Stories start at 7:00 PM.
Bring a story and bring a friend. The best story of the night wins $50, 4 free tix for a future slam and a guaranteed spot at the next month’s show.
By Dayton937
By Dayton937
The Dayton Art Institute (DAI) kicks off its 2024 Special Exhibition season by showcasing the work of Aka Pereyma, an American artist of Ukrainian heritage who lived most of her life in Troy, Ohio. The Artistic Life ofAka Pereyma is on view from February 17–May 12, 2024.

“We are thrilled to present the works of an artist who has such a strong connection to the local community,” said DAI Director & President Michael R. Roediger. “Though Pereyma had a larger following internationally, she is truly a cherished name in the region, making this an exciting show for all. Whether you are familiar with her work or discovering it for the first time, this exhibition will be one you are glad you attended.”
Aka Pereyma’s unconventional and visionary art demonstrates a highly personal means of expression, conveying strong ties to her Ukrainian heritage. Pereyma would say, “I think it is my duty to introduce the world to my Ukrainian culture.” Pereyma’s art does precisely that, weaving folk-art traditions with Modern artistic styles.
Recurring themes include Ukrainian folk songs, depictions of birds to represent her love of nature and Adam and Eve (along with leaves and eggs) to symbolize men and women. The works tell stories, often through surreal, densely filled ornamentation.
Pereyma graduated from the School of the Dayton Art Institute with a degree in sculpture and attended the School of the Art Institute of Chicago. Not tied to a single medium, she made paintings, drawings, wood and metal sculptures, needlework, woodblock prints, ceramics and exquisitely intricate designs on pysanky, the traditional Ukrainian eggs. The exhibition brings together works from throughout her career, from the early 1960s to the 21st century.
Celebrating a local artistic legend, this exhibition will highlight Pereyma’s love of color and bold design. “More is more” was a favorite saying of the artist. Guests can expect to find a wide selection of the artist’s work, each with an incredible amount of detail and symbolism, giving a look into the artist’s inspirations and passions
“Aka Pereyma was someone who was always creating,” said DAI Head Curator & Curatorial Affairs Director Jerry N. Smith. “She was known to have multiple workstations in her home, so she could simultaneously work on a painting at one station, and ceramics, welding or woodcarving at another. In this exhibition, you really get the chance to see what interested and fascinated her. Hers was a full and rich life, filled with family, love of heritage and art. It is why the exhibition is titled The Artistic Life of Aka Pereyma.”

Several related programs and educational resources will be offered in conjunction with The Artistic Life of Aka Pereyma exhibition. These include:
Admission to The Artistic Life of Aka Pereyma exhibition is included in the museum’s general admission, which includes access to all Special and Focus Exhibitions currently on view, as well as the museum collection galleries. General admission is $15 adults; $10 seniors (60+), active military and groups (10 or more); $5 students (18+ w/ID) and youth (ages 7–17); and free for children (ages 6 & younger). Admission is free for museum members. Membership information can be found online at www.daytonartinstitute.org/membership.
Other current and upcoming Special and Focus Exhibitions at the museum include Telling Stories: World Literature in Art (on view through May 26, 2024), James Pate, Techno-Cubism: The Art of Line Painting (on view from February 3–April 28, 2024), Hand-Colored Photographs(on view from March 23–September 22, 2024) and Captivating Clay: Contemporary Japanese Ceramics from the Horvitz Collection (on view from April 13–September 29, 2024).
For more information about planning a visit, including current museum hours and updates, go to www.daytonartinstitute.org/visit or call 937-223-4ART (4278). Connect with the Dayton Art Institute on Facebook, X, Instagram, YouTube and Pinterest for additional information, behind-the-scenes photos and videos and exclusive offers.
ABOUT DAYTON ART INSTITUTE
MISSION: Through art, we create transformative and diverse experiences, strengthen community connections and inspire imagination.
VISION: Through art, we are dedicated to collection stewardship, creative engagement and inspirational experiences. With intentional momentum, we nurture inclusion, diversity, equity and accessibility.
By Dayton937
The Dayton Ballet company takes the stage with grace and athleticism for a performance not to be missed!
Set to Tchaikovsky’s romantic score (performed live by the Philharmonic), Septime Webre’s Swan Lake is a perennial favorite, featuring gorgeous sets, beautiful costumes, and dramatic choreography that includes one of the most famous scenes in ballet. Swan Lake tells the doomed love story of Prince Siegfried and Princess Odette, a captivating tale of magic, deception, and heartbreak.
