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Arts & Entertainment

Coming Up in Cincinnati Theatre: March 19-25

March 21, 2012 By Rob Bucher Leave a Comment

…BLINK AND THEY’RE GONE

ALMOST, MAINE

Xavier Players

The Story: On a cold, clear, moonless night in the middle of winter, all is not quite what it seems in the remote, mythical town of Almost, Maine. As the northern lights hover in the star-filled sky above, Almost’s residents find themselves falling in and out of love in unexpected and often hilarious ways.
The Dates: March 22-25, 2012
Tickets and More Information: Xavier University Players | BTC listing

GUYS AND DOLLS

Rotary Presents

The Story: It all begins with a bet. Nathan Detroit bets high-rolling gambler Sky Masterson that Sky cannot persuade Save-A-Soul Missionary Sister Sarah Brown to accompany him on a trip to Cuba. While the worldly Sky works his charms on a wary Sarah, Nathan is doing his best to stay outside the matrimonial clutches of his long-suffering fiancée, Miss Adelaide. Guys and Dolls is a fable about what happens to gambling men and the women who long to tame them.
The Dates: March 22-25, 2012
Tickets and More Information: Rotary Presents | BTC listing

…NEW THIS WEEK

CRYSTAL CLEAR DEATH

P.L.O.T.T. Performers

The Story: Be forewarned, if you are not a psychic, the visions you see may cause more than sugar plums to dance in your head. Welcome to Madame Simone’s parlor where strange things happen and the vibes are pulsating. There is a ghost of a chance that not all things are as they appear. Interactive dinner theater. 
The Dates
: March 23-31, 2012
Tickets and More Information: P.L.O.T.T. Performers | BTC listing

OUR COUNTRY’S GOOD

Northern Kentucky Univeristy

The Story: Australia is the perfect dumping ground for the worst British convicts in the 1780’s, but with only a few guards to keep the unruly inmates in line the Governor suggests a simple but bizarre solution to create order — have the inmates put on a play. Much to the dismay of both the prison workers and the prisoners themselves, the plan takes to the stage.
The Dates:
 March 22-April 1, 2012
Tickets and More Information: Northern Kentucky University | BTC listing

PUMP BOYS AND DINETTES

Brieabi Productions

The Story: On Highway 57, somewhere between Frog Level and Smyrna, stands a gas station. Across the blacktop is a roadside eatery called the Double Cupp Diner. The three guys at the station, Jim, Jackson, and L.M., have been known to do some auto repairs, but only when aided by quantities of time and beer. The Cupp sisters, Prudie and Rhetta, celebrate their home cooking with the same zeal they bring to being neighborly with the boys. This feel good, toe-tapping musical is a tribute to life by the roadside!
The Dates
: March 23-31, 2012
Tickets and More Information: Brieabi Productions | BTC listing

Emily Kissela as Rapunzel.

RAPUNZEL! RAPUNZEL! A Very Hairy Fairy Tale

The Children’s Theatre of Cincinnati

The Story: The classic fairy tale of Rapunzel comes to life in an exciting new musical featuring that beautiful princess with the long, long, long hair trapped in the tower, a handsome young suitor who doesn’t quite know what he’s searching for – of course, an evil witch who has her eye on what should be Rapunzel’s kingdom, and a tired, yet philosophical, old dragon who tries to make sense of it all!
The Dates
: March 23-30, 2012
Tickets and More Information: The Children’s Theatre of Cincinnati | BTC listing

TIGERS BE STILL

Cincinnati Playhouse in the Park

The Story: “This is the story of how I stopped being a total disaster,” announces the heroine of this darkly funny and moving new comedy. Having recently earned her master’s degree, Sherry Wickman finds herself still living at home with a mother who won’t come downstairs and a depressed but smart-alecky sister. Follow Sherry’s quirky misadventures as she lands her first job and tackles her two biggest challenges … getting her mother out of bed and her sister off the couch.
The Dates: March 17-April 15, 2012
Tickets and More Information: Cincinnati Playhouse in the Park | BTC listing

…CONTINUING

The cast of MERRILY WE ROLL ALONG presented by Cincinnati Playhouse in the Park. Photo by Sandy Underwood.

MERRILY WE ROLL ALONG

Cincinnati Playhouse in the Park

The Story: Stephen Sondheim’s remarkable Broadway fable of friendship and the high price of success opens in the present and moves backward in time. The triumphs and failures of a jaded composer and his two closest friends are traced from their estranged ending to their idealistic beginning. Directed by John Doyle, who led Playhouse’s Tony Award-winning production of COMPANY, the performers in this highly anticipated revival will play all of the instruments as they act and sing in one of Sondheim’s most melodic scores. Ages 13 and up.
The Dates: March 3-31, 2012
Tickets and More Information: Cincinnati Playhouse in the Park | BTC Listing

Burgess Byrd as Clairee and Christine Dye as Ouiser in STEEL MAGNOLIAS.

STEEL MAGNOLIAS

Covedale Center for the Performing Arts

The Story: Welcome to Truvy’s beauty salon in Chinquapin, Louisiana, where all the ladies who are “anybody” come to have their hair done. Filled with hilarious repartee and not a few revealing verbal collisions, the play invokes knowing laughter and certain tears when the spunky Shelby risks her life for a child of her own. The realization of mortality affects the others, but also draws on the underlying strength—and love – in these uniquely American women.
The Dates: March 8-April 1, 2012
Tickets and More Information: Cincinnati Landmark Productions | BTC listing

Jen Johansen* as Sarah Goodwin. Photo by Ryan Kurtz.

TIME STANDS STILL

Ensemble Theatre of Cincinnati

The Story: This explosive new drama examines the relationship between headstrong Sarah, a star photojournalist, and James, a foreign correspondent, who were once addicted to the adrenaline of documenting the realities of war and are now grounded in their Brooklyn loft. Now, James writes online movie reviews while Sarah recovers from being injured by a roadside bomb in Iraq, itching to get back behind the camera. But, when their own story takes a sudden turn, the adventurous couple confronts the prospect of a more conventional life…and everything changes-in a flash.
The Dates: March 14-April 1, 2012
Tickets and More Information: Ensemble Theatre of Cincinnati | BTC listing | BTC Review

…ENDING THIS WEEK

Joe Hornbaker, Sherry McCamley & Deb Cornetet Schubert in Mariemont Players' COLE. Photo by Jen Mielbrecht.

Mariemont Players Inc.

COLE

The Story: Follows Cole Porter’s life – from Yale to Paris to Manhattan to Broadway to Hollywood. This delightful musical tribute to the King of Musicals includes such hit tunes as I Love Paris, Take Me Back to Manhattan, “Love for Sale, Night and Day, and I Get a Kick Out of You.
The Dates: March 9-25, 2012
Tickets and More Information: Mariemont Players Inc | BTC listing

…COMING SOON

THE ADDAMS FAMILY

Broadway in Cincinnati

The Dates: March 27-April 8, 2012
Tickets and More Information: Broadway in Cincinnati | BTC listing

ARSENIC AND OLD LACE

Mason Community Players

The Dates: March 29-April 1, 2012
Tickets and More Information: Mason Community Players | BTC listing

BLOODY BLOODY ANDREW JACKSON

Know Theatre of Cincinnati

The Dates: March 31-May 12, 2012
Tickets and More Information: Know Theatre of Cincinnati | BTC listing

CIRQUE DU SOLEIL: DRALION

Bank of Kentucky Center

The Dates: March 28-April 1, 2012
Tickets and More Information: Cirque Du Soleil | BTC listing

THE GRAPES OF WRATH

Cincinnati Shakespeare Company

The Dates: March 30-April 29, 2012
Tickets and More Information: Cincinnati Shakespeare Company | BTC listing

THE STAR SPANGLED GIRL

Cedarville University

The Dates: March 29-April 15, 2012
Tickets and More Information: Cedarville Universtiy | BTC listing

Filed Under: Cincinnati, On Stage Dayton Previews

Coming Up In Dayton Theatre, March 21st – April 4th.

March 21, 2012 By Sarah Caplan Leave a Comment

Ok, I think we’ve got this whole “schedule” figured out, and thanks for your patience, as well as to Russell and Shane for stepping in! Now, without further unnecessary ado, I bring you … What’s Going On:

One Night Only!

 

Disney’s Beauty And The Beast

Kuss Auditorium, Springfield Arts Council

The Skinny: The Broadway musical based on the classic Disney movie based on the classic fairytale, Beauty and The Beast can only be described as a crowd-pleased. Featuring the familiar (and Academy Award-winning!) Alan Menken/Howard Ashman music, as well as songs that will be less-familiar to those new to the stage rendition, this love story is filled with unforgettable characters, lavish sets and costumes, and dazzling production numbers and has been seen by an estimated 35 million people world wide.

Tickets: Ticket prices are $61, $51 and $41

Date: Beauty And The Beast comes and goes on Wednesday, March 28th.

For more information, visit the Springfield Arts Council site here: http://www.springfieldartscouncil.org/

 

[yframe url=’http://www.youtube.com/watch?v=uizVpwvlNRI&feature=youtu.be’]

 

Closing This Weekend!

Bus Stop

Dayton Playhouse

The Skinny: There’s great buzz about the drama onstage in Matt Smith’s production of William Inge’s classic, taking place in a diner outside Kansas City. Be sure to check out this offering to see what happens when a group of strangers have nowhere else to go, and nothing else to talk about but themselves.

Tickets: Prices are $15, $14 and $10

Dates: Bus Stop closes on 3/25.

For more information visit the Dayton Playhouse website at www.thedaytonplayhouse.com

 

Now Playing!

Going To St. Ives

The Dayton Theatre Guild

The Skinny: After an eventful final dress performance, St. Ives had a smashing opening weekend. This Lee Blessing script is a series of conversations between the austere mother of an African dictator, and the renowned ophthalmologist who is her only hope. Under the direction of Greg Smith, this is not one you’ll want to miss.

Tickets: Tickets are are $18 for adults, $16 for seniors and $11 for students.

Dates: St. Ives continues its run this weekend and next, closing 4/1. It’s worth noting that this Saturday and next, the curtain is at 5:00 pm.

For tickets or more information, visit the Dayton Theatre Guild website at www.daytontheatreguild.org

 Auditions

Free Shakespeare!The Merchant Of Venice

Free Shakespeare!

