• Skip to primary navigation
  • Skip to secondary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Home
  • Event Calendar
    • Submit An Event
  • About Us
    • Our Contributors
    • Subscribe
  • Advertise
  • Contact Us
  • Where to Pick up Dayton937
  • Arts & Entertainment
    • Art Exhibits
    • Comedy
    • On Screen Dayton
    • On Screen Dayton Reviews
    • Road Trippin’
      • Cincinnati
      • Columbus
      • Indianapolis
    • Spectator Sports
    • Street-Level Art
    • Visual Arts
  • Dayton Dining
    • Happy Hours Around Town
    • Local Restaurants Open On Monday
    • Patio Dining in the Miami Valley
    • 937’s Boozy Brunch Guide
    • Dog Friendly Patio’s in the Miami Valley
    • Restaurants with Private Dining Rooms
    • Dayton Food Trucks
    • Quest
    • Ten Questions
  • Dayton Music
    • Music Calendar
  • Active Living
    • Canoeing/Kayaking
    • Cycling
    • Hiking/Backpacking
    • Runners

Dayton937

Things to do in Dayton | Restaurants, Theatre, Music and More

  • Facebook
  • Twitter
  • YouTube
  • Instagram
  • Pinterest

Arts & Entertainment

August Wilson’s Gem of the Ocean Coming to The Loft Theatre

March 13, 2012 By 1 Comment

The New York Times called the late August Wilson “Theatre’s poet of black America,” and Gem of the Ocean is a fine example of why the accolade is richly deserved.

Wilson’s fame centers around his “Pittsburgh Cycle,” ten plays about the neighborhood where he grew up, each set in a different decade of the 1900s. Gem covers the first decade, set in The Hill District in 1904, although it was the next to last of the series written. The play revolves around Aunt Ester, the 285-year old matriarch who was brought to America on the slave ship in the title and who serves as the community’s advisor and moral guide.

The production by The Human Race, Dayton’s own professional theatre company, is directed by Mark Clayton Southers, Artistic Director of the theatre at the August Wilson center in Pittsburgh. Southers grew up in and still lives in The Hill, and recognizes many of the characters from real life. “I think there are Aunt Esters in every family,” says Southers. “They pass down recipes and oral history. African-American history relies heavily on the oral tradition.”

Southers say that while the setting is in an African-American community at a time when slavery was a very real memory, Gem, like all Wilson works, crosses cultural lines, “White audience members get to be a fly on the wall, hearing stories they typically don’t hear.”

The Human Race will present a special opportunity to learn more about Wilson and his work at a symposium at 1pm Saturday, March 31. The panel of the symposium, moderated by David Greer, includes Southers; Sala Udin, a Wilson childhood friend and actor in his early plays; Christopher Rawson, Pittsburgh theatre critic and professor and author of a book on Wilson; and Charles Holmond, who teaches a course on Wilson at Earlham College.

Southers has gathered a cast of local favorites and talented guest artists for Gem of the Ocean. Dwandra Nickole, who had a long New York career before joining the faculty at Ball State University, plays Aunt Ester. Jonathan Berry (Citizen Barlow) and Kevin Brown (Eli) have extensive experience in Pittsburgh productions of Wilson’s works.

Two Human Race Resident Artists are featured – Alan Bomar Jones as Solly Two Kings and Scott Stoney as a Rutherford Selig. Other locals in the cast are Dayton native Bryant Bentley (Caesar Wilks) and Marva M.B. Williams (Black Mary), who was in The Human Race in-school tour show, Change, last fall.

The set for Gem of the Ocean is designed by Dick Block, costumes by Colleen Alexis Metzger, lighting by Resident Artist John Rensel, and sound by Rich Dionne. Kay Carver is the Production Stage Manager.

Gem of the Ocean has a preview night March 29, with official opening March 30 and performances through April 15.

Gem of the Ocean and the August Wilson Symposium will both be in the Loft Theatre, 126 N. Main St., Dayton. Tickets are available via www.humanracetheatre.org , by calling Ticket Center Stage at (937) 228-3630, or at the Schuster Center box office.

Filed Under: On Stage Dayton Previews

Regional Theatre Review Roundup – March 2012

March 10, 2012 By Russell Florence, Jr. Leave a Comment

CHILDREN OF EDEN

Playhouse South’s purposeful, engaging, vocally strong presentation of composer Stephen Schwartz and librettist John Caird’s 1991 biblical musical “Children of Eden” clearly ranks among the organization’s finest productions.
Staged with minimalist cohesiveness by Carrie Thurston and based on a concept by Charles Lisanby, “Children of Eden” puts a family-oriented, contemporary spin on the familiar tales of creation (Act 1) and the great flood (Act 2) from the Book of Genesis. The parent/child-themed Act 1 is more engrossing than Act 2 due to the emotional value of Adam and Eve’s journey from bliss to banishment, but there is potency throughout, especially in the parallels of brotherly strife (Cain vs. Abel / Japeth vs. Ham) and the struggle God (named Father) undergoes while coping with the generational disobedience of His children.

Meaningful portrayals are offered by full-throttle tenor Sean Hurley as Father, Muse Machine alum Jacob McGlaun as Adam/Noah, Natalie Sanders as Eve/Mama, Bobby Mitchum as Snake/Cain/Japeth, David Stephen Thomas as Abel/Ham, Mackensie Vonderbrink as Yonah, and Jamal Cann as Seth/Shem. McGlaun, a wonderfully practical and sensitive Adam/Noah, has an appealing chemistry with the effectively inquisitive Sanders, a knockout vocalist. In fact, Sanders’ renditions of “The Spark of Creation” and the gospel-centric “Ain’t it Good” are among the best I have heard. I’m surprised “Ain’t it Good,” vigorously heightened by an uncredited pianist in conductor Brett Greenwood’s fine orchestra, does not receive a brief encore due to its nearly show-stopping magnitude. The ever-reliable Mitchum also hits the mark with pleasant versions of “The Pursuit of Excellence” (a highlight among choreographer Davy Folger’s routines), “Lost in the Wilderness,” and “In Whatever Time We Have” (opposite Vonderbrink).
The cast also includes Laura Bloomingdale, Alli Brown, Jess Evans, Tamar Fishbein, Jessica Freesen, Sherry Fox, Bobby Gray, Pauline Humbert, Leah Kushmaul, Kaylei Lowe, Ria Megnin, Brett Norgaard, Jordan Norgaard, Bethany Scearce, Bradley Scearce, TC Schrier, Victoria Tuccillo, Hailey Walters and Ashley York.
“Children of Eden” ends tonight. Catch it if you can.

“Children of Eden” concludes March 10 at 8 p.m. at the Clark Haines Theatre (Kettering Board of Education building), 3700 Far Hills Ave., Kettering. Act One: 75 minutes; Act Two: 55 minutes. Tickets are $7-$12. For tickets or more information, call (888) 262-3792 or visit www.playhousesouth.org.

THE BIG PICTURE

Dayton continues to be a hotbed for burgeoning musicals, but no one ever said the process was easy. The most recent example is lyricist-librettist David Brush and composer Jim Farley’s “The Big Picture,” originally workshopped in 2004 and currently receiving its world premiere at Beavercreek Community Theatre.
Set in 1962 Pine Springs, Illinois with flashbacks to 1942, “The Big Picture” centers on college student Billy Carson (Brian Kester), who returns home for the summer seeking answers about his long-lost father Jack (Michael Shannon). However, questions arise when Billy’s agitated mother Maggie (Pam McGinnis) refuses to reveal the past, particularly Jack’s history as a B-movie screenwriter/director. Family drama aside, romantic subplots emerge in the form of Billy’s affection for his high school crush Ellie Patterson (Angela Umstead) and Maggie’s topsy-turvy relationship with her amiable suitor Charlie (Shawn Hooks).

