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Arts & Entertainment

‘Anthropology’ hits the stage at Sinclair this weekend!

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It is always great to see something new on the stages in the Dayton area. This time around, it is ‘Anthropology’ at the Sinclair Theater. We got the scoop on the performance! So excited to chat with the show’s director, Gina Neuerer!

937:  Why did you choose Anthropology?

I read the script of anthropology and immediately wanted to be part of telling this story. The playwright, Lauren Gunderson, is an incredibly creative storyteller and is telling a thriller of a story with anthropology! You’re on the edge of your seat, holding your breath, all the way through to the end. From an educational standpoint, the script offered our performance students the ability to develop deeply layered characters and the technology students the opportunity learn computer and video design and engineering skills.

937: It really is about finding the script that puts it all into play like that!!  What do you hope audiences gain from this production?

I look forward to the audiences experiencing this fast-paced, beautiful story. I look forward to the audience being witness to the love and grief within this family and the many ways we cope with trauma and how it is possible to come together after we break apart.

937: Which of course means the story must be a doozie….can you gives us insight into the story itself?

When Merril creates an AI version of her sister, she finds herself questioning the difference between reality and fiction.  As her creation begins to develop motives of its own, Merril’s life is thrown into chaos as her family gets pulled into the power of a well-programmed machine.  A story that intertwines the love of family with AI technology, anthropology will take you on a journey that will have you questioning what is real and what is not.

Here is a quote from the playwright:

“While anthropology is a roller coaster of the contrasting tensions between technology and its creators,” says Gunderson, “this play is truly a very human story of family, grief, resilience, love and sisterhood… all new technology – like all art – is first and foremost a method of expressing and coming to understand ourselves.”

937: This sounds so intriguing, and THRILLING!!   What days/times is it showing?

The show runs at 7pm on

Oct 10, 11, 14, 16, 17, 18

And 2pm on Oct 12

The cast consists of Tiffany Higgins, Adalia Gaynier, Rosi Green, Kimberly Borst, and Ryan Ford.

Where: Sinclair Community College, Black Box Theatre (Building 2), 444 W. Third St., Dayton  

Ticket Information: $15 plus $2 service fee. No at-the-door ticket sales. All tickets must be purchased online at: www.sinclair.edu/tickets

 

This Must Be the Party Returns to The Brightside for “Stop Making Sense” Celebration

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This Must Be the Party!

Get ready to dance. One of Dayton’s most acclaimed musical events is back, and it’s bringing the legendary energy of The Talking Heads to The Brightside‘s Ballroom this October.

This Must Be the Party returns for an all-star musical celebration that features a complete recreation of the iconic Stop Making Sense album, one of rock music’s most beloved records. If you’ve experienced this event before, you know it’s not just a concert—it’s a full-throttle dance party that captures the experimental spirit and infectious groove of David Byrne’s masterpiece.

The evening kicks off with special guests The Nth Power from New York, a trio that brings together an impressive mix of musical talent and diverse backgrounds. Fronting the band is singer and guitarist Nick Cassarino, whose previous work with the Jennifer Hartswick Band and tours with hip-hop legend Big Daddy Kane showcase his versatility across genres.

On bass is Nate Edgar, whose credits include the bands Groovechild and John Brown’s Body, providing the low-end foundation for the group’s groovy sound. Completing the trio is drummer Nikki Glaspie, a powerhouse musician who spent five years as Beyoncé’s world-touring drummer before joining Ivan Neville’s New Orleans funk outfit, Dumpstaphunk.

Together, The Nth Power demonstrates that great music knows no boundaries—bringing together artists from jazz, funk, hip-hop, and rock traditions into one unified sound.

HOW TO GO?

Date: October 10, 2025
Venue: The Brightside (905 E 3rd St., Dayton, OH)
Doors: 7:00 PM | Show Starts: 8:00 PM

Tickets:

  • $25 presale general admission
  • $30 day of show general admission
  • $160 reserved tables with 4 tickets (limited quantity)

Get tickets here: https://tickets.venuepilot.com/e/this-must-be-the-party-with-special-guests-the-nth-power-2025-10-10-the-brightside-music-event-venue–9dcc83

All ages are welcome, though patrons under 18 will need parental supervision. Those 21 and over should bring valid ID if they wish to purchase beverages.

A heads-up for attendees: this is a standing show with limited seating available for those who need it. This is a dance party, so comfortable shoes are highly recommended—you’ll want to be able to move freely as the music takes you on a journey through one of the greatest albums ever made!

