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TIFF Day #9 – 2024

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Hello NEON Community.

Today was my last day of screenings, and I officially passed the “30 films” mark.

My first film of the day was one I was eager to see – QUEER, dir Luca Guadagnino (Italy, USA) “Brilliant, audacious author, meet brilliant, audacious director: it takes risk to translate the work of William S. Burroughs for the screen, but Oscar-nominated filmmaker Luca Guadagnino’s (Call Me by Your Name, TIFF ’17) spin on the Beat legend’s autobiographical novel matches its source material in vulnerability and taboo-smashing adventurousness. Starring Daniel Craig and featuring supporting turns from Jason Schwartzman and Oscar nominee Lesley Manville (Phantom Thread), Queer is a hallucinogenic odyssey bathed in desire.” My first Guadagnino film at TIFF is one of my favorite memories…it was a screening of I AM LOVE – which is still one of my favorite films for the 17 years I’ve been attending the festival.  On top of that, other Guadagnino films have played very well for us at THE NEON – CALL ME BY YOUR NAME and CHALLENGERS are among them.  This story is told with magical and drug-induced imagery in wonderful ways, and the Craig’s performance is really quite wonderful.  The film is a slow burn, and I think it might grow on me in time…but about half way through, I was feeling underwhelmed (though I thought the last 20 minutes were very strong).  I had been told by some industry folks that the sex scenes were more than theater-goers could handle – so I was prepared…but in the end,  they weren’t as risqué as I’d thought they might be.

Next up was a complete surprise.  I like Tom Hiddleston & Chiwetel Ejiofor, so I decided to try THE LIFE OF CHUCK, dir Mike Flanagan (USA) “Mike Flanagan takes a detour from the macabre with this adaptation of a uniquely structured Stephen King novella that unravels a seemingly ordinary accountant’s world. The world feels like it’s ending and everybody’s saying goodbye to Chuck. Wherever Marty (Chiwetel Ejiofor) goes, he can’t get away from Charles Krantz (Tom Hiddleston). His face is showing up on billboards, window signs — even TV commercials. What’s so special about this seemingly ordinary accountant and why does he warrant such a sendoff?” (taken from TIFF catalog) This is told in three parts, and Part 3 is where we start.  It’s inventive and plays with genre in an interesting way (Part 3 is a scary end-of-days sci-fi genre (but seeming more like real-life these days) and Parts 2 & 1 are origin story dramas.  At the end of the day, it’s a film about memories and how we’re shaped as adults. Some may say it’s a little too saccharine, but I absolutely adored this film – and it is definitely in my Top 5 of this year’s festival!

My last film of the festival was from the “Midnight Madness” category – THE SUBSTANCE, dir Coralie Fargeat (United Kingdom, United States of America, France) “Demi Moore portrays a fading Hollywood star feuding with the manifestation of her younger self (Margaret Qualley) in this award-winning body-horror satire from writer-director Coralie Fargeat (Revenge)” (taken from TIFF catalog) This film has a lot to say about beauty and age standards for television and film (and even the general public), and it’s hyper-stylized.  It’s a kind of DEATH BECOMES HER directed by Cronenberg, and it’s very fun (and rather grotesque).  For the first 90 minutes, I wished we had booked it at THE NEON next week…but then it jumped the rails and became a full-on gore fest…I’m glad we didn’t. (I think a large part of our regular customers would revolt…plus it will be playing at the multiplexes.)  Overall, I personally liked it – but it absolutely not for everyone.

So that’s that!
32 Films (33 screenings overall – I saw 1 film 2 times), 2 sit-down interviews with a big star and a big director, lots of connections with other people in the business, 1 star-studded party and a couple good meals.  Thanks for coming along on this ride with me.  I hope to see you soon at THE NEON.

Take care,
Jonathan

 

TIFF Day #8 – 2024

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Hello NEON Community.

Things are winding down at TIFF.  Lines are shorter and energy is dwindling (especially mine)…but today had a couple nice surprises in store!

Nobody plays tormented better than Sarah Paulson…so I went to see HOLD YOUR BREATH, dir Karrie Crouse, Will Joines (USA) “Sarah Paulson returns to her home in genre work in this supernatural and psychological film from Karrie Crouse and Will Joines…In dust bowl Oklahoma of the 1930s, a mother (Paulson) nears the breaking point as she tries to protect her daughters from deadly windstorms and the impact of her own harrowing past. ”  (taken from TIFF catalog) Though the set-up was great and the photography is lovely (sometimes almost sepia-toned), this film didn’t trust its own material enough.  The addition of jump scares just for the sake of jump scares cheapened the experience.  Though this film is not without some wonderful, haunting moments (like when Sarah is sewing late at night and sews the fabric to her skin without realizing it), I can ultimately see why Searchlight has decided to move this one directly to the Hulu streaming platform instead of giving it a theatrical release.

The next film on today’s list was fantastic! WILL AND HARPER, dir Josh Greenbaum (USA) “This heartfelt documentary from director Josh Greenbaum (Barb and Star Go to Vista Del Mar) follows Saturday Night Live alumni and close friends Will Ferrell and Harper Steele as they traverse the US by car following Steele’s announcement of her transition.” (taken TIFF catalog). This roadtrip doc is full of friendship, laughter, and a desire to better know a friend…it also deals with some emotional truths that many Americans have never faced.  We were told at the beginning of the screening that we would be joined by special guests for a Q&A afterward…and it was delightful to process the film with the director, producer as well as Will Ferrell and Harper Steele!  Harper right away addressed the fact that many people who transition don’t have the resources or the support that she has had.  That said, the inner struggle and turmoil when deciding to come out was just as strong for her.  I highly recommend this film. It works! (the photo below is one that I snapped during the Q&A)

My last film of the day was an unsettling and transfixing period piece. THE GIRL WITH THE NEEDLE, dir Magnus von Horn (Denmark, Poland, Sweden) “In Magnus von Horn’s stylish and audacious blend of true-crime drama and expressionist nightmare, a young seamstress trying to survive in post-WWI Copenhagen makes a fateful connection with one of the era’s most infamous figures.” (taken from TIFF catalog) At the end of the day, this is a horror film.  That said, it’s not what you think of for today’s horror market.  It’s beautifully shot, the script is terrific, the score is inventive…yet there’s something upsetting and potentially sinister at most every turn.  It’s hard to say I “like” this film, but I do think it’s quite brilliant.