Brush and Farley attempt to create a poignant small town coming-of-age tale, but their foundation lacks cohesion, balance and depth. Jack and Maggie’s USO courtship is stagnant (more flashbacks would be beneficial). Billy and Ellie’s bond is awkwardly underdeveloped. Billy’s best friend Sam Morris (Eric Bracht) serves as comic relief, but is basically an annoying distraction. Further, the score, containing shades of Big Band, is merely serviceable than impactful (Act 2 ballad “What A Little Moonlight Can Do” is the strongest of 20 songs). Perhaps if the bulk of the score was cemented to the era a la “Hairspray,” also set in 1962, the show would have considerable flavor.

Artistically, director Doug Lloyd’s cast fails to engage or coalesce. Some actors have difficulty overcoming issues of age-appropriateness and memorization while others suffer from shaky musicality. Chris Harmon’s cinema-inspired scenic design and John Falkenbach’s efficient lighting design are technical pluses.

Instead of tweaking “The Big Picture,” Brush and Farley should consider retooling/resurrecting their 2003 musical “Summer of My German Soldier,” a sharper endeavor based on Bette Greene’s novel of the same name.  

“The Big Picture” concludes March 11 at the Lofino Center, 3868 Dayton-Xenia Rd., Beavercreek. Performances are Saturday at 8 p.m. and Sunday at 3 p.m. Act One: 50 minutes; Act Two: 38 minutes. Tickets are $11-$13. The cast also includes Matt Owens as the Soldier. For tickets or more information, call (937) 429-4737 or visit www.bctheatre.org. In related news, BCT’s 2012-13 season will consist of “Musical Chairs” (Sept. 7-16, directed by Matt Owens), “The Sugar Bean Sisters” (Oct. 26-Nov. 4, directed by Doug Lloyd), “On Christmas Day In The Morning” (Nov. 30-Dec. 9, directed by Teresa Connair), “Steppin’ Out” (Jan. 25-Feb. 3, directed by John Falkenbach), “A Chorus Line” (March 1-10, directed by Doug Lloyd), “The Canterbury Tales or Geoffrey Chaucer’s Flying Circus” (Apr. 19-28, directed by Teresa Connair), “Legally Blonde The Musical” (June 21-30, directed by Chris Harmon).

BERLIN TO BROADWAY WITH KURT WEILL: A MUSICAL VOYAGE

Wright State University saluted the melodically rich legacy of composer Kurt Weill (1900-1950) with an excellent presentation of the 1972 revue “Berlin to Broadway with Kurt Weill: A Musical Voyage” March 2-4 in the Herbst Theatre.
As the title indicates, “Berlin to Broadway” chronicled Weill from his German benchmarks (particularly “The Threepenny Opera,” his legendary 1928 Bertolt Brecht collaboration featuring his muse/wife Lotte Lenya) to his New York successes (such as “Lady in the Dark,” “Lost in the Stars,” “Love Life” and “One Touch of Venus”). Weill, who became an American citizen in 1943, notably won the first original score Tony Award for 1947’s “Street Scene,” co-written by Langston Hughes. His diverse collaborators also included Maxwell Anderson, Ira Gershwin, Oscar Hammerstein II, Alan Jay Lerner and Ogden Nash.

Crisply staged with lyric-driven intent by Jamie Cordes and fittingly accented with mood-setting projections by Nicholas Crumbley, this breezy revue featured 38 songs and a dynamic octet solidly supported by musical director/pianist Susan Carlock. Highlights included Chrissy Bowen and Lizzy Miller’s fiery “Jealousy Duet,” Ian DeVine and Drew Helton’s playful “Progress,” Samantha Helmstetter’s beguilingly personable “That’s Him,” Jonathan Hacker’s reflective “Lonely House,” Cooper Taggard’s splendid “Lost in the Stars,” and Emily Thomas’ strikingly firm  “Surabaya Johnny,” “Pirate  Jenny” and “Saga of Jenny.” Helmstetter, a terrific soprano, also rendered a fabulously captivating, character-consumed “I Wait for a Ship” pulsating with seduction and strength. It is no surprise she is a semifinalist in the Kurt Weill Foundation’s esteemed Lotte Lenya Competition and will be seen as Christine in WSU’s spring production of “The Phantom of the Opera.”
Although a deeper, more compelling account of Weill’s illustrious career, including his relationship with Lenya, can be found in Alfred Uhry’s little known 2007 musical “LoveMusik,”“Berlin to Broadway” proved thoroughly satisfying.

WICKED TICKETS ON SALE SOON

Tickets for the Victoria Theatre Association’s four-week return engagement of “Wicked” go on sale to the general public Monday, March 19 at 8 a.m. in the Wintergarden of the Schuster Center, Second and Main Streets. Tickets will also be available at 9 a.m. online (www.ticketcenterstage.com) and 10 a.m. by phone (937-228-3630). Tickets are $42-$121. There is an eight-ticket limit per patron. “Wicked” will be performed May 30-June 24 in the Mead Theatre of the Schuster Center. For more information, visit www.ticketcenterstage.com

Filed Under: On Stage Dayton Reviews

DVAC Presents: The Cline Show

March 8, 2012 By Dayton Most Metro Leave a Comment

By Ashley Malloris

The Dayton Visual Arts Center presents The Cline Show, an exhibition of bold new works by 17 art and design undergrads. DVAC established this annual program in memory of Barbara C. Cline, former DVAC staffer, who affected the lives of hundreds of student interns and emerging artists before her sudden passing in 2006.

Through the Cline Show program, art and design students are nominated by faculty from Central State University, Miami University, Sinclair Community College, University of Dayton, Wittenberg University and Wright State University. Nominated students are also eligible to interview for the program’s three mentorships, in which winners take on the roles of curator, registrar and preparator for the exhibition. DVAC provides specialized training to these artists through the process of organizing and participating in a professional gallery exhibition.
This year, DVAC visitors will enjoy prints, paintings, ceramics, sculpture, installation and video from students representing Sinclair Community College, University of Dayton and Wright State University. Maggie McCollum, Sinclair Community College, is represented by her richly-toned, cropped figurative portraits. Ashley Malloris, Wright State University, presents bright and playful still life prints. The Cline Show is one of DVAC’s most dynamic, diverse and anticipated exhibitions of the year — that our audiences enjoy tremendously and many times walk away as proud owners of art by emerging Dayton artists.

By Maggie McCollum

Exhibiting artists are: Suzanne Bock (Wright State University), Wesley Brown (Sinclair Community College), Jacob Compston (Sinclair Community College), Patricia Emerson (Sinclair Community College), Kate Ervin (Wright State University), Ben Girmann (University of Dayton), Megan Hague (Wright State University), Clayton Kindred (University of Dayton), Lisa Lorek (University of Dayton), Ashlee Malloris (Wright State University), Alicia Marshall (Sinclair Community College), Maggie McCollum (Sinclair Community College), Rebecca Roman (University of Dayton), Heather Sandy (University of Dayton), William Stauffer (Wright State University), Ali Stonerock (Sinclair Community College), and Kyle Wilkinson (Wright State University).

The Dayton Visual Arts Center provides art for the community and a community for artists. DVAC receives operating support from the Ohio Arts Council, Culture Works, Montgomery County and the Virginia W. Kettering Foundation.

When
Exhibition on View
March 2-24, 2012

Gallery Talk
Friday, March 10, 4 p.m.

Where
Dayton Visual Arts Center
118 N. Jefferson St.
Dayton, OH 45402

Gallery Hours
11 a.m.-6 p.m., Tuesday-Saturday Closed Sunday and Monday

Filed Under: The Featured Articles, Visual Arts

Dayton Ballet’s “The Spring Series”

March 8, 2012 By Dayton Most Metro Leave a Comment

 

Justin Koertgen and Erica Lehman Downey (photo by sskphoto)

The Spring Series, at Victoria Theatre from March 15 – 18, 2012, will feature four ballets in one amazing performance:  two world-premiere ballets:  one by Dayton Ballet’s Ballet Master, Justin Koertgen titled Violin Concerto and performed to Max Bruch’s Violin Concertos #2 and #3; 2011 New Music for New Dance choreography winner, Susanne Payne’s Parádeigma; and two ballet revivals:  Dermot Burke’s Interlude, performed to Dmitri Shostakovitch’s Piano Concerto No.2, Op. 102 and Gregory Robinson’s Hot Riffs and Blue Notes, performed to music by The Pointer Sisters.  For tickets visit TicketCenterStage.com or call 937-228-3630.