By Dayton937
On Sunday, February 11, 2024 all roads will lead to First Baptist Church in downtown Dayton, Ohio to hear organist Dr. David Crean at 4:00 p.m. perform works by Bach, Sweelinck, Distler, R. Vaughan Williams, and an arrangement by Alec Wyton on a work of Billy Strayhorn called Lotus Blossom. Dr. Crean will also play an arrangement of We Shall Overcome by Carl Heyward.
The organ at First Baptist Church of Dayton is one of the unique hybrid installations in the country as it is a combination Casavant and Aeolian-Skinner pipe organ, and Rodgers electronic organ. Dr. Crean will perform works that will highlight and showcase the many unique capabilities of this fantastic instrument.
The concert is free to the public with free parking next to the church on Monument Avenue. An all-welcome reception will follow in the fellowship hall of the church immediately after the performance. The concert is brought to you FBC members Timothy and Connie Holmen.
Dr. Crean can be heard daily as an announcer of WDPR-88.1 FM Dayton Public Radio. He also serves as an adjunct professor at Wright State University and organist at St. George’s Episcopal Church on Far Hills Avenue in Centerville. He is the newly appointed conductor of the Bach Society of Dayton.
By Dayton937
EXPERIENCE THE MAGIC OF THE FILM WITH A LIVE ORCHESTRA
Relive the film that started it all. Watch the wand choose the wizard, a troll run amok and magic mirrors in high-definition while a live orchestra performs John Williams’ iconic score. Don’t miss this once-in-a-lifetime event as Harry, Ron, Hermione and all your favorite characters return to the screen and enchant the world all over again.
By Dayton937
The Tony Award®-winning musical! Her life. Her story. Her legend. Superstars come and go. Cher is forever. For six straight decades, only one unstoppable force has flat-out dominated popular culture – breaking down barriers, pushing boundaries, and letting nothing and no one stand in her way. THE CHER SHOW is the Tony Award®-winning musical of her story, and it’s packed with so much Cher that it takes three women to play her: the kid starting out, the glam pop star, and the icon. THE CHER SHOW is 35 smash hits, six decades of stardom, two rock-star husbands, a Grammy®, an Oscar®, an Emmy® and enough Tony Award®-winning Bob Mackie gowns to cause a sequin shortage in New York City, all in one unabashedly fabulous new musical that will have you dancing in the aisles!
THE CHER SHOW is a new Broadway musical production created to celebrate the story of Cher’s life featuring fabulous Bob Mackie costumes, energetic performances, and 35 of her greatest hits. The role of Cher is woven together by three performers who depict Cher throughout distinct periods in the superstar’s life. Cher does not appear in the show.
Showtimes
By Dayton937
Come see artists from the Ohio Plein Air Society in action! Artists will be stationed throughout the museum from 9 a.m. – 5 p.m. each day, using the airplanes and artifacts as inspiration for their one-of-a-kind creations.
Don’t be shy! If you are curious about what an artist is doing, and what inspires them – stop and ask! They’d love to share!
*This is not a hands-on opportunity for museum visitors.
By Y. K. Cuts

The cast of (title of show.)
Theater in Dayton continues to provide high quality programming for the area…and TheatreLab‘s (title of show) is one outstanding example. Two of TL’s directors, Phillip Drennen and Mackensie King gave us a look at the show, and what’s driving the new energy that is TheatreLab Dayton!
D9: The town is a-buzz with (tos). Mackensie, what makes this show a must-see in your opinion?
MK: This show is spectacular because it truly feels like watching a group of people write a musical in real time. We rarely get the opportunity to see that side of the creation process. All of the performers are letting themselves into each of the characters and allowing truly sincere moments that will bring you to tears while also having you split your sides open with laughter. The harmonies and vocals are SO tight you will question if you are listening to recordings!
D9: Philip, this show takes place in the TheatreLab space, which I hear is going through some changes. Why do this performance there?
PD: Presenting the show in the TheatreLab space is a perfect way to make this show feel even more immersive and really let the audience into the action. The show is mostly a comedy and the score is very intricate so our performers really had to have the chops to pull it off. The acoustics in the TLD space really highlight the complicated and beautiful harmonies in the show. We are finding new ways to bring people into the TheatreLab space as well. Our recent Holiday Trivia party was a huge hit, too. It’s intimate and it brings a whole new energy! More to come with our space, for sure.

