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RAVE REVIEW! Provocative and Passionate….”Mockingbird” is Magnificent!

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I have to admit, I was fearful of a stage adaptation of Harper Lee’s ‘To Kill A Mockingbird.’ As a teacher who made sure students were aware of rich literature, ‘Mockingbird‘ stands alone. Aaron Sorkin‘s play strikes every chord, and keeps the pace perfectly throughout. It’s raw, it’s uncomfortable and it’s powerful!

From the outset, the stage is deep and dark…invoking the South of the past. Large stage pieces, choreographed in their movements as we glide through the story, bring to mind the expansive porches, imposing courtrooms, and live oaks hanging eerily in the background. The mood is quiet and curious. As the actors make their initial entrance, you recognize the characters….Scout, Tom, Atticus….and each is as you pictured them when you read the novel. Perfectly cast are Richard Thomas (Atticus), who gets a rousing applause as he sets foot on the stage…(Yes, It’s John Boy from the ‘Waltons’)….Melanie Moore (the endearing Scout)….Yaegel Welch (the heartbreaking Tom)….and a crowd favorite Jacqueline Welch (the soul-filled Calpurnia.) There is NOT ONE….I repeat, NOT ONE character that isn’t played to the ‘t’ by this cast. Each as believable as the next.

And it goes beyond sets and actors. ‘Mockingbird‘ is tough….it’s agonizing. Faced with unfairness, prejudice and injustice, the audience has to endure the inevitable. We have to take a look inside ourselves and see who we are, by seeing who they are. Us! From the injured parties…Mayella (Mariah Lee), Link Deas (Greg Wood)…to those attempting to make wrongs right…..Judge Taylor (Jeff Still), Jem Finch (Stephen Cefalu, Jr.)…we see ourselves. Many times….not liking what we see. What this play does is bring us together to realize our world, even today, needs people to say ‘enough!’ It reminds us that when one of us is wronged, all of us are wronged. And REMARKABLY it does it with humor and gentleness.

It’s the audience that becomes that litmus for this production. Gasps, tears, laughs and rousing applause say it all. There is hope in all things. We are reminded that the world we live in can be evil. But through the eyes of our 3 young heroes, we find a way to look to a future of ‘being better.’ It’s not right to ‘Kill a Mockingbird…’ you know the line. But, as you leave this beautifully atmospheric production you get Why! It sticks….and you exit the theatre thinking of how you can make a difference in this unjust world.

SEE THIS SHOW…..IT MATTERS!

Info: Harper Lee’s ‘To Kill A Mockingbird.’

Tickets@ Dayton Live

October 17-22 at The Schuster Center.

 

 

 

 

 

 

Moan Alone at the Actor’s Theatre Fairborn

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Everyone knows that zombies are about one thing and one thing only and that is finding living human beings and eating their brains. But how would zombies pass the time if there were no humans around? Moan Alone is a comedy about four friends who become zombies while they are stuck together in a log cabin during a blizzard, hundreds of miles away from the rest of civilization. Find out what happens next!
Fridays and Saturdays: Doors open at 7pm.

Offensive & Outstanding!! ‘The PRODUCERS’ delivers the laughs.

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TheatreLab is finding it’s footing in the Dayton performance scene…hence the 24 piece band, the largest cast in their history, and a show that demands all of it. This weekend, Friday September 15th and Saturday the 16th, Mel Brooks masterpiece ‘The Producers’ comes to life on the Victoria Theater Stage! Watching the Wednesday ‘dress,’ you can see this cast has worked themselves…into a frenzy!

‘The show is just soooo much fun,’ says Steve Lakes who plays gay costume designer Kevin. ‘It’s timely. With our news today being such a joke, this just seems to fit in….what’s great is it spotlights the problems we face like bigotry, racism and hate….but we get to chuckle at it. It’s a welcome relief!’ The play has long come with a warning…if you are easily offended this may not be for you. ‘It’s a comedy…you have to be able to laugh at what’s happening on the stage. It’s cathartic.’ says Lakes.

TheatreLab Executive Director, Philip Drennen chimes in, ‘It is so great to get to be in a play like ‘The Producers.’ For me, playing in a comedy (which he rarely does), being a straight love interest (which he never is) and sharing the stage with some of my dearest friends (which he has always hoped for.), it’s a dream come true.’ Drennen, who plays Leo Bloom, the hopeful Producer is perfectly matched with Jason Satterly who plays Max Bialystock. Where Drennen is the demure one, Satterly takes the role of the crass and crafty other Producer. The pair has found magic together. ‘I love this role, because it is so challenging.’ Satterly says. He is on stage a good 80% of the show. ‘Bialystock learns a great life lesson in this production. If you let poeple care for you…they will!’ And caring for him, and the entire musical is easy to do.The Producers pushes the envelope for sure. No one is left untouched….it is nicknamed ‘an equal opportunity offender.’ Women, gays, African-Americans, the Jewish Community, the elderly…..Brooks was fair about his ‘unfairness.’  Two of the chorus girls, Robin Shank and Taylor Reister, each have a take on it. Shank put it this way, ‘No one should take themselves so seriously. It’s a blast to laugh!’ For Reister, ‘I have watched this movie since I was little, and it’s iconic to me. The characters are people I have referenced in my own life for years!’

Of course, at its pinnacle, the show resurrects the German Dictator, Adolph Hitler. And that was, from the outset, an outrage. But Brooks adds a magical tongue in cheek approach to the evil Nazi and his gang. Hitler, played in this production, by the hysterical Joshua Stucky, is to be laughed at much more than with. Stucky has a way of performing roles with sarcasm and sass. He is matched up with Joshua Hughes (Carmen) who is scene stealer.

