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TIFF 2018 – Day #9

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Hello!

Things are certainly winding down here at TIFF.  I screened 3 movies today (which means I have now seen 38 films at the festival) and then I did a little shopping and eventually met some friends out for drinks.

My first film of the day was JEREMIAH TERMINATOR LEROY, directed by Justin Kelly.  First off, I think this is Kelly’s best work to date.  Many critics and industry folks I’ve talked to mention the fact that several projects have been done on this very same subject…and thus they aren’t necessarily interested in seeing the story again.  That said, I haven’t seen any of them, so I was interested.  “In this captivating true story, a young woman (Kristen Stewart) spends years playing the public role of Jeremiah “Terminator” LeRoy, an enigmatic and celebrated literary persona created by her sister-in-law (Laura Dern).”  This story is too bizarre to be true – but it is (and with MILLION LITTLE PIECES screening at this year’s festival, I guess it’s an interesting recurring theme – books that are later discovered to be untrue).  Laura Dern is maniacal and fun to watch, and I ultimately think this is a solid film that could easily find an audience.

THE DEATH AND LIFE OF JOHN F DONOVAN, directed by Xavier Dolan, was next on my list.  Critics have been savage regarding this next film from Dolan (the young director who has won awards at Cannes, made several films and still is in his 20s). This film is Dolan’s first English-language effort, and it has quite a cast.  Here’s the mini TIFF synopsis: “Xavier Dolan’s highly anticipated drama about a young man’s calculated reassessment of his infamous, and ultimately disastrous, childhood correspondence with an American television star features an all-star cast, including Kit Harington, Natalie Portman, Susan Sarandon, Kathy Bates, Thandie Newton, Jacob Tremblay, and Ben Schnetzer.”  This film was hung up in editing for a couple years, and I think I can see why.  It has all the signature Dolan traits – and I have to admit I was entertained – I liked the story.  That said, it seems like some of the actors are in different movies.  Sarandon’s performance is so big and crazy that it doesn’t seem at all like the rest of the film…though Natalie Portman is a bit over-the-top, too.  Kathy Bates is superb, and Michael Gambon’s short scene is lovely.  The movie is currently too long, but I think it will eventually find distribution (at least via a streaming service).

COLD WAR, directed by Pawel Pawlikowski, is the follow-up to Pawlikowski’s Oscar-winning film IDA (one of my favorites the year it played TIFF).  “Pawel Pawlikowski’s formidable romantic drama features two musical performers in postwar Eastern Europe whose discontinuous love story is hindered by obstacles of time, space, and politics.”  This film is full of absolutely gorgeous black and white cinematography (like IDA, the camera placement is brilliant), and the music (as well as overall sound design) is incredible.  This was a great film to wind up my last full day of the festival.

I have one more film tomorrow morning before I pack my bags and head to the airport.

Thanks for reading,

Jonathan

UPDATE – MOMMY and IT FOLLOWS Are Opening at THE NEON!

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mommy_ver2Hello Everyone,

Earlier today, I made an announcement about WOMAN IN GOLD opening at THE NEON on April 1…that plan has changed.  The Weinstein Company has made big changes to their release strategy for WOMAN IN GOLD.  After confirming April 1 as its opening date for us, they have yanked it away (from us and numerous other cinemas across the country).  At this time, we don’t know if we will be able to play the film when it finally becomes available in our market.  That said, I have made the appropriate changes to this week’s newsletter below.  Thanks for your understanding – this is very frustrating news (not to mention a terrible waste of time, energy and our valuable on-screen marketing).