What You Need To Know: Director, and Free Shakespeare! founder, Chris Shea is holding auditions for their summer production, The Merchant Of Venice. Auditioners will be asked to prepare a 1-minute classical monologue, as well as be ready to cold-read from the script. Gender-blind casting will be considered, and rehearsals will begin the week onf June 18th, with the first performance being July 20th. All roles are open and all actors will receive a cash stipend.

Where: Auditions will be held from 1 pm until 4 pm on Sunday, 3/25 at Atta Girl Arts & Gardens, 905 E. Third Street.

For more information Free Shakespeare! can be found on Facebook here: http://www.facebook.com/spreadthewords, or for further info, you may email Chris Shea at [email protected]

That about wraps it up for me for this fortnight. We’re reaching the end of the standard theatrical season, but that doesn’t mean anyone is slowing down just yet — most theatres have at least one more offering up their sleeve, and we’ve reached the most exciting part of every year: Season Announcement Time! Everyone has, or will soon be, announcing their 2012-2013 seasons, and we theatre-lovers, theatre-goers and theatre-makers wait with bated breath to see what THE SHOW(s) of the upcoming season will be. Never a dull moment ’round here! Stay tuned!

 

Filed Under: On Stage Dayton Previews

Ohio Shock: a History of Horror Hosting in the Buckeye State

March 20, 2012 By Dayton Most Metro 5 Comments

Editor’s note:  The piece was submitted by Matthew Brassfield, a local filmmaker and the writer, director and producer of Baron Von Porkchop’s Terrifying Tales of the Macabre.

Ohio has always been a hot bed for what I like to call the “Art of Horror Hosting”, and many amazing characters have graced Buckeye State TVs in the late night and afternoons. Do you remember sitting in a dark living room under the glow of the TV set with a bowl of your favorite snacks and your eyes glued to the screen?  While you watched, the host seemed to be your friend and kept you safe from The Mummy, Frankenstein’s Monster and the ghouls of the film you were watching alongside him. Yes, I said alongside him. A good Horror Host becomes a friend that watches the terrors on the screen with you and makes it less scary as they joke their way through several hours. Many kids today haven’t experienced the wonders of cheesy horror films on late night television; kids can watch horror films directly on their cellphones or stream them from Netflix. Before the internet of course, we’d find out about older films from books or magazines and then wait for them to appear on TV. I learned about numerous films from seeing them on a horror host programs. Some of the hosts were on national stations like USA Network who had Commander USA hosting his “Groovie Movies.” Rhonda Shear and Gilbert Gottfried kept us “UP ALL NIGHT.” TBS had Grandpa Munster hosting “SUPER SCARY SATURDAY.” Elvira and her “Movie Macabre” filled the syndicated airwaves, and TNT had “MONSTER VISION” with host Joe Bob Briggs preceded briefly by comedy act Penn & Teller.

But it was the hometown hosts that seemed to really connect with viewers, making these ghouls into local super stars. So let’s take a look at some of these amazing late night icons of Ohio Horror. Some you may have watched growing up, some you might watch now and some you may have never heard of.

But first I should explain about the show title “Shock Theater” or “Shock Theatre.” Many Dayton folks think that this exclusively refers to Dr. Creep’s weekly host program, but that’s not the case at all. In 1957 Universal Pictures teamed with Screen Gems to allow 52 of their classic monster films to be aired on TV. This was called “The Shock Package,” and stations around the world employed costumed hosts to introduce the films and entertain viewers during commercial breaks. Most shows were called Shock Theatre, and the hosts were often people who already worked for the station or radio DJ’s. The Shock Package was a huge hit, and it spawned “The Son of Shock Package,” opening the door for more hosts and more films to choose from. Horror Host programs became must-see TV, and people flooded to see the hosts at public appearances. So now that you know a little about the Shock Package that helped start the ball rolling (along with Vampira, the first Horror Host), it’s time for us to take a look at some of Ohio’s hosts through the ages.

Alexander & Troggy

Alexander & Troggy

In the late 1950’s, Alexander and his pet troglodyte, Troggy, took over “Shock Theater” in Youngstown, Ohio from David Allen (a floating head who was the show’s original host) and made a small impact with viewers. Today no one is sure how many episodes and years the show ran leaving the scientist and his freakish pet a slight mystery. It’s a shame not much is known about Alexander and Troggy because from what I can gather, they would be Ohio’s second or third horror hosts ever. It also seems as if all shows have been lost, and that’s a heartbreaking for many fans and collectors who would have loved to see what misadventures these two got into. NOTE: Lost shows is a widespread issue with classic host shows. Many times stations would record over the past show to save money on film or the episodes were shot live and never recorded, leaving them lost forever.

Mad Daddy

Mad Daddy

Mad Daddy hosted “Shock Theater” for the summer of 1957 in Cleveland. Mad Daddy wore a black cape and would host the movies in all types of crazy ways including being broadcasted upside down. Viewers complained about the weirdness, and Mad Daddy went off the air pretty quickly. Mad Daddy’s run was just for a summer, but the Horror Host went on to be a radio DJ and semi-celebrity who recorded songs like “I Love a Good Practical Joke.” In June 1958, he parachuted over Lake Eerie while writing a poem as a publicity stunt. Mad Daddy continued to work in radio until 1968 when sadly he took his own life. Mad Daddy played his character very creepy and overly happy with a wonderful sinister laugh. After television he took the character on many radio shows for many stations. He also inspired punk rock band The Cramps who wrote the song “Mad Daddy” about the Horror Host/Radio DJ. Much like Alexander and Troggy, his short run of hosting Shock Theater seems to be lost forever as no known episodes have come to light.

Bargain City Kid and Willie Thall

The Bargain City Kid & Willie Thall

Cincinnati’s “Shock Theatre” was hosted by The Bargain City Kid and his sidekick Willie Thall in the early 1960’s and was sponsored by The Kid’s own discount store called Rinks. The Bargain City Kid wore a cowboy hat and toy guns and would spend most of the show doing silly things and featuring items that were on sale at the store. Many times they would also do skits with pro wrestlers like the original Sheik to promote the wrestling shows on the air or currently in town. The Bargain City Kid and Willie Thall would also announce for pro wrestling and are Cincinnati’s first horror hosts. Sadly, Thall passed away in 2005, and Kid passed away in 2007. Like the hosts mentioned above, all known shows are missing and are much sought after by fans of this classic host team.

Ghoulardi

Ghoulardi

In 1963 Ghoulardi began hosting Cleveland’s “Shock Theater” and would go on to become a local icon and one of Ohio’s most popular hosts. In addition to Shock Theater, Ghoulardi hosted numerous other shows around the area, always keeping him in the minds of the viewers. Ghoulardi was a hipster kind of guy with a quick wit, fake goatee and a mess of a wig. The fun, kid-friendly host opened doors for many hosts that followed, not to mention was the direct influence to such hosts as The Ghoul, Son of Ghoul and Big Chuck. In 1966, Ghoulardi stepped away from the show and went to California where he became the voice of ABC and did voiceovers for shows like McGyver and America’s Funniest Home Videos. Ghoulardi passed away in 1997 leaving a great legacy. Ghoulardi’s image was also shown many times in “The Drew Carry Show,” that was set in Cleveland. Another fun fact is that his son is Paul Thomas Anderson, director of films like “Boogie Nights” and “There Will Be Blood”. Ghoulardi’s show has some episodes floating around. While not available to the masses, they can be found on tape trade lists. In 2011 Ghoulardi was inducted into the new Horror Host Hall of Fame, making him one of three Ohio hosts to receive this high honor.

Hoolian, Little John and Big Chuck

Hoolihan, Big Chuck & Little John

1966 in Cleveland saw the exit of Ghoulardi but the start of “The Hoolihan and Big Chuck Show.” It took the true horror out of hosting but mixed in lots of humor with a sketch comedy approach, and the show proved to be a hit. Big Chuck, who worked on Shock Theater with Ghoulardi, was chosen alongside his friend Hoolihan to fill the time slot and host the night’s movie. The two were a beloved team until 1979 when Hoolihan left the show, and Little John stepped into the mix to co-host. The combo of Big Chuck and Little John was a perfect fit, and the two worked together until 2007 when the show finally came to an end. Big Chuck has over 40 years of hosting under his belt and still remains a popular local celebrity. He even wrote a book called My Favorite Stories From 47 Years On Cleveland TV. Many continue to argue about who was better to host the films with Big Chuck. Some say that it was Hoolihan because he was there when the show was fresh and new, but others say Little John who had great comedic timing. Whoever you prefer, the show was a great time, and lots of the Big Chuck and Little John shows are still around.

Cool Ghoul

The Cool Ghoul

In 1969 Cincinnati got another host by the name of The Cool Ghoul with a show called “Scream-In.” The Cool Ghoul wore a red wig, a goofy hat and cape and would spend time reading fan mail, talking to his off screen friend and being your every day silly ghoul. He became a hit and even recorded an album called “The Cool Ghoul’s Phantasmagorical Funny Fonograf Record.” There was also a dance called Cool Ghoul, naturally. The Cool Ghoul also made public appearances much to the delight of fans of all ages. Scream-In’s time was up in 1972, but despite such a short time on the air, The Cool Ghoul became an Ohio hosting icon and has inspired many other local hosts. The Cool Ghoul passed away in 2004, leaving behind many great memories for those who watched him late nights. Some of The Cool Ghoul’s show footage has survived and can be found in the hands of collectors and on trade lists. In 2011, the Cool Ghoul was inducted into the first class of hosts in the Horror Host Hall of Fame, acclaiming his importance in the community of hosts.

Superhost

Superhost

Superheros wanted to host films too, and in 1969 Cleveland had one who just did that when Superhost brought his “Supes On” pre-show and more important “Saturday Afternoon Mad Theater” to viewers. Superhost was a goofball of a hero who would wear a Superman inspired costume and a red clown nose. He would introduce the films, tell jokes and do a few sketches. His antics would entertain viewers so much that even when Saturday Afternoon Mad Theater was cancelled, Superhost continued to host Three Stooges shorts, cartoons, The Munsters and Batman for the station. He’s the first host I know of who had his own pre-show! Superhost was a child-friendly host who made his way into Cleveland culture by lasting on TV for many years. Superhost would hang up his cape in 1992 and step away from hosting. Clips and a few full shows can be found on trade lists and on Youtube.

