park Musical and snazzy, dance-heavy Wild Party.
Assessing the 65 shows I saw this season, I congratulate the following winners (in bold) and nominees.

glass menagerie

Jennifer Joplin, Claire Kennedy and Scott Hunt in the Human Race Theatre Company’s production of “The Glass Menagerie” (Photo by Scott J. Kimmins)

reasons to be pretty

(l to r) Brett Hill, Jenna Burnette, Christopher Hahn, and Kaleigh-Brooke Dillingham in “Reasons to Be Pretty” (Photo by Rachel Katz)

BEST TOURING PRODUCTION
The Book of Mormon, Victoria Theatre Association
The Bridges of Madison County, Victoria Theatre Association
Disney’s The Lion King, Victoria Theatre Association
Once, Victoria Theatre Association
Pippin,Victoria Theatre Association
Rodgers and Hammerstein’s Cinderella, Victoria Theatre Association

BEST PROFESSIONAL PRODUCTION OF A PLAY
The Glass Menagerie,Human Race Theatre Company
The K of D, An Urban Legend, Magnolia Theatre Company
Master Class, Human Race Theatre Company
Steel Magnolias, Human Race Theatre Company

BEST LOCALLY-PRODUCED PROFESSIONAL MUSICAL
A Christmas Story: The Musical, La Comedia Dinner Theatre
American Idiot, Dare to Defy Productions
The Full Monty, Human Race Theatre Company
The Great American Trailer Park Musical,Dare to Defy Productions
The Wild Party,Dare to Defy Productions

BEST COMMUNITY THEATER PRODUCTION OF A PLAY
Circle Mirror Transformation, Young at Heart Players
Fools,Undercroft Players
Last Gas,Dayton Theatre Guild
Outside Mullingar, Dayton Theatre Guild
Reasons to Be Pretty, Playground Theatre

BEST COMMUNITY THEATER PRODUCTION OF A MUSICAL
1776, Dayton Playhouse
The Addams Family,Beavercreek Community Theatre
Carousel, Dayton Playhouse
Spring Awakening, Beavercreek Community Theatre

BEST COLLEGIATE PRODUCTION OF A PLAY
A Streetcar Named Desire, Wright State University
And A Child Shall Lead, University of Dayton with Zoot Theatre Company
Angels in America: Millennium Approaches, Clark State Community College
The Great Gatsby, Wright State University
One Flew Over the Cuckoo’s Nest, Sinclair Community College

BEST COLLEGIATE PRODUCTION OF A MUSICAL
Chicago, Wright State University
Miss Mayor, Wright State University
The Music Man, Wright State University
Once Upon a Mattress, University of Dayton
The Wiz, Sinclair Community College

k-of-d

Dayton native and Wright State University grad Annie Pesch Contributed photo

BEST SPECIAL THEATRICAL EVENT
A Night with Janis Joplin, Victoria Theatre Association
American Mosaic, Dayton Philharmonic Orchestra, Dayton Opera, Dayton Ballet, Human Race Theatre Company, Muse Machine, DCDC, and Bach Society of Dayton
An Evening with Jason Robert Brown, Wright State University Musical Theatre Initiative
Mary Poppins, Muse Machine
Tarzan,Epiphany Lutheran Church

BEST LEADING ACTOR IN A PLAY
Mike Beerbower as Anthony Reilly, Outside Mullingar
Saul Caplan as Roy Cohn, Angels in America: Millennium Approaches
Tommy DiMassimo as Stanley Kowalski, A Streetcar Named Desire
Christopher Hahn as Greg, Reasons to Be Pretty
Scott Hunt as Tom Wingfield, The Glass Menagerie
David Shough as Joseph Alsop, The Columnist (Dayton Theatre Guild)

BEST LEADING ACTRESS IN A PLAY
Christine Brunner as Truvy, Steel Magnolias
Jenna Burnette as Steph, Reasons to Be Pretty
Teresa Connair as Rosemary Muldoon, Outside Mullingar
Jenna Gomes as Becky, Slowgirl (Dayton Theatre Guild)
Ellie Margolis as Blanche DuBois, A Streetcar Named Desire
Annie Pesch as The Girl, The K of D, An Urban Legend

BEST LEADING ACTOR IN A MUSICAL
Christian Johnson as Bert, Mary Poppins
Nathan Robert Pecchia as Harold Hill, The Music Man
Layne Roate as Johnny, American Idiot
Andrew Samonsky as Robert Kincaid, The Bridges of Madison County
Jeff Sams as Billy Bigelow, Carousel
Cody Jamison Strand as Elder Cunningham, The Book of Mormon

BEST LEADING ACTRESS IN A MUSICAL

STEEL-prod-pic-4

Pictured: Carolyn Popp, Christine Brunner, Caitlin Larsen, Patricia Linhart and Maretta Zilic


Kaitlyn Davidson as Ella, Rodgers and Hammerstein’s Cinderella
Mackenzie Lesser-Roy as Girl, Once
Gabrielle McClinton as Leading Player, Pippin
Bailey Rose as Roxie Hart, Chicago
Brianna Russ as Mary Poppins, Mary Poppins
Elizabeth Stanley as Francesca Johnson, The Bridges of Madison County

 

BEST SUPPORTING ACTOR IN A PLAY
Eric Arntz as Martin Lowy, And A Child Shall Lead
Sean Frost as Louis Ironson, Angels in America: Millennium Approaches
Cody Lewis as Harold “Mitch” Mitchell, A Streetcar Named Desire
Dave Nickel as Tony Reilly, Outside Mullingar
John Spitler as Dr. Zubritsky, Fools
Drew Vidal as Jim O’Connor, The Glass Menagerie

BEST SUPPORTING ACTRESS IN A PLAY
Megan Cooper as Theresa, Circle Mirror Transformation

1776 3

The cast of Dayton Playhouse’s production of “1776” (Photo by Art Fabian)

Kaleigh-Brooke Dillingham as Carly, Reasons to Be Pretty
Claire Kennedy as Laura Wingfield, The Glass Menagerie
Caitlin Larsen as Ouiser, Steel Magnolias
Pam McGinnis as Freida, The Tale of the Allergist’s Wife (Dayton Playhouse)
Rachel Wilson as Cherry-Tracy Pulcifer, Last Gas

BEST SUPPORTING ACTOR IN A MUSICAL
Tim Rezash as John Dickinson, 1776
John Rubenstein as Charles, Pippin
Tyler Simms as Amos Hart, Chicago
J. Gary Thompson as Jigger Craigin, Carousel
Malcolm Walker as The Wiz, The Wiz
Richard Young as Benjamin Franklin, 1776

 

BEST SUPPORTING ACTRESS IN A MUSICAL
Cecily Dowd as Winifred  Banks, Mary Poppins
Lisa Glover as Whatsername, American Idiot
Priscilla Lopez as Berthe, Pippin
Krissy McKim-Barker as Carrie Pipperidge, Carousel
Tia R. Seay as Betty, The Great American Trailer Park Musical
Megan Valle as Jacqueline “Jacq” Greer, Miss Mayor

trailer-park-copy

(left to right) Rob Willoughby, Angie Thacker, Tori Kocher, Tia R. Seay, Eric Julian Walker, and Hayley Penchoff appear in Dare to Defy Productions’ presentation of “The Great American Trailer Park Musical.” (Contributed photo; not pictured Lisa Glover)


BREAKTHROUGH MALE PERFORMANCE
Evan Benjamin as Jack, Into the Woods (Dare to Defy Productions)
David E. Brandt as The Lion, The Wiz
Brett Hill as Kent, Reasons to Be Pretty
Dakota Mullins as Tommy Djilas, The Music Man
Thomas Cole Schreier as St. Jimmy, American Idiot
Eric Thompson as Enoch Snow, Carousel

 

BREAKTHROUGH FEMALE PERFORMANCE
Bryana Bentley as Rose, Fences (The Signature: A Poetic Medley Show/Sinclair Community College)
Caroline Chisholm as Velma Kelly, Chicago
Natalie Girard as Evelyn “Evie” Ensler (a.k.a. Helen Hensler), Miss Mayor
Adrienne (Adee) McFarland as Julie Jordan, Carousel
Vanae Pate as Dorothy, The Wiz
Madeline Sensenstein as Myrtle Wilson, The Great Gatsby

BEST DIRECTION OF A PLAY
Kimberly Borst, The K of D, An Urban Legend
David Brush, Reasons to Be Pretty
Greg Hellems, The Glass Menagerie
David Shough, Outside Mullingar
Jerome Yorke, And A Child Shall Lead

BEST DIRECTION OF A MUSICALwsu chicago
Marya Spring Cordes, The Music Man
Joe Deer, Chicago
Chris Harmon, The Wiz
Megan Wean Sears, Tarzan
Angie Thacker, American Idiot

BEST CHOREOGRAPHY
Lula Elzy, Mary Poppins
Lisa Glover, The Wild Party
Kimberly Isaacs, American Idiot
Teressa Wylie McWilliams, Chicago
Rodney Veal, The Wiz
Dionysia Williams, The Music Man

BEST SCENIC DESIGN OF A PLAY
Bruce Brown, Last Gas
Matthew J. Evans, And A Child Shall Lead
Chris Newman, The Tale of the Allergist’s Wife (Dayton Playhouse)
Chris Newman and David Shough, Outside Mullingar
Terry Stump, One Flew Over the Cuckoo’s Nest

BEST SCENIC DESIGN OF A MUSICAL
Dick Block, The Full Monty
Adam Koch, Chicago
Pam Knauert Lavarnway, The Music Man
Terry Stump, The Wiz
Ray Zupp, Tarzan

BEST COSTUME DESIGN OF A PLAY
Donna Beran, And A Child Shall Lead
Carol Finley, The Columnist (Dayton Theatre Guild)
Mary Beth McLaughlin, The Great Gatsby
Janet G. Powell, Steel Magnolias
Emily Sollinger, A Streetcar Named Desire

BEST COSTUME DESIGN OF A MUSICAL
Kathleen Carroll, 1776
Kathleen Hotmer, The Wiz
Maria Klueber and Lori Watamaniuk, Tarzan
Christie Peitzmeier, The Music Man
Michelle Sampson, Chicago

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UD’s production of AND A CHILD SHALL LEAD. Photo by: Tony Beran

BEST LIGHTING DESIGN OF A PLAY
Jadon Bischoff, Slowgirl (Dayton Theatre Guild)
Daniel Brunk, One Flew Over the Cuckoo’s Nest
Jessica Ann Drayton, A Streetcar Named Desire
Matthew J. Evans, And A Child Shall Lead
Jessy Henning, The K of D, An Urban Legend

BEST LIGHTING DESIGN OF A MUSICAL
Matthew Benjamin, American Idiot
Jacob Brown, The Music Man
Sammy Jelinek, Into the Woods (Dare to Defy Productions)
Gina Neuerer, The Wiz
John Rensel, Mary Poppins

BEST SOUND DESIGN OF A PLAY
Megan Banfield, And A Child Shall Lead
Jay Brunner, The Glass Menagerie
Emily Hutton, The K of D, An Urban Legend
Alex Koker, A Streetcar Named Desire
K.L. Storer, Last Gas

BEST SOUND DESIGN OF A MUSICAL
Daniel Brunk, The Wiz
James Dunlap, Chicago
Emily Hutton, The Music Man
Chris Pentecost, Tarzan
Ben Selke, A Night with Janis Joplin

BEST ORCHESTRA
A Night with Janis Joplin (Music Director: Mark Berman)
The Bridges of Madison County (Music Director: Keith Levenson)
Chicago (Music Director: Scott Woolley)
Mary Poppins (Music Director: Claude Lucien Thomas)
The Wiz (Music Director: David McKibben; Conductor: Dr. Kenneth Kohlenberg)

BEST PROPERTIES
Jason Hamen and Adrienne Ausdenmoore, Tarzan
Jennifer Kramer, The Wiz
Heather Powell, Steel Magnolias
Shannon Sellars, Mary Poppins
Mo Stinehart, And A Child Shall Lead

ADDITIONAL ACKNOWLEDGMENTS

  • David Alfano’s video and projection design for And A Child Shall Lead
  • Lynn Baudendistel, Robin Brown, Toni Donato Shade, and Alisa Vukasinovich’s costume coordination for Mary Poppins
  • Brad Bishop as Gomez Addams and Becky Barrett-Jones as Morticia Addams in The Addams Family
  • Jay Brunner’s incidental music for The Glass Menagerie
  • David Brush and Chris Harmon’s respective reconfigurations of the Mathile Theatre and Beavercreek Community Theatre for Reasons to Be Pretty and Spring Awakening
  • Steven Burton and Tim Grewe’s wig design for 1776
  • The Tony-winning creative team for The Lion King: Director/designer Julie Taymor, scenic designer Richard Hudson, lighting designer Donald Holder, and choreographer Garth Fagan
  • The creative team for Miss Mayor: Christian Duhamel (music and lyrics), Ellie Margolis (book) and Greg Hellems (concept/additional book)
  • Micah Koverman as Colin in The Secret Garden (Playhouse South)
  • Bob Crowley’s Tony-winning scenic design, Natasha Katz’s Tony-winning lighting design, John Tiffany’s Tony-winning direction, and Steven Hoggett’s movement for Once
  • Tristan Cupp’s puppet design for And A Child Shall Lead
  • Cicily Daniels, Tawny Dolley, Q. Smith, and Jennifer Leigh Warren as the Joplinaries in A Night with Janis Joplin
  • Mary Bridget Davies’ Tony-nominated portrayal of Janis Joplin in A Night with Janis Joplin
  • Elis Davis, Jordan Adams, Connor Lysholm, and Kyle Krichbaum as The Quartet in The Music Man
  • Jonathan Deans and Garth Helm’s Tony-nominated sound design, Paul Kieve’s illusions, Dominique Lemieux’s Tony-nominated costumes, Scott Pask’s Tony-nominated scenic design, Diane Paulus’ Tony-winning direction, Kenneth Posner’s Tony-nominated lighting design, Gypsy Snider’s circus creation, and Chet Walker’s Tony-nominated choreography for Pippin
  • Jasmine Easler as Oprah Winfrey in Miss Mayor
  • Carol Finley’s costumes for Five Women Wearing the Same Dress (Beavercreek Community Theatre)
  • TJ “Tyler” Fortson, Katelyn Gross, Ashlee Ferrell, and Maximillian Santucci in Quid Pro Quo (Sinclair Community College)
  • Mierka Girten as Maria Callas, musical director Sean Michael Flowers’ accompaniment and Cassi Mikat as Sharon Graham in Master Class
  • Jose Gutierrez del Arroyo as Franklin Shepard in Merrily We Roll Along (Beavercreek Community Theatre)
  • Chris Harmon’s scenic design for California Suite, Five Women Wearing the Same Dress and Spring Awakening (Beavercreek Community Theatre)
  • William Ivey Long’s Tony-winning costumes and Josh Rhodes’ choreography for Rodgers and Hammerstein’s Cinderella
  • Jeffrey Mack as Tarzan in Tarzan
  • Gary Minyard’s fight choreography for She Kills Monsters (Sinclair)
  • Wendi Michael’s scenic design for Slowgirl (Dayton Theatre Guild)
  • Jared Mola as Nat Paradis and Rick Flynn as Guy Gagnon in Last Gas
  • The Murderesses of “Cell Block Tango” in Chicago (Caroline Chisholm, Alex Caldwell, Haylee Dobkins, Alyson Snyder, Megan Valle, and Meredith Zahn)
  • Chris Newman’s scenic design for The Diary of Anne Frank (Dayton Playhouse)
  • Casey Nicholaw’s Tony-winning choreography of The Book of Mormon
  • Annie Pesch and Fran Pesch’s rendition of “No More” in Broadway Beveled: A Feminine Cabaret
  • Micah Stock as Tom Wingfield (The Glass Menagerie) in American Mosaic
  • Matthew Tabor’s Hungarian dialect coaching for Chicago
  • Deborah Thomas’ dialect coaching for The Great Gatsby
  • André Tomlinson, Bryana Bentley, Greyson Calvert, and Rebecca Henry as The Yellow Brick Road in The Wiz
  • ZFX, Inc.’s flying effects for Tarzan

Saluting Dayton’s 2014-15 Theater Season

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Friendship among witches, a delightful journey to Neverland, a Boston single mother awaiting opportunity, a modern family attempting connection at a New York hospital, an ogre in love, and African-American stories of faith and redemption were some of the key contributors to Dayton’s engaging 2014-15 theater season.

crowns

The cast of Human Race Theatre Company’s “Crowns” (Photo by Scott J. Kimmins)

The Human Race Theatre Company’s roof-raising production of Crowns was a hallmark for professional offerings, but the organization was equally blessed by a luminous world premiere of Michael Slade’s Broadway-worthy dramedy Family Shots, John Murrell’s engrossing two-hander Taking Shakespeare, and Caleb Damschroder and Eric Ulloa’s lovely new musical Molly Sweeney. The Victoria Theatre Association notably scored with the popular return of Wicked and the pleasantly surprising and impressive spoof America’s Got Downton, Luke Kempner’s tour-de-force salute to hit TV drama Downton Abbey. Dare to Defy Productions, a troupe on the rise, certainly flexed its artistic muscles with a string of strong shows heightened by savvy casting. Emerging, female-driven Magnolia Theatre Company arrived with aplomb in the form of an excellent Parallel Lives.

Further, Playhouse South reminded theatergoers of the unbridled, inclusive joy of community theater in its absolutely radiant Shrek The Musical, one of the finest shows produced by the organization closely followed by its sharp staging of The 25th Annual Putnam County Spelling Bee. Dayton Theatre Guild’s admiration for Pulitzer Prize-winning playwright David Lindsay-Abaire surfaced once more with a fantastic local premiere of the blue-collar Good People, which contained elements that matched the original Broadway production. Newly formed Playground Theatre commendably premiered with a nostalgic staging of The Breakfast Club. Undercroft Players, another emerging company with promise, brought great laughs and heartfelt warmth to Weekend Comedy. Beavercreek Community Theatre definitely succeeded with Sweeney Todd and Avenue Q. Dayton Playhouse, bolstered by the presence of scenic designer Chris Newman throughout the season, provided an attractive look at The Fantasticks.

On collegiate stages, Wright State University tremendously hit the mark as expected. In addition to WSU’s stellar Fences which provided the long-awaited directorial return of Sheila Ramsey in collaboration with WSU chair W. Stuart McDowell, director Joe Deer spearheaded a marvelously magical Peter Pan and a breathtaking musical showcase starring Tony Award-winning legend Leslie Uggams. Elsewhere, Sinclair Community College dazzled with its stunning, non-traditional Pride and Prejudice and vibrantly feel-good Charlie Brown Christmas. The University of Dayton thoroughly charmed with A New Brain.

Nationally, it was particularly thrilling to see Muse Machine and Oakwood High School alum Micah Stock take the New York theater community by storm thanks to his hilarious Broadway debut as Gus P. Dowd in the revival of Terrence McNally’s comedy It’s Only a Play. The 26-year-old Stock, a gifted artist, received a Tony nomination and Theatre World Award for his outstanding performance.
Assessing the 75 shows I saw this season, I congratulate the following winners (in bold) and nominees.

 

wicked

Alyssa Fox (l) and Carrie St. Louis in “Wicked” (Photo by Joan Marcus)

BEST TOURING PRODUCTION
4 Girls 4, Springfield Arts Council
America’s Got Downton, Victoria Theatre Association
Nice Work If You Can Get It, Victoria Theatre Association
Smokey Joe’s Cafe, Victoria Theatre Association
Wicked, Victoria Theatre Association

BEST PROFESSIONAL PRODUCTION OF A PLAY
Crowns, Human Race Theatre Company
Family Shots, Human Race Theatre Company
Parallel Lives, Magnolia Theatre Company
Taking Shakespeare, Human Race Theatre Company
Vanya and Sonia and Masha and Spike, Human Race Theatre Company and Victoria Theatre Association

BEST LOCALLY-PRODUCED PROFESSIONAL MUSICAL,
Altar Boyz, Dare to Defy Productions
The Last Five Years, Dare to Defy Productions
Molly Sweeney: A Musical, Human Race Theatre Company
Nunsense, Dare to Defy Productions
Rent, Dare to Defy Productions

BEST COMMUNITY THEATER PRODUCTION OF A PLAY
4000 Miles, Dayton Theatre Guild
The Breakfast Club, Playground Theatre
Good People, Dayton Theatre Guild
Heartbreak House, Dayton Theatre Guild
Weekend Comedy, Undercroft Players

BEST COMMUNITY THEATER PRODUCTION OF A MUSICAL
Avenue Q, Beavercreek Community Theatre
The Fantasticks, Dayton Playhouse
Shrek The Musical, Playhouse South
Sweeney Todd, Beavercreek Community Theatre
The 25th Annual Putnam County Spelling Bee, Playhouse South

BEST COLLEGIATE PRODUCTION OF A PLAY
A Charlie Brown Christmas, Sinclair Community College
 Fences, Wright State University
Pride and Prejudice, Sinclair Community College
Romeo and Juliet, Wright State University

peter pan

The cast of Wright State University’s “Peter Pan” (Contributed photo)

BEST COLLEGIATE PRODUCTION OF A MUSICAL
A New Brain, University of Dayton
bare: a pop opera, Sinclair Community College
Hot Mikado, Wright State University
Peter Pan, Wright State University
Sondheim on Sondheim, Wright State University

BEST NEW WORK
Caleb Damschroder and Eric Ulloa’s Molly Sweeney: A Musical, Human Race Theatre Company
Luke Kempner’s America’s Got Downton, Victoria Theatre Association
Linda Ramsay-Detherage’s Sugarhill, Dayton Playhouse FutureFest
Michael Slade’s Family Shots, Human Race Theatre Company

BEST SPECIAL THEATRICAL EVENT
America’s Got Downton, Victoria Theatre Association
An Evening of Rodgers and Hammerstein, Dayton Performing Arts Alliance
An Evening with Leslie Uggams, Wright State University and Victoria Theatre Association
Oliver!, Muse Machine
Once On This Island, Epiphany Lutheran Church

BEST LEADING ACTOR IN A PLAY
Corbin Bleu as Aaron Baker, Family Shots
Law Terrell Dunford as Troy Maxson, Fences
David Hallowren as Jim Stools, Nice People Dancing to Good Country Music (Dayton Theatre Guild)
Luke Kempner in multiple roles, America’s Got Downton
Jon Kovach as Murph, Taking Shakespeare
Jared Mola as Leo Joseph-Connell, 4000 Miles

BEST LEADING ACTRESS IN A PLAY
Gina Handy in multiple roles, Parallel Lives
Barbara Jorgensen as Vera Joseph, 4000 Miles
Johanna Leister as Prof, Taking Shakespeare
Andréa Moralés in multiple roles, Parallel Lives
Rachel Wilson as Margaret Walsh, Good People
Colleen Zenk as Marsha Baker, Family Shots

BEST LEADING ACTOR IN A MUSICAL
Ian Benjamin as Jamie Wellerstein, The Last Five Years
Mark Beyer as Roger Davis, Rent
A.J. Breslin as Peter, bare
Bruce Cromer as Captain Hook and Mr. Darling, Peter Pan
Rollie Fisk as Fagin, Oliver!
Bobby Mitchum as Jason, bare

BEST LEADING ACTRESS IN A MUSICAL
Kelsey Pohl as Cathy Hiatt, The Last Five Years
Angelé Price as Sister Hubert, Nunsense
Brianna Russ as Nancy, Oliver!
Alyson Snyder as Peter Pan, Peter Pan
Carrie St. Louis as Glinda, Wicked
Lindsie VanWinkle as Molly Sweeney, Molly Sweeney

BEST SUPPORTING ACTOR IN A PLAY
A.J. Breslin as Snoopy, A Charlie Brown Christmas
Randy Brooks as Sam Baker, Family Shots
David Jennings as Man, Crowns
Stephen Kell as Mercutio, Romeo and Juliet
Jared Mola as Roy Manual, Nice People Dancing to Good Country Music (Dayton Theatre Guild)
Jeff Sams as Hector Hushabye, Heartbreak House

good people

The cast of Dayton Theatre Guild’s “Good People (Contributed photo)

BEST SUPPORTING ACTRESS IN A PLAY
Joilet F. Harris as Mother Shaw, Crowns
Wendi Michael as Jean, Good People
Annie Pesch as Joyce Anderson, Family Shots
Lorrie Sparrow-Knapp as Lady Utterword, Heartbreak House
Shyra Thomas as Kate, Good People
Torie Wiggins as Mabel, Crowns

BEST SUPPORTING ACTOR IN A MUSICAL
Drew Bowen as Mark, Altar Boyz
Jim Brown as Lord Farquuad, Shrek The Musical
Charles Larkowski as Judge Turpin, Sweeney Todd
Nathan Pecchia as himself, Sondheim on Sondheim
Tyler Simms as Smee, Peter Pan
Michael Stockstill as Adolfo Pirelli, Sweeney Todd

BEST SUPPORTING ACTRESS IN A MUSICAL
Jasmine Easler as Katisha, Hot Mikado
Jenna Gomes as Mimi Schwinn, A New Brain
Megan Kuchan as Logainne Schwartzandgrubenniere, The 25th Annual Putnam County Spelling Bee
Cassi Mikat as herself, Sondheim on Sondheim
Tia Seay as Donkey, Shrek The Musical
Shawn Storms as Joanne Jefferson, Rent

BREAKTHROUGH MALE PERFORMANCE
Christopher Delanis as Gordon Michael Schwinn, A New Brain
Austin DeVaughn as Mr. Collins, Pride and Prejudice
Jose Gutierrez del Arroyo as Leaf Coneybear and Carl Dad, The 25th Annual Putnam County Spelling Bee
Zach King as Shrek, Shrek The Musical
Alan Ruddy as Princeton, Avenue Q
Isaac Tobler as Tom Collins, Rent

fences

The cast of Wright State University’s “Fences” (Contributed photo)

BREAKTHROUGH FEMALE PERFORMANCE
Ariqa Bowens as Elizabeth Bennet, Pride and Prejudice
Jasmine Easler as Rose, Fences
Esther Hyland as Princess Fiona, Shrek The Musical
Kirsten Johnson as Allison Reynolds, The Breakfast Club
Pamela Matheson-Jones as Mrs. Nellie Lovett, Sweeney Todd
Meghan Rupper as Mama Euralie, Once On This Island

BEST DIRECTION OF A PLAY
Debbie Blunden-Diggs and Scott Stoney, Crowns
Kimberly Borst, Pride and Prejudice
Debra A. Kent, Good People
W. Stuart McDowell and Sheila Ramsey, Fences
Kevin Moore, Family Shots

BEST DIRECTION OF A MUSICAL
Joe Deer, Peter Pan
Greg Hellems, Hot Mikado
Becki Norgaard, Shrek The Musical
JJ Parkey, Rent
Megan Wean Sears, Once On This Island

BEST CHOREOGRAPHY
Debbie Blunden-Diggs, Crowns
Lula Elzy, Oliver!
Greg Graham, Peter Pan
Teressa Wylie McWilliams, Hot Mikado
Megan Wean Sears, Once On This Island

BEST SCENIC DESIGN OF A PLAY
David A. Centers, Vanya and Sonia and Masha and Spike
Chris Harmon, Pride and Prejudice
Chris Newman, Heartbreak House
Ryan Sess, Fences
Terry Stump, A Charlie Brown Christmas

BEST SCENIC DESIGN OF A MUSICAL
Chris Harmon, Sweeney Todd
Pam Knauert Lavarnway, Hot Mikado
Pam Knauert Lavarnway, Peter Pan
Chris Newman, The Fantasticks
Ray Zupp, Rent

BEST COSTUME DESIGN OF A PLAY
David J. Castellano, Pride and Prejudice (Wright State)
David M. Covach, Crowns
Patrick Allyn Hayes and Kelsey Shaffer, Heartbreak House
Kathleen Hotmer, Pride and Prejudice
Mary Beth McLaughlin, Fences

shrek

The cast of Playhouse South’s “Shrek The Musical” (Contributed photo)

BEST COSTUME DESIGN OF A MUSICAL
Carol Finley, Sweeney Todd
Jeremy W. Floyd, Hot Mikado
Maria Klueber and Lori Watamaniuk, Once On This Island
Lead costumer Meagan Kuchan and costume team (Melissa Fogle, Kathleen Carroll, Donna Cason, Summer Lehman, Rachel Annabo Smith, Maggie Carroll, Mary Nunnery, Aurora Nunnery, Rachel LaFountain Earich, Jordan Norgaard, Jenni Cypher, Tonia Scearce, Ian Meadows, Jess Evans), Shrek The Musical
Janet G. Powell, The Fantasticks

BEST LIGHTING DESIGN OF A PLAY
Daniel Brunk, Pride and Prejudice
Sammy Jelinek, Fences
Tim Mascall, America’s Got Downton
John Rensel, Taking Shakespeare
Nick Vanderpool, George A. Romero’s Night of the Living Dead – Live (Dayton Playhouse)

BEST LIGHTING DESIGN OF A MUSICAL
Anita Bachmann, The Fantasticks
Matthew P. Benjamin, Hot Mikado
John Falkenbach, Sweeney Todd
Sammy Jelinek, Peter Pan
Bryan Miller, Once On This Island

BEST SOUND DESIGN OF A PLAY
Daniel Brunk, Pride and Prejudice
Jay Brunner, Taking Shakespeare
Jay Brunner, Crowns
Emily Hutton, Fences
K.L. Storer, George A. Romero’s Night of the Living Dead – Live (Dayton Playhouse)

BEST SOUND DESIGN OF A MUSICAL
Keith Caggiano, Nice Work If You Can Get It
James Dunlap, Sondheim on Sondheim
Matt Korb, Hot Mikado
Chris Pentecost, Once On This Island
Mason Wisecup, Peter Pan

BEST ORCHESTRA
Hot Mikado (Music Director: Scot Woolley)
The Last Five Years (Music Director: Dean Brown)
Nice Work If You Can Get It (Music Director: Charlie Reuter)
Oliver! (Music Director: Claude Thomas)
Once On This Island (Music Director: David Brush)

BEST PROPERTIES
Heather Campbell Martin, The Fantasticks
John Lavarnway, Peter Pan
Heather Powell, Taking Shakespeare
Blake Senseman and Deidre Bray Root, Good People
Shannon Sellars, Oliver!


ADDITIONAL ACKNOWLEDGMENTS

  • Tango dancers Sarah Agar and Adam Soniak in Mame (Human Race Theatre Company)
  • Christine Andreas, Faith Prince, Andrea McArdle, and Maureen McGovern in 4 Girls 4 with music direction by John McDaniel
  • Director/choreographer Katie Arber, leading players Isaac Ingle (Seymour) and Cecily Dowd (Audrey), scenic designer Mike Cordonnier, and the cast of Little Shop of Horrors (Centerville High School)
  • Becky Barrett-Jones as Diana Goodman and Desmond Thomas as Gabe Goodman in Next to Normal (Beavercreek Community Theatre)
  • Lyn Baudendistel, Robin Brown, Patty Peters, Toni Donato Shade, and Alisa Vukasinovich’s costumes for Oliver!
  • Keely Beirne’s renditions of “Don Juan” and “Some Cats Know” in Smokey Joe’s Cafe
  • Matthew P. Benjamin’s projections for Hot Mikado
  • Matthew Boston as Vanya, Sherman Fracher as Sonia, Jennifer Johansen as Masha, Ben Palacios as Spike, Alex Sunderhaus as Nina, Torie Wiggins as Cassandra, and director Margarett Perry for Vanya and Sonia and Masha and Spike
  • Gary Briggle, Laura Portune, Gabriel Preisser, and Christina Baldwin in An Evening of Rodgers and Hammerstein
  • Jay Brunner’s incidental music for Taking Shakespeare
  • Alexander Chilton as Stevie, Shawn Hooks as Mike and Heather Martin as Dottie in Good People
  • Megan Cooper as Margaret “Maggie” Pollitt and Chris Harmon’s scenic design for Cat On a Hot Tin Roof (Beavercreek Community Theatre)
  • Bruce Cromer’s fight choreography for Romeo and Juliet
  • Tristan Cupp’s scenic design for Once On This Island
  • Jasmine Easler as Velma, Joy Lynn Jacobs as Wanda, Monette McKay as Yolanda, and Debra Walton as Jeanette in Crowns
  • Sean Michael Flowers’ incidental music for Family Shots and his music direction of Sondheim on Sondheim (featuring a band consisting of guitarist Mark Beyer and cellist Emsie Hapner)
  • Alyssa Fox as Elphaba in Wicked
  • Jill Lynott as Barbara and Geoff Turner and Eric Specht’s special effects for George A. Romero’s Night of the Living Dead – Live (Dayton Playhouse)
  • Ellie Margolis as Lady Catherine de Bourgh in Pride and Prejudice (Wright State)
  • Chris Newman’s scenic design and Kathleen Carroll’s costumes for How to Succeed in Business Without Really Trying (Dayton Playhouse)
  • Natalie Sanders’ rendition of “All Grown Up” in bare: a pop opera
  • Parisa Samavati’s rendition of “Forever” in Shrek The Musical
  • Renditions of “Aquarius/Let the Sunshine In” (Tia Seay and ensemble), “Easy to Be Hard” (Emma Jordan), “Where Do I Go?” (Mark Beyer and ensemble), “White Boys” (Raven Thomas), and “Good Morning Starshine” (Mackensie Vonderbrink) in The Music of Hair (Dare to Defy Productions)
  • Michael Stockstill’s makeup design for Shrek The Musical
  • Leslie Uggams and featured performers Jasmine Easler, Mimi Klipstine, Cassandra Mikat, Katie Momenee, Kelsey Pohl, Alyson Snyder, and Abby Murray Vachon with music directors Don Rebic and Scot Woolley in An Evening with Leslie Uggams
  • Scot Woolley’s piano accompaniment for Crowns and Molly Sweeney

 

 

Saluting Dayton’s 2012-13 Theater Season

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AVENUE Q production pic

James Oblak with “Princeton” and Annie Kalahurka, Brett Travis and Andrew Ian Adams in Avenue Q.
Photo by Scott J. Kimmins

From a glamorous Berlin hotel to a den of blood-thirsty vampires, Dayton’s 2012-13 theater season contained a slew of high quality, entertaining components.
Currently enjoying great success with the hilariously naughty “Avenue Q,” the Human Race Theatre Company impeccably produced a splendidly character and ensemble-driven, marvelously choreographed “Oliver!,” a wonderfully transformative  journey that absolutely typified the joy of embracing musical theater anew.  The organization’s decision to promote and encourage new plays was also evident, specifically its Midwest premiere of Janece Shaffer’s funny and poignant relationship comedy “Managing Maxine” which could be a huge hit in regional theaters across the country. The Victoria Theatre Association’s Premier Health Broadway Series deserves praise as well for delivering first-rate national tours of “The Addams Family,” “American Idiot,” “Dreamgirls” and “Rock of Ages”  to name a few. Interestingly, the Victoria’s brief engagement of the delightfully risqué “Spank! The Fifty Shades Parody” was a bold move that paid off tremendously.
Within community theaters, the Dayton Playhouse had a very commendable season bookended by two strong Sondheim presentations (“Side by Side by Sondheim” and “A Funny Thing Happened on the Way to the Forum”) and heightened by the totally refreshing, delectably spooky thrill ride that was “Dracula.”  The Dayton Theatre Guild, a haven for eclectic premieres, gathered fine ensembles for its engrossing productions of “100 Saints You Should Know,” “Ghosts” and “The Pillowman.” Playhouse South continued its pleasant upswing with “Legally Blonde” and “Little Shop of Horrors.” The consistently imaginative Zoot Theatre Company particularly excelled with “The Hobbit.”
On collegiate stages, Wright State University effortlessly restored “1913: The Great Dayton Flood” and pulled out the stops for an absolutely elegant, vocally striking production of “Grand Hotel: The Musical.” Sinclair Community College primarily scored with a very touching local premiere of “Intimate Apparel” and a cohesively joyful “Godpsell.” The University of Dayton supplied an impressive, fascinating look at Edward Albee’s “The American Dream” and “Zoo Story.”
On Saturday, August 3 at Sinclair Community College’s Charity Early Room, Dayton’s theater community will gather for the 10th annual DayTony Awards, honoring the achievements of designers, performers and productions across the area as voted on by 10 participating collegiate and community theaters. The event will be held in conjunction with the 12th annual Dayton Theatre Hall of Fame induction celebrating scenic and lighting designer Darrell Anderson, actor/designer/director Chris Harmon, producer John Kenley and director Kay Frances Wean. Kenley and Wean will be posthumously inducted.
Assessing the 75 shows I saw over the past 12 months, here are my picks (winners are in bold) for the season’s outstanding artists and productions.

RACE

l to r) Bruce Cromer, Richard B. Watson, Alan Bomar Jones and Julia Pace Mitchell in Race
Photo by Scott J. Kimmins


BEST PROFESSIONAL PRODUCTION OF A PLAY
Lombardi, Human Race Theatre Company
Managing Maxine, Human Race Theatre Company
Race, Human Race Theatre Company

BEST LOCALLY-PRODUCED PROFESSIONAL MUSICAL
Avenue Q, Human Race Theatre Company
Next to Normal, Human Race Theatre Company/Victoria Theatre Association
Oliver!, Human Race Theatre Company

BEST PROFESSIONAL TOURING MUSICAL
The Addams Family, Victoria Theatre Association
Dreamgirls, Victoria Theatre Association
Hair, Springfield Arts Council
Mary Poppins, Victoria Theatre Association
Rock of Ages, Victoria Theatre Association

dracula

Jared Mola in Dracula
Photo by Art Fabian

BEST COMMUNITY THEATER PRODUCTION OF A PLAY
100 Saints You Should Know, Dayton Theatre Guild
Dracula, Dayton Playhouse
Ghosts, Dayton Theatre Guild
The Hobbit, Zoot Theatre Company
The Pillowman, Dayton Theatre Guild

BEST COMMUNITY THEATER PRODUCTION OF A MUSICAL
A Funny Thing Happened on the Way to the Forum, Dayton Playhouse
Legally Blonde, Playhouse South
Little Shop of Horrors, Playhouse South
Side by Side by Sondheim, Dayton Playhouse
Thoroughly Modern Millie, Dayton Playhouse

BEST COLLEGIATE PRODUCTION OF A PLAY
1913: The Great Dayton Flood, Wright State University
The American Dream/Zoo Story, University of Dayton
Intimate Apparel, Sinclair Community College
The Miracle Worker, Wright State University

BEST COLLEGIATE PRODUCTION OF A MUSICAL
Funny Girl, Wright State University
Godspell, Sinclair Community College
Grand Hotel:  The Musical, Wright State University
Spring Awakening, Wright State University

American Idiot

(l to r) Jenna Rubaii and Thomas Hettrick in American Idiot
Photo by John Daughtry

BEST NEW WORK
Gingerbread Children, Human Race Theatre Company
Managing Maxine, Human Race Theatre Company
Nureyev’s Eyes, Dayton Playhouse FutureFest
Spank! The Fifty Shades Parody, Victoria Theatre Association
Under a Red Moon, Human Race Theatre Company

BEST SPECIAL THEATRICAL EVENT
Ain’t Misbehavin,’ Central State University, Dayton Contemporary Dance Company and Zoot Theatre Company
American Idiot, Victoria Theatre Association
Crazy for You, Muse Machine
Into the Woods, Wright State University Senior Class
Spank! The Fifty Shades Parody, Victoria Theatre Association

BEST LEADING ACTOR IN A PLAY
Alex Carmichal as Count Dracula, Dracula
Alexander Chilton as Jerry, Zoo Story
Edward Furs as Vincent Lombardi, Lombardi
Patrick Hayes as Katurian K. Katurian, The Pillowman
Jared Mola as Osvald Alving, Ghosts
Richard B. Watson as Jack Lawson, Race

Miracle Worker

(l to r) Kate Mueller and Cyndii Johnson in The Miracle Worker
Contributed photo

BEST LEADING ACTRESS IN A PLAY
Cassandra Engber as Anna Reardon, And Miss Reardon Drinks a Little (Dayton Theatre Guild)
Lisa Howard-Welch as Helene Alving, Ghosts
Cyndii Johnson as Anne Sullivan, The Miracle Worker
Marcy McGuian as Marie Lombardi, Lombardi
Jana Robbins as Maxine Levine, Managing Maxine
Marva M.B. Williams as Esther Mills, Intimate Apparel

BEST LEADING ACTOR IN A MUSICAL
Brad Mattingly as Pseudolus, A Funny Thing Happened on the Way to the Forum
Con O’Shea-Creal as Bert, Mary Poppins
James Oblak as Princeton and Rod, Avenue Q
Jesse Sharp as Gomez Addams, The Addams Family
Desmond Thomas as Seymour, Little Shop of Horrors
Gary Troy as Fagin, Oliver!

BEST LEADING ACTRESS IN A MUSICAL
Charity Dawson as Effie Melody White, Dreamgirls
Melissa Hall as Fanny Brice, Funny Girl
Katie Pees as Kate Monster and Lucy T. Slut, Avenue Q
Trisha Rapier as Diana Goodman, Next to Normal
Sara Sheperd as Nancy, Oliver!
Carly Snyder as Polly Baker, Crazy for You

BEST SUPPORTING ACTOR IN A PLAY
Bruce Cromer as Charles Strickland, Race
Alan Bomar Jones as Henry Brown, Race
Sean Jones as John H. Patterson, 1913: The Great Dayton Flood
Charles Larkowski as Pastor Manders, Ghosts
Jared Mola as Robert Renfield, Dracula
Matthew W. Smith as Eliot, Opus (Dayton Theatre Guild)

100Saints

(l to r) Barbara Jorgensen, Maximillian Santucci, Alex Carmichal, Katrina Kittle and Corinne Engber in 100 Saints You Should Know
Photo by Craig Roberts

BEST SUPPORTING ACTRESS IN A PLAY
Catherine Collins as Mrs. Dickson, Intimate Apparel
Jenna Gomes as Grandma, The American Dream
Barbara Jorgensen as Coleen, 100 Saints You Should Know
Caitlin Larsen as Mother, Frau Graf and Kathryn, Gingerbread Children
Julia Pace Mitchell as Susan, Race
Sherri Sutter as Dotty Otley and Mrs. Clackett, Noises Off (Brookville Community Theatre)

BEST SUPPORTING ACTOR IN A MUSICAL
Ian DeVine as Jack, Into the Woods
Drew Helton as Moritz Stiefel, Spring Awakening
Joseph Medeiros as the Artful Dodger and Widow Corney, Oliver!
JoNathan Michael as James “Thunder” Early, Dreamgirls
Christopher G. Smith as Ken Page, Ain’t Misbehavin’
Justin Talkington as Eddie Ryan, Funny Girl

BEST SUPPORTING ACTRESS IN A MUSICAL
Michelle Liu Coughlin as Christmas Eve, Avenue Q
Elana D. Elmore as Muzzy Van Hossmere, Thoroughly Modern Millie
Jennifer Fogarty as Wednesday Addams, The Addams Family
Kelli Locker as Herself, Godspell
Shawn Storms as Gary Coleman, Avenue Q
Michelle Weiser as Rose Brice, Funny Girl

BREAKTHROUGH MALE PERFORMANCE
Darren Brown as Rudolf Nureyev, Nureyev’s Eyes
Jon Hacker as Melchoir Gabor, Spring Awakening
Mathys Herbert as Otto Kringelin, Grand Hotel: The Musical
Joseph Risner as Michael, The Pillowman
Maximillian Santucci as Garrett, 100 Saints You Should Know
David Thomas as Jimmy Smith, Thoroughly Modern Millie

BREAKTHROUGH FEMALE PERFORMANCE
Taryn Lemmons as Elizaveta Grushinskaya, Grand Hotel: The Musical
Katie McCarthy as Elle Woods, Legally Blonde
Abby McLean as Millie Dillmount, Thoroughly Modern Millie
Cari Meixner as Audrey, Little Shop of Horrors
Kate Mueller as Helen Keller, The Miracle Worker
Hayley Penchoff as Katherina, The Taming of the Shrew (Sinclair Community College)

OLIVER

(l to r) Joseph Medeiros and Blaise Bouschard in Oliver!
Photo by Scott J. Kimmins.

BEST DIRECTION OF A PLAY
D. Tristan Cupp and J. Gary Thompson, The Hobbit
Tony Dallas, The American Dream/Zoo Story
Richard E. Hess, Race
Natasha Randall, The Pillowman
David Shough, Dracula

BEST DIRECTION OF A MUSICAL
Kimberly Borst, Godspell
Marya Spring Cordes, Grand Hotel:  The Musical
Joe Deer, Avenue Q
Alan Souza, Oliver!
Scott Stoney, Next to Normal

BEST CHOREOGRAPHY
Debbie Blunden-Diggs, Ain’t Misbehavin’
Lula Elzy, Crazy for You
Spencer Liff, Oliver!
Robert Longbottom and Shane Sparks, Dreamgirls
Suzanne Winland, Grand Hotel: The Musical

BEST SCENIC DESIGN OF A PLAY
Michael Amico, The Miracle Worker
Chris Harmon, Intimate Apparel
Josh Hollister, Ghosts
David Shough, Dracula
Terry Stump, The Taming of the Shrew (Sinclair Community College)

BEST SCENIC DESIGN OF A MUSICAL
Dick Block, Avenue Q
David A. Centers, Oliver!
D. Tristan Cupp, Ain’t Misbehavin’
Pam Knauert Lavarnway, Grand Hotel: The Musical
Terry Stump, Godspell

BEST COSTUME DESIGN OF A PLAY
Carol Finley and Robin Farinet, Ghosts
Kathleen Hotmer, The Taming of the Shrew (Sinclair Community College)
Mary Beth McLaughlin, The Miracle Worker
Barbara Pontecorvo, Dracula
Shirley P. Wasser, The Hobbit

BEST COSTUME DESIGN OF A MUSICAL
D. Bartlett Blair, Grand Hotel: The Musical
William Ivey Long, Dreamgirls
Carrie Robbins, Irving Berlin’s White Christmas (Victoria Theatre Association)
Molly Walz, Oliver!
Ayn K. Wood, Ain’t Misbehavin’

BEST LIGHTING DESIGN OF A PLAY
Anita Bachman and David Shough, Dracula
Andy Balmert, The Hobbit
John Falkenbach, Ghosts
Danielle Ferguson, The Miracle Worker
John Rensel, Under a Red Moon

BEST LIGHTING DESIGN OF A MUSICAL
Matthew P. Benjamin, Grand Hotel: The Musical
Robert L. Clements, Joseph and the Amazing Technicolor Dreamcoat (Cedarville University)
Erin Jones, Spring Awakening
Natasha Katz, Mary Poppins
John Rensel, Oliver!

Funny-Thing

(l to r) Jamie McQuinn, Brad Bishop, Brad Mattingly and Saul Caplan in A Funny Thing Happened on the Way to the Forum
Photo by Art Fabian

BEST SOUND DESIGN OF A PLAY
Ben Borton, Kyle Himsworth and Matthew J. Evans, The American Dream/Zoo Story
Bob Kovach and David Shough, Dracula
James Dunlap, The Miracle Worker
John Lamm, The Hobbit
Andrew Stroud, 1913: The Great Dayton Flood

BEST SOUND DESIGN OF A MUSICAL
Craig Cassidy, The Addams Family
James Dunlap, Grand Hotel: The Musical
Kyle Himsworth, bare: a pop opera (University of Dayton)
Brian Retterer, Oliver!
Brian Ronan, American Idiot

BEST VIDEO/PROJECTION DESIGN OF A PLAY
Shaunn Baker, Lombardi
Danielle Ferguson, 1913: The Great Dayton Flood
Stephanie Lefeld, The American Dream/Zoo Story

Dreamgirls

(l to r) Tonyia Myrie Rue, Jasmin Richardson and Charity Dawson in Dreamgirls
Contributed photo

BEST VIDEO/PROJECTION DESIGN OF A MUSICAL
Darrel Maloney, American Idiot
Zach Rosing and Ben Phillippe, Avenue Q
Howard Werner, Dreamgirls

BEST ORCHESTRA
Ain’t Misbehavin,’ Musical Director: Ramon Key
Crazy for You, Musical Director: Timothy Olt
Dreamgirls, Musical Director: Jon Balcourt
Funny Girl, Musical Director: Scot Woolley
Grand Hotel: The Musical, Musical Director: Scot Woolley

BEST PROPERTIES
Sarah Gomes, The Hobbit
Jennifer Kramer, Intimate Apparel
John Lavarnway, The Miracle Worker
Wendi Michael, Stefanie Pratt and Deidre Root, And Miss Reardon Drinks a Little (Dayton Theatre Guild)
Heather Powell, Oliver!

SPECIAL ACKNOWLEDGMENTS

 