Mackensie King
D9: And Mackensie, what do you feel the TL space affords for a patron?
MK: They can expect a very close-knit performance. We have less than 60 seats and the action happens right in their face! We have a donation bar and snacks available as well.
PD: Right. I feel like this is a launching pad for what people can expect more of from TLD going forward. Evocative and authentic pieces of theater told in an intimate setting. By the end of the show, you will feel like you’re just one of our friends, rooting just as hard to get our show to Broadway!
D9: I know there has been much chatter around TheatreLab’s new vision for their part in the Dayton Area Theater scene. With a ‘grassroots group’ of performers and pals, a new path is being forged! Tell us about that!
PD: Yes, we have some very dedicated folks…a group of volunteers made up of performers and friends that are putting their time and resources into all things TheatreLab! It feels very genuine and heartfelt! So thankful for their energy!
MK: With that, we want to continue to offer intimate and unique staging of unknown shows and familiar shows. We truly want to bring Theatre into Dayton by producing shows in unconventional spaces and partnerships with local companies.
D9: When can folks still catch (title of show?)
PD: [title of show] runs for one more week, Thursday, Jan 24 – Sunday Jan 28, 7:30pm on Wednesday and Thursday, 8p on Friday and Saturday, and 2p on Sunday. Tickets range from $10-25 and our Wednesday performance is pay what you can!
D9: Congratulations to you both….and to the entire cast and crew of (title of show.) Looking forward to more from TheatreLab Dayton!
For More Information Visit:
www.theatrelabdayton.org
By Dayton937
[title of show] is a musical about two nobodies named Hunter and Jeff who decide to write a completely original musical starring themselves and their attractive and talented ladyfriends, Susan and Heidi.
Their musical, [title of show], gets into the New York Musical Theatre Festival, and becomes a hit. Then it gets an off-Broadway production at the Vineyard Theatre, and wins three Obie Awards! Then (drumroll if you’ve got a drum) it’s announced that their musical is going to Broadway (hooray!) and people start seeing this blurb everywhere! They read that The New York Times called [title of show]“DELECTABLE ENTERTAINMENT! A postmodern homage to the grand tradition of backstage musicals like Babes in Arms, Kiss Me, Kate and A Chorus Line.” Fully intrigued, those people snatch up tickets and help make Hunter and Jeff’s life-long dream come true!
By Dayton937
This Pulitzer Prize finalist and Tony-nominated play examines the relationship between two estranged brothers. It is set in the kitchen of their mother’s home in the desert, 40 miles east of Los Angeles. Austin, a screenwriter and achiever, is working on a script he has sold to producer Saul Kimmer. Lee is a demented petty thief who drops in and pitches his own idea for a movie to the producer. Sal then wants Austin to junk his bleak, modern love story and write Lee’s trashy Western tale.
By Dayton937
Dave Chappelle brings laughter, community at new comedy venue
It was a bad night to be Brian Housh, but a good night to be Dave Chappelle.
Yellow Springs’ most famous – or depending on your take on some of his feelings about certain communities and politicians, infamous – resident performed two sold out shows this week at the YS Firehouse. The YS Firehouse is the former Miami Twp. Fire Station on Corry Street, a mere few blocks away from his Chappelle Shop where dedicated fans can (and have) buy the comic’s merchandise in droves.

In much the same manner of his shows during the pandemic, entry into the YS Firehouse came with several rules that can make you feel like you’re entering a secret comedic society. Patrons paying the $90 ticket entry (before fees) were advised to leave all phones, smart devices, purses and anything else that could house a recording device in the car. Yondr bags and a coat check ensured none of the evening’s affair would be transmitted without Chappelle’s OK, the release form notifying all those entering the show would be recorded, however, by Chappelle’s team. Where that footage ends up remains to be seen; what was clear, however, was everyone in attendance was there to see what would transpire.
Chicken wings and french fry baskets were available just outside the venue courtesy of Let’s Eat Food Truck, which, based on constant presence of both inside the showroom, apparently lives up to its motto that it’s “food be slappin’.” It was clear aesthetics were carefully considered in the construction of what looked to be the 200-250 seat venue. As opposed to traditional tables, the inside of the YS Firehouse featured rows of chairs arranged in an elongated “C” shape around the stage, perhaps in honor of the venue’s owner. The natural brick gave the building a fancy lodge feel, the lighting and wood floor working in concert to create exactly what Chappelle wanted: A vibe where all those in attendance felt like they were part of the coolest party in town.