A feature on the program, Violin Concerto, is choreographed by Dayton Ballet’s 11 year veteran, Justin Koertgen, and is a return to the pure roots of classical ballet.  With tutus, tiaras, and tunics, Violin Concerto, is performed to Max Bruch’s Violin Concertos #2 and #3 with the elegance, energy and glorious partnering of true ballet.

Dayton favorite, GregoryRobinson, presents his popular revival, Hot Riffs and Blue Notes, performed to the melodically-layered music of The Pointer Sisters.

Dermot Burke, former Executive and Artistic Director of Dayton Ballet, returns with his revival, Interlude. This Neo-Classical ballet is danced by two couples to the romantic Piano Concerto No. 2, Op 102, by Dmitri Shostakovitch.

Grant Dettling and Halliet Slack (photo by sskphoto)

The Spring Series program concludes with a contemporary ballet choreographed by Dayton native, Susanne Payne.  Susanne is the 2011 Choreography winner of New Music for New Dance.  Her world premiere ballet, Parádeigma, pushes the company dancers to explore their limitations both physically and mentally.  Parádeigma challenges the dancers and audience to move beyond their perceptions of what traditional ballet should be.  The goal is for all is to experience the freedom achieved by breaking loose from the routine.

Performances of The Spring Series are at theVictoria Theatre, March 15, 16, & 17 at 8:00 pm, and March 17 and 18 at 3:00 pm.

Tickets are on sale now! Call Ticket Center Stage at (937) 228-3630 or (888) 228-3630 or visit www.ticketcenterstage.com.  Ticket Center Stage hours are Monday-Friday 10 a.m. to 6 p.m., Saturday Noon-4 p.m. and two hours prior to each performance.

TICKET CONTEST

We have four pairs of tickets to give away for this show, courtesy of the Dayton Ballet!  Simply likethis article to share with your FB friends, and then comment below.  We’ll announce winners Wednesday March 14th at 2pm – good luck!

Filed Under: On Stage Dayton Previews, The Featured Articles

SHAME “The Sex Addiction Film” Starts Friday at THE NEON!

March 8, 2012 By Jonathan McNeal Leave a Comment

Hello Everyone,

A SEPARATION performed just well enough for it to stick around a second week.  If you haven’t seen this film yet, I hope you’ll hurry out to see it!   Across the boards, A SEPARATION was one of the very best reviewed films of last year (far better than any of the nominees for “Best Picture”).  Professor Charles Derry recently sent me a note regarding the film.  In it, he wrote, “I think the most perceptive way of looking at this film is by comparing it to some of the great films by Jean Renoir, who famously said, in a variety of different versions: ‘The real hell of life is that everyone has their reasons.’  And this film shows exactly that: everyone, in their own way, is right, and because of that, we empathize with everyone, and yet all that results is conflict and separation.”  Derry also mentioned that Woody Allen recently stated that he considered A SEPARATION to be the best film of the year.

If you still haven’t seen it (or need to see it again), THE ARTIST is on its way out.  Today (March 8) will be your last chance to catch it at THE NEON.  On Friday (March 9), we will begin a limited engagement of the new film starring Michael Fassbender – SHAME.

Synopsis for SHAME: “Brandon is a New Yorker who shuns intimacy with women but feeds his desires with a compulsive addiction to sex. When his wayward younger sister moves into his apartment stirring memories of their shared painful past, Brandon’s insular life spirals out of control.”  This film stars incredible performances by both Michael Fassbender and Carey Mulligan (Mulligan’s performance of “New York, New York” is one of the best vocal performances I’ve seen in a film for quite some time).  Click on this LINK to visit the official site.  (You might recall Fassbender from FISH TANK or the recent JANE EYRE…and Carey Mulligan from AN EDUCATION and NEVER LET ME GO.)  Note:  This film is rated NC-17 for explicit sexual content.  THE NEON will be carding anyone who appears to be under 18 for admission to this film.

[yframe url=’http://www.youtube.com/watch?v=Op9iQiB_ANI’]

Here’s a second trailer – different in tone – that features Mulligan’s performance.

[yframe url=’http://www.youtube.com/watch?v=OJQmqfzYjDw’]

On Thursday, March 22 at 7:30, Keener Farm has rented our space for a special screening of the acclaimed documentary AMERICAN MEAT.  “The film explains our current industrial meat system and shows the feedlots and confinement operations – not through hidden cameras but through the eyes of the farmers who live and work there. The film then shifts to the burgeoning sustainable, local-food movement made up of farmers, food advocates, chefs and everyday folks who could change everything about the way meat reaches the American table…Sustainable farming is expanding exponentially as Americans learn more about their food and how to connect with local farmers…”  (taken from press notes)  The screening will be preceded by a meet and greet with appetizers provided by Olive: An Urban Dive (beginning at 6:30), and a panel discussion with the filmmaker as well as local farmers & restaurateurs will follow the screening.  Admission is free (first come, first serve), but donations will gladly be accepted to help offset costs.

[yframe url=’http://www.youtube.com/watch?v=knNLZvphhfs’]

For this week’s remaining showtimes, please visit our official site.

Thanks for your continued support.

We hope to see you soon,

Jonathan

 

P.S.  We now have TWITTER.  If you use this application, we hope you’ll follow us – @neonmovies

SHOWTIMES for Fri. March 9 – Thur. March 15:

A SEPARATION (PG-13) 2 Hr 03 Min

Friday, Saturday, Sunday:  1:30, 4:00, 7:00, 9:30

Monday – Thursday:  2:40, 5:10, 8:00

 

SHAME (NC-17) 1 Hr 41 Min

Friday, Saturday, Sunday: 12:40, 2:50, 5:10, 7:30, 9:30

Monday – Thursday: 2:50, 5:10, 7:30

COMING SOON:

As always, all dates are tentative.  Many of these dates will change.

TBD   THE HEDGEHOG

TBD   PARIAH

TBD   BEING FLYNN 

March 23   IN DARKNESS

March ?   WE NEED TO TALK ABOUT KEVIN

April ?  FOOTNOTE

Spring   SALMON FISHING IN THE YEMEN

Spring  BEST EXOTIC MARIGOLD HOTEL

Filed Under: On Screen Dayton Tagged With: a separation, being flynn, Dayton Ohio, independent film, indie movies, michael fassbender, nc-17, nc17, ncaa, pariah, shame, The Neon, tilda swinton, we need to talk about kevin

Dayton Gay Men’s Chorus – Benefit Musicale IV

March 7, 2012 By Dayton Most Metro 2 Comments

The Dayton Gay Men’s Chorus has announced the fourth annual Benefit Musicale, “The Director’s Cut”, to be held on March 17th, in the beautiful cloister of the Dayton Art Institute.  The evening begins with a cocktail hour (cash bar) from 6-7pm, with hor’s d’oeuvres prepared by Elegant Fare.  Entertainment will be provided by the DGMC Ensemble, accompanied by Raymonde Rougier, and under the Artistic Direction of Jason Coatney-Schuler.  In addition, Dayton’s own RubiGirls will be on hand with their comedic drag interpretations and as accompaniment to the chorus, who will perform yet unheard selections from last season’s “Let’s Hear it For the Boys” concert.

There will be a Silent Auction, chock full of art items, experiences, and themed baskets, with additional live auction items, including a 6 day/6 night African Safari trip for two (Zula Nyala in South Africa) and opening night tickets to Carrie Fisher’s “Wishful Drinking” performance at the Victoria Theatre.

