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A Rising Star in a Stellar Show!

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A Distinct Society, by Kareem Fahmy begins in the tranquil hush of a library that straddles the U.S. – Canada border, where life is about to change. Much the same could be said for Cooper Schairbaum, the youngest in the cast who is receiving rave reviews for his performance in the show. Schairbaum plays Declan Sheehan in the play directed by Brant Russell at the Human Race Theatre Company.

I was thrilled to get to chat with the rising star about his love of acting and any future productions.

937: Hi Cooper. I understand you are a local high schooler…right?

CS:  Yes. I am junior at Oakwood High School.

937: And….I heard you have some acting experience under your belt? What shows may have the readers perhaps seen you previously perform?

CS: I have played Billy in On Golden Pond, Sky in Mamma Mia, Jack in Into the Woods, and Windward and Cop in the Muse Machine’s The Little Mermaid and 9 to 5.

937: WOW! You have been bitten by the theater bug!! Where did this all start for you?

CS: My first show was The Addams Family in fourth grade, and I guess it all started from my mom who did theater in college and still loves it, so she really motivated me to participate in theater.

937: Well it is one of the few things you can do from cradle to grave. So, thank mom for getting you into something that can last a lifetime! What can you tell us about the show?

CS: It is inspired by true events. It focuses on all the things that can, in some cases, divide us…or unite us. It has a lot to do with connection…and how life can change.

937: And, people are really enjoying it. So, in doing this and other shows, does it make you want to continue with acting in your future?

CS: It really made me believe that theater in the future is a viable option for me but throughout this whole process I have realized that this is so demanding and I don’t think this is for me after high school.

937: Amen brother, it is hard work…but, keep that door open! Do you have advice for others looking to do community theater?

CS: Do it. You will always meet new friends that care about you. They will be friends to you for the rest of your life.

937: Congratulations Cooper. Bravo!

You can catch A Distinct Society at the Human Race 2/11-2/17. Shows Tuesday – Saturday at 7:30pm and Sunday at 2:00pm.

More info at https://humanracetheatre.org/

 

Timely ‘Avenue Q’ lights up Dayton Playhouse!

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The best part of any job is getting to meet new people! I was so excited to get to learn about the director of Avenue Q at DPH, Ray Gambrel.

937: Thank you for taking time to tell us about a musical we all know, love and BOY is it timely! But first….let’s hear about you! I know we would all love to know a little bit about your theater life!

RG: Thank you for this opportunity! Actually, in Jr. High I saw our High School production of, Annie Get Your Gun. I loved it! I rushed to the library and got the original Broadway cast recording on vinyl and listened to it over and over. I was hooked! I went to Sinclair Community College and studied Theater-Performance. I quickly realized that acting may not be the best fit for me, so I took a Directing class taught by Marsha Hanna. She became my idol. I had the wonderful opportunity to help stage manage a production at Sinclair, and I really got to see her work. She really became my inspiration and I think about her every time that I direct. I then got involved with, at the time, Playhouse South (now Springboro Community Theatre), both, as an actor, and as a director.

937: I love Annie get Your Gun…hokey as it is. And actually Marsha inspired MANY of us! How did you make the DPH connection?

RG:I got involved with Dayton Playhouse years ago through FutureFest (as a director). FutureFest is such a wonderful theater experience, and have been lucky enough to direct several shows for the event. My first production for Dayton Playhouse outside of the Fest was last year’s play, The One Act Play That Goes Wrong. It was a great experience.
937: FutureFest is a treasure! So, why Avenue Q?
RG: First of all, I grew up, like many others, watching Sesame Street and The Muppet Show (as well as the movies). I’ve also always been fascinated by puppets. How they seem to just come to life. I used to direct little puppet shows for my friends and family. God love them for putting up with some of that. Avenue Q just had that great puppet aspect, with wonderfully catchy songs. And the story is hilarious, with a bit of heart. The “adult material” aspect also caught my eye.
937: It is such a ‘hoot!’ So, with this production, what can the audience expect?
RG: First, you will see a wonderful set, designed by Sean Mayo that looks like a rundown version of Sesame Street. That gives you a hint of what you could be in for. There are many puppets among a cast of 3 humans, so you’ve got a bit of fun stuff going on with that. Our Music Director, Lori Topping, is amazing and has truly added so much to this production. The band that she has brought together sounds phenomenal Just the best. And then you throw in the adult humor (that may shock you and make you blush for laughing at it). I wouldn’t recommend to those that are easily offended. This is for an adult audience.
937: A little insight Ray, most of my readers are not easily offended! HA HA!! And with that said, what a timely musical! Do you feel people are in need of more of this kind of comedy?
RG: Yes. We definitely need this kind of show to laugh at, and also to make us think. Especially in a time where there are many people that are upset and scared with everything going on in this country, and the world. It’s not the best of times, but this show can help you take a moment and relax. You’ll laugh a lot, maybe even shed a tear or two. Underneath all of the adult, sometimes crude humor, this is a show with heart.
937: And, what are you hoping the audience walks away with after the show?
RG: I hope that audiences walk out of the theater feeling not only happy, and that they had a great time, but that they also have more hope. That maybe there is a chance that with all of our differences, we can still come together as a community and support each other. I know that’s what I hope for. I I think that it’s there in this show.
937: Love that! And so, so hopeful that we can find common ground in this world. Any last thoughts for us Ray?
RG:  The entire cast and crew have worked so hard on this production. Many cast members spent hours helping to build and paint the set. Many of the actors came up with some wonderful ideas that really added to the show. One cast member, Emily Christine, even stepped up and choreographed many of the numbers (which is awesome by the way). The cast, like many shows, really pulled together and became a family. They truly care about this show, and each other. And I do believe that you will see all of this come through in their performances.
937: Thank you so much, again. I know, I know folks, cue jingle…. ‘Can You Tell Me How to Get, How to Get to Avenue Q?’ Details Below. Break a leg DPH….wait do puppets have legs?
Avenue Q (R)
Friday and Saturday Shows at 8pm, Sundays 2pm.