The cast gives its all through tap, song and silliness. The iconic Ulla is played by Abby Kress with spunk and sweetness. Also top of mind is Roger’s group of Gays….David Moyer, Lakes, Scott Winters and Shank are obviously having a ball. What’s more, the songs are just so memorable. ‘That Face,’ ‘When You Got it Flaunt It!‘ and ‘Springtime For Hitler’ made the multi-Tony Award winner a staple for theaters nationwide. The show is directed by Angie Thacker.

Grifters. Politicians. Swindlers. Phonies.  Although it sounds like a headline for today’s news, it all can be found in TheatreLab’s ‘the Producers!’

For tickets and info:

https://www.daytonlive.org/events/the-producers/

 

 

 

 

 

 

 

 

 

 

Dayton’s Beloved Human Race Theatre Provides Much Needed Laughs in ‘Tom Jones!’

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Wells, Brown and Cordes

 

The Human Race Theatre Company is on a mission…to be a resource for laughter with the World Premiere (yes, I said World) of the bawdy and outrageous ‘This is Tom Jones!’ I am again, so fortunate to have the opportunity to talk to some of the folks responsible for this fun, frenzied love story. This time around, I was able to chat with Emily Wells (Director), Mark Brown (The musical’s writer) and Jamie Cordes (one of the stars!)

JS: Thank you all for taking a minute to talk about what looks like a hoot! Mark, can you tell us a bit about the show?

Mark Brown: Of course. It’s a two hour romp…fast-paced, Boy meets Girl story based on Henry Fielding’s work.  It’s chock full of 1960’s British Invasion style music…set in the 1700’s.

JS: Weird?

MB: Yes, but this weird world that’s been created really works…full of hi-jinx and surprises.

Emily Wells: It really does work. There’s romance blended seamlessly into the show as well. It’s beautifully done.

Jamie Cordes: It has such a vibe….its a groovy, hip, fast paced, blast of a time.

JS: Mark, I know your ‘Around the World in 80 Days’ also played at the Race! Are you from somewhere near here?

MB: Actually, I am from New Jersey, but reside in Los Angeles.

Cast of ‘This is Tom Jones!’

JS: Well, I can tell you, you have quite a fan base here with ’80 Days!’ So, this being a World Premiere, have you had to make changes, or work the show differently than you anticipated.

MB: Funny you should ask….yes, putting it together here, there have been 7 revisions, 2 songs have been cut….and I have incorporated 2 scenes from the non-musical version of the show. It really has helped make the show special. I have been so lucky working with Kyle Mangold and Melinda Porto, the whole cast and crew actually. Everyone here is super nice! Truly.

EW: And the cast is only 9 people, yet they tackle 34 characters. And they do it well.

JS: Speaking of the cast, Jamie what attracted you to ‘Jones?’

JC: I am a huge fan of new(er) works in theatre.  I’ve been a part of numerous workshops of new works at The Human Race and The Puzzle in NYC.  When I read the script, I laughed out loud so many times.  I LOVE what Mark Brown has written.  It is Monty Python, Austin Powers and Airplane (the movie) humor set in an 18th century story.  Being involved in this premiere and sharing it with Dayton audiences is exciting.

JS: And the cast and crew include folks from here. Right Emily?x

EW: Yes. Correct. The show has some of our resident artists as well as others who call Dayton home. That has been a goal of ours, involving community in our productions. I believe our show Bar-B-Q was made up of 75% local people. So, we are committed to making that part of the Human Race. It’s important to put dollars into our city and our people.

JS: Great point! I feel like the Human Race is connecting well with the community and ticket-buyers. Do you guys feel that for this season?

JC: The Human Race Theatre continues to entertain and inspire audiences with new(er) works that are thought provoking and explore the human condition.  The stories on this 2023-24 season are diverse in content providing opportunities to see unique, beautiful and humorous theatrical works.

EW: We are reaching out to theater lovers in a time when many people have limited resources. We have special ticket pricing like ‘pay what can’ productions. We want everyone to see the shows. We have many young folks on staff who remind us to keep things accessible for all ages. It’s important because there is a magic in theater, that relationship between audience and artist that can only happen live. And each and every night is a unique one night experience!

Laughs Abound in 'Jones!'JS: And what do you feel audiences can expect from ‘Jones?’ 

MB: It’s one of those plays that has a message that isn’t in your face, or hitting you over the head. The show is total escapism blended with some nonsense and the message is revealed simply. I am hopeful people will laugh for 2 hours…who doesn’t want to do that?!

JC: I can’t express enough the joy This is Tom Jones! has provided.  The cast, creative team, and band are wonderful.  So much laughter in exploring this piece and we can’t wait for audiences to go on the journey with us!

JS: BREAK-A-LEG and again, thank you ALL for giving us a little insight into this show! Emily, continued success for you and your Company! BRAVO!

 

 

‘This is Tom Jones’ Plays September 7 – Septmber 24.

Showtimes :

Tuesdays and Wednesdays 7pm.

Thursdays, Fridays and Saturdays 8pm

Sundays (varied, check times.)

For tickets, visit:

https://www.daytonlive.org/events/this-is-tom-jones/

The Human Race Theatre is at 126 North Main Street, Downtown.

 

 

 

 

 

 

The Theatre Guild Continues to Move the Needle Forward with ‘Radio Golf.’

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Waldron Directs ‘Radio Golf’ at Theatre Guild.

The Dayton Theatre Guild has long been known for its cutting edge productions, and its expert presentation of tough subject matter. August Wilson’s ‘Radio Golf‘ remains firmly in that path! I was lucky enough to catch up with the show’s director, Robert-Wayne Waldron. He gave us the inside scoop to this latest performance.

JS: Rob, so good to see you and to get a minute to chat about ‘Radio Golf.’ And with that, why ‘Radio Golf?’ What stuck out about it that made it seem like the play to do today?