With DJ Fatty Lumpkin spinning classic golden era hip-hop pre-show – it’s hard to imagine another Ohio venue where Grand Puba and Camp Lo receive extended playtime in 2024 – the building was abuzz upon entry. As the clock rolled past 8 p.m., stagehands began taping down cords and cables; a woman brought two stools on stage, one featuring the comedian’s signature pack of cigarettes and an ashtray he would remember he could use later in the show.
Despite all pre-show’s hush-hush nature, Wednesday night’s show didn’t feel anything like a secret society akin to Katt Williams recently alluded to on Shannon Sharpe’s podcast. Chappelle would, however, mention the Ohio native/cornfield show alumni several times throughout the night.
Taking the stage just before or right at 8:30 p.m., Chappelle swiftly maneuvered through a litany of topics hosting the show, doing time before introducing the night’s three other performers. In addition to Williams, topics included Chappelle’s purchase of Yellow Springs property, Donald Trump … And the debut of a Chewbacca-like voice for a specific segment of a community that has voiced displeasure with him. The events leading up to/following the aforementioned Yellow Springs council member’s removal as Village President would bear the brunt of the comic’s vitriol Wednesday night, Chappelle at one point (genuinely?) apologizing for the repeated blows.
It was one of a few moments of the night that makes the comedian so conflicting for some: While the laughs came fast and furiously from the audience, determining the line between what is simply joke fodder and his true feelings about Housh might still be blurred for Chappelle himself. Would anything Chappelle said Wednesday change his critics’ thoughts about him? Probably not. Was it clear to anyone in attendance that he can be a comedic powerhouse in his element? Most definitely.
While some in attendance were clearly hoping for quote-unquote “big” name comics to round out the evening’s bill, those concerns were alleviated as the night played out. DJ Cipha Sounds – who is quick to let you know he’s “very famous in New York” – has clearly dedicated himself to stand-up comedy as much as he did hip-hop during his days on WQHT-FM “Hot 97.” At times, Sounds’ set almost felt like watching a developing version of a young Chappelle himself, especially when re-assuring all the straight white males in attendance he knows they’ve had it rough.
Connecticut native and BET/TV One alumni Marshall Brandon would take the stage next, weaving intricate wordplay with stories about sex, parenting, family and relationships. While Sounds brought a high energy model to the stage, Brandon was much more of a relaxed orator, delivering jokes in a way that felt like Bob Newhart-meets-Franklin Ajaye-with-just-a-touch-of-middle-finger attitude underneath.
Closing out
Wednesday’s show was musical guest Issa Ali, engaging the crowd in traditional block party fashion with two songs, “Levels to This” and “Clap to This.”
The building with the big “C” on its side in the heart of downtown Yellow Springs has now opened for business. Wednesday night’s sold out affair would seem to make a strong case it may be for quite some time.
By Tabari McCoy
WATCH THE TRAILER HERE:
And that’s where she encounters a cast of characters that are going to change her life.
After meeting her new homeroom teacher Ms. Norbury (Tina Fey), Cady is observed by Janis (Auli’I Cravalho) and Damian (Jaquel Spivey), two social outcasts who quickly see she needs a rundown of the law of the land. That means letting her know about the Plastics, a.k.a. queen of the school Regina George (Reneé Rapp) and her two faithful underlings, the clueless Karen Shetty (Avantika) and the smart-yet-still-fearful-of-her Gretchen Wieners (Bebe Wood). None of this would be a problem for Cady if Regina hadn’t also taken an interest in her … And Cady took an interest in Aaron Samuels (Christopher Briney), a.k.a. her ex.
So … What happens when you mix teenagers, insecurity, hormones and life lessons all to the beat of a diverse musical soundtrack? A film that is sure to turn plenty of potentially mean older fans into pleasantly surprised moviegoers …
Fortunately for Jayne and Perez, Jr. – and fans of the original film – Mean Girls 2024 makes for an entertaining film fans old and new will enjoy.
None of this would matter, however, without the performances of the relatively unknown cast. Whereas Rice channels Cady with the same innocence Lindsey Lohan did in the original, Rapp owns pretty much every scene she’s in – while yet being more relatable arguably than Rachel McAdams was in the role in 2004. Wood likewise gives Gretchen considerable spunk and Avantika plays her role with such a wide-eyed aloofness it honors the work her predecessor Amanda Seyfried did and then some.
