Dayton937

Things to do in Dayton | Restaurants, Theatre, Music and More

On Stage Dayton

UD and TheatreLab go ‘Into the Woods’ together!

By

TheatreLab continues to do some ‘outside of the box’ things in hopes of catching new theater-goers and launching new relationships. This time around, the company has joined forces with the University of Dayton to take us ‘Into the Woods‘ via the Sondheim Classic. I was lucky enough to get a chance to talk to 2 of the stars of the show….Kyle Channell and Madeline Stern.

JS: First of all, thank you for meeting with me. I know you are so excited to share info about the production!! Tell me what made you interested in being part of ‘Into the Woods?’

KC: Well, I feel like Into the Woods is a rite of passage for every theatre performer. It’s hard not to go for it when a production is being staged. There are so many iconic archetypes and characters throughout, so any chance to get involved is so tempting. TheatreLab Dayton is a name that has been popping up on my radar for a while, so when I heard they were doing ITW and I could make it work with finishing undergrad, I had to go for it.

MS: And for me….I will take any opportunity I get to be in a Sondheim show! My parents work in the theatre industry and had the incredible opportunity to work with Sondheim, so I was exposed to his music at a really young age. His shows have always been part of my life and musical DNA.  I’m so grateful for the way his art has impacted and inspired me as a performer through the different phases of my life.

JS: Wow Madeline, so cool. You both have roles that are intricate and important to the ‘story-telling’ that makes ITW such a beloved story. What resonates with you about your respective roles….Madeline, you first this time!!

MS: (the WITCH) The Witch has such an interesting emotional arc through the show. Her story is about intergenerational trauma and how we’re all just trying to do better than our parents did, and their parents before them. Her mother cursed her with ugliness because the Baker’s Father stole her beans, which was completely outside of her control. Not something a kind and loving mother would do, if you ask me! The Witch tries so desperately to be a better mother than hers was, but ends up holding on to Rapunzel too tightly. She loves her so deeply and tries to do right by her, but continues to make mistakes. It’s just so human to love so deeply and be so flawed. I think we can all see a bit of ourselves in that dynamic.

JS: Ummm, that’s like a spot-on description of the role….take notes folks….Kyle?

KC: The Baker is a complicated, beautifully flawed man. However, what is truly endearing about him is his willingness to change – that is a rare trait in so many men and male characters throughout theatre canon. The complicated relationship between him and his father directly dictates his relationship with fatherhood, so his evolution has been a treat to explore. I’m fortunate to tackle paternal roles frequently, but I have yet to find one I connect with so personally as I do with the Baker.

MS: I love roles that allow me to blend my classical and musical theatre training. I would love to play Amalia in She Loves Me, Dot in Sunday in the Park with George, Francesca in Bridges of Madison County, Rodgers and Hammerstein- basically everything Kelli O’Hara has done.

JS: You two need to write ‘character descriptors’ for script companies.  HA HA! Keeping that in mind, what role are you still wanting to tackle in your career?

KC: Good question. There are so many amazing characters I want to play. I’d love to tackle Vanya, Hamlet, Phil Connors in Groundhog Day, Sweeney Todd, Tony in WSS, etc. The Baker was a big one, but I’m happy I got to tackle it the first time.

MS:I love roles that allow me to blend my classical and musical theatre training. I would love to play Amalia in She Loves Me, Dot in Sunday in the Park with George, Francesca in Bridges of Madison County, Rodgers and Hammerstein- basically everything Kelli O’Hara has done.

JS: OMG….quick story. I met her, didn’t know who she was…it was literally 20 plus years go…and she was in ‘Jekyll and Hyde’ on some tour back then. 10 years later she’s doing ‘South Pacific’ and I’m like, that’s that lady who people said would be famous some day…um….I think she’s been nominated for 8 Tonys..and of course, now the ‘Gilded Age.’ Sorry, I digress…

So when did you know acting was ‘for you?’

MS: My parents love to tell the story of me at about 3 years old, coming out into the living room and singing “Ol’ Man River” from Show Boat in the lowest notes I could possibly squawk out. I knew from the time I could talk that I was going to be a singer.

KC: The theatre bug bites early and hard. My work in the theatre began when I was about 8, and honestly, it’s been an inextricable element of who I am ever since. Whether I would pursue this professionally was never really in question, it’s just a matter of who I am.

JS: You two are a delight to chat with. Thank you both so very much. Anything else you would like to share with our readers?

MS: Well, hmmm, in addition to performing, I teach voice lessons through the Madeline Stern Vocal Studio online. I also love creating content for singers on Instagram and TikTok @SingwithMadeline. Check out if you want to learn more about me!

KC: Feel free to follow me at kyle.channell on Instagram or check out my website at kylechannell.com! I hope you enjoy the show and please keep supporting the theatre scene wherever you are. This is an industry still recovering from COVID so your patronage is what keeps the theatre scene both in Dayton and beyond alive.

JS: Well said Kyle. I am hoping you both ‘break-a-leg’ this weekend and continue to entertain on that stage for a lifetime.

Come see Kyle and Madeline….

  • May 16 – 19, 2024
  • Boll Theatre at the University of Dayton, 300 College Park Avenue, 45469

For more information and tickets to TheatreLab Dayton’s Into the Woods go to http://bit.ly/TLDIntoTheWoods

 

 

 

 

The ‘Lion King’ remains a Creative Masterpiece.

By

 

Simba and fans!

I have always had a love/hate relationship with Disney musicals, but let’s give this one what it is due…..there’s a sense of divinity in this classic. Is it the rhino… the elephant baby, the plethora of herded animals…or what about the ballet of birds, the hideous hyenas….so much to sit and marvel! Disney went all the way in and with the ingenious use of costuming and a fabulous musical score, I kindly tip my safari hat to this one.