We are officially overbooked at THE NEON, and we need to get moving with some titles.  Though LEVIATHAN is one of the best reviewed films we’ve played in a long time (and audiences were in awe this weekend), it didn’t perform well for us…so Thursday will be your last chance to catch it at THE NEON.  On Friday, we will open 2 new films.  Xavier Dolan’s MOMMY will screen once a day starting Friday, and IT FOLLOWS will get a full run (we haven’t played a horror film in a long, long time – this one is getting great reviews).  All that said, we’ll keep bothSECOND BEST EXOTIC MARIGOLD HOTEL and WHAT WE DO IN THE SHADOWS for another week.  For this week’s remaining showtimes (they’re different than the upcoming week – which are listed below), please visit our website at www.neonmovies.com

Synopsis for MOMMY: From Wunderkind Xavier Dolan comes this year’s Oscar submission from Canada – MOMMY. Dolan has won numerous awards at Cannes and around the world for his 5 feature-length films, and he just turned 26. “A feisty widowed single mom finds herself burdened with the full-time custody of her rambunctious 15-year-old ADHD son. As they try to make ends meet, Kyla, the peculiar girl across the street, offers her help. Together, they find a new sense of balance, and hope is regained.” (taken from Roadside Attractions) This is a strictly limited engagement with just a handful of screenings, and we’re one of a few cinemas in Ohio to play it. Don’t miss it! Click this LINK to visit the film’s official site.

Synopsis for IT FOLLOWS: It’s been a long time since THE NEON has screened a horror film, and fans on Facebook seem enthusiastic for the engagement of this critically acclaimed film…let’s see if that excitement really translates to solid box office numbers. “For 19-year-old Jay (Maika Monroe), fall should be about school, boys and weekends out at the lake. But after a seemingly innocent sexual encounter, she finds herself plagued by strange visions and the inescapable sense that someone, or something, is following her. Faced with this burden, Jay and her teenage friends must find a way to escape the horrors that seem to be only a few steps behind.” (taken from RADiUS/Weinstein Co.) Click this LINK to visit the film’s official site.

Don’t forget that tomorrow, Wednesday, March 25, The Alumni Chair in Humanities at UD will present special screenings of Stanley Kubrick’s classic film PATHS OF GLORY – starring Kirk Douglas. Dr. Tony Smith will introduce the award-winning film, and the screenings are free for UD faculty, staff and students. Tickets for the general public are available for a suggested donation of $5. Seating will be on a first come, first serve basis. The movie will screen at 7:30 and 9:30. The presentation of this film is part of the World War I cohort project at UD.

LUNAFEST is Back! On Sunday, April 12 at 3:00, The Dayton Women’s Rights Alliance will present the popular touring festival of short films by, for about women! “Established in 2000 by LUNA, the makers of the Whole Nutrition Bar for Women, LUNAFEST connects women, their stories and their causes through film. This traveling film festival spotlights the work of a diverse array of talented women filmmakers with intelligent, funny and thought-provoking themes. Equally important, LUNAFEST can be used as a ‘fundraiser-in-a-box.’ helping hosts raise money for nonprofits in their own communities, as well as the Breast Cancer Fund. 100 percent of all net proceeds are donated to charity. LUNAFEST’s main beneficiary, the Breast Cancer Fund…Tickets are $5 for students with valid IDs and $10 for general admission. Lunafest is sponsored by The Dayton Women’s Rights Alliance – a feminist organization whose members work to promote and protect the rights of women of all classes, races and cultures. We seek to foster education and activism, and we work with community organizations challenging sexism, racism, homophobia, ageism, classism, poverty and other manifestations of injustice.” (taken from DWRA press notes) Click this LINK to read more about the films.

The Dayton Jewish International Film Festival is preparing another incredible slate of films for you. Screenings will kick off later in April, and the official website will be available soon, but if you want to take a peek at some of the titles, visit The Jewish Community Center’s Event Page by clicking this LINK.

Every year when I come back from The Toronto International Film Festival, people ask me how hard it is to get tickets and participate. While anyone can go to TIFF (you don’t have to be an industry insider), so many people don’t realize that there’s a huge, incredible, well-respected film festival just a few hours away. The Cleveland International Film Festival has grown and grown over the years, and I’ll be attending the final 5 days of the festival – staring tomorrow. Check out the official website to see just how impressive it really is.

I hope you’ll help keep THE NEON nice and busy in my absence, and I hope to see you soon when I get back.