In the midst of its ninth performance season, the DGMC is preparing for a high-energy, fast-paced, “ExtrABBAganza” concert on June 2, 2012, at the Victoria Theatre, featuring the music of the iconic Swedish band ABBA.  Proceeds from the March benefit will be specifically earmarked to help to produce the June concert.  Board President, Allen Kimbrough notes, “the selection of music of ABBA for our Summer concert follows on the heels of the DGMC’s success from last year’s Let’s Hear it For the Boys performance at the Victoria.”  The DGMC, along with six other men’s choruses across the country, commissioned nationally recognized composer, David Maddux to arrange the music for this concert.  Kimbrough adds,  “it was our first venture at commissioning a choral work and the collaborative process proved to be a milestone in our history”.  The chorus will again bring Mr. Maddux’s talents to the Dayton Region, as he is the composer/arranger for the June ABBA tribute concert.

Though fast approaching a sell out, advanced tickets for “The Director’s Cut” Benefit Musicale are still available, $60.00 each, or a table of ten $600.00.  Tickets may be purchased through any chorus member, or by contacting tickets@daytongaymenschorus.org

Filed Under: Arts & Entertainment, The Featured Articles

Coming Up in Cincinnati Theatre: March 7-11

March 7, 2012 By Rob Bucher Leave a Comment

…BLINK AND THEY’RE GONE

THE AFGHAN WOMEN’S WRITING PROJECT

Know Theatre of Cincinnati

The Story: THE AFGHAN WOMEN’S WRITING PROJECT is aimed at allowing Afghan women to have a direct voice in the world, not filtered through male relatives or members of the media. Many of these Afghan women have to make extreme efforts to gain computer access in order to secretly submit their writings, in English, to the project.
The Dates: March 8-11, 2012
Tickets and More Information: Know Theatre of Cincinnati | BTC listing

CELEBRITY OLD TIME RADIO SHOW

Xenia Area Community Theatre

The Story: Xenia celebrities and area actors perform old time radio favorites. Also presented for the first time is A ‘TIME’ FOR RADIO
The Dates: March 9-11, 2012
Tickets and More Information: Xenia Area Community Theatre | BTC listing

…NEW THIS WEEK

COLE

Mariemont Players Inc.

The Story: Follows Cole Porter’s life – from Yale to Paris to Manhattan to Broadway to Hollywood. This delightful musical tribute to the King of Musicals includes such hit tunes as I Love Paris, Take Me Back to Manhattan, “Love for Sale, Night and Day, and I Get a Kick Out of You.
The Dates: March 9-25, 2012
Tickets and More Information: Mariemont Players Inc | BTC listing

THE DINING ROOM

Lebanon Theatre Company

The Story: A mosaic of interrelated scenes—some funny, some touching, some rueful—which, taken together, create an in-depth portrait of a vanishing species of the upper-middle-class.
The Dates: March 9-18, 2012
Tickets and More Information: Lebanon Theatre Company| BTC listing

MERRILY WE ROLL ALONG

Cincinnati Playhouse in the Park

The Story: Stephen Sondheim’s remarkable Broadway fable of friendship and the high price of success opens in the present and moves backward in time. The triumphs and failures of a jaded composer and his two closest friends are traced from their estranged ending to their idealistic beginning. Directed by John Doyle, who led Playhouse’s Tony Award-winning production of COMPANY, the performers in this highly anticipated revival will play all of the instruments as they act and sing in one of Sondheim’s most melodic scores. Ages 13 and up.
The Dates: March 3-31, 2012
Tickets and More Information: Cincinnati Playhouse in the Park | BTC Listing

THE PRODUCERS

Loveland Stage Company

The Story: A fading producer, Max Bialystock, convinces accountant Leo Bloom to partner with him in producing a guaranteed flop and then running off with the money they’ve raised. “Springtime for Hitler” couldn’t possibly be a hit, right?
The Dates: March 9-18, 2012
Tickets and More Information: Loveland Stage Company | BTC listing

Burgess Byrd as Clairee Belcher & Christine Dye as Ouiser Boudreaux in CCPA’s STEEL MAGNOLIAS.

STEEL MAGNOLIAS

Covedale Center for the Performing Arts

The Story: Welcome to Truvy’s beauty salon in Chinquapin, Louisiana, where all the ladies who are “anybody” come to have their hair done. Filled with hilarious repartee and not a few revealing verbal collisions, the play invokes knowing laughter and certain tears when the spunky Shelby risks her life for a child of her own. The realization of mortality affects the others, but also draws on the underlying strength—and love – in these uniquely American women.
The Dates: March 8-April 1, 2012
Tickets and More Information: Cincinnati Landmark Productions | BTC listing

…CONTINUING

Sara Clark as Marianne Dashwood, Giles Davies as Colonel Brandon, Kelly Mengelkoch as Elinor Dashwood & Brent Vimtrup as Edward Ferrars. Photo by Jeanna Vella.

Jane Austen’s SENSE & SENSIBILITY

Cincinnati Shakespeare Company

The Story: When a lack of luck makes for difficult marriage prospects, the Dashwood sisters set sail on the volatile seas of courtship. The sisters soon discover that neither reserved Elinor’s common sense nor impulsive Marianne’s passion offer the key to happiness. Scandalous secrets, burning betrayals, and suave (and some not-so-suave) suitors line the path to true love in this fresh adaptation.
The Dates: Through March 18, 2012
Tickets and More Information: Cincinnati Shakespeare Company | BTC listing

…ENDING THIS WEEK

THE BIG PICTURE

Beavercreek Community Theatre

The Story: It’s the summer of 1962, college freshman Billy Carson is spending his first summer home with his mom and best friend. With only a few items to provide clues, Billy sets out with a renewed interest in discovering the father he never knew – B-Movie script writer and war hero, Jack Carson. But when old wounds are opened and new loves are discovered, Billy realizes that coming home is more difficult and ultimately more enlightening than he ever imagined and the sleepy town of Pine Springs, Illinois may never be the same. With script and lyrics by Troy native David Brush and music by Jim Farley of Piqua.
The Dates: March 2-11, 2012
Tickets and More Information: Beavercreek Community Theatre | BTC Listing

Don Volpenhein as Ray & Ashley Hail as Una in BLACKBIRD.

BLACKBIRD

The Story: Fifteen years ago, she was twelve and he was forty. Their relationship put him in jail and changed their lives forever. Now she has found him living a different life, under a different name. Will either person ever come to terms with the past? Or will the past consume them both? Ages 18 and up.
The Dates: March 2-11, 2012
Tickets and More Information: BLACKBIRD blog | BTC Listing

THE DINING ROOM

Stagecrafters

The Story: The play is set in the dining room of a typical well-to-do household, the place where the family assembled daily for breakfast and dinner and for any and all special occasions. The action is comprised of a mosaic of interrelated scenes – some funny, some touching, some rueful – which, taken together, create an in-depth portrait of a vanishing species of the upper-middle-class.

The Dates: March 3-11, 2012
Tickets and More Information: Stagecrafters | BTC Listing

Michael Shooner as Man. Photo by Mikki Schaffner.

ST. NICHOLAS

New Edgecliff Theatre

The Story: A burned-out theatre critic becomes infatuated with a young actress. Leaving his wife and children in Dublin to pursue his obsession, things become complicated in London when he finds himself in the employ of a coven of vampires. This wicked and riveting one-man show is sure to captivate audiences. Intended for mature audiences only.
The Dates: Through March 10, 2012
Tickets and More Information: New Edgecliff Theatre | BTC listing | BTC review

TALLEY & SON

The Drama Workshop

The Story: The time is Independence Day, 1944, the place the parlor of the Talley homestead in Lebanon, Missouri. As World War II rages across the seas, the Talleys are beset with crises of a different sort. Commenting on the action, unseen by the others, is the “ghost” of the second son, Timmy, already a casualty of the Pacific war, although the family has not yet learned of his death.
The Dates: March 2-10, 2012
Tickets and More Information: The Drama Workshop | BTC Listing

Mike Moskowitz as Mr. Green in VISITING MR. GREEN. Photo by Mikki Schaffner.