Watching the audience was, in itself, a treat. Children with mouths wide open as actors paraded a few times down the aisles. Adults laughing at the jokes keenly written for their pleasure. The ROAR of the crowd when that final curtain comes down, and you ‘feel the love tonight!’

‘Lion King‘ doesn’t sugar-coat the story either…as broadway can sometimes do. The heart-breaking circumstances that lead us through the ‘sibling rivalry’ of Scar and Mufasa; the desperation of needing to find purpose in Simba; and the undying support of Nala….what a VOICE! There are strong players throughout the production. Rafiki, Pumbaa and Timon delight the captive audience. Zazu flies in and out just enough to move the plot forward.

All that aside, take a minute and really watch what’s happening in this cavalcade…..the technology that makes it GOOOOOOO! Look to Scar’s mask, the lionesses’ choreography, the endless puppetry..It’s a GAS, just ask Pumbaa! During the show, a young girl sat directly in front of me. Her excitement was palpable. She believed what was on that stage…it was real. These characters, be they men, women or beast, were at the Schuster Center and they were ALIVE. Their story was important and needed to be heard….and she listened. As we made our way out, her grandmother asked ‘Well, what did you think?’ Her eyes, still large from the sights, ‘I’m so glad he got to be King! He’s a good lion.’

And there it is….in true Disney fashion…a reason to believe  that all is well in the world. At least it is at the Schuster for a few more nights!!!

For more information click here:

The Lion King

 

 

 

 

‘My, Oh My!’ Tina is a Powerhouse!

By

Tina, the Musical, packs so much energy, you’ll be exhausted just watching it. And it’s not all upbeat and bouncy. The show takes us through Tina’s life and times. Nothing is left to the imagination, and at times, you will feel the heartache and heartbreak that Tina Turner endured. From the time the curtain rises, we get a sense that there’s a lot to Tina….and from her early life as Anna Mae Bullock, to her brilliant rise to stardom as a single act, we get to cheer her on.

The perseverance, the passion and the push forward that she models is a good lesson for everyone. For most of us. we know the story…we saw the incredible movie that opened the door on Tina’s struggles and successes. But, as is always the. case, the stage brings an intimacy. You are there. At no other time in the musical is that more apparent then the scene right before intermission. ‘I Don’t Wanna Fight’ plays as Tina sees her way out. So Satisfying.

The musical features all the songs you know and love from Tina’s anthology and Ike’s as well. Most of the songs fit perfectly with the story’s progression (although ‘We Don’t Need Another Hero’ pops in at a strange time.)

It’s really in the final moments of the actual show that you feel the audience sit-up as if to say, ‘There’s Tina!’ Do yourself a favor and hang in there after that curtain falls…you’ll thank me. You will be on your feet!

The cast is superb. Big, bellowing voices, high kicking dancers and acting that is more than run of the mill convincing. You feel it.

There are some magic moments, like  ‘Let’s Stay Together’ and how it was fits in the script, and I really loved ‘River Deep, Mountain High,’ because it was pure, and poppy! OH, and of. course ‘Proud Mary!’ need I say anything about that quintessential favorite.

Faced with an unloving mother, a pompous husband and a world that wasn’t exactly ready for the star that was Tina Turner, the show is so incredibly redeeming, and, for the record, Tina will remain an inspiration to us all!

For More Information….log-on to: https://www.daytonlive.org/venues/schuster-center/

Magnolia Theatre Company Serves Up ‘5 Lesbians Eating a Quiche!’

By

Gina Handy Minyard is ready to share ‘5 Lesbians Eating a Quiche‘ with the Dayton audience….the tale is ‘beautiful,’ ‘uplifting’ and ‘interactive.’ I was so excited to catch up with her to get more about Magnolia Theatre Company‘s latest production!

JS: Hi Gina. Thank you for taking time to chat. about your upcoming production! First, why did you choose this show in particluar?

GM: Hi Josh. Well, MTC loves a theme! The 2023-24 season focuses on joy, love, and belonging.  ‘Five Lesbians Eating a Quiche’ is a perfect way to show these things.  Although the show has a funny title, it really tells a beautiful story about these 5 women and how they work together in good times- a quiche breakfast, and bad times- the threat of an atomic bomb.  We wanted audiences to be able to laugh this year.  Also, we are committed to uplifting underrepresented groups and lesbians are a group that are often missing from the theatrical stage.  We are proud to bring this to Dayton audiences.

JS: True….and it’s something I never really considered. So, what should audiences expect from this production?

GM: This show is interactive!  Audience members will be attending the 1956 Annual Quiche Breakfast.  They become an active participant in our world.  They can expect to be taken back to a simpler time, and they will laugh a lot.  The show was written with an improvisation element, so no two shows will be the same.

JS: Love that! It definitely makes things fresh…for you and for your viewers. I guess, I really am interested in what this show centers around. The title certainly catches your attention!

GM: It’s 1956 and The Susan B. Anthony Society for the Sisters of Gertrude Stein are having their annual quiche breakfast. As the assembled five women await the announcement of the society’s prize-winning quiche, the atomic bomb sirens sound! Has the Communist threat come to pass? How will the women respond as their idyllic town and lifestyle faces attacks?