Tomorrow is my last day of films…and it’s likely going to be a short day.  I’ll at least hit 30 films by tomorrow – and I’m very anxious to see Luca Guadagnino’s new film QUEER – starring Daniel Craig.

Thanks for checking in,
Jonathan

TIFF Day #7 – 2024

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Hello NEON Community!

My first movie of today was from the director of our highest grossing documentary ever PIECE BY PIECE, dir Morgan Neville “The life of singer and producer Pharrell Williams is told through LEGO pieces in this animated feature debut from Morgan Neville, featuring the voices of Gwen Stefani, Kendrick Lamar, and Jay-Z.” Neville is responsible for WON’T YOU BE MY NEIGHBOR – so I trusted his instincts and went to see this animated doc about Pharrell.  This creative and thoughtful piece is meant for the whole family – and I hope cinemas and PR folks work with lots of school-aged kids to get them to see this movie so it can inspire them.  We were told that Morgan Neville would join us after the screening for a Q&A…but we were surprised by Pharrell also joining him.  Their talk of equating legos with creating art – assembling layers of existing pieces – was all very intriguing, and Pharrell seems to be in a very grounded place regarding the “grace [he’s] been shown despite years of arrogance.”

Next up was a narrative film about the creation of the first episode of the groundbreaking sketch comedy show – SATURDAY NIGHT, dir Jason Reitman (USA) “Director Jason Reitman captures the frenzied lead-up to the very first episode of Saturday Night Live as a motley bunch of then-unknown and untrained young comedians prepare to step into a revolutionary spotlight that will change history and make them all stars.” (taken from TIFF catalog) This frenetic film is so much fun and full of iconic characters, and it was nice that we got it introduced by Jason Reitman – who was both charming and funny.  I know our audience would love it!

My last film of the day was determined by one of the leads – Tilda Swinton. THE END, dir Joshua Oppenheimer (Denmark, Germany, Ireland, Italy, United Kingdom, Sweden) “Joshua Oppenheimer, known for his groundbreaking documentary The Act of Killing (TIFF ’12), makes his fiction debut with this sombre musical about a family in denial at the end of the world, starring Tilda Swinton, Michael Shannon, George MacKay, and Moses Ingram.” This ambitious movie has a lot to say about our ability to lie to ourselves.  And though I understand this is really just an allegory, I found myself questioning so many details about the film. Though there were many details I admired, I was ultimately not fond of this very long film.

Thanks for checking in again!
I’ve got three films set for tomorrow!

Jonathan

TIFF Day #6 – 2024

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Hello NEON Community,

I want to make sure I send a big THANK YOU to Dayton937 for allowing me to use their platform for daily postings while at TIFF.  It’s a great way to stay in touch with all of you while’s I’m on the road.

My first movie today was a BIG one.  It’s a musical set in many cities around the world (produced by France) – but mostly set in Mexico. EMILIA PEREZ, dir Jacques Audiard (France) “Featuring fearless performances from Zoe Saldaña, Selena Gomez, and the amazing Karla Sofía Gascón, the latest from director Jacques Audiard (Rust and Bone, TIFF ’12) audaciously merges pop opera, narco thriller, and gender affirmation drama.” (taken from TIFF catalog) I didn’t quite know what I was in for, but this musical, gangster melodrama took me for quite a ride.  I was a huge fan of RUST AND BONE over a decade ago, so I was intrigued to see what Audiard would do with a musical.  It’s big and bold and whirlwind of styles and voices – and it ultimately works in its sometimes frenetic style…and the three leads are really wonderful (Saldaña really shines).

Next on my list was RIFF RAFF, dir Dito Montiel (USA) “With an all-star ensemble that includes Ed Harris, Gabrielle Union, Jennifer Coolidge, and Bill Murray, the latest from director Dito Montiel (Man Down, TIFF ’15) is a pitch-black comedy about family, loyalty, and murder.” (taken from TIFF catalog) I 100% know there’s an audience for this film…It’s just not me.  Back in college, all of my classmates loved Tarantino.  He made a joke out of violence..and it was widely copied and embraced by numerous filmmakers.  I wasn’t interested.  The screenwriter for RIFF RAFF noted that several years ago, people read his script and told him “people don’t make movies like this anymore”…he then noted that the director fought to get it made and now people are loving it – he said, “it’s like the new old-fashion.”  The comedic use of shooting people – seeing their brains splatter on the wall..watching someone get their head bashed in…all surrounded by dialog that’s meant to evoke laughter – it’s all here.  It’s just not my thing.  (In addition – There’s some really bad idiot dialog in the beginning of the film to set everyone up…and then the use of bad voice overs – so even more reason for me not to like it.) The one aspect of the film I did like?  Jennifer Coolidge!  From her first entrance on screen to some key moments of droll delivery, she’s gold.

After meeting Jake at the train station, I scurried to my next screening – MISERICORDIA, dir Alain Guiraudie (France, Spain, Portugal) “The latest feature by acclaimed French writer-director Alain Guiraudie (Stranger by the Lake, TIFF ’13) is a deliciously twisted tale of sexual repression in a small town marked by death.” (taken from TIFF catalog) This quirky, sexually repressed, dark and funny tale is set in a very small, pastoral town (it seems to be populated by about 8 people), and it’s a slow burn.  With unsettling occurrences throughout, this story is a quiet treat.  The director was sadly not in attendance because the film is currently getting a release in France – and he had obligations to make appearances at many of those screenings.

My last film of the night was one I was excited to see – BABYGIRL, dir Halina Reijn (USA) “Nicole Kidman is captivating as a high-powered executive who risks everything when she starts a sexual relationship with an intern (Harris Dickinson) in this thrilling erotic drama from writer-director Halina Reijn (Bodies Bodies Bodies).” Sadly, I found this one to be a disappointment.  The audience was laughing and gasping at every turn…but I found myself quite often rolling my eyes and shaking my head.  Though Kidman’s performance is very good, I questioned a lot of the material and thought if felt repetitive.  It’s being billed as an erotic thriller, but I found very little thrilling or fresh material here.

Only three days of movies left!

Thanks for checking in,
Jonathan

TIFF Day #5 – 2024

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Hello NEON Community!

Today didn’t go entirely as planned…I didn’t get some of the tickets I had hoped to get for this evening (like the new Walter Salles film – I’M STILL HERE).  (I’m sure Sony Classics will let me take a look at it somewhere else…but I really love seeing how crowds respond to films before we book them.  Watching them by myself is OK – but watching films with film lovers is a different experience.)

My first movie of the day was THE DEB, dir Rebel Wilson (Australia) “Rebel Wilson’s directorial debut is a bold, outrageous, and funny Australian musical about two very different teenage cousins who initially clash but eventually join forces to make their mark on their town’s annual debutante ball.” (taken from TIFF catalog). Unfortunately, I’m not permitted to write anything about this film right now.  This film has not premiered anywhere yet – and all critiques are “embargoed” until after this upcoming weekend.  (You’ll have to come back on this page next week if you want to know what I thought of this new musical.)

If you’ve been reading my blog on a daily basis, you know that I wrote how I couldn’t wait to see THE ROOM NEXT DOOR again.  So I didn’t.  I saw Almodovar’s brilliant, vital new film from a much better seat today.  It truly is so special.  I love when characters reference literature & works of art and they’re familiar to me…it feels like an even stronger connection to the characters and the director.  From Dora Carrington’s relationship to Lytton Strachey to James Joyce’s THE DEAD to Buster Keaton and so many more.  The production design, the costumes, the score.  Everything is so intentional…even the spines of books as the two leads walk through a bookstore.  Brilliance.

Next up was one that will be talked about a lot this Oscar season – CONCLAVE, Edward Berger (USA, UK) “Oscar nominees Ralph Fiennes and Stanley Tucci lead a brilliant ensemble cast in All Quiet on the Western Front director Edward Berger’s stunning adaption of Robert Harris’ high-stakes drama, in which Cardinals gather at the Vatican to elect a new Pope.” (taken from TIFF catalog) Vatican City at the time of a Conclave is the perfect setting for a high stakes thriller because the Catholic Church works so much like other board rooms or election cycles…with conflicting ideas and attempts to make change or step back from change. It’s fascinating! Ralph Fiennes gives a homily to all the gathered Cardinals in the first 30 minutes of the film – and it is the best I’ve ever heard.  It rattled many and was embraced by others.  The performances here – particularly from Fiennes, Isabella Rossellini and newcomer Carlos Diehz, are exceptional…as is the score.

My last film of the day was 100% unplanned.  After I went back to my apartment and worked on NEON-related details (show schedules, website updates, etc.), I decided to try my luck of getting in a “rush” line for a film called HERETIC.  I waited about 85 minutes, and several people got in…but I was not so lucky.  When that didn’t work out, I hopped in the next available film – 100% a surprise – CROCODILE TEARS, dir Tumpal Tampubolon (Indonesia, France, Singapore, Germany) “In this slow-burning suspense thriller from debut filmmaker Tumpal Tampubolon, a young man and his overbearing mother’s lives on their isolated crocodile farm are turned upside down with the appearance of a young woman.” (taken from TIFF catalog) This little film is terribly unsettling.  With crocodiles writhing around waiting to be fed, with mom suggesting that the one giant white crocodile is “papa,” and the announcement that Arumi (Johan’s new girlfriend) is pregnant – it seems like terrible occurrences are just around the corner.  It’s a solid film, but I don’t think it would do well as a theatrical engagement for us.

Tomorrow, my boyfriend Jake is joining me in Toronto.  Though he and I will only see a couple movies together, it will be nice to have him here for my last few days.  If flights are on time and all goes as planned, his first film (tomorrow night) will be BABYGIRL – starring Nicole Kidman.

Thanks for reading!
Jonathan

TIFF Day #4 – 2024

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Hello NEON Community!

Today was a rougher start than usual.  I knew I needed to be in a physical line by 8:00…but 8:00 is when I need to be on-line attempting to get tickets for later in the day.  And being outside in a line means that I have to use data instead of a decent internet connection…so it was a stressful start to the morning.  Regardless, I got a couple tickets for later in the day that were on my list – so then I was off to the races.

My first film of the day was NIGHTBITCH, dir Marielle Heller (USA) “An overworked stay-at-home mom (Amy Adams) tries to catch a break, any break, while caring for her rambunctious toddler. Also, she might be turning into a dog.” (taken from TIFF catalog) Heller made a film I adored at TIFF back in 2018 – CAN YOU EVER FORGIVE ME (with Melissa McCarthy playing Lee Israel)…so I was quite interested to see this…but I was also skeptical given the synopsis and trailer.  It turns out, I rather liked it. This is a film about a woman rediscovering herself after having dedicated a couple years of her life, without rest or instrospection, to raising a child.  It’s about motherhood being primal – and that mothers are gods who create life…and that a child’s first act is one of violence as they enter the world.  There’s a monologue at the beginning of the film that I think will be used often down the road for women auditioning for roles…it’s pretty spectacular.  Overall, I liked this film, and Amy Adams is fantastic.

Next up wasn’t a film, but a chance to sit in on an interview with a contemporary icon. IN CONVERSATION: CATE BLANCHETT.  This session was spectacular, and the interview was hosted by TIFF CEO Cameron Bailey. Blanchett is grounded, wise, and very funny.  The event took place in the Royal Alexandra Theatre – a lovely space that reminds me a bit of The Victoria.  Blanchett was asked about some career defining collaborations, the different roles she’s taken (both as an actress and as a producer), and she reflected on certain projects.  When told that we’d be looking at some different clips of her work, she asked if there was a barf bucket…then after a clip from ELIZABETH: THE GOLDEN AGE, she shrieked and gasped and exclaimed, “I keep waiting for RuPaul to ask me to be on the show.”  It was a delightful afternoon full of insight and a true desire to connect with the audience in front of her.  (And of course I loved when she talked about CAROL – and how hard it was to find funding…and how TALENTED MR. RIPLEY was one of the best gigs she’s ever had.) Such a lovely event!
I didn’t have the best seat in the house…but it was pretty good.  Here’s a little pic I snapped:

Another conversation was next…but I couldn’t stay the entire time. VISIONARIES: ALFONSO CUARÓN had Cuarón on stage being interviewed by a film critic – and the conversation got started by talking about his relationship to the other 2 very famous Mexican directors – Guillermo del Toro & Alejandro González Iñárritu.  I could only stay for about 20 minutes because 1) it got a late start & 2) I had another screening.  While on my way to this event, I stopped on the sidewalk for a quick phone call…and a car pulled up and Cate Blanchett got out.  I love little moments like this while at TIFF!

I rushed out of the Cuarón event in order to get to FIRE INSIDE, dir Rachel Morrison (USA)  “Renowned cinematographer Rachel Morrison makes her feature directorial debut with this film about boxer Claressa Shields’ true-life ascent to the Olympics. It’s a unique sports story that goes beyond the triumph of the underdog to ask what comes after.” (taken from TIFF catalog) You might recognize Rachel Morrison’s name from other projects like FRUITVALE STATION, MUDBOUND and BLACK PANTHER – this is one reason I wanted to see this film…the other reason was that it was written by Barry Jenkins.  I’m going to be completely up front with you.  I don’t like boxing (in fact, I really loathe any sport where you’re supposed to attack or strike someone – I’ve never understood the allure).  That said, this film is very well done.  The story of rising up, having a mentor and working against an oppressive system is powerful.  The film works on several levels, and it will help create an understanding to the masses just how biased and sexist the sporting world is to athletes that don’t fit certain societal “ideals.”  It’s a great little film, and I hope it gets a good release.

My last film of the night (which now has me at 16 films for the first 4 days) was ON SWIFT HORSES, dir Daniel Minahan (USA) “Set in the 1950s, this gorgeous adaptation of Shannon Pufahl’s 2019 novel follows a seemingly sensible newlywed (Daisy Edgar-Jones) and her wayward brother-in-law (Priscilla’s Jacob Elordi) as they undertake parallel journeys of risk, romance, and self-discovery.” This ambitious period film has compelling characters, lovely production design, beautiful camera work, some great costumes and one really bad wig (boy, oh boy…a bad wig can really ruin an entire scene). There are some wonderful moments in this film, and the sexual awakenings are interesting – but it just doesn’t add up. I kept watching because I liked the characters – I just wish I had liked the screenplay better.

Tomorrow is CONCLAVE – a film we’re considering for Thanksgiving.  It’s getting rave reviews, and I can’t wait.

Thanks for checking in,
Jonathan

TIFF Day #3 – 2024

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Hello NEON Community!

Today was busier than I had initially planned.  When I wasn’t able to score a ticket to the new Mike Leigh film (HARD TRUTHS), I ended up booking tickets to two films that were a little further down on my list.  In addition, I ran into a colleague in distribution who invited me to a party – so That meant that I had four films and 2 parties instead of three films and 1 party…but things can change on a dime (I’m not complaining).

My first film of the day was one I had been waiting for – ANORA, dir Sean Baker (USA) “This Palme d’Or winner follows a turbulent relationship between a New York–based exotic dancer and the son of a Russian oligarch.”  We’ve played Baker’s work in the past at THE NEON – RED ROCKET and THE FLORIDA PROJECT…and this is certainly one to watch with a lot of early award season buzz. Despite the rambunctious and exuberant nature of the first hour, there’s always a feeling of sadness under the surface. Baker’s work is very sex positive and he doesn’t judge his protagonists, but you can feel that Anora really wants more than she’s got. VARIETY wrote that this film makes PRETTY WOMAN look like a Disney movie.”  (Quite interestingly…it was.  It was made by Touchstone Pictures – a subsidiary of Disney in the 1980’s.) This film has lots of laughs, lots of sex, and lots of heartache.  It’s rough and subversive – but you’ll fall for Anora. Mikey Madison in the lead role is quite a discovery.

Next up was something I hadn’t necessarily planned to see – SKETCH, dir Seth Worley (USA) “When a young girl’s peculiar drawings come to life, leaving a wake of chaos and crayon dust, a grieving family has to band together to fight them off in this feature debut.” (taken from TIFF catalog) The screenplay for this film is great right of the bat – it feels honest and genuine.  But I have to admit that I started to roll my eyes a bit when the monsters came to life…they just seemed a little too silly for the world that had been set up for us.  But I stuck with it…and I’m glad I did.  I had a true emotional response to this little gem, and the kids were fantastic.
The director introduced this film as “INSIDE OUT meets JURASSIC PARK,” and the curator from TIFF who introduced it said we haven’t seen a group of kids work together like this since THE GOONIES.  I agree with both sentiments.   (The Q&A had me in tears when one of the cast members was asked how he related to his character.). I’m not sure where this will land, but I can see audiences getting behind it.

My next film was a surprise ticket – K-POPS, dir Anderson .Paak (USA) “A father hopes to ride the coattails of his long-lost son’s rocketing stardom in this feature debut from eight-time Grammy winner Anderson .Paak.”  This polished film had a very invested audience…and many of the people on screen who elicited cheers and screams from the audience were actors/performers I don’t know (I knew folks like Earth, Wind & Fire, but I didn’t know the K-pop icons). Though the film is really about a father connecting with the son he never knew, the setting of a “reality” talent/gameshow couldn’t be further from a setting that interests me.  Though there was a lot of talent on display, I wasn’t fully invested in the story.  And though know there’s an audience for this film (I was surrounded by people who adored it), the movie (with moments of slapstick and some animation and montage scenes that seemed like fluff and filler instead of motivated plot devices) wasn’t really for me.

Before I went to my last film of the day, I stopped by Searchlight’s NIGHBITCH PARTY – a reception celebrating the premiere of the new Amy Adams’ film NIGHTBITCH (which I will hopefully see tomorrow).  I mingled with and met people who curate other cinemas and film festivals, and I chatted with one of the actors from the film.  Amy Adams, Scoot McNairy and others were at the party and posed for a few photos with the little boys who played her child in the film.  I only stayed for about an hour because I head to get to the film I’ve been most excited to see.

The last film of the day was my most anticipated – THE ROOM NEXT DOOR, dir Pedro Almodovar (Spain) “Tilda Swinton and Julianne Moore star in this visually exquisite and intimate adaptation of What Are You Going Through by Sigrid Nunez, Pedro Almodóvar’s first English-language feature.” I’m anxious to see this film again.  The story centers around two friends who are reunited after years apart…and how one of them asks the other to be “in the room next door” when she decides to take her own life instead of enduring another round of what seems like unhopeful Cancer treatment.  This film is full of references – to art, literature, film and event Almodovar’s own work (I found references to TALK TO HER, WOMEN ON THE VERGE, and PAIN AND GLORY – and I’m sure I’ll see more with another viewing). Sadly, Pedro was not in attendance…but he had good reason – only hours before, he won the Golden Lion from the Venice Film Festival…so he was in Italy accepting that award.  That said, Tilda, Julianne and John Turturro were there.  Their Q&A was pretty wonderful.  And even though a couple people asked seemingly inane questions, the ladies were able to steer their responses into philosophical and moving responses.
Almodovar films are known their production design, and Tilda said that most of the sets incorporate things from Pedro’s own apartment…the films really do seem like extensions  of his worldview and personal surroundings.
Tilda corrected one audience member when being asked about euthanasia.  She said, this film isn’t about euthanasia, it’s about someone taking their own life into their own hands and dying with dignity.  It was a powerful night.

I had one more party to stop at…but I just couldn’t bring myself to do it.  It’s already 1:00, and I knew I wanted to get this posted before too late.  I also just needed some quiet time after such a strong film.

Thanks for checking in!  Tomorrow is Cate Blanchett Day!!

Jonathan

TIFF Day #2 – 2024

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Hello NEON Community!

Today’s early films had an Ohio focus!

My first movie of the day was THE LUCKIEST MAN IN AMERICA, dir Samir Oliveros (USA) “Featuring Paul Walter Hauser (Richard Jewell), Walton Goggins, and David Strathairn, this stranger-than-fiction drama resurrects a hugely popular 1980s game show and the ‘luckiest man in America’ who broke it.” (taken from TIFF catalog) Based on a true story about how a man memorized and beat the “random” lights on PRESS YOUR LUCK, the protagonist from this scandal was from Lebanon, Ohio!  This funny, tense, and upsetting film works on so many levels.  From it’s vintage-looking credits and camera work to the crazy set-up, this movie is a lot of fun.  Though the ending was slightly unsatisfying, I think this film ultimately works.

Shot largely in Wilmington, Ohio, my next film was NUTCRACKERS, dir David Gordon Green (USA) “Ben Stiller stars as a city slicker forced to look after a quartet of mischievous rural orphans in this fish-out-of-water comedy that speaks to the hidden talents in each of us just waiting for a chance to shine.” (taken from TIFF catalog) This film has a giant heart…and despite its formula-driven script (with some cringe-worthy moments) and its overly predictable turns, the film lands exactly where it wants to – and I think it will work well with audiences.  The 4 boys (real-life siblings from Ohio) are pretty great, and you’ll likely recognize some settings (and maybe even some locals).

My next film was my first public screening of the festival (meaning it wasn’t just industry folks – but open to the general public)…and the director & cast were there! (Due to last year’s strikes, hardly any films had casts in attendance…so this will be a nice change this year.)   THE LAST SHOWGIRL, dir Gia Coppola (USA) “A seasoned performer must plan for her future when her show abruptly closes after a 30-year run. Starring Pamela Anderson, Jamie Lee Curtis, and Dave Bautista.” From a good script written by Kate Gersten – someone who “was there” when the last big, old-fashion Vegas show closed (known as Jubilee! – which Gersten said was referred to as “the last of the tits and feathers shows” ) – this story seemed quite authentic, and Pamela Anderson said she had been “getting ready my whole life for this role.”  Touching and full of melancholy, Anderson and Curtis are great in this film.  And I love when there’s a moment in a film that evokes the crowd to burst into applause.  A solid film from Gia Coppola

My first documentary of the festival was MISTRESS DISPELLER, dir Elizabeth Lo (China, USA) “Sure to be a conversation starter and filmed with an astonishing emotional intimacy, Mistress Dispeller follows the work of a Chinese woman who practices unorthodox techniques to repair marital infidelity.” From the director of STRAY – a doc we played at THE NEON about a dog living on the streets of Istanbul – this film had a very intriguing set-up.  The lines of documentary ethics seemed to be blurred in order to get the material…but so was the story of the protagonist who is called in to make extramarital affairs disappear.  I loved a lot of this film, and the last 8-10 minutes were very satisfying.  The post-screening discussion was very enlightening and answered my questions…but I think there’s a much stronger 40-60 minute film here instead of a feature.
There’s no trailer for this film…but here’s a clip:

 

My 9th film for the festival and fifth film for today is a winner! WE LIVE IN TIME, dir John Crowley (United Kingdom, France) “Featuring gorgeously detailed performances from Oscar nominees Florence Pugh and Andrew Garfield, this inventively structured romance explores the question of how to make the most of our time in this world.” (taken from TIFF catalog) The energy was high when I arrived at the Visa Screening Room.  Hundreds of fans were cheering for Andrew Garfield…and he was just a few feet away when I was checking in.  When I got to my nosebleed seat (about 5 stories up), the crowd on the street was chanting “Florence. Florence.”  This town is so ready to welcome big stars again!
This gorgeous, nonlinear film did not disappoint.  With three different timelines playing against each other, the title resonates even stronger as we get to know a couple who are dealing with pregnancy, cancer and the day-to-day act of living.  It’s a beautiful story, and these two actors are at the top of their crafts…and having them talk about how they worked on this project has been the highlight of the festival so far.

Thanks so much for reading.
Tomorrow is Almodovar Day!

More soon,
Jonathan

TIFF Day #1 – 2024

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Hello NEON Community,

Today was a rather somber start to my festival screenings.  All four films I screened had to do with grief in some regard.  Though there were no real stand-outs in today’s batch, I’m really looking forward to tomorrow’s screenings…and even more so, Saturday’s!  Keep reading to find out more.

My first movie of the day was a poetic film that has been banned in Vietnam by their Cinema Department – VIET AND  NAM, dir. Trương Minh Quý (Philippines, Singapore, France, Netherlands, Italy, Germany, Vietnam) “Amidst the darkness 1,000 metres underground sparkles an intimate romance between Viêt and Nam in this mystical story of two young miners in search of a brighter future.” (taken from TIFF catalog). This gay romance takes place in part in the coal mines – which is a dark and dangerous place.  Set in the aughts, this film is haunted by those who went missing or were buried in unmarked graves during the war in the 1970’s.  Both Viet & Nam are without fathers, and it doesn’t go unnoticed that while many people above ground are still searching and digging for loved ones, Viet and Nam are able to freely express their love for one another in the darkness of the underground (as if they’re buried themselves).  While characters often talk about their dreams, this film feels like one…it weaves images in a powerful, beautiful and eerie way.  All that said, this film is not one for the masses.  I must admit that I was lost on occasion as to relationships between characters, and  (like most films from today), I feel it could have been shorter.

Next up was DANIELA FOREVER, dir Nacho Vigalondo (Spain, Belgium) “In the latest from Nacho Vigalondo (COLOSSAL), Henry Golding (CRAZY RICH ASIANS) soulfully portrays a bereaved man who enrolls in a clinical trial for a drug that allows him to reunite with his lost lover (Beatrice Grannò) through lucid dreams.” (taken from TIFF Catalog) This had the bones for a good film with some interesting material, and its Michel Gondry influences are off the charts.  Though I liked its ultimate message that grief can truly be consuming and mess with your worldview, its attempts at whimsy and cleverness got to be too much.  At close to 2 hours, I thought this one could have been shorter, too.

Though many industry folks walked out early, I seemed to be one of the few people in the audience who embraced SAD JOKES, dir Fabian Stumm (Germany) “Set in present-day Berlin, this tragicomical second feature from writer-director-actor Fabian Stumm poignantly portrays modern queer life and the perseverance required of an artist.” For the most part, I rather liked this little film.  From its decisions to mostly leave scenes in a single, static, one-take shot to its writing and character development through multiple scenarios, this film is about a man who hasn’t been able to connect with many people since his last break-up (three years prior). The protagonist is raising a child with his best friend, and he is attempting to be a good father while putting himself out in the world again.  It’s heartbreaking and hysterical and very honest.

My last film of the day stars Gillian Anderson and Jason Isaacs – THE SALT PATH, dir Marianne Elliott (United Kingdom) “After losing their home and livelihood, a middle-aged couple impulsively set out on a 630-mile walk along the southwest English coast, a walk complicated to no small degree by the recent diagnosis of a terminal neurodegenerative disease.” (taken from TIFF catalog) Anderson is particularly strong in this film – her face is face is able to convey so much torment and pain as well as love and joy.  As this couple walk and encounter wind and rain and rising tides, you can really feel their struggle.  This story really does make you take stock of what you have…and that it could really all change on a dime.
Based on a best-selling memoir, this 118-minute movie would make a really strong 90 film…and maybe if it gets picked up for distribution, someone could make the ending a bit more satisfying and less abrupt.

Tomorrow, I hope to see 4 films again…including David Gordon Green’s new film NUTCRACKERS, starring Ben Stiller, which was shot in Ohio with some Dayton talent…and WE LIVE IN TIME, the new film from John Crowley starring Florence Pugh and Andrew Garfield.

On Sunday, I’ll see THE ROOM NEXT DOOR – the new film from my all-time favorite director Pedro Almodovar.  Fingers crossed that he, Tilda and Julianne are all there!

Thanks so much for reading!
More soon,
Jonathan

 

Yellow Springs Festival Back and Bigger in Year Two

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Gearing up for its second year, the Yellow Springs Film Festival (YSFF) is back with an outstanding lineup of independent films, stand-up comedy and live music taking place Oct. 4-6.

YSFF is proud to announce its kickoff party Friday Oct. 4th with a live performance by Comedian and Musician Reggie Watts. Reggie, who most recently starred as the bandleader on CBS’s The Late Late Show with James Corden will bring his formidable voice, looping pedals, and his vast imagination to town, blurring the lines between music and comedy. This will be followed up by Opening Night featuring a screening of the film, The Uninvited (World Premiere SXSW 2024). The film will be followed by a in person conversation with Writer / Director Nadia Conners and will feature a zoom Q&A with star of the film Walton Goggins.

Other Special Events throughout the festival include the new documentary, Eno on musician Brian Eno (known for producing David Bowie, U2, Talking Heads, among many others). A conversation between Director Gary Hustwit and filmmaker Steven Bognar will follow the screening.

Stand-up comedian Dave Hill will also be performing on Sat Oct 5th. Dave Hill is a comedian, writer, musician, actor and radio host. He has appeared on Inside Amy Schumer, The Jim Gaffigan Show starred in the Joel Levinson film Boy Band, filmed here in Dayton in 2018 and recently been opening for Tenacious D. In addition, a 30th Anniversary screening of Pulp Fiction will take place featuring live music from the soundtrack, a costume contest and audience trivia.

The narrative film slate includes, In the Summers (WINNER: Grand Jury Prize 2024 Sundance Film Festival), Eephus (Directors’ Fortnight, 2024 Cannes Film Festival), Darkest Miriam (World Premiere 2024 Tribeca Film Festival, Executive Producer Charlie Kaufman, starring Britt Lower) and a Midnight Screening of A Desert (World Premiere 2024 Tribeca Film Festival, music by Ty Segall).

The documentary film slate includes, A Photographic Memory (World Premiere 2024 True/False), I Like it Here (Directed by Ralph Arlyck), Spiz (Directed by Barry Rowen) and Before We Get Started featuring appearances from Judd Apatow, John Oliver, Amy Schumer, Leslie Jones, Seth Myers, Bob Saget, Ray Ramano, Jim Gaffigan, Fred Armisen, Colin Jost and many more.

Closing Night of festival will take place Oct 6th and will feature a special 25th Anniversary screening of the film, Ghost Dog: The Way of the Samurai starring Forest Whitaker and music by RZA. The movie will be followed by a in person conversation between Director Jim Jarmusch and YSFF Founder Eric Mahoney with audience Q&A to follow.

In addition, this year YSFF will be giving out the first ever Julia Reichert Award, a $3,000 prize presented by PNC Bank and given to an emerging female documentary filmmaker to help support a current project. Reichert, a long time Yellow Springs resident and Oscar winning Director was a creative force and each year this award will be given in her name. The event will feature the new short documentary, Julia’s Stepping Stones, Directed by Julia’s partner in film and love, Steven Bognar.

YSFF Shorts will feature two additions this year, one in collaboration with the NYC based Production Company Wavelength and will feature their current class of Wave Grant winners. The WAVE Grant, which stands for “Women at the Very Edge,” supports first-time women and non-binary filmmakers of color in creating their first short narrative film. The second program will feature a collection of documentary, narrative and animated short films — both events will be followed by panel; discussions with the filmmakers.

All films and events will take place at the historic Little Art Theatre and The Foundry Theater at Antioch College. YSFF is produced by Hotshot Robot Productions operated by Founder / Executive Director / Programmer Eric Mahoney and Creative & Artistic Director Ian Jacobs in conjunction with the Yellow Springs Community Foundation.

Ticket Info:

2024 YSFF FILM BADGE – Access to over a dozen films + events including Opening Night and live comedy runs $65.  Individual screening tickets range from $15 -20, with the kick off party running $30.  Tickets available on eventbrite.

 

TIFF Bound! Submerging In Cinema!

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Hello NEON Community,

Thanks so much for checking in.  I’m making a list and checking it twice…and three times…and four times…all in an effort to squeeze in as many films as possible from the 50+ films I’d like to see over the next several days at The Toronto International Film Fest.  In the end, I’ll only have room for 30-35 screenings, so some films will have to wait.

It’s early morning on Wednesday, Sept. 4, and I’m about to head to the airport.  When I get to Toronto, I’ll head right to the industry hub where I’ll get my credentials for the festival.  My pass will allow me to see a handful of public screenings (those are the ones with directors & stars in attendance with interesting Q&A’s) as well as numerous press and industry screenings (which are generally no-frills – but full of folks like me as well as some high profile journalists and studio execs…all kinds of people from the industry).

I’m staying in a condo just a couple blocks from the middle of everything,  and I’m very excited about several films…and it’s always fun to discover films I didn’t know I needed to see.

Here are couple titles I’m excited about:

THE ROOM NEXT DOOR – Pedro Almodovar’s English-language feature film debut – starring Tilda Swinton and Julianne Moore.  If you’ve read my blog and newsletters before, you might know that Almodovar is my favorite director of all time.  I can’t wait for this one.  It just received a 17-minute standing ovation at the Venice Film Festival earlier this week.

WE LIVE IN TIME – the new film from John Crowley (director of BROOKLYN) – starring Andrew Garfield and Florence Pugh.  I think this film looks lovely, and I’m a big fan of BROOKLYN.

MISÉRICORDE, the new film from Alain Guiraudie (director of STRANGER BY THE LAKE) is on my list as well.

In addition to movies, I’ll get to sit in on an interview with Cate Blanchett at an event called IN CONVERSATION: CATE BLANCHETT.  I’ve been a fan for years (and there was even that time when I was a co-worker of sorts)…so I’m anxious to see her in this scenario.

Every day, I’ll take notes when I’m seeing movies.  I’ll assemble those notes each night and publish my posts.  This serves as a way for me to get my thoughts down on a daily basis…and to take you along for the ride.

If you’re in Dayton, please stop in to keep my co-workers company at THE NEON.  Thanks for all of your support.

More soon,

Jonathan

Sinclair Community College’s Fine Art Faculty Exhibition

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Each fall, the Burnell R. Roberts Triangle Gallery, the Works on Paper Gallery, as well as other spaces around Building 13 display work from the faculty and adjunct faculty of Sinclair’s Art Department.