Dayton’s Fastest Growing Podcast ‘DDQ’ Gets Pick-Up for Year 2!

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Dayton is known for its love of the arts and its dedication to theater. Thanks to the podcast ‘Dayton Drama Queens’ we get to go behind the scenes and meet those folks that make these iconic entertainment venues tick. In it’s first year the podcast featured: Jonathan McNeal-the Neon Movies; Brent Johnson-The RubiGirls; Darren Brown-traveling ‘Rocky Horror Picture Show‘; Philip Drennen-Off Broadway, ‘Big Gay Jamobree’; Shaun Yu-Classical Dayton; Kathleen Clawson-Dayton Opera; Mike Griest-DAI; Dan Zehringer-WSU Arts and Music; David Moyer and Mackensie King-TheatreLab Dayton; and Kappy Kilburn and Emily Wells-Human Race Theater Company. Check out this sizzle reel from Season 1.

The podcast, which is available on Spotify, iHeart, Apple and Amazon, has gained in popularity over the last few months and is now coming out with new episodes weekly.  The podcast also has a video component when viewed on YouTube. ‘DDQ’ is hosted by Joshua Stucky and Philip Drennen and is filmed at the Mitosis Studio on Jefferson in downtown Dayton.

With another season, which begins filming in January 2025, the hosts are looking to extend their reach in the Dayton area, bringing to light more amazing arts in the Miami Valley. ‘You’ll be amazed what we are finding in the area. Kids’ theater, choruses, banjo groups….you name it! Dayton has it. We want to highlight it!’ Highlights from Season One :

The podcast had a rocky start. Just as they got the ok to begin production, Drennen was off to NYC to kick-off his show ‘BGJ.’ Stucky was left to host the first few episodes alone, but Drennen helped complete the season. If all goes well, the ‘DDQ’ group hope to start doing some live remotes throughout the year at local events.

If you know of a group or individual that would like to be part on the podcast’s success, you can always contact the hosts at [email protected].

 

TheatreLab’s Popular ‘Merry QUIZMas’ Trivia and SingAlong returns!!

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HO, HO, HO!

How many reindeer paws landed on the roof if all the deer showed up at your house? What is Cindy Who’s middle name? What is the longitude and latitude of the North Pole? Phew!!! You know them all??? Prizes await at the return of TheatreLab Dayton’s ‘Merry Quizmas 2.0!’ The popular sing-along and trivia night is set and ready to go, Tuesday Evening, Dec 17,  6:00 PM – 8:00 PM!!

The night promises to be a fun one, as music fills the air, cookies fill your bellies and a trivia fills your brain! ‘We had such a positive response last year, we knew we had to bring this back.  Similar to last time, we will have our little spread of food, hot chocolate and cookies, and of course, the space will be decorated in a fun and fanciful theme! If you like libations, yep, they will be there as well!’ says David Moyer, who can’t wait for the evening. ‘People love to sing holiday songs and get into the spirit!’

The event features Philip Drennen, TheatreLab’s Executive Director and Josh Stucky, Dayton’s Trivia Queen at the microphones. It is never a dull moment! Brennan Paulin tickles the ivories to keep music in the air! Some of the TheatreLab Company will perform as well!! ‘What makes the night so special is we all gather together and just enjoy an evening of fun! It’s a great kick-off for the holidays and, for trivia buffs, it’s a great way to show your smarts! Prizes are always a fun incentive!’ says Stucky. ‘Last year, one of winners said she planned to give her prize as a gift….so I guess it can be a shopping experience as well???’ he chuckles.

Although most of the trivia revolves around the season, there are Broadway Questions, Dayton trivia and more. The event takes places at the TheatreLab Dayton Studio, 116 North Jefferson St. 45402. Proceeds benefit TheatreLab’s ongoing goal of bringing amazing productions to the area. ALSO OF NOTE…THEATRELAB WILL ANNOUNCE THEIR SEASON AT THE EVENT!!! UH-OH!!

The space is limited, and tickets are moving…so click below and join the holiday fun!!

Tickets:

https://www.simpletix.com/e/merry-quizmas-2-0-holiday-trivia-tickets-196032

Ruby Anniversary for Dayton’s Beloved RubiGirls.

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The Rubi Boys??

There’s a lot going on with the Dayton’s iconic RubiGirls these days. They are planning a show at the Arcade to Celebrate 40 years on November 30th. They just completed an archival interview that will live at the Ohio Historical Society, documenting their story and their success. A new documentary about them is nearing completion. And most importantly, they found a way to support over 100 non-profits for the 2024 season. PHEW! All that aside, the RubiGirls are realizing they can’t go on forever…but what they’ve created just might!