JS: Ummmmmm….that is not at all where I thought this story was heading. WOW. Intrigued!! Good for the Magnolia Theatre Company for reaching toward such a unique play. (The MTC has quite a history. It was founded in 2012 by Gina Handy Minyard. MTC quickly became one of the most talked about theatres in Pennsylvania. Minyard, a professional actor, had become more aware of the gender disparities in the theatre, and research proved there was a lack of female leadership and opportunities for women. Inspired by change, she decided to start a professional theatre company dedicated to women. The company moved to Dayton, OH in 2014 where the need for professional theatre for women was bigger than ever. MTC joined the ImPACt program at the Victoria Theatre Association. Their first show, Parallel Lives, was produced with 100% local, female talent. MTC has continued in its quest, producing the fundraiser Broadway Beveled, an evening of male songs and monologues gender flipped. Magnolia Theatre Company also started Femme Artisan, a staged reading series dedicated to new and under produced work. In 2022, with the help of the Montgomery County Arts and Cultural District, MTC became a 501(c)3 organization. They have become a producing partner with the University of Dayton’s Theatre, Dance and Performance Technology program for the 2023-24 season and is a new member of Dayton Live’s Community Spotlight Program.)

JS: So, Gina, I know you are directing the show. Who are the 5 cast members?

GM: It’s a great cast. Sarah Gomes, Emma Massey, Skye Hodgkin, Cydnie Hampton, and Vera Allen. Our stage manager is Alyssa Jenkins.

JS: Stellar group. How do people see the show?

GM: It runs April 4,5 and 6 at  7:30 pm.  April 6 and 7  at 2pm. We are performing at  the PNC Arts Annex  56 W. 2nd St. Dayton, OH 45402. The show runs 70-75 min. No intermission.

JS: To you and all the cast, BREAK LEGS!! Thank Gina!

For more info, go to http://www.daytonlive.org/events/five-lesbians-eating-quiche/

 

If you’re heading to ‘HADESTOWN’….’Wait For Me!’

By

 

For those of us who went through mythology classes, we know the story. We know the beginning, the middle, and yes, the END! THAT ENDING! Like most of the Dayton audience, I felt the need to change it up…to make it different….to stop the inevitable….but ‘It’s a sad song, and we’re gonna sing it anyway!’ From the jump, ‘Hadestown‘ dives right into the story. Our focus falls to Orpheus (J Antonio Rodriguez…with a falsetto like no other)  and his love for Eurydice (Amaya Braganza, with her smooth, solid voice). The tale is rough and wrought with issues…hunger, poverty and longing. It grinds…until the frenetic Persephone makes her entrance. The character, one for the mythological ages, is played with an almost gymnastic quality by Lana Gordon. (She will wow you in the second act!) If you recall, Persephone lives half of the year with her hubs Hades (Matthew Patrick Quinn…who adds an emotional quality to his character, which I’ve not seen in previous performances). Their troubled relationship ebbs and flows throughout, delivered with voice and VOICES!

The story moves on the ‘track’, taking us from Eurydice‘s strife of freezing and needing sustenance; through Orpheus‘ idealism and hope to bring Spring along; Persephone‘s time ‘down below’ casting the world into cold and dark; and Hades strict control of his underworld, where lyrics on building walls, and silencing uprisings seem timely, today!

As the train continues forward…barreling into hell, we wish we could stop things…the decisions Eurydice‘s makes for her future; the anger Hades feels for the world he cannot control; the choice of Orpheus to take the ‘test!’ (DON’T DO IT!!). And throughout, there is this emotional current pulling at our heartstrings as we go. (There were tears from many in the audience as fate deals us that ‘blow.’) All the while, we relate. We relate to the themes whispering in our ears….doubt, worry, survival. Those voices brought to life through strong vocals from the Fates ( Marla Louissaint, Hannah Schreer & Lizzie Markson.)

Throughout our show, the onstage musicians take us on a musical ride that truly is dynamic. They are, each and every one, masters of their craft. You almost want a concert featuring…well…just them! And along with them is Hermes (played by the endearing Will Mann). He connects so well, reminding us that this not gonna be easy!

No doubt, the story could drag, but the visuals (the lighting, the special effects), the set (with its nod to New Orleans) and the sounds (especially during the beloved ‘Why we Build The Wall’) keep us enthralled and engaged. It is hard to let your attention wander.

Look, this isn’t your run of the mill Broadway show. It’s obscure, and handles political issues seamlessly. It has songs that are beyond our everyday Broadway experience (‘Doubt Comes In‘, ‘Our Lady of the Underground‘, ‘Hey, Little Songbird‘) It tackles a classic tale with hope for a resolution, and then takes us where we knew were going all along. It’s eerie and odd, beautiful yet broken.

There’s a reason ‘Hadestown‘ can at times be polarizing. Strong feelings on both sides of the aisle. In the words of a friend in attendance ‘I hate unhappy endings.’ To that I say, ‘It’s a sad song, and we’re gonna sing it anyway!’ 

For further information on times and tickets, click below!

https://www.daytonlive.org/events/hadestown/?gad_source=1&gclid=Cj0KCQjwncWvBhD_ARIsAEb2HW8ljCZApo1EYrwidJ44OSIL-nmV5nvo_HqgQhqj3WBzQlcyRhcqsN8aAmS4EALw_wcB

 

 

(title of show) Getting Raves at TheatreLab Dayton!

By

 

The cast of (title of show.)

Theater in Dayton continues to provide high quality programming for the area…and TheatreLab‘s (title of show) is one outstanding example. Two of TL’s directors, Phillip Drennen and Mackensie King gave us a look at the show, and what’s driving the new energy that is TheatreLab Dayton!

D9: The town is a-buzz with (tos). Mackensie, what makes this show a must-see in your opinion?

MK: This show is spectacular because it truly feels like watching a group of people write a musical in real time. We rarely get the opportunity to see that side of the creation process. All of the performers are letting themselves into each of the characters and allowing truly sincere moments that will bring you to tears while also having you split your sides open with laughter. The harmonies and vocals are SO tight you will question if you are listening to recordings!