RWW:  I did not choose the show it was chosen by the Dayton Theatre Guild to open its 23-24 season. I was chosen from 3 other directors. I jumped at the chance it’s been a few years since I’ve been at the helm of a show and its August Wilson! Radio Golf is the final play in August Wilson’s Century Cycle of ten plays set in Pittsburgh 1997. It tells the story of Harmond Wilks a real-estate developer  who is running to be the first Black mayor of Pittsburgh. When he confronted with sacrificing the past in order to pursue progress.

JS: The show has such depth and truly looks at gentrification and politics….etc. What do you hope audiences get from this show?

RWW: I hope our audience gain a better understanding of the continuing struggle of the Black community to preserve our history and traditions and embrace progress without sacrificing that past.

JS: Timely for sure. I know the Theatre Guild is known for dynamic ‘straight’ plays (non-musicals). How would you say this show is relevant in our climate today?

RWW: First of all, it’s August Wilson, the poet of theatre’s Black America. This show puts it right out there, the things that are still happening today the destruction of neighborhoods and communities in the name of progress, but for who…. certainly not the people in those communities. That’s because this progress and the improvements are out of the financial reach of the people in these communities.

JS: We literally can look around our area and see the same. Wow! So, for you, what is it in directing that you enjoy?

Cast of ‘Radio Golf.’

RWW: I enjoy the process of get a show to the stage. Expressing my creativity and working with the actors to bring the words of the script to life.

JS: And do you have a personal favorite show you have done in the area?

RWW: I have directed a lot of theatre over the years! If I had to pick one, it would be this one Radio Golf.   It came along at a difficult time in my life, health wise, and it created an outlet for me not to be in my head with my health issue. I’m working with this amazing cast of actors and its been an awesome experience.

JS: Speaking of….who are you cast and crew?

RWW: Director: Robert-Wayne Waldron, Harmond Wilks: S. Francis Livisay, Mame Wilks: Jena Perry, Roosevelt Hicks: Lessley Scott, Sterling Johnson: Andre Tomlinson & Elder Joseph Barlow: Franklin Johnson.

August Wilson’s Radio Golf at DTG.

JS: This sounds like a real success for the Guild….what about ticket info?

RWW: August Wilson’s Radio Golf opens today, August 25th and runs weekends thru Sept 10th At the Dayton Theatre Guild 430 Wayne Avenue!

Tickets can be purchased online at Daytontheatreguild.org.
JS: Break a leg, my friend. And thanks for talking with me!
Make sure and look into all the great theater happening in dayton this weekend and every weekend!
Keep up by revisiting us at Dayton937.com.
Josh is always looking to highlight your next performance!
Reach out so he can get the story out about your upcoming production!

 

It’s Opening Night for 3 Community Theater Shows

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It’s opening night for INNOVAtheatre‘s The Hunchback of Notre Dame
Photos by #eccentricexposurephotography
Dayton Theatre Guild‘s August Wilson’s Radio Golf
Photos by: Rick Flynn Photography
Tickets: ltcplays.com
You don’t want to miss these shows!!!

 

Spotlight on the 937 Community Theatre 2023-2024 Season!

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With all of the community theaters in town we thought we would spotlight their upcoming seasons. This will give you plenty of time to fill your calendars and purchase season tickets. This week I am happy to spotlight Brookville Community Theatre and Troy Civic Theatre.

 

Brookville Community Theatre located at 770 Arlington Rd Brookville, OH 45309 is at the end of their 38th Season. The Neil Simon comedy Plaza Suite, Directed by James Nelson will be performed September 7-17.  Brookville will tie up their season with Stuck At Home, directed by Bonnie Bertelson. You can see this comedy November 9-19, 2023.  Tickets for all shows at Brookville Community Theatre can be purchased here:  https://thebct.org/

 

Troy Civic Theatre, which has been producing shows at The Barn in the park since 1965 will open their 2023-2024 Season with I Hate Hamlet by Paul Rudnick and is to be directed by Erin Gibbons. Performances run September 15-24.

November 10-19,  you can see Lysistrata by Aristophanes, directed by Derek Dunavent. In the midst of an ongoing war between Athens and Sparta, the Athenian Lysistrata calls together an assembly of women from throughout Greece to present her plan for peace. Continuing into 2024, Troy will produce Moon Over the Brewery by Bruce Graham which will be directed by Steve Dietrich. Performances: March 1-10, 2024

Wrapping up their season, Derek Dunavent will direct Godspell by John-Michael Tebelak, with music and lyrics by Stephen Schwartz.  Based on the Gospel of Matthew, Godspell features an eclectic group of people who team up with Jesus to teach his lessons in a new day and time.  Performances of this fan favorite musical will be May 3-12, 2024. You can get tickets for the season at https://troycivictheatre.com.

 

Thank you to all of the Theatres for helping me with information to put this series together. There are many great options for everyone in 2023-2024. I hope you visit some of these theaters and are amazed by the wonder that is Community Theatre.

Spotlight on the 2023-2024 Dayton Theatre Seasons- Part 4

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Continuing our local theatre season spotlight, this week we are featuring Yellow Brick Theater and INNOVAtheatre. 

Yellow Brick Theater founded by Dionne Meyer and Jessi Stark. Their mission is to strengthen the vibrant youth culture of the Greater Dayton area by providing children and their families with theater education, performance experiences, and opportunities for artistic self expression. We accomplish this through teaching classes, workshops, and producing family- friendly performances.

Yellow Brick will produce Mean Girls: High School Edition. Performances will be October 20 & 21. Tickets and more information can be found here.

Just a little outside of the 937, and often featuring Daytonians you’ll find INNOVAtheatre Performances take place at the beautiful Sorg Opera House 63 S Main St, Middletown, OH 45044. INNOVA is a Community Theatre that was founded upon inclusivity and diversity has the following productions to offer us for their 2023-2024 Season. 

Hunchback of Notre Dame, Directed by: Richard Lee Waldeck, Vocal and Orchestral Direction by: Lorri Topping & George Drewyor, and Choreography by: Isadore Karrick performances are August 25 – September 3.