VISITING MR. GREEN

Falcon Theatre

The Story: After his car narrowly avoids an elderly man wandering into traffic,bright young professional Ross Gardiner has been sentenced to community service;he must visit his almost victim,Mr. Green,once a week for the next six months. Curmudgeonly Mr. Green resists Ross’s help,still overwhelmed with the death of his wife and harboring a deep and painful secret. But Ross has a secret of his own,and together the unlikely companions learn to understand each other and themselves in a humorous and touching story of forgiveness and compassion. This two-man play features real-life grandfather and grandson, Mike Moskowitz & Joshua Steele
The Dates: March 3-11, 2012
Tickets and More Information: Falcon Theatre | BTC Listing

Evy Ortiz as Maria and Ross Lekites as Tony in the First National Tour of WEST SIDE STORY. Photo © Carol Rosegg 2011.

WEST SIDE STORY

Broadway in Cincinnati

The Story: More than fifty years ago one musical changed theater forever. Now it’s back, and mesmerizing audiences once again. From the first note to the final breath, West Side Story soars as the greatest love story of all time. Directed by David Saint, using Tony Award-winning librettist Arthur Laurents’ Broadway direction, West Side Story remains as powerful, poignant and timely as ever. The new Broadway cast album of West Side Story recently won the 2010 Grammy Award for Best Musical Show Album. The Bernstein and Sondheim score is considered to be one of Broadway’s finest and features such classics of the American musical theatre as “Something’s Coming,” “Tonight,” “America,” “I Feel Pretty” and “Somewhere.”
The Dates: Feb. 28-March 11, 2012
Tickets and More Information: Broadway in Cincinnati | BTC Listing | BTC Review

…COMING SOON

EDGE WALKING

Cincinnati Playwrights Initiative

The Dates: March 13, 2012
Tickets and More Information: Cincinnati Playwrights Initiative | BTC listing

TIME STANDS STILL

Ensemble Theatre of Cincinnati

The Dates: March 14-April 1, 2012
Tickets and More Information: Ensemble Theatre of Cincinnati | BTC listing

NIXON’S NIXON

Middletown Lyric Theatre

The Dates: March 15-17, 2012
Tickets and More Information: Middletown Lyric Theatre | BTC listing

A STREETCAR NAMED DESIRE

Rivertown Players Inc.

The Dates: March 15-17, 2012
Tickets and More Information: Rivertown Players | BTC listing

TIGERS BE STILL

Cincinnati Playhouse in the Park

The Dates: March 17-April 15, 2012
Tickets and More Information: Cincinnati Playhouse in the Park | BTC listing

Filed Under: Cincinnati, On Stage Dayton Previews

Bach Society of Dayton Joins with the Central State University Chorus “For the Joy of Singing”

March 6, 2012 By Dayton Most Metro Leave a Comment

The Bach Society of Dayton, under the direction of John Neely, will join forces with the renowned Central State University Chorus, under the direction of William Henry Caldwell, for two inspiring concerts on March 10 and 11.

The combined choirs will perform Schubert’s Mass in G, as well as a selection of contemporary and traditional works by African-American composers. The Bach Society will perform Bach’s Lobet den Herrn, alle Heiden (Praise the Lord, all the nations). Lee Hoffman, assistant professor at Central State, will be the soprano soloist. The choirs will be accompanied by a chamber orchestra and organist R. Alan Kimbrough.

“The Central State University Chorus is recognized as one of the finest choral ensembles in the region, and we are excited to perform on stage together for the first time,” said John Neely, music director, Bach Society of Dayton.

March 2012 marks the 125th anniversary of Central State University. The Central State University Chorus will begin a tour of China shortly after the March concerts.

For the Joy of Singing

March 10, 7:30 p.m.
Central State University, Wilberforce
Paul Robeson Performing Arts & Cultural Center

March 11, 4:00 p.m.
Kettering Adventist Church
3939 Stonebridge Road, Kettering
3:00 p.m. Concert preview by Dr. James Arthur Williams, University of Dayton

Tickets
Adults $15; Students free with ID on March 10 and $10 on March 11; 12 and under free
Available at the door or call to reserve: 937-294-2224

Filed Under: Arts & Entertainment, The Featured Articles

Getting in the Game: Research, Prepare and Negotiate the Exhibition of your Artwork

March 2, 2012 By Dayton Most Metro Leave a Comment

The Dayton Visual Arts Center, Rosewood Arts Centre and the Springfield Museum of Art present Getting in the Game: Research, Prepare and Negotiate the Exhibition of your Artwork. This three-part, three-venue series will focus on different aspects of exhibiting artwork, from finding appropriate exhibition opportunities, preparing a strong portfolio and application, and best exhibition practices. This is the inaugural event in a series of practical practice workshops for artists. Attending all three sessions is encouraged as the sessions are organized cumulatively; however, participants may attend any or all three.

Session 1 | March 10 | Making a Game Plan | Dayton Visual Arts Center

Free agent or professional? Fairs, festivals, auctions, galleries, museums, corporate commissions? Get out of the studio and on the field! Learn to create the best game plan to reach your exhibition goals.

Session 2 | March 17 | The Right Equipment | Rosewood Arts Centre

Learn the basics of preparing your work for the jury process or presenting a solo exhibition proposal. Artist statements, resumes, documentation of artwork, and more will be discussed.

Session 3 | March 24 | Rules of Engagement | Springfield Museum of Art

For profit, not for profit? Galleries, coffee shops, restaurants, museums? 10%, 25%, 50%? Learn what to expect from each venue, and what they expect from you, including contracts, marketing, and commission fees.
(submitted by DVAC)

Filed Under: Visual Arts

The Look of Love

March 1, 2012 By Russell Florence, Jr. 1 Comment

Love, in many forms and stages, permeates the mythical air of John Cariani’s tender comedy “Almost, Maine,” fluidly directed with a dash of whimsy by Kimberly Borst at Sinclair Community College.

Transpiring on a wintry Friday evening in the sleepy titular town, excellently envisioned by scenic designer Terry Stump and lighting designer Gina Neuerer, “Almost, Maine” flows as a series of nine vignettes effectively grounded in self-reflection and emotional connection. Cariani’s concept, which should have been conceived as a one-act, is predictably fueled by the universal desire of finding The One, but he astutely avoids the temptation to drown his appealing, relatable characters in melodramatic romanticism or mundane rom-com hijinks.

Cariani’s couples are particularly impactful when vulnerable or attempting a deeper intimacy and understanding. In fact, the Act 1 finale (“Getting It Back”) and Act 2 opening (“They Fall”) typify the play’s engrossing charm. “Getting It Back,” an eye-opening, symbolic look at love measured in bags of varying sizes, likely resonates with any woman who has endured a serious, long-term relationship without a wedding ring to show for it. The feisty Angela Dermer and sensitive Chris Hahn, paired as strongly here as they were last fall portraying Abigail Williams and John Proctor in “The Crucible,” wonderfully explore the frustrated discontent that arises when the end seems near even though a bright future actually looms over the horizon. In a striking role reversal, Hahn, opposite the admirable Josh Smith, is also featured in “They Fall,” a terrific bromance innocently peppered with random chatter encompassing bad hygiene and an impromptu Queen salute that endearingly climaxes with unexpected honesty and funny physical comedy.

Jenna Burnette and Isaac Hollister’s subtle love-at-first-sight compatibility in “This Hurts,” an intriguing account of a young man immune to pain, and Michael Marvin and Becca Sebree’s believably bruised “Where It Went,” a tale of a rocky marriage, are equally sharp.  Amanda Hanisch, John Ray, costumer Kathleen Hotmer and the evocative strains of composer Julian Fleisher also contribute to the success of this perfect date night outing.