Don’t miss their Ruby Anniversary, which will be filled with the same laughs, love and loot we’ve all grown used to. The show stars Ileasa Plymouth, Cherry Poppins, Jackie O, Taj Mahal, Fonda Peters, India Summer, Radeema Coupon, Tara Miss and the hostess, Dana Sintell. There will be more to tell after the show that can’t be given away in the article!! HMMMM????? Something exciting, we are sure!

For information visit:

therubigirls.com

For Tickets to The Show Must Go ON! Visit:

https://www.flipcause.com/secure/event_step2/MjIyNzc5/286794

TheatreLab’s ‘Not Another Thanksgiving Play’ is just that!!

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TheatreLab is coming off of their community acclaimed ‘Lizzie,’ and switching gears with ‘Not Another Thanksgiving Play’….a sort of rom-com with  honest, heartfelt themes. I was so fortunate to get to sit down with Philip Drennen, who has returned from NYC to direct the show at the TheatreLab Dayton Space. 

937: Welcome home and congrats on the success of ‘Big Gay Jamboree’ in NYC! SO exciting!

PD: Thank you! It’s been fun.

937:  I’m intrigued by NATP!! So, what is the gist of this show?

PD: Not Another Thanksgiving Play follows a group of 20-30 somethings who share a bond through Dungeons and Dragons. And no you don’t have to know anything about D&D to enjoy the show, I sure didn’t before I came on board to direct! The real story is each character coming to terms with their own happiness within their partner and themselves. Most of our characters are part of the LGBTQIA+ community and we see 2 of them go home to their family’s Thanksgiving after years of hiding their identities from their parents.

937: Ummmm, I think I lived that plot-line myself! Tell us why you decided to return home to direct his particular performance?

PD: While this may sound heavy, NATP is mostly a comedy of errors as we watch Daniel and Gemma take home beards (fake girlfriends) home to the parents; one set strict and conservative, the other warm and maybe a little TOO open. The play has a very “rom-com” feel to it and plays as a queer, millennial “Friends” or “Seinfeld”.

937: I know TheatreLab is known for its local casts!! What can you tell us about them this go’round?

PD: The playwright, Marley Masterson, is a local Dayton artist and a big reason we wanted to do this show. TLD prides itself on hiring and giving voice to local talent and all of our actors have been seen on our stages as well as starring in all of the Dayton theaters.

937: I know TheatreLab Dayton has been handling this season with a sense of mystery…can you hint at what’s to come? We know the theme is ‘Taking Back Their Story.’  Any more you can share??

PD: TLD has always been a bit unorthodox and this season is no exception as we slowly roll out our season one show at a time. We’re all about creating art for our community with the members of our community and we’ll do that however we need to!

937: I see what you did there….no hints! UmmmHmmm. What is the audience takeaway for this show in particular? 

PD: A big takeaway from NATP is that family is important and can look different for everyone. For some it’s mom and dad, for others it’s the chosen family we find at work, in school, or through a gaming club. And true happiness comes when we are true to ourselves. It might sound cheesy, but that’s what the holidays are all about!

937: Not cheesy at all….important to remember that! I have to ask you….how is it feeling to be home after your NYC premiere? 

PD: I’m really excited that I get to work on an original piece as my first project back in Dayton. Marley and I have worked together on this show as well as many past TLD productions and I wanted to make sure her voice gets heard. It’s a great way to get back into the Dayton Theater Scene!!

937: Well, congratulations to you, Philip. I know people are also tuning into your Dayton Drama Queens video-podcast. Much success with that as well. You can catch the latest TheatreLab Dayton performance on the dates times below. 

November 21st – 7:30pm.

November 22nd – 8:00pm

November 23rd – 8:00pm

November 24th – 2:00pm

The performances take place at:

TheatreLab Dayton. 116 North Jefferson St. 45402.

Visit theatrelabdayton.org

 

 

TheatreLab’s SMASH HIT ‘Lizzie’ is no AX-ident!!

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Hurried…anxiety driven…and commanding, ‘Lizzie’ now playing at Mudlick Tavern’s Second Floor, has thrust TheatreLab back in the spotlight! DDN’s Russell Florence put it best…‘a wonderfully raw, vocally-impressive spooky season production…’ The show is directed by Mackensie King, and I had the pleasure of interviewing her about the show’s high praise!!

D9: Mackensie…you have a hit on your hands!! Why did you choose ‘Lizzie‘ in the first place??

MK: I have always loved horror and all things spooky. What drew me to this version of her story is how grounded and real it feels. The question I asked myself at the end of listening to it the first time was: is she GUILTY? Not did she do it, but are the things this woman went through about to justify what she did to escape them. Plus, the music for this show is unlike any other theatre show. It’s true rock/ metal and allows the cast to really show off their vocal chops.

D9: Timely, considering the Menendez Bros. story of late! There is one thing that audiences are 100% on…your cast! What can you tell me???

MK: The words “high octane” come to mind when I think about this cast. The vocals are absolutely top notch and SO full of power. Under all of that, there is true connection to the material. Sam Evans as Lizzie brings such understanding and sympathy to the character and she really makes you want for Lizzie to gain freedom. Allie Haines as Emma is so fun to watch because she is really finding how it feels to have to been the head of a family at such a young age. MJ Janovich is taking Alice in a direction I’ve never seen with youthfulness and hurt (and just wait until you hear her belt) and Leah Fox is HILARIOUS and terrifying as the banshee, Bridget.