D9: Philip, this show takes place in the TheatreLab space, which I hear is going through some changes. Why do this performance there?

PD: Presenting the show in the TheatreLab space is a perfect way to make this show feel even more immersive and really let the audience into the action. The show is mostly a comedy and the score is very intricate so our performers really had to have the chops to pull it off. The acoustics in the TLD space really highlight the complicated and beautiful harmonies in the show. We are finding new ways to bring people into the TheatreLab space as well. Our recent Holiday Trivia party was a huge hit, too. It’s intimate and it brings a whole new energy! More to come with our space, for sure.

Mackensie King

D9: And Mackensie, what do you feel the TL space affords for a patron?

MK: They can  expect a very close-knit performance. We have less than 60 seats and the action happens right in their face! We have a donation bar and snacks available as well.

PD: Right. I feel like this is  a launching pad for what people can expect more of from TLD going forward. Evocative and authentic pieces of theater told in an intimate setting. By the end of the show, you will feel like you’re just one of our friends, rooting just as hard to get our show to Broadway!

D9: I know there has been much chatter around TheatreLab’s new vision for their part in the Dayton Area Theater scene. With a ‘grassroots group’ of performers and pals, a new path is being forged! Tell us about that!

PD: Yes, we have some very dedicated folks…a group of volunteers made up of performers and friends that are putting their time and resources into all things TheatreLab!  It feels very genuine and heartfelt! So thankful for their energy!

MK: With that, we want to continue to offer intimate and unique staging of unknown shows and familiar shows. We truly want to bring Theatre into Dayton by producing shows in unconventional spaces and partnerships with local companies.

D9: When can folks still catch (title of show?)

PD: [title of show] runs for one more week, Thursday, Jan 24 – Sunday Jan 28, 7:30pm on Wednesday and Thursday, 8p on Friday and Saturday, and 2p on Sunday. Tickets range from $10-25 and our Wednesday performance is pay what you can!

D9: Congratulations to you both….and to the entire cast and crew of (title of show.) Looking forward to more from TheatreLab Dayton!

For More Information Visit:

www.theatrelabdayton.org

BAN THIS! The RubiGirls ready for the 26th ‘Show Must Go On!’

By

RubiGirls Getting Ready for the BIG SHOW!

There is a lot of talk these days about drag shows…ban them, see them, boycott them, applaud them. In Dayton, none compare to the powerhouse of the RubiGirls’ ‘The Show Must Go On!’ The stage is being set for this tradition, and even in these strange times for drag, the RubiGirls stand united.

Bringing their 26th Annual Holiday Show to Dayton’s Arcade, the RubiGirls look to provide funds for charities here, there and everywhere…and beyond that, educate people on the power of Drag Shows! It’s very easy to stand on the sidelines and decide what is and isn’t good about drag….but when it comes to what drag can do for a community, the Girls have it in the bag!

We were lucky enough to catch up with 3 of the famed ladies  (Minnie Skirt, Alex; Fonda Peters, Tim; and Dana Sintell, Josh)…fresh from rehearsal in their studio.

                    Fonda Peters.

D9: The 3 of you are icons in the RubiGirls. What does ‘The Show Must Go On’ Mean to you?

DS: For me, especially now, it means no matter the obstacles, we have a job to do…drag bans, HIV, COVID…raising funds for groups and folks who need it happens no matter what. We have to move forward…regardless.

MS: Knowing why we call it ‘The Show Must Go On’ is important. Rubi was born at a time of death…the AIDS crisis was taking lives left and right and many were friends of the original four members. When they aligned themselves charitably to see an end to HIV/AIDS, that was a saying that stuck

                Minne Skirt.

D9: It’s been around a long time. Next year is year 40 for you ladies as an organization….to what do you attribute the longevity?

FP: We keep it relevant as well as we aren’t afraid to make fun of ourselves and each other as well as never losing focus on what matters.

MS: Right Fonda….and so much is serious and we just wish to make people laugh! ‘Laughter through tears is my favorite emotion!’ Dolly Parton.

D9: What drag numbers define ‘The Show Must Go On?’

FP:  The one from ‘Rent’ definitely.

DS: Yep, ‘Seasons of Love.’ People sign our banners during that number. Those remain in our Clubhouse forever. We have signatures dating back to ‘To Care is to Cure’ which was the predecessor to the ‘Show Must Go On’….mid-90s.

MS: And ‘The Year in Review’ is an absolute must and is different every year because we poke fun at all the events that have happened. Taj and Dana do a fantastic mocking Entertainment Tonight and every segment is of course based in humor!

                         Dana Sintell.

D9: Your work assisted 70 Non-profits last year. WOW girls…wow! What about this year?

DS: Maybe a few more…like 75 or so. We are having a huge sponsorship year! That helps us help those organizations.

MS: The amazing thing is that while it is work it doesn’t truly feel as if it is. It’s natural to our group to want to continue to add to our portfolio of recipients as long as it aligns with our mission statement and bettering our community.

D9: And your scholarships? After 3 years you got the fund to perpetuity?? Ummmmm, that’s amazing as well.

FP: I believe in the butterfly effect so I am not sure we can ever know what the effect of these scholarships can have on the people’s lives that have received them or the lives of the people that they touch through the education they have received.

MS: We solidified our place even further in the Dayton community as a group who cares about education and the recipients who are part of the queer community.  Showing that kindness love and respect truly paid off. People love that piece.

D9: Next year is 40 years…..and in the anniversary world, that is Ruby!  RUBY! How cool! What will the year hold for all of you!!

