Dayton937

Things to do in Dayton | Restaurants, Theatre, Music and More

On Stage Dayton

Magnolia Theatre Company Serves Up ‘5 Lesbians Eating a Quiche!’

By

Gina Handy Minyard is ready to share ‘5 Lesbians Eating a Quiche‘ with the Dayton audience….the tale is ‘beautiful,’ ‘uplifting’ and ‘interactive.’ I was so excited to catch up with her to get more about Magnolia Theatre Company‘s latest production!

JS: Hi Gina. Thank you for taking time to chat. about your upcoming production! First, why did you choose this show in particluar?

GM: Hi Josh. Well, MTC loves a theme! The 2023-24 season focuses on joy, love, and belonging.  ‘Five Lesbians Eating a Quiche’ is a perfect way to show these things.  Although the show has a funny title, it really tells a beautiful story about these 5 women and how they work together in good times- a quiche breakfast, and bad times- the threat of an atomic bomb.  We wanted audiences to be able to laugh this year.  Also, we are committed to uplifting underrepresented groups and lesbians are a group that are often missing from the theatrical stage.  We are proud to bring this to Dayton audiences.

JS: True….and it’s something I never really considered. So, what should audiences expect from this production?

GM: This show is interactive!  Audience members will be attending the 1956 Annual Quiche Breakfast.  They become an active participant in our world.  They can expect to be taken back to a simpler time, and they will laugh a lot.  The show was written with an improvisation element, so no two shows will be the same.

JS: Love that! It definitely makes things fresh…for you and for your viewers. I guess, I really am interested in what this show centers around. The title certainly catches your attention!

GM: It’s 1956 and The Susan B. Anthony Society for the Sisters of Gertrude Stein are having their annual quiche breakfast. As the assembled five women await the announcement of the society’s prize-winning quiche, the atomic bomb sirens sound! Has the Communist threat come to pass? How will the women respond as their idyllic town and lifestyle faces attacks?

JS: Ummmmmm….that is not at all where I thought this story was heading. WOW. Intrigued!! Good for the Magnolia Theatre Company for reaching toward such a unique play. (The MTC has quite a history. It was founded in 2012 by Gina Handy Minyard. MTC quickly became one of the most talked about theatres in Pennsylvania. Minyard, a professional actor, had become more aware of the gender disparities in the theatre, and research proved there was a lack of female leadership and opportunities for women. Inspired by change, she decided to start a professional theatre company dedicated to women. The company moved to Dayton, OH in 2014 where the need for professional theatre for women was bigger than ever. MTC joined the ImPACt program at the Victoria Theatre Association. Their first show, Parallel Lives, was produced with 100% local, female talent. MTC has continued in its quest, producing the fundraiser Broadway Beveled, an evening of male songs and monologues gender flipped. Magnolia Theatre Company also started Femme Artisan, a staged reading series dedicated to new and under produced work. In 2022, with the help of the Montgomery County Arts and Cultural District, MTC became a 501(c)3 organization. They have become a producing partner with the University of Dayton’s Theatre, Dance and Performance Technology program for the 2023-24 season and is a new member of Dayton Live’s Community Spotlight Program.)

JS: So, Gina, I know you are directing the show. Who are the 5 cast members?

GM: It’s a great cast. Sarah Gomes, Emma Massey, Skye Hodgkin, Cydnie Hampton, and Vera Allen. Our stage manager is Alyssa Jenkins.

JS: Stellar group. How do people see the show?

GM: It runs April 4,5 and 6 at  7:30 pm.  April 6 and 7  at 2pm. We are performing at  the PNC Arts Annex  56 W. 2nd St. Dayton, OH 45402. The show runs 70-75 min. No intermission.

JS: To you and all the cast, BREAK LEGS!! Thank Gina!

For more info, go to http://www.daytonlive.org/events/five-lesbians-eating-quiche/

 

If you’re heading to ‘HADESTOWN’….’Wait For Me!’

By

 

For those of us who went through mythology classes, we know the story. We know the beginning, the middle, and yes, the END! THAT ENDING! Like most of the Dayton audience, I felt the need to change it up…to make it different….to stop the inevitable….but ‘It’s a sad song, and we’re gonna sing it anyway!’ From the jump, ‘Hadestown‘ dives right into the story. Our focus falls to Orpheus (J Antonio Rodriguez…with a falsetto like no other)  and his love for Eurydice (Amaya Braganza, with her smooth, solid voice). The tale is rough and wrought with issues…hunger, poverty and longing. It grinds…until the frenetic Persephone makes her entrance. The character, one for the mythological ages, is played with an almost gymnastic quality by Lana Gordon. (She will wow you in the second act!) If you recall, Persephone lives half of the year with her hubs Hades (Matthew Patrick Quinn…who adds an emotional quality to his character, which I’ve not seen in previous performances). Their troubled relationship ebbs and flows throughout, delivered with voice and VOICES!

The story moves on the ‘track’, taking us from Eurydice‘s strife of freezing and needing sustenance; through Orpheus‘ idealism and hope to bring Spring along; Persephone‘s time ‘down below’ casting the world into cold and dark; and Hades strict control of his underworld, where lyrics on building walls, and silencing uprisings seem timely, today!

As the train continues forward…barreling into hell, we wish we could stop things…the decisions Eurydice‘s makes for her future; the anger Hades feels for the world he cannot control; the choice of Orpheus to take the ‘test!’ (DON’T DO IT!!). And throughout, there is this emotional current pulling at our heartstrings as we go. (There were tears from many in the audience as fate deals us that ‘blow.’) All the while, we relate. We relate to the themes whispering in our ears….doubt, worry, survival. Those voices brought to life through strong vocals from the Fates ( Marla Louissaint, Hannah Schreer & Lizzie Markson.)