Love to do the time warp? Get ready, the cult classic, Rocky Horror Show Directed by: Richard Lee Waldeck and Musical Direction by: Hayden Floro will run October  20- 29, 2023.

In 2024 INNOVA will bring the musical American Idiot. Green Day’s powerhouse album is brought to life in this electric-rock musical of youthful disillusion.  Performances will be April 19- 28. 

Tickets can be purchased here:

Spotlight on the 2023-2024 Dayton Theatre Seasons- Part 3

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With all of the local theaters in town we thought we would spotlight their upcoming seasons. This will give you plenty of time to fill your calendars and purchase season tickets. Our third installment will spotlight X*ACT and Actor’s Theatre Fairborn. 

Located at 45 East Second Street in Xenia, X*ACT will produce A World of Entertainment for their 2023-2024 season. The have selected a diverse lineup which opens with Nightfall with Edgar Allan Poe, written by Eric Coble and directed by Dee Berdine. Production dates are October 20-22, and 27-29, 2023.  In December (1-10, 2023) Melodee Bass will direct Svetlana’s First Christmas, written by Dwayne Yancy & A Holiday Surprise is promised. 

The new year will bring No Exit, written by Jean Paul Sartre to the X*ACT stage directed by Mike Taint, production dates are March 1-10, 2024. Following No Exit will be the classic Lysistrata, by Aristophanes and directed by T. C. Kimmet. Lysistrata will run April 5-14, 2024. 

In April Lysistrata, directed by T. C. Kimmet, and written by Arsitophanes is a comic account of a woman’s extraordinary mission to end the Peloponnesian War. Production dates are April 5-14, 2024

Ending this season will be World Builders written by Johnna Adams and directed by Julie Hauwiller will be performed May 10- 19, 2024. “…a brilliant script with precise and punctuated dialogue that is as entirely believable as it is bizarre. A fascinating exploration of what it takes to truly love another person, WORLD BUILDERS is profoundly thoughtful, transformative storytelling at its finest.” —BroadwayWorld.com

Tickets and more information can be found here: xeniaact1.org

Jim Harworth has brought Actor’s Theatre Fairborn back to life. Located at 23 N Main Street, this vintage theatre has brought community theatre back to Fairborn and this upcoming shows promises to continue to bring quality entertainment to you. Jim stated that he is glad to be able to have audiences back after Covid, and is very thankful for the support of many local volunteers, like Craig Smith and former owner of the building Don Campbell. He also appreciates all of the support he’s had helping give back to the community. While there isn’t a set season for Actor’s theatre they do have a few shows coming up.

At the end of September the ghoulish comedy Moan Alone, by Mark Aloysous Kennerly, directed by Olivia Simpson will tell the tale of two couples (played by real life married couples) who go off for a Halloween getaway and get caught in a freak snowstorm. Due to unforeseen circumstances, they all slowly become zombies. Performance dates are September 29- October 7, 2023

 

In March of 2024 Craig Smith will direct the Neil Simon comedy Barefoot In The Park, this classic romantic comedy features Paul and Corie Bratter who are newlyweds in every sense of the word. He’s a straight-as-an-arrow lawyer and she’s a free spirit. After a six-day honeymoon, they get a surprise visit from Corie’s mother and decide to play matchmaker with their neighbor, Mr. Velasco. Everything that can go wrong does. Barefoot In The Park will run March 1- 10, 2024.

 

May brings the sentimental favorite On Golden Pond, by Ernest Thompson. Brian Sharp will introduce you to Ethel and Norman Thayer as they return to their summer home of 48 years. “…a rare and memorable theatrical experience…” —Variety. On Golden Pond will take the stage May 10-19, 2024. 

Tickets can be obtained by going here: ​​Actorstheatrefairborn.org

Spotlight on the Dayton Theatre’s 2023-2024 Seasons- Part 1

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With all of the local theaters in town, we thought we would spotlight their upcoming seasons. This will give you plenty of time to fill your calendars and purchase season tickets. This week we are throwing the spotlight on Beavercreek Community Theatre and TheatreLab Dayton. 

We begin with Beavercreek Community Theatre located at The Lofino Senior Adult Enrichment and Cultural Arts Center 3868 Dayton-Xenia Road, Beavercreek, OH 45432.

For the 2023-2024 Season BCT has acquired two musicals and three plays. They will open with Bright Star, which was inspired by a true story, and features a score by Steve Martin (Yes, THAT Steve Martin, and Edie Brickell). It is a story of love and redemption. This production will be directed by Jeff Sams. Bright Star September 1-10, 2023.

The second show will be The Ginger-Bread Lady, by Neil Simon. This dramatic comedy garnered a Tony Award and a Drama Desk award for Maureen Stapleton as Evy Meara. Debra Kent will direct. October 27- November 5, 2023.

January 26 – February 4, 2024 will be Private Lives, written by Noel Coward and directed by Tim Rezash. This Comedy of errors tells the story of a divorced couple that end up honeymooning at the same hotel with their new spouses.  “A brilliant comedy. A very funny play.” – Newsweek 

In the spring, April 19-28, 2024 the play One Man, Two Guvners will take the stage. Directed by Dayton Theatre Hall of Fame member, Doug Lloyd, One Man, Two Guvners written by Richard Bean is a classic comedy of love, heroes, villains and confusion. “If you’re not having a good time at this show, you may be on the wrong medication.” —The Hollywood Reporter. 

Closing their season BCT has chosen the musical The Hello Girls, Music, Lyrics, & Book: Peter C. Mills and Book: Cara Reichel. This musical tells the story of the first women soldiers in World War 1. Directed by Matt Owens this show will run June 21-30, 2024. 