“Almost, Maine” continues through March 3 in Blair Hall Theatre, Building 2, at Sinclair Community College, 444 W. Third St. Performances are Thursday at 7 p.m. and Friday and Saturday at 8 p.m. Act One: 50 minutes; Act Two: 45 minutes. Tickets are $10-$15 with the exception of the Downtown Dayton Thursday Night performance which is an additional $5 and includes pre-show appetizers and cash bar. For tickets or more information, call (937) 512-2808 or visit www.sinclair.edu/tickets.

Filed Under: On Stage Dayton Reviews

Love is in the air both joyous and tough at the Dayton Ballet Romance Series

March 1, 2012 By Rodney Veal Leave a Comment

Love in all its complicated, glorious infectiousness was on display at the Dayton Ballet Romance Series performance. While it was not a perfect concert there was enough of a incipient charm that kept me going as a lover of dance.

In talking about showcasing “relationships” in ballets, George Balanchine may have made a matter of fact observation. “ You have a man and woman, How much more story do you need?” In this cynical age in which people can get married and divorced in seventy-two days (the Kardashians immediately come to mind) we are all holdouts for true love. And this slightly imperfect showcase held steadfast to this premise.

The concert began with Stephen Mills Red Roses set to a musical score of the incomparable Edith “The Sparrow” Piaf. The work, which began perfunctorily with group unison partnering, while very well crafted held no surprises. When we moved into the solo danced by Erika Cole set to La Vieux Piano, the energy of the ballet ramped up considerably and more nuanced work began to emerge. We started to embrace the familiarities of couples falling in and out of love, because it showcased how love is complicated and unpredictable in an accessible way. The highlight of the piece was the comedic juxtaposition of the couples in C’est Peut-Etre Ca (The Apache), with an inspired full throttled performance by Abby Phillips along with Paul Gilliam, Erika Cole and Justin Koertgen.

The world premiere of Between Heaven and Earth by Gina Gardner-Walther was a beautiful meditation on a love that matures and transcends the shadows. Beautifully costumed in shades of plums, violets and lilac this was a work that challenged the dancers to work with choreographic material that was contemporary and allowed us to see the dancers in a fresh light. As I was watching the ballet the textured choreography of Mark Morris came to mind. The sensitive gestural movement vocabulary and the subtle caressing and framing of the face by the dancers spoke poignantly to this reviewer. This was a work that suggested the weathering of a very personal storm that only committed couples in love can overcome. For all of you single people out there this is the point you are trying to get to in any relationship, a real place. This sensitive and mature choreographic work was an excellent showcase for the contemporary movement ability of Case Bodamer. When I see works like this presented on the stage I am giddy with anticipation at what this company is truly capable of. My only quibble is a technical one. The ladies need to smooth out there landings in pirouettes, which were a little clunky. Overall this is a work that invites repeated viewing.

The Butterfly Suite as choreographed by the artistic director Karen Russo Burke had moments of theatricality that made me sit up and take notice and then there were moments that did not add up artistically. Because the libretto of the Madame Butterfly, in my opinion, is iconic and instantly identifiable even to those who may not have seen the opera, the viewing of this particular ballet is hampered by this previous knowledge. This is a work about grand passion and the huge emphasis needs to be on the “grand”. The opening and closing segments delivered on the grand passion and heightened theatricality. The middle section lost something in translation. I think Ms. Burke is on to something here and I think if she were to look at maybe re-working the mid-section of this ballet, I think it can be an even stronger work.

As I was watching the plight of Cio-Cio San, beautifully danced by Erika Cole, I immediately thought of the plight of Giselle, another ballet character sacrificed on the alter of love. As Giselle progresses we as an audience are made aware of what is at stake for her character almost immediately which allows us to embrace the tragic journey that she subsequently takes us on. I needed to viscerally feel and see what is at stake for the character of Cio-Cio San in the same way and in my opinion this is what is missing from Butterfly Suite. Fundamentally this story is all about navigating the difference between love and lust and the dangers that not knowing the difference exposes one to in relationships. It is also about the tragedy of searching for that knight in shining armor, who turns out to be a cad. I think that there is a goldmine waiting to be explored in this ballet and I have faith that Ms. Burke has the capacity to bring it out. In the final moments of the ballet when Cio-Cio San has resigned herself to commit suicide and seek redemption, the staging of the finale was in my opinion nothing short breathtaking. This story is about how the grand passion of love can tragically carry you to heights of unforeseen passion. If we as the audience had been transported to that place, the pay off would be magnificent.

Filed Under: On Stage Dayton Reviews

“Bus Stop” Opens at the Dayton Playhouse

March 1, 2012 By Dayton Most Metro Leave a Comment

The Dayton Playhouse will present the popular drama, “Bus Stop,” March 16-25.

The play is set in a diner about 30 miles west ofKansas Cityin early March 1955. A freak snowstorm has halted the progress of the bus, and the eight characters have a weather-enforced layover in the diner from approximately 1 to 5 a.m. Romantic or quasi-romantic relationships ensue.  “Bus Stop” original opened on Broadway in 1955.  The play was nominated for four Tony Awards. “Bus Stop” was written by William Inge and is made available through Dramatists Play Service.

The Dayton Playhouse production stars Lorrie Sparrow as Grace,MargaretFoley as Elma, Craig Smith as Will,RickFlynnas Dr. Gerald Lyman, Ellen Ballerene as Cherie, Scott Knisley as Bo, Mike Rouseculp as Virgil and Mark Hassel as Carl.  “Bus Stop” is being directed by Matthew Smith.

Performances will be Friday through Sunday, March 16-25.  All performances are at 8:00 p.m. except Sundays, which are at 2:00 p.m.  Tickets are $15 for adults, $14 for seniors and $10 for students.

Tickets can be purchased online at www.daytonplayhouse.com, or through the box office, 937-424-8477, which is staffed Monday, Wednesday and Friday 2:00 -5:00 p.m.  Messages may be left for the box office at any time.  The Dayton Playhouse is located at 1301 E. Siebenthaler Ave., Dayton, OH 45414.

The Dayton Playhouse is a community theatre providing outstanding theatrical productions toMiamiValleyaudiences of all ages for more than fifty years.  The Playhouse is nationally recognized for “FutureFest,” a festival of new plays.

(submitted by The Dayton Playhouse)

Filed Under: On Stage Dayton Previews

Dayton Ballet’s “The Spring Series”

March 1, 2012 By Dayton Most Metro Leave a Comment

The Spring Series, at Victoria Theatre from March 15 – 18, 2012, will feature four ballets in one amazing performance:  two world-premiere ballets:  one by Dayton Ballet’s Ballet Master, Justin Koertgen titled Violin Concerto and performed to Max Bruch’s Violin Concertos #2 and #3; 2011 New Music for New Dance choreography winner, Susanne Payne’s Parádeigma; and two ballet revivals:  Dermot Burke’s Interlude, performed to Dmitri Shostakovitch’s Piano Concerto No.2, Op. 102 and Gregory Robinson’s Hot Riffs and Blue Notes, performed to music by The Pointer Sisters.

A feature on the program, Violin Concerto, is choreographed by Dayton Ballet’s 11 year veteran, Justin Koertgen, and is a return to the pure roots of classical ballet.  With tutus, tiaras, and tunics, Violin Concerto, is performed to Max Bruch’s Violin Concertos #2 and #3 with the elegance, energy and glorious partnering of true ballet.

Daytonfavorite, GregoryRobinson, presents his popular revival, Hot Riffs and Blue Notes, performed to the melodically-layered music of The Pointer Sisters.

DermotBurke, former Executive and Artistic Director of Dayton Ballet, returns with his revival, Interlude. This Neo-Classical ballet is danced by two couples to the romantic Piano Concerto No. 2, Op 102, byDmitriShostakovitch.

The Spring Series program concludes with a contemporary ballet choreographed by Dayton native, Susanne Payne.  Susanne is the 2011 Choreography winner of New Music for New Dance.  Her world premiere ballet, Parádeigma, pushes the company dancers to explore their limitations both physically and mentally.  Parádeigma challenges the dancers and audience to move beyond their perceptions of what traditional ballet should be.  The goal is for all is to experience the freedom achieved by breaking loose from the routine.

