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Arts & Entertainment

You Can’t Stop The Bliss

November 3, 2011 By Russell Florence, Jr. 2 Comments

Beth Conley in Hairspray

Pure theatrical joy fills Wright State University’s fantastic production of Marc Shaiman, Scott Wittman, Mark O’Donnell and Thomas Meehan’s 2003 Tony Award-winning musical “Hairspray.”

Radiantly performed by one of the most strikingly synchronized ensembles WSU has assembled, this funny, provocative, tuneful and uplifting tale of race and tolerance in 1962 Baltimore, based on the 1988 John Waters film of the same name, totally magnetizes with a breathtaking energy that rivals the original Broadway production. The ideal blend of Joe Deer’s vigorous direction and Teressa Wylie McWilliams’ marvelously sharp and spirited choreography remarkably produces non-stop, smile-inducing thrills effortlessly catapulting this showcase into the rare local realms of musical comedy heaven. The sheer exuberance of “Good Morning Baltimore” and “The Nicest Kids in Town,” the brilliantly precise “I Can Hear The Bells,” the flavorfully decade-inspired “Welcome to the 60’s,” the soulful exuberance of “Run and Tell That,” the seamlessly fluid transitions within “The Madison,” and the incredibly infectious finale are just some of the showstoppers worthy of endless encores.

The wonderfully vibrant Beth Conley endearingly portrays plus-sized teenage heroine Tracy Turnblad, who faces adversity while attempting to integrate the popular Corny Collins TV show. Tracy’s staunch desire to change the world in spite of numerous obstacles is not lost in Conley’s appealing performance complete with conviction, spunk, commendable vocals and fine dancing. Drew Helton equally shines as Edna, Tracy’s plain-spoken mother notably self-conscious about her weight. Exuding convincing femininity in drag, the hilarious Helton conveys a sweet sensitivity that humorously evaporates whenever his voice dips into a threatening lower register. He also establishes a bubbly rapport with the delightful Casey Jordan as Edna’s goofy husband Wilbur. They particularly interpret “Timeless to Me” beyond mere clowning to impressively depict a genuine reflection of an affectionate, enduring love between a man and a woman.

The cast of Hairspray

Jordan’s fellow featured players also provide strong, well crafted characterizations. Charming triple threat Ian DeVine dazzles as heartthrob Link Larkin, a budding pop artist forever changed by Tracy’s love and defiance. DeVine, a dynamite dancer compatibly paired with Conley, supplies a crisp, seductive rendition of “It Takes Two.” DeShawn Bowens, another fiery dancer, hits the mark as Seaweed J. Stubbs, who falls for Tracy’s ditzy best friend Penny Pingleton, amusingly embodied by Melissa Hall. Kylie Santoro and Nikki Nathan are deliciously and respectively vengeful as Velma and Amber Von Tussle, a cunning mother/daughter team seeking to destroy Tracy. The handsome James Oblak oozes charisma as Corny Collins. Aziza Macklin brings a sunny groove to her vocally demanding role as rhyming radio personality Mothermouth Maybelle. Dani Cox is enjoyable as Maybelle’s daughter Little Inez. Terrific chameleons Justin Talkington and Chrissy Bowen nearly steal the show in multiple roles. As the glamorous Dynamites, Jessica Horton, Cyndii Johnson and Taylor Montgomery beautifully capture the Motown essence fueling “Welcome to the 60’s.” Hannah Aicholtz, Alimamy Barrie, Ian Blanco, Zach Cossman, Kevin Ferguson, Darius Fincher, Kenneth Foster, Jon Hacker, Jessica Horton, Derrick Jordan, Taryn Lemmons, Layne McDuffie, Amy Murphy and Sierra Stacy complete the highly entertaining cast.

Act 2 opener “The Big Dollhouse” is curiously cut, but it is a minor quibble within a staging splendidly accented by Pam Knauert-Lavarnway’s eye-catching, nostalgic scenic design, Matthew P. Benjamin’s colorful lighting design and musical director Rick Church’s top-notch orchestra. There is also a topical relevance that resonates here in the midst of our current climate, specifically as Maybelle reminds Tracy and others to stay strong in their quest for change prior to the gospel power ballad “I Know Where I’ve Been.” Her inspirational words are intended to address civil rights yet could be a rallying cry for the Occupy Wall Street movement.

“Hairspray” is a familiar title for many Miami Valley theatergoers, but WSU’s version contains an inherently youthful enthusiasm unmatched by any previous production of the show in our area. Bravo!

“Hairspray” continues through Nov. 13 in the Festival Playhouse of the Creative Arts Center at Wright State University, 3640 Col. Glenn Hwy., Fairborn. Performances are Thursdays at 7 p.m. Fridays at 8 p.m., Saturdays at 2 and 8 p.m., and Sundays at 2 p.m. Act One: 73 minutes; Act Two: 50 minutes. Tickets are $18-$20. For tickets or more information, call (937) 775-2500.

In related news, Wright State’s 2012-13 mainstage season will consist of “The Miracle Worker,” “Funny Girl,” “Witness for the Prosecution” and “Grand Hotel: The Musical.”

Filed Under: On Stage Dayton Reviews

Dayton Playhouse’s “Master Harold… and the boys”

November 3, 2011 By Dayton Most Metro 2 Comments

L to R – Robert-Wayne Waldron as Willie; Ray Zupp as Hally; and Franklin Johnson as Sam

(from Dayton Playhouse)

You’re invited to share a wonderful evening of theatre and support the Dayton Playhouse.  Director Matthew Smith and his experienced cast will present the play Master Harold… and the boys as a Playhouse fundraiser.  The Play is written by Athol Fugard and is published by Samuel French.  This dedicated cast and crew have mounted the play on their own, in support of the Playhouse.

According to Brian Sharp, chairman of the Dayton Playhouse board, “We couldn’t be more excited about seeing this talented cast on our stage and we really appreciate their efforts in supporting the Playhouse.  This is a wonderfully moving play that everyone should see.   Our thanks go to Matt Smith and everyone who helped with this production.”

The story: Sam and Willie, two middle-aged African men have always been a part of seventeen-year-old Hally’s life, bonding despite the color barrier that could have easily separated them. With Hally’s tyrannical father on his way home after a stay at hospital, tension runs high and actions are regretted. A story about loyalty, acceptance and the pain involved with breaking the cycle of racism and violence.  Master Harold… and the Boys is a poignant drama highlighting important issues that still exist in today’s global society.

Smith has cast Franklin Johnson, of Dayton, in the role of Sam.  Robert-Wayne Waldron, also of Dayton, will play Willie, and Ray Zupp, of Vandalia, plays Hally.

The production is one weekend, November 4-6.  Friday and Saturday performances are at 8:00 p.m. and Sunday at 2:00 p.m.  The play will be presented at the Dayton Playhouse, 1301 E. Siebenthaler Ave, Dayton, OH 45414.  Tickets are $10 general admission and may be reserved online at www.daytonplayhouse.org, or by calling the Dayton Playhouse box office 937-424-8477.  Box office hours are Monday, Wednesday and Friday from 2:00 -5:00 p.m. This show is not recommended for children under the age of 17 due to adult themes.  All proceeds from this non-season show will benefit the Dayton Playhouse.

WIN FREE TICKETS

DaytonMostMetro.com and Dayton Playhouse are giving away SIX PAIRS of tickets to see Master Harold… and the boys! Simply fill out the form below and we’ll draw two winners for each show.  GOOD LUCK!

Congratulations to our winners!

Friday 11/4
Cynthia Pauwels
Bethany Locklear

Saturday 11/5
Kristen Allen
Ria Megnin

Sunday 11/6
Patrick Santucci
Theresa Larson


Filed Under: On Stage Dayton Previews

An Unispiring Start to Dayton Dance Season

November 2, 2011 By Rodney Veal 4 Comments

This intrepid reviewer, a lover of the art form of dance in all of its permutations has viewed two concerts for DCDC and Dayton Ballet. Unfortunately, except for a couple of bright spots, this reviewer was left under whelmed to the point of concern.

I am fully aware that we are in perilous times in regards to funding for the arts, and as a native Daytonian I want to provide an enthusiastic, supportive review. I believe that honest dialogue about the works being presented is critical to the growth of beleaguered arts institutions. What was presented artistically by these two venerable institutions left this reviewer with a vexing quandary. I went into both concerts ever hopeful that my willingness to be in the audience would somehow be rewarded with exquisite transporting terpsichorean art that would engage me on so many levels. After attending several concerts by both companies I have shed my naïve beliefs that things will progress.