You can purchase season tickets for Beavercreek Community Theatre here: Bctheatre.org

TheatreLab Dayton, formerly Dare 2 Defy (D2D), has made quite the transformation over the last three years. They focus on showcasing the talented performers here in the Dayton area, and strive to create a safe space all while pushing the boundaries of what musical theatre can be. Their 2023-2024 season is called The Art of Making Art.  Every single show in the season is either about making theatre in some way or the art of storytelling.

They will jump in with the musical The Producers, Book by Mel Brooks Thomas Meehan, Music and Lyrics by Mel Brooks. Based on the 1968 Film, The Producers will be presented in the beautiful Victoria Theater September 15 and 16, 2023 and will be directed by TheatreLab’s Angie Thacker. 

 

For Halloween they’ve selected the thriller Misery written by William Goldman and based on the novel by Stephen King, the story begins when a writer is “rescued” by one of his biggest fans, who soon has very strong opinions of his latest novel which leaves the writer writing for his life. This production will go up in October 2023.

[title of show] Music and Lyrics by Jeff Bowen, Book by Hunter Bell is quite literally about writing a new musical. TheatreLab is incredibly passionate about new and unproduced works and this show directly speaks to that cause. “Sly, sassy, inspired.” – Entertainment Weekly. This production will take place in January of 2024. 

The musical Into the Woods, Book byJames Lapine, Music and Lyrics byStephen Sondheim is a classic tale, one that TheatreLab has produced before.  TheatreLab’s Mackenzie King stated,  “It felt right to bring it back this season because we plan to attack it in an entirely new way- really digging into our mission of creating familiar art in a way audiences haven’t seen before.” You will be able to catch this audience favorite in March of 2024. 

Lastly, wrapping up their season will be the musical Once; Book by Enda Walsh, Music and Lyrics by Glen Hansard Markéta Irglová. Based on the Motion Picture Written and Directed by John Carney. This show will beautifully bookend the TheatreLab Dayton’s season in May of 2024. 

You can purchase season tickets for TheatreLab Dayton’s Season here: https://www.theatrelabdayton.org/season-memberships

If You Love Theatre, Dayton Has Plenty Of Options!

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If you are looking for entertainment, the Dayton Theatre scene has you covered.

Beavercreek Community Theatre will open Twelfth Night this weekend. It’s  a funny, funky musical interpretation of a Shakespeare classic romantic comedy about mistaken identity and self discovery.  Directed by Matt Owens, with Musical Direction by Charles Larkowski, this show will run through June 25th.

Over at The Dayton Theatre Guild, the intense drama Hedda Gabbler, Directed by David Shough continues through Sunday, and is not to be missed. Returning from her honeymoon, Hedda finds herself already bored of her husband, and longing for the days when she was free to exercise her wild and independent whims. With the return of an old flame and a proposition from an amorous judge, she begins a dangerous game, amusing herself by manipulating and destroying everyone around her in an attempt to regain control of her life.

 

Brian Sharp brings the touching play, The Interview to the Westminster Dinner Theatre,  which is sold out.

 

Over at The Dayton Playhouse the campy, not for the easily offended Evil Dead, The Musical directed by John Detty takes the stage Friday, June 16 and runs through  Sunday June 25.

Five college students go to an abandoned cabin in the woods, and accidentally unleash an evil force that turns them all into demons. It’s all up to Ash (a housewares employee, turned demon-killing hero), and his trusty chainsaw to save the day. Blood flies. Limbs are dismembered. Demons tell bad jokes…and all to music. This show is rated R.


South of town you’ll find Cyrano de Burger Shack, directed by Jim Brown and Rob Breving at Springboro Community Theatre.

Cyrano is king of the local Burger Shack, but he can’t seem to win the love of his best friend, Roxanne. When Roxanne confesses her crush on the new burger-flipper, Christian, Cyrano decides that playing Cupid is better than sitting out of the game. An updated, modern-day version of Edmond Rostand’s Cyrano de Bergerac, this rollicking musical features hit contemporary pop songs that will have audiences cheering

Sunday In The Park With George at Middletown Lyric Theatre. Sunday in the Park with George, merges past and present into beautiful, poignant truths about life, love and the creation of art. The days leading up to the completion of his most famous painting, A Sunday Afternoon on the Island of La Grande Jatte, Georges Seurat is struggling to make meaningful art and maintaining a relationship with his lover, Dot. Seurat’s artistic ability thrives while his love diminishes. This weekends shows are sold out, but tickets remain for June 23 & 24.

The Human Race continues INDIGO, a world premiere musical making its debut run at The Loft Theatre from June 7-25. Beverly braces for chaos when her mother is diagnosed with dementia and moves in with her and her husband. But when her daughter, a non-speaking autistic teenager, crashes back into her life, Beverly must confront her past mistakes and work to repair the bonds of trust and family. INDIGO is a powerful and heartfelt musical about accepting the mistakes our parents make and challenging ourselves to repair our own.

This powerful and heartfelt musical about breaking through is quickly winning over the hearts of audiences.

Sarcastic, Sweet and Solid: ‘Sordid Lives’ Scores!

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‘In a Small Texas Town.’

From the moment Jacob Sams (Ty) begins to let us in on the ‘small Texas Town’ and all its craziness, you are immersed in a silly, well-paced production of Del Shore’s much beloved ‘Sordid Lives.’ The story, which revolves around an accidental death of the elderly family matriarch, is filled with characters you cannot help but love, no matter how messed up they are! One rule of thumb with ‘Sordid Lives’….if the cast is having fun, YOU are having fun! This cast was LOVING IT!

Jenna Gomes‘ (Bitsy Mae) guitar solos break-up the madness effortlessly. Faith Whitt’s (Sissy) character is instantly relatable. Rick Flynn‘s (G.W.) frustration is palpable. Diane Strohm‘s (Dr. Eve) outrageous behavior is hysterical. AND keep your eye on Becky Milligan Howard‘s Juanita….it’s stealth,  but she’s a riot! The entire cast really needs a shout-out….of the ten audience members in our party, everyone had a favorite character!