The Burnell R. Roberts Triangle Gallery traditionally features one faculty member, and this year will exhibit works by Professor Mark Echtner. Echtner’s brightly colored paintings begin by using old paintings turned upside down or random shapes and colors that then inform his abstracted figures and the spaces they occupy. Narratives of daily social interactions and inclusive communities run through this body of work.

There will be a virtual artist talk with Echtner over Zoom on August 30, 2024, at 12:00 pm and an open house reception September 5 from 4:30 pm-6:00 pm in Building 13’s 4th Floor Atrium. Visit Sinclair.edu/ArtGalleries for further details.

The Fine Art Faculty Exhibition will be on display from August 12 through September 13, 2024. Gallery spaces are located on the third and fourth floor of building 13 (located at W. Fifth and S. Perry Streets in downtown Dayton). The galleries are free and open to the public from 8:00 am–6:00 pm Monday–Friday and 9:00 am–12:00 pm Saturdays.

happenSTANCE:  An Art Exhibition featuring Jamele Wright Sr. and Amy Deal

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Jamele Wright Sr. is an Atlanta-based artist originally from Dayton, OH, and Amy Deal, a Dayton-based artist who has called Dayton home for the past 36 years, will showcase their work together in the upcoming exhibition, happenStance.

The two artists met by chance this past spring in South Carolina at an art opening at Summerville’s Public Works Art Center. Their immediate connection, coupled with their shared roots in Dayton, led to a collaborative opportunity. Wright expressed his interest in exhibiting in Dayton, and Deal, who had an exhibition scheduled, extended an invitation for him to join her.

happenSTANCE

DSA Gallery, 48 High Street, Dayton

Thursday, August 29, 5-8:00 PM

Friday, August 30, 5-8:00 PM (artist talk 6:00)

Saturday, August 31, 1-4:00 PM (workshop 11:00 by reservation)

Jamele Wright Sr. (born 1970 Dayton, Ohio) is a mixed media artist whose work explores the Black American vernacular experience. Using found materials, Georgia red clay, and Dutch Wax cloth, Wright delves into themes of family, tradition, and the spiritual and material relationship between Africa and the South. His process is influenced by Hip Hop’s practice of sampling, remixes cultural elements to create narratives reflecting the African diaspora and the Great Migration.

Wright earned his B.A. in Art History from Georgia State University and him M.F.A. from the School of Visual Arts in Manhattan, NY. He has participated in residencies at MASS MoCA and the Gibbes Museum.

Amy Deal (b. 1966, Cranberry Prairie, OH) grew up in a rural setting, collecting wildflowers to create pigments and using art to enhance her surroundings. She holds a BFA in Visual Communications from Kent State University and has worked as a creative director on corporate branding and advertising campaigns. After taking time off to raise her children, Deal renewed her focus on painting. Her current series, Forest Bathing, inspired by the Japanese practice of shinrin-yoku, emphasizes nature’s calming effects. Deal has recently completed residencies in South Carolina and Brooklyn Navy Yard.

A Man of No Importance Two Week Run at Beavercreek Community Theatre

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Winner of the 2003 Outer Critics Circle Award for Best Musical, A Man of No Importance is the second successful collaboration by the team of Terrence McNally, Lynn Ahrens, and Stephen Flaherty—all of whom won Tony Awards for Ragtime. Alfie Byrne is a bus conductor in 1964 Dublin whose heart holds secrets that he can’t share with anyone but his imagined confidante, Oscar Wilde. When he attempts to put on an amateur production of Wilde’s Salome in the local church hall, he confronts the forces of bigotry and shame over a love “that dare not speak its name.”

Shear Madness at La Comedia

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Listed in the Guinness Book of World Records as the longest running play in the history of the USA! There’s been a murder at Shear Madness Salon! Figure out the clues and solve this over-the-top, hilarious murder mystery. Seen by 14 million people worldwide, Shear Madness is a wildly popular comedy-whodunit that keeps audiences laughing as they try to outwit the suspects and catch the killer. New clues and quick improvisation deliver a different show every night!

Voted “Best Comedy of the Year” seven times by the Boston Globe and recipient of the title “Best Play of the Year” by both the Chicago Sun-Times and the Philadelphia Enquirer, Shear Madness has also received the Raven Award from the Mystery Writers of America and has been inducted into the Comedy Hall of Fame, the first play ever to receive that accolade.

With seating for over 600, La Comedia is one of the nation’s largest professional dinner theatres and is perfect to celebrate any occasion! For tickets, visit lacomedia.com or call 937-746-4554.

Free Shakespeare in South Park: A Midsummer Night’s Dream

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Shakespeare in South Park launches its 15th season this summer with one of the Bard’s early comedies: “Love’s Labour’s Lost” is believed to have been written in the 16th century for a performance at the Inns of Court before Queen Elizabeth I.

This Shakespearean romp follows a group of over-eager fellas who swear off women for three years of studious solitude. But hilarity (and romance!) ensues when a gaggle of gorgeous ladies arrive, turning their scholarly pursuits into a battle of the sexes. Expect mistaken identities, witty wordplay, and a whole lot of musical mayhem in this delightful exploration of love, friendship, and the folly of taking yourself too seriously.

Bring a chair or Blanket to South Park Green for Shakespeare-in-the-park, a truly unique outdoor theatre experience! The show is free, but donations are cheerfully and most gratefully accepted. In case of inclement weather, we will perform at Hope Lutheran Church, a very short distance from the park. Ample free parking. Restrooms are available.

Free; donations are gratefully received.  Rain location: Hope Lutheran Church, 500 Hickory Street, 45410.  Parking at Hope Lutheran and Emerson Academy, 501 Hickory Street.  Shakespeare in South Park produces one show every summer at South Park Green, 601 Hickory Street, 45410. Questions?  937-222-7324.