Cravalho and newcomer Spivey, however, may have the best star turns of the entire affair, each bringing a dynamic (and needed) entertainment aspect to the film. Fey, Tim Meadows (reprising his role as the beleaguered Mr. Duvall) and the other adults are wise to mostly stay out of the way, letting the young people – even though it’s hard to buy in to most of the cast outside of Rice, Cravalho and Avantika being in their teens – shine. Of course, Jayne and Perez, Jr. deserve kudos for their interpolation of TikTok and the modern world into the mix to deliver the best package possible – then again, having Fey on board for this go round likely helps.
Whether you prefer the 2024 version of Mean Girls likely comes down to how much you love the original versus you love musicals. The new one has all the exploration of the insanity that is high school, the humor and utlimately the empowerment that made the original so beloved by so many, plus a few new wrinkles thrown in for good measure. Thus, both are fine, both are entertaining …
And don’t worry, both are worthy of fetch-ing your attention.

Students in Wright State University’s Motion Pictures Program will screen their short nonfiction films at Doc Night on Thursday, Jan. 11, at 7:30 p.m. at The Neon, 130 E. 5th St. in Dayton.
Tickets are $10, and additional donations supporting the Motion Pictures Program will also be accepted.
Doc Night will feature an eclectic mix of provocative, embracing and humorous films exploring young entrepreneurs, the world of industrial marijuana harvesting, a road trip across Ohio exploring roadside attractions, and an Army veteran’s experience as a trumpeter in Vietnam.
A question-and-answer session with the student filmmakers will be held after the screening.
Doc Night will showcase films by Sabian Berdin, Nathanael Blair, Ben Gabriel, Hannah Hall, Barry Kingston, Alex Kuhn, Maddie Pfahler, Jude Powell, Sam Shaffer, Zach Vogt-Lowell, Isaac Warnecke and Sam White.
Doc Night showcases the best short student documentaries from the Documentary Semester of the junior year of the Motion Pictures Program. Students spend the semester learning the art form and producing different types of documentaries. They also learn important skills that help them become future filmmakers.
Many of the documentaries screened at previous Doc Nights have played at film festivals around the country, and past Doc Night filmmakers have gone on to win Emmy and Academy Awards.
This story By Bob Mihalek first appeared on the Wright State Newsroom website.
By Dayton937
An astounding tribute to the beloved music of one of the most successful acts in musical history.
Jen Perkins is a 2023 Artist Opportunity Grantee. The Artist Opportunity Grant is funded by the Montgomery County Arts and Cultural District (MCACD) and administered by Culture Works, the region’s United Arts Fund and Local Arts Agency. Her project sent her to Greece in the spring of 2023 to participate in a relief sculpture workshop. An encaustic artist, Jen blends media to build layers of colors, adding dimension and depth to her interpretations of the world, creating dreamlike landscapes and otherworldly dimensional forms. Encaustic is ancient art form, born in Greece, and Jen felt that traveling to the birthplace of encaustic painting would broaden her knowledge and enhance her creative practice.
Jen spent 10 days in Greece, the majority of which were on the Island of Naxos in the Cycladic Islands where she worked with her collaborator in an intense 10-day workshop marble relief carving. The workshop was documented in photos and videos to be shared in both Naxos and the United States. Maggie Ross, an American ex-pat and a recognized Naxian marble sculptor and instructor, created all the marble relief carvings from drawings created by Jen.
Magge and Jen worked with a master mold maker to create silicon molds from the marble sculptures. The creation of the “mother” silicon mold allowed Jen to create multiple plaster casts of the reliefs. In her studio in Dayton, Jen spent the summer casting multiples of each relief in the studio. Each plaster had to be unmolded and sanded in preparation for painting. The process was photographed for slide presentation and display.

An exhibition of plaster relief works, including photographs of the original marble, will be on display at the Dayton Metro Library Main Branch from January 7 until the end of February. On January 13, Jen and Maggie will simulcast artists’ talks in WebX, with Jen in Dayton and Maggie on Naxos, where she will be hosting an exhibition of the marble relief works with photographs of Jen’s plasters.
Register here: https://dayton.bibliocommons.com/events/653aadc58c62833a00bc18d5
By Dayton937