Thanks for your continued support.
Jonathan

SHOWTIMES for Friday, Mar. 27 – Thursday, April 2:

THE SECOND BEST EXOTIC MARIGOLD HOTEL (PG) 2 Hr 2 Min
Friday, Saturday, Sunday: 2:10, 7:30
Monday – Thursday: 2:40

WHAT WE DO IN THE SHADOWS (NR) 1 Hr 26 Min
Friday, Saturday: 12:15, 9:50
Sunday: 12:15
Monday – Thursday: 8:00

MOMMY (R) 2 Hr 19 Min
Friday, Saturday, Sunday: 4:40
Monday – Thursday: 5:10

IT FOLLOWS (R) 1 Hr 40 Min
Friday & Saturday: 12:50, 3:00, 5:15, 7:30, 9:45
Sunday: 12:50, 3:00, 5:15, 7:30
Monday – Thursday: 3:10, 5:30, 7:50

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)

April 3 – WILD TALES

April 10? – WHILE WE’RE YOUNG
April 17 – TRUE STORY
April ? – RED ARMY
TBD – GREY GARDENS
TBD – WILD TALES
TBD – ’71
TBD – FAR FROM THE MADDING CROWD

TIFF 2014 – Day #7

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out-of-nature-posterWednesday, September 10.2014

Hi Again!

I only saw three films today, but I also attended a pretty great, intimate party.

First off, I saw OUT OF NATURE – a Norwegian film about a man who decides to spend the weekend hiking in the mountains…away from his job, his wife, his son.  In film school, you’re taught to – “Show.  Don’t Tell.”  This simply means that an audience should be able to figure out what someone is thinking by their strong performance…not by what a narrator or bad dialog is telling us.  This film is a rule-breaker – but it’s also the point.  As the protagonist is getting ready for his trip and as he’s hiking up the mountain, we get his interior dialog and realize exactly what he’s thinking, what he’s feeling.  In earlier scenes, we understand that he has issues connecting with people, and through the voice-overs, we understand that his thoughts are mostly of sex and breaking free from the routine of his current life.  Ultimately, I liked this film…but it’s a tough sell.  Including everything from a naked jogging scene to masturbation and urination, we truly live with this character over the course of the weekend.  It’s an inner journey we take with this character, and though you may not be on the same page with his thoughts, you can certainly empathize with the idea of an interior monologue.

Because this trailer contains graphic content, you’ll have to follow the link to find it on youtube.

MAPS TO THE STARS was next up.  It’s the new, darkly satirical film about “Hollywood-types” from David Cronenberg (that said, it could be about any “types” where greed and narcissism play a role in success).  Julianne Moore won “Best Actress” this year at Cannes for this film (but I think her performance in STILL ALICE is even stronger).  If you’re familiar with Cronenberg’s work, you know you’re in for a non-traditional ride in MAPS TO THE STARS.  It’s unsettling, it has awkward moments when laughter seems imminent but also wildly inappropriate, and the stellar cast is committed to the long, crazy ride.  Not a favorite…but not bad.

ELEPHANT SONG was the big treat today.  I went to see this film because I wanted to see Xavier Dolan in a film that he didn’t direct…and one in which he’s speaking English.  Though this film certainly shows its roots of being based on a play, I didn’t mind.  The performances (Dolan, Catherine Keener, Bruce Greenwood), the set design, the screenplay – they are all terrific.This is the story of a young man in a mental institution who may know the whereabouts of a doctor who has recently disappeared.  Taking place mostly in the doctor’s office, the film has a claustrophobic feel…and Dolan at times channels a young Jack Nicholson.  I went on a lark to this screening, and I’m so glad I did.  I hope this film find distribution!

https://www.youtube.com/watch?v=IMjQ9i6J5B0

At the end of the evening, I was invited by a friend to attend a party being thrown for Ethan Hawke’s new documentary called SEYMOUR: AN INTRODUCTION.  It was a small party at the Trump Hotel, and it was lovely.  I ran into a couple folks from indiewire as well as got to hang out with a festival programmer I met several years ago.  Hawke was in attendance, but I never felt like interrupting him.  On my way out, someone whispered, “Did you see who just walked by you?”  “I didn’t,” I responded.  “That’s Mike Tyson.”