The production, at the Beavercreek Community Theater, has it all. The lighting, the sound…the set…STELLAR!

I was lucky enough to interview the show’s director Doug Lloyd. It went something like this!

JS: So Doug…why ‘Sordid Lives?’

DL: I submitted “SORDID LIVES” because it’s a crazy funny show, with a large number of fun roles for actors to have fun with, but at the same time, has a message of acceptance and love, While the family seems to constantly be screaming at each other, they still love each other and are there for each other in time of need.

JS: And, for big ‘Sordid Lives’ fans, the connection to Brother Boy (brought to life on-screen by the late Leslie Jordan) is essential!

DL: Yes. It’s the kind of show I think we need right now, one that shows acceptance and does it with a sense of humor.

Brother Boy (Matthew Smith) and His Therapist! (Strohm)

Lloyd is right about this. With Drag Queen bans, and Anti-LGBTQ sentiment on the rise, this show handles it in stride….and with this cast, with a lot of heart!

JS: What would you say people can expect from this show?

DL: An evening of quality theatre, full of laughs. You may leave with your face a bit sore from smiling and laughing, but you will leave feeling good and knowing you had a great time.

I know my group of 10 did. We all chatted at intermission about how impressed we were (as we ate cookies and drank punch! Perfect!) The show was engaging…and we were anxious for the second act!

JS: I don’t know if people know about your theater experience. Would you mind sharing?

DL: Sure! I have been involved with theatre since I was in the first grade, close to sixty years ago.  I have been involved with BCT for close to 25 years. I am president of BCT and have been on stage or in the director’s chair for countless productions at BCT and other theatre’s in the Dayton area, including Dayton Theatre Guild, Dayton Playhouse, and Town Hall Theatre. I have received numerous ‘Daytony’ Awards and was inducted into the Dayton Theatre Hall Of Fame in 2011.  Besides theatre, I am retired from the City Of Beavercreek, am a potter that works out of and serves on the board at John Bryan Community Pottery in Yellow Springs. I also do stained glass, and am the proud poppa of three rescue dogs. One of which was recently onstage at BCT.

JS: You are BUSY, SIR! So much to be proud of. But what is it about directing that you enjoy?

DL: I love the creative aspect of it.  “Coaching” a group of actors and technical crew to work together and create an enjoyable work of art.  There are so many aspects that need coordinated to come together for the performance. Actors, lights, sounds, set, costumes, props, programs, publicity, ticket sales and more. It literally takes an army of volunteers to put a show together.  It is so rewarding to watch the audience react to the performance after all the hard work by everyone.

Fun Cast!

JS: Well your army nailed it! I know all directors hope audiences take
something from their experience at the show. What do you hope people take from ‘Sordid Lives?’
DL: Bottom line, I hope they walk away having had a great time. That they laughed till they were out of breath, and if they get the message that it’s ok to be different, to be yourself, and if it inspires them to  become more accepting of those that are, That would be wonderful.  If they also learn that BCT presents quality amateur theatre and makes them want to come back to future performances, all the better.
JS: Love that….and I have to say, I will be back! Doug, what is next for BCT? Have they announced the 2023-24 season yet?

DL: The next production at BCT is the musical “TWELFTH NIGHT” a modern twist of the Shakespeare comedy which opens June 16th.

Our 2023-2024 season includes
“BRIGHT STAR” the Steve Martin musical in August
Neil Simon’s “THE GINGERBREAD LADY” in October
Noel Coward’s “PRIVATE LIVES” next January 2024
“ONE MAN TWO GUVNORS” in April 2024
“THE HELLO GIRLS” in June of 2024.
JS: This sounds amazing. Again, congratulations on ‘Sordid Lives.’  For those of you interested in attending, I have been told there is a ‘low ticket alert…’ GRAB YOURS. It’s a good time in that small town in Texas!  THANK YOU DOUG!
DL: Thank YOU!
For more information on ‘Sordid Lives’ or any of BCT’s upcoming shows, go to bctheatre.org

 

Dayton Live 2023/2024 Season: Lions, Tinas and Chers…..OH MY!

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Breath-Taking, Jaw-Dropping, Show-Stopping! Dayton Live put the word out about their upcoming season last night in style. Starting off with a fun scavenger hunt of titles, people were invited to make their way through the catacombs of the Schuster’s back stage, stopping intermittently to ‘guess a show’! For my friend Amy and me, it was fun challenge. Being that we both love Broadway, and are always up for some trivia, we gave it a whirl. I missed one….Amy did as well…..that doggone ‘Grinch’ and his theft of Christmas stumped us…we were sure it was Elf, The Musical! Nonetheless, we scored well with the other 5….and YOU WILL , TOO! What a fun, ambitious, diverse season is in store.

Aaron Sorkin’s take on Harper Lee’s To Kill A Mockingbird kicks off the season. The classic story (which I was lucky enough to see recently) is elegant and paced perfectly. Sorkin is unafraid to keep the conversation uncomfortable and raw. In a world of banned books, this this is timely, important and heart-wrenching! (October 17-22. 2023.))

Seuss’s ‘How the Grinch Stole Christmas‘ comes to full-on life for the holiday season. Being a former elementary teacher means the stakes are high as this classic will be viewed by many a youngster! They will let us know just how much they love….er, hate….the Grinch! (November 14-19. 2023.)

See ‘Hadestown!’ See ‘Hadestown!’ Take my word for it. This is one of those shows that people ask about, wonder about, think about…and I’m reassuring you, it’s a mesmerizing musical. Focused on the tale of Persephone and Hades…retold brilliantly….you will find yourself immersed in this one. (March 12-17. 2024.)

‘Simply the Best’ artist of my lifetime, ‘Tina, the Tina Turner Musical‘ promises great songs, that well-known story and the inside look at how it all melded together. From childhood, to concert queen, this musical is a romp, a rage and a redemption! (April 9-14. 2024.)