The DCDC concert, Director’s Cut, held the one choreographic bright spot of both concerts; the invigorating and bracingly contemporary work of Rodney Brown. The rest of the concert consisted of works presented in a collage from the forty years of artistic product from the DCDC legacy of classic works of the modern dance vernacular. My only disappointment in Rodney Brown’s work was that it highlighted the creakiness of everything else on the concert. I am a huge advocate of dance reconstruction and restoration. My love of Balanchine is steadfast and absolute. Unfortunately, watching the historic works of DCDC in this context was like looking at a tenth generation Xerox copy, washed out and barely legible as to render it useless.

Rodney Brown, a former dancer with DCDC, brought to the Dayton dance scene a glimpse of what is happening in the dance world. His work was a strikingly original work with a dance vocabulary shaped and influenced by the Europeans, Wayne McGregor, William Forsythe, Crystal Pite and Pina Bausch and grounded in the asthetitics of the post modernist legend Bebe Miller. Mr. Brown created a world that was both strange as well as unpredictable and utterly captivating. The Nearing was set on a quartet of the men from the company, who never looked better. The movement material was rooted in a relentless repetition that was punctutuated by moments of individual expression. It was like being transported into a dystopian dance drama that reminded me of Fritz Lang’s Metropolis, the 21st century forgotten men. I have not been this captivated since seeing the restaging of Adam Hoagland’s choreography at the Wright State Spring Dance Concert in the spring.

The Haunted series presented by Dayton Ballet contained two highlights; that it was mercifully brief and was at least danced with conviction. Watching this concert I will acknowledge that choreographically Sleepy Hollow was the most accomplished work of the two ballets presented and that is faint praise.

I believe that Dayton Ballet is filled with incredibly gifted performers that are completely invested. My fondest wish is that later in the year they will be showcased in vehicles worthy of those skills and talents.
The problem with both of these ballets resides in the question of “taste levels”. This was a strictly middlebrow production that held little charm or genuine delights to walk away with.
Every major performing arts organization in the United States wrestles with creating work that will attract audiences and fill the coffers, ie., safe entertainment that will appeal to the lowest common denominator. Our dance companies are not immune to this paradox. Yet in appealing to the lowest common denominator they are exposing not only their faults, but also the audience’s as well.

The Dayton arts audiences are complicit in this spiraling artistic bankruptcy. We simply have no concept of what well-produced dance looks like. I will give credit to the valiant efforts to reverse the declining fortunes of two formerly great artistic pillars of community; this is my only act of charity. I am saving my most barbed commentary for the Dayton arts audiences.

All of the art forms that are being presented in our community are typical to any city with a significant population. You have been great in your dutifulness in attending the arts events, purchasing season tickets, and being present. I applaud your levels of support. But are you aware that you are being presented work that is not reflective and indicative of the rest of the world? You are being short changed by not asking for more and knowing the difference.

Professionals in other fields (i.e, the medical fields, accounting & finance) are required to maintain some knowledge and awareness of trends on regional, national and international levels. This is no different for the arts. Yet our arts institutions are caught in a catch-22 in which they want to embrace change and new. We [the audience] are holding the arts back in our community by being so provincial.

Dayton Ballet is 74 years old and is older than New York City Ballet and younger than San Francisco Ballet, and we don’t possess any of the artistic chutzpah or forward thinking of either organization. Dayton Ballet can’t if the audience is not receptive to it. If Alvin Ailey can come back from the brink of collapse then DCDC can do it as well. It requires that you ramp up you skills as an arts patron and embrace quality. Here is what you need.

Knowledge

In the day and age of the lightning fast Internet connections, YouTube is your friend. Instead of wasting so much time on the cute kittens playing with balls of yarn or the ridiculous acts of human vacuity, invest in looking at the work of other dance companies from around the world before your brain rots. I will start you off with a list of companies and choreographers to experience.

Companies

  • New York City Ballet
  • San Francisco Ballet
  • Pacific Northwest Ballet
  • Boston Ballet
  • Houston Ballet
  • Alvin Ailey Dance Theatre
  • Cleo Parker Robinson
  • Lulu Washington

Choreographers

  • Wayne McGregor
  • William Forsythe
  • Bebe Miller
  • Adam Hoagland
  • Paul Taylor
  • Merce Cunningham
  • Pina Bausch

Knowledge Part 2

Read up on dance. Don’t say you love dance and your exposure is restricted to what is being seen on our stages. (And no your nieces or nephews recital does not count). It is time for you to invest a little more effort. There are excellent reviews of dance online in the New York Times. The libraries carry Dance Magazine and you can also rent DVD’s on NetFlix or stream them on Amazon. What have you got to lose?

A civilization is defined by the culture it produces and our community is being defined by the middlebrow entertainment that we seem to continually want to embrace. It is time for the audience to stop being complicit and develop a more sophisticated arts patronage. The artist in this community and this reviewer are desperately waiting for you to play catch up. Rise to the challenge.

I will start sharing my discoveries on the dance front through DMM. I will become your Sherpa guide through the vast terrain of dance material out there on the Internet. Hopefully this will lead us all to a better artistic mountain top. I believe that the arts organizations will figure out how to give you quality artistic productions if people on both sides of the curtain make the investment.

Filed Under: On Stage Dayton Reviews

TAKE SHELTER – One of the Best of the Year – Opens Friday!

November 1, 2011 By Jonathan McNeal 1 Comment

Hello Everyone,

I hope you’re making plans to see TAKE SHELTER this weekend (read the DMM Film Review here).  This Ohio-made film was one of my absolute favorites from this year’s Toronto International Film Festival (I screened 34 films over the course of 9 days), and it has been garnering awards and great reviews around the world.  As a special treat, producer Tyler Davidson will be joining us for Q&As following a few screenings…and there’s no additional charge for these tickets (which are on sale now at our box office).  Showtimes with Q&As are noted below.

Thursday will be your last chance to see the charming French film with Gerard Depardieu and Gisele Casadesus – MY AFTERNOONS WITH MARGUERITTE.  Hurry down if you still need to see it.  Though audiences are loving this film, it hasn’t done well enough to stick around.

Synopsis for TAKE SHELTER:  “Curtis LaForche lives in a small town in Ohio with his wife, Samantha, and daughter, Hannah, a six-year-old deaf girl. When Curtis begins to have terrifying dreams, he keeps the visions to himself, channeling his anxiety into obsessively building a storm shelter in his backyard. His seemingly inexplicable behavior concerns and confounds those closest to him, but the resulting strain on his marriage and tension within his community can’t compare with Curtis’s privately held fear of what his dreams may truly signify.” (Sony Pictures Classics)  Visit the film’s official website.

[yframe url=’http://www.youtube.com/watch?v=I5U4TtYpKIc’]

There are only 2 films left for Living City’s VAMPIRE retrospective…and both will be presented via 35mm.  Single tickets will be available at the door before each screening for $8 each.  Here are the remaining dates and films:

November 7 at 7:30 – INTERVIEW WITH THE VAMPIRE (35mm)

November 14 at 7:30 – BRAM STOKER’S DRACULA (1992 – 35mm).

[yframe url=’http://www.youtube.com/watch?v=R1G5M4xliI4′]

The Ohio Liberty Film Festival is gearing up for its third year this November.  With numerous presenters and sponsors, the festival is able to make admission free to all of their screenings.  Click the link to see the entire line-up for various venues around town.

The following are movies that will play at THE NEON:

Friday, Nov. 11 at 3:00 – THE GREAT DICTATOR (The Charlie Chaplin classic)

Saturday, Nov. 12 at 1:30 – AS FAR AS MY FEET WILL CARRY ME

Sunday, Nov. 13 at 1:30 – PATTON

“Help support DATV and be inspired by short films that aim to make a difference in our lives. DATV presents the MEDIA THAT MATTERS SHORT FILM SHOWCASE on Thursday, November 17th at 7:30pm…The festival features 12 jury selected short films that tackle a broad range of social issues with humor, humanity and honesty in 12 minutes or less.  Special thanks to our sponsor Merrill Lynch Global Wealth Management OGDM Group – Centerville, Ohio…Proceeds from the event will benefit DATV.  DATV’s mission is to be a community forum that empowers all citizens to learn, create and express their ideas through electronic media…”  (taken from press notes)  Visit the official site for this event.  Tickets are already available at our box office for $10 each.