D9: Strong ladies, indeed!! One thing I know TheatreLab is trying to do is incorporate more of a community feel in their productions! How did the whole Mudlick idea emerge?

MK: We really wanted to focus on bringing the arts TO Dayton. Unique venues really bring the audience in to the art and allow them to become participants. We have been neighbors with Mudlick for years and we wanted to partner with an incredible company. The show has a true rock show feel in the industrial space and Mudlick is curating specialty cocktails for the shows! 

D9: I hear the cocktails have been a smash!! Such a great idea. I always say when people leave a show, they should be left with something…a thought, a feeling…..what are you hoping folks get out of Lizzie???

MK: I hope people walk away with 2 things.   1. That the talent in Dayton is worth investing in. The talent that you will see on that stage is worth keeping around. And 2: Women are angry and we have a voice and it’s about time you all listen. 

D9: I, for one, hear you!!! I want to reiterate that this town is overflowing with talented folks!! Thanks for mentioning that! And thanks for being such an asset to Dayton’s theatre community Mackensie! So, what about this mysterious ‘Season’ TheatreLab is keeping close???

MK: Everyone is so excited. Keep Your Eyes Peeled….the announcement is coming soon!

You can catch ‘Lizzie’ on its remaining dates….

November 1 & 2 at 8:00pm. November 3 at 2:00pm.

TICKETS at http://theatrelabdayton.org.

 

 

 

It’s No Mystery…Human Race has a Hit on Their Hands!

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For the Beloved Human Race Theatre, what could be more fun than a little October mystery…and this time it’s not Mr. Watson and Sherlock Holmes…it’s Ms. Holmes and Ms. Watson! KATE HAMILL’S MS. HOLMES & MS. WATSON – APT. 2B has been wowing Daytonians for a week now, and a few performances remain.

This spin through the orbit of the world’s most famous detective introduces us to female roommates Sherlock Holmes and Joan Watson. They’ve emerged from the pandemic fog as a deeply codependent and quasi-dysfunctional duo – solving mysteries, eating snacks and shaking off their pasts. But when they come face to face with a villain who seems to have all the answers? Hamill’s playful and theatrical style will deliver an unforgettable adventure chock full of heroism, friendship and, of course, the art of deduction.

“Bring your bestie, grab a snack and drink in the lobby, and settle in for an entertaining night,” notes Emily N. Wells, Artistic Director. “The twists and turns of this irreverent game keep you guessing to the very end.”

Guest Director Heather Wilson-Bowlby guides the powerhouse cast, featuring Shonita Joshi as Ms. Sherlock Holmes (Shipwrecked: An Entertainment!), Maggie Lou Rader as Ms. Joan Watson (Grounded, The Revolutionists), Kelly Mengelkoch as Mrs. Hudson and others (This is Tom Jones!, Deadline), and Matthew Sierra as Inspector Lestrade and others in his Human Race debut.

Joining Wilson-Bowlby on the production team are: Jeff Heater, Scenic Design; Diane D. Fairchild, Lighting Design; Janet G. Powell, Costume Design; emily c. porter, Sound Design; Lucia Thill, Associate Sound Design; Sarah Gomes, Props; Mark Tynan, Production Stage Manager; Danitza Piper, Assistant Stage Manager; Gina Cerimele-Mechley, Fight Director.

Ms. Holmes & Ms. Watson – Apt. 2B  will play in the Loft Theatre in downtown Dayton, with shows remaining on October 16 – 20, 2024.  Tickets are on sale through the Dayton Live box office, 937-228-3630, or online at www.humanracetheatre.org

The Human Race Theatre Company continues its commitment to high quality theatre with access points for all with two special ticket initiatives: two sections of $20 seats available at any time through the box office, and ten $10 rush seats available 90 minutes before any performance.

Looking for something a little ‘EXTRA’…..how about….. 

‘While We’re On The Subject’ on Sunday, October 20, 2 pm – Post-Show Discussion with the Cast

‘Parent’s Day Out ‘  on Sunday, October 20, 2 pm – Kids Separate Activities (5-12yo)

WANT MORE ABOUT EMILY, KAPPY AND THE HRTC? Click here for another exciting episode of ‘Dayton Drama Queens!’

An Astounding Visit to the ‘SOUTH PACIFIC!’

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Dayton is known for its Arts and all that are involved in it. With that in mind DPAA has put together a production of ‘South Pacific’ that is not to be missed. The event, directed by Joe Deer, is getting all the buzz. Luckily, I was able to hear from Joe about that show and how it all came together!

937: First of all, thank you for taking a minute to share some information about the ‘SOUTH PACIFIC’ performance coming to the Schuster Center this weekend, September 21 and 22. I understand this version of the show is slightly different?

JD:  This version of South Pacific was created for a concert at Carnegie Hall about 20 years ago that starred Reba McEntire and the Broadway star, Brian Stokes Mitchell. It’s adapted by David Ives, who is a terrific comic playwright on his own and who has done many adaptations of classic musicals for the New York City Center encore series. It retains virtually every note of the original score, but has trimmed the book substantially. That said, this is still a heartwarming, charming, and very moving story. I don’t think audiences are going to recognize that very much has been cut. Every storyline is still intact and every character still appears.