More tomorrow – including one of the most talked about/buzzed about films of the festival season – THE IMITATION GAME.

Thanks for reading,

Jonathan

Toronto – Day #6 – 2013

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Today is my last day of needing to wait in line for early-morning tickets…thus my last day of waking up at 6:00am.  How refreshing!

In addition to seeing 3 films yesterday, I got to hang out with a dear friend, Bill Taylor, who I met in line at a screening of TALK TO HER (one of my favorite Almodovar films) back in 2002 (my first year at TIFF).  Bill just completed his first feature film (which I will soon get a chance to see), and we have played 2 of his short films at the Dayton LGBT Film Festival over the years.  It was great to catch up.

VIOLETTE was the first film of the day, and it made me want to go out and pick up a bundle of books.  This is a film about Violette Leduc and how she became a well-known author.  A large portion of the film focuses on her relationship with Simone de Beauvoir, and several other renowned French authors work their way into the narrative.  The film is gorgeously directed by Martin Provost – director of SERAPHINE (if you haven’t seen this film, I highly recommend it – available via netflix, etc.), and it’s a wonderful story of self-discovery through writing.

violette_05

IDA, perhaps the most visually stunning film I’ve seen this year, is a lovely, quiet film (shot in black & white in a 1:37 aspect ratio (which means it appears more like a square than a rectangle)).  A young Catholic girl – about to take her vows as a nun – goes into the city to meet her aunt for the first time.  During the trip, she discovers her true roots and the life she had before being brought to the convent.  I loved this film.

[yframe url=’http://www.youtube.com/watch?v=MRzbCZtiWYc’]

TOM AT THE FARM is the new film by Xavier Dolan.  Based on a play, this is the first time Dolan has directed material that was in-part written by someone else…and it works.  I felt that Dolan’s last film suffered from its length – this one feels just right.  Tom visits the family of his recently deceased lover, and the mother didn’t know of her son’s homosexuality.  Very different in tone from Dolan’s first three films, this is a psychological thriller that becomes rather creepy.  Though I questioned a couple script choices, I ultimately really liked this film.  (The clip below doesn’t do the film justice…but at least you’ll get a small glance.)

[yframe url=’http://www.youtube.com/watch?v=b8bq-MGazn0′]

Thanks for reading!  Off to more screenings!

Toronto Film Fest – Day #1

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Hello Everyone,

It has been a busy day full of screenings and fun run-ins.  I’ve seen 4 films, chatted with a few people who I met at this year’s ArtHouse Convergence in Utah, spotted a couple of my favorite critics, and secured more tickets for the next couple days.

I woke this morning at 6:00am and hopped on the subway by 6:45 in order to secure myself a place in line for tickets.  I got my first picks and then headed into a screening of a South Korean film called IN ANOTHER COUNTRY with the always fantastic Isabelle Huppert.  The story is about a girl who is writing a screenplay about a vacation town and a series of visitors – all played by Huppert.  Though there are moments of charm and an understanding of what it’s like to be foreign (communication gaps, inability to read certain characters of handwriting, etc.), this movie didn’t work entirely for me.  Some of the camera work turned me off, and the repetition of thematic material (though I understand that was the point) between each tourist was a little exhausting.

[yframe url=’http://www.youtube.com/watch?v=eYwxpcuyuG0′]

Next I saw LAURENCE ANYWAY – the new film from Xavier Dolan (director of I KILLED MY MOTHER and HEARTBEATS).  This is the story of the relationship between a man and woman…and what happens to their relationship once the man announces that he will have a sex change.  There’s an interesting movie inside this movie…but at 2 hours and 40 minutes, it’s way too long and a bit of a tonal mess…with long stretches of realism, several moments of editing like an 80’s music video (ala HEARTBEATS) and a handful of visual metaphors that are lovely – but didn’t sync with the film (like W.E. last year, I’d like the opportunity to re-edit this film).  All that said, the last 10 minutes are magical (I’m glad I stuck around).  Though Melvil Poupaud (from TIME TO LEAVE) does nice work as the transgender male to female character, Suzanne Clement who does the best work in this film (she was the mother in I KILLED MY MOTHER, she was also in a great Canadian film called IT WASN’T ME, I SWEAR).  Though not a huge fan of this film, I’ll be anxious to see what Dolan does next.  I loved his first 2 films, and he’s only in his early 20’s.