MS: Red everywhere darling…RED!!! The fun part of it is being the Ruby Anniversary of Rubi and being in the Gem City the titles of shows is basically written for us. I hope we have a show that rivals all shows, at the Victoria, to sold out fans…a gal can dream. But think of it really…we started in bedsheets and now we are here 40 years later, assisting in raising over 2 million, let’s just pull the machine and keep struttin’.

DS: Minnie, I Love It. And I’m working on the Victoria! I will say, nothing lasts 40 years anymore….so we have to to make this more than just an anniversary….more of an homage to all we have lost, all we gained and ALL WE HAVE to be thankful for. Everyone, gay , straight, bi, trans, Republican must be acutely aware that we are ALL in this together….and 40 years later, much has changed, but much has not!

D9: So true. Proud of all of you, you are great Daytonians! Any parting words?

FP: I just want all the present and past Rubi Girls to know how much of an honor it is and pleasure to be a part of this amazing family.

MS: Ditto.

DS: Yep!!

INFO: tickets at therubigirls.com

The RubiGirls in “The Show Must Go On: A Night To Remember.” 

Saturday, November 25,  at the beautiful Dayton Arcade. Show Starts at 8pm.

Merchandise is available on-site. The show is a RubiGirl show, and is recommended for adults.

You can always SPONSOR the GIRLS at therubigirls.com.

 

 

 

 

Misery Packs a Terrifying PUNCH!

By

Stephen’s King frightening tale of an obsessed fan, MISERY, comes to life this weekend at the PNC Arts Annex. TheatreLab‘s deep dive into the novel looks eerie, and excellent. I was lucky enough to catch up with the show’s director, Allie Haines. She gave me the lowdown, on this blood-curdling ride through the mind of a psychopath….the notorious Annie Wilkes.

JS: Hi Allie….so good to see you. So, tell me this, Why Misery??

AH: Hi Josh…yes, TheatreLab has a history of success presenting shows around the Halloween season and we’ve been wanting to introduce plays into our offerings, so Misery felt like a no brainer. The story feels timeless and relevant with its issues of fame, obsession, and addiction and we wanted to give the audience an immersive, voyeuristic view inside of this nightmare.

JS: It’s a story so many know…and love, especially the film. Are there parallels?

AH: Quite similar, actually! You can expect the same thrilling ride, with our own compelling twists and turns throughout. Complete with sledgehammer!

JS: Yay, the sledgehammer. (For those of you unfamiliar, you will appreciate the loyalty to the story King wrote. Let’s juist say, some of the props are stars as well.) Thinking in terms of stars, there is a lot of talk about this cast. What can you share with us?

AH: These actors. Phew!!! Every night they surprise us, make us laugh, gasp in horror and send chills down our spines. Naman Clark plays a suave and confident Sheriff Buster, Kaleb Smith enters the chat as the sarcastic and endearing famous author Paul Sheldon, and Adelyn Helms embodies our Annie Wilkes with a mastery that’s at once both enchanting and terrifying. They are a truly phenomenal cast that must be seen to be believed, bringing these classic characters to life – for a new generation of Misery devotees.

JS: I’m a devotee. I think about some of those scenes, and find myself rooting for Annie….sick as that is! It’s just got so much energy in the show…all over the place energy. I know people are dying to get tickets….what are the dates/times?

AH: 4. One weekend only! November 2-4th. Link for tickets is right here: https://www.daytonlive.org/events/misery/

JS: There are also rumors about TheatreLab using their own space for upcoming performances. The previews for Misery were a hit….from the sinister elevator ride, to the immersive performances. Whats the story with all of that?

AH:5. Our rehearsal space on Jefferson St really lends itself to performance and experiential opportunities and opening up our final rehearsals of Misery to the public and transforming our space into a version of the show felt like the beginnings of a new direction for TLD. Up next, [title of show] will be playing in our space and our wheels are already turning with ideas for more intimate, immersive, and one of a kind theatrical experiences.

JS: YAY! Smart! Ok, so, with all the word on theaters around the country facing tough times….how can Dayton get involved in TLD. Are there opportunities to support beyond tickets?

AH: We believe live theater and telling these stories on stage cultivates empathy, connection and hope in our beautiful, yet fractured world. Art is essential. We need your support to continue this crucial work, to compensate local artists and spark deep conversations about the human experience. You can get involved in so many ways! Visit our website and contact us if you’d like to volunteer or donate (we accept Venmo, PayPal, and good ol fashioned checks and cash!). You truly are our best advocates! If you come to our show and enjoyed it – spread the word online and to your friends! You make a huge difference in allowing The Lab to continue to INVOLVE, INNOVATE and INSPIRE! Thank you!

JS: Ummmmm…..that was like a practiced speech Alle….but I get it. Best of luck with Misery, and for the season itself. And thank you!

AH: See you at the show….Thanks Josh.

 

 

RAVE REVIEW! Provocative and Passionate….”Mockingbird” is Magnificent!

By

I have to admit, I was fearful of a stage adaptation of Harper Lee’s ‘To Kill A Mockingbird.’ As a teacher who made sure students were aware of rich literature, ‘Mockingbird‘ stands alone. Aaron Sorkin‘s play strikes every chord, and keeps the pace perfectly throughout. It’s raw, it’s uncomfortable and it’s powerful!

From the outset, the stage is deep and dark…invoking the South of the past. Large stage pieces, choreographed in their movements as we glide through the story, bring to mind the expansive porches, imposing courtrooms, and live oaks hanging eerily in the background. The mood is quiet and curious. As the actors make their initial entrance, you recognize the characters….Scout, Tom, Atticus….and each is as you pictured them when you read the novel. Perfectly cast are Richard Thomas (Atticus), who gets a rousing applause as he sets foot on the stage…(Yes, It’s John Boy from the ‘Waltons’)….Melanie Moore (the endearing Scout)….Yaegel Welch (the heartbreaking Tom)….and a crowd favorite Jacqueline Welch (the soul-filled Calpurnia.) There is NOT ONE….I repeat, NOT ONE character that isn’t played to the ‘t’ by this cast. Each as believable as the next.