937: I’m intrigued. I love the idea of a faster paced show! But how and when did this all come together for Dayton Performing Arts Alliance. Sounds like it was all hands on deck!

JD: Two years ago, Kathleen Clawson , the artistic Director of Dayton Opera, and Neal Gittelman invited me to help create a concert evening celebrating the life and work of Stephen Sondheim. We used students from the musical theater, acting and vocal performance majors out at Wright State University and that was a huge success. Almost immediately, they approached me again about a collaboration on a concert musical. By that time, Wright State University administrators had met with People at the Dayton Performing Arts Alliance and created a more formal collaborative agreement. This is the first project out of that.

937: What a collaboration…and it has all fallen together well?

JD:  This has been a really great collaboration. We have so many different kinds of members of the artistic community involved here. Dayton Opera. Wright State Alumni and Faculty.  The production team is largely from the Dayton, the opera, and Dayton Performing Arts Alliance. With all those different groups coming together, you might expect some difficulties in making things work. But, that has not been the case.

937: I love that it seems so community focused as a production! Tell me this Joe, since the show is pared down, do we lose any songs. People love the ‘South Pacific‘ soundtrack.

JD: The score for this revolutionary musical remains very much intact. With one notable exception – you’re going to hear 46 musicians playing a score that was written for about half that number.  There’s a kind of enhanced time machine quality to getting to perform a score like this with an orchestra the quality of the Dayton Philharmonic. Kathleen was very intentional about finding singers that are the quality Dayton Opera patrons are used to hearing, but who have an understanding and love for this kind of musical theater. She did a remarkable job. I will tell your readers that a number of Dayton actors who are some of their favorites are in this, including Bruce Cromer, Jake Lockwood, Josh McCabe, and a handful of others. I leave rehearsal at the end of the day feeling so happy to work with the quality of singing actor that we are fortunate to have this production.

937: This just sounds incredible!! What do you feel the audience with walk away with after seeing ‘South Pacific?’

JD: I think audiences are gonna walk away from this production surprised by how relevant it still feels. You are uplifted and awakened to the revolutionary nature of this show, which is now 75 years old. Rodgers and Hammerstein were very daring in what they set out to do. And the show won a Pulitzer Prize for drama as a result. That’s very unusual.

937: You know I’m in that musical theatre stuff myself, and my love also goes into the visual aspect. What can we expect there?

JD:  We have a marriage of very traditional scenery and costumes with some very 2024 technology that helps to tell the story. But, the real stars of the show are Rodgers and Hammerstein and the remarkable performers who bring the score and story to life. This production is going to be thrilling for every audience member. Whether you have a lot of familiarity with this show or whether it’s a brand new experience for you.I am simply thrilled to be part of it.

937: ALL THE SUCCESS in the world to you Joe! Cannot wait to see this!

SOUTH PACIFIC show on  September 21, 2024, at 7:30pm & September 22, 2024, at 2:30pm. Performances are in the Winsupply Theatre at the Schuster Center. For tickets click below:

Rodgers and Hammerstein’s South Pacific

 

 

 

 

New ‘DDQ’ Video Podcast Kicks off with Dayton’s Own STAR!

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If you love ARTS in Dayton…and you love video podcasts…meet DDQ, Dayton’s Drama Queens. This New Video Podcast will feature all things ARTS in Dayton. The stars of the show are Philip Drennen (yes, the one who has a show heading to NYC) and Joshua Stucky (yes, the one who created Dayton’s own RubiGirls.) The premiere features an interview with Drennen, one of the creators of ‘The Big Gay Jamboree‘ which is headed to the Orpheum theater in NYC this September!

You can catch the first episode by using one of the following: daytondramaqueens.com or at YouTube, Amazon, iHeart or wherever you get your favorite podcasts!

 

Luckily, D937 was able to talk with Drennen before he departs for the Big APPLE!

D937: WOW Philip!!  This is amazing news. Congrats. Tell us, what was your part in all of this?

I co-wrote the music and lyrics for The Big Gay Jamboree with Marla Mindelle, one of my best friends from college for over 20 years! We also graduated from CCM with the book writer, Jonathan Parks-Ramage and the director, Connor Gallagher. We all got our degrees in Musical Theatre from Cincinnati’s College-Conservatory of Music.

D937: SO COOL! Where did this crazy idea come from??

The Big Gay Jamboree started as a screenplay for a movie musical about 10 years ago and Margot Robbie was attached. It was written by Mindelle and Parks-Ramage and after Marla’s success in the off-Broadway hit Titanique (where she wrote and stars in the show), got back in touch and they decided to give BGJ another go as a stage musical. They brought me into the mix to write the score about a year and a half ago and we hit the ground running. We got picked up by Wagner Johnson Productions (who just had huge success on Broadway with Stereophonic winning 5 Tonys this year including Best Play) who are co-producing BGJ with LuckyChap, Margot’s production company. This is LuckyChap’s first stage show after years of producing films like Saltburn, Barbie, and my personal favorite, I, Tonya.

D937: I, TONYA! WHAT A HOOT! What has this experience been like….any surprises?

Being granted the time to really workshop a show can be so key to its success. Many Broadway shows can take up to 10 years before it’s debut and we are very lucky to have been fast tracked in this way. But our producers know the importance of workshopping and making sure it’s the best it can be and we’ve learned so much from being in those rooms and experimenting.