Throughout our show, the onstage musicians take us on a musical ride that truly is dynamic. They are, each and every one, masters of their craft. You almost want a concert featuring…well…just them! And along with them is Hermes (played by the endearing Will Mann). He connects so well, reminding us that this not gonna be easy!

No doubt, the story could drag, but the visuals (the lighting, the special effects), the set (with its nod to New Orleans) and the sounds (especially during the beloved ‘Why we Build The Wall’) keep us enthralled and engaged. It is hard to let your attention wander.

Look, this isn’t your run of the mill Broadway show. It’s obscure, and handles political issues seamlessly. It has songs that are beyond our everyday Broadway experience (‘Doubt Comes In‘, ‘Our Lady of the Underground‘, ‘Hey, Little Songbird‘) It tackles a classic tale with hope for a resolution, and then takes us where we knew were going all along. It’s eerie and odd, beautiful yet broken.

There’s a reason ‘Hadestown‘ can at times be polarizing. Strong feelings on both sides of the aisle. In the words of a friend in attendance ‘I hate unhappy endings.’ To that I say, ‘It’s a sad song, and we’re gonna sing it anyway!’ 

For further information on times and tickets, click below!

https://www.daytonlive.org/events/hadestown/?gad_source=1&gclid=Cj0KCQjwncWvBhD_ARIsAEb2HW8ljCZApo1EYrwidJ44OSIL-nmV5nvo_HqgQhqj3WBzQlcyRhcqsN8aAmS4EALw_wcB

 

 

(title of show) Getting Raves at TheatreLab Dayton!

By

 

The cast of (title of show.)

Theater in Dayton continues to provide high quality programming for the area…and TheatreLab‘s (title of show) is one outstanding example. Two of TL’s directors, Phillip Drennen and Mackensie King gave us a look at the show, and what’s driving the new energy that is TheatreLab Dayton!

D9: The town is a-buzz with (tos). Mackensie, what makes this show a must-see in your opinion?

MK: This show is spectacular because it truly feels like watching a group of people write a musical in real time. We rarely get the opportunity to see that side of the creation process. All of the performers are letting themselves into each of the characters and allowing truly sincere moments that will bring you to tears while also having you split your sides open with laughter. The harmonies and vocals are SO tight you will question if you are listening to recordings!

D9: Philip, this show takes place in the TheatreLab space, which I hear is going through some changes. Why do this performance there?

PD: Presenting the show in the TheatreLab space is a perfect way to make this show feel even more immersive and really let the audience into the action. The show is mostly a comedy and the score is very intricate so our performers really had to have the chops to pull it off. The acoustics in the TLD space really highlight the complicated and beautiful harmonies in the show. We are finding new ways to bring people into the TheatreLab space as well. Our recent Holiday Trivia party was a huge hit, too. It’s intimate and it brings a whole new energy! More to come with our space, for sure.

Mackensie King

D9: And Mackensie, what do you feel the TL space affords for a patron?

MK: They can  expect a very close-knit performance. We have less than 60 seats and the action happens right in their face! We have a donation bar and snacks available as well.

PD: Right. I feel like this is  a launching pad for what people can expect more of from TLD going forward. Evocative and authentic pieces of theater told in an intimate setting. By the end of the show, you will feel like you’re just one of our friends, rooting just as hard to get our show to Broadway!

D9: I know there has been much chatter around TheatreLab’s new vision for their part in the Dayton Area Theater scene. With a ‘grassroots group’ of performers and pals, a new path is being forged! Tell us about that!

PD: Yes, we have some very dedicated folks…a group of volunteers made up of performers and friends that are putting their time and resources into all things TheatreLab!  It feels very genuine and heartfelt! So thankful for their energy!

MK: With that, we want to continue to offer intimate and unique staging of unknown shows and familiar shows. We truly want to bring Theatre into Dayton by producing shows in unconventional spaces and partnerships with local companies.

D9: When can folks still catch (title of show?)

PD: [title of show] runs for one more week, Thursday, Jan 24 – Sunday Jan 28, 7:30pm on Wednesday and Thursday, 8p on Friday and Saturday, and 2p on Sunday. Tickets range from $10-25 and our Wednesday performance is pay what you can!

D9: Congratulations to you both….and to the entire cast and crew of (title of show.) Looking forward to more from TheatreLab Dayton!

For More Information Visit:

www.theatrelabdayton.org

BAN THIS! The RubiGirls ready for the 26th ‘Show Must Go On!’

By

RubiGirls Getting Ready for the BIG SHOW!

There is a lot of talk these days about drag shows…ban them, see them, boycott them, applaud them. In Dayton, none compare to the powerhouse of the RubiGirls’ ‘The Show Must Go On!’ The stage is being set for this tradition, and even in these strange times for drag, the RubiGirls stand united.

Bringing their 26th Annual Holiday Show to Dayton’s Arcade, the RubiGirls look to provide funds for charities here, there and everywhere…and beyond that, educate people on the power of Drag Shows! It’s very easy to stand on the sidelines and decide what is and isn’t good about drag….but when it comes to what drag can do for a community, the Girls have it in the bag!

We were lucky enough to catch up with 3 of the famed ladies  (Minnie Skirt, Alex; Fonda Peters, Tim; and Dana Sintell, Josh)…fresh from rehearsal in their studio.

                    Fonda Peters.

D9: The 3 of you are icons in the RubiGirls. What does ‘The Show Must Go On’ Mean to you?

DS: For me, especially now, it means no matter the obstacles, we have a job to do…drag bans, HIV, COVID…raising funds for groups and folks who need it happens no matter what. We have to move forward…regardless.

MS: Knowing why we call it ‘The Show Must Go On’ is important. Rubi was born at a time of death…the AIDS crisis was taking lives left and right and many were friends of the original four members. When they aligned themselves charitably to see an end to HIV/AIDS, that was a saying that stuck

                Minne Skirt.