And it goes beyond sets and actors. ‘Mockingbird‘ is tough….it’s agonizing. Faced with unfairness, prejudice and injustice, the audience has to endure the inevitable. We have to take a look inside ourselves and see who we are, by seeing who they are. Us! From the injured parties…Mayella (Mariah Lee), Link Deas (Greg Wood)…to those attempting to make wrongs right…..Judge Taylor (Jeff Still), Jem Finch (Stephen Cefalu, Jr.)…we see ourselves. Many times….not liking what we see. What this play does is bring us together to realize our world, even today, needs people to say ‘enough!’ It reminds us that when one of us is wronged, all of us are wronged. And REMARKABLY it does it with humor and gentleness.

It’s the audience that becomes that litmus for this production. Gasps, tears, laughs and rousing applause say it all. There is hope in all things. We are reminded that the world we live in can be evil. But through the eyes of our 3 young heroes, we find a way to look to a future of ‘being better.’ It’s not right to ‘Kill a Mockingbird…’ you know the line. But, as you leave this beautifully atmospheric production you get Why! It sticks….and you exit the theatre thinking of how you can make a difference in this unjust world.

SEE THIS SHOW…..IT MATTERS!

Info: Harper Lee’s ‘To Kill A Mockingbird.’

Tickets@ Dayton Live

October 17-22 at The Schuster Center.

 

 

 

 

 

 

Moan Alone at the Actor’s Theatre Fairborn

By

Everyone knows that zombies are about one thing and one thing only and that is finding living human beings and eating their brains. But how would zombies pass the time if there were no humans around? Moan Alone is a comedy about four friends who become zombies while they are stuck together in a log cabin during a blizzard, hundreds of miles away from the rest of civilization. Find out what happens next!
Fridays and Saturdays: Doors open at 7pm.

Offensive & Outstanding!! ‘The PRODUCERS’ delivers the laughs.

By

TheatreLab is finding it’s footing in the Dayton performance scene…hence the 24 piece band, the largest cast in their history, and a show that demands all of it. This weekend, Friday September 15th and Saturday the 16th, Mel Brooks masterpiece ‘The Producers’ comes to life on the Victoria Theater Stage! Watching the Wednesday ‘dress,’ you can see this cast has worked themselves…into a frenzy!

‘The show is just soooo much fun,’ says Steve Lakes who plays gay costume designer Kevin. ‘It’s timely. With our news today being such a joke, this just seems to fit in….what’s great is it spotlights the problems we face like bigotry, racism and hate….but we get to chuckle at it. It’s a welcome relief!’ The play has long come with a warning…if you are easily offended this may not be for you. ‘It’s a comedy…you have to be able to laugh at what’s happening on the stage. It’s cathartic.’ says Lakes.

TheatreLab Executive Director, Philip Drennen chimes in, ‘It is so great to get to be in a play like ‘The Producers.’ For me, playing in a comedy (which he rarely does), being a straight love interest (which he never is) and sharing the stage with some of my dearest friends (which he has always hoped for.), it’s a dream come true.’ Drennen, who plays Leo Bloom, the hopeful Producer is perfectly matched with Jason Satterly who plays Max Bialystock. Where Drennen is the demure one, Satterly takes the role of the crass and crafty other Producer. The pair has found magic together. ‘I love this role, because it is so challenging.’ Satterly says. He is on stage a good 80% of the show. ‘Bialystock learns a great life lesson in this production. If you let poeple care for you…they will!’ And caring for him, and the entire musical is easy to do.The Producers pushes the envelope for sure. No one is left untouched….it is nicknamed ‘an equal opportunity offender.’ Women, gays, African-Americans, the Jewish Community, the elderly…..Brooks was fair about his ‘unfairness.’  Two of the chorus girls, Robin Shank and Taylor Reister, each have a take on it. Shank put it this way, ‘No one should take themselves so seriously. It’s a blast to laugh!’ For Reister, ‘I have watched this movie since I was little, and it’s iconic to me. The characters are people I have referenced in my own life for years!’

Of course, at its pinnacle, the show resurrects the German Dictator, Adolph Hitler. And that was, from the outset, an outrage. But Brooks adds a magical tongue in cheek approach to the evil Nazi and his gang. Hitler, played in this production, by the hysterical Joshua Stucky, is to be laughed at much more than with. Stucky has a way of performing roles with sarcasm and sass. He is matched up with Joshua Hughes (Carmen) who is scene stealer.

The cast gives its all through tap, song and silliness. The iconic Ulla is played by Abby Kress with spunk and sweetness. Also top of mind is Roger’s group of Gays….David Moyer, Lakes, Scott Winters and Shank are obviously having a ball. What’s more, the songs are just so memorable. ‘That Face,’ ‘When You Got it Flaunt It!‘ and ‘Springtime For Hitler’ made the multi-Tony Award winner a staple for theaters nationwide. The show is directed by Angie Thacker.

Grifters. Politicians. Swindlers. Phonies.  Although it sounds like a headline for today’s news, it all can be found in TheatreLab’s ‘the Producers!’

For tickets and info:

https://www.daytonlive.org/events/the-producers/

 

 

 

 

 

 

 

 

 

 

Dayton’s Beloved Human Race Theatre Provides Much Needed Laughs in ‘Tom Jones!’