[yframe url=’http://www.youtube.com/watch?v=rwDzRzqFaIE’]

Then I saw AMOUR – the latest and most accessible film from Michael Haneke (THE WHITE RIBBON, FUNNY GAMES, BENNY’S VIDEO, THE PIANO TEACHER, and more).  This Cannes winner is terribly heartbreaking and the most realistic, lovely, devastating, sweet, and honest depiction of an older couple I have ever seen.  In this case, they’re dealing with a recently onset illness…and the wife’s desire to never be taken to the hospital again.  (Isabelle Huppert has a small role…so she’s in the lead for most films I’ve seen with the same actress at TIFF.)  This film is being released by Sony Classics, so I’m sure THE NEON will bring it to town.

[yframe url=’http://www.youtube.com/watch?v=ekjfj8sLFqs’]

Lastly, I saw RUST AND BONE – the film I mentioned in yesterday’s update.  I was not a big fan of A PROPHET – the director’s last film.  And though I don’t completely embrace this film (physical, bloody violence almost always turns me off), I do see the brilliant artistry at work.  It’s really nice to see that a director that is so full of a need to portray hideous violence is also able to show us warmth and gentleness.  This film is about a father who is down on his luck and the orca trainer he meets at a club one night (brilliantly played by Marion Cotillard).  Within the first act, there’s an accident at Marineland, and Cotillard’s character loses both her legs.  This film is brutal…but it’s filled with honesty and wonderful moments.  The photography is fantastic and the sound design is out of this world.  Because Sony Classics has picked it up, I’m guessing it will come our way at THE NEON…and I’m guessing you’ll hear more about it come award season.  Cotillard, Mattias Schoenaerts (the lead male) and director Jacques Audiard were all at the screening.  Check out the newer trailer for this film at imdb.com

Thanks for reading.  I’m off to bed.

More tomorrow,

Jonathan

TINY FURNITURE + 2 New Films Next Week! LIMITED ENGAGEMENTS!!

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Hello Everyone.

In addition to holding onto I LOVE YOU PHILLIP MORRIS and CEDAR RAPIDS, we will open a film festival darling called TINY FURNITURE.  Visit www.neonmovies.com for the current showtimes.

Synopsis for TINY FURNITURE (I love this synopsis): “22-year-old Aura returns home to her artist mother’s TriBeCa loft with the following: a useless film theory degree, 357 hits on her Youtube page, a boyfriend who’s left her to find himself at Burning Man, a dying hamster, and her tail between her legs. Luckily, her trainwreck childhood best friend never left home, the restaurant down the block is hiring, and ill-advised romantic possibilities lurk around every corner. Surrounded on all sides by what she could become, Aura just wants someone to tell her who she is.”   OFFICIAL SITE

[yframe url=’http://www.youtube.com/watch?v=PF_jWPJwKIE’]

I’m so excited to announce that we will open 2 new films next week (April 8th)…but they will only play for one week. One is the crowd-pleasing film THE CONCERT (see trailer). The other is another film from my “Top 5” from last year’s Toronto Film Fest – HEARTBEATS – which is the 2nd, full-of-style feature from my newest, favorite director – Xavier Dolan. Mark your calendars. We’re one of only a handful of cinemas in the MidWest play the film!! These films will only play for one week!
HEARTBEATS Trailer!