D9: It’s been around a long time. Next year is year 40 for you ladies as an organization….to what do you attribute the longevity?

FP: We keep it relevant as well as we aren’t afraid to make fun of ourselves and each other as well as never losing focus on what matters.

MS: Right Fonda….and so much is serious and we just wish to make people laugh! ‘Laughter through tears is my favorite emotion!’ Dolly Parton.

D9: What drag numbers define ‘The Show Must Go On?’

FP:  The one from ‘Rent’ definitely.

DS: Yep, ‘Seasons of Love.’ People sign our banners during that number. Those remain in our Clubhouse forever. We have signatures dating back to ‘To Care is to Cure’ which was the predecessor to the ‘Show Must Go On’….mid-90s.

MS: And ‘The Year in Review’ is an absolute must and is different every year because we poke fun at all the events that have happened. Taj and Dana do a fantastic mocking Entertainment Tonight and every segment is of course based in humor!

                         Dana Sintell.

D9: Your work assisted 70 Non-profits last year. WOW girls…wow! What about this year?

DS: Maybe a few more…like 75 or so. We are having a huge sponsorship year! That helps us help those organizations.

MS: The amazing thing is that while it is work it doesn’t truly feel as if it is. It’s natural to our group to want to continue to add to our portfolio of recipients as long as it aligns with our mission statement and bettering our community.

D9: And your scholarships? After 3 years you got the fund to perpetuity?? Ummmmm, that’s amazing as well.

FP: I believe in the butterfly effect so I am not sure we can ever know what the effect of these scholarships can have on the people’s lives that have received them or the lives of the people that they touch through the education they have received.

MS: We solidified our place even further in the Dayton community as a group who cares about education and the recipients who are part of the queer community.  Showing that kindness love and respect truly paid off. People love that piece.

D9: Next year is 40 years…..and in the anniversary world, that is Ruby!  RUBY! How cool! What will the year hold for all of you!!

MS: Red everywhere darling…RED!!! The fun part of it is being the Ruby Anniversary of Rubi and being in the Gem City the titles of shows is basically written for us. I hope we have a show that rivals all shows, at the Victoria, to sold out fans…a gal can dream. But think of it really…we started in bedsheets and now we are here 40 years later, assisting in raising over 2 million, let’s just pull the machine and keep struttin’.

DS: Minnie, I Love It. And I’m working on the Victoria! I will say, nothing lasts 40 years anymore….so we have to to make this more than just an anniversary….more of an homage to all we have lost, all we gained and ALL WE HAVE to be thankful for. Everyone, gay , straight, bi, trans, Republican must be acutely aware that we are ALL in this together….and 40 years later, much has changed, but much has not!

D9: So true. Proud of all of you, you are great Daytonians! Any parting words?

FP: I just want all the present and past Rubi Girls to know how much of an honor it is and pleasure to be a part of this amazing family.

MS: Ditto.

DS: Yep!!

INFO: tickets at therubigirls.com

The RubiGirls in “The Show Must Go On: A Night To Remember.” 

Saturday, November 25,  at the beautiful Dayton Arcade. Show Starts at 8pm.

Merchandise is available on-site. The show is a RubiGirl show, and is recommended for adults.

You can always SPONSOR the GIRLS at therubigirls.com.

 

 

 

 

Misery Packs a Terrifying PUNCH!

By

Stephen’s King frightening tale of an obsessed fan, MISERY, comes to life this weekend at the PNC Arts Annex. TheatreLab‘s deep dive into the novel looks eerie, and excellent. I was lucky enough to catch up with the show’s director, Allie Haines. She gave me the lowdown, on this blood-curdling ride through the mind of a psychopath….the notorious Annie Wilkes.

JS: Hi Allie….so good to see you. So, tell me this, Why Misery??

AH: Hi Josh…yes, TheatreLab has a history of success presenting shows around the Halloween season and we’ve been wanting to introduce plays into our offerings, so Misery felt like a no brainer. The story feels timeless and relevant with its issues of fame, obsession, and addiction and we wanted to give the audience an immersive, voyeuristic view inside of this nightmare.

JS: It’s a story so many know…and love, especially the film. Are there parallels?

AH: Quite similar, actually! You can expect the same thrilling ride, with our own compelling twists and turns throughout. Complete with sledgehammer!

JS: Yay, the sledgehammer. (For those of you unfamiliar, you will appreciate the loyalty to the story King wrote. Let’s juist say, some of the props are stars as well.) Thinking in terms of stars, there is a lot of talk about this cast. What can you share with us?

AH: These actors. Phew!!! Every night they surprise us, make us laugh, gasp in horror and send chills down our spines. Naman Clark plays a suave and confident Sheriff Buster, Kaleb Smith enters the chat as the sarcastic and endearing famous author Paul Sheldon, and Adelyn Helms embodies our Annie Wilkes with a mastery that’s at once both enchanting and terrifying. They are a truly phenomenal cast that must be seen to be believed, bringing these classic characters to life – for a new generation of Misery devotees.

JS: I’m a devotee. I think about some of those scenes, and find myself rooting for Annie….sick as that is! It’s just got so much energy in the show…all over the place energy. I know people are dying to get tickets….what are the dates/times?

AH: 4. One weekend only! November 2-4th. Link for tickets is right here: https://www.daytonlive.org/events/misery/

JS: There are also rumors about TheatreLab using their own space for upcoming performances. The previews for Misery were a hit….from the sinister elevator ride, to the immersive performances. Whats the story with all of that?

AH:5. Our rehearsal space on Jefferson St really lends itself to performance and experiential opportunities and opening up our final rehearsals of Misery to the public and transforming our space into a version of the show felt like the beginnings of a new direction for TLD. Up next, [title of show] will be playing in our space and our wheels are already turning with ideas for more intimate, immersive, and one of a kind theatrical experiences.

JS: YAY! Smart! Ok, so, with all the word on theaters around the country facing tough times….how can Dayton get involved in TLD. Are there opportunities to support beyond tickets?

AH: We believe live theater and telling these stories on stage cultivates empathy, connection and hope in our beautiful, yet fractured world. Art is essential. We need your support to continue this crucial work, to compensate local artists and spark deep conversations about the human experience. You can get involved in so many ways! Visit our website and contact us if you’d like to volunteer or donate (we accept Venmo, PayPal, and good ol fashioned checks and cash!). You truly are our best advocates! If you come to our show and enjoyed it – spread the word online and to your friends! You make a huge difference in allowing The Lab to continue to INVOLVE, INNOVATE and INSPIRE! Thank you!

JS: Ummmmm…..that was like a practiced speech Alle….but I get it. Best of luck with Misery, and for the season itself. And thank you!

AH: See you at the show….Thanks Josh.

 

 

RAVE REVIEW! Provocative and Passionate….”Mockingbird” is Magnificent!

By

I have to admit, I was fearful of a stage adaptation of Harper Lee’s ‘To Kill A Mockingbird.’ As a teacher who made sure students were aware of rich literature, ‘Mockingbird‘ stands alone. Aaron Sorkin‘s play strikes every chord, and keeps the pace perfectly throughout. It’s raw, it’s uncomfortable and it’s powerful!

From the outset, the stage is deep and dark…invoking the South of the past. Large stage pieces, choreographed in their movements as we glide through the story, bring to mind the expansive porches, imposing courtrooms, and live oaks hanging eerily in the background. The mood is quiet and curious. As the actors make their initial entrance, you recognize the characters….Scout, Tom, Atticus….and each is as you pictured them when you read the novel. Perfectly cast are Richard Thomas (Atticus), who gets a rousing applause as he sets foot on the stage…(Yes, It’s John Boy from the ‘Waltons’)….Melanie Moore (the endearing Scout)….Yaegel Welch (the heartbreaking Tom)….and a crowd favorite Jacqueline Welch (the soul-filled Calpurnia.) There is NOT ONE….I repeat, NOT ONE character that isn’t played to the ‘t’ by this cast. Each as believable as the next.

And it goes beyond sets and actors. ‘Mockingbird‘ is tough….it’s agonizing. Faced with unfairness, prejudice and injustice, the audience has to endure the inevitable. We have to take a look inside ourselves and see who we are, by seeing who they are. Us! From the injured parties…Mayella (Mariah Lee), Link Deas (Greg Wood)…to those attempting to make wrongs right…..Judge Taylor (Jeff Still), Jem Finch (Stephen Cefalu, Jr.)…we see ourselves. Many times….not liking what we see. What this play does is bring us together to realize our world, even today, needs people to say ‘enough!’ It reminds us that when one of us is wronged, all of us are wronged. And REMARKABLY it does it with humor and gentleness.

It’s the audience that becomes that litmus for this production. Gasps, tears, laughs and rousing applause say it all. There is hope in all things. We are reminded that the world we live in can be evil. But through the eyes of our 3 young heroes, we find a way to look to a future of ‘being better.’ It’s not right to ‘Kill a Mockingbird…’ you know the line. But, as you leave this beautifully atmospheric production you get Why! It sticks….and you exit the theatre thinking of how you can make a difference in this unjust world.

SEE THIS SHOW…..IT MATTERS!

Info: Harper Lee’s ‘To Kill A Mockingbird.’

Tickets@ Dayton Live

October 17-22 at The Schuster Center.

 

 

 

 

 

 

Moan Alone at the Actor’s Theatre Fairborn

By

Everyone knows that zombies are about one thing and one thing only and that is finding living human beings and eating their brains. But how would zombies pass the time if there were no humans around? Moan Alone is a comedy about four friends who become zombies while they are stuck together in a log cabin during a blizzard, hundreds of miles away from the rest of civilization. Find out what happens next!
Fridays and Saturdays: Doors open at 7pm.

Offensive & Outstanding!! ‘The PRODUCERS’ delivers the laughs.

By

TheatreLab is finding it’s footing in the Dayton performance scene…hence the 24 piece band, the largest cast in their history, and a show that demands all of it. This weekend, Friday September 15th and Saturday the 16th, Mel Brooks masterpiece ‘The Producers’ comes to life on the Victoria Theater Stage! Watching the Wednesday ‘dress,’ you can see this cast has worked themselves…into a frenzy!

‘The show is just soooo much fun,’ says Steve Lakes who plays gay costume designer Kevin. ‘It’s timely. With our news today being such a joke, this just seems to fit in….what’s great is it spotlights the problems we face like bigotry, racism and hate….but we get to chuckle at it. It’s a welcome relief!’ The play has long come with a warning…if you are easily offended this may not be for you. ‘It’s a comedy…you have to be able to laugh at what’s happening on the stage. It’s cathartic.’ says Lakes.

TheatreLab Executive Director, Philip Drennen chimes in, ‘It is so great to get to be in a play like ‘The Producers.’ For me, playing in a comedy (which he rarely does), being a straight love interest (which he never is) and sharing the stage with some of my dearest friends (which he has always hoped for.), it’s a dream come true.’ Drennen, who plays Leo Bloom, the hopeful Producer is perfectly matched with Jason Satterly who plays Max Bialystock. Where Drennen is the demure one, Satterly takes the role of the crass and crafty other Producer. The pair has found magic together. ‘I love this role, because it is so challenging.’ Satterly says. He is on stage a good 80% of the show. ‘Bialystock learns a great life lesson in this production. If you let poeple care for you…they will!’ And caring for him, and the entire musical is easy to do.The Producers pushes the envelope for sure. No one is left untouched….it is nicknamed ‘an equal opportunity offender.’ Women, gays, African-Americans, the Jewish Community, the elderly…..Brooks was fair about his ‘unfairness.’  Two of the chorus girls, Robin Shank and Taylor Reister, each have a take on it. Shank put it this way, ‘No one should take themselves so seriously. It’s a blast to laugh!’ For Reister, ‘I have watched this movie since I was little, and it’s iconic to me. The characters are people I have referenced in my own life for years!’

Of course, at its pinnacle, the show resurrects the German Dictator, Adolph Hitler. And that was, from the outset, an outrage. But Brooks adds a magical tongue in cheek approach to the evil Nazi and his gang. Hitler, played in this production, by the hysterical Joshua Stucky, is to be laughed at much more than with. Stucky has a way of performing roles with sarcasm and sass. He is matched up with Joshua Hughes (Carmen) who is scene stealer.

The cast gives its all through tap, song and silliness. The iconic Ulla is played by Abby Kress with spunk and sweetness. Also top of mind is Roger’s group of Gays….David Moyer, Lakes, Scott Winters and Shank are obviously having a ball. What’s more, the songs are just so memorable. ‘That Face,’ ‘When You Got it Flaunt It!‘ and ‘Springtime For Hitler’ made the multi-Tony Award winner a staple for theaters nationwide. The show is directed by Angie Thacker.

Grifters. Politicians. Swindlers. Phonies.  Although it sounds like a headline for today’s news, it all can be found in TheatreLab’s ‘the Producers!’

For tickets and info:

https://www.daytonlive.org/events/the-producers/

 

 

 

 

 

 

 

 

 

 

Dayton’s Beloved Human Race Theatre Provides Much Needed Laughs in ‘Tom Jones!’

By

Wells, Brown and Cordes

 

The Human Race Theatre Company is on a mission…to be a resource for laughter with the World Premiere (yes, I said World) of the bawdy and outrageous ‘This is Tom Jones!’ I am again, so fortunate to have the opportunity to talk to some of the folks responsible for this fun, frenzied love story. This time around, I was able to chat with Emily Wells (Director), Mark Brown (The musical’s writer) and Jamie Cordes (one of the stars!)

JS: Thank you all for taking a minute to talk about what looks like a hoot! Mark, can you tell us a bit about the show?

Mark Brown: Of course. It’s a two hour romp…fast-paced, Boy meets Girl story based on Henry Fielding’s work.  It’s chock full of 1960’s British Invasion style music…set in the 1700’s.

JS: Weird?

MB: Yes, but this weird world that’s been created really works…full of hi-jinx and surprises.

Emily Wells: It really does work. There’s romance blended seamlessly into the show as well. It’s beautifully done.

Jamie Cordes: It has such a vibe….its a groovy, hip, fast paced, blast of a time.

JS: Mark, I know your ‘Around the World in 80 Days’ also played at the Race! Are you from somewhere near here?

MB: Actually, I am from New Jersey, but reside in Los Angeles.

Cast of ‘This is Tom Jones!’

JS: Well, I can tell you, you have quite a fan base here with ’80 Days!’ So, this being a World Premiere, have you had to make changes, or work the show differently than you anticipated.

MB: Funny you should ask….yes, putting it together here, there have been 7 revisions, 2 songs have been cut….and I have incorporated 2 scenes from the non-musical version of the show. It really has helped make the show special. I have been so lucky working with Kyle Mangold and Melinda Porto, the whole cast and crew actually. Everyone here is super nice! Truly.

EW: And the cast is only 9 people, yet they tackle 34 characters. And they do it well.

JS: Speaking of the cast, Jamie what attracted you to ‘Jones?’

JC: I am a huge fan of new(er) works in theatre.  I’ve been a part of numerous workshops of new works at The Human Race and The Puzzle in NYC.  When I read the script, I laughed out loud so many times.  I LOVE what Mark Brown has written.  It is Monty Python, Austin Powers and Airplane (the movie) humor set in an 18th century story.  Being involved in this premiere and sharing it with Dayton audiences is exciting.

JS: And the cast and crew include folks from here. Right Emily?x

EW: Yes. Correct. The show has some of our resident artists as well as others who call Dayton home. That has been a goal of ours, involving community in our productions. I believe our show Bar-B-Q was made up of 75% local people. So, we are committed to making that part of the Human Race. It’s important to put dollars into our city and our people.

JS: Great point! I feel like the Human Race is connecting well with the community and ticket-buyers. Do you guys feel that for this season?

JC: The Human Race Theatre continues to entertain and inspire audiences with new(er) works that are thought provoking and explore the human condition.  The stories on this 2023-24 season are diverse in content providing opportunities to see unique, beautiful and humorous theatrical works.

EW: We are reaching out to theater lovers in a time when many people have limited resources. We have special ticket pricing like ‘pay what can’ productions. We want everyone to see the shows. We have many young folks on staff who remind us to keep things accessible for all ages. It’s important because there is a magic in theater, that relationship between audience and artist that can only happen live. And each and every night is a unique one night experience!

Laughs Abound in 'Jones!'JS: And what do you feel audiences can expect from ‘Jones?’ 

MB: It’s one of those plays that has a message that isn’t in your face, or hitting you over the head. The show is total escapism blended with some nonsense and the message is revealed simply. I am hopeful people will laugh for 2 hours…who doesn’t want to do that?!

JC: I can’t express enough the joy This is Tom Jones! has provided.  The cast, creative team, and band are wonderful.  So much laughter in exploring this piece and we can’t wait for audiences to go on the journey with us!

JS: BREAK-A-LEG and again, thank you ALL for giving us a little insight into this show! Emily, continued success for you and your Company! BRAVO!

 

 

‘This is Tom Jones’ Plays September 7 – Septmber 24.

Showtimes :

Tuesdays and Wednesdays 7pm.

Thursdays, Fridays and Saturdays 8pm

Sundays (varied, check times.)