By

Wells, Brown and Cordes

 

The Human Race Theatre Company is on a mission…to be a resource for laughter with the World Premiere (yes, I said World) of the bawdy and outrageous ‘This is Tom Jones!’ I am again, so fortunate to have the opportunity to talk to some of the folks responsible for this fun, frenzied love story. This time around, I was able to chat with Emily Wells (Director), Mark Brown (The musical’s writer) and Jamie Cordes (one of the stars!)

JS: Thank you all for taking a minute to talk about what looks like a hoot! Mark, can you tell us a bit about the show?

Mark Brown: Of course. It’s a two hour romp…fast-paced, Boy meets Girl story based on Henry Fielding’s work.  It’s chock full of 1960’s British Invasion style music…set in the 1700’s.

JS: Weird?

MB: Yes, but this weird world that’s been created really works…full of hi-jinx and surprises.

Emily Wells: It really does work. There’s romance blended seamlessly into the show as well. It’s beautifully done.

Jamie Cordes: It has such a vibe….its a groovy, hip, fast paced, blast of a time.

JS: Mark, I know your ‘Around the World in 80 Days’ also played at the Race! Are you from somewhere near here?

MB: Actually, I am from New Jersey, but reside in Los Angeles.

Cast of ‘This is Tom Jones!’

JS: Well, I can tell you, you have quite a fan base here with ’80 Days!’ So, this being a World Premiere, have you had to make changes, or work the show differently than you anticipated.

MB: Funny you should ask….yes, putting it together here, there have been 7 revisions, 2 songs have been cut….and I have incorporated 2 scenes from the non-musical version of the show. It really has helped make the show special. I have been so lucky working with Kyle Mangold and Melinda Porto, the whole cast and crew actually. Everyone here is super nice! Truly.

EW: And the cast is only 9 people, yet they tackle 34 characters. And they do it well.

JS: Speaking of the cast, Jamie what attracted you to ‘Jones?’

JC: I am a huge fan of new(er) works in theatre.  I’ve been a part of numerous workshops of new works at The Human Race and The Puzzle in NYC.  When I read the script, I laughed out loud so many times.  I LOVE what Mark Brown has written.  It is Monty Python, Austin Powers and Airplane (the movie) humor set in an 18th century story.  Being involved in this premiere and sharing it with Dayton audiences is exciting.

JS: And the cast and crew include folks from here. Right Emily?x

EW: Yes. Correct. The show has some of our resident artists as well as others who call Dayton home. That has been a goal of ours, involving community in our productions. I believe our show Bar-B-Q was made up of 75% local people. So, we are committed to making that part of the Human Race. It’s important to put dollars into our city and our people.

JS: Great point! I feel like the Human Race is connecting well with the community and ticket-buyers. Do you guys feel that for this season?

JC: The Human Race Theatre continues to entertain and inspire audiences with new(er) works that are thought provoking and explore the human condition.  The stories on this 2023-24 season are diverse in content providing opportunities to see unique, beautiful and humorous theatrical works.

EW: We are reaching out to theater lovers in a time when many people have limited resources. We have special ticket pricing like ‘pay what can’ productions. We want everyone to see the shows. We have many young folks on staff who remind us to keep things accessible for all ages. It’s important because there is a magic in theater, that relationship between audience and artist that can only happen live. And each and every night is a unique one night experience!

Laughs Abound in 'Jones!'JS: And what do you feel audiences can expect from ‘Jones?’ 

MB: It’s one of those plays that has a message that isn’t in your face, or hitting you over the head. The show is total escapism blended with some nonsense and the message is revealed simply. I am hopeful people will laugh for 2 hours…who doesn’t want to do that?!

JC: I can’t express enough the joy This is Tom Jones! has provided.  The cast, creative team, and band are wonderful.  So much laughter in exploring this piece and we can’t wait for audiences to go on the journey with us!

JS: BREAK-A-LEG and again, thank you ALL for giving us a little insight into this show! Emily, continued success for you and your Company! BRAVO!

 

 

‘This is Tom Jones’ Plays September 7 – Septmber 24.

Showtimes :

Tuesdays and Wednesdays 7pm.

Thursdays, Fridays and Saturdays 8pm

Sundays (varied, check times.)

For tickets, visit:

https://www.daytonlive.org/events/this-is-tom-jones/

The Human Race Theatre is at 126 North Main Street, Downtown.

 

 

 

 

 

 

The Theatre Guild Continues to Move the Needle Forward with ‘Radio Golf.’

By

Waldron Directs ‘Radio Golf’ at Theatre Guild.

The Dayton Theatre Guild has long been known for its cutting edge productions, and its expert presentation of tough subject matter. August Wilson’s ‘Radio Golf‘ remains firmly in that path! I was lucky enough to catch up with the show’s director, Robert-Wayne Waldron. He gave us the inside scoop to this latest performance.

JS: Rob, so good to see you and to get a minute to chat about ‘Radio Golf.’ And with that, why ‘Radio Golf?’ What stuck out about it that made it seem like the play to do today?

RWW:  I did not choose the show it was chosen by the Dayton Theatre Guild to open its 23-24 season. I was chosen from 3 other directors. I jumped at the chance it’s been a few years since I’ve been at the helm of a show and its August Wilson! Radio Golf is the final play in August Wilson’s Century Cycle of ten plays set in Pittsburgh 1997. It tells the story of Harmond Wilks a real-estate developer  who is running to be the first Black mayor of Pittsburgh. When he confronted with sacrificing the past in order to pursue progress.

JS: The show has such depth and truly looks at gentrification and politics….etc. What do you hope audiences get from this show?

RWW: I hope our audience gain a better understanding of the continuing struggle of the Black community to preserve our history and traditions and embrace progress without sacrificing that past.

JS: Timely for sure. I know the Theatre Guild is known for dynamic ‘straight’ plays (non-musicals). How would you say this show is relevant in our climate today?