Performances of The Spring Series are at theVictoriaTheatre, March 15, 16, & 17 at 8:00 pm, and March 17 and 18 at 3:00 pm.

Tickets are on sale now! Call Ticket Center Stage at (937) 228-3630 or (888) 228-3630 or visit www.ticketcenterstage.com.  Ticket Center Stage hours are Monday-Friday 10 a.m. to 6 p.m., Saturday Noon-4 p.m. and two hours prior to each performance.

Filed Under: On Stage Dayton Previews

Oscar Winner A SEPARATION Starts Friday!

March 1, 2012 By Jonathan McNeal Leave a Comment


Hello Everyone,

I’m sad to report that the community has not embraced PINA well enough for it to stick around a second week.  If you still need to see this artful and inspiring film, you only have today (Thursday, March 1) to see it at THE NEON.  Though I’m sad to see this film leave, I am happy to announce that we will open the Oscar-winning film A SEPARATION on Friday!   THE ARTIST, winner of 5 Academy Awards including “Best Picture,” will continue its run.

Synopsis for A SEPARATION: “Set in contemporary Iran, A Separation is a compelling drama about the dissolution of a marriage. Simin wants to leave Iran with her husband Nader and daughter Termeh. Simin sues for divorce when Nader refuses to leave behind his Alzheimer-suffering father. Her request having failed, Simin returns to her parents’ home, but Termeh decides to stay with Nader. When Nader hires a young woman to assist with his father in his wife’s absence, he hopes that his life will return to a normal state. However, when he discovers that the new maid has been lying to him, he realizes that there is more on the line than just his marriage.”  (Taken from Sony Pictures Classics)

[yframe url=’http://www.youtube.com/watch?v=58Onuy5USTc’]

A SEPARATION – official site

THE ARTIST – official site

On Thursday, March 22 at 7:30, Keener Farm has rented our space for a special screening of the acclaimed documentary AMERICAN MEAT.  “The film explains our current industrial meat system and shows the feedlots and confinement operations – not through hidden cameras but through the eyes of the farmers who live and work there. The film then shifts to the burgeoning sustainable, local-food movement made up of farmers, food advocates, chefs and everyday folks who could change everything about the way meat reaches the American table…Sustainable farming is expanding exponentially as Americans learn more about their food and how to connect with local farmers…”  (taken from press notes)  The screening will be preceded by a meet and greet with appetizers provided by Olive: An Urban Dive (beginning at 6:30), and a panel discussion with the filmmaker as well as local farmers & restaurateurs will follow the screening.  Admission is free (first come, first serve), but donations will gladly be accepted to help offset costs.

Our Annual Oscar Party was a success.  Many thanks to those of you who came out and participated in the fun evening, and many additional thanks to our friends at ThinkTV and Square One Salon & Spa for helping to make our evening a big hit.
For this week’s remaining showtimes, please visit www.neonmovies.com.

Thanks for your continued support.
We hope to see you soon,Jonathan

P.S.  We now have TWITTER.  If you use this application, we hope you’ll follow us. @neonmovies

SHOWTIMES for Fri. March 2 – Thur. March 8:

A SEPARATION (PG-13) 2 Hr 03 Min
Friday, Saturday, Sunday:  1:30, 4:00, 7:00, 9:30
Monday – Thursday:  2:40, 5:10, 8:00

THE ARTIST (PG-13) 1 Hr 40 Min
Friday, Saturday, Sunday: 12:40, 2:50, 5:10, 7:30, 9:30
Monday – Thursday: 2:50, 5:10, 7:30

COMING SOON:
As always, all dates are tentative.  Many of these dates will change.
In some rare cases, titles may disappear.
March 9   SHAME
TBD   THE HEDGEHOG
TBD   PARIAH
March 23   IN DARKNESS
March ?   WE NEED TO TALK ABOUT KEVIN
April ?  FOOTNOTE
Spring   SALMON FISHING IN THE YEMEN
Spring  BEST EXOTIC MARIGOLD HOTEL

Filed Under: On Screen Dayton Tagged With: a separation, academy awards, Dayton Ohio, indie film, iranian film, michael fassbender, oscar winners, shame, the artist, The Neon, we need to talk about kevin

Puttin’ on the Ritz at Opera Ball 2012

March 1, 2012 By Dayton Most Metro Leave a Comment

(submitted by the Opera Guild of Dayton)

You heard about it, didn’t you? You know ─ Tom (Bankston that is) and a few hundred of his closest friends from Opera Guild of Dayton are meeting at Dayton Country Club (DCC) on Saturday, March 3, at 6:30 p.m. They’re Puttin’ on the Ritz at Opera Ball 2012. They’ve got The Tom Daugherty Orchestra coming. Do they ever play the tunes! How about the Charleston or maybe some swing? There’ll be lots more to keep your feet tappin’.

Now I hear that the food at DCC is pretty terrific. They won’t be serving bathtub gin, just the good stuff. Don your glad rags ─ that’s your black tie attire and some bling. How about a bow tie and a top hat or some long pearls? Feathers and boas? Sure.

And for the auctions, the prizes are the “bee’s knees.” How about a week at Big Sky, Montana, or Winter Park, Colorado? Also, there’s a glamorous trip to New York City to dine at the 21 Club with a hotel stay at the incomparable The Lowell on the Upper East Side. Try for the Segway tour of Woodland Cemetery or tickets to the opera. Dining certificates are available at some hotsy, totsy restaurants. Pamper yourself at a spa. And they’ve got luscious wine baskets, art glass and lots more.

Call 937/434-8236 and ask for Sam. She has all the details. She’ll make sure that your reservation is set.  That new fangled Web has information too at OperaGuildOfDayton.org. Now all this partying helps the Opera Guild support Dayton Opera productions and keeps their educational endeavors with the schools in swell shape. And those high school and college vocal competition winners need the Guild’s dough too.

Be there for a roarin’ good time Puttin’ on the Ritz!

Filed Under: Arts & Entertainment, Charity Events

Coming Up in Cincinnati Theatre: Feb. 27-March 4

February 28, 2012 By Rob Bucher Leave a Comment

…BLINK AND THEY’RE GONE

THE LARAMIE PROJECT

SSCC Theatre

The Story: In October 1998 a twenty-one-year-old student at the University of Wyoming was kidnapped, severely beaten and left to die, tied to a fence in the middle of the prairie outside Laramie, Wyoming. His bloody, bruised and battered body was not discovered until the next day, and he died several days later in an area hospital. His name was Matthew Shepard, and he was the victim of this assault because he was gay.
The Dates: March 2-4, 2012
Tickets and More Information: SSCC Theatre | BTC Listing

…NEW THIS WEEK

Pam McGinnis of Oakwood, Brian Kester of Fairborn & Eric Bracht of Beavercreek rehearse THE BIG PICTURE.

THE BIG PICTURE

Beavercreek Community Theatre

The Story: It’s the summer of 1962, college freshman Billy Carson is spending his first summer home with his mom and best friend. With only a few items to provide clues, Billy sets out with a renewed interest in discovering the father he never knew – B-Movie script writer and war hero, Jack Carson. But when old wounds are opened and new loves are discovered, Billy realizes that coming home is more difficult and ultimately more enlightening than he ever imagined and the sleepy town of Pine Springs, Illinois may never be the same. With script and lyrics by Troy native David Brush and music by Jim Farley of Piqua.
The Dates: March 2-11, 2012
Tickets and More Information: Beavercreek Community Theatre | BTC Listing

BLACKBIRD

The Story: Fifteen years ago, she was twelve and he was forty. Their relationship put him in jail and changed their lives forever. Now she has found him living a different life, under a different name. Will either person ever come to terms with the past? Or will the past consume them both?  Ages 18 and up.
The Dates: March 2-11, 2012
Tickets and More Information: BLACKBIRD blog | BTC Listing

THE DINING ROOM

Stagecrafters

The Story: The play is set in the dining room of a typical well-to-do household, the place where the family assembled daily for breakfast and dinner and for any and all special occasions. The action is comprised of a mosaic of interrelated scenes – some funny, some touching, some rueful – which, taken together, create an in-depth portrait of a vanishing species: the upper-middle-class WASP.
The Dates: March 3-11, 2012
Tickets and More Information: Stagecrafters | BTC Listing

MERRILY WE ROLL ALONG

Cincinnati Playhouse in the Park

The Story: Stephen Sondheim’s remarkable Broadway fable of friendship and the high price of success opens in the present and moves backward in time. The triumphs and failures of a jaded composer and his two closest friends are traced from their estranged ending to their idealistic beginning. Directed by John Doyle, who led Playhouse’s Tony Award-winning production of COMPANY, the performers in this highly anticipated revival will play all of the instruments as they act and sing in one of Sondheim’s most melodic scores. Ages 13 and up.
The Dates: March 3-31, 2012
Tickets and More Information: Cincinnati Playhouse in the Park | BTC Listing

TALLEY & SON

The Drama Workshop

The Story: The time is Independence Day, 1944, the place the parlor of the Talley homestead in Lebanon, Missouri. As World War II rages across the seas, the Talleys are beset with crises of a different sort. Commenting on the action, unseen by the others, is the “ghost” of the second son, Timmy, already a casualty of the Pacific war, although the family has not yet learned of his death.
The Dates: March 2-10, 2012
Tickets and More Information: The Drama Workshop | BTC Listing

Joshua Steele as Ross Gardiner & Mike Moskowitz as Mr. Green in Falcon Theatre's VISITING MR. GREEN.

VISITING MR. GREEN

Falcon Theatre

The Story: After his car narrowly avoids an elderly man wandering into traffic,bright young professional Ross Gardiner has been sentenced to community service;he must visit his almost victim,Mr. Green,once a week for the next six months. Curmudgeonly Mr. Green resists Ross’s help,still overwhelmed with the death of his wife and harboring a deep and painful secret. But Ross has a secret of his own,and together the unlikely companions learn to understand each other and themselves in a humorous and touching story of forgiveness and compassion. This two-man play features real-life grandfather and grandson,  Mike Moskowitz & Joshua Steele
The Dates: March 3-11, 2012
Tickets and More Information: Falcon Theatre | BTC Listing

The First National Tour of WEST SIDE STORY. Photo by Carol Rosegg.

WEST SIDE STORY

Broadway in Cincinnati

The Story: More than fifty years ago one musical changed theater forever. Now it’s back, and mesmerizing audiences once again. From the first note to the final breath, West Side Story soars as the greatest love story of all time. Directed by David Saint, using Tony Award-winning librettist Arthur Laurents’ Broadway direction, West Side Story remains as powerful, poignant and timely as ever. The new Broadway cast album of West Side Story recently won the 2010 Grammy Award for Best Musical Show Album. The Bernstein and Sondheim score is considered to be one of Broadway’s finest and features such classics of the American musical theatre as “Something’s Coming,” “Tonight,” “America,” “I Feel Pretty” and “Somewhere.”
The Dates: Feb. 28-March 11, 2012
Tickets and More Information: Broadway in Cincinnati | BTC Listing

…CONTINUING

Michael Shooner as Man. Photo by Mikki Schaffner.

ST. NICHOLAS

New Edgecliff Theatre

The Story: A burned-out theatre critic becomes infatuated with a young actress. Leaving his wife and children in Dublin to pursue his obsession, things become complicated in London when he finds himself in the employ of a coven of vampires. This wicked and riveting one-man show is sure to captivate audiences. Intended for mature audiences only.
The Dates: Through March 10, 2012
Tickets and More Information: New Edgecliff Theatre | BTC listing | BTC review

Sara Clark as Marianne Dashwood, Giles Davies as Colonel Brandon, Kelly Mengelkoch as Elinor Dashwood & Brent Vimtrup as Edward Ferrars. Photo by Jeanna Vella.

Jane Austen’s SENSE & SENSIBILITY

Cincinnati Shakespeare Company

The Story: When a lack of luck makes for difficult marriage prospects, the Dashwood sisters set sail on the volatile seas of courtship. The sisters soon discover that neither reserved Elinor’s common sense nor impulsive Marianne’s passion offer the key to happiness. Scandalous secrets, burning betrayals, and suave (and some not-so-suave) suitors line the path to true love in this fresh adaptation.
The Dates: Through March 18, 2012
Tickets and More Information: Cincinnati Shakespeare Company | BTC listing

…ENDING THIS WEEK

COLLAPSE

Know Theatre of Cincinnati

The Story: In 2007, the Mississippi River Bridge in Minneapolis collapsed, killing 13 people and injuring another 145. Hannah’s husband David was driving one of the cars that went off the bridge. He is suffering from post-traumatic stress disorder, but refuses to attend a support group. Hannah’s life is falling apart. She can’t get pregnant, she’s one step away from losing her job, and she thinks her husband, who hasn’t been to work for months, may be an alcoholic. COLLAPSE is an uncomfortably funny exploration of the crumbling structures that undergird our bridges, our economy, and our most intimate relationships.
The Dates: Through March 3, 2012
Tickets and More Information: Know Theatre | BTC listing

Chris Blem as The Baker, Victoria Cook as The Witch, Michelle Rombola as the Baker's Wife in CCM's INTO THE WOODS.

INTO THE WOODS

UC CCM Musical Theatre

The Story: Stephen Sondheim’s Tony Award-winning musical follows the journey of a Baker and his Wife on their quest to reverse a curse put on them by the Witch next door, forcing them to face the consequences of their actions. As the fairy tale characters work to fulfill their greatest wishes, they learn a heartwarming moral of the importance of family and community.
The Dates: Through March 4, 2012
Tickets and More Information: UC CCM | BTC listing

RENT

Footlighters, Inc.

The Story: Jonathan Larson’s Pulitzer-prize winning Broadway musical based loosely on Puccini’s opera “La Bohème.” RENT follows a year in the lives of seven friends living the disappearing Bohemian lifestyle in New York’s East Village.
The Dates: Through March 3, 2012
Tickets and More Information: Footlighters | BTC listing

SPEAKING IN TONGUES

Cincinnati Playhouse in the Park

The Story: Love, sex and deceit create the emotional labyrinth in this stylish, noir thriller. This theatrical jigsaw puzzle of parallel stories explores the betrayals of two married couples and the unexpected links among five isolated strangers
The Dates: Through March 4, 2012
Tickets and More Information: Cincinnati Playhouse in the Park | BTC listing

…COMING SOON

THE AFGHAN WOMEN'S WRITING PROJECT presented by Know Theatre of Cincinnati on March 8-11

Know Theatre of Cincinnati

The Dates: March 8-11, 2012
Tickets and More Information: Know Theatre of Cincinnati | BTC listing

COLE

Mariemont Players

The Dates: March 9-25, 2012
Tickets and More Information: Mariemont Players | BTC listing

THE DINING ROOM

Lebanon Theatre Company

The Dates: March 9-18, 2012
Tickets and More Information: Lebanon Theatre Company | BTC listing

THE PRODUCERS

Loveland Stage Company

The Dates: March 9-18, 2012
Tickets and More Information: Loveland Stage Company | BTC listing

STEEL MAGNOLIAS

Covedale Center for the Performing Arts

The Dates: March 8-April 1, 2012
Tickets and More Information: Cincinnati Landmark Productions | BTC listing

 

Filed Under: Cincinnati, On Stage Dayton Previews

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 148
  • Page 149
  • Page 150
  • Page 151
  • Page 152
  • Interim pages omitted …
  • Page 185
  • Go to Next Page »

Primary Sidebar

Submit An Event to Dayton937

Join the Dayton937 Newsletter!

Trust us with your email address and we'll send you our most important updates!
Email:  
For Email Marketing you can trust
Back to Top

Copyright © 2025 Dayton Most Metro · Terms & Conditions · Log in