 

Sinclair Theatre presents 𝙖𝙣𝙩𝙝𝙧𝙤𝙥𝙤𝙡𝙤𝙜𝙮 Oct 10 – 18

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When Merril creates an AI version of her sister, she finds herself questioning the difference between reality and fiction. As her creation begins to develop motives of its own, Merril’s life is thrown into chaos as her family gets pulled into the power of a well-programmed machine.
 
A contemporary thriller telling a story that intertwines the love of family with AI technology.
The show runs October 10- 18

With ‘Threads,’ TheatreLab expands board and season.

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TheatreLab Dayton announced their season a week or so ago. Titled ‘Threads,’  TheatreLab is hoping to expand on its connection to the community and its drive to be unique in its 2025-26 season.

‘We called the season Threads because for us, theater is really about connection, and that feels especially important right now. Every show this season has that sense of space and nostalgia built into it – these stories that remind us where we’ve been, who we are, and how we connect to each other. It just felt like the right moment to lean into that, and to give audiences a chance to share something meaningful together in the room.’ said Executive Director, Philip Drennen. New works, old favorites and a few surprises highlight the 2025 -2026 season:
I Love You, You’re Perfect, Now Change, Nov 6-9
The Mystery of Edwin Drood, Jan 22-25
Nunsense, March 26-29
Amour, May 18-24
No Map, Just Music kicks off the season and Drennen explained the unique choice. ‘We picked No Map, Just Music: A Tribute to Linda Ronstadt because her catalog honestly has something for everyone: rock, folk, country, soul, and just incredible storytelling. It’s such a wide range of music, and it connects with people in so many different ways. We’ve got an amazing live band made up of local singers and musicians, and of course the powerhouse vocals of Charity Farrell leading the night. And hosting it at The Brightside just felt right – it’s really become a Dayton staple for live music, so it’s the perfect venue for a celebration like this.’
Among the surprises TLD is excited for is
having a new guest director! ‘We’re so excited to be closing the season with Amour. Part of that is because we get to work with Joe Deer, he’s a legend in the Dayton theater community and it’s such a thrill to have him on board. And honestly, Amour is one of those gems that doesn’t get produced very often, so a lot of people may not know it. But it’s such a beautiful show, and I think audiences are going to be really surprised by how moving and magical it is.’ Drennen said.
TheatreLab is also on a mission to expand their board to improve community input. ‘We realize that now is the time to get more folks involved in our evolution. Last year, we created a new board that really looked at how to make TLD solid, while looking at new ways to use our talented team! We are adding more people to our board as the word has gotten out that TLD is a positive place for creatives!’ said board member, Josh Stucky.
Drennen piped in, ‘We’ve also got some really fun events planned this season, things like trivia nights, karaoke, and of course all of our usual pre-show parties. And beyond the shows themselves, we’re expanding our volunteer base, so there are lots of ways for people to support and get involved with TheatreLab. It’s really about building community, both onstage and off!’
For tickets and information on how you can get involved go to:

A Burlesque Musical: Wit, Rhythm & Rhinestones

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After two years of teasing, planning, and rhinestoning every last detail, the show they’ve been dreaming of is finally here.

They’re giving your favorite musicals the RUDE twist: stripped-down, glammed-up, and dripping in sass. From jazz hands to pasties, expect bold vocals, sharp wit, and a whole lot of sparkle.

Its Broadway, reimagined with burlesque flair and it’s one night only.

7 Course Wine Pairing at Whisperz Speakeasy

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 This event is a modern interpretation of a French classic – A Seven Course Wine Pairing expertly presented by Michael Schiaparelli of Skurnik Wines where we’ll focus on Old Vine Wines from countries across Europe. Indulge in expertly crafted dishes perfectly paired with a selection of premium European wines, each sip enhancing every bite. From savory appetizers to decadent desserts, this curated menu promises to delight your palate and tantalize your tastebuds. Purchase your tickets now for an unforgettable evening at Whisperz Speakeasy with this exclusive event on Monday, September 29th at 6:00 pm

Join us for a night of exceptional flavors, great company, and the sophisticated ambiance of Whisperz Speakeasy’s refined setting. This ticketed event has limited seating and will be closed to the public. Tickets are $75 per person and include the entire menu of the Seven Course Pairing. Additional drinks may be purchased and there will be special pricing on the selected wines of the evening for take home purchases.