RWW: First of all, it’s August Wilson, the poet of theatre’s Black America. This show puts it right out there, the things that are still happening today the destruction of neighborhoods and communities in the name of progress, but for who…. certainly not the people in those communities. That’s because this progress and the improvements are out of the financial reach of the people in these communities.

JS: We literally can look around our area and see the same. Wow! So, for you, what is it in directing that you enjoy?

Cast of ‘Radio Golf.’

RWW: I enjoy the process of get a show to the stage. Expressing my creativity and working with the actors to bring the words of the script to life.

JS: And do you have a personal favorite show you have done in the area?

RWW: I have directed a lot of theatre over the years! If I had to pick one, it would be this one Radio Golf.   It came along at a difficult time in my life, health wise, and it created an outlet for me not to be in my head with my health issue. I’m working with this amazing cast of actors and its been an awesome experience.

JS: Speaking of….who are you cast and crew?

RWW: Director: Robert-Wayne Waldron, Harmond Wilks: S. Francis Livisay, Mame Wilks: Jena Perry, Roosevelt Hicks: Lessley Scott, Sterling Johnson: Andre Tomlinson & Elder Joseph Barlow: Franklin Johnson.

August Wilson’s Radio Golf at DTG.

JS: This sounds like a real success for the Guild….what about ticket info?

RWW: August Wilson’s Radio Golf opens today, August 25th and runs weekends thru Sept 10th At the Dayton Theatre Guild 430 Wayne Avenue!

Tickets can be purchased online at Daytontheatreguild.org.
JS: Break a leg, my friend. And thanks for talking with me!
Make sure and look into all the great theater happening in dayton this weekend and every weekend!
Keep up by revisiting us at Dayton937.com.
Josh is always looking to highlight your next performance!
Reach out so he can get the story out about your upcoming production!

 

It’s Opening Night for 3 Community Theater Shows

By

It’s opening night for INNOVAtheatre‘s The Hunchback of Notre Dame
Photos by #eccentricexposurephotography
Dayton Theatre Guild‘s August Wilson’s Radio Golf
Photos by: Rick Flynn Photography
Tickets: ltcplays.com
You don’t want to miss these shows!!!

 

Spotlight on the 937 Community Theatre 2023-2024 Season!

By

With all of the community theaters in town we thought we would spotlight their upcoming seasons. This will give you plenty of time to fill your calendars and purchase season tickets. This week I am happy to spotlight Brookville Community Theatre and Troy Civic Theatre.

 

Brookville Community Theatre located at 770 Arlington Rd Brookville, OH 45309 is at the end of their 38th Season. The Neil Simon comedy Plaza Suite, Directed by James Nelson will be performed September 7-17.  Brookville will tie up their season with Stuck At Home, directed by Bonnie Bertelson. You can see this comedy November 9-19, 2023.  Tickets for all shows at Brookville Community Theatre can be purchased here:  https://thebct.org/

 

Troy Civic Theatre, which has been producing shows at The Barn in the park since 1965 will open their 2023-2024 Season with I Hate Hamlet by Paul Rudnick and is to be directed by Erin Gibbons. Performances run September 15-24.

November 10-19,  you can see Lysistrata by Aristophanes, directed by Derek Dunavent. In the midst of an ongoing war between Athens and Sparta, the Athenian Lysistrata calls together an assembly of women from throughout Greece to present her plan for peace. Continuing into 2024, Troy will produce Moon Over the Brewery by Bruce Graham which will be directed by Steve Dietrich. Performances: March 1-10, 2024

Wrapping up their season, Derek Dunavent will direct Godspell by John-Michael Tebelak, with music and lyrics by Stephen Schwartz.  Based on the Gospel of Matthew, Godspell features an eclectic group of people who team up with Jesus to teach his lessons in a new day and time.  Performances of this fan favorite musical will be May 3-12, 2024. You can get tickets for the season at https://troycivictheatre.com.

 

Thank you to all of the Theatres for helping me with information to put this series together. There are many great options for everyone in 2023-2024. I hope you visit some of these theaters and are amazed by the wonder that is Community Theatre.

Spotlight on the 2023-2024 Dayton Theatre Seasons- Part 4

By

Continuing our local theatre season spotlight, this week we are featuring Yellow Brick Theater and INNOVAtheatre. 

Yellow Brick Theater founded by Dionne Meyer and Jessi Stark. Their mission is to strengthen the vibrant youth culture of the Greater Dayton area by providing children and their families with theater education, performance experiences, and opportunities for artistic self expression. We accomplish this through teaching classes, workshops, and producing family- friendly performances.

Yellow Brick will produce Mean Girls: High School Edition. Performances will be October 20 & 21. Tickets and more information can be found here.

Just a little outside of the 937, and often featuring Daytonians you’ll find INNOVAtheatre Performances take place at the beautiful Sorg Opera House 63 S Main St, Middletown, OH 45044. INNOVA is a Community Theatre that was founded upon inclusivity and diversity has the following productions to offer us for their 2023-2024 Season. 

Hunchback of Notre Dame, Directed by: Richard Lee Waldeck, Vocal and Orchestral Direction by: Lorri Topping & George Drewyor, and Choreography by: Isadore Karrick performances are August 25 – September 3.

Love to do the time warp? Get ready, the cult classic, Rocky Horror Show Directed by: Richard Lee Waldeck and Musical Direction by: Hayden Floro will run October  20- 29, 2023.

In 2024 INNOVA will bring the musical American Idiot. Green Day’s powerhouse album is brought to life in this electric-rock musical of youthful disillusion.  Performances will be April 19- 28. 

Tickets can be purchased here: