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TIFF Day #3 – 2024

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Hello NEON Community!

Today was busier than I had initially planned.  When I wasn’t able to score a ticket to the new Mike Leigh film (HARD TRUTHS), I ended up booking tickets to two films that were a little further down on my list.  In addition, I ran into a colleague in distribution who invited me to a party – so That meant that I had four films and 2 parties instead of three films and 1 party…but things can change on a dime (I’m not complaining).

My first film of the day was one I had been waiting for – ANORA, dir Sean Baker (USA) “This Palme d’Or winner follows a turbulent relationship between a New York–based exotic dancer and the son of a Russian oligarch.”  We’ve played Baker’s work in the past at THE NEON – RED ROCKET and THE FLORIDA PROJECT…and this is certainly one to watch with a lot of early award season buzz. Despite the rambunctious and exuberant nature of the first hour, there’s always a feeling of sadness under the surface. Baker’s work is very sex positive and he doesn’t judge his protagonists, but you can feel that Anora really wants more than she’s got. VARIETY wrote that this film makes PRETTY WOMAN look like a Disney movie.”  (Quite interestingly…it was.  It was made by Touchstone Pictures – a subsidiary of Disney in the 1980’s.) This film has lots of laughs, lots of sex, and lots of heartache.  It’s rough and subversive – but you’ll fall for Anora. Mikey Madison in the lead role is quite a discovery.

Next up was something I hadn’t necessarily planned to see – SKETCH, dir Seth Worley (USA) “When a young girl’s peculiar drawings come to life, leaving a wake of chaos and crayon dust, a grieving family has to band together to fight them off in this feature debut.” (taken from TIFF catalog) The screenplay for this film is great right of the bat – it feels honest and genuine.  But I have to admit that I started to roll my eyes a bit when the monsters came to life…they just seemed a little too silly for the world that had been set up for us.  But I stuck with it…and I’m glad I did.  I had a true emotional response to this little gem, and the kids were fantastic.
The director introduced this film as “INSIDE OUT meets JURASSIC PARK,” and the curator from TIFF who introduced it said we haven’t seen a group of kids work together like this since THE GOONIES.  I agree with both sentiments.   (The Q&A had me in tears when one of the cast members was asked how he related to his character.). I’m not sure where this will land, but I can see audiences getting behind it.

My next film was a surprise ticket – K-POPS, dir Anderson .Paak (USA) “A father hopes to ride the coattails of his long-lost son’s rocketing stardom in this feature debut from eight-time Grammy winner Anderson .Paak.”  This polished film had a very invested audience…and many of the people on screen who elicited cheers and screams from the audience were actors/performers I don’t know (I knew folks like Earth, Wind & Fire, but I didn’t know the K-pop icons). Though the film is really about a father connecting with the son he never knew, the setting of a “reality” talent/gameshow couldn’t be further from a setting that interests me.  Though there was a lot of talent on display, I wasn’t fully invested in the story.  And though know there’s an audience for this film (I was surrounded by people who adored it), the movie (with moments of slapstick and some animation and montage scenes that seemed like fluff and filler instead of motivated plot devices) wasn’t really for me.

Before I went to my last film of the day, I stopped by Searchlight’s NIGHBITCH PARTY – a reception celebrating the premiere of the new Amy Adams’ film NIGHTBITCH (which I will hopefully see tomorrow).  I mingled with and met people who curate other cinemas and film festivals, and I chatted with one of the actors from the film.  Amy Adams, Scoot McNairy and others were at the party and posed for a few photos with the little boys who played her child in the film.  I only stayed for about an hour because I head to get to the film I’ve been most excited to see.

The last film of the day was my most anticipated – THE ROOM NEXT DOOR, dir Pedro Almodovar (Spain) “Tilda Swinton and Julianne Moore star in this visually exquisite and intimate adaptation of What Are You Going Through by Sigrid Nunez, Pedro Almodóvar’s first English-language feature.” I’m anxious to see this film again.  The story centers around two friends who are reunited after years apart…and how one of them asks the other to be “in the room next door” when she decides to take her own life instead of enduring another round of what seems like unhopeful Cancer treatment.  This film is full of references – to art, literature, film and event Almodovar’s own work (I found references to TALK TO HER, WOMEN ON THE VERGE, and PAIN AND GLORY – and I’m sure I’ll see more with another viewing). Sadly, Pedro was not in attendance…but he had good reason – only hours before, he won the Golden Lion from the Venice Film Festival…so he was in Italy accepting that award.  That said, Tilda, Julianne and John Turturro were there.  Their Q&A was pretty wonderful.  And even though a couple people asked seemingly inane questions, the ladies were able to steer their responses into philosophical and moving responses.
Almodovar films are known their production design, and Tilda said that most of the sets incorporate things from Pedro’s own apartment…the films really do seem like extensions  of his worldview and personal surroundings.
Tilda corrected one audience member when being asked about euthanasia.  She said, this film isn’t about euthanasia, it’s about someone taking their own life into their own hands and dying with dignity.  It was a powerful night.