The Ghoul

The Ghoul

Cleveland had its share of hosts that include Hoolihan & Big Chuck, Superhost and Mad Daddy. All made their mark on the area but none made as massive an impact as Ghoulardi who inspired this next host: The Ghoul. The Ghoul hit Cleveland airwaves in 1971 with his self titled show and would become yet another icon in Cleveland horror. The Ghoul was an almost re-birthed version of Ghoulardi, a quick witted hipster who wore the fake goatee, mustache and crazy wig like his idol. The Ghoul, who could have easily been a carbon copy of his idol, quickly showed he had his own oddball style that fans were quick to embrace. The Ghoul would go on to have his show in syndication and would make numerous public and radio appearances. With his show no longer on traditional television, he continues to make episodes that can be viewed via a subscription on his website. The Ghoul also started his career working for Ghoulardi as well as Hoolihan & Big Chuck as an assistant, gearing him up for his run as a beloved horror host. His show can be found on trade lists, youtube in clips and via his official website.

Dr. Creep

Dr. Creep

For years Dayton, Ohio got their horror host fix from bigger cities like Cincinnati and hosts like the Bargain City Kid. But in 1974 Dr. Creep hit the airwaves hosting “Shock Theatre,” and a true Dayton original was born. Dr. Creep started out as a spooky vampire-like ghoul named Dr. Death, but very quickly his character and name changed to a kid friendly goofy ghoul named Dr. Creep. He became so popular that he also began hosting Clubhouse 22, an after school kids’ show. In 1980 Shock Theatre ended, switched air-date and time and became Saturday Night Dead running until 1985. Years would go by and other horror hosts begin shows, but in 1999 New Shock Theater was unleashed on public access and Dr. Creep brought horror and laughs to another generation of viewers for six years. Dr. Creep was also a man with a big heart as he ran charities, hosted a horror movie marathon called Horrorama for years, did numerous conventions and guest spots on many other shows. One of the big attractions for The Creeper was his schedule of October public appearances at Foy’s Halloween Shop in Fairborn where he would make the Halloween season feel even more special. Sadly Dr. Creep passed away in 2011 leaving a legacy that will never be matched. Dr. Creep merchandise and episodes can be found on DVD via his official site and clips can be seen on Youtube. In 2011, Dr Creep was inducted into the Horror Host Hall of Fame, one of the first 13 hosts to receive this honor.

Fritz the Nite Owl

Fritz The Nite Owl

Fritz The Nite Owl started in 1974 and was Columbus’s first local horror host/ He hosted films 7 days a week,and became a staple of TV sets all over the city. Fritz is a laid back host who peppered witty comments into his segments and was known for his trademark owl sunglasses. The show had a very psychedelic feel with lots of bright colors and special effects. “Nite Owl Theatre” would run Monday-Thursday, Saturday and Sunday while “Double Chiller Theatre” would have Fritz hosting two films on Friday. His first run lasted until 1991, and he would come back two other times for other stations in smaller runs finally ending in 2003. But in 2010 he returned to hosting duties and is still going strong and building an even bigger fan base. Fritz became so big that he won 5 Emmy’s and even had a cameo in a DC comic book were he helped Superman and Captain Marvel save the world! If you would like to see episodes of Fritz The Nite Owl, you can get DVDs from his official website, watch clips on YouTube or find some on trade lists.

Moana

Moana

In the early 80’s Elvira became the “it” ghoul of horror hostesses and many imitations popped up, including Moana who hosted “Moana’s Place” in Columbus beginning 1983. She lived up to being a sexy goth ghoul in a tight black dress. The show, while short lived, did manage to gain a fan base who enjoyed Moana’s silly skits and her easy on the eyes look. At this time no known episodes are around leaving this Ohio horror hostess’ show a much sought after piece of horror host history.

We’ve made it to the early 80’s and there are many more hosts to explore. So look for part of Ohio Shock that will cover the rest of the 80’s to present day hosts. And if you would like to learn more about horror hosts, you can visit Horrorhound Weekend March 23-25 2012 in Columbus where hosts from around the world will gather to greet fans and induct the 2012 class into the Horror Host Hall of Fame. For more info visit www.horrorhoundweekend.com.

Till next time: stay scary Dayton!

Thanks to: Norman N. Brassfield, Bob Hinton, Richard Martin, Juliet Fromholt, Stephen Alexander II and Corpse S. Chris for their help with this article.

-Matthew Brassfield

Filed Under: Arts & Entertainment, The Featured Articles Tagged With: Dr. Creep, Foy's, horror, horror host, On Screen Dayton, TV

Springfield, Ohio Museum Becomes Smithsonian Affiliate

March 19, 2012 By Dayton Most Metro Leave a Comment

Springfield is now home to the only Smithsonian Affiliate art museum in the state of Ohio. The distinction celebrates the museum’s adherence to best practices and its exemplary permanent collection, which features artists such as Berenice Abbott, George Bellows and A.T. Bricher.

“Having this affiliation will connect the nationally-recognized name of Smithsonian with the high quality collections already featured at the museum,” said Ann Fortescue, director of the Springfield Museum of Art. “This affiliation enables us to showcase an even broader scope of exhibits and sustain a more vibrant public profile by sharing Smithsonian collections.”

The Springfield Museum of Art holds accreditation by the American Association of Museums, an achievement that helped garner the Smithsonian Affiliation. This distinction recognizes the museum’s adherence to best practices for museums. The Springfield Museum of Art exhibits strong, regionally focused collections of American art, which was also a factor in the decision-making process.

In addition to its local, regional and national exhibits, the Springfield Museum of Art regularly hosts community events, works with local schools to offer art education and teams with the Springfield Symphony Orchestra for an outdoor summer concert series.

“It’s encouraging to see a local art museum have such a strong presence in the community,” said Harold Closter, director of Smithsonian Affiliations. “We’re proud to collaborate with the Springfield Museum of Art, because this museum is a true representation of the Smithsonian Affiliate Program’s continued push to broaden the experiences of museum-goers and the community as a whole.”

About Smithsonian Affiliations
Established in 1996, Smithsonian Affiliations is a national outreach program that develops collaborative partnerships with museums and educational and cultural organizations to share Smithsonian Institution resources with Americans in their communities. Smithsonian Affiliations works with affiliates to enrich communities with Smithsonian scholars, public programs and professional development opportunities. More information about the Smithsonian Affiliations program and a list of current affiliates are available at http://www.affiliations.si.edu.

About Springfield Museum of Art
Since 1946, the Springfield Museum of Art has served the region as a premier destination for the promotion, preservation, study and appreciation of historical and contemporary American artwork. Known for its amazing permanent collection and cutting-edge exhibitions, the museum collects, exhibits and preserves works of art for the benefit of all individuals while encouraging the education, participation and appreciation of the arts.

Visit the Museum at 107 Cliff Park Road – Springfield, Ohio 45501 – 937-325-4673

Museum Hours:

Tuesday – Saturday 9 am – 5 pm
Sunday 12 pm – 4:30 pm
Monday CLOSED
Adults $5.00
Members and children 18 and under FREE
Wittenberg Students, Alumni, Staff and Faculty Members FREE
Sundays FREE

Filed Under: The Featured Articles, Visual Arts Tagged With: Springfield Museum of Art

Dynamite With A Laser Beam, DPO’S Rockin’ Orchestra Series Guaranteed To Blow Your Mind!

March 16, 2012 By Dayton Most Metro Leave a Comment

Do you remember first time you heard the music of Beethoven, or stomped and clapped to “We Will Rock You” in a crowd? These shared experiences are so important and the arts are where we meet for such events. There’s a catch phrase I see around Dayton that I appreciate to the fullest, “Culture Creates Community.” This is being beautifully pulled off by the DPO with a series such as “Rockin’ Orchestra”

3 shows have come and gone in this seasons’ series, and the DPO has proven that music lovers of all ages are hungry to experience the soundtracks of their lives in a different way. I call this genre “Rockestra”. (I admit. I stole that word from an old “Wings” song title. It just seems to fit.) I’ve heard these called “jukebox musicals” but I don’t think that phrase captures the almost atom crushing power of what happens in the Schuster during these performances.

The current “Rockin’ Orchestra” season kicked off in Nov. of 2011with special guests, “Three Dog Night: Live with Orchestra”. In February the touring rockestra company “Windborne” brought “The Music of Pink Floyd”. I still have goose bumps from that show.

Last Saturday, “The Music of Queen. A Rock and Symphonic Spectacular”, rolled into town with a touring company from the UK led by guest conductor, Maestro Richard Sidwell.  This show, on the season calendar months in advance, was scheduled to run only one performance, 8:00. A sell out occurred quickly and the DPO added a second performance for 3:00 to fill the popular demand.

The company that brought us the “Queen” show this past weekend was comprised of theatrical performers who have been cast in various productions throughout London’s West End including, but not limited to, the musical, “We Will Rock You.”

“We Will Rock You” was written by British comedian and author Ben Elton in collaboration with “Queen” members Brian May and Roger Taylor and opened in London’s West End “Dominion Theatre” in 2002. The story is the classic tale of a misguided prophet as the central character, sent to warn the world about something and there’s doom against a dystopian back drop, all set to a heart pounding soundtrack. This musical was immediately panned by critics and lost the interest of Robert De Niro’s production company, “Tribeca”. That did not stop the show from going on. The musical has not only survived its critics, but continues to play to packed houses around the world and is celebrating it’s 10th anniversary this year.

Various cast members from this musical comprise a spinoff company specific to the London based show. Unlike other rockestra’s, they only do music as arranged for “We Will Rock You.” On tour they present the musical, without the story or the costumes. Included in this production touring company are 4 vocalists, a 6 piece rock band, (keys, guitars, bass, drums), and the original arranger of “We Will Rock You”, Maestro Richard Sidwell at the helm as conductor.

Including the DPO, over 70 musicians were on the stage for this spectacular; four vocalists, (Jenna Lee James, Rachael Wooding, Sean Jenness & Justin Sargent), lead the audience through 2 acts of the 27 song set list. They more than do Sidwell’s arrangements justice. Vocally stellar, they keep the energy in high gear from the first belted note to the encore.  The band was tight and in top form. Impeccable and talented, this ensemble cast really gave every sold out seat it’s money’s worth.