We’ve already booked the perfect film for Thanksgiving weekend.  Alexander Payne’s new film THE DESCENDANTS (starring George Clooney) is fantastic!  In fact, I think it’s Payne’s best film yet.  Thanksgiving weekend is a crucial movie-going weekend for cinemas…and we hope you’ll make plans to see this great film with us!  To find out more about the film, visit the official site.

[yframe url=’http://www.youtube.com/watch?v=CWHNXJ1K4yA’]

For remaining showtimes for this week visit our site.

Hope to see you this weekend,

Jonathan

SHOWTIMES for Nov 4 – Nov 10:

THE WAY (PG-13) 2 Hrs 1 Min

Friday, Saturday, Sunday: 12:15, 2:40, 5:00, 7:30, 9:50

Monday: 2:45, 5:10

Tuesday – Thursday: 2:45, 5:10, 7:40

TAKE SHELTER (R) 2 Hrs

* – indicates a screening with special Q&A

Friday: 1:30, 4:15, 7:00*, 9:40

Saturday: 1:30, 4:15*, 7:00*, 9:40

Sunday: 1:30, 4:15, 7:00, 9:40

Monday – Thursday: 3:00, 5:30, 8:00

INTERVIEW WITH THE VAMPIRE (R) 2 Hrs 3 Min

Monday: 7:30

COMING SOON:

As always, all dates are tentative.  Some of these dates will change.

In some cases, titles may disappear.

Nov. 11   MARGIN CALL

Nov. 18  MARTHA MARCY MAY MARLENE

Nov. 23  THE DESCENDANTS

Dec. 16   WEEKEND

TBD   THE SKIN I LIVE IN

TBD   MELANCHOLIA

TBD   THE HEDGEHOG

Filed Under: On Screen Dayton Tagged With: emilio estevez, FilmDayton, George Clooney, interview with the vampire, jessica chastain, margin call, martha marcy may marlene, martin sheen, michael shannon, take shelter, the artist, the descendants, the skin i live in, the way, tyler davidson

Animal Heat That Lasts And Lasts And…

November 1, 2011 By Dayton Most Metro Leave a Comment

DPO presents Three Dog Night in season kick-off of Rockin’ Orchestra Series

Exactly how does someone go about starting a rock band?

The most common approach involves amateurs with a burning desire to get into the music business, who meet at someone’s garage or rec room, set up their equipment, and begin by practicing cover songs, popular hits that most know by ear and for which few ever see any written music. Somewhere in the process, one or more of these aspiring rock stars will compose a song or two, and the group will practice performing its new, original music.

I don’t have access to the actual statistics, but I’m willing to bet that the overwhelming majority of these ventures end in years of mutually fond memories and little else. The music business is a hard taskmaster (this said from the perspective of personal experience).

Does it help if those involved in the startup of a rock band have some actual music industry experience? Definitely. A caveat here: there’s music industry experience, and then there’s music industry experience. Here’s a case in point….

It was the ‘60s. A young vocalist named Cory Wells was touring with Sonny and Cher, (music industry experience) when he met Danny Hutton, who had been loading and unloading records at the Disney studio (music industry experience, sort of…) before recording as a solo artist (music industry experience). See my point?

In 1968, they decide to pool their money and their talent and start a rock band of their own. But what to call the group? Hutton and Wells? Wells and Hutton? In the ‘60s, the conventional naming technique of referring to a group’s principal talent in its name had all but disappeared. While such groups as Loggins and Messina; Emerson, Lake and Palmer; and Crosby, Stills, Nash, and Young still followed the convention, the practice began to revert to one of picking highly unusual and often extremely esoteric names for rock bands, e.g., Buffalo Springfield, Jefferson Airplane, Crystal Harp, Steely Dan.

Not to be outdone, Hutton and Wells came up with a name that – while suitably cryptic to comply with the governing fashion – actually had a basis in conventional usage. Well, sort of…. It’s reputed that, on cold nights, Australian aborigines in the outback sleep with their dogs for warmth. The coldest evenings are known as three-dog nights….

Armed with a name that could stand toe-to-toe with the most enigmatic of band names, Three Dog Night went about ensuring that its name would not only be suitably mysterious, but it would also become a hallmark in the world of rock music for outstanding harmonies and arrangements. Virtually unknown itself, Three Dog Night threw in its lot with new and mostly undiscovered songwriters, recording music to the words and melodies of Harry Nilsson, Randy Newman, Elton John, Laura Nyro, Paul Williams, and Hoyt Axton.

And, man, did the evenings ever get warm.

Not to date myself, but I can remember water skiing at Lake Cumberland and Lake Herrington during summer days and joining my Ski Club buddies at night in our campground or in the lodge to enjoy a variety of refreshing liquid beverages and dance to the music of Three Dog Night. I found it amazing how upwards of sixty men and women could dance and – at one and the exact same time, with little or no direction – sing Jeremiah was a bullfrog; he was a good friend of mine completely in tune! Hey, this is my flashback; I can remember it the way I want, right?

Three Dog Night: Live with Orchestra at The Schuster Performing Arts Center
Saturday 11/12/2011 8pm
Click For Tickets

Joy to the World wasn’t the only one of Three Dog Night’s hits we and the rest of the world danced and sang to. After all, the group has had twenty-one consecutive Top 40 hits and twelve straight gold LPs, selling nearly 50 million records by the mid-‘70s. And the group continues to top the list of artists with the best Billboard Top 100 Chart average.

Still as good as ever, the 2011 version of Three Dog Night appears to be tireless. Beside founding members Cory Wells and Danny Hutton on lead vocals and original keyboardist Jimmy Greenspoon, the group now includes guitarist Michael Allsup, with Paul Kingery on bass and vocals and Pat Bautz on drums.

Their concert schedule is, to say the very least, formidable. In the last 25 years, the group has performed over 2,000 shows, including two Super Bowls. They were so busy, in fact, that it wasn’t until 2009 that the group released its first single in all that time, Heart Of Blues backed by the ballad Prayer of the Children. Face it; you rest, you rust.

43 years after it started, Three Dog Night looks back on a career that resulted in a body of work with 21 songs that became Top 40 hits. Reading the names of some of those titles, I can hear the music in my head: Mama Told Me, Joy to The World, Black And White, Shambala, Easy To Be Hard, An Old Fashioned Love Song, One, Eli’s Coming, and Celebrate.

If you want to hear them again, go to the Schuster Center on Saturday, Nov­ember 12 at 8 pm for Three Dog Night: Live with Orchestra. Experience Three Dog Night, backed by Music Director Neal Gittleman and the DPO. It might be cold outside, but don’t worry.

They’ve got the dogs to keep you warm.

Filed Under: On Stage Dayton Previews, The Featured Articles

November Novel Writing

October 31, 2011 By Dayton Most Metro Leave a Comment

November is National Novel Writing Month. Put your leftover Halloween candy to use as midnight fuel for frantic writing sessions and gain an easy excuse out of an awkward family Thanksgiving dinner.

In the month of November, a few hundred thousand aspiring novelist attempt to write 50,000 words in a single month. But it’s not for the faint of art: over 200,000 WriMos attempted the Great American Novel last year but only 37,500 novels were completed.

Success Stories

The event has had its success stories though. New York bestseller Water for Elephants by Sara Gruen began as a NaNoWriMo novel, which transformed into a summer blockbuster featuring Reece Witherspoon and Robert Pattinson. And author Erin Morgenstern became an overnight sensation with her fantastical book, The Night Circus, which earned a six figure advance, starred reviews and a movie deal as well.

NaNoWriMo is free to join at the website. The site is notorious for crashing and running sluggishly during the first week of November due to massive traffic. But the staff at Office of Light and Letters, the creators of the NaNoWriMo project, recently converted to Ruby on Rails to prevent these problems. Registering early is key, as it is hard to play catch up once the month begins.

Dayton Events

Dayton has an active writing community and online forum board for its WriMos. There is an online meeting on October 31st at 11pm to countdown that last sane minutes before kickoff at midnight, where any questions can be answered.

The official launch party is on Saturday, November 5th from 1:00-5:30 pm at the Kettering-Moraine Library. The largest attended meeting, you can meet and greet your fellow Wrimos in person, brainstorm plot, snack on goodies and play Word Wars.