For tickets, visit:

https://www.daytonlive.org/events/this-is-tom-jones/

The Human Race Theatre is at 126 North Main Street, Downtown.

 

 

 

 

 

 

The Theatre Guild Continues to Move the Needle Forward with ‘Radio Golf.’

By

Waldron Directs ‘Radio Golf’ at Theatre Guild.

The Dayton Theatre Guild has long been known for its cutting edge productions, and its expert presentation of tough subject matter. August Wilson’s ‘Radio Golf‘ remains firmly in that path! I was lucky enough to catch up with the show’s director, Robert-Wayne Waldron. He gave us the inside scoop to this latest performance.

JS: Rob, so good to see you and to get a minute to chat about ‘Radio Golf.’ And with that, why ‘Radio Golf?’ What stuck out about it that made it seem like the play to do today?

RWW:  I did not choose the show it was chosen by the Dayton Theatre Guild to open its 23-24 season. I was chosen from 3 other directors. I jumped at the chance it’s been a few years since I’ve been at the helm of a show and its August Wilson! Radio Golf is the final play in August Wilson’s Century Cycle of ten plays set in Pittsburgh 1997. It tells the story of Harmond Wilks a real-estate developer  who is running to be the first Black mayor of Pittsburgh. When he confronted with sacrificing the past in order to pursue progress.

JS: The show has such depth and truly looks at gentrification and politics….etc. What do you hope audiences get from this show?

RWW: I hope our audience gain a better understanding of the continuing struggle of the Black community to preserve our history and traditions and embrace progress without sacrificing that past.

JS: Timely for sure. I know the Theatre Guild is known for dynamic ‘straight’ plays (non-musicals). How would you say this show is relevant in our climate today?

RWW: First of all, it’s August Wilson, the poet of theatre’s Black America. This show puts it right out there, the things that are still happening today the destruction of neighborhoods and communities in the name of progress, but for who…. certainly not the people in those communities. That’s because this progress and the improvements are out of the financial reach of the people in these communities.

JS: We literally can look around our area and see the same. Wow! So, for you, what is it in directing that you enjoy?

Cast of ‘Radio Golf.’

RWW: I enjoy the process of get a show to the stage. Expressing my creativity and working with the actors to bring the words of the script to life.

JS: And do you have a personal favorite show you have done in the area?

RWW: I have directed a lot of theatre over the years! If I had to pick one, it would be this one Radio Golf.   It came along at a difficult time in my life, health wise, and it created an outlet for me not to be in my head with my health issue. I’m working with this amazing cast of actors and its been an awesome experience.

JS: Speaking of….who are you cast and crew?

RWW: Director: Robert-Wayne Waldron, Harmond Wilks: S. Francis Livisay, Mame Wilks: Jena Perry, Roosevelt Hicks: Lessley Scott, Sterling Johnson: Andre Tomlinson & Elder Joseph Barlow: Franklin Johnson.

August Wilson’s Radio Golf at DTG.

JS: This sounds like a real success for the Guild….what about ticket info?

RWW: August Wilson’s Radio Golf opens today, August 25th and runs weekends thru Sept 10th At the Dayton Theatre Guild 430 Wayne Avenue!

Tickets can be purchased online at Daytontheatreguild.org.
JS: Break a leg, my friend. And thanks for talking with me!
Make sure and look into all the great theater happening in dayton this weekend and every weekend!
Keep up by revisiting us at Dayton937.com.
Josh is always looking to highlight your next performance!
Reach out so he can get the story out about your upcoming production!

 

It’s Opening Night for 3 Community Theater Shows

By

It’s opening night for INNOVAtheatre‘s The Hunchback of Notre Dame
Photos by #eccentricexposurephotography
Dayton Theatre Guild‘s August Wilson’s Radio Golf
Photos by: Rick Flynn Photography
Tickets: ltcplays.com
You don’t want to miss these shows!!!

 

Spotlight on the 937 Community Theatre 2023-2024 Season!

By

With all of the community theaters in town we thought we would spotlight their upcoming seasons. This will give you plenty of time to fill your calendars and purchase season tickets. This week I am happy to spotlight Brookville Community Theatre and Troy Civic Theatre.

 

Brookville Community Theatre located at 770 Arlington Rd Brookville, OH 45309 is at the end of their 38th Season. The Neil Simon comedy Plaza Suite, Directed by James Nelson will be performed September 7-17.  Brookville will tie up their season with Stuck At Home, directed by Bonnie Bertelson. You can see this comedy November 9-19, 2023.  Tickets for all shows at Brookville Community Theatre can be purchased here:  https://thebct.org/

 

Troy Civic Theatre, which has been producing shows at The Barn in the park since 1965 will open their 2023-2024 Season with I Hate Hamlet by Paul Rudnick and is to be directed by Erin Gibbons. Performances run September 15-24.

November 10-19,  you can see Lysistrata by Aristophanes, directed by Derek Dunavent. In the midst of an ongoing war between Athens and Sparta, the Athenian Lysistrata calls together an assembly of women from throughout Greece to present her plan for peace. Continuing into 2024, Troy will produce Moon Over the Brewery by Bruce Graham which will be directed by Steve Dietrich. Performances: March 1-10, 2024

Wrapping up their season, Derek Dunavent will direct Godspell by John-Michael Tebelak, with music and lyrics by Stephen Schwartz.  Based on the Gospel of Matthew, Godspell features an eclectic group of people who team up with Jesus to teach his lessons in a new day and time.  Performances of this fan favorite musical will be May 3-12, 2024. You can get tickets for the season at https://troycivictheatre.com.

 

Thank you to all of the Theatres for helping me with information to put this series together. There are many great options for everyone in 2023-2024. I hope you visit some of these theaters and are amazed by the wonder that is Community Theatre.

Spotlight on the 2023-2024 Dayton Theatre Seasons- Part 4

By

Continuing our local theatre season spotlight, this week we are featuring Yellow Brick Theater and INNOVAtheatre. 