That said, I was disappointed in the “brand” of this show. The arrangements, although worthy of the high praise, were not the experience of the music of “Queen” and a live orchestra that I was ramped up for.  I was ready for eerie layered vocals and hypodermic guitars. The energy was there, the talent was there but the edge was not. Knowing Brian May has been loosely involved in the “We Will Rock You” production and reading about his hand picking “American Idol” star Adam Lambert to lead in a newly formed “Queen”, I understood where this vision might have come from.

I felt like amazing guitar players were almost hidden and didn’t surface accept for key moments such as the intro to “Bohemian Rhapsody”, “Killer Queen” and “We Are the Champions”. Missing from the set list was “Best Friend” which features one of my all time favorite “Queen” guitar licks and vocal harmony tracks. Also missing, the backing vocal harmonies on “Somebody to Love”. This was a missed opportunity to redeem what was missing from the trademark “Queen” sound but was redirected to the big gigantic, (although perfectly delivered), ending. “Queen” is the only band in history to marry opera and rock, not just classical music and rock. As a fan, seeing any such performance that falls short of celebrating that core is not acceptable. Being a “feeler” it’s always more about the experience than the show. I wanted more goose bumps and expected more of an edge, but I respect the amount of hard work and skill that goes into a production like this.

Personal Highlights:

~ The intro piece,”Flash”. (my one goose bump moment)
~ The beautifully arranged and delivered “Who Wants to Live Forever”.
~ A very long haired guitar player head banging on stage with a full orchestra.
~The woodwind section laying down their instruments in their laps as Richard Sidwell turned to conduct the audience in the clapping on “Another One Bites the Dust” and stomping on “We Will Rock You”.
~ People of all ages raising their arms and swaying together during “We Are the Champions”.
~ The audience singing the entire second chorus of “Bohemian Rhapsody” without any vocals from the stage.

The Dayton Philharmonic is definitely right on track with bringing in a different demographic to discover what they do. The very pleasant surprise I got was the sight of elderly members of the crowd getting just as excited and animated during the songs as the younger folks. Community!

In a nutshell:
A heartfelt “2 stomps and a clap” for the touring company!  Dayton Philharmonic, You are the champions!

Check out the Dayton Philharmonic’s “Rockin’ Orchestra” series and all the other fine programs they offer! You’ll be glad you did!

[yframe url=’http://www.youtube.com/watch?v=fJ9rUzIMcZQ&ob=av2e’]

Filed Under: Arts & Entertainment Tagged With: Arts and Entertainment, Dayton Music, Dayton Philharmonic Orchestra, Queen, Rockin' Orchestra Series

A Bumpy Backward Glance in “Merrily We Roll Along”

March 16, 2012 By Russell Florence, Jr. 1 Comment

Malcolm Gets (center) and the cast of Merrily We Roll Along (Photo by Sandy Underwood)

Stephen Sondheim and George Furth’s friendship-themed musical “Merrily We Roll Along,” a 1981 flop adaptation of the play of the same name by George S. Kaufman and Moss Hart that has become a cult favorite in the Sondheim canon, receives an underwhelming revival at Cincinnati Playhouse in the Park that has nothing to do with its actors doubling as the orchestra.

In fact, Tony Award-winning director John Doyle’s actor-musician concept, a love it or hate it maneuver in the eyes of most theatergoers, is used to the same dynamic degree as his critically acclaimed productions of “Sweeney Todd” (nominated for the 2006 Tony for Best Revival of a Musical and featuring cellist Benjamin Magnuson of Kettering as Anthony Hope) and “Company” (originated at the Playhouse in the Park in 2006 and won the 2007 Tony for Best Revival of a Musical). With marvelous assistance from musical supervisor/orchestrator Mary-Mitchell Campbell, he has truly mastered the art of presenting Sondheim’s splendid music with strikingly intricate intimacy without losing any morsel of dramatic resonance. Using a cello for a bit of foreboding underscore is a particularly fine touch. However, Doyle, who previously staged “Merrily” in a similar manner at the U.K.’s Watermill Theatre in 2008, missteps directorially with awkward storytelling choices and the desire for a bleak, melancholy tone.

Chronicled in reverse from Hollywood 1976 to New York 1957, the musical concerns the triumphs and tribulations that bind close friends Franklin Shepard (a composer-turned-hotshot film producer), Charley Kringas (Franklin’s lyricist) and Mary Flynn (a writer who assumes the role of motivating mediator while secretly pining for Franklin). The trio is deeply bruised and ultimately torn apart by Franklin’s narcissistic success and destructive marriage to actress Gussie Carnegie (one of the most polarizing characters in musical theater history). Anger and bitterness consumes the characters at the outset, which can be alienating and off-putting, but their engrossing journey, sharply detailing the relatable consequences of perilous decisions, fortunately culminates with great hope.

Unlike traditional “Merrily” mountings, including last month’s delightful New York City Center Encores! presentation, Doyle oddly demands strict seamlessness (there is no intermission and no opportunity to applaud after each number) and particularly opts for middle-aged actors in the leading roles rather than casting twentysomethings or thirtysomethings. This change of pace is effective in the opening scenes, but is very difficult to accept in context as the actors, stylishly clothed in shades of blue 1970s garb by Tony winner Ann Hould-Ward, travel back in time. As so, the spirited spunk and innocent sense of wonder permeating scenes/numbers in the 1950s and 1960s (such as “Our Time,” “Opening Doors” and “Bobby and Jackie and Jack”) just doesn’t convey an impactful believability. His decision to ground the show as a downhearted portrait of a midlife crisis is simply problematic since half of the material explores the thrill of youthful optimism. Still, the most perplexing, vague element involves Frank Jr., a tiny role expanded/reinterpreted as a framing device. In an unnecessary attempt to keep Franklin and Frank Jr. mysteriously connected throughout the entire show, the potency of Franklin, Charley and Mary’s inseparable bond is reduced. Franklin is certainly the key catalyst who genuinely adores music more than anything in the world (wonderfully realized in the explosion of sheet music enveloping Tony winner Scott Pask’s stunning set), but Doyle unevenly overemphasizes his legacy. After all, the show is not titled “Merrily He Rolls Along.”

Artistic shortcomings aside, Doyle’s versatile 13-member cast is predominately admirable. Malcolm Gets, a terrific vocalist and pianist winningly showcased in “Growing Up,” is a credibly jaded, haunted and wounded Franklin, propelling the show to the point of being perceived as an introspective musical nightmare. Becky Ann Baker, a likable Mary, has difficulty with the vocal demands of the score and sustaining the remarkable impression she makes in the first 15 minutes, specifically during and after “That Frank.” As Charley, Daniel Jenkins consistently engages, offering captivating renditions of “Franklin Shepard, Inc.” and “Good Thing Going.” Leenya Rideout, an adept cellist and violinist, slithers seductively as the unappealing Gussie but is cemented in irksome iciness. Jane Pfitsch, lovely as Franklin’s first wife Beth, is a heartbreaking, vulnerable presence, providing two vastly distinct interpretations of “Not a Day Goes By,” the musical’s signature tune and one of Sondheim’s best ballads. Bruce Sabath (Joe Josephson), Jessica Tyler Wright (K.T.), Lee Harrington (Meg) and David Garry (Jerome) are also notable in featured roles. Matt Castle, Matthew Deming, Ben Diskant and Fred Rose complete the ensemble. The first-rate contributions of lighting designer Jane Cox and sound designer Dan Moses Schreier are additionally noteworthy.

I don’t foresee this production following in the footsteps of “Company” by obtaining a Broadway transfer. “Merrily” is one of Sondheim’s most accessible works, but this impassive version keeps its distance, failing to magnify the joy and emotional profundity pulsating amid the disillusionment and regret. I have been routinely impressed by Doyle (his 2008 off-Broadway staging of Sondheim and John Weidman’s “Road Show” was superb), but he took a huge risk reconceiving such an inherently complex show. In the end, I liked it the way that it was.

“Merrily We Roll Along” continues through March 31 in the Marx Theatre of the Cincinnati Playhouse in the Park, located atop Mount Adams in Eden Park. The production is performed in 1 hour and 50 minutes without intermission. Performances are Tuesday at 7:30 p.m., Wednesday-Friday at 8 p.m., Saturday at 4 and 8 p.m. and Sunday at 2 and 7 p.m. There will be a special matinee Wednesday, March 28 at 1 p.m. Tickets are $25-$71. For tickets or more information, call 1-800-582-3208 or visit www.cincyplay.com

Filed Under: Cincinnati, On Stage Dayton Reviews

Opening This Weekend In Dayton Theatre: March 16-18

March 16, 2012 By Sarah Caplan Leave a Comment

Hey, everyone. Sorry things have been kind of rocky getting off the ground here, and I absolutely promise you a nice, newsy wrap-up of what’s happening here next week, but I would be totally remiss if I didn’t plug the heck out of the two community theatre shows opening this weekend. You seriously should not miss either of these.

Opening This Weekend!

Bus Stop

Dayton Playhouse

The Skinny: Director Matt Smith brings us this classic drama by William Inge. The play is set in a diner about 30 miles west of Kansas City in early March 1955. A freak snowstorm has halted the progress of the bus, and the eight characters have a weather-enforced layover in the diner from approximately 1 to 5 a.m. Romantic or quasi-romantic relationships ensue.  “Bus Stop” original opened on Broadway in 1955.  The play was nominated for four Tony Awards.

The Dayton Playhouse production stars Lorrie Sparrow as Grace, Margaret Foley as Elma, Craig Smith as Will, Rick Flynn as Dr. Gerald Lyman, Ellen Ballerene as Cherie, Scott Knisley as Bo, Mike Rouseculp as Virgil and Mark Hassel as Carl.

Tickets: Tickets are $15 for adults, $14 for seniors and $10 for students.

Dates: Bus Stop opens 3/16 and runs this weekend and next, closing on 3/25. For more information visit the Dayton Playhouse website at www.thedaytonplayhouse.com

 

 

[yframe url=’http://www.youtube.com/watch?v=Hxb5cPYTFWs’]

 

Going To St. Ives

The Dayton Theatre Guild

The Skinny: Directed by Greg Smith and starring Katrina Kittle and Marianna Harris this drama by Lee Blessing is the story of what happens when the dignified mother of a ruthless African dictator travels to England to seek treatment for her failing eyesight from a renowned ophthalmologist, who in turn requests a favor. At first glance, it looks like one woman helping another, but each woman brings to the other her true agenda, triggering a profound moral dilemma and a chain reaction of events with great personal and political aftershocks that reveal the truth and its consequence.