Reserve your spot now and savor the best of Dayton’s culinary and wine scene — one course, one glass at a time! You may purchase tickets by stopping in the Speakeasy Tuesday – Saturday after 4pm, by calling us at 937-312-4864, or by clicking here to purchase tickets on our website. www.thedrinkerys.com

The Gin Game

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Step into the world of The Gin Game, a gripping, two-person play where a simple card game unravels complex emotions, long-buried truths and vulnerabilities rise to the surface. With sharp dialogue and poignant humor, this Pulitzer Prize-winning drama explores aging, isolation, and human connection. The Gin Game is a theatrical tour de force that’s as heartbreaking as it is unforgettable.

*WARNING: Play Contains Strong Language

 

 Performances are scheduled for Fridays and Saturdays at 7:30 PM and Sundays at 3:00 PM.  

Resounding Applause: The Dayton Philharmonic’s Triumphant Return!

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Elegant. Energetic. Celebratory. Last night was one of those nights in which you wish you could bottle the magic. The Dayton Philharmonic‘s kick-off to the 25-26 season was electrifying. Under the direction of  Keitaro Harada, the orchestra took on a new kind of vitality, and the audience sat up and listened!

‘Honestly, it was a triumph,’ said Elaine Gounaris. ‘I was floored,’ Brent Johnson stated. ‘It felt amazing,’ said Philharmonic musician John Kurokawa.

Harada knows how to command the musicians, while adding that charisma that any audience would eat with a spoon. His intense, passionate movements are only matched by his occasional nods and smiles assuring us he is having a blast! Harada is a recipient of the Sir Georg Solti Conducting Award and has only begun his 5 year tenure here in Dayton.

In this, his inaugural concert, we got to feel all the feels. (Even the Star Spangled Banner felt more humbling!) ‘The Inextinguishable’ symphony by Carl Nielsen, kicks things off with a round about look at life…and features a personal favorite…the Timpani! It is in that first act that you are captured…and ready for more! (The audience gave a standing ovation at intermission….ummmmm that says it ALL!)

Garrick Ohlsson, joins the Phil in the second half to bring Sergei Rachmaninoff‘s ‘Piano Concerto No. 2’ to perfect life! *Ohlsson is the only American pianist to bring home a gold medal awarded at the International Chopin Piano Competition! Astounding pianist!! It is the Rachmaninoff concerto that you are reminded of the power of music. Strong, soft, loud and moving…emotions run high. (Yes, Celine Dion fans, you are hearing overtones of ‘All By Myself’ in the Adagio…for older fans think Eric Carmen!) I whispered to my hubs ‘There is just something deep in Rachmaninoff’s music….he understood how music feels!’

Finally, let me say that getting to meet and greet with the musicians after the show may seem slight…but to see their pride, and hear their stories is a connection that should continue. BRAVO!!

As one who has loved orchestral music my entire life, I think Dayton is on to something. And, of course, it comes with a big ‘thank you’ for the contribution Neal Gittleman has shown to our community of music, for 30 years! Wow…what a legacy.

 

 

 

 

 

The Rubi Girls “Top Floor Hits”

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Get ready for an unforgettable evening of glitz, glam, and fierce entertainment as The Foundry proudly hosts “Top Floor Hits” This high-energy event brings together food, fun, music, and stunning performances to celebrate pride, community, and fabulousness – all while raising funds for the Rubi Girls Foundation, which supports the LGBTQ+ community.
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General Admission: $55 – Limited Ticket
For this event, community seating is part of the charm. You may find yourself dining beside fellow guests—an invitation to connect, converse, or simply enjoy the shared rhythm of a great cause. Welcome to THE FOUNDRY with a touch of spontaneity.
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Includes:
Pizza, Salad Bar, Cheese & Charcuterie & Whipped Feta (5pm-630pm)
Reserved Seat -All Tables are Community Seating, unless otherwise noted
Drag show performance
Access to the Meet & Greet + Red Carpet
$10 from each ticket supports the Rubi Girls Foundation
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Walk-in Tickets (Standing Room Only): $30 Limited Tickets
Entry Only – No Food & Standing Room Only

TIFF Day #9 – 2025

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Hello Dayton937 & NEON Fans,

My last day was short but very sweet.  The morning was spent exploring Toronto a bit…and then in the afternoon, Jake and I attended two films – both of which were treats for very different reasons.