Yellow Brick Theater founded by Dionne Meyer and Jessi Stark. Their mission is to strengthen the vibrant youth culture of the Greater Dayton area by providing children and their families with theater education, performance experiences, and opportunities for artistic self expression. We accomplish this through teaching classes, workshops, and producing family- friendly performances.

Yellow Brick will produce Mean Girls: High School Edition. Performances will be October 20 & 21. Tickets and more information can be found here.

Just a little outside of the 937, and often featuring Daytonians you’ll find INNOVAtheatre Performances take place at the beautiful Sorg Opera House 63 S Main St, Middletown, OH 45044. INNOVA is a Community Theatre that was founded upon inclusivity and diversity has the following productions to offer us for their 2023-2024 Season. 

Hunchback of Notre Dame, Directed by: Richard Lee Waldeck, Vocal and Orchestral Direction by: Lorri Topping & George Drewyor, and Choreography by: Isadore Karrick performances are August 25 – September 3.

Love to do the time warp? Get ready, the cult classic, Rocky Horror Show Directed by: Richard Lee Waldeck and Musical Direction by: Hayden Floro will run October  20- 29, 2023.

In 2024 INNOVA will bring the musical American Idiot. Green Day’s powerhouse album is brought to life in this electric-rock musical of youthful disillusion.  Performances will be April 19- 28. 

Tickets can be purchased here:

Spotlight on the 2023-2024 Dayton Theatre Seasons- Part 3

By

With all of the local theaters in town we thought we would spotlight their upcoming seasons. This will give you plenty of time to fill your calendars and purchase season tickets. Our third installment will spotlight X*ACT and Actor’s Theatre Fairborn. 

Located at 45 East Second Street in Xenia, X*ACT will produce A World of Entertainment for their 2023-2024 season. The have selected a diverse lineup which opens with Nightfall with Edgar Allan Poe, written by Eric Coble and directed by Dee Berdine. Production dates are October 20-22, and 27-29, 2023.  In December (1-10, 2023) Melodee Bass will direct Svetlana’s First Christmas, written by Dwayne Yancy & A Holiday Surprise is promised. 

The new year will bring No Exit, written by Jean Paul Sartre to the X*ACT stage directed by Mike Taint, production dates are March 1-10, 2024. Following No Exit will be the classic Lysistrata, by Aristophanes and directed by T. C. Kimmet. Lysistrata will run April 5-14, 2024. 

In April Lysistrata, directed by T. C. Kimmet, and written by Arsitophanes is a comic account of a woman’s extraordinary mission to end the Peloponnesian War. Production dates are April 5-14, 2024

Ending this season will be World Builders written by Johnna Adams and directed by Julie Hauwiller will be performed May 10- 19, 2024. “…a brilliant script with precise and punctuated dialogue that is as entirely believable as it is bizarre. A fascinating exploration of what it takes to truly love another person, WORLD BUILDERS is profoundly thoughtful, transformative storytelling at its finest.” —BroadwayWorld.com

Tickets and more information can be found here: xeniaact1.org

Jim Harworth has brought Actor’s Theatre Fairborn back to life. Located at 23 N Main Street, this vintage theatre has brought community theatre back to Fairborn and this upcoming shows promises to continue to bring quality entertainment to you. Jim stated that he is glad to be able to have audiences back after Covid, and is very thankful for the support of many local volunteers, like Craig Smith and former owner of the building Don Campbell. He also appreciates all of the support he’s had helping give back to the community. While there isn’t a set season for Actor’s theatre they do have a few shows coming up.

At the end of September the ghoulish comedy Moan Alone, by Mark Aloysous Kennerly, directed by Olivia Simpson will tell the tale of two couples (played by real life married couples) who go off for a Halloween getaway and get caught in a freak snowstorm. Due to unforeseen circumstances, they all slowly become zombies. Performance dates are September 29- October 7, 2023

 

In March of 2024 Craig Smith will direct the Neil Simon comedy Barefoot In The Park, this classic romantic comedy features Paul and Corie Bratter who are newlyweds in every sense of the word. He’s a straight-as-an-arrow lawyer and she’s a free spirit. After a six-day honeymoon, they get a surprise visit from Corie’s mother and decide to play matchmaker with their neighbor, Mr. Velasco. Everything that can go wrong does. Barefoot In The Park will run March 1- 10, 2024.

 

May brings the sentimental favorite On Golden Pond, by Ernest Thompson. Brian Sharp will introduce you to Ethel and Norman Thayer as they return to their summer home of 48 years. “…a rare and memorable theatrical experience…” —Variety. On Golden Pond will take the stage May 10-19, 2024. 

Tickets can be obtained by going here: ​​Actorstheatrefairborn.org

Spotlight on the Dayton Theatre’s 2023-2024 Seasons- Part 1

By

With all of the local theaters in town, we thought we would spotlight their upcoming seasons. This will give you plenty of time to fill your calendars and purchase season tickets. This week we are throwing the spotlight on Beavercreek Community Theatre and TheatreLab Dayton. 

We begin with Beavercreek Community Theatre located at The Lofino Senior Adult Enrichment and Cultural Arts Center 3868 Dayton-Xenia Road, Beavercreek, OH 45432.

For the 2023-2024 Season BCT has acquired two musicals and three plays. They will open with Bright Star, which was inspired by a true story, and features a score by Steve Martin (Yes, THAT Steve Martin, and Edie Brickell). It is a story of love and redemption. This production will be directed by Jeff Sams. Bright Star September 1-10, 2023.

The second show will be The Ginger-Bread Lady, by Neil Simon. This dramatic comedy garnered a Tony Award and a Drama Desk award for Maureen Stapleton as Evy Meara. Debra Kent will direct. October 27- November 5, 2023.

