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McCoy on Movies: Charlie’s Angels

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Empowerment runs amuck over entertainment in maligned reboot of Charlie’s Angels

“Hey, what’s over there – is it the music video shoot we’re supposed to be in for the soundtrack?!” Townsend Agency agents Elena (Naomi Scott) and Sabina (Kristen Stewart) peer over into enemy territory with their newfound on-the-run client Jane (Ella Balinska) in a scene from writer/director/co-star Elizabeth Banks’ take on CHARLIE’S ANGELS. Credit: Nadja Klier © 2019 CTMG, Inc. All rights reserved.

WATCH THE TRAILER(S) HERE:



 

KEY CAST MEMBERS: Kristen Stewart, Naomi Scott, Ella Balinska, Elizabeth Banks, Nat Faxon, Jonathan Tucker, Luis Gerardo Mendez, Sam Clafin, Djimon Hounsou and Sir Patrick StewartDIRECTOR(S): Elizabeth Banks

THE BACK STORY: The product of a screenplay from and directed by Elizabeth Banks (who also co-stars), the 2019 version of Charlie’s Angels stars Ella Balinska as Jane Karo, a developer at an energy company owned by Alexander Brok (Sam Clafin). Her invention could help revolutionize energy as we know it, which is why her boss Peter Fleming (Nat Faxon) can’t wait to show it off despite the fatal flaw that could allow the project – codename Kalisto – to become weaponized. You see, Kalisto could be hacked to release a devastating electromagnetic pulse (EMP for short) in the wrong hands, which is why Jane wants to stop the project from going forward. Peter, however, has his own ideas and wants to get the product to market as soon as possible.


Jane, however, is about to have a bigger problem on her hands when in attempting to meet with a man named Bosley (Djimon Honsou), an assassin (Jonathan Tucker) tries to kill her. This leads to Jane meeting up with the rebellious Sabina (Kristen Stewart) and no-nonsense Elena (Naomi Scott), two female secret agents who work for the Townsend Agency – the same agency that employs Bosley … the soon-to-be-retiring Bosley (Patrick Stewart) … And the woman Jane will also come to know as Bosley (Banks). 

Confused? Well, you should be – it’s about to get a lot more complicated from here. And that’s why Jane’s guardian angels are about to try to save not only her life, but the world, too.

THE REVIEW: In the era of “woke” and “cancel” culture in the wake of the #MeToo movement, one might be inclined to see Charlie’s Angels as an example of empowerment in the action comedy genre. It could be taken as an attempt to show women being just as strong, sophisticated and stylish as their male counterparts with modern women in control of their careers, their bodies and life in general. There’s just one little problem with that, however, as it pertains to the film.In the quest for empowerment, Charlie’s Angels lacks a lot in the entertaining department and nearly ends up becoming at best a caricature of what it wishes to destroy in terms of the cinematic patriarchy and at its worst, an unmemorable movie.

Now, before one accuse yours truly of a blatant case of mainsplaining, let me simply point to the film’s opening scene as an example of empowerment run amuck: Stewart’s character is literally explaining to the audience why women are underestimated, unappreciated and generally taken for granted as underachievers. This is balanced out, of course, by a male antagonist so taken with her beauty, he must then via his substandard, terribly over-the-top dialogue explain why everything she is saying is basically wrong – only of course to get his comeuppance because Stewart’s seductive agent has been setting him up. Of course the audience knows it, but the film makes sure to spell it out for them because it wants to drive home the point of the entire 80 minute-plus experience: Women can do whatever and they’re gonna do it loud, brash and however they want.

Unfortunately, as the heavy handed scene also shows, in the case of Charlie’s Angels, they’re gonna hit you over the head with it at every possible turn.

Charlie’s Angels wants to be the ultimate badass female movie: It attempts to feature Stewart as a wise-cracking rebel who’s quick with her one-liners, the Rihanna-esque Scott as a … Rihanna-esque no nonsense agent (who is by far the most believable character) and Balinska as an awkward, fish out of water just trying to do the right thing. Problem is, Stewart feels like she’s doing her best imitation a female action movie hero and it’s never believable, Balinska’s fish out of water is so out of water it’s almost like a live-action cartoon a la The Simpsons and Scott feels like she’s overcompensating for the other two. None of the three characters are really developed beyond a simple explanation (“She grew up rough!” “She’s smart” “She’s smart and nerdy and awkward!”). The timing of the sexualization of their characters comes off a bit misplaced (“Let’s infiltrate this mansion … With a fully choreographed dance routine as part of our cover!”), the fight scenes are comical when meant to be serious and just silly when they meant to be comical and the heavy-handed storytelling makes sure to guide the audience instead of letting things play out more naturally.