It must be pointed out that Ms. Harris is an absolutely last minute step-in for the original actress cast, the delightful Catherine Collins. Due to unfortunate personal circumstances, Ms. Collins is unable to perform the role. I certainly hope we see Catherine onstage again soon!

Tickets: Tickets are $18 for adults, $16 for seniors and $11 for students.

Dates: Going To St. Ives opens 3/16 and runs 3 weekends, closing on 4/1. For more information, visit the Dayton Theatre Guild website at www.daytontheatreguild.org

 

[yframe url=’http://www.youtube.com/watch?v=H06SxwO56KM’]

Ok! I know there’s a lot more going on, and I’ll touch base on everything else this coming week — but i really wanted to get these two in under the wire. Also — coming soon I’m going to be bringing you a feature on an award-winning independent film written, directed and produced by local people, and chock-full of local theatre actors. Stay tuned!

 

 

 

Filed Under: On Stage Dayton Previews Tagged With: bus stop, dayton community theatre, Dayton Playhouse, dayton theatre guild, going to st. ives

FRIENDS WITH KIDS and THE HEDGEHOG Open Friday at THE NEON!

March 14, 2012 By Jonathan McNeal Leave a Comment

 

Hello Everyone,

Due to the underwhelming performance of recent titles, we had to make some quick changes to our upcoming schedule.  On Friday, we will open 2 new films.  First off is a film we’ve been marketing for several months – THE HEDGEHOG.  This film is based on a beloved book that many of you have mentioned to me – The Elegance of the Hedgehog.  Secondly, we will open a comedy with an all-star cast –FRIENDS WITH KIDS.  In addition to the 2 new films, we will hold onto A SEPARATION (winner of this year’s Oscar for “Best Foreign Film”) for a few more screenings.  With 3 very different films, we think we’ve got something for almost everyone this weekend.  We hope you’ll make it down to see us.

Synopsis for FRIENDS WITH KIDS: “FRIENDS WITH KIDS is a comedy about a close-knit circle of friends at that moment in life when children arrive and everything changes. The last two singles in the group observe the effect that kids have had on their friends’ relationships and wonder if there’s a better way. They decide to have a kid together – and date other people. This unconventional ‘experiment’ leads everyone in the group to question the nature of friendship, family and, finally, true love.” (taken from Roadside Attractions)  Written and directed by Jennifer Westfeldt (KISSING JESSICA STEIN), FRIENDS WITH KIDS also stars Jon Hamm, Kristen Wiig, Maya Rudolph, Edward Burns and more.  Click this LINK to visit the official site.

[yframe url=’http://www.youtube.com/watch?v=S0cYheYIT4o’]

Synopsis for THE HEDGEHOG: “THE HEDGEHOG is the timely story of Paloma, a young girl bent on ending it all on her upcoming twelfth birthday. Using her father’s old camcorder to chronicle the hypocrisy she sees in adults, Paloma begins to learn about life from the grumpy building concierge, Renee Michel. When Paloma’s camera reveals the extensive secret library in Renee’s back room, and that the often gruff matron reads Tolstoy to her cat, Paloma begins to understand that there are allies to be found beneath the prickliest of exteriors. As the unlikely friendship deepens, Paloma’s own coming of age becomes a much less pessimistic prospect.”  (taken from NeoClassic Films)  Click this LINK to visit the film’s official website.

[yframe url=’http://www.youtube.com/watch?v=-bLq4ehVo7c’]

On Thursday, March 22 at 7:30, Keener Farm has rented our space for a special screening of the acclaimed documentary AMERICAN MEAT.  “The film explains our current industrial meat system and shows the feedlots and confinement operations – not through hidden cameras but through the eyes of the farmers who live and work there. The film then shifts to the burgeoning sustainable, local-food movement made up of farmers, food advocates, chefs and everyday folks who could change everything about the way meat reaches the American table…Sustainable farming is expanding exponentially as Americans learn more about their food and how to connect with local farmers…”  (taken from press notes)  The screening will be preceded by a meet and greet with appetizers provided by Olive: An Urban Dive (beginning at 6:30), and a panel discussion with the filmmaker as well as local farmers & restaurateurs will follow the screening.  Admission is free (first come, first serve), but donations will gladly be accepted to help offset costs.

Save The Date!  April 1 at 3:00 – LUNAFEST: Short Films By…For…About Women.  More details in next week’s newsletter.

For this week’s remaining showtimes, please visit www.neonmovies.com.

Thanks for your continued support.

We hope to see you soon,

Jonathan

P.S.  We now have TWITTER.  If you use this application, we hope you’ll follow us.

 

SHOWTIMES for Fri. March 16 – Thur. March 22:  

THE HEDGEHOG (NR) 1 Hr 40 Min

Friday, Saturday, Sunday: 12:40, 2:50, 7:30

Monday – Wednesday: 2:50, 7:30

Thursday: 2:50

 

A SEPARATION (PG-13) 2 Hr 03 Min

Friday, Saturday, Sunday:  5:00, 9:40

Monday – Thursday:  5:00

 

FRIENDS WITH KIDS (R) 1 Hr 47 Min

Friday, Saturday, Sunday: 12:30, 2:45, 5:00, 7:20, 9:40

Monday – Thursday: 3:00, 5:15, 8:00

COMING SOON:

 As always, all dates are tentative.  Many of these dates will change.

TBD   PARIAH

TBD   BEING FLYNN

March 23   THIN ICE 

March 30   IN DARKNESS

March 30   WE NEED TO TALK ABOUT KEVIN

April 13   THE RAID

April 27  FOOTNOTE

Spring   SALMON FISHING IN THE YEMEN

mid-May   DAMSELS IN DISTRESS

mid/late-May   DARLIN COMPANION

May 25   THE BEST EXOTIC MARIGOLD HOTEL

June 1   SOUND OF MY VOICE

Filed Under: On Screen Dayton Tagged With: a separation, damsels in distress, Dayton Ohio, edward burns, friends with kids, indie film, jon hamm, kristen wiig, maya rudolph, megan fox, pariah, salmon fishing in the yemen, the hedgehog, The Neon, thin ice, we need to talk about kevin

DPO presents Celtic Vistas with Cathie Ryan

March 14, 2012 By Dayton Most Metro Leave a Comment

Dayton, the Celtic heart of Southwest Ohio.

No, I didn’t believe it either. Then I did a little poking around. It seems that there might be justification for such an expression.

For instance, there is the Annual Dayton Celtic Festival, which last year featured the Celtic (kel-tick, not sell-tick) bands Gaelic Storm, The Fuchsia Band, The Elders, Scythian, and Enter the Haggis (I’m not touching this one…).

Then one of my favorite haunts, The Dublin Pub, has a unique two-day St. Patrick’s Day celebration. The day before the feast day, March 16, the Pub holds rehearsals and calls it St. Practice Day. March 17, St. Patrick’s Day itself, is an all-day music festival starting at 7 am (!) that this year featured such Celtic groups as Bob Ford & The Ragamuffins, Castle Close, and the Miami Valley Pipes & Drums.

And Cityfolk hosts an annual Celtic Series.

But ever asked yourself what, exactly, is Celtic music? Answer Irish music, and you’d be right, sort of. If your ancestors were from Ireland, then you’re Celtic. The same holds true for folks from Scotland, of course. And Wales, Cornwall, the Isle of Man, Brittany, Galicia, Cantabria, Asturias (Spain) and Portugal!

Still think Celtic music is just Irish music?

The term Celtic music derives from the music industry and encompasses a wide spectrum of music types that grew out of the folk musical customs of Celtic people.

So, say Celtic music, and you’re referring to both traditional music passed on literally by word of mouth as well as popular music that is recorded. It’s the music of the people of all 10 of those countries I referred to previously and whatever unique qualities each country’s music possesses.

Today, it’s become a great deal more than that.

Celtic music has incorporated elements from New Age, smooth jazz, folk rock, folk-punk, pop, rock, reggae, electronica, metal, punk, hip hop, Latin, and Andean. The new term for all of this is Celtic fusion (as opposed to confusion).

And, to further cloud the situation, if you write it and record it in a Celtic language, you can call it Celtic music.

All that aside, if you want to hear some of the very best Celtic music, you need to be at the Schuster Center at 8pm on either Friday, March 16 or Saturday, March 17 for the Dayton Philharmonic Orchestra’s (DPO) presentation of Celtic Vistas with Cathie Ryan.

Featured on more than forty compilations of Celtic Music, Ryan has produced a critically acclaimed body of discography that includes Cathie Ryan, The Music of What Happens, Somewhere Along the Road, and The Farthest Wave.

Her recording successes notwithstanding, Ryan believes that there is nothing like a live show, being with an audience, and sharing the music. “That is the best part of being a singer and writing songs,” she states.

If you follow Irish music, you’ll remember Ryan being in the famous Irish music collection, A Woman’s Heart – A Decade On, placing her amongst Irish music’s finest female vocalists and songwriters. It was the first time Americans were featured in the series, and she shared the honor with Allison Krauss, Dolly Parton, and Emmylou Harris.

Irish America Magazine voted Ryan one of the Top 100 Irish Americans. Chicago’s Irish American News honored her as Irish Female Vocalist of the Decade, and the LA Times recently named her, “One of the leading voices in Celtic music.”

No less stars in their own right, the members of Ryan’s band know – and perform – the genre brilliantly.

As a young child, New-York-born Matt Mancuso (fiddle, trumpet, octave mandolin, guitar, vocals) got his introduction to Irish Music from his father Pete, a respected guitarist and record producer. Mancuso studied with the renowned musician and teacher Maureen Glynn and went on to compete in the prestigious All Ireland competitions, placing second in three consecutive years. Not bad for an Italian-Irish American in what can be a very closed musical society.

The star fiddle player in Lord of the Dance and a founding member of the rousing ensemble The Mickey Finns, Mancuso has taken star turns in tours with Irish super-group Grada.

Percussionist Brian Melick’s career in World Music spans over 30 years and includes playing with a diverse range of musicians, being featured on over 250 commercial recordings, and sharing his love of percussion both as an educator and a consultant to school arts programs.

Dancers from The Richens/Timm Academy, one of the most recognizable and respected names in the world of Irish dance, will join Ryan and the band on stage.