Is there any opening moment more exciting than that of ‘The Lion King?‘ That first few minutes…the goosebumps…the humbled crowd….WOW! Beloved by audiences the world over, Disney put together one helluva show, and lucky us, it is back! Still one of the most ingenious recreations of a film ever brought to people live! You can’t go wrong. (May 1- 12. 2024.)

And to round out the fun….one of Dayton’s Favorite on your feet, sing-along sensations….’MAMMA MIA!‘ The songs, buoyed by that ABBA flare, carry us through a plot…at times a bit hard to believe….and into a fun, oft-times silly, love story! The show is/was a smash hit…and it’s light-hearted, upbeat soul continues to satisfy! (June 11-16. 2024.)

Also, of note…..the Forever Diva herself….CHER…and her life are told through ‘The Cher Show!’ Can you imagine over 30 hits, sixty years of performing, multiple awards…the hair….the gowns….the energy that is Cher. What a fun ride this promises to be! Get your tickets quickly for this special add-on which only shows (February 2-4. 2024.)

Always check in with daytonlive.org  as there always seems to be something magical taking place in our great city! This looks to be yet another fantastic season.

 

 

 

‘Human Race’ Spins Familiar Stories for 2023/2024!!

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The Human Race Theatre Company announced their upcoming season Monday night at the Loft Theatre! The theme is ‘Stories in Motion!‘ Marking the event, fans and friends of the HRTC were invited to grab a glass of their favorite beverage (Pinot Grigio for me…), find a seat and prepare to hear about the six shows that will make up their 2023/2024 season. In a fun, right off the bat twist, the audience was made aware that this time around, the stories may seem familiar…but the telling is somehow a surprise! That surprise is one that must be experienced…and how better than at the HRT itself.

Kicking off the season is ‘This is Tom Jones,” (September 7-25, 2023) by Mark Brown. The musical takes us back to the days of mop tops in Great Britain, where scandalous affairs and 60’s songs abound! (Katie Pees gave us a comical look into the show as part of the preview. Always entertaining when Katie’s in the house!)

Number two on the list is Pearl Cleage’s “Angry, Raucous and Shamelessly Gorgeous.” (October 26 – November 13, 2023). The plot centers around an actress seeking a replacement for herself, when an ambitious adult entertainment performer takes on the challenge! What could go wrong??

Next up sounds like another treat….Reindeer Sessions…announced with giant antlers intact…(December 8-23, 2023), written by Eric Ulloa. Get this…Blitzen has anger issues, there’s a broken red nose…and suddenly we are immersed in a different version of the famous Rudolph tale. Obviously, the familiar ride we have taken for years in the traditional holiday song will have a different ring to it!

The fourth story was previewed with a large octopus tentacle, which seemed appropriate when the title was revealed….Shipwrecked! An Entertainment: The Amazing Adventures of Louis de Rougemont as Told by Himself. (February 22-March 10, 2024.) High seas, stories from around the world, large sea animals and fish tales are highlighted in this story by Donald Margulies.

Peerless, by Jiehae Park is up next. This dark comedy plays off of MacBeth and features high school students plotting to get into college. The description brought on many laughs as the options unfolded in this twisted tale. It plays April 25-Mat 12, 2024.

And last, but not least….and believe me the audience was stunned to hear it…is ‘The Kite Runner” (Yes that Kite Runner, the beloved novel by Khaled Hosseini which has been adapted for the stage by Matthew Spangler.) The amazing story of love, forgiveness and redemption comes to life in a joint venture with Dayton Live. WOW…..this one is a must-see! The show plays May 28-June 2, 2024.

The announcement party was pure fun! And the titles were exciting…brought to life in relatable ways by members of the HRTC and their board. Leaving the event, you could feel a great sense of ‘They really put together a season this year.’  Think about it…high school drama, reindeer, Tom Jones and Afghanistan. They have definitely given us stories to hear and witness. Here’s to a great 2023/2025 for the entire Human Race!

All tickets are available through Dayton Live Box Office at 937-228-3630 or DAYTONLIVE.COM.

Multiple Ticket Options available.

Parent’s Day Out is one those of you with children should check out….I don’t have kids, but if I did….what a fantastic IDEA!!

Renewal packages will be available mid-April and new subscriptions can be purchased soon after.

For more information about the upcoming season, click this link: www.humanracetheatre.org

 

 

 

 

 

 

 

‘Gimme, Gimme, Gimme’ an ABBA Sing-Along, DGMC Style!!

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Are you a ‘Super Trouper?’ Come, sing-along!

I was so excited to catch up with Marc Driscoll of Dayton‘s fabulous Gay Men’s Chorus! Word is out about their upcoming sing-along with ‘Mamma Mia‘ the movie. I had to get more information, so we met….and it went something like this!

JS: Marc! So good to see you. So, tell me about your upcoming benefit!

MD: The Dayton Gay Men’s Chorus is having a Benefit….A Mamma Mia Sing Along which  will be held Sunday, April 16 at the Plaza Theatre in Miamisburg (33 South Main Street Miamisburg). Doors will open at 5:00 with the show starting around 6:00. Tickets are $20 a piece and can be purchased through the Dayton Gay Men’s Chorus website: daytongaymenschorus.org

JS: That sounds fun, and fantastic! A Sing-Along can mean different things to different people. Elaborate on what folks can expect!

MD: Oh sure…The night will feature a limited song selection from the Dayton Gay Men’s Chorus leading into the main event. Audience members will view the 2008 film Mamma Mia featuring the hit songs of ABBA. During the movie, lyrics to songs will appear on screen and audience members will be encouraged to sing along with the film. In addition to this there will be “call out” moments during the film to get members engaged in the story.

JS: The great thing is, we all are familiar with ABBA‘s music, so it surely will have people at ease to sing! You boys always have prizes and such at your events. What about this time around?