THE 11th DAYTON JEWISH INTERNATIONAL FILM FESTIVAL is underway. To see a list of titles, screening venues, showtimes and ticket details, visit the official site.
Here are the films that will screen at THE NEON:
Sunday, April 3 at 3:00 – WHERE I STAND: THE HANK GREENSPUN STORY
Sunday, April 3 at 7:10 – NORA’S WILL
Wednesday, April 6 at 7:10 – A MATTER OF SIZE
Thursday, April 7 at 7:10 – JEWS & BASEBALL: AN AMERICAN LOVE STORY

NORTH DIXIE DRIVE tickets are completely SOLD OUT!  I’ll keep you posted if we’re able to add additional screenings.  “NORTH DIXIE DRIVE is the portrait of a small community of businesses and people residing in the Northridge section of Dayton, OH. It is the story of big time wrestlers, mechanics, a donut salesmen, an eccentric country singer, barbers, exotic dancers and car repo men. This collection of people, from all walks of life, live and work around a traffic circle situated along highway I-75, and fight to keep their lives and careers afloat in a failing economy. This debut film by Brooklyn, NY filmmaker Eric Mahoney showcases an off beat group of characters in today’s Middle America.” (taken from website)

On Tuesday, April 5, Andrew – one of our employees – will premiere his latest work. “ONE SUMMER HERE is an independent short film by local filmmakers and Wright State Motion-Pictures alumni Andrew Fiscus (writer, director) and Cole Pisano (director of photography) that will be holding its world premiere screening on Tuesday, April 5th at 9:30PM. It’s a sweltering Ohio summer, and Emma and Dan are growing up. They’re eighteen, hovering somewhere between child and adult. Emma is dreaming of leaving, and Dan is dreaming of her. All the nuance of growing up and the confusion and impetus to be something new, something more than yourself, is explored in the dreamy ONE SUMMER HERE. Admission is free, but donations are encouraged to help offset the high cost of film festival submissions. You can view the trailer for the film by visiting this link . Find out more about the film by joining the facebook fan page.”

PUNCHING THE CLOWN will have one special screening on Wednesday, April 13 at 7:30…and Henry Phillips will be in attendance for a Q&A after the screening. “Winner of the Audience Award at the Slamdance Film Festival, this uproarious and smart new comedy tells the story of Henry Phillips, a hapless modern day troubadour who grinds his way through the heartland, living out of his car and singing his twisted satirical songs to anyone who will listen. After a booking mishap involving a Christian fundraiser, he decides he’s hit rock bottom. Seeking to shake things up, he moves to L.A. where his luck changes overnight. Thanks less to his inept manager than to a wild case of mistaken identity, he falls backwards into a string of packed gigs, a record deal and even the promise of love. But he who lives by the whimsy of show business dies by it, and reality hits him like a fist in the face: an innocent miscommunication over a bagel brands him a neo-Nazi in the world of tabloid journalism…Hailed by comedy icon Sarah Silverman as ‘the best movie about comedy I’ve seen so far,’ this hilarious and evocative film is ‘totally primed for a fervent cult following.'” (taken from press notes) General admission will apply, and tickets will be available one week prior to the event.

Gar Drolma Buddhist Center will host an event at THE NEON on Saturday, April 16th. “Imagine if every thought, word, and action was only…FOR THE BENEFIT OF ALL BEINGS – A film by Christina Lundberg, producer of Mystic Tibet, Discovering Buddhism, and On the Road Home. Tickets for the first screening have already sold out…so a 2nd screening has been added for 5:15.
Garchen Rinpoche’s life presents tragic events from the light of transcendent experience. After the Chinese invasion of Tibet, Rinpoche joined the Tibetan resistance fighters and was subsequently imprisoned for more than 20 years, enduring horrifying conditions. He practiced the Buddha’s teachings in secret and emerged a Realized Being; then risked his life to preserve the living tradition of the path to enlightenment… On Saturday, April 16th at 3:00 pm Gar Drolma will host a benefit screening of this magnificent film with Garchen Rinpoche in the audience. Garchen Rinpoche and Christina Lundberg, filmmaker, will speak following the screening of the movie. (Garchen Rinpoche will not attend the 5:15 screening.)
When you purchase your tickets online, you will see price levels of $10, $20, $30, $40, $50 and $108…all seating will be general admission. The tiered prices are offered to you as a convenient way to donate to the making of the film…Any amount above $10 is a tax deductible donation. ” (taken from press release)

See you soon!