I had one more party to stop at…but I just couldn’t bring myself to do it.  It’s already 1:00, and I knew I wanted to get this posted before too late.  I also just needed some quiet time after such a strong film.

Thanks for checking in!  Tomorrow is Cate Blanchett Day!!

Jonathan

TIFF Bound! Submerging In Cinema!

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Hello NEON Community,

Thanks so much for checking in.  I’m making a list and checking it twice…and three times…and four times…all in an effort to squeeze in as many films as possible from the 50+ films I’d like to see over the next several days at The Toronto International Film Fest.  In the end, I’ll only have room for 30-35 screenings, so some films will have to wait.

It’s early morning on Wednesday, Sept. 4, and I’m about to head to the airport.  When I get to Toronto, I’ll head right to the industry hub where I’ll get my credentials for the festival.  My pass will allow me to see a handful of public screenings (those are the ones with directors & stars in attendance with interesting Q&A’s) as well as numerous press and industry screenings (which are generally no-frills – but full of folks like me as well as some high profile journalists and studio execs…all kinds of people from the industry).

I’m staying in a condo just a couple blocks from the middle of everything,  and I’m very excited about several films…and it’s always fun to discover films I didn’t know I needed to see.

Here are couple titles I’m excited about:

THE ROOM NEXT DOOR – Pedro Almodovar’s English-language feature film debut – starring Tilda Swinton and Julianne Moore.  If you’ve read my blog and newsletters before, you might know that Almodovar is my favorite director of all time.  I can’t wait for this one.  It just received a 17-minute standing ovation at the Venice Film Festival earlier this week.

WE LIVE IN TIME – the new film from John Crowley (director of BROOKLYN) – starring Andrew Garfield and Florence Pugh.  I think this film looks lovely, and I’m a big fan of BROOKLYN.

MISÉRICORDE, the new film from Alain Guiraudie (director of STRANGER BY THE LAKE) is on my list as well.

In addition to movies, I’ll get to sit in on an interview with Cate Blanchett at an event called IN CONVERSATION: CATE BLANCHETT.  I’ve been a fan for years (and there was even that time when I was a co-worker of sorts)…so I’m anxious to see her in this scenario.

Every day, I’ll take notes when I’m seeing movies.  I’ll assemble those notes each night and publish my posts.  This serves as a way for me to get my thoughts down on a daily basis…and to take you along for the ride.

If you’re in Dayton, please stop in to keep my co-workers company at THE NEON.  Thanks for all of your support.

More soon,

Jonathan

TIFF 2018 – Day #3

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Hello NEON Fans!

I started off Day #3 with some big star moments.

My first film of the day was GLORIA BELL directed by Sebastian Lelio.  Lelio has remade his film GLORIA (which played at THE NEON 4+ years ago) for an English-speaking audience…this time with Julianne Moore in the lead role.  During the Q&A, Moore admitted that she had been approached to play the role, but she said she’d only do it if Lelio was attached.  (Lelio is most recently know for directing DISOBEDIENCE as well as the Oscar winning film A FANTASTIC WOMAN.)   Folks wondered why he would want to remake his own film, and he told our audience today that musicians shouldn’t be the only artists who get to re-work their art over and over “with a different band.” Here’s the brief TIFF description of the film: “Academy award winner Sebastián Lelio (A Fantastic Woman) directs Academy Award–winning actor Julianne Moore (Still Alice) in this English-language remake of his 2013 film about a free-spirited, middle-aged divorcee hoping to find love on the dance floor.”  I had an interesting response to this film.  I was completely invested, I laughed at times, I felt hurt for our lead at times.  Though engaged from beginning to end, I wasn’t 100% connecting with the material…until the last 10 minutes.  It was the final scene that completely took my emotions by surprise.  I already knew how the film would end, but I suddenly felt a connection with Gloria that made me love the entire film.  I felt a sisterhood with her, and I had a small breakdown in the theater.  This is a film for all the single people who keep putting themselves out there.

Next up was CAN YOU EVER FORGIVE ME? directed by Marielle Heller.  Here is the TIFF description of the film: “A jaded, out-of-work biographer (Melissa McCarthy) resorts to selling forged historical letters on the black market, and grapples with the ethical complications that arise, in Marielle Heller’s charming biopic about bestselling writer Lee Israel.”  Melissa McCarthy is a complete gem in this film…and it is her best work to date.  She’s still able to give us comedy, but it’s so much more human than anything I’ve seen her do before.  This touching movie has you rooting for a criminal, and she’s someone you probably wouldn’t like if you just met her on the street.  This film is polished and endearing, and I think it will find a good audience.  (I’ll attend the Fox Searchlight party for this film as well as OLD MAN AND THE GUN tomorrow night.) In person, Melissa McCarthy is smart, funny and clearly in love with the character she played and created with her co-star Richard E. Grant.  The Q&A after the screening was wonderful.

TEEN SPIRIT, directed by first-time feature director Max Minghella (son of Anthony), was my next film.  Not being a fan of any of the pop-star-creation shows (like The Voice or American Idol), my expectations weren’t terribly high.  But Elle Fanning & Zlatko Buric delivered.  Here’s TIFF’s brief synopsis: “A shy teenager dreams of pop stardom and enters an international singing competition as an escape from her small town and difficult family life, in actor Max Minghella’s (The Handmaid’s Tale) feature debut.”  I was pleasantly surprised by how invested I became in this film.  Though not without a couple eye-rolls and moments where I felt like story arcs shifted too quickly, I was ultimately a fan of this film (though the last 2 minutes left me a little flummoxed).

SPLINTERS, directed by Thom Fitzgerald, was my last film of the day.  In a word, it was terrible.  Here’s the TIFF synopsis: “Two decades after his inspired feature debut The Hanging Garden won best Canadian Feature at TIFF, Thom Fitzgerald again explores interconnections of sexual identity, family, and small-town Nova Scotia life, in this intimate drama about a young woman reassessing her relationship with her mother following the death of her father.” In most circumstances, I would have simply left the screening after 20 minutes.  But when I leave a screening early, I don’t feel like I have the right to write poor criticism.  However, because there weren’t other options for screenings this late at night and because I didn’t have any concrete post-screening plans, I stuck it out and watched the entire film (even though 90% of the audience walked out).  Though there are a couple good scenes (which come really late) and some great agricultural landscapes, this film is full of some really poor, on-the-nose performances with lots of “indicating” and over-the-top body language.  The screenplay was at times quite trite and there were moments when I wish a camera could have been on my face to show my bafflement as to what was happening on screen.  Overall, I can’t imagine this film ever getting picked up for American distribution.

I stopped for a quick beer before coming back to my Airbnb apartment, and I ended up running into a couple industry folks that I knew.  Upon hanging out with them for a few moments, I was then introduced to someone who I have been e-mailing for years.  It was fun to put a face with a name, and we chatted for about an hour before I decided I needed to get back to all of you.

Thanks so much for taking the time to read my rundown of Day #3.

More tomorrow!

Jonathan

TIFF 2015 – Day #5

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Freeheld-posterHello Again.  Thanks for coming back!

Half way through today marked the half way point of the festival.  And by the end of the day, I had seen 20 films in all…but there’s lots more to go.

My first film of the day was the thriller COLONIA, directed by Florian Gallenberger.  Starring Daniel Bruhl and Emma Watson, this film started out like a conventional political thriller about civil unrest in Chile in 1973.  But then it became an over-the-top cult escape thriller.  This is the story of Colonia Dignidad – a hideous compound in Chile that housed a religious cult and also served as a military torture prison.  Though entirely engaging, I found some of the characters to be of the Disney villain sort – thus making it seem like it couldn’t be based in reality.  That said, the story is based on fact, and seeing the actual photos at the end was a nice pay-off.  There were moments that seemed a little too much HUNGER GAMES driven – so I’m not sure who the intended audience is…serious subject but a little too young adult driven to rise to the top for me.

Next up was FREEHELD, directed by Peter Sollett and starring Julianne Moore and Ellen Page.  This was a film I was looking forward to seeing, and I was a little disappointed at first.  Though the performances are certainly quite good, the film seemed a bit flat at first.  This film is based on the short documentary of the same name.  We played it at the Dayton LGBT Film Fest several years ago, and it went on to win the Academy Award.  It’s the story of Laurel Hester and her attempt to get her police pension left to her domestic partner in New Jersey.  Though perhaps a little “one-note” in this role, it takes Steve Carell to inject some energy into the film.  The original documentary covered the material that picks up in the second half of the film, and that’s where I became most engaged.  This story was groundbreaking in its role to bring marriage equality to New Jersey…and now that marriage equality is nationwide, it serves as an important reminder of why LGBT people have been fighting so hard.

Next up was THE FAMILY FANG, directed by Jason Bateman.  This film is based on a beloved novel, adapted for the screen by David Lindsay-Abbaire (playwright of RABBIT HOLE).  Starring Bateman, Nicole Kidman and Christopher Walken, this is the story of a family who are reunited after an unlikely accident.  The parents are long-time, well-known performance artists who stage very public pieces that often come off as practical jokes.  Though certainly a very touching film, it is also terribly funny. Somewhere between FLIRTING WITH DISASTER and SAVAGES and even a little ROYAL TENENBAUMS (though more for its elements of family dynamics), this film became my biggest surprise for the festival.  I was intrigued enough to go…but was so delighted that I had.  It’s a wonderful film.  Bateman and Walken were there for a Q&A, and it was delightful.  It was clear that Bateman loved having Walken in the role, and he said “Everything Chris did was fantastic.  It was like killin’ babies in the editing room.” This film has yet to be picked up for distribution…but I bet it will be soon.

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I had about half an hour to spare this evening, so I poked into JANIS: LITTLE GIRL BLUE, directed by Amy Berg – it was not my intention to stay for the entire film (and I didn’t).  I was quick to learn that this documentary about Janis Joplin was made for PBS (I believe it will play on American Masters series).  Though intriguing subject material and certain to find a big fan base, this film wasn’t working so well for me on the big screen.  Much of the archival footage was so grainy and distorted via large format projecting…I think it will play much better on televisions.

THE ONES BELOW, directed by David Farr was my last film of the night.  “Eagerly awaiting their first child, a young couple in a tiny London suburb become involved in a psychological battle of wills with the tenants in the apartment downstairs…” (taken from the TIFF program).  Unfortunately, this film also looked like it would play much better on television – but not due to pixilation or grainy footage.  This thriller had some unintended laugh-out-loud moments…and in most other circumstances I would have left after 20 minutes.  But for some reason, I felt compelled to stay and so I could shake me head and roll my eyes at some very strange decisions in what had hoped to be a bit more of a nod to Roman Polanski.  Though there were a couple gripping moments, I ultimately found this film to be the biggest turkey of my TIFF experience so far.

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And now it’s off to bed.  Thanks for checking in.

More tomorrow,

Jonathan

TIFF 2015 – Day #2

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KillYourFriends2-600x400Hello Again!

Today started off much the way they’ll all start.  I pulled myself out of bed after 4.5 hours sleep and scurried into the industry ticket line.  (Not having to run across town each morning is really fantastic.)

The first film I saw today was from one of Canada’s most beloved filmmakers – Atom Egoyan (THE SWEET HEREAFTER, CHLOE, and many more).  REMEMBER stars Christopher Plummer as a Holocaust survivor with dementia who escapes from his nursing home to seek revenge on the Auschwitz commander who killed his family.  Though a serious and intriguing subject, with moments of great tension, the film sometimes comes off as a bit twee when dealing with Plummer’s age and condition.  There’s a good story here, but I just didn’t completely buy it.  That said, I know many people will love this film.

Next up was IN CONVERSATION WITH JULIANNE MOORE.  Clips from Moore’s career (BOOGIE NIGHTS, BIG LEBOWSKI, FAR FROM HEAVEN, THE HOURS, STILL ALICE, and more) played before she took the stage for a hour-long interview with Cameron Baily (and eventually a handful of audience questions).  As I already knew, this woman is a class act.  It was exciting to hear her insights on acting and her eloquence and command of language is so refreshing.  She mostly spoke of her career in indie films, but she still referenced all the Hollywood material (JURASSIC, HUNGER GAMES, etc) she’s done…and she attributes her years on soap opera for giving her an opportunity to really learn to work.  When asked by a young, college bound actress about seeking a career and having a “plan B” (referencing STILL ALICE), Julianne suggested always getting a college degree (even if it is in acting) and “do everything that interests you.”  I love her! (The Star covered this event.  For their story, visit this LINK…though the link might not work outside of Canada.)

After lunch and a 30 minute nap, I scurried to THE LOBSTER, directed by Yorgos Lanthimos.  This is a film set in a parallel universe – but it’s not really science fiction.  It’s the story of a man who goes to a hotel where people go to find partners.  After 45 days, if they haven’t found a partner, they get turned into an animal of their choice (OK, so maybe a hint of science fiction).  This quirky allegory is from the man who brought us DOGTOOTH – one of my favorite challenging films of the past decade.  THE LOBSTER is the director’s first English language film, and though I certainly like some of its themes and some of its moral and societal questions, I felt it was a little more disjointed than I’d prefer.  I felt like the film began to lose steam in its second and third act.  That said, I’d certainly watch it again…so there’s a testament to its strengths.

My last film for the day was KILL YOUR FRIENDS, directed by Owen Harris.  This is a super-polished and scathing look at the music industry – starring Nicholas Hoult and based on a best-selling novel.  The portrait of how things get done for record labels (though I’m sure you could substitute any number of high profile “glamorous” jobs) is relentless, and the drug use, the disregard for women (and in this over-the-top case, even violence) was terribly off-putting.  Now here’s the question.  Will some audiences simply revel in it?  Will the drug use and hookers with bare breasts seem the ultimate goal to some…or will audiences really read it as a cautionary tale?  I’m hoping for the latter. Nicholas Hoult plays the adorable maniac very well, and the movie recalls the tone and message of films like THE PLAYER and AMERICAN PSYCHO.

That’s it for today.  I’m off for a beer with some friends.  Hoping to be in bed by midnightish….we’ll see.

Thanks for reading,

Jonathan

P.S.  You can quickly look at all my Toronto posts by going to www.mostmetro.com/tag/tiff  Thank you!

Oscar Nominee TIMBUKTU Opens & FREE Oscar Party Details at THE NEON!

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TIMBUKTU-newposter-Oscarnom_{d5704ff5-075b-e411-9d0b-d4ae527c3b65}_smHello Everyone,

The response to STILL ALICE was really terrific this weekend. Most customers agree that Julianne Moore’s performance is honest and beautifully done…and that she will deserve the Academy Award this Sunday. STILL ALICE will stick around, and on Friday, we will open a contender for this year’s “Best Foreign Film” Oscar – TIMBUKTU – the first time a film from Mauritania has ever received a nomination.  The last day for TWO DAYS, ONE NIGHT will be Thursday, Feb. 19.  MR. TURNER is slated to open on Feb. 27 and THE SECOND BEST EXOTIC MARIGOLD HOTEL is set to open on March 6!