MD: Before the show and during the intermission audience members will have the opportunity to purchase raffle tickets for gift baskets featuring donations from several local vendors. Audience members can also purchase alcoholic beverages, soda, and snacks similar to any experience at the movie theatre.

JS: Now look sir, the alcohol will really put people at ease to sing! Good thinking!

MD: YES!!! The idea for the night is for folks to let go and have fun singing along with the movie. It is an opportunity to raise money for the Dayton Gay Men’s Chorus, but also to have fun with members of the chorus in the audience.

JS: I was in the chorus for one day…literally…but I realized right away, you gentlemen are pros at this. Which brings me to how smart you are to provide the lyrics….

MD: Oh yeah, for sure. The will appear on screen as the movie is playing… This is similar to the traditional “bouncing ball” or karaoke experience.

JS: And I know it’s a benefit for the chorus. How will the proceeds be used?

One of Dayton’s Treasures!

MD: Money raised will be used for things like purchasing the rights to music, securing performance venues, salaries for support staff etc.

JS: Venues like the Plaza Theater!

MD:  Exactly! The Plaza Theatre in Miamisburg has been beautifully restored and will be an awesome venue to get to experience ABBA.

JS: Should people dress in a certain way, or do their hair ABBA style?

MD: People are encouraged to wear resort wear or tropical wear to help get in the mood of the film.

JS: Super fun! Before I let you go, what else does the DGMC have coming up…I know you have a devoted fan base, for sure!

20 Years of the DGMC…and more to come!

MD: This year we have been celebrating the Dayton Gay Men’s Chorus’ 20th season, and we have been practicing since January to prepare for our Spring show, “Still Gay After All These Years.” This will be held on June 17th at the Dayton Masonic Center at 8:00 PM.  This show will be a review of some of our favorite songs throughout the twenty years. In addition, this show is part of our DGMC Gives Back theme for the year. This means that the June concert will be 100% free!

JS: What a treasure we have in Dayton with you guys!! Congrats on 20 years! I know the sing-along will be a hit! THANK YOU for meeting with me!

MD: THANK YOU!

 

About the DGMC: Founded in 2003, DGMC is committed to continually reaching for excellence in choral music, forging active community partnerships and educating others about the value of diversity. We offer a broad range of musical styles from serious to the sublime—heavy to hysterical. Our members have a dedication to the choral arts and the desire to become part of a singing, gay-affirming community—and, no, you don’t have to be gay to join us!

 

 

 

 

 

Wright State’s ‘On The Town’ Elevates Local Theater!

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WSU’s ‘On the Town’ is Old Broadway Elevated!

Dayton Theater has had a great winter. Name a theater company in the area and you will likely find a good review for their most recent endeavor. Most of those shows were based on contemporary, more recent scripts, Titles that are ‘of the now.’ So imagine how refreshing it was to see a good old-fashioned Broadway Show at the Gem of Musical Theater…WRIGHT STATE UNIVERSITY.

From Sets to Songs, ‘On the Town’ delivers!

I’m not going to lie…when I suggested ‘On The Town‘ to friends and family, there were questions….’You Mean Like The Movie on TMC?’ or  ‘On the Town...the sailor story…wasn’t that Sinatra?’ or ‘Wright State is Doing ‘On the Town?’ That’s an undertaking!’ I assured them, you can trust Joe Deer (Director) and the entire team! This team includes Music Director F. Wade Russo, who leads a 19 piece ‘on-stage’ orchestra! That alone is old-school magic. The show is around 80 years old…yes, 80 years old…but this production is alive and vibrant with choreography by Broadway’s Josh Walden. The dances are at times intricate and mesmerizing, and then, whimsical and bouncy! These kids can DANCE, and Walden obviously trusted their talents! They cover it all. From Ballet to 40’s Swing, the cast captures it.

‘But is it fun?‘ You ask? ‘The Movie was fun!‘ And it is. The sets harken to post war NYC and are a great blend of silly (T-Rex) and sound (the subway scenes.) Joe Deer’s direction allows the actors freedom to be goofy in those tongue-in-cheek moments, and reels in back in when the show returns to romance. It must be said that WSU’s version takes on the entire Leonard Bernstein score…..WOW! WOW! WOW! That’s an undertaking alright! You will recognize many of the songs, and may leave with ‘New York, New York- A Helluva town…the Bronx is up but the Battery’s down…’ repeating in your head.

These kids can dance!

It’s hard to highlight the cast individually as they all take on their role with spirit and enthusiasm. Tanner Gleeson (Gabey) is hard not to watch with his expressive presence and spot-on dancing.  Amy VanDyke (Ivy) pairs well with him as the love interest. Their Coney Island scene garnered applause mid-dance…it was well executed.  The other lead couples Ben Ohnemus (Chip) & Trinity Wolff (Hildy) and John Cuozzo (Ozzie) & Melissa Mataresse (Claire) keep the show moving forward with laughs and lunacy! Kevin Lausche‘s role as Pitkin was an obvious audience favorite as well. Just as enthusiastic are the musicians who handled the extensive score splendidly.

Look, big musicals are not easy to execute. There are so many moving parts, and each domino has to fall just right! And for this cast and crew it worked…beautifully. As I was leaving the theater, a patron said ‘Those students must be exhausted. They never stopped!’ My response…’Let’s hope they never do!’  Whatever magic happened that day, from a script now 8 decades old, with students in their twenties, is what theater should do! Leave you wondering….’How did they do that?’ Bravo WSU….for two and half hours, we were ‘Carried Away!’

Wright State is still the Gem of Musical Theater!

Performances take place April 6 at 7 p.m.; April 7 and 8 at 8 p.m.; April 8 at 2 p.m.

Tickets are $25 for adults, $23 for senior citizens and $15 for students.

Tickets can be purchased online or at the Creative Arts Center box office weekdays between noon and 4 p.m.

The show takes place in the Festival Playhouse.