My first film of the day is almost certainly getting a big Hollywood release – ROOFMAN (dir: Derek Cianfrance – USA) “Starring Channing Tatum and Oscar nominee Kirsten Dunst, this wildly entertaining drama from Oscar-nominated director Derek Cianfrance (TIFF ’10’s Blue Valentine) tells the real-life story of Jeffrey Manchester, the “Rooftop Robber,” and his efforts to evade capture.” (TIFF Catalog) Though I came away wondering a bit more backstory and motivation, the film ultimately worked for what it set out to do.  Tatum and Dunst have incredible chemistry on screen, and the performances are fun and embraceable.  It’s a fascinating story with documentary footage at the end to clarify the “reality” of it all, and overall, I was glad to be along for the ride.

My last film of the festival is from a TIFF favorite – Guillermo del Toro – who has played films like PAN’S LABYRINTH and THE SHAPE OF WATER here – FRANKENSTEIN (dir: Guillermo del Toro – USA) “Oscar-winning director Guillermo del Toro’s visually sumptuous adaptation of Mary Shelley’s gothic masterpiece finds Oscar Isaac as the brilliant scientist whose unearthly creation, eerily and ingeniously conjured by Jacob Elordi, blurs the boundaries between life, death, and madness.” (TIFF Catalog). Going into this film, it seemed like it would be ready-made material for del Toro (and perhaps treading old territory)…and that notion isn’t wrong.  But I was somehow still surprised at how much I liked this film.  The 2.5 hours seemed quite tight, and the production designs (mostly practical and not so much CGI) were stellar.  I’ve read a couple reviews that say the film lacked intimacy, and I think they’re terribly wrong.  There are some really tender moments, and though quite different than the novel on which it is based, I think it poses many of the same great questions that Shelley had in mind.

So that’s it!  32 Films over 9 Days, great Q&A’s, running into old friends and colleagues, appreciating the community’s embrace of great cinema…Toronto knows how to throw a festival, and TIFF is a special time of year for me.  I appreciate you reading about my adventures, and I can’t wait to bring some of these films to our screens at THE NEON.

Thank you so much to Dayton937 for allowing me to use their platform!

My best,
Jonathan

Catch Jonathan’s previous tiff posts:

The illuminated sign on King Street West indica

Day 1 post

Day 2 post

Day 3 post

Day 4 post

Day 5 post

Day 6 post

Day 7 post

Day 8 post

Gravity Defied! WSU’s StageWright Flies High, Again!

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Packed house. Excellent Performances. Beautiful Evening! Once again, Wright State’s Arts prove their national recognition is well-earned. The StageWright concert at the Levitt Pavilion on September 11th was nothing short of magical. From the bands, to the dancers, to the singers…WSU knows how to perform for the crowd, and they did it again!

Put together by WSU’s Dan Zehringer, the event, now three years old, continues to grow in performances and crowd size. The weather was cooperative as well…cool breezes, cold beers, and a fabulous sunset. Supporters of all things WSU ‘raidered-up’ in the audience to hear their colleagues and friends perform.

 

 

 

 

 

 

 

The event kicked off with WSU Army and AFROTC color guard, and a rousing trumpet ensemble, which included the National Anthem. Following was a percussion ensemble that got the crowd ‘going!’ Two performances by WSU Dance students stunned the crowd; one with it’s intricate percussion, the other, lively and fun . The Jazz ensemble followed suit, bringing some ‘swing to the thing!’ The event closed with a invigorating version of Wicked’s ‘Defying Gravity!’

 

Sue Edwards, WSU President, addressed the crowd, reminding them to join the university for all their shows throughout the year. and of course the beloved ArtsGala 2026. Bravo Raiders!! Bravo!

     

 

TIFF Day #8 – 2025

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Hello Dayton937 & NEON Fans,

Today was a short day with just 2 films…this is due to things partially slowing down and to the fact that I went to see Lady Gaga tonight at Scotiabank Arena.  It’s been a pretty terrific day, but I’m certainly showing signs of slowing down. I have a couple films tomorrow (Friday), and then it’s back to Dayton on Saturday.

My first film of the day was a teen comedy – DRIVER’S ED (dir: Bobby Farrelly – USA) “Bobby Farrelly’s charming Driver’s Ed follows a high school senior (Sam Nivola from The White Lotus) who hits the road to save his relationship with his college-bound girlfriend, with his principal (Molly Shannon) and driving instructor (Kumail Nanjiani) in hot pursuit.” (TIFF Catalog) There are some teen comedies that I really like – CLUELESS, MEAN GIRLS, and EASY A to name a few.  This new film from the director of DUMB & DUMBER, THERE’S SOMETHING ABOUT MARY and CHAMPIONS (which we played) is not one of them. Though not without some funny moments, this film had plot holes galore and was mostly not funny.  It also seemed quite possible that the screenwriter hadn’t spent much time recently in a high school classroom.  There are enough f-bombs and some sweet character chemistry to make this film popular on a streaming service, but I don’t see it being a theatrical hit.
There is no trailer yet for this movie, but here’s a still photo:

My second film for the day will be a big contender this year – HAMNET (dir: Chloé Zhao – United Kingdom) “Academy Award–winning director Chloé Zhao (Nomadland, TIFF ’20 People’s Choice Award) helms this lush and tender drama about William Shakespeare (Paul Mescal) and his family, as seen through the eyes of his thoughtful wife Agnes (a luminous Jessie Buckley).” (TIFF Catalog) Though lovely and deliberate from the start (visually, musically, performance-wise), it took a little while for me to be completely swept away.  But I did indeed get swept.  Jessie Buckley will get an Oscar nomination (and possibly win), and the film will be recognized in many other categories. Upon walking back to my apartment, I started crying again thinking of a couple scenes…and again upon recounting the film to my boyfriend.  Chloé Zhao has made a really impressive film about family, loss and the healing power of art, and I will certainly be seeing it again.

Lady Gaga put on a really terrific show tonight.  My boyfriend has been wanting to see her perform live for nearly 20 years…and we had good seats in a very energized arena.

Thanks so much for reading.

My best,

Jonathan

TIFF Day #7 – 2025

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Hello Dayton937 & NEON Fans,

Today was a full day!  In addition to the movies and a nice star appearance surprise, my boyfriend flew into town to join me for my last few days here.  He and I will see del Toro’s FRANKENSTEIN together on Friday (as well as Lady Gaga in concert on Thursday night)…but otherwise, he’s here to enjoy the city while I’m screening films.

It’s my rule that if I don’t watch a movie from beginning to end, I can’t include it here in my TIFF blog.  But I’m going to make a bit of an exception.  For my first movie today, there were only 2 people in line when I arrived – so I knew it wasn’t going to be hard to get a spot…so I popped into POETIC LICENSE for about 20 minutes.  This is the directorial debut from Maude Apatow, and from what I saw, it was pretty charming.

My first film of the day was a touching lesbian drama based on a true story – JULIAN (dir: Cato Kusters – Belgium, Netherlands) “Two women’s unique campaign for marriage equality inspires a poignant screen love story by director Cato Kusters.” Fleur & Julian decide to get married…and in an effort to bring more awareness to same-sex marriage, they decide to get married in all 22 countries that allow it.  Unfortunately, Julian it’s revealed that Julian isn’t well…and this story hops back and forth in time to tell their story.  It’s beautifully made and certainly unique.  I think it will find a lot of success on the festival circuit.

Next up was a film with Jodie Foster in the lead – Speaking French! – A PRIVATE LIFE (dir: Rebecca Zlotowski – France) “Oscar winner Jodie Foster stars in this slyly comic psychological thriller from director Rebecca Zlotowski (TIFF ’22’s Other People’s Children), in which a suspicious death yields a series of twists that lead back to old grievances — and maybe even to past lives.” (TIFF Catalog) This film is fun, twisty, and full of surprises…until it loses a bit of steam.  Jodie is really wonderful, but the last 15 minutes were like someone snuffed the candle. With Sony Classics pushing this title into 2026, I suspect they’ve lost hope of much award-season play/recognition.
There’s no trailer for this film yet, but here’s a clip:

I quickly made it to my next screening (which was largely on my list because of Tilda Swinton) – BALLAD OF A SMALL PLAYER (dir: Edward Berger – United Kingdom) “This seductive character study from Oscar-winning director Edward Berger (TIFF ’24’s Conclave), stars Oscar nominee Colin Farrell as an obsessive travelling gambler and Oscar winner Tilda Swinton as the dogged detective determined to track him down.” (TIFF catalog) At first glance, this blaring and colorful film that’s full of excess seems nearly impossible to have come from the same director who brought us CONCLAVE – but interestingly, there are some similarities.  The score (also by Volker Bertelmann) hits some similar notes….and there’s an embrace of ritual (despite the chaos) at its core.  Set mostly in Macau (of which the producer said, “puts Vegas to shame”), this film is visually stunning.  And of course Swinton brings a fresh energy to the film.  Overall, I liked it…but that was partially heightened due to the Q&A.  This film merits the big screen…but I don’t think Netflix will push to really get it out.

My next film was a real treat – CALLE MÁLAGA (dir: Maryam Touzani – Morocco, France, Spain, Germany, Belgium) “Senior Maria (Carmen Maura) finds herself at odds with her adult daughter who has begun, without first consulting her mother, the process of selling the family home in Tangier where Maria still lives.” (TIFF catalog) Since the late 80’s, when I first saw WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN (on VHS), I’ve been in love with Carmen Maura.  Since this wasn’t the first screening of this film, and because it was at Scotiabank (a multiplex), I didn’t think Maura would attend…but she did, and it was a treat.  This film is one of my favorites of the fest.  It’s very fresh, and it comes with equal parts comedy and heartbreak.  Maura, who will soon be 80, announced that she’ll soon likely retire. This film is special, and seeing her in person was incredible.
There’s no trailer yet for this film…but here’s a still photo from the film and a photo I snapped (lighting was not good – so it’s pretty grainy).

My next movie was another from the “Midnight Madness” section…and it was more than I bargained for – F*!K MY SON! (dir: Todd Rohal – USA) “Todd Rohal (The Catechism Cataclysm, Uncle Kent 2) violates all boundaries of good taste in this gleefully profane adaptation of Johnny Ryan’s underground comic about a decrepit mother (Robert Longstreet) who will stop at nothing to get her mutant son (Steve Little) laid.” (TIFF catalog) This movie started out with so much promise.  The “pre-show” was hysterical, the introduction of characters had a certain John Waters-vibe…it was irreverent, campy and in terrible taste.  There were certainly some big laughs (and the audience was all in), but then it became revolting and offensive.  Sure – that’s exactly what it wanted to be – but it wasn’t for me.
There’s no trailer yet for this one, but here’s a still photo:

Only 2 more days of TIFF left for me.

Thanks for reading,

Jonathan

The Beat Goes On: Dayton’s Next Generation Carries Forward the City’s Legendary Funk Legacy

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On Thursday, September 18, The Brightside Music & Event Venue will transform into a celebration of both Dayton’s storied past and its promising musical future. “From Dayton With Funk” promises an electrifying evening featuring three dynamic local acts: Luv Locz Experiment, MelinaMarie, and Freakquency. These rising stars will perform a carefully curated mix of iconic funk classics alongside their own original compositions, creating a bridge between the city’s golden age of funk and its contemporary renaissance.

The event offers more than just entertainment. Attendees will have the opportunity to view exclusive Dayton-centric segments from the PBS documentary WE WANT THE FUNK! providing historical context and celebrating the city’s often-overlooked contributions to American music culture. It’s a rare chance to see how Dayton’s musical DNA continues to influence artists today.

Luv Locz Experiment headlines “From Dayton With Funk”

What sets “From Dayton With Funk” apart from typical concert experiences is its commitment to supporting the region’s cultural infrastructure. Proceeds from the event will benefit PBS stations ThinkTV (Dayton) and CET (Cincinnati), and the Yellow Springs Film Festival, organizations that champion public media and arts programming throughout the area. In an era where funding for public broadcasting and independent arts initiatives faces constant challenges, events like this demonstrate how local music scenes can support broader cultural initiatives.

“It’s about more than just a night of great music,” explains event organizer, Libby Ballengee. “We’re investing in the platforms that help preserve and share our community’s stories.”

While the evening will undoubtedly feature beloved classics that have defined Dayton’s sound for generations, the focus on original material from contemporary artists ensures this isn’t merely a nostalgia trip. Luv Locz Experiment, MelinaMarie, and Freakquency represent different approaches to funk’s evolution, each bringing their own influences and innovations to the genre’s traditional foundation.

The Brightside Music & Event Venue, known for its intimate atmosphere and excellent acoustics, provides the perfect setting for this multi-generational celebration.

The beat that started decades ago in Dayton continues to pulse through the city’s venues, studios, and hearts. On September 18, that beat will be louder than ever, carrying forward a legacy while writing new chapters in the ongoing story of Dayton funk.

HOW TO GO?

Thursday, September 18

Doors: 7:00 PM / Show: 8:00 PM

The Brightside Music & Event Venue

All ages welcome!

🎟️ Tickets: http://bit.ly/44LlW9T

  • General Admission – $25 (Advance) Limited seating available throughout the venue 

  • VIP Table for 2 – $150 Reserved seating at premium tables near the stage (not on dance floor).

  • VIP Table for 4 – $200 Reserved seating close to the stage for your whole crew (not on dance floor).

  • General Admission Day of Show – $30 (we accept cash or credit at the door)

For more information about The Brightside Music & Event Venue and upcoming shows, visit their website here, or follow them on social media.

TIFF Day #6 – 2025

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Hello Dayton937 & NEON Friends!

As we get into day 6 & 7, some things slow down a bit.  Many folks in the industry are heading home, some special press & industry programs are wrapping up, and tickets are slightly easier to acquire.  But that doesn’t mean there aren’t sill a lot of films to see.  I’m here through Friday (Day #9) for screenings…so there’s still plenty to see (but I’ll be heading out for a concert on Thursday night – so a fun shift of focus while I’m here).

Last night, I got home very late and wrapped up my blog without mentioning what a terrific evening I had.  Between my 3rd and 4th screenings, I met up with Susan Strong again (our former Board member who now lives in Minneapolis) along with her husband and two friends from Springboro.  It was fun to recount what I’ve seen and hear about the films that had made impressions on them.  They’re all on their way home today after having seen 10 films over the course of 4 days.  Here’s a picture of us together:

It was really hard to get out of bed this morning, but I made it to my first film – COUTURE (dir: Alice Winocour – USA, France) “Anchored by a memorable performance from Oscar winner Angelina Jolie, this compelling new film from Alice Winocour (TIFF ’22’s Paris Memories), set in the Parisian fashion industry, weaves multiple threads of women and girls from Ukraine, France, and Sudan, in the lead up to a fashion show.”  This story of a few different women who all cross paths during a few days preparing for a big fashion event has its moments of intrigue (I mostly liked watching the clothes being made)…but the stories never felt deep enough (a rather weak screenplay doesn’t help matters) and/or the performances didn’t really feel honest enough.  The subject matter was primed for good drama, but I never felt invested.  At the end of the day, I feel like there’s material here for a solid short film – but as it stands, it didn’t work for me.
There’s no trailer for the film yet, but here’s a still photo:

My next film is a story that’s based on only a couple known facts from a director I admire (though I haven’t seen more than a few titles from him) – THE CAPTIVE (dir: Alejandro Amenábar – Spain, Italy) “In 1575 Algiers, a young soldier named Miguel de Cervantes is held for ransom — unaware he’s on the path to becoming one of history’s greatest storytellers. This bold, visually stunning film is a reimagining of the true story behind Cervantes’ transformation.” (Amenábar did films like THE OTHERS and THE SEA INSIDE…so I was all the more intrigued to see this film.) Before writing DON QUIXOTE, Cervantes was a prison…and that is one of the facts that we know – but not much else.  In this film, Amenábar tells us that Cervantes told stories to boost morale to other prisoners…and his stories became noticed from the Bajá of Algiers.  The production design is lovely, and the story is brutal, sexy and full of sadness & despair – but also hope.  It was a nice surprise.
This film doesn’t have a trailer yet, but here’s a clip:

Next up was the 2nd film of Richard Linklater’s at the festival – but this one in French – NOUVELLE VAGUE (dir: Richard Linklater – France) “The latest from Oscar-nominated indie auteur Richard Linklater is an effervescent, meticulous recreation of the making of Jean-Luc Godard’s legendary 1960 feature debut Breathless, the film that heralded the arrival of the French New Wave.” (TIFF catalog). A charming love letter to the French New Wave, this film pays homage in numerous ways – in technique, casting, design and more. Though I think being familiar with the players helps a lot in understanding the film (and even I felt like I needed a major history brush-up while watching), this film does work without knowing a whole lot about the era.  That said, it did make me want to run home and re-watch BREATHLESS with a new set of eyes…so it certainly worked on that level.

My last film of the night was a big winner at Cannes this year – IT WAS JUST AN ACCIDENT (dir: Jafar Panahi – Iran, France, Luxembourg) “Winner of this year’s Palme d’Or at Cannes, the latest from Iranian auteur Jafar Panahi — his first following his most recent prison sentence — follows a group of citizens pondering revenge against a man they believe was their torturer.” (TIFF catalog) This film reveals itself and its motivations in really interesting ways…and how it speaks to global politics is really frightening (like the reason these people had been taken as prisoners was because they were protesting their rights).  What’s really fascinating about this film is that it’s a thriller/political thriller…and a comedy.  Huh?  It doesn’t seem possible, but there are moments that are completely zany…but the last 15 minutes are incredibly intense.  Panahi was in attendance, and he spoke so eloquently of being held prisoner, making films under underground, and wishing for the complete fall of the regime in Iran  – it was inspiring.  What an incredible way to see this film.  Many thanks to my friend from Cinetic for securing me the incredible ticket.

I’ve got another full day tomorrow…then I start to slow down a bit. Thanks so much for reading!

Jonathan

TIFF Day #5 – 2025

By

Hello Dayton937 & NEON Fans,

I saw four films today, and they were quite spread out…as today (errr, yesterday) was my first Midnight Movie of the festival.  I can already tell it’s gonna be rough waking up in about 4 hours.

My first movie of the day was a hot ticket – THE TESTAMENT OF ANN LEE (dir: Mona Fastvold – United Kingdom) “Mona Fastvold, co-writer of The Brutalist, examines the life and beliefs of Ann Lee, one of pre-Revolutionary America’s most seminal religious figures, in The Testament of Ann Lee — with Amanda Seyfried as Lee and a stellar cast including Tim Blake Nelson.” (TIFF catalog) It’s been a long time since I sat through a long film that I really disliked.  Going into this, I knew it was a musical.  Going into this, I knew it was about religion.  Going into this, I knew it was 2 hrs & 17 min.  I’m not opposed to any of those things, but boy, oh boy, this film did not work for me.  There were historical elements that I found intriguing here – like certain aspects of the Shaker religion that are intriguing – like their pacifism, their belief in equal rights and anti-racist ideals…but I could learn these things without this film.  Though some musical numbers were intriguing and certainly seemed necessary (the Shakers were essentially referred to as “shaking Quakers”), the introduction of electric guitars to the music in later scenes made me dislike the film even more.  All that said, I’m glad I stayed until the end – as the last 15 minutes painted a very interesting picture.
There is no trailer yet for this film, but here’s a still photo:

My next film had hints of  early Michel Gondry-like whimsy – ETERNITY (dir: David Freyne – USA) “Set in the afterlife, this stirring drama from director David Freyne (TIFF ’17’s The Cured) features Elizabeth Olsen (TIFF ’24’s The Assessment) and Miles Teller (Whiplash) as souls in transit — and a troubled love triangle.” (TIFF catalog). This film was an escapist treat, and it even got a round of applause from the industry folks (a rarity for Press & Industry screenings).  This colorful, escapist film was tender and full of laughs, and Da’Vine Joy Randolph steals a lot of scenes, but everybody is terrific. I smile-cried on-and-off throughout. (This is one of those movies where I will want to pause scenes just to appreciate the set pieces and props.  Everything about creating this world is thoughtful and fun.)

My next film of the night was a Canadian film made with indigenous people – BLOOD LINES (dir: Gail Maurice – Canada) “The second feature from director Gail Maurice (ROSIE, TIFF ’22) is a singular film: a Métis same-sex romance led by actor Dana Solomon, who is a revelation.” (TIFF catalog). This film’s strength is in its photography and it representation.  It was made so much stronger by a lovely Q&A with the director and several people from the cast.  Sadly, I felt the screenplay rushed some of the story/development…but was too slow at other moments.  What was so fresh about the material was that the lesbian pairing was unflinching…being gay was at no point scorned or even questioned…and that was refreshing.  I don’t think a little film like this will find distribution, but I’m glad it’s out in the world.
There is no trailer yet for this film, but here’s a still photo:

My last film of the day was visually dazzling – DUST BUNNY (dir: Bryan Fuller – USA) “A 10-year-old girl procures the services of a hit man (Mads Mikkelsen) to kill the monster under her bed in this whimsically macabre feature debut from acclaimed television showrunner Bryan Fuller (Pushing Daisies, Hannibal).” (TIFF catalog) This was a true Midnight Movie (I’ve seen films from this category before, but never actually at midnight…and I wasn’t alone – it was Sigourney Weaver’s first Midnight Movie, too…and it was so fun to see her in person).  The design of this film was so polished and hyper-stylized, there were times I couldn’t tell if the entire set was CGI or if the practicals were just enhanced.  The script was great, Mads and Sigourney were fantastic, and the little girl – Sophie Sloan – was absolutely incredible.  Between the elevated production design and fun childlike playfulness of it all, it felt like a horror version of AMELIE.  There were moments I had no idea what was going on…and I don’t know if it was because I was so tired or because the overall production was simply too stimulating.  This film will find a dedicated cult audience for sure.

 

I’m not sure if I’ll get four films in tomorrow, but I’m pretty certain I’ll see at least a couple winners.

Thanks for reading,

Jonathan

Catch Jonathan’s previous tiff posts:

The illuminated sign on King Street West indicates the start of the festival!

Day 1 post

Day 2 post

Day 3 post

Day 4 post