D937: In Dayton, we know you from your work with TheatreLab. Has that experience helped??

I have worn a lot of hats with TLD and I’m so grateful to have gotten training in Arts Administration, theater tech, marketing and so much more. There is a need for a group like TLD in Dayton and I hope it’s able to continue to survive in such an arts rich city!

D937: Agreed! So, how do we get to see the BGJ?

Previews begin at the Orpheum Theater off-Broadway on September 14 (open to the public) with our official opening night on October 1. Right now we are scheduled to run through January 31. Ticket info can be found at biggayjamboreethemusical.com.

D937: Sounds like such fun!!

I think right now we all need to laugh and BGJ is basically non-stop laughs!

D937: All of Dayton is proud of you Mister. We wish you all the best!! 

 

 

 

 

 

Sweet, ‘Superior Donuts’ are ready at the GUILD!

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The Dayton Theatre Guild wraps us its season with Tracy Letts‘ ‘Superior Donuts.’ The show focuses on a Polish loner who keeps his tight grip on what is referred to as the last donut shop in the Northern Part of Chicago. The show opens with a trashed donut shop that will set the stage for reckonings of all kinds, with all kinds!

Arthur P (played marvelously by KL Storer) knows the world around his shop is changing but can’t be nudged to do the same. Enter Franco Wicks (you will feel the energy change when Andre Tomlinson appears on stage in the role, wow!) who tries to put a shot in the arm of the shop as well as the grumpy Mr. P. It is these 2 and their interaction that really keeps you engaged with this production. Their vulnerability is believable, and more-so when they are on the stage alone-together!

As they ‘come to terms’ with their pasts, and we see their future hopes unwind, we are moved from moments of high drama to almost sitcom like scenes. (Yes, the play was a movie and a pilot for just that!) Along the ride of these 2 characters we meet some gems. Mike Beerbower‘s Russian ‘enterpreneur’ has hilarious moments….the sweatsuit alone is laughable. One-liners delivered by Percy Vera (Officer Bailey) and Heather Martin (Officer Osteen) are initially shocking, and then keep the humor alive, in moments of otherwise deep thought. Martin’s first few lines give you a sense of ‘where we are’ in Chi-Town.

Throughout the show, we are thrust into some reminiscing that Letts felt necessary, but to be honest, it’s the present that makes us buy-in to these characters. Lady Boyle (played by Jennifer Lockwood) keeps us grounded in the fact that no one wants to see the shop close, but her expressions prepare us for what seems inevitable. Also wrapped into the story is Franco’s ‘bad decision’ to borrow money from the wrong guys….Maximillian Santucci‘s Luther Flynn is SPOT-ON!

Jared Mola, who directed ‘Donuts’, does a magnificent job of pacing the show! It’s one of those ‘quick’ and impactful 2 hour plays! Red Newman (Scenic Design) and Marjorie Strader (Lighting Design) delivered the goods as well. For my friend Amy and Me, the fight scene (nice work Kayla Graham) was well done…especially having the audience right on top of the action.

If you are a Letts fan, know this is not as extreme as some of his shows can go….it’s really about characters…with real, heartfelt issues to resolve. The Dayton Theatre Guild once again proves they are stellar in their desire to bring plays, worthy of seeing, to life in our town!

For information on ‘Superior Donuts’ and the GUILD, click here:

https://daytontheatreguild.org/production/superior-donuts/

 

 

Dayton Dance Initiative Presents: Unite and Ignite

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You’re invited to immerse yourself in a world of captivating dance performances during the highly anticipated “Unite and Ignite” showcase, hosted by The Dayton Dance Initiative on June 28th and June 29th at the PNC Arts Annex.

The Dayton Dance Initiative (DDI) is dedicated to fostering collaboration among dancers and choreographers from from the Dayton Ballet, Dayton Contemporary Dance Company, Mutual Dance Theatre, and Wright State University. During their summer off-season, these dancers come together to present their own original works, which is a real delight for Dayton arts fans!

DDI’s goal is to create a platform where they can explore innovative dance experiences that reflect the diverse talents within Dayton’s artistic ecosystem. This season the company is led by a new Artistic Director: Jennifer Sydor.

“Unite and Ignite” promises to take you on a breathtaking journey, highlighting a versatile repertoire of choreography that encapsulates the Dayton region’s artistic diversity. Each performance will offer a fusion of styles and storytelling, leaving you feeling inspired and connected to the artistic spirit of the community.

Don’t miss this extraordinary celebration of Dayton’s dance community at the PNC Arts Annex. Secure your tickets now for an unforgettable evening of artistry and unity.


How to Go?
Dates: June 28th at 7:30pm and June 29th at 2pm and 7:30pm
Venue: PNC Arts Annex
Program: Eight original works of choreography performed by dancers and choreographers from Dayton Ballet, Dayton Contemporary Dance Company, Mutual Dance Theatre, and Wright State University
Tickets – $33.50, Students/$28.50
Dayton Live Box Office: (937)228-3630, https://www.daytonlive.org/events/unite-ignite/


It’s Time Again…No Need to Hide Your PRIDE!!

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LGBTQ+ PRIDE kicks off in the month of June as a way of saying, ‘We’re Here, We’re Queer….‘ you know the rest! The month-long celebration, which commemorates the Stonewall Riots, got its unofficial start on June 28th, 1969. On that day, protests began in New York City at the Stonewall Bar. The protests followed police raids in the night club, which subsequently kicked-off the gay-rights liberation movement.   From then until now, and from NYC to everywhere you can imagine, PRIDE has become a way of showing society the impact LBGTQ+ persons have had in the history of the world.