Take care,
Jonathan

SHOWTIMES for April 1 – April 7:

CEDAR RAPIDS (R)
Fri & Sat: 3:00, 7:30
Sun: 5:15 PM
Mon – Thu: 3:00, 7:30

I LOVE YOU PHILLIP MORRIS (R)
Fri & Sat: 5:10, 9:40
Sun: 9:40 PM
Mon – Thu: 5:10, 9:40

TINY FURNITURE (NR)
Fri – Sun: 12:45, 2:50, 5:00, 7:20, 9:30
Mon: 2:50, 5:00, 7:20, 9:30
Tue: 2:50, 5:00, 7:20
Wed & Thu: 2:50, 5:00, 9:40

NORTH DIXIE DRIVE (NR) 52 Min
Friday, Saturday, Sunday: 1:00

ONE SUMMER HERE (NR) 20+ minutes
Tuesday: 9:30

DAYTON JEWISH INTERNATIONAL FILM FESTIVAL
Sunday: 3:00 – WHERE I STAND
Sunday: 7:10 – NORA’S WILL
Wednesday: 7:10 – A MATTER OF SIZE
Thursday: 7:10 – JEWS & BASEBALL

COMING SOON:
As always, all dates are tentative. Some of these dates will change.
In some cases, titles may disappear.
April 8 HEARTBEATS
April 8 THE CONCERT
April 15 WIN WIN
April 15 JANE EYRE
April 29 OF GODS AND MEN
May 6 WINTER IN WARTIME
May 13 THE GREATEST MOVIE EVER SOLD
May 20 IN A BETTER WORLD
June 3 BILL CUNNINGHAM NEW YORK
July 1 TREE OF LIFE
TBD POTICHE
TBD CERTIFIED COPY

Toronto – THE FILMS – Day #6

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After just 4 hours of sleep last night, I woke up, went across town to pick up tickets, and proceeded to see two films.  I then had to take a nap (2 nights with just 4 hours of sleep got to me).  I then woke to see one more…and so glad I got there in time.

First off, I saw a Canadian film starring Zach Braff & Isabelle Blais (from the incredible film THE BARBARIAN INVASIONS).  The films is called THE HIGH COST OF LIVING (dir. Deborah Chow).  In it, a RX, “high end” drug dealer accidentally hits a pregnant woman on the side of the street.  He flees the scene and later feels guilty – so he investigates to see if she’s OK.  Along the way, he befriends her and finds out that the baby inside her died as a result of the accident – and she will have to have stillborn birth.  The film has an interesting set-up, but there’s ultimately something wrong.  It simply didn’t work for me.  The moments of zany  behavior seemed thrown in to break the tension…and seemed out-of-place…but the overall sadness wasn’t working for me either.

Next up was a film that many people are comparing to Wes Anderson – SUBMARINE (from actor-turned-director Richard Ayoade).  However, this film is Welsh…and it’s quite fresh  – with a big heart mixed in with the left-of-center comedy.  The story is one of budding love between teenage minor-outcasts…and all the angst, humiliation and great lengths to please that come along with that – especially when you’re dealing with eccentric kids.  The movie is visually stylish with a brilliant script and some supporting parts from people I love (Sally Hawkins and Paddy Considine).  There’s certainly an audience for this film. (The director and two leads did a Q&A after this screening.  They were delightful.)

Lastly, I saw HEARTBEATS – the new film from Xavier Dolan.  Dolan’s first, Cannes-winning film is the opening night movie of the Downtown Dayton LGBT Film Fest.  (Incidentally, tickets are available.  Visit daytonlgbt.com for screening details.)  This new film follows a gay boy and his straight female friend.  They both fall for the same blonde, tossle-haired boy…and the dynamic between the two friends shifts.  With a gorgeous pallet, a great soundtrack, interesting photography, and some fun intercutting of “confessions” from people in the dating scene, this film is great. (Dolan introduced the film and held a Q&A after.)

I just got back from a party celebrating all of the queer content of this year’s festival.  John Cameron Mitchell was guest DJing, and I met up with some new friends who associated with festival.  It was a fun night, but I’m glad I’m getting to bed before 3:00.

First thing tomorrow is the new film from Francois Ozon – one of my favorite filmmakers of all time.

More soon!

Jonathan