The rest of the month features coffee house meet-ups, word wars online, write-ins and TGIO (Thank God It’s Over) party in early December.

NaNoWriMo operates on an honor system where you log in your words online, to be verified at the end of the month. And whether you win or lose, any word count in the busy of month of November is an accomplishment to be celebrated.

You can join the NaNoWriMo adventure at www.nanowrimo.org. Log onto the Dayton forum to meet more aspiring and established local writers.

Filed Under: Dayton Literati

Wonderland: It’s Larger Than You Realize

October 30, 2011 By Dayton Most Metro 1 Comment

DPO features multi-talented actress, pop icon, singer, and social advocate Lynda Carter in SuperPops season opener

Where were you in ‘72?

Trick question. Actually, a better one might be “Where were you when you were 21?” In the service? Still in school? Pursuing a career?

Lynda Carter was coming off of four years of uphill climbing chasing the dream of a career in music. She had started in high school singing with Just Us, a makeshift quartet. At 17, she joined The Relatives, an aptly named band consisting of two of her cousins and drummer-cum-actor Gary Burghoff (“Radar” O’Reilly in the television series M*A*S*H). The group performed at the Sahara Hotel and Casino lounge in Las Vegas for three months, during all of which time Lynda had to enter through the kitchen; after all, she wasn’t 21.

Yet.

After a short stint at Arizona State University, Lynda dropped out to sing with a group called The Garfin Gathering with Lynda Carter. Good news: for their first performance the group got booked into a brand new San Francisco hotel. Bad news: the place was so new it didn’t have a sidewalk entrance. Result: they became part of the underground music movement…literally. Their audience consisted mainly of janitors and hotel guests whose cars were parked in the underground garage. She returned to Arizona in 1972, the year she turned 21.

Then things started to happen quickly. Lynda entered a local beauty contest, won, and kept winning until she had become Miss World USA representing the U.S. and reaching the semi-finals of the 1972 Miss World pageant. That’s when most of us first became aware of Lynda Carter.

We started seeing Lynda again, this time on TV in Starsky and Hutch, Cos, and Nakia and in several B-movies. The next time we saw Lynda, 1975, she had become Diana Prince, the alter ego of the title character in the TV series The New Adventures of Wonder Woman, a role that many continue to identify her with. And while that’s a good thing, it presents a most incomplete picture of the depth of artistic talent Lynda actually possesses on so many levels.

Besides the hit TV show, her acting credits span 8 movie and 27 television roles. And that’s just Lynda the actress. There’s also Lynda the singer/musician.

And the body of work she has amassed in that field is equally as impressive.

In the late ‘70s, Lynda recorded Portrait, an album on which she shares credit as co-writer on several numbers. In her appearances on five CBS TV variety specials, she worked with such musical stars as Ray Charles, Merle Haggard, George Benson, Eddie Rabbit, and Kenny Rogers. In the ‘80s, she made singing appearances on the Las Vegas Strip and Atlantic City. In 2005, Lynda appeared as Mama Morton in the West End London production of the musical Chicago. The Chicago: 10th Anniversary Edition CD box set contains her rendition of the song When You’re Good to Mama. In 2007, Lynda began touring the country with An Evening with Lynda Carter, a one-woman musical cabaret show. In 2009, she released her second album At Last; it climbed to tenth on Billboard’s Jazz Album Chart.

Not bad for someone who began her musical career taking singing lessons from a practitioner of homeopathic medicine who lived on an Indian reservation. And therein lays a clue to how Lynda not only developed her musical talent, but also the strength to handle the physical demands of her career.

By her own admission, Wonder Woman “is not a one-note samba.”

In an interview in the April, 2011 issue of Energy Times, Lynda spelled out details of the personal, natural health regimen that has helped her keep her stomach flat, her voice clear, and her strength at optimal levels. It involves taking blood tests to determine a treatment starting point and boosting her immune system with fish oil, vitamin D3, bee pollen, wheatgrass, and herbal teas. Dietary measures include consuming organic berries, almonds, walnuts, pecans, and honey with almond milk for breakfast; noshing favorites include homemade soups, cucumber slices mixed with hummus, salmon, and grass-fed meat and chicken.

And weight-bearing exercise, rowing (on the Potomac River) in a scull, yoga, stretching, and walking comprise her exercise regimen.

She needs to do all this, to keep in shape for her musical career and to keep up a schedule that involves many hours devoted to promoting breast cancer awareness. A stout supporter of the Susan G. Komen Foundation, Lynda has testified before Congress to raise attention to the need for early detection of lung cancer. Her mother had suffered from the need for constant removal of cysts from her breasts, and a friend has died of lung cancer. To debunk the myth that you need to be a smoker to contract lung cancer, Lynda points to the fact that they very air we breathe can be a source of infection. We’ve all read of the dangers of secondary smoke, but Lynda believes that such things as aerosols and pesticides can also be dangerous. And she takes every opportunity she has to warn people of the dangers and enlist support for early detection.

Friday and Saturday, November 4 and 5 at 8pm in the Schuster Center, the Dayton Philharmonic Orchestra presents Lynda Carter: The Wonder of Song. There you can see and hear an artist of not only great beauty and talent, but also of great content and character.

Lynda Carter: The Wonder of Song

November 4 & 5, 2011 at 8 pm

Location: Mead Theatre – Schuster Center

Click for Tickets

Filed Under: On Stage Dayton, The Featured Articles

Family Matters

October 27, 2011 By Russell Florence, Jr. 1 Comment

The cast of Lost in Yonkers (Contributed photo)

In the midst of a busy, predominately impressive fall theater season, the Dayton Theatre Guild has effortlessly produced another hit. One month after the luminous local premiere of “Souvenir: A Fantasia on the Life of Florence Foster Jenkins,” the Guild offers an outstanding production of Neil Simon’s 1991 Tony Award and Pulitzer Prize-winning dramatic comedy “Lost in Yonkers.”

A delightfully authentic staging tenderly helmed by Fran Pesch, “Yonkers,” set in 1942-43, charms and captivates as the Kurnitz clan of Yonkers, New York lovingly squabbles with a domineering, opinionated matriarch known for ruling with an iron fist. The fiercely resolute Grandma (exquisitely portrayed with astute perception by Barbara Jorgensen) particularly failed to show a great deal of love for her children, who often describe her as being made of steel due to her harsh German upbringing. Although no one can erase the hurtful feelings  from years of emotional neglect, there is some sense that family wounds will continue to heal based on Grandma’s credo which values strength and survival. As she fittingly reminds her grandson, “It’s not so important that you hate me… It’s only important that you live.”

Jorgensen, as wonderful as she is, doesn’t have to carry the weight of this production on her shoulders. She is truly a key component within an ensemble, which allows her role to properly remain formidable and imposing without becoming overpowering. Philip Stock and Joel Daniel are equally and respectively terrific as Jay and Arty, whose coming-of-age journey under their grandmother’s guardianship frames the action. Perfectly cast as close-knit brothers trapped in a circumstance beyond their control for 10 months, Stock and Daniel endearingly embrace the bluntness, innocence and vulnerability within their colorful characters. Amy Diederich also shines as the incessantly chatty, childlike Bella, Jay and Arty’s doting aunt. Diederich’s superb delivery of Bella’s heartbreakingly poignant Act 2 monologue, in which she shares her desire to become a wife and have a family of her own, will bring tears to your eyes. Saverio Perugini, slick and shady, brings a cool, tough and intimidating edge to Louie, Jay and Arty’s gangster uncle. Rob Breving is nicely understated as Eddie, Jay and Arty’s father. Rachel Wilson delightfully portrays the audibly odd Gert, who prefers silence whenever possible.

In the Guild’s film hands, it’s a comfort to know “Lost in Yonkers” remains a splendid testament to the importance of legacy, unity and forgiveness as well as the invaluable maturity gained from lessons learned.

Lost in Yonkers continues through Nov. 6 at the Dayton Theatre Guild, 430 Wayne Ave. Performances are Friday at 8 p.m., Saturday at 5 p.m. and Sunday at 3 p.m. Act One: 60 minutes; Act Two: 60 minutes. Tickets are $11-$18. For tickets or more information, call (937) 278-5993 or visit www.daytontheatreguild.org

Filed Under: On Stage Dayton Reviews

Fright Farce

October 27, 2011 By Russell Florence, Jr. 1 Comment

(L to R) Dean Swann, Jonathan Berry and Darren Brown with Bethany Locklear in Evil Dead: The Musical (Contributed photo)

Just in time for Halloween, Beavercreek Community Theatre’s alternative Edge of the Creek Productions seeks to entertain rather than amaze with its local premiere of the mediocre “Evil Dead: The Musical,” a bloody, naughty, pop culture-friendly spoof based on Sam Raimi’s cult film classics.