Synopsis for TIMBUKTU: Currently rated 98% Fresh on Rottentomatoes.com, this stunning film is as important as it is beautiful. “Not far from the ancient Malian city of Timbuktu, now ruled by the religious fundamentalists, proud cattle herder Kidane lives peacefully in the dunes with his wife Satima, his daughter Toya, and Issan, their twelve-year-old shepherd. In town, the people suffer, powerless, from the regime of terror imposed by the Jihadists determined to control their faith. Music, laughter, cigarettes, even soccer have been banned. The women have become shadows but resist with dignity. Every day, the new improvised courts issue tragic and absurd sentences. Kidane and his family are being spared the chaos that prevails in Timbuktu. But their destiny changes abruptly in this stunningly rendered film from a master of world cinema.” (taken from Cohen Media) Joe Morgenstern of The Wall Street Journal wrote, “If Timbuktu – a nominee for this year’s foreign-film Oscar – were politically astute and nothing more, it would still serve a valuable purpose. But the film throbs with humanity, and abounds in extraordinary images.” Click this LINK to visit the film’s official site.

Many thanks to the Alzheimer’s Association for their help in spreading the word about our engagement of STILL ALICE. “More than 5 million Americans are living with Alzheimer’s and the the signs of Alzheimer’s are often dismissed as typical aging. Memory loss that disrupts daily life is not normal – it’s one of the 10 warning signs of Alzheimer’s disease. If identified, these signs should be taken seriously and a doctor should be consulted. Early detection is important so that individuals and families can seek possible treatments that may provide relief from symptoms and allow more time to plan for the future. The Alzheimer’s Association Miami Valley Chapter is here to help! You can contact their 24/7 Helpline at 800.272.3900 or alz.org/dayton.” (The Alzheimer’s Association has literature available in THE NEON’s lobby during our run of STILL ALICE.)

“The Junior Leaguers Club of Dayton will sponsor a special screening of DEAR WHITE PEOPLE on Feb. 28, 2015 at noon. DEAR WHITE PEOPLE is a 2014 American satirical film written and directed by Justin Simien. The film focuses on African American students who attend a predominately white university. This is the fourth annual movie sponsored by the Junior Leaguers of Dayton as a fundraiser for scholarships. The film will be followed by a community discussion led by Jeannette Taylor, program coordinator for NCCJ. The cost is $30 per ticket which includes the cost of movie, soda, a glass of wine, popcorn and the discussion.” (Taken from event press notes.) Tickets can now be purchased at THE NEON’s box office.

The Oscars are this Sunday, and you’re invited to our Annual FREE Oscar Party! Oscar ballots and details are now available in our lobby. Many thanks to the folks at ThinkTV for agreeing to help us get a broadcast signal for the event! Additional thanks to our friends at Square One Salon & Spa for donating a special gift for our grand prize of the night!

The ReelAbilities Film Festival is happening at numerous venues around Cincinnati, but one special screening is coming to Dayton on Wednesday, March 4 at 7:30 – ON BEAUTY. “Rick Guidotti, who after 15 years of working for clients such as Yves Saint Laurent, Elle, and Harper’s Bazaar, grew tired of seeing the same ideal of beauty ‘spit up at us constantly.’ In a moment of serendipity, Rick walked by a young woman with Albinism at a New York City bus stop, and wondered why she wasn’t considered beautiful in his other world. This exploration resulted in a show-stopping magazine spread for Life Magazine called ‘Redefining Beauty.’ The Cincinnati ReelAbilities Film Festival, organized by LADD and presented by Macy’s, is our region’s largest film festival celebrating the stories, lives and art of people who experience disability; all of the film screenings benefit local nonprofit organizations.” For more information or to order advanced tickets, click this LINK to the official site.

On Sunday, March 8 at 3:20 (Please Note – the date in last week’s newsletter was incorrect!), Taller Trees Productions will premiere THE FALL LEAGUE – a locally produced documentary about seniors, softball and life. “This heart-warming documentary captures the story of a Dayton senior league (all players are over age 63), but it goes much further, exploring the impact of the sport in regard to family relationships, the bonding and camaraderie between players, and topics of aging that are necessary considerations for active seniors…the movie has been accepted for the Indy Sports Film Fest Experience in Toronto…and Louisvilles’ International Festival of Film.” (taken from press notes) To read more about the film and its production and to view the trailer, visit the film’s official site by clicking this LINK. Tickets, just $7 each, will be available at THE NEON’s box office beginning this weekend. Many people involved with the production of the film will attend the screening.