PRIDE has grown exponentially, and Dayton is seeing that growth in its celebration as well. The event, which starts Friday and runs through Sunday, ending with the annual Running with Pride 5K, looks to be the biggest ever. As of this writing there are anticipated to be over 100 vendors! Friday’s kick-off features ‘Affair on St. Clair‘ as the event has moved from Courthouse Square to St. Clair between 1st and 2nd Streets. This also gives people a chance to see the new LGBT Center!

Among the many changes that are being ushered in will be the Todd Crawford Beer Garden, which pays tribute to one of Dayton’s most beloved advocates and volunteers. Friday night will have all kinds of live entertainment, and back by popular demand, the philanthropic ladies themselves, The RubiGirls will close out the day with their newest show at 9pm.

Saturday will play host to the annual Pride Parade with its new route running from 2nd Street passing the Schuster and Victoria and then down 1st Street. The parade will end at the main stage on St. Clair. The parade ends where the party begins….which includes food, beer, vendors, singers, drag, dancers, and just about anything else you can think of!!

Bring the family and enjoy some time with Dayton’s Pride Festival. So much to see and do! And if you’ve been before, you know PRIDE in DAYTON is just another reason to be PROUD OF DAYTON!

For all the area PRIDE events and details for each, it’s as easy as clicking on

https://dayton937.com/events/list?tribe_eventcategory%5B0%5D=12230

 

UD and TheatreLab go ‘Into the Woods’ together!

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TheatreLab continues to do some ‘outside of the box’ things in hopes of catching new theater-goers and launching new relationships. This time around, the company has joined forces with the University of Dayton to take us ‘Into the Woods‘ via the Sondheim Classic. I was lucky enough to get a chance to talk to 2 of the stars of the show….Kyle Channell and Madeline Stern.

JS: First of all, thank you for meeting with me. I know you are so excited to share info about the production!! Tell me what made you interested in being part of ‘Into the Woods?’

KC: Well, I feel like Into the Woods is a rite of passage for every theatre performer. It’s hard not to go for it when a production is being staged. There are so many iconic archetypes and characters throughout, so any chance to get involved is so tempting. TheatreLab Dayton is a name that has been popping up on my radar for a while, so when I heard they were doing ITW and I could make it work with finishing undergrad, I had to go for it.

MS: And for me….I will take any opportunity I get to be in a Sondheim show! My parents work in the theatre industry and had the incredible opportunity to work with Sondheim, so I was exposed to his music at a really young age. His shows have always been part of my life and musical DNA.  I’m so grateful for the way his art has impacted and inspired me as a performer through the different phases of my life.

JS: Wow Madeline, so cool. You both have roles that are intricate and important to the ‘story-telling’ that makes ITW such a beloved story. What resonates with you about your respective roles….Madeline, you first this time!!

MS: (the WITCH) The Witch has such an interesting emotional arc through the show. Her story is about intergenerational trauma and how we’re all just trying to do better than our parents did, and their parents before them. Her mother cursed her with ugliness because the Baker’s Father stole her beans, which was completely outside of her control. Not something a kind and loving mother would do, if you ask me! The Witch tries so desperately to be a better mother than hers was, but ends up holding on to Rapunzel too tightly. She loves her so deeply and tries to do right by her, but continues to make mistakes. It’s just so human to love so deeply and be so flawed. I think we can all see a bit of ourselves in that dynamic.

JS: Ummm, that’s like a spot-on description of the role….take notes folks….Kyle?

KC: The Baker is a complicated, beautifully flawed man. However, what is truly endearing about him is his willingness to change – that is a rare trait in so many men and male characters throughout theatre canon. The complicated relationship between him and his father directly dictates his relationship with fatherhood, so his evolution has been a treat to explore. I’m fortunate to tackle paternal roles frequently, but I have yet to find one I connect with so personally as I do with the Baker.

MS: I love roles that allow me to blend my classical and musical theatre training. I would love to play Amalia in She Loves Me, Dot in Sunday in the Park with George, Francesca in Bridges of Madison County, Rodgers and Hammerstein- basically everything Kelli O’Hara has done.

JS: You two need to write ‘character descriptors’ for script companies.  HA HA! Keeping that in mind, what role are you still wanting to tackle in your career?

KC: Good question. There are so many amazing characters I want to play. I’d love to tackle Vanya, Hamlet, Phil Connors in Groundhog Day, Sweeney Todd, Tony in WSS, etc. The Baker was a big one, but I’m happy I got to tackle it the first time.

MS:I love roles that allow me to blend my classical and musical theatre training. I would love to play Amalia in She Loves Me, Dot in Sunday in the Park with George, Francesca in Bridges of Madison County, Rodgers and Hammerstein- basically everything Kelli O’Hara has done.

JS: OMG….quick story. I met her, didn’t know who she was…it was literally 20 plus years go…and she was in ‘Jekyll and Hyde’ on some tour back then. 10 years later she’s doing ‘South Pacific’ and I’m like, that’s that lady who people said would be famous some day…um….I think she’s been nominated for 8 Tonys..and of course, now the ‘Gilded Age.’ Sorry, I digress…

So when did you know acting was ‘for you?’