Featuring book and lyrics by George Reinblatt and music by Frank Cipolla, Christopher Bond, Melissa Morris and Reinblatt, “Evil Dead” concerns a spring break getaway gone awry in an abandoned cabin in the woods. Hook-ups, dismemberment, killer trees and Candarian demons factor into the mayhem, but the incredibly silly, envelope-pushing material, hindered by a forgettable score chock full of hokey lyrics and melodies, just isn’t clever or hysterical enough to remain totally engaging. The one-liners are seriously hit and miss, and a lack of heart is particularly problematic. It’s entirely possible for an oddball, risqué show like “Evil Dead” to succeed on broad camp appeal and profane thrills, but an audience must ultimately care about the characters. Reinblatt and Co. should have found a way to humanize the humor and transform the story into a simultaneously outlandish and emotional product akin to “Bat Boy: The Musical,” a wonderful example of BCT’s Edge of the Creek programming in 2006.
Thankfully, director/scenic designer/costumer/co-properties master Chris Harmon, enjoyably aided by choreographer Annette Looper, keeps the thin action brisk and lively with a sufficient amount of sight gags to keep you awake. Harmon’s appropriately over-the-top ensemble particularly grasps the material’s tongue-in-cheek intentions with great skill. The versatile Jonathan Berry delivers another full-fledged performance as Ash, a heroic housewares employee. Berry is romantically linked with the lovely Bethany Locklear, who makes the most of the underwritten Linda. Darren Brown and Lindsay Sherman are equally compatible as Scott and Shelly. The infectiously goofy Angelé Price is a joy as Cheryl, Ash’s sister. As the rustic Jake, Michael Shannon humorously embodies the backwoods stereotype. The reliably comical Dean Swann tackles an assortment of featured roles including a talking moose. Lynn Kesson, sharp and precise, relishes her role as the overbearing Annie, who notably proclaims “All the Men in My Life Keep Getting Killed by Candarian Demons.”
If that song title made you giggle, “Evil Dead” might be your cup of tea.

Evil Dead: The Musical continues through Oct. 30 at the Lofino Center, 3868 Dayton-Xenia Rd., Beavercreek. Performances are Friday and Saturday at 8 p.m. and Sunday at 3 p.m. Act One: 52 minutes; Act Two: 40 minutes. The production contains adult language and themes. Tickets are $11-$13. For tickets or more information, call (937) 429-4737 or visit www.bctheatre.org

Filed Under: On Stage Dayton Reviews

The Human Race Presents “Caroline, Or Change”

October 27, 2011 By Dayton Most Metro 1 Comment

A STORY ABOUT AMERICA, WITH A WHOLE WORLD OF MUSIC

Cast members Malachi-Phree J. Pate, Yvette Williams, J. Miguel Conrado Rojas (photo credit: Scott J. Kimmins)

(Press Release from Human Race Theatre)

It’s 1963. Martin Luther King has just told the world of his dream. John F. Kennedy is about to be assassinated. And in the basement of a Jewish family’s home in Louisiana, their African-American maid spends her days doing laundry and being the only friend of a boy who has lost his mother.

That’s the setting for Caroline, or Change, a musical with its roots in the life of Tony Kushner (Angels in America), who wrote the book and lyrics, and a cornucopia of music styles used by composer Jeanine Tesori (Thoroughly Modern Millie). When it played on Broadway. Time Out New York called Caroline “daring, beautiful and profoundly moving.”

In the production at The Loft Theatre by The Human Race, Dayton’s own professional theatre company, Caroline is played by Tanesha Gary, who was in the Broadway cast as part of a singing radio, one of the show’s many whimsical anthropomorphic characters. She’s often visited in the basement laundry room by Noah, her employers’ young son, played by 11-year old Brendan Plate of Washington Township.

Cast members Tanesha Gary and Brendan Plate (photo credit: Scott J. Kimmins)

“The role of Noah is substantial,” says director Scott Stoney. “Brendan is really good about taking direction. It’s been interesting to watch the relationship of Caroline and Noah build.”

Brendan isn’t the only youngster in the show. Caroline has four children of her own, including two young boys played by 14-year old Malachi-Phree J. Pate of Dayton, a Stivers student, and 9-year old J. Miguel Conrado Rojas, a 4th grader at Cox Elementary in Xenia. “We’re really thrilled that we found these very talented local youngsters,” says Stoney.

Caroline’s oldest son is serving in Vietnam. Her only daughter is played by Julian’s real-life older sister, Yvette Williams, who was recently Homecoming Queen at Wright State. Her best friend, Dotty, is played by Taprena Augustine, a resident of Blacklick, outside Columbus.

Noah’s father is played by Bruce Sabath, who was in the Best Revival Tony-winning production of Company; his stepmother by Adrienne Gibbons Oehlers, who was Kitty in The Human Race production of The Drowsy Chaperone; his grandparents by Resident Artist Kay Bosse and Dayton-area stalwarts Saul Caplan and K.L. Storer.

The anthropomorphic characters include Brittany Campbell (who’s used to non-human parts, since she was once part of a Sesame Street bug choir) as The Washing Machine; Chicago-based Dwelvan David as both The Dryer and The Bus; New Yorker Tonya Thompson as The Moon; and Ashanti J’Aria and Kimberly Shay Hamby of New York and Shawn Storms (Trix in Drowsy Chaperone) as The Radio.

Cast - The Gellman family celebrates Chanukah (photo credit: Scott J. Kimmins)

Behind the scenes, Scot Woolley and Resident Artist Sean Michael Flowers are Music Director and Assistant Music Director/pianist, and Heather Jackson is Stage Manage., Choreographer Teressa Wylie and Scenic Designer Dan Gray are from the Ohio State theatre faculty. Lighting is by Resident Artist John Rensel, costumes by Kristine Kearney, and sound by Nathan D. Dean, with Heather Powell handling props.

Caroline, or Change is the second presentation of The Human Race’s 25th Anniversary Season. It will have a preview performance Thursday, November 3, and officially open November 4, with performances through November 20. Tickets are available via www.humanracetheatre.org, by calling Ticket Center Stage at (937) 228-3630, or at the Schuster Center box office.

Production sponsors for Caroline, or Change are the JPMorgan Chase Foundation, The Harry A. Toulmin, Jr., and Virginia B. Toulmin Fund of the Dayton Foundation, Muse Machine, Tim and Char Scroggins, DP&L Foundation, and Emerson Climate Technologies, with additional support from Mrs. Wallace E. Johnson, Richard and Marni Flagel, The Roberts Foundation, the National Conference of Community & Justice of Greater Dayton, Burhill Leasing, One Lincoln Park, and Bob Ross Buick-GMC & Mercedes-Benz.

Filed Under: On Stage Dayton Previews

FilmDayton Announces New Executive Director

October 26, 2011 By Dayton Most Metro 2 Comments

The FilmDayton Board of Trustees voted on October 25 to hire Megan Cooper as the new Executive Director. Cooper takes the helm on November 1, 2011.

A two-time graduate of the University of Dayton, Cooper studied theater and communication before beginning a career as a development professional.  An active member of the Dayton community, she is a trustee at Culture Works, featured writer on DaytonMostMetro.com, Updayton board member, and project volunteer with Activated Spaces. As an actor, Cooper has performed on many local stages and for regional radio, film and television spots.

Ron Rollins, President of the FilmDayton Board of Trustees, says, “Many of the board members already knew Megan either through her film work or community involvement. As we consider what FilmDayton can be for the region, we know she has the drive and knowledge to help us grow and meet our goals. We’re looking forward to what the future holds for FilmDayton.”

As the new Executive Director, Cooper is challenged to further the FilmDayton mission to provide opportunities for filmmakers. She will work with a strong coalition of volunteers to plan the annual FilmDayton Festival, facilitate educational programming (such as the Boot Camps and Film Connections), and support economic development in hopes to bring more productions to the region.