“On Sunday, March 15 at 3:00, The Turkish American Society is proud to present a special, one-time screening of director Hasan Kiraç’s TWO HEARTS AS ONE (Birlesen Gönüller). This powerful film – one of the most expensive productions in Turkish film history – is based on a true story. Starting in 1940’s Soviet Russia, and continuing into 1990’s, this is the story of four hearts which couldn’t be stopped by distances and years. Newlyweds Niyaz and Cennet are forced to separate when war rears a violent and chaotic head. Niyaz is taken to Red Army to fight on the Soviet side, while Cennet is sent to a camp when the Nazis took over their village…Woven into the narrative is the story of Yunus and Dilek, a loving couple from Turkey who leave for Almaty, then the capital of Kazakhstan, in the 1990’s. Ambitious Yunus is planning to build a school, but he has no resources at all. His wife Dilek sympathizes and supports him, but their enduring poverty wears her patience and resolve – until a chance encounter provides some much-needed perspective. Tickets for this special event are $10 and will be available on the day of the event (to purchase tickets in advance, visit The Turkish American Society – 2601 East Fourth Street). Presented in Turkish, with English subtitles.” (Taken from press notes)

http://www.youtube.com/watch?v=154LpFZZBnI

Thanks for your continued support.
We hope to see you this weekend – at the movies and our Oscar Party!

Stay warm,
Jonathan

SHOWTIMES for Friday, Feb. 20 – Thursday, Feb. 26:

TIMBUKTU (NR) 1 Hr 37 Min
Friday & Saturday: 12:45, 2:50, 5:00, 7:15, 9:30
Sunday: 12:45, 2:50, 5:00
Monday – Thursday: 3:00, 5:15, 7:30

STILL ALICE (PG-13) 1 Hr 41 Min
Friday, Saturday: 12:40, 3:00, 5:15, 7:30, 9:45
Sunday: 12:40, 3:00, 5:15, 7:30
Monday – Thursday: 3:15, 5:30, 7:45

OSCAR PARTY (NR) Runtime: Who Knows?!
Sunday: Seating begins at approximately 7:00

COMING SOON:

(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)

Feb. 27 – MR. TURNER
March 6 – THE SECOND BEST EXOTIC MARIGOLD HOTEL
March ? – WHAT WE DO IN THE SHADOWS
March ? – LEVIATHAN
March ? – RED ARMY
April 3 – WOMAN IN GOLD
TBD – MOMMY
March ? – WILD TALES
TBD – GREY GARDENS

15 Oscar Nominees Start Friday at THE NEON

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OSCAR picsHello Everyone,

Over the past few years, more and more people have been interested to see as many of the Oscar nominated films as possible before the ceremony…and now you can get even closer to that goal by having access to all 15 nominated short films. Starting Friday, we will open all three programs of the Oscar Nominated Short Films – ANIMATION, LIVE ACTION and DOCUMENTARY. Showtimes can be found by scrolling to the bottom of this newsletter or by visiting our official site at www.neonmovies.com. In addition, we will hold two other big nominees – THE IMITATION GAME and FOXCATCHER. (As an FYI, the Documentary Program will only play three times over the weekend – it’s a long, challenging and rewarding collection of work…you’ll certainly get your money’s worth.)

Synopsis for OSCAR NOMINATED SHORT FILMS: Each collection of short films contains the 5 nominees for this year’s Academy Award (in the case of the ANIMATION selections, additional noteworthy films have been added in order to create a feature-length program). Though none of the programs are officially rated by the MPAA, I think it’s good to have a “guess” for each program. For the Animation Program, we suggest a rating of “PG” due to one of the films being a bit dark. That said, kids over 8 should not have a problem with any of the material. For the Live Action Program, we suggest a rating of “PG-13” due to some cursing. We think kids over 11 or 12 would be fine. For the Documentary Program, we suggest a rating of “R” due to difficult and disturbing images. (The next to last film in this 2 hour 40 minute program takes place at a slaughterhouse. Though quite powerful, some may find the images rather disturbing.) Click on the image below to visit the official site for the OSCAR NOMINATED SHORTS. On this site, you can view a short clip from each film.

Patrick Larreategui is trying to bring a special screening of CHARLIE VICTOR ROMEO to town. If 68 tickets are reserved by Feb. 6, the screening will move forward – scheduled for Thursday, Feb. 19 at 7:30. “When you board an airplane, who are those people in uniform to whom you entrust your life? What do they really do when things go horribly wrong? Derived entirely from the ‘black box’ transcripts of six major airline emergencies, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second. This chilling and groundbreaking production stretches the boundaries of film, theatre, and the traditional documentary with [the filming of] a stage play that recreates transcripts word for word.” Tickets are $10 each and reservations are required via the official link. (Your credit card will only be charged if enough reservations are made in order for the event to move forward as scheduled.)

“The Junior Leaguers Club of Dayton will sponsor a special screening of DEAR WHITE PEOPLE on Feb. 28, 2015 at noon. DEAR WHITE PEOPLE is a 2014 American satirical film written and directed by Justin Simien. The film focuses on African American students who attend a predominately white university. This is the fourth annual movie sponsored by the Junior Leaguers of Dayton as a fundraiser for scholarships. The film will be followed by a community discussion led by Jeannette Taylor, program coordinator for NCCJ. The cost is $30 per ticket which includes the cost of movie, soda, a glass of wine, popcorn and the discussion.” (Taken from event press notes.) Tickets can be purchased at THE NEON beginning Thursday, Jan. 29

Oscar ballots for our Annual FREE Oscar Party will be available in our lobby this weekend. Many thanks to the folks at ThinkTV for agreeing to help us get a broadcast signal for the event!

Thanks for your continued support.