January 26 – February 4, 2024 will be Private Lives, written by Noel Coward and directed by Tim Rezash. This Comedy of errors tells the story of a divorced couple that end up honeymooning at the same hotel with their new spouses.  “A brilliant comedy. A very funny play.” – Newsweek 

In the spring, April 19-28, 2024 the play One Man, Two Guvners will take the stage. Directed by Dayton Theatre Hall of Fame member, Doug Lloyd, One Man, Two Guvners written by Richard Bean is a classic comedy of love, heroes, villains and confusion. “If you’re not having a good time at this show, you may be on the wrong medication.” —The Hollywood Reporter. 

Closing their season BCT has chosen the musical The Hello Girls, Music, Lyrics, & Book: Peter C. Mills and Book: Cara Reichel. This musical tells the story of the first women soldiers in World War 1. Directed by Matt Owens this show will run June 21-30, 2024. 

You can purchase season tickets for Beavercreek Community Theatre here: Bctheatre.org

TheatreLab Dayton, formerly Dare 2 Defy (D2D), has made quite the transformation over the last three years. They focus on showcasing the talented performers here in the Dayton area, and strive to create a safe space all while pushing the boundaries of what musical theatre can be. Their 2023-2024 season is called The Art of Making Art.  Every single show in the season is either about making theatre in some way or the art of storytelling.

They will jump in with the musical The Producers, Book by Mel Brooks Thomas Meehan, Music and Lyrics by Mel Brooks. Based on the 1968 Film, The Producers will be presented in the beautiful Victoria Theater September 15 and 16, 2023 and will be directed by TheatreLab’s Angie Thacker. 

 

For Halloween they’ve selected the thriller Misery written by William Goldman and based on the novel by Stephen King, the story begins when a writer is “rescued” by one of his biggest fans, who soon has very strong opinions of his latest novel which leaves the writer writing for his life. This production will go up in October 2023.

[title of show] Music and Lyrics by Jeff Bowen, Book by Hunter Bell is quite literally about writing a new musical. TheatreLab is incredibly passionate about new and unproduced works and this show directly speaks to that cause. “Sly, sassy, inspired.” – Entertainment Weekly. This production will take place in January of 2024. 

The musical Into the Woods, Book byJames Lapine, Music and Lyrics byStephen Sondheim is a classic tale, one that TheatreLab has produced before.  TheatreLab’s Mackenzie King stated,  “It felt right to bring it back this season because we plan to attack it in an entirely new way- really digging into our mission of creating familiar art in a way audiences haven’t seen before.” You will be able to catch this audience favorite in March of 2024. 

Lastly, wrapping up their season will be the musical Once; Book by Enda Walsh, Music and Lyrics by Glen Hansard Markéta Irglová. Based on the Motion Picture Written and Directed by John Carney. This show will beautifully bookend the TheatreLab Dayton’s season in May of 2024. 

You can purchase season tickets for TheatreLab Dayton’s Season here: https://www.theatrelabdayton.org/season-memberships

If You Love Theatre, Dayton Has Plenty Of Options!

By

If you are looking for entertainment, the Dayton Theatre scene has you covered.

Beavercreek Community Theatre will open Twelfth Night this weekend. It’s  a funny, funky musical interpretation of a Shakespeare classic romantic comedy about mistaken identity and self discovery.  Directed by Matt Owens, with Musical Direction by Charles Larkowski, this show will run through June 25th.

Over at The Dayton Theatre Guild, the intense drama Hedda Gabbler, Directed by David Shough continues through Sunday, and is not to be missed. Returning from her honeymoon, Hedda finds herself already bored of her husband, and longing for the days when she was free to exercise her wild and independent whims. With the return of an old flame and a proposition from an amorous judge, she begins a dangerous game, amusing herself by manipulating and destroying everyone around her in an attempt to regain control of her life.

 

Brian Sharp brings the touching play, The Interview to the Westminster Dinner Theatre,  which is sold out.

 

Over at The Dayton Playhouse the campy, not for the easily offended Evil Dead, The Musical directed by John Detty takes the stage Friday, June 16 and runs through  Sunday June 25.

Five college students go to an abandoned cabin in the woods, and accidentally unleash an evil force that turns them all into demons. It’s all up to Ash (a housewares employee, turned demon-killing hero), and his trusty chainsaw to save the day. Blood flies. Limbs are dismembered. Demons tell bad jokes…and all to music. This show is rated R.


South of town you’ll find Cyrano de Burger Shack, directed by Jim Brown and Rob Breving at Springboro Community Theatre.

Cyrano is king of the local Burger Shack, but he can’t seem to win the love of his best friend, Roxanne. When Roxanne confesses her crush on the new burger-flipper, Christian, Cyrano decides that playing Cupid is better than sitting out of the game. An updated, modern-day version of Edmond Rostand’s Cyrano de Bergerac, this rollicking musical features hit contemporary pop songs that will have audiences cheering

Sunday In The Park With George at Middletown Lyric Theatre. Sunday in the Park with George, merges past and present into beautiful, poignant truths about life, love and the creation of art. The days leading up to the completion of his most famous painting, A Sunday Afternoon on the Island of La Grande Jatte, Georges Seurat is struggling to make meaningful art and maintaining a relationship with his lover, Dot. Seurat’s artistic ability thrives while his love diminishes. This weekends shows are sold out, but tickets remain for June 23 & 24.

The Human Race continues INDIGO, a world premiere musical making its debut run at The Loft Theatre from June 7-25. Beverly braces for chaos when her mother is diagnosed with dementia and moves in with her and her husband. But when her daughter, a non-speaking autistic teenager, crashes back into her life, Beverly must confront her past mistakes and work to repair the bonds of trust and family. INDIGO is a powerful and heartfelt musical about accepting the mistakes our parents make and challenging ourselves to repair our own.

This powerful and heartfelt musical about breaking through is quickly winning over the hearts of audiences.