Cooper says, “FilmDayton was a great fit. I believe in the future of Dayton, the arts, and economic development opportunities in our region; FilmDayton brings those aspects together. I look forward to serving the organization and sharing my skills to support film in the region.”

Next steps for FilmDayton include an internship collaboration with Wright State University and a renewed dedication to economic development. As reported previously, FilmDayton will continue talks with the Dayton Art Institute and Dayton Visual Arts Center to determine if a partnership could lead to greater sustainability and successful programming.

Filed Under: Visual Arts Tagged With: FilmDayton, Megan Cooper

Monty Python’s Spamalot – Complete with Beautiful Show Girls and Killer Rabbits

October 26, 2011 By Dayton Most Metro Leave a Comment

Nominated in 2005 for fourteen Tony Awards and winner of three (including Best Musical), Monty Python’s Spamalot is coming to Dayton for a one-night show this Sunday at the Schuster Performing Arts Center.  The popular musical was “lovingly ripped off from” the 1975 film Monty Python and the Holy Grail and follows King Arthur who travels England in search of Knights for his round table who go on a search for the Holy Grail.  While popular with hardcore Monty Python fans, this musical version doesn’t require you to be a “pythonite” to enjoy this crazy brand of British humor that often takes jabs at Broadway itself.

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MONTY PYTHON’S SPAMALOT

October 30, 2011

Location: Schuster Center

Showtime: Sunday – 7 p.m.

Click here for tickets

Win Tickets

We have FOUR PAIRS of tickets to give away for Sunday’s show!  Simply fill out the form below – we’ll draw winners this Friday morning.  GOOD LUCK!

Contest Closed

And congratulations to our winners – enjoy the show!

Tricia Reynolds

Jamie Werling

Daniel Pfister

Eli Alban

Filed Under: On Stage Dayton Previews

MY AFTERNOONS WITH MARGUERITTE & Hot November Plans for THE NEON

October 26, 2011 By Jonathan McNeal Leave a Comment

Hello Everyone,

Professor Charles Derry told me that THE DEVIL’S DOUBLE is a combination of SCARFACE and a Bette David melodrama (FYI – that’s a compliment)…and my friend Maddi Breslin said that it was outstanding…and that she “could see it again.”  Unfortunately, the film did not perform well.  Thursday will be your last chance to see THE DEVIL’S DOUBLE at THE NEON.

Conversely, Martin Sheen’s THE WAY (directed by son Emilio Estevez) had a great weekend!  We were way above the national average for the film, and audiences are loving it.  THE WAY is set to stick around for another week.

On Friday, we will open a charming French film with Gerard Depardieu and Gisele Casadesus – MY AFTERNOONS WITH MARGUERITTE.  If you saw THE WAY this weekend, you saw a trailer for this film.  It is only slated to play for one week, so hurry down!

Synopsis for MY AFTERNOONS WITH MARGUERITTE:  “My Afternoon with Margueritte is the story of life’s random encounters. In a small French town, Germain, a nearly illiterate man in his 50’s and considered to be the village idiot by his friends at the local bistro, takes a walk to the park one day and happens to sit beside Margueritte, a little old lady who is reading excerpts from her novel aloud. She’s articulate, highly intelligent and frail…Afternoons spent reading aloud on their favorite bench transform their lives and start them both on a new journey — to literacy and respect for Germain, and to the deepest friendship for Margueritte.” (Cohen Media Group)

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Next Monday will be the 3rd film in Living City’s VAMPIRE retrospective.  (If you missed Monday’s screening of DRACULA, you missed an absolutely gorgeous 35mm print!)  Single tickets will be available at the door before each screening for $8 each.  Here are the remaining dates and films:

October 31 – THE LOST BOYS (digital video projection)

November 7 – INTERVIEW WITH THE VAMPIRE (35mm)

November 14 – BRAM STOKER’S DRACULA (1992 – 35mm).

Here’s the latest regarding our special opening of TAKE SHELTER!  TAKE SHELTER was one of my favorite films from this year’s Toronto International Film Festival.  It has been receiving much-deserved international acclaim, and I hope we hear a lot more about it come Oscar time.  The performances are incredible, the story is great, and the photography is wonderful.  On top of all that, the film was made in Ohio!  We’re so glad to announce that we will bring producer Tyler Davidson to town during opening weekend.  Mr. Davidson will do a Q&A after the following screenings:

Friday, Nov. 4 at 7:00

Saturday, Nov. 5 at 4:15

Saturday, Nov. 5 at 7:00

Advanced tickets (which are regular price!!) are available now at our box office.  To read more about the film, visit the film’s official site.

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The Ohio Liberty Film Festival is gearing up for its third year this November.  With numerous presenters and sponsors, the festival is able to make admission free to all of their screenings.  Click this LINK to see the entire line-up for various venues around town .  The following are movies that will play at THE NEON:

Friday, Nov. 11 at 3:00 – THE GREAT DICTATOR (The Charlie Chaplin classic)

Saturday, Nov. 12 at 1:30 – AS FAR AS MY FEET WILL CARRY ME

Sunday, Nov. 13 at 1:30 – PATTON

“Help support DATV and be inspired by short films that aim to make a difference in our lives. DATV presents the MEDIA THAT MATTERS SHORT FILM SHOWCASE on Thursday, November 17th at 7:30pm…The festival features 12 jury selected short films that tackle a broad range of social issues with humor, humanity and honesty in 12 minutes or less.  Special thanks to our sponsor Merrill Lynch Global Wealth Management OGDM Group – Centerville, Ohio…Proceeds from the event will benefit DATV.  DATV’s mission is to be a community forum that empowers all citizens to learn, create and express their ideas through electronic media…”  (taken from press notes)  Visit the official site for this event .  Tickets are already available at our box office for $10 each.

I’m very excited to announce that we have booked an incredible film to open in time for Thanksgiving.  Alexander Payne’s new film THE DESCENDANTS (starring George Clooney) is fantastic!  SIDEWAYS (also directed by Payne) was a huge hit for us, and I think THE DESCENDANTS is his best film yet.  (Payne also directed the final short film in PARIS, JE T’AIME – which was also fantastic!)  Thanksgiving weekend is a crucial movie-going weekend for cinemas…and we hope you’ll make plans to see this great film with us!  To find out more about the film, visit the official site.

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For remaining showtimes for this week visit our official site.

Hope to see you very soon,

Jonathan

SHOWTIMES for October 28 – November 3:

THE WAY (PG-13) 2 Hrs 1 Min

Friday, Saturday: 12:15, 2:40, 5:00, 7:30, 9:50

Sunday: 12:15, 2:40, 5:00, 7:30

Monday: 2:45, 5:10

Tuesday – Thursday: 2:45, 5:10, 7:40

MY AFTERNOONS WITH MARGUERITTE (NR) 1 Hr 22 Min

Friday, Saturday: 1:00, 3:00, 5:15, 7:15, 9:15

Sunday: 1:00, 3:00, 5:15, 7:15

Monday – Wednesday: 3:00, 5:30, 7:30

Thursday: 3:00, 5:30

THE LOST BOYS (R) 1 Hr 37 Min

Monday: 7:30

COMING SOON:

As always, all dates are tentative.  Some of these dates will change.

In some cases, titles may disappear.

Nov. 4  TAKE SHELTER

Nov. 4   MARGIN CALL

Nov. 18  MARTHA MARCY MAY MARLENE

Nov. 23  THE DESCENDANTS

TBD   THE SKIN I LIVE IN

TBD   MELANCHOLIA

TBD   WEEKENDTBD

THE HEDGEHOG

Filed Under: On Screen Dayton Tagged With: alexander payne, DATV, Dayton Ohio, emilio estevez, George Clooney, living city, martin sheen, Media That Matters, my afternoons with margueritte, Ohio LIberty Film Festival, take shelter, the descendants, The Neon, the way, tyler davidson, vampires

Specters Of The Past Revealed

October 25, 2011 By J.T. Ryder Leave a Comment

Paravizionz Locks Down Ohio’s “Sleepy Hollow”

The Joinery In Bellbrook

Illicit affairs, money, greed, envy…the deadliest of sins prove to be just that, extinguishing lives like a sudden gust of autumn wind douses the flickering light of a candle, creating a haunting lore that seemingly breathes with a murmuring life of its own. While every locale around the world has their own ghost stories and legends, Bellbrook, Ohio has their fair share as well, most of which reach back into the dim mists of a century gone by.