So, whether or not you’re Irish the rest of the year, come to the Schuster Center and celebrate St. Patrick’s Day with the DPO, Assistant Conductor Paddy O’Reynolds (the rest of the year, he’s Patrick Reynolds), The Richens/Timm Academy dancers, and Cathie Ryan and her band, for the very best music from Ireland, Scotland, Wales, Cornwall, the Isle of Man, Brittany….

No matter. It’s all good.

It’s all Celtic.

Filed Under: On Stage Dayton Previews, The Featured Articles

Coming Up in Cincinnati Theatre: March 14-18

March 14, 2012 By Rob Bucher Leave a Comment

…BLINK AND THEY’RE GONE

NIXON’S NIXON

Middletown Lyric Theatre

The Story: It is the night before President Nixon is to announce his resignation, and he has summoned Secretary of State Henry Kissinger to the Lincoln Sitting Room. Kissinger arrives, expecting to find his President preparing to resign but Nixon leads his Secretary of State on a journey through the high moments of his administration and Nixon’s past. The journey borders on the surreal as Nixon pressures Kissinger into reenacting crucial scenes. Meanwhile, Kissinger is subtly working to convince Nixon to step down so that he can pursue his geopolitical goals—and his own quest for historical glory—unencumbered by a weakened President.
The Dates: March 15-17, 2012
Tickets and More Information: Middletown Lyric Theatre | BTC listing

A STREETCAR NAMED DESIRE

Rivertown Players Inc.

The Story: Set in the French Quarter of New Orleans during the restless years following World War Two A STREETCAR NAMED DESIRE is the story of Blanche DuBois, a weak and disturbed woman on a desperate prowl for someplace in the world to call her own. After losing their ancestral home, Belle Reve, Blanche shows up at the doorstep of her sister, Stella. However, Blanche’s snobbery wins her the instant dislike of Stella’s husband, Stanley. Stanley becomes enraged when Blanche hits it off with Stanley’s friend, Mitch.
The Dates: March 15-17, 2012
Tickets and More Information: Rivertown Players | BTC listing

…NEW THIS WEEK

TIGERS BE STILL

Cincinnati Playhouse in the Park

The Story: “This is the story of how I stopped being a total disaster,” announces the heroine of this darkly funny and moving new comedy. Having recently earned her master’s degree, Sherry Wickman finds herself still living at home with a mother who won’t come downstairs and a depressed but smart-alecky sister. Follow Sherry’s quirky misadventures as she lands her first job and tackles her two biggest challenges … getting her mother out of bed and her sister off the couch.
The Dates: March 17-April 15, 2012
Tickets and More Information: Cincinnati Playhouse in the Park | BTC listing

TIME STANDS STILL

Ensemble Theatre of Cincinnati

The Story: This explosive new drama examines the relationship between headstrong Sarah, a star photojournalist, and James, a foreign correspondent, who were once addicted to the adrenaline of documenting the realities of war and are now grounded in their Brooklyn loft. Now, James writes online movie reviews while Sarah recovers from being injured by a roadside bomb in Iraq, itching to get back behind the camera. But, when their own story takes a sudden turn, the adventurous couple confronts the prospect of a more conventional life…and everything changes-in a flash.
The Dates: March 14-April 1, 2012
Tickets and More Information: Ensemble Theatre of Cincinnati | BTC listing

…CONTINUING

Mariemont Players Inc.

COLE

The Story: Follows Cole Porter’s life – from Yale to Paris to Manhattan to Broadway to Hollywood. This delightful musical tribute to the King of Musicals includes such hit tunes as I Love Paris, Take Me Back to Manhattan, “Love for Sale, Night and Day, and I Get a Kick Out of You.
The Dates: March 9-25, 2012
Tickets and More Information: Mariemont Players Inc | BTC listing

The cast of MERRILY WE ROLL ALONG presented by Cincinnati Playhouse in the Park. Photo by Sandy Underwood.

MERRILY WE ROLL ALONG

Cincinnati Playhouse in the Park

The Story: Stephen Sondheim’s remarkable Broadway fable of friendship and the high price of success opens in the present and moves backward in time. The triumphs and failures of a jaded composer and his two closest friends are traced from their estranged ending to their idealistic beginning. Directed by John Doyle, who led Playhouse’s Tony Award-winning production of COMPANY, the performers in this highly anticipated revival will play all of the instruments as they act and sing in one of Sondheim’s most melodic scores. Ages 13 and up.
The Dates: March 3-31, 2012
Tickets and More Information: Cincinnati Playhouse in the Park | BTC Listing

Burgess Byrd as Clairee Belcher & Christine Dye as Ouiser Boudreaux in CCPA’s STEEL MAGNOLIAS.

STEEL MAGNOLIAS

Covedale Center for the Performing Arts

The Story: Welcome to Truvy’s beauty salon in Chinquapin, Louisiana, where all the ladies who are “anybody” come to have their hair done. Filled with hilarious repartee and not a few revealing verbal collisions, the play invokes knowing laughter and certain tears when the spunky Shelby risks her life for a child of her own. The realization of mortality affects the others, but also draws on the underlying strength—and love – in these uniquely American women.
The Dates: March 8-April 1, 2012
Tickets and More Information: Cincinnati Landmark Productions | BTC listing

…ENDING THIS WEEK

THE DINING ROOM

Lebanon Theatre Company

The Story: A mosaic of interrelated scenes—some funny, some touching, some rueful—which, taken together, create an in-depth portrait of a vanishing species of the upper-middle-class. The Dates: March 9-18, 2012
Tickets and More Information: Lebanon Theatre Company| BTC listing

THE PRODUCERS

Loveland Stage Company

The Story: A fading producer, Max Bialystock, convinces accountant Leo Bloom to partner with him in producing a guaranteed flop and then running off with the money they’ve raised. “Springtime for Hitler” couldn’t possibly be a hit, right?
The Dates: March 9-18, 2012
Tickets and More Information: Loveland Stage Company | BTC listing

Jane Austen’s SENSE & SENSIBILITY

Cincinnati Shakespeare Company

The Story: When a lack of luck makes for difficult marriage prospects, the Dashwood sisters set sail on the volatile seas of courtship. The sisters soon discover that neither reserved Elinor’s common sense nor impulsive Marianne’s passion offer the key to happiness. Scandalous secrets, burning betrayals, and suave (and some not-so-suave) suitors line the path to true love in this fresh adaptation.
The Dates: Through March 18, 2012
Tickets and More Information: Cincinnati Shakespeare Company | BTC listing

…COMING SOON

ALMOST, MAINE

Xavier University Players

The Dates: March 22-25, 2012
Tickets and More Information: Xavier University Players | BTC listing

CRYSTAL CLEAR DEATH

P.L.O.T.T. Performers

The Dates: March 23-31, 2012
Tickets and More Information: P.L.O.T.T. Performers | BTC listing

GUYS AND DOLLS

Rotary Presents

The Dates: March 22-25, 2012
Tickets and More Information: Rotary Presents | BTC listing

OUR COUNTRY’S GOOD

Northern Kentucky Univeristy

The Dates: March 22-April 1, 2012
Tickets and More Information: Northern Kentucky University | BTC listing

PUMP BOYS AND DINETTES

Brieabi Productions

The Dates: March 23-31, 2012
Tickets and More Information: Brieabi Productions | BTC listing

RAPUNZEL! RAPUNZEL! A Very Hairy Fairy Tale

The Children’s Theatre of Cincinnati

The Dates: March 23-30, 2012
Tickets and More Information: The Children’s Theatre of Cincinnati | BTC listing

Filed Under: Cincinnati, On Stage Dayton Previews

August Wilson’s Gem of the Ocean Coming to The Loft Theatre

March 13, 2012 By 1 Comment

The New York Times called the late August Wilson “Theatre’s poet of black America,” and Gem of the Ocean is a fine example of why the accolade is richly deserved.

Wilson’s fame centers around his “Pittsburgh Cycle,” ten plays about the neighborhood where he grew up, each set in a different decade of the 1900s. Gem covers the first decade, set in The Hill District in 1904, although it was the next to last of the series written. The play revolves around Aunt Ester, the 285-year old matriarch who was brought to America on the slave ship in the title and who serves as the community’s advisor and moral guide.

The production by The Human Race, Dayton’s own professional theatre company, is directed by Mark Clayton Southers, Artistic Director of the theatre at the August Wilson center in Pittsburgh. Southers grew up in and still lives in The Hill, and recognizes many of the characters from real life. “I think there are Aunt Esters in every family,” says Southers. “They pass down recipes and oral history. African-American history relies heavily on the oral tradition.”

Southers say that while the setting is in an African-American community at a time when slavery was a very real memory, Gem, like all Wilson works, crosses cultural lines, “White audience members get to be a fly on the wall, hearing stories they typically don’t hear.”

The Human Race will present a special opportunity to learn more about Wilson and his work at a symposium at 1pm Saturday, March 31. The panel of the symposium, moderated by David Greer, includes Southers; Sala Udin, a Wilson childhood friend and actor in his early plays; Christopher Rawson, Pittsburgh theatre critic and professor and author of a book on Wilson; and Charles Holmond, who teaches a course on Wilson at Earlham College.

Southers has gathered a cast of local favorites and talented guest artists for Gem of the Ocean. Dwandra Nickole, who had a long New York career before joining the faculty at Ball State University, plays Aunt Ester. Jonathan Berry (Citizen Barlow) and Kevin Brown (Eli) have extensive experience in Pittsburgh productions of Wilson’s works.

Two Human Race Resident Artists are featured – Alan Bomar Jones as Solly Two Kings and Scott Stoney as a Rutherford Selig. Other locals in the cast are Dayton native Bryant Bentley (Caesar Wilks) and Marva M.B. Williams (Black Mary), who was in The Human Race in-school tour show, Change, last fall.

The set for Gem of the Ocean is designed by Dick Block, costumes by Colleen Alexis Metzger, lighting by Resident Artist John Rensel, and sound by Rich Dionne. Kay Carver is the Production Stage Manager.

Gem of the Ocean has a preview night March 29, with official opening March 30 and performances through April 15.

Gem of the Ocean and the August Wilson Symposium will both be in the Loft Theatre, 126 N. Main St., Dayton. Tickets are available via www.humanracetheatre.org , by calling Ticket Center Stage at (937) 228-3630, or at the Schuster Center box office.