Complicating matters further is the fact the jokes are (1) usually forced (2) usually stale and (3) just not working. The male characters are either complete bumbling morons to the point you can’t take any of them (save for Jonathan Tucker’s heavily tattooed assassin) seriously or so sleazy they might make Harvey Weinstein wince. Charlie’s Angels may go down as Stewart’s worst performance in eons. While his Bullock character on Seth McFarlane’s now exiled to TBS cartoon American Dad! is supposed to be a buffoon, the fact this character is supposed to be taken seriously is cartoonish in and of itself.

It doesn’t make for a great viewing experience outside of its target audience: Young women who want to see young women be heroes, no matter how ridiculous the story and how over-the-top pretty much everything else in the mix may be. In trying to be empowering, it almost comes off as egregious and does the very opposite of what it wishes to do for all audiences. Just like this year’s earlier action detective reboot Shaft (which had slightly better jokes … slightly), Charlie’s Angels just isn’t memorable as much as it is missable.

As a sign of very heavy foreshadowing, the music video for the lead single from the film’s soundtrack – the inane “Don’t Call Me Angel” by polarizing pop stars Lana Del Ray, Ariana Grande and Miley Cyrus – is pretty much an entire encapsulation of the project: A group of artists begging people to take them seriously by exhibiting a ton of “I don’t need your approval” attitude … While falling into every negative trope of using overly and overtly sexual grinding, lip-biting possible in a desperate attempt for approval. Don’t believe me? Check out this lyrical wizardry for yourself:”Uh, don’t call me angel when I’m a mess,
Don’t call me angel when I get undressed,
You know I, I don’t like that, boy,
Uh, I make my money, and I write the checks,
So say my name with a little respect,
All my girls successful, and you’re just our guest”

Thus, much like the aforementioned song, Charlie’s Angels whole point seems to exist for the sake of simply extending a middle finger to the cinematic patriarchy … Which would be fine if it has deeper characters (it doesn’t), an interesting, rich story (absent), or just anything that felt original, fresh and inspiring (no dice). Instead, it comes off as maligned as when Poochie was introduced on The Simpsons‘ beloved cartoon-within-a-cartoon “Itchy & Scratchy” and with similar results.
So, don’t call them angels if you like … But much like the aftermath of a bad date, there’s a good chance you shouldn’t just call, period.
OVERALL RATING (OUT OF FOUR POSSIBLE BUCKETS OF POPCORN): 

 

Kristen Stewart’s Thriller & Oscar Nom Coming to THE NEON This Weekend

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Hello Everyone!

Once again, we’re moving right along at THE NEON this weekend. If you still need to see Shirley MacLaine in THE LAST WORD or Woody Harrelson in WILSON, Thursday will be your last chance to catch these films at THE NEON. The gorgeous & masterful film FRANTZ (by one of my favorite directors) will stick around for one more week, and we’ll add two new films to the mix. PERSONAL SHOPPER, the new film by Olivier Assayas starring Kristen Stewart, will open Friday for one week. We’ll also open a film that was nominated for “Best Foreign Film” at this year’s Academy Awards – LAND OF MINE – for just three days beginning this Friday. For more details about our current films, please visit www.neonmovies.com

Synopsis for PERSONAL SHOPPER: “Olivier Assayas, the internationally-acclaimed director of CLOUDS OF SILS MARIA and SUMMER HOURS, returns with this ethereal and mysterious ghost story starring Kristen Stewart as a high-fashion personal shopper to the stars who is also a spiritual medium. Grieving the recent death of her twin brother, she haunts his Paris home, determined to make contact with him.” (IFC Films) Richard Roeper of CHICAGO-SUN TIMES wrote, “I can’t explain everything I saw in this film, but I was entertained and enthralled by every second of it.” This film is only scheduled to play for one week!

Synopsis for LAND OF MINE: Nominated for “Best Foreign Film” at this year’s Academy Awards, this powerful film is only scheduled to play for three days this weekend. “As World War Two comes to an end, a group of German POWs, boys rather than men, are captured by the Danish army and forced to engage in a deadly task – to defuse and clear land mines from the Danish coastline. With little or no training, the boys soon discover that the war is far from over. Inspired by real events, LAND OF MINE exposes the untold story of one tragic moment in post-war history.” (Sony Classics) Click HERE to visit the film’s official site.