There is the story of a servant girl who involved herself with the town’s very influential Mayor and managed to get herself pregnant in the process. The Mayor refused to acknowledge her anymore and had her removed from the premises. The young lady took to a life of prostitution to get by, quickly becoming the subject of gossip and ridicule. When her baby was born, she would only take it outside with it’s face covered, as it was whispered that the child bore a striking resemblance to the father. It was thought that the young woman had fallen into a downward spiral of madness as she was often seen walking along with her baby safely bundled up from the prying eyes of the townsfolk, singing and talking to the bundle of tattered fabric that shrouded her little one. One night, the weight of her plight must have been too much to bear and she plunged herself and her baby into the cold, swirling depths of Possum Run Creek or, as it is known now, the Little Sugar Creek. A week later, her body was found by two local youths, washed up upon the creek’s bank. Her icy, lifeless arms still clasped the tattered rags that were once wrapped around her child, but the baby itself was never found. It is said that on certain nights, especially those peculiarly still nights in June when the mists rise up into the ebony darkness, you can see her glowing form stumble along the sides of the creek, a lilting singsong sigh being sung to the bundle of rags that she carries.

I grew up in Bellbrook, long before it became the lush suburb that it is today. When I lived there, it was still mostly a bucolically rural town. Carpenter Rd. still had a hair pin turn where, legend has it, that on certain nights, you could see the silhouette of a hanged man…just another person who had decided to end it all when they came to the end of their rope. Back when you would walk along Little Sugarcreek Rd., quickly succumbing to a whistling bravery as you passed Fallis Cemetery after dark. A time when, out of the corner of your eye, you would see skittering shadows and the out of tune tinkling of a piano coming from the music room of the Elementary School. You would hear whispered legends about the creaking madness held within the walls of several of the towns original homes. Stories of the strange behavior exhibited by the living as they face the heady unknown of death, like the undertaker who could not bear the loss of his wife and kept her embalmed body in the front window of his establishment for over a year before singing into the downward spiral of lunacy.

These memories came back to me in a rush as I met up with two gentlemen, Lee Allen and Davis Jones, the founder and co-founder, respectively, of ParaVizionz. ParaVizionz is a paranormal investigation and research team that has completed over 180 paranormal investigation since their inception in 2008. Lee and Jones met in early 2008 when TAPS (The Atlantic Paranormal Society) visited Wright-Patterson Air Force Base to investigate paranormal activity there for their wildly popular television show on SyFy called Ghost Hunters. Jones had managed to weasel his way into the event with little more than an ID on a lanyard and, after befriending the film crew and being allowed to jump to the front of the line, he ran into Lee, who was trying to assemble a team of local paranormal investigators. Since that time, a team of investigators, technicians and mediums have been assembled and the group has gelled into one incredibly in-tune entity who have compiled a list of completed investigations, an archive of EVPs (Electronic Voice Phenomena) and a slew of stories that would make most people cringe.

Paravizionz Investigates The Joinery

There are those that are dismissive of paranormal investigations and make light of others beliefs in otherworldly events…right up to the point when they are standing in the murmuring darkness and feel a cold finger trace the line of their spine. Jones came to believe in supernatural activities while still very young while living in Michigan. He had just moved into an old farmhouse in the woods with his sister, father and his new stepmom. It had been said that one of the previous owners had hung themselves from the apple tree outside the kitchen window, but this barely registered with the young Jones…until the noises began. Creaking footsteps and rocking chairs that were invisibly animated made he and his sister believers in very short order. Another memory he held of that time was his new stepmother’s use of a Ouija board, but he gave it little credence. It was just a Parker Brother’s game, after all.

Conversely, Lee’s induction into the world of the unknown came about through personal loss. He and his wife lost one son, Austin, in infancy and then another older child, a daughter named Caitlyn, some time later. Lee said that after these two incidents, he would hear voices in the children’s rooms and sense their presences from time to time. While I didn’t press Lee as to the association between these events and his sudden passion for the paranormal, one can infer that it would almost become a necessity for one who had suffered such a tragic loss. Even separated by a wall of sleep, a father needs to know that his children are alright and to know what kind of world that they exist in.

This past summer, ParaVizionz has been doing a series of investigations in Bellbrook, Ohio. They have investigated everything from private residences to my old Elementary School and have come away with many personal stories as well as EVPs, which they have posted on their website. Paravizionz has shared their stories online and created the Jonathan Winters Ghost Walk and Historical Tour that ran the weekend of September 30th through October 1st. All of their activities has even garnered them a proclamation from the Mayor of Bellbrook, Mary Graves. All of these goings-on will culminate with the Bellbrook On Lockdown event slated for Halloween weekend, starting at noon on Friday, October 28th and ending at 3:00pm on Sunday, October 30th.

The Bellbrook On Lockdown event will have lectures, celebrities, tours, information, vendors, activities and entertainment. The Master of Ceremonies, a Johnny Depp/Jack Sparrow look-alike, Captain “Larry” Sparrows, will kick off the festivities at noon on Friday at Sugarcreek Plaza, located at 6124 Wilmington Pike in Bellbrook. There are a ton of guest speakers, including Keith Age (a paranormal investigator who founded the Louisville Ghost Hunter’s Society and is the star of Spooked TV), Patrick Burns (star of TruTV’s Haunting Evidence), author Marley Harbuck-Gibson, international medium Robyn Marie, radio personality and comedian Scotty Rorek, paranormal mediums Deborah and Nicholas Lantz, John Brightman (founder of New England Paranormal Research), cryptozoologist Joedy Cook and paranormal filmmakers and stars of the SyFy, Chiller and Spooked TV networks, The Booth Brothers. Entertainment will come in the form of bagpiper Wulf, D.J. Tre and a special guest appearance by escape artist and magician Aron Houdini. A celebrity guided tour of all the haunted areas in Bellbrook is also on the itinerary, including the Dart Construction Building (formerly Penewit Hardware), The Shepherd House, Magee Park and others. The Joinery, which was one of the locations that Paravizionz investigated over the summer, was once a stop on the underground railroad. Their investigation revealed a slew of EVPs, which say things from a whispered voice decalring, “I’m right behind you” to the plaintive plea of a woman saying, “Hide me!”

One of the highlights of the tour has to do with one of the oldest legends of the area. Back in the 1800’s, there was an Englishman named James Buckley whose sawmill was located alongside what is now known as the Little Sugar Creek. He became very wealthy from this enterprise and, as is common as seen through the eyes of avarice, envied by many of the townspeople. One morning, his cabin was forced into and he was robbed and then brutally murdered…decapitated, in fact. His body was found, sans head, outside, covered in blood and mud, but the money…along with his head…were, by some accounts, never found. Other versions of this story state that his head was found some distance away and that the robbers never retrieved any of the money because Mr. Buckley had buried it somewhere near the creek. ParaVizionz is going to have a live, televised treasure hunt utilizing a medium to communicate with the long deceased entrepreneur to try and find the place in which the money was buried. Hopefully they find the money…and only the money. Priorities may change somewhat when a spirit is made to choose between earthly wealth and a part of themselves that was most cruelly taken from them…

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We all have had experiences. We have all had that unexplainable feeling of being watched as the hairs on the nape of neck stand up. We have all felt the trickling fear, absolutely feeling alone in the dark tide of one of eternity’s moments. We have all seen the spectral movements of light and shadow that we are unable to explain, but which we rationalize when dawn arises. Regardless of how stalwartly pragmatic we feel that we may be and how we may deride the beliefs of those who embrace the spirit world, there are moments in our lives when our depths of spirit are overtaken by the icy isolation of a nameless dread. We have all had experiences. This is a time to share those experiences and to hear those who have had similar occurrences happen within their lives. This is a time to ask the questions that cannot be answered by religions or sciences. This is a time to reflect on what is beyond this realm.

Paravizionz Bellbrook On Lockdown runs from Friday, October 28th through Sunday, October 30th. There are various tiers of payment for admission, ranging from $30 to $150 for the VIP/Ghost Hunt pass. For more information, check out their website for the event at http://bellbrookonlockdown.webs.com/ and make sure to check out the group’s main website at http://www.paravizionz.net to watch video and hear EVPs from their past investigations.

Filed Under: Arts & Entertainment, The Featured Articles Tagged With: Bellbrook, Booth Brothers, entity, ghost hunt, ghosts, haunted, Houdini, paranormal, Paravizionz, spirit, tour

David Sedaris – Funniest Writer Alive?