We hope to see you this weekend,

Jonathan

SHOWTIMES for Friday, Jan. 30 – Thursday, Feb. 5:

THE IMITATION GAME (PG-13) 1 Hr 54 Min
Friday & Saturday: 2:45, 5:00, 7:20, 9:50
Sunday: 2:45, 5:00, 7:20
Monday – Thursday: 3:10, 5:30, 7:50

FOXCATCHER (R) 2 Hr 13 Min
Friday, Saturday, Sunday: 4:50
Monday – Thursday: 5:15

OSCAR SHORTS – ANIMATION (NR) 1 Hr 17 Min
Friday, Saturday: 2:50, 9:50
Sunday: 2:50
Monday: 8:00
Tuesday: 3:00
Wednesday: 8:00
Thursday: 3:00

OSCAR SHORTS – LIVE ACTION (NR) 1 Hr 57 Min
Friday, Saturday, Sunday: 12:20, 7:30
Monday: 3:00
Tuesday: 8:00
Wednesday: 3:00
Thursday: 8:00

OSCAR SHORTS – DOCUMENTARY (NR) 2 Hrs 40 Min
Friday, Saturday, Sunday: 11:30a.m.

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
Feb. 6 – TWO DAYS, ONE NIGHT
Feb. 13 – STILL ALICE
Feb. 20 – MOMMY
Feb. 20 – MR. TURNER
March 6 – WHAT WE DO IN THE SHADOWS
March 6 – LEVIATHAN
March 13 – RED ARMY
March 27 – WILD TALES
TBD – THE SECOND BEST EXOTIC MARIGOLD HOTEL

TIFF 2014 – Day #7

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out-of-nature-posterWednesday, September 10.2014

Hi Again!

I only saw three films today, but I also attended a pretty great, intimate party.

First off, I saw OUT OF NATURE – a Norwegian film about a man who decides to spend the weekend hiking in the mountains…away from his job, his wife, his son.  In film school, you’re taught to – “Show.  Don’t Tell.”  This simply means that an audience should be able to figure out what someone is thinking by their strong performance…not by what a narrator or bad dialog is telling us.  This film is a rule-breaker – but it’s also the point.  As the protagonist is getting ready for his trip and as he’s hiking up the mountain, we get his interior dialog and realize exactly what he’s thinking, what he’s feeling.  In earlier scenes, we understand that he has issues connecting with people, and through the voice-overs, we understand that his thoughts are mostly of sex and breaking free from the routine of his current life.  Ultimately, I liked this film…but it’s a tough sell.  Including everything from a naked jogging scene to masturbation and urination, we truly live with this character over the course of the weekend.  It’s an inner journey we take with this character, and though you may not be on the same page with his thoughts, you can certainly empathize with the idea of an interior monologue.

Because this trailer contains graphic content, you’ll have to follow the link to find it on youtube.

MAPS TO THE STARS was next up.  It’s the new, darkly satirical film about “Hollywood-types” from David Cronenberg (that said, it could be about any “types” where greed and narcissism play a role in success).  Julianne Moore won “Best Actress” this year at Cannes for this film (but I think her performance in STILL ALICE is even stronger).  If you’re familiar with Cronenberg’s work, you know you’re in for a non-traditional ride in MAPS TO THE STARS.  It’s unsettling, it has awkward moments when laughter seems imminent but also wildly inappropriate, and the stellar cast is committed to the long, crazy ride.  Not a favorite…but not bad.

ELEPHANT SONG was the big treat today.  I went to see this film because I wanted to see Xavier Dolan in a film that he didn’t direct…and one in which he’s speaking English.  Though this film certainly shows its roots of being based on a play, I didn’t mind.  The performances (Dolan, Catherine Keener, Bruce Greenwood), the set design, the screenplay – they are all terrific.This is the story of a young man in a mental institution who may know the whereabouts of a doctor who has recently disappeared.  Taking place mostly in the doctor’s office, the film has a claustrophobic feel…and Dolan at times channels a young Jack Nicholson.  I went on a lark to this screening, and I’m so glad I did.  I hope this film find distribution!

https://www.youtube.com/watch?v=IMjQ9i6J5B0

At the end of the evening, I was invited by a friend to attend a party being thrown for Ethan Hawke’s new documentary called SEYMOUR: AN INTRODUCTION.  It was a small party at the Trump Hotel, and it was lovely.  I ran into a couple folks from indiewire as well as got to hang out with a festival programmer I met several years ago.  Hawke was in attendance, but I never felt like interrupting him.  On my way out, someone whispered, “Did you see who just walked by you?”  “I didn’t,” I responded.  “That’s Mike Tyson.”

More tomorrow – including one of the most talked about/buzzed about films of the festival season – THE IMITATION GAME.

Thanks for reading,

Jonathan

TIFF 2014 – Day #6

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phoenix-posterTuesday, September 9, 2014

Hello.  Thanks for coming back!

STILL ALICE was my first film today.  Based on a famous novel, this is the story of a linguistics professor who is dealing with early onset Alzheimer’s.  We learn in the film that diagnosis can come late in highly educated people – as they learn to have tricks to help retain their memory.  Julianne Moore plays the lead in this film, and she’s terrific.  This is a sad story due to the fact that we’re watching the terrible effects of a hideous disease…but Moore brings such humanity to the role that you can’t let go.