MS: My parents love to tell the story of me at about 3 years old, coming out into the living room and singing “Ol’ Man River” from Show Boat in the lowest notes I could possibly squawk out. I knew from the time I could talk that I was going to be a singer.

KC: The theatre bug bites early and hard. My work in the theatre began when I was about 8, and honestly, it’s been an inextricable element of who I am ever since. Whether I would pursue this professionally was never really in question, it’s just a matter of who I am.

JS: You two are a delight to chat with. Thank you both so very much. Anything else you would like to share with our readers?

MS: Well, hmmm, in addition to performing, I teach voice lessons through the Madeline Stern Vocal Studio online. I also love creating content for singers on Instagram and TikTok @SingwithMadeline. Check out if you want to learn more about me!

KC: Feel free to follow me at kyle.channell on Instagram or check out my website at kylechannell.com! I hope you enjoy the show and please keep supporting the theatre scene wherever you are. This is an industry still recovering from COVID so your patronage is what keeps the theatre scene both in Dayton and beyond alive.

JS: Well said Kyle. I am hoping you both ‘break-a-leg’ this weekend and continue to entertain on that stage for a lifetime.

Come see Kyle and Madeline….

  • May 16 – 19, 2024
  • Boll Theatre at the University of Dayton, 300 College Park Avenue, 45469

For more information and tickets to TheatreLab Dayton’s Into the Woods go to http://bit.ly/TLDIntoTheWoods

 

 

 

 

The ‘Lion King’ remains a Creative Masterpiece.

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Simba and fans!

I have always had a love/hate relationship with Disney musicals, but let’s give this one what it is due…..there’s a sense of divinity in this classic. Is it the rhino… the elephant baby, the plethora of herded animals…or what about the ballet of birds, the hideous hyenas….so much to sit and marvel! Disney went all the way in and with the ingenious use of costuming and a fabulous musical score, I kindly tip my safari hat to this one.

Watching the audience was, in itself, a treat. Children with mouths wide open as actors paraded a few times down the aisles. Adults laughing at the jokes keenly written for their pleasure. The ROAR of the crowd when that final curtain comes down, and you ‘feel the love tonight!’

‘Lion King‘ doesn’t sugar-coat the story either…as broadway can sometimes do. The heart-breaking circumstances that lead us through the ‘sibling rivalry’ of Scar and Mufasa; the desperation of needing to find purpose in Simba; and the undying support of Nala….what a VOICE! There are strong players throughout the production. Rafiki, Pumbaa and Timon delight the captive audience. Zazu flies in and out just enough to move the plot forward.

All that aside, take a minute and really watch what’s happening in this cavalcade…..the technology that makes it GOOOOOOO! Look to Scar’s mask, the lionesses’ choreography, the endless puppetry..It’s a GAS, just ask Pumbaa! During the show, a young girl sat directly in front of me. Her excitement was palpable. She believed what was on that stage…it was real. These characters, be they men, women or beast, were at the Schuster Center and they were ALIVE. Their story was important and needed to be heard….and she listened. As we made our way out, her grandmother asked ‘Well, what did you think?’ Her eyes, still large from the sights, ‘I’m so glad he got to be King! He’s a good lion.’

And there it is….in true Disney fashion…a reason to believe  that all is well in the world. At least it is at the Schuster for a few more nights!!!

For more information click here:

https://www.daytonlive.org/events/lion-king/

 

 

 

 

‘My, Oh My!’ Tina is a Powerhouse!

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Tina, the Musical, packs so much energy, you’ll be exhausted just watching it. And it’s not all upbeat and bouncy. The show takes us through Tina’s life and times. Nothing is left to the imagination, and at times, you will feel the heartache and heartbreak that Tina Turner endured. From the time the curtain rises, we get a sense that there’s a lot to Tina….and from her early life as Anna Mae Bullock, to her brilliant rise to stardom as a single act, we get to cheer her on.

The perseverance, the passion and the push forward that she models is a good lesson for everyone. For most of us. we know the story…we saw the incredible movie that opened the door on Tina’s struggles and successes. But, as is always the. case, the stage brings an intimacy. You are there. At no other time in the musical is that more apparent then the scene right before intermission. ‘I Don’t Wanna Fight’ plays as Tina sees her way out. So Satisfying.

The musical features all the songs you know and love from Tina’s anthology and Ike’s as well. Most of the songs fit perfectly with the story’s progression (although ‘We Don’t Need Another Hero’ pops in at a strange time.)

It’s really in the final moments of the actual show that you feel the audience sit-up as if to say, ‘There’s Tina!’ Do yourself a favor and hang in there after that curtain falls…you’ll thank me. You will be on your feet!

The cast is superb. Big, bellowing voices, high kicking dancers and acting that is more than run of the mill convincing. You feel it.

There are some magic moments, like  ‘Let’s Stay Together’ and how it was fits in the script, and I really loved ‘River Deep, Mountain High,’ because it was pure, and poppy! OH, and of. course ‘Proud Mary!’ need I say anything about that quintessential favorite.

Faced with an unloving mother, a pompous husband and a world that wasn’t exactly ready for the star that was Tina Turner, the show is so incredibly redeeming, and, for the record, Tina will remain an inspiration to us all!

For More Information….log-on to: https://www.daytonlive.org/venues/schuster-center/