October 25, 2011 By Dayton Most Metro Leave a Comment

On Thursday October 27 at 7:30pm, NPR humorist and best-selling author David Sedaris will be sharing his wit and satire with his audience when he appears at the Victoria Theatre as part of Victoria Theatre Association’s Star Attractions Series.  The following is from his bio on his agency website:

With sardonic wit and incisive social critiques, David Sedaris has become one of America’s pre-eminent humor writers. The great skill with which he slices through cultural euphemisms and political correctness proves that Sedaris is a master of satire and one of the most observant writers addressing the human condition today.

David Sedaris is the author Barrel Fever and Holidays on Ice, as well as collections of personal essays, Naked, Me Talk Pretty One Day, Dress Your Family in Corduroy and Denim, and When You Are Engulfed in Flames, each of which became a bestseller. There are a total of seven million copies of his books in print and they have been translated into 25 languages. He was the editor ofChildren Playing Before a Statue of Hercules: An Anthology of Outstanding Stories. Sedaris’s pieces appear regularly in The New Yorker and have twice been included in “The Best American Essays.” His newest book, a collection of fables entitled Squirrel Seeks Chipmunk: A Modest Bestiary (with illustrations by Ian Falconer), was published in September 2010 and immediately hit the NYT Bestseller Fiction List.

He and his sister, Amy Sedaris, have collaborated under the name “The Talent Family” and have written half-a-dozen plays which have been produced at La Mama, Lincoln Center, and The Drama Department in New York City. These plays include Stump the Host, Stitches, One Woman Shoe, which received an Obie Award, Incident at Cobbler’s Knob, and The Book of Liz, which was published in book form by Dramatists Play Service. David Sedaris’s original radio pieces can often be heard on This American Life, distributed nationally by Public Radio International and produced by WBEZ. David Sedaris has been nominated for three Grammy Awards for Best Spoken Word and Best Comedy Album.  His most recent live album is David Sedaris: Live For Your Listening Pleasure (November 2009).

Tickets to the show can be purchased online here or by phone at 937-228-3630 through Ticket Center Stage.  Check out the video below of a piece that CBS did on Sedaris.

[yframe url=’http://www.youtube.com/watch?v=_aVDExDwcpA&feature=fvsr’]

Filed Under: Arts & Entertainment

Film Review – The Way (D)

October 23, 2011 By Dayton Most Metro 1 Comment

Synopsis:

Tom (Martin Sheen) is an American doctor who travels to France following the death of his adult son, Daniel (Emilio Estevez), killed in the Pyrenees during a storm while trekking The Camino de Santiago, also known as The Way of St. James. Tom’s initial purpose is to retrieve his son’s body. However, a combination of grief and homage to his son inspires Tom to journey on this path of pilgrims. While walking The Camino, Tom befriends others from around the world (Yorick Van Wageningen, Deborah Kara Unger, and James Nesbitt) who are also broken and looking for greater meaning in their lives.

Review:

The potentially appealing idea of real-life father & son, Martin Sheen & Emilio Estevez sharing the screen together is undermined by a wealth of trite, new age-y theatrics in this well-intentioned, yet misconceived drama directed by Emilio Estevez. Estevez’s follow-up to the equally dramatically inert 2006’s Bobby follows every trope of the road movie genre as well as the “man without faith learning to believe” subgenre.

Martin Sheen stars as Tom, an ophthalmologist of conservative beliefs whose estranged son Dan played by Emilio Estevez, has been killed while travelling the Camino de Santiago pilgrim route. Sheen gives the role his all, but proves to be no match for the overbearing schmaltz operating throughout the film. However, he does manage to register brief moments of genuine pathos to the character mainly in moments that utilize silence to convey his grief rather than the false sentiments that permeate the majority of the film. An early scene in which Tom visits his deceased son’s body in the morgue makes effective use of sparse dialogue interspersed with cross cutting to Estevez’s character, Daniel on the verge of meeting his tragic end. Tcheky Karyo, far too briefly appears as a French police captain in the aforementioned scene managing to be the sole actor capable of adequately delivering Estevez’s clumsily written lines with his dignity intact. The level of fluidity and competency displayed in Estevez’s direction all but disappears after this scene.

The remainder of The Way devolves at a rapid pace into a slog of walking montages, each one more laborious than the last, occasionally interrupted with scenes of recycled fish out of water humor of the “Oh that silly American” variety & trite philosophizing. Any undercurrents of honesty from the characters are undercut by direction that is at times awkwardly stilted and uneven. Hallmark card worthy pearls of wisdom such as (“You don’t choose a life; you live one”) are frequently dispensed out of our lead characters. The none too subtle homage to the Wizard of Oz (the emotionally hardened feminist-The Tin Man, the self-consciously overweight Dutchman-Cowardly Lion, and the intrusive writer-The Scarecrow) do nothing more than further illustrate how many more complexities those fantastical characters have compared to these flesh and blood characters.

The utter lack of substance offered to the relationship between Sheen and Estevez’s characters is the most disappointing aspect of this drama. Limited to brief flashbacks serving the purpose of delivering lazy exposition are the only moments we share with these two characters. The lone reason the viewer is given to invest in Tom’s plight is that he’s Daniel’s father therefore we as the viewer should automatically feel his pain. The overused motif of Tom seeing the ghost of Daniel offers zero dramatic impact as Daniel’s ghost remains silent at his every appearance. One verbal exchange between these two characters delving into the intricacies of their relationship would’ve made all the difference yet Daniel remains a silent cipher providing all of the dramatic value of a Where’s Waldo picture. The overbearingly precious and sentimental score by Tyler Bates accompanied by hilariously on the nose song cues from artists such as The Shins, Death Cab for Cutie, & Alanis Morissette do an additional disservice in providing any sliver of subtlety.

Fulfilling the role of Tom’s fellow travelers, only Deborah Kara Unger gets any substantive material to work with. However, her role is mired with an abundance of self consciously hardened women dialogue. By the time Unger and Sheen have a heart to heart discussing the abortion of her unborn daughter, eye rolling seemed to be the only viable option to respond to such an obvious tactic to tug at the heartstrings.Van Wageningen and Nesbitt fare even worse, registering as nothing more than broad strokes than fully realized characters with the former being an overweight hash smoker who learns he shouldn’t eat so much and the latter overcoming his writer’s block. The sights of stunning French country sides and cathedrals end up garnering more of dramatic response than the enlightenment any of these characters reach at the end of their journey.

On a positive note, every 30 minutes or so a joke connected eliciting a minor chuckle and Deborah Kara Unger continues to possess an alluring screen presence as she transitions from sex-pot femme fatale roles in films such as David Cronenberg’s Crash and David Fincher’s The Game into more demure roles. Despite Estevez sincerely wearing his heart on his sleeve through every frame of The Way, the film ultimately adds up to nothing more than a ham fisted Lifetime Movie of the Week.

The Way is currently being screening around the country in a grass roots campaign organized by Estevez and will be screening at The Neon beginning Oct. 21st, 2011.

[yframe url=’http://youtu.be/o5VZKWcgw6c’]

Filed Under: On Screen Dayton Reviews

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July 27 @ 9:00 am - 12:00 pm Recurring

Downtown Troy Farmers’ Market

Downtown Troy Farmers' Market will run Saturday mornings 9:00 am to 12:00 pm from June 22nd, 2013 through September 21st,...

9:00 am - 5:00 pm Recurring

Annie Oakley Days Festival

July 27 @ 9:00 am - 5:00 pm Recurring

Annie Oakley Days Festival

A family-friendly festival featuring live entertainment including western arts, cowboy mounted shooting, musical performances and more.

Free
10:00 am - 1:30 pm

Behind the Scenes Brunch Benefitting Halcyon Daze

July 27 @ 10:00 am - 1:30 pm

Behind the Scenes Brunch Benefitting Halcyon Daze

It’s time to go Behind the Scenes!  Be among the first to have a special first look at the latest...

12:00 pm - 6:00 pm Recurring

Homearama 2025

July 27 @ 12:00 pm - 6:00 pm Recurring

Homearama 2025

The Homearama Touring Edition is back- inviting you to a self-guided summer adventure through some of the Miami Valley's most...

Free
1:00 pm - 6:00 pm

Galactic Flats

July 27 @ 1:00 pm - 6:00 pm

Galactic Flats

+ 8 More
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