Vu-Do Swing is now set to bring ALIVE AND KICKING to town on April 26 at 7:30. “ALIVE AND KICKING is a feature-length documentary that takes an inside look into the culture of swing dancing and the characters who make it special. We explore the culture surrounding Swing dance from the emergence of the Lindy Hop to the modern day international phenomenon. The film follows the growth of Swing dance from its purely American roots as an art form, to countries all over the world. Alive and Kicking looks at the lives of the Swing dancers themselves to find their personal stories and why this dance fills them with joy.” Click this LINK to watch a trailer and reserve your ticket.

The 2017 DAYTON JEWISH FILM FESTIVAL has announced their line-up, and it’s terrific. To read all about the numerous films, to watch trailers, to see the schedule of screenings and to purchase advance tickets, please visit the festival’s official website by clicking this LINK. The following list only reflects films that will be screening at THE NEON:
Apr 27 at 7:15pm – ON THE MAP
May 1 at 7:15pm – IN SEARCH OF ISRAELI CUISINE
May 4 at 7:15pm – THE KIND WORDS
May 9 at 7:15pm – KEEP QUIET
May 11 at 7:15pm – SABENA HIJACKING
May 15 at 7:15pm – PERSONA NON GRATA
May 16 at 10am – THE PEOPLE VS. FRITZ BAUER
May 18 at 7:15pm – WOMEN’S BALCONY

On Friday, April 21, we plan to clear the decks and bring two new films to town…and we’ve decided to start them both a little early. COLOSSAL (starring Anne Hathaway) and LOST CITY OF Z (based on the beloved non-fiction book and starring Tom Holland & Robert Pattinson) will both have preview screenings on Thursday, April 20.

Thanks so much for your continued support.
See you soon,
Jonathan

SHOWTIMES for Tuesday, April 11 – Thursday, April 20:

THE LAST WORD (R) 1 Hr 48 Min
Wednesday-Thursday (Apr 12-13): 5:10
FINAL DAY – Apr 13!

WILSON (R) 1 Hr 34 Min
Wednesday-Thursday (Apr 12-13): 3:10, 7:30
FINAL DAY – Apr 13!

FRANTZ (PG-13) 1 Hr 53 Min
Wednesday-Thursday (Apr 12-13): 2:45, 5:15, 7:40
Friday & Saturday (Apr 14 & 15): 3:00, 7:30, 9:45
Sunday (Apr 16): 3:00, 7:30
Monday – Wednesday (Apr 17-19): 2:50, 5:10, 7:30
Thursday (Apr 20): 2:50, 5:10

PERSONAL SHOPPER (R) 1 Hr 45 Min
Friday & Saturday (Apr 14 & 15): 12:15, 2:30, 4:50, 7:15, 9:30
Sunday (Apr 16): 12:15, 2:30, 4:50, 7:15
Monday – Wednesday (Apr 17-19): 3:00, 5:20, 7:40
Thursday (Apr 20): 3:00, 5:20

LAND OF MINE (R) 1 Hr 40 Min
Friday, Saturday, Sunday (Apr 14-16): 12:45, 5:20

THE LOST CITY OF Z (PG-13) 2 Hrs 21 Min
Preview Screening – Thursday (Apr 20): 7:30

COLOSSAL (R) 1 Hr 50 Min
Preview Screening – Thursday (Apr 20): 7:40

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear)
April 21 – COLOSSAL
April 21 – LOST CITY OF Z
May 5 – THEIR FINEST
May 26 – THE LOVERS
TBD – CEZANNE ET MOI
TBD – MAUDIE
TBD – NORMAN

TIFF 2016 – Day #1

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Hello Everyone.

With the pass that I have, I can screen as many “press/industry screenings” that I’d like during the festival.  That said, those screenings are just screenings.  It’s awesome to have the opportunity to see so many films with an audience, but part of the reason I come to a festival (people come for a variety of reasons) is to hear filmmakers talk about their craft.  Thus I have the opportunity to obtain two “public screening” tickets per day.  Public screenings are the fun, glamorous screenings where they roll out the red carpet and hold Q&A’s with directors, producers, screenwriters and actors. These tickets are only available two days in advance of each screening, so I find myself in line every day during the festival…usually before 7am.

This morning, I was out to obtain tickets for Barry Jenkins’ MOONLIGHT and a curated interview with Isabelle Huppert.  Both take place on Saturday…and I got both!

Then I was off to my first screening at 9:00am – Kenneth Lonergan’s MANCHESTER BY THE SEA.  This film had a lot of tonal qualities of Lonergan’s first feature – YOU CAN COUNT ON ME.  With a wonderful central performance by Casey Affleck (and a spectacularly touching small role by Michelle Williams), the story is about a man who seems to lead a rather thankless life of mundane routines (he’s a janitorial handy man for an apartment complex).  When he gets a call that his brother has passed away, he is forced to confront lingering pain from his past – told through a series of flashbacks.  Though I thought the film was a bit overscored, the drama really works and the story unfolds in a lovely way.  There were a couple moments of schtick that I thought seemed a bit out of place – but so is life.  I think this film will go far.

Olivier Assayas’ PERSONAL SHOPPER was next on my list.  This non-traditional ghost story had me teetering back and forth throughout…I was invested, I was raising my eyebrows, I was intrigued, I was disappointed…and then I ultimately was sold by the final 10 minutes.  Kristen Stewart gives a great performance as a woman who shops for high-end designer clothing and jewelry for a wealthy client who is always on the go.  She’s also a medium.  While trying to connect to the spirit world for a client, she’s also hoping to catch a sign from her recently deceased brother.  Assayas’ previous work included THE CLOUDS OF SILS MARIA (with Juliette Binoche as well as Stewart) and of my favorites from TIFF in 2008 – SUMMER HOURS.  This film won’t go down as one of my favorites, and I know many people will be quite disappointed, but I was a fan by the end.

The third film of the day for me was Terence Davies’ A QUIET PASSION – a film about Emily Dickinson starring Cynthia Nixon.  The film opens in a sort of parochial school.  A teacher asks students who have given themselves to Christ to go to one side and for students who are still working toward giving themselves to Christ to the other.  Left in the middle is one student – a young Emily Dickinson (at this point played by Emma Bell).  The dialog is sharp and thoughtful (one of the best strengths throughout the film), and the teacher eventually tell Dickinson, “You stand alone in your rebellion.” This telling line haunts the remainder of the film.  Though I found some filmmaking devices to be odd choices (one superimposed was particularly weird), it’s ultimately a thoughtful and visually stunning film with wonderful performances and some very funny moments due to razor sharp dialog.

The official “Opening Night Film” was a big Hollywood remake – THE MAGNIFICENT SEVEN, directed by Antoine Fuqua (SOUTHPAW, BROOKLYN’S FINEST) and starring Denzel Washington, Chris Pratt, Ethan Hawke and many more.  Here’s the point that some of you might find disappointing…I left 20 minutes into the film.  (I almost never write about films that I don’t finish.)  I went to the Opening night with my friend Glenn Kiser – a great filmmaker who attended The Dayton LGBT Film Festival with his short film SABBATICAL.  We had “great” seats – very close to the stage…only paces from all of the stars and director.  The movie started an hour late and the speakers were above us – thus pushing the sound far behind us and bouncing off the back walls.  Having difficulty understanding any of the dialog, we decided to leave.  Not being a film I would seek out under any other circumstances, I wasn’t disappointed…it gave me a great opportunity to catch up with Glenn and finally grab dinner.

 

At the end of the day, I’ll simply say I’ve seen 3 films (and a dozen stars) so far.

Thanks for reading!

More soon,

Jonathan

GREY GARDENS and New Juliette Binoche Film at THE NEON!

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MV5BMjAwMTg3MDE0NF5BMl5BanBnXkFtZTgwNjQ1ODQyNTE@._V1_SX214_AL_Hello Everyone,

Over the past 14 years that I’ve been at THE NEON, THE D TRAIN ranks as one of the biggest box office disappointments we’ve ever had. We had to lose it quickly. Today, we opened a new film with Juliette Binoche and Kristen Stewart – CLOUDS OF SILS MARIA. (Stewart became the first American to ever win a Cesar award for her role in this film. The Cesar Awards are France’s equivalent to our Academy Awards.) In addition, we will open the 40th Anniversary Restoration of GREY GARDENS – the documentary that became the basis for numerous books, an HBO narrative film and even a Broadway musical. We will continue our run of WHILE WE’RE YOUNG for one more week. Next week, we’ll open the gorgeous new film FAR FROM THE MADDING CROWD!

Synopsis for CLOUDS OF SILS MARIA: “Maria Enders (Juliette Binoche) is an actress at the peak of her international career who is asked to perform in a revival of the play that made her famous twenty years earlier. Back then she played the role of Sigrid, an alluring young woman who disarms and eventually drives her boss Helena to suicide. Now she is being asked to step into the other role, that of the older Helena. She departs with her assistant (Kristen Stewart) to rehearse in Sils Maria, a remote region of the Alps. A young Hollywood starlet with a penchant for scandal (Chloe Grace Moretz) is to take on the role of Sigrid, and Maria finds herself on the other side of the mirror, face to face with an ambiguously charming woman who is, in essence, an unsettling reflection of herself. (Sundance Selects) Click this LINK to visit the film’s official site.

Synopsis for GREY GARDENS: The original documentary from 1975 has received a 40th Anniversary Restoration! This is one of my favorite movies. In fact, when the musical adaptation premiered (before its move to Broadway), I scurried to NYC to see it. “Meet Big and Little Edie Beale: mother and daughter, high-society dropouts, and reclusive cousins of Jackie Onassis. The two manage to thrive together amid the decay and disorder of their East Hampton, New York, mansion, making for an eerily ramshackle echo of the American Camelot. An impossibly intimate portrait, this 1976 documentary by Albert and David Maysles, codirected by Ellen Hovde and Muffie Meyer, quickly became a cult classic and established Little Edie as a fashion icon and philosopher queen.” (taken from Janus Films) Click this LINK to visit the film’s official site.

https://www.youtube.com/watch?v=ijPIfZt72vc

“Stivers School for the Arts-Film & Animation Studio Presents THE SHOWCASE. This compilation of short films includes live action & animation and ranges from comedy to documentary. Some of these films have already won regional and state awards. Following the show, there will be a Q & A with the student filmmakers. All proceeds go towards updating equipment in the Stivers Film and Animation studio. The Showcase runs one night only – Wednesday, May 20th at 7:30pm. Tickets are$5.00 in advance and $7.00 on the day of the event.. Tickets are now available at THE NEON’s box office and Stivers School for the Arts. Please join us for an evening of entertainment as we celebrate this next generation of filmmakers.” (taken from press release)

On Tuesday, May 26 at 7:30, T.J.’s Place of Hope will host a screening of I AM A GIRL. This film is “an inspirational feature length documentary that paints a clear picture of the reality of what it means to be a girl in the 21st century. Feminism may have promised equality and sought a better and fairer world for women but the reality is that girls make up almost a quarter of the world’s population yet still face the greatest discrimination of any group in the world. Technology and science offer unimaginable potential but we still struggle to ensure men and women are afforded equal opportunities. Yet in spite of these obstacles, girls have found extraordinary ways to persevere and in our documentary we hear their stories of strength, hope, courage and a refusal to be second best.” (taken from Gathr press notes) Advanced tickets are $10 each and must be purchased on Gathr’s website. If tickets remain on the day of the event, they will be available at our box office one hour before the screening.  Click this LINK to visit the site and purchase your ticket.

Carol Quinones is trying to bring a special, one-time screening of TRACE AMOUNTS to town on Wednesday, June 10 at 7:30. That said, 50 tickets need to be reserved by May 30 in order to proceed. Click this LINK to reserve your ticket – they’re $12.50 each. “After recovering from a sickness that would bring him to the edge of despair, Eric Gladen began researching the science behind what had made him so sick. His research led him straight into one of the biggest medical debates of all time, the question of whether or not childhood vaccines are causing Autism. He would end up quitting his career, moving into an RV, and traveling the country interviewing experts and piecing together thousands of studies and leaked documents. But Eric wasn’t focused on the vaccines themselves, he was focused on something that belongs nowhere near vaccines- mercury.”

Mark your calendars now for a special screening of a new, crowd-pleasing documentary – TAB HUNTER CONFIDENTIAL. It will screen Thursday, June 18 at 7:30 (tickets $8 each). I’ll include more details in next week’s newsletter.

Thanks for your continued support.
We hope to see you this weekend!

All the best,
Jonathan

SHOWTIMES for Friday, May 15 – Thursday, May 21:

GREY GARDENS (PG) 1 Hr 37 Min
Friday, Saturday, Sunday: 3:00
Monday: 3:00, 7:40
Tuesday & Wednesday: 3:00
Thursday: 3:00, 7:40

WHILE WE’RE YOUNG (R) 1 Hr 37 Min
Friday, Saturday: 12:40, 5:10, 7:20, 9:30
Sunday: 12:40, 5:10, 7:20
Monday – Thursday: 5:10

CLOUDS OF SILS MARIA (R) 2 Hrs 4 Min
Friday & Saturday: 1:00, 4:00, 7:00, 9:40
Sunday: 1:00, 4:00, 7:00
Monday – Thursday: 2:45, 5:15, 7:50

STIVERS: THE SHOWCASE (NR)
Wednesday: 7:30

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
May 22 – FAR FROM THE MADDING CROWD
TBD – IRIS, SUNSHINE SUPERMAN,
SALT OF THE EARTH, LAMBERT & STAMP, SAINT LAURENT, ALOFT
Early July – ME AND EARL AND THE DYING GIRL