  • Andrew Ian Adams and Annie Kalahurka as the Bad Idea Bears in Avenue Q
  • Amanda Barker, Gabe Bowling and Alice Moran in Spank! The Fifty Shades Parody
  • Director Joe Beumer, lighting designer David Corson, musical director Ben Spalding’s orchestra and the cast of Centerville High School’s production of Sweeney Todd
  • Jim Brown as Audrey II (Voice), Little Shop of Horrors
  • Kathy Clark and Laura Dell’s vocal interpretations in Side by Side by Sondheim
  • D. Tristan Cupp’s puppet design for A Midsummer Night’s Dream (Zoot Theatre Company), Avenue Q and The Hobbit
  • Scenic designer Gion DeFrancesco, puppet designer Patrick Hayes and Maximillian Jansen as Rapunzel’s Prince for Miami University’s production of Into the Woods
  • Bryon Dobbs and Nancy Perrin’s piano accompaniment for Side by Side by Sondheim
  • The cast of Gingerbread Children: Andrew Ian Adams, Kay Bosse, Jamie Cordes, Charity Farrell, Caitlin Larsen, Jacob McGlaun, Robin Post, Matthew W. Smith, Scott Stoney and K.L. Storer
  • Bob Crowley’s Tony Award-winning sets for Mary Poppins
  • Geoffrey Garratt’s recreation of Matthew Bourne’s choreography for Mary Poppins
  • Stacy Gear’s choreography for A Chorus Line (Beavercreek Community Theatre)
  • Helen Gregory’s music direction for Oliver!
  • Patrick Hayes’ makeup effects for 100 Saints You Should Know
  • E. Cameron Holsinger’s recreation of Jerry Zaks’ direction for The Addams Family
  • Adam John Hunter’s recreation of Kristin Hanggi’s direction for Rock of Ages
  • Michael Mayer’s direction, Steven Hoggett’s choreography, Christine Jones’ Tony Award-winning set design and Kevin Adams’ Tony Award-winning lighting design for American Idiot
  • W. Stuart McDowell’s recreation of his staging for1913: The Great Dayton Flood
  • Gregory Meeh’s special effects for “The Addams Family”
  • Jared Mola’s makeup effects for Dracula
  • Director Fran Pesch and the cast of Love, Loss, and What I Wore: Amy Askins, Barbara Jorgensen, Elena Monigold, Annie Pesch and Gayle Smith (Young at Heart Players)
  • The male ensemble of Oliver!: Nicholas Belton, Blaise Bouschard, Ian Devine, Adam Lendermon, Joseph Medeiros, Chris Shea, Jonah Sorscher, Scott Stoney and Gary Troy
  • Chris Newman’s prologue illustrations for Dracula
  • Stephen Schwartz, Debbie Gravitte and Scott Coulter in Stephen Schwartz & Friends (Wright State University CELIA Distinguished Visiting Artist Series)
  • The Rock of Ages band under the musical direction of Brandon Ethridge
  • Ben Riddlebarger’s artwork for The Pillowman
  • Stivers School for the Arts’ productions of Godspell and Teach Me How to Cry
  • J. Gary Thompson’s original music for The Hobbit
  • Earnest Tremble’s piano accompaniment for Ain’t Misbehavin’
  • Basil Twist’s puppetry for The Addams Family
  • Shirley P. Wasser’s contributions as puppet artisan for Avenue Q

Jane’s Best Bets (10/20 – 10/24)

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Photo Credit: Alli Shillito

If you haven’t yet, it’s time to begin celebrating Halloween…or at least time to begin thinking about your costume!  I had my first Halloween party this past weekend, and although I don’t like to brag, I was definitely someone you could count on (my mom, not so much, as evidenced by the picture below).  So hopefully you were counting on me and not my mom to give you an update as to what is going on in Dayton this week!  And for the record, in real life, my mom is someone you can totally count on!

On Wednesday, find out the Keys to Character at the Dayton Metro Library’s Main Branch as part of their fall writing series.  If you are worried about your health (or someone else’s), get a fitness assessment/consultation as part of Holten Wellness Center’s promotion in honor of Breast Cancer Awareness Month, as it is estimated that many cancer cases are linked to things like poor diet and physical inactivity.  (If you don’t like going to the doctor, just reward yourself afterwards with one of their wonderful massages!)  In the evening, be sure to use your La Comedia discount in your Entertainment book before it expires at the end of this month and see Dirty Rotten Scoundrels.  And if you have cold feet, you’ll be in like company at Oregon Express, as the band Frozen Feet will be playing.  While there, be sure to experience some of their amazing pizza!

On Thursday, get in the spirit of Halloween by creating a Pumpkin Flower Arrangement at the PNC 2nd Street Market.  If fashion is your thing, consider supporting Clothes That Work by attending their 10th Annual Fashioning Futures Luncheon at Sinclair’s Ponitz Center.  Are you looking for something fun and educational for your kids to do?  If so, consider taking them to the 9th Annual Mad Scientists’ Lab @ Wright Library, where they will be able to see some wacky science experiments demonstrated by Oakwood High School Students.  In the evening, all young professionals in Miami County will want to join HYPE (Helping Young Professionals Emerge) for their Third Thursday at The Caroline.  And finally, be sure to head to downtown Miamisburg, costume in tow, for Boo in the Burg!, a super fun, great people watching, adult pub crawl.  Just to warn you, there might not be “two” many people you can count on there.

On Friday, come out to Generation Dayton’s ‘4th Friday Lunch’ at Amber Rose.  In the evening, take the kids and head to Hallow’s Eve at Patterson Homestead.  If you would love to see an outstanding musical performance, experience the sounds of Guitarist Robert Belinic when he performs at the Dayton Art Institute as part of the Vanguard Concert Series. If theater is your thing, you have several options, including The True Story of the 3 Little Pigs at Town Hall Theatre, Dirty Rotten Scoundrels at La Comedia, Moon Over Buffalo at Playhouse South, Once On This Island at Sinclair’s Blair Hall Theater, The 39 Steps at the Loft Theatre, and The Sugar Witch at the Dayton Theatre Guild.  Couldn’t they have all agreed to spell “theater” the same way?!?!  I’m just sayin’.

My Mom (someone you "can't count on") and I

On Saturday, start your day off right with Centerville Rotary Pancake Day at the Hithergreen Center.  Afterwards, all you shoppers will want to go to the ATM so you will be able to “check out” at the Shop ’til You Drop event at Hara Arena.  If you’re interested in doing some Halloween-esque activities with the kiddos, depending on their ages, there are many events from which to choose.  Cowvin’s Corny Maze, Pick Your Own Pumpkins, and Haunted Wagon Rides are all things you will be able to do at Young’s Jersey Dairy.  Also happening on Saturday are Hallow’s Eve at the Historic Patterson Homestead, Howl-O-Ween at the Boonshoft Museum of Discovery, the Windmill Farms Fall Festival at Windmill Farms, and Salem’s Lot Haunted Carnival at the Old Salem Mall.  In the evening, drive your Porsche on over to the Taj Ma Garaj for opening night of Miracles & Magic 2010, a premiere variety show, where all proceeds will benefit A Kid Again, an area non-profit whose mission is to enrich the lives of children with life-threatening illnesses and their families.  And finally on Saturday, if you’re like me and love to laugh, you’ll definitely want to see Second City’s performance Fair & Unbalanced at the Victoria Theatre.  Any extra tickets can be sent my way!

Now to Sunday…in the morning/afternoon, enjoy a delicious Sunday Brunch at Yankee Trace Golf Club.  If you are fascinated by all the gorgeous older homes in Oakwood, head to the Wright Memorial Public Library for a talk entitled, The Classic Architecture of Oakwood Homes.  If you enjoy classical music, you’ll want see the Miami Valley Symphony Orchestra Fall Concert at Kettering Fairmont High School’s Auditorium.  At Fairmont’s rival, Centerville High School, you will be able to have another opportunity to see A Kid Again’s Miracles & Magic 2010.  And to end the weekend on a really sweet note, there is no other place to be except for the Bellbrook Chocolate Shoppe for their All You Can Eat Chocolate Party!  Plus, the money raised will help fund mammograms for those in need through the Kettering Health Network Foundation’s Women’s Wellness Program!

And now it’s time for the Dumb Joke of the Week. Drum roll please…

Why did the ghost go into the bar?

For the booze.

These are just a few best bets from the DMM Calendar.  There are plenty more events listed there, so if you haven’t, I encourage you to check it out today!  Also, if you have an event to share or promote, please submit it– it’s great marketing and better yet, it’s FREE!   And finally, if you have a dumb joke to share, I’m all ears!

Have a great week Dayton!