Filed Under: On Stage Dayton Previews

Regional Theatre Review Roundup – March 2012

March 10, 2012 By Russell Florence, Jr. Leave a Comment

CHILDREN OF EDEN

Playhouse South’s purposeful, engaging, vocally strong presentation of composer Stephen Schwartz and librettist John Caird’s 1991 biblical musical “Children of Eden” clearly ranks among the organization’s finest productions.
Staged with minimalist cohesiveness by Carrie Thurston and based on a concept by Charles Lisanby, “Children of Eden” puts a family-oriented, contemporary spin on the familiar tales of creation (Act 1) and the great flood (Act 2) from the Book of Genesis. The parent/child-themed Act 1 is more engrossing than Act 2 due to the emotional value of Adam and Eve’s journey from bliss to banishment, but there is potency throughout, especially in the parallels of brotherly strife (Cain vs. Abel / Japeth vs. Ham) and the struggle God (named Father) undergoes while coping with the generational disobedience of His children.

Meaningful portrayals are offered by full-throttle tenor Sean Hurley as Father, Muse Machine alum Jacob McGlaun as Adam/Noah, Natalie Sanders as Eve/Mama, Bobby Mitchum as Snake/Cain/Japeth, David Stephen Thomas as Abel/Ham, Mackensie Vonderbrink as Yonah, and Jamal Cann as Seth/Shem. McGlaun, a wonderfully practical and sensitive Adam/Noah, has an appealing chemistry with the effectively inquisitive Sanders, a knockout vocalist. In fact, Sanders’ renditions of “The Spark of Creation” and the gospel-centric “Ain’t it Good” are among the best I have heard. I’m surprised “Ain’t it Good,” vigorously heightened by an uncredited pianist in conductor Brett Greenwood’s fine orchestra, does not receive a brief encore due to its nearly show-stopping magnitude. The ever-reliable Mitchum also hits the mark with pleasant versions of “The Pursuit of Excellence” (a highlight among choreographer Davy Folger’s routines), “Lost in the Wilderness,” and “In Whatever Time We Have” (opposite Vonderbrink).
The cast also includes Laura Bloomingdale, Alli Brown, Jess Evans, Tamar Fishbein, Jessica Freesen, Sherry Fox, Bobby Gray, Pauline Humbert, Leah Kushmaul, Kaylei Lowe, Ria Megnin, Brett Norgaard, Jordan Norgaard, Bethany Scearce, Bradley Scearce, TC Schrier, Victoria Tuccillo, Hailey Walters and Ashley York.
“Children of Eden” ends tonight. Catch it if you can.

“Children of Eden” concludes March 10 at 8 p.m. at the Clark Haines Theatre (Kettering Board of Education building), 3700 Far Hills Ave., Kettering. Act One: 75 minutes; Act Two: 55 minutes. Tickets are $7-$12. For tickets or more information, call (888) 262-3792 or visit www.playhousesouth.org.

THE BIG PICTURE

Dayton continues to be a hotbed for burgeoning musicals, but no one ever said the process was easy. The most recent example is lyricist-librettist David Brush and composer Jim Farley’s “The Big Picture,” originally workshopped in 2004 and currently receiving its world premiere at Beavercreek Community Theatre.
Set in 1962 Pine Springs, Illinois with flashbacks to 1942, “The Big Picture” centers on college student Billy Carson (Brian Kester), who returns home for the summer seeking answers about his long-lost father Jack (Michael Shannon). However, questions arise when Billy’s agitated mother Maggie (Pam McGinnis) refuses to reveal the past, particularly Jack’s history as a B-movie screenwriter/director. Family drama aside, romantic subplots emerge in the form of Billy’s affection for his high school crush Ellie Patterson (Angela Umstead) and Maggie’s topsy-turvy relationship with her amiable suitor Charlie (Shawn Hooks).

Brush and Farley attempt to create a poignant small town coming-of-age tale, but their foundation lacks cohesion, balance and depth. Jack and Maggie’s USO courtship is stagnant (more flashbacks would be beneficial). Billy and Ellie’s bond is awkwardly underdeveloped. Billy’s best friend Sam Morris (Eric Bracht) serves as comic relief, but is basically an annoying distraction. Further, the score, containing shades of Big Band, is merely serviceable than impactful (Act 2 ballad “What A Little Moonlight Can Do” is the strongest of 20 songs). Perhaps if the bulk of the score was cemented to the era a la “Hairspray,” also set in 1962, the show would have considerable flavor.

Artistically, director Doug Lloyd’s cast fails to engage or coalesce. Some actors have difficulty overcoming issues of age-appropriateness and memorization while others suffer from shaky musicality. Chris Harmon’s cinema-inspired scenic design and John Falkenbach’s efficient lighting design are technical pluses.

Instead of tweaking “The Big Picture,” Brush and Farley should consider retooling/resurrecting their 2003 musical “Summer of My German Soldier,” a sharper endeavor based on Bette Greene’s novel of the same name.  

“The Big Picture” concludes March 11 at the Lofino Center, 3868 Dayton-Xenia Rd., Beavercreek. Performances are Saturday at 8 p.m. and Sunday at 3 p.m. Act One: 50 minutes; Act Two: 38 minutes. Tickets are $11-$13. The cast also includes Matt Owens as the Soldier. For tickets or more information, call (937) 429-4737 or visit www.bctheatre.org. In related news, BCT’s 2012-13 season will consist of “Musical Chairs” (Sept. 7-16, directed by Matt Owens), “The Sugar Bean Sisters” (Oct. 26-Nov. 4, directed by Doug Lloyd), “On Christmas Day In The Morning” (Nov. 30-Dec. 9, directed by Teresa Connair), “Steppin’ Out” (Jan. 25-Feb. 3, directed by John Falkenbach), “A Chorus Line” (March 1-10, directed by Doug Lloyd), “The Canterbury Tales or Geoffrey Chaucer’s Flying Circus” (Apr. 19-28, directed by Teresa Connair), “Legally Blonde The Musical” (June 21-30, directed by Chris Harmon).

BERLIN TO BROADWAY WITH KURT WEILL: A MUSICAL VOYAGE

Wright State University saluted the melodically rich legacy of composer Kurt Weill (1900-1950) with an excellent presentation of the 1972 revue “Berlin to Broadway with Kurt Weill: A Musical Voyage” March 2-4 in the Herbst Theatre.
As the title indicates, “Berlin to Broadway” chronicled Weill from his German benchmarks (particularly “The Threepenny Opera,” his legendary 1928 Bertolt Brecht collaboration featuring his muse/wife Lotte Lenya) to his New York successes (such as “Lady in the Dark,” “Lost in the Stars,” “Love Life” and “One Touch of Venus”). Weill, who became an American citizen in 1943, notably won the first original score Tony Award for 1947’s “Street Scene,” co-written by Langston Hughes. His diverse collaborators also included Maxwell Anderson, Ira Gershwin, Oscar Hammerstein II, Alan Jay Lerner and Ogden Nash.

Crisply staged with lyric-driven intent by Jamie Cordes and fittingly accented with mood-setting projections by Nicholas Crumbley, this breezy revue featured 38 songs and a dynamic octet solidly supported by musical director/pianist Susan Carlock. Highlights included Chrissy Bowen and Lizzy Miller’s fiery “Jealousy Duet,” Ian DeVine and Drew Helton’s playful “Progress,” Samantha Helmstetter’s beguilingly personable “That’s Him,” Jonathan Hacker’s reflective “Lonely House,” Cooper Taggard’s splendid “Lost in the Stars,” and Emily Thomas’ strikingly firm  “Surabaya Johnny,” “Pirate  Jenny” and “Saga of Jenny.” Helmstetter, a terrific soprano, also rendered a fabulously captivating, character-consumed “I Wait for a Ship” pulsating with seduction and strength. It is no surprise she is a semifinalist in the Kurt Weill Foundation’s esteemed Lotte Lenya Competition and will be seen as Christine in WSU’s spring production of “The Phantom of the Opera.”
Although a deeper, more compelling account of Weill’s illustrious career, including his relationship with Lenya, can be found in Alfred Uhry’s little known 2007 musical “LoveMusik,”“Berlin to Broadway” proved thoroughly satisfying.

WICKED TICKETS ON SALE SOON

Tickets for the Victoria Theatre Association’s four-week return engagement of “Wicked” go on sale to the general public Monday, March 19 at 8 a.m. in the Wintergarden of the Schuster Center, Second and Main Streets. Tickets will also be available at 9 a.m. online (www.ticketcenterstage.com) and 10 a.m. by phone (937-228-3630). Tickets are $42-$121. There is an eight-ticket limit per patron. “Wicked” will be performed May 30-June 24 in the Mead Theatre of the Schuster Center. For more information, visit www.ticketcenterstage.com

Filed Under: On Stage Dayton Reviews

DVAC Presents: The Cline Show

March 8, 2012 By Dayton Most Metro Leave a Comment

By Ashley Malloris

The Dayton Visual Arts Center presents The Cline Show, an exhibition of bold new works by 17 art and design undergrads. DVAC established this annual program in memory of Barbara C. Cline, former DVAC staffer, who affected the lives of hundreds of student interns and emerging artists before her sudden passing in 2006.

Through the Cline Show program, art and design students are nominated by faculty from Central State University, Miami University, Sinclair Community College, University of Dayton, Wittenberg University and Wright State University. Nominated students are also eligible to interview for the program’s three mentorships, in which winners take on the roles of curator, registrar and preparator for the exhibition. DVAC provides specialized training to these artists through the process of organizing and participating in a professional gallery exhibition.
This year, DVAC visitors will enjoy prints, paintings, ceramics, sculpture, installation and video from students representing Sinclair Community College, University of Dayton and Wright State University. Maggie McCollum, Sinclair Community College, is represented by her richly-toned, cropped figurative portraits. Ashley Malloris, Wright State University, presents bright and playful still life prints. The Cline Show is one of DVAC’s most dynamic, diverse and anticipated exhibitions of the year — that our audiences enjoy tremendously and many times walk away as proud owners of art by emerging Dayton artists.

By Maggie McCollum

Exhibiting artists are: Suzanne Bock (Wright State University), Wesley Brown (Sinclair Community College), Jacob Compston (Sinclair Community College), Patricia Emerson (Sinclair Community College), Kate Ervin (Wright State University), Ben Girmann (University of Dayton), Megan Hague (Wright State University), Clayton Kindred (University of Dayton), Lisa Lorek (University of Dayton), Ashlee Malloris (Wright State University), Alicia Marshall (Sinclair Community College), Maggie McCollum (Sinclair Community College), Rebecca Roman (University of Dayton), Heather Sandy (University of Dayton), William Stauffer (Wright State University), Ali Stonerock (Sinclair Community College), and Kyle Wilkinson (Wright State University).