There’s no trailer for this film yet, but you can hear Julianne talk about the film below.

 

With a screenplay by Nick Hornby (who attended the screening), WILD is based on the true story of Cheryl Strayed’s hike up the Pacific Crest Trail.  Played by Reese Witherspoon (Oscar buzz is well underway), the story starts at the middle of her hike and circles back to the beginning…but the beginning of the hike isn’t the beginning of the story.  Through a series of flashbacks, we fully begin to understand why she’s taking this grueling journey.  For the first 15 minutes of this film, I was skeptical…but then it reeled me in.  The real Cheryl Strayed attended this screening, and had a lot of eloquent things to say about her journey – both physical and emotional.

PHOENIX was next.  This is the story of Nelly, a concentration camp survivor who has reconstructive facial surgery upon coming back into society.  After she recovers, she begins the search in post-war Berlin for her husband – who may have betrayed her to the Nazis.  Upon finding him, he doesn’t recognize her, and they begin a tension-filled game that is bound to reveal the truth.  The concept of this film is a little hard to believe initially.  Really?  He didn’t recognize her? But if you let that go, everything else is spectacular.  The production design, the tension and the performances.

Sorry…no subtitles trailer yet.

 

My last film of the day was TWO DAYS, ONE NIGHT – the new film from the Dardenne Brothers.  This gem stars Marion Cotillard as Sanda – a mother and wife who has just found out that her job is in jeopardy.  Other employees have been given the decision to chose between getting bonuses or retaining Sandra’s position at the factory.  Majority rules…and the vote will be taken Monday morning.  Over the course of the weekend, she attempts to visit the other employees and plead her case – even though doing so seems degrading and hurtful to an already fragile state-of-mind.  In true Dardenne fashion, the film is truly a piece of realism with keen insights to what makes us work.

 

More tomorrow!  Thanks for checking in!

Jonathan

Free Ticket Contest & THE KIDS ARE ALL RIGHT @ THE NEON!!

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Hello Everyone.

The booking fairy has granted us a wish!  THE NEON currently has Dayton’s exclusive booking of THE KIDS ARE ALL RIGHT…and that’s great for you, because THE NEON has Dayton’s best first-run ticket prices (not to mention a great selection of microbrews and imported beers).  We hope you’ll make plans to come out and support this film that is winning audiences & critics over across the country.

Synopsis for THE KIDS ARE ALL RIGHT: “The Kids Are All Right is the heartfelt new comedy from acclaimed director Lisa Cholodenko, starring Annette Bening, Julianne Moore, and Mark Ruffalo. Two teenaged children (Alice in Wonderland’s Mia Wasikowska and Journey to the Center of the Earth’s Josh Hutcherson) get the notion to seek out their biological father and introduce him into the family life that their two mothers (Bening and Moore) have built for them. Once the donor (Ruffalo) is found, the household will never be the same, as family ties are defined, re-defined, and re-re-defined. The New York Times raves that it’s ‘a generous, nearly note-perfect portrait of a modern family,’ and Entertainment Weekly calls the movie ‘funny, smart and sexy!’” (taken from movieweb.com)  Click on the image below to be directed to the official site.

We had to move WINTER’S BONE back a week, so we’re going to hold CYRUS for another week and hold onto MICMACS for one screening a day for one more week.  Both of these films will leave next Thursday to make room for WINTER’S BONE on August 6th.  Hurry down if you still need to see either of these films.

The Downtown Dayton LGBT Film Festival is swinging into action for its 5th year!  Mark your calendars for September 24-26.  The opening night film will be I KILLED MY MOTHER(an absolutely incredible film that has won awards and garnered high praise from numerous film festivals…from Cannes to Toronto to Frameline) – and you absolutely can’t miss it on the big screen.  In next week’s update, I’ll announce the entire line-up.  If you know someone who would like to sponsor the festival (either through a business or personally), please get in touch with me right away.

And Now – FREE TICKET Information. We want you to review our films!  Come to THE NEON and see our current films…then post your review on DaytonMostMetro.com under THE NEON’s weekly update.  At the end of August, we’ll collect all the names of people who have reviewed films – and we’ll draw 2 winners for a free pass (good for 2 admissions).  Each film review counts as an entry (though you can only review a film one time).  Please join in and help create some energy for THE NEON.  (If this goes over well, we’ll do it next month, too.)

We hope to see you in the coming week.
Take care,
Jonathan

SHOWTIMES for July 30 – August 5:

THE KIDS ARE ALL RIGHT (R) 104 Minutes
Friday, Saturday, Sunday: 12:40, 2:50, 5:15, 7:30, 9:45
Monday – Thursday: 2:50, 5:15, 7:30, 9:45

CYRUS (R)  92 Minutes
Friday, Saturday, Sunday: 1:00, 5:10, 7:20, 9:30
Monday – Thursday: 5:10, 7:20, 9:30

MICMACS (R) 105 Minutes
Friday – Thursday: 3:00