The Dayton Visual Arts Center provides art for the community and a community for artists. DVAC receives operating support from the Ohio Arts Council, Culture Works, Montgomery County and the Virginia W. Kettering Foundation.

When
Exhibition on View
March 2-24, 2012

Gallery Talk
Friday, March 10, 4 p.m.

Where
Dayton Visual Arts Center
118 N. Jefferson St.
Dayton, OH 45402

Gallery Hours
11 a.m.-6 p.m., Tuesday-Saturday Closed Sunday and Monday

Filed Under: The Featured Articles, Visual Arts

Dayton Ballet’s “The Spring Series”

March 8, 2012 By Dayton Most Metro Leave a Comment

 

Justin Koertgen and Erica Lehman Downey (photo by sskphoto)

The Spring Series, at Victoria Theatre from March 15 – 18, 2012, will feature four ballets in one amazing performance:  two world-premiere ballets:  one by Dayton Ballet’s Ballet Master, Justin Koertgen titled Violin Concerto and performed to Max Bruch’s Violin Concertos #2 and #3; 2011 New Music for New Dance choreography winner, Susanne Payne’s Parádeigma; and two ballet revivals:  Dermot Burke’s Interlude, performed to Dmitri Shostakovitch’s Piano Concerto No.2, Op. 102 and Gregory Robinson’s Hot Riffs and Blue Notes, performed to music by The Pointer Sisters.  For tickets visit TicketCenterStage.com or call 937-228-3630.

A feature on the program, Violin Concerto, is choreographed by Dayton Ballet’s 11 year veteran, Justin Koertgen, and is a return to the pure roots of classical ballet.  With tutus, tiaras, and tunics, Violin Concerto, is performed to Max Bruch’s Violin Concertos #2 and #3 with the elegance, energy and glorious partnering of true ballet.

Dayton favorite, GregoryRobinson, presents his popular revival, Hot Riffs and Blue Notes, performed to the melodically-layered music of The Pointer Sisters.

Dermot Burke, former Executive and Artistic Director of Dayton Ballet, returns with his revival, Interlude. This Neo-Classical ballet is danced by two couples to the romantic Piano Concerto No. 2, Op 102, by Dmitri Shostakovitch.

Grant Dettling and Halliet Slack (photo by sskphoto)

The Spring Series program concludes with a contemporary ballet choreographed by Dayton native, Susanne Payne.  Susanne is the 2011 Choreography winner of New Music for New Dance.  Her world premiere ballet, Parádeigma, pushes the company dancers to explore their limitations both physically and mentally.  Parádeigma challenges the dancers and audience to move beyond their perceptions of what traditional ballet should be.  The goal is for all is to experience the freedom achieved by breaking loose from the routine.

Performances of The Spring Series are at theVictoria Theatre, March 15, 16, & 17 at 8:00 pm, and March 17 and 18 at 3:00 pm.

Tickets are on sale now! Call Ticket Center Stage at (937) 228-3630 or (888) 228-3630 or visit www.ticketcenterstage.com.  Ticket Center Stage hours are Monday-Friday 10 a.m. to 6 p.m., Saturday Noon-4 p.m. and two hours prior to each performance.

TICKET CONTEST

We have four pairs of tickets to give away for this show, courtesy of the Dayton Ballet!  Simply likethis article to share with your FB friends, and then comment below.  We’ll announce winners Wednesday March 14th at 2pm – good luck!

Filed Under: On Stage Dayton Previews, The Featured Articles

SHAME “The Sex Addiction Film” Starts Friday at THE NEON!

March 8, 2012 By Jonathan McNeal Leave a Comment

Hello Everyone,

A SEPARATION performed just well enough for it to stick around a second week.  If you haven’t seen this film yet, I hope you’ll hurry out to see it!   Across the boards, A SEPARATION was one of the very best reviewed films of last year (far better than any of the nominees for “Best Picture”).  Professor Charles Derry recently sent me a note regarding the film.  In it, he wrote, “I think the most perceptive way of looking at this film is by comparing it to some of the great films by Jean Renoir, who famously said, in a variety of different versions: ‘The real hell of life is that everyone has their reasons.’  And this film shows exactly that: everyone, in their own way, is right, and because of that, we empathize with everyone, and yet all that results is conflict and separation.”  Derry also mentioned that Woody Allen recently stated that he considered A SEPARATION to be the best film of the year.

If you still haven’t seen it (or need to see it again), THE ARTIST is on its way out.  Today (March 8) will be your last chance to catch it at THE NEON.  On Friday (March 9), we will begin a limited engagement of the new film starring Michael Fassbender – SHAME.

Synopsis for SHAME: “Brandon is a New Yorker who shuns intimacy with women but feeds his desires with a compulsive addiction to sex. When his wayward younger sister moves into his apartment stirring memories of their shared painful past, Brandon’s insular life spirals out of control.”  This film stars incredible performances by both Michael Fassbender and Carey Mulligan (Mulligan’s performance of “New York, New York” is one of the best vocal performances I’ve seen in a film for quite some time).  Click on this LINK to visit the official site.  (You might recall Fassbender from FISH TANK or the recent JANE EYRE…and Carey Mulligan from AN EDUCATION and NEVER LET ME GO.)  Note:  This film is rated NC-17 for explicit sexual content.  THE NEON will be carding anyone who appears to be under 18 for admission to this film.

[yframe url=’http://www.youtube.com/watch?v=Op9iQiB_ANI’]

Here’s a second trailer – different in tone – that features Mulligan’s performance.

[yframe url=’http://www.youtube.com/watch?v=OJQmqfzYjDw’]

On Thursday, March 22 at 7:30, Keener Farm has rented our space for a special screening of the acclaimed documentary AMERICAN MEAT.  “The film explains our current industrial meat system and shows the feedlots and confinement operations – not through hidden cameras but through the eyes of the farmers who live and work there. The film then shifts to the burgeoning sustainable, local-food movement made up of farmers, food advocates, chefs and everyday folks who could change everything about the way meat reaches the American table…Sustainable farming is expanding exponentially as Americans learn more about their food and how to connect with local farmers…”  (taken from press notes)  The screening will be preceded by a meet and greet with appetizers provided by Olive: An Urban Dive (beginning at 6:30), and a panel discussion with the filmmaker as well as local farmers & restaurateurs will follow the screening.  Admission is free (first come, first serve), but donations will gladly be accepted to help offset costs.

[yframe url=’http://www.youtube.com/watch?v=knNLZvphhfs’]

For this week’s remaining showtimes, please visit our official site.

Thanks for your continued support.

We hope to see you soon,

Jonathan

 

P.S.  We now have TWITTER.  If you use this application, we hope you’ll follow us – @neonmovies

SHOWTIMES for Fri. March 9 – Thur. March 15:

A SEPARATION (PG-13) 2 Hr 03 Min

Friday, Saturday, Sunday:  1:30, 4:00, 7:00, 9:30

Monday – Thursday:  2:40, 5:10, 8:00

 

SHAME (NC-17) 1 Hr 41 Min

Friday, Saturday, Sunday: 12:40, 2:50, 5:10, 7:30, 9:30

Monday – Thursday: 2:50, 5:10, 7:30

COMING SOON:

As always, all dates are tentative.  Many of these dates will change.

TBD   THE HEDGEHOG

TBD   PARIAH

TBD   BEING FLYNN 

March 23   IN DARKNESS

March ?   WE NEED TO TALK ABOUT KEVIN

April ?  FOOTNOTE

Spring   SALMON FISHING IN THE YEMEN

Spring  BEST EXOTIC MARIGOLD HOTEL

Filed Under: On Screen Dayton Tagged With: a separation, being flynn, Dayton Ohio, independent film, indie movies, michael fassbender, nc-17, nc17, ncaa, pariah, shame, The Neon, tilda swinton, we need to talk about kevin

Dayton Gay Men’s Chorus – Benefit Musicale IV

March 7, 2012 By Dayton Most Metro 2 Comments

The Dayton Gay Men’s Chorus has announced the fourth annual Benefit Musicale, “The Director’s Cut”, to be held on March 17th, in the beautiful cloister of the Dayton Art Institute.  The evening begins with a cocktail hour (cash bar) from 6-7pm, with hor’s d’oeuvres prepared by Elegant Fare.  Entertainment will be provided by the DGMC Ensemble, accompanied by Raymonde Rougier, and under the Artistic Direction of Jason Coatney-Schuler.  In addition, Dayton’s own RubiGirls will be on hand with their comedic drag interpretations and as accompaniment to the chorus, who will perform yet unheard selections from last season’s “Let’s Hear it For the Boys” concert.

There will be a Silent Auction, chock full of art items, experiences, and themed baskets, with additional live auction items, including a 6 day/6 night African Safari trip for two (Zula Nyala in South Africa) and opening night tickets to Carrie Fisher’s “Wishful Drinking” performance at the Victoria Theatre.

In the midst of its ninth performance season, the DGMC is preparing for a high-energy, fast-paced, “ExtrABBAganza” concert on June 2, 2012, at the Victoria Theatre, featuring the music of the iconic Swedish band ABBA.  Proceeds from the March benefit will be specifically earmarked to help to produce the June concert.  Board President, Allen Kimbrough notes, “the selection of music of ABBA for our Summer concert follows on the heels of the DGMC’s success from last year’s Let’s Hear it For the Boys performance at the Victoria.”  The DGMC, along with six other men’s choruses across the country, commissioned nationally recognized composer, David Maddux to arrange the music for this concert.  Kimbrough adds,  “it was our first venture at commissioning a choral work and the collaborative process proved to be a milestone in our history”.  The chorus will again bring Mr. Maddux’s talents to the Dayton Region, as he is the composer/arranger for the June ABBA tribute concert.

Though fast approaching a sell out, advanced tickets for “The Director’s Cut” Benefit Musicale are still available, $60.00 each, or a table of ten $600.00.  Tickets may be purchased through any chorus member, or by contacting tickets@daytongaymenschorus.org

Filed Under: Arts & Entertainment, The Featured Articles

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