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Fiddler On The Roof

DAYTON LIVE Announces 2021-2022 Season

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Dayton Live announced the 2021-2022 lineup for Premier Health Broadway in Dayton, Projects Unlimited Star Attractions, Universal 1 Credit Union Music Series, Dayton Children’s Family Series and the National Geographic Live Series, sponsored by Subaru of America and Wagner Subaru.

“For months and months, we’ve waited and waited to be able to say when Broadway will be back in Dayton,”  stated Ty Sutton, Dayton Live President & CEO. “We’re thrilled to be announcing not only the Premier Health Broadway in Dayton lineup, but also as many additional performances and series as we possibly can. We can’t wait to have our venues brimming with people and shows and excitement.”

The Premier Health Broadway in Dayton Series features the hottest touring Broadway shows going back out on the road, including some titles previously announced. “But of course, having two weeks of HAMILTON in January is going to be huge – with DEAR EVAN HANSEN right after that! You’ll definitely want to be in ‘The Room Where It Happens’ by being a Season Ticket Holder.”

 

2021-2022 PREMIER HEALTH BROADWAY IN DAYTON 

at the Benjamin & Marian Schuster Performing Arts Center

 

HAMILTON

January 26-February 6, 2022

This “theatrical landmark has transformed theater and the way we think about history” (The New York Times). HAMILTONis the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway,HAMILTON has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre – a musical that has had a profound impact on culture, politics, and education. With book, music, and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler, and musical supervision and orchestrations by Alex Lacamoire, HAMILTON is based on Ron Chernow’s acclaimed biography. It has won Tony®, Grammy®, and Olivier Awards, the Pulitzer Prize for Drama, and an unprecedented special citation from the Kennedy Center Honors.

DEAR EVAN HANSEN

March 8-13, 2022

Winner of six Tony Awards including Best Musical, DEAR EVAN HANSEN is “a cultural phenomenon” (LA Times). A letter that was never meant to be seen, a lie that was never meant to be told, a life he never dreamed he could have. Evan Hansen is about to get the one thing he’s always wanted: a chance to finally fit in. DEAR EVAN HANSEN is the deeply personal and profoundly contemporary musical about life and the way we live it. DEAR EVAN HANSEN has struck a remarkable chord with audiences and critics everywhere, including The Washington Post who says DEAR EVAN HANSENis “one of the most remarkable shows in musical theatre history.” The New York Times calls it “a gorgeous musical for anyone with a beating heart.” And NBC Nightly News declares the musical “an anthem resonating on Broadway and beyond.” DEAR EVAN HANSEN features a book by Tony Award® winner Steven Levenson, a score by Grammy®, Tony®, Olivier® and Academy Award® winners Benj Pasek and Justin Paul (La La Land, The Greatest Showman), and direction by four-time Tony Award® nominee Michael Greif (Rent, Next to Normal).

 

COME FROM AWAY

April 6-10, 2022

Broadway’s COME FROM AWAY is a Best Musical winner all across North America!  This New York Times Critics’ Pick takes you into the heart of the remarkable true story of 7,000 stranded passengers and the small town in Newfoundland that welcomed them. Cultures clashed and nerves ran high, but uneasiness turned into trust, music soared into the night, and gratitude grew into enduring friendships. Don’t miss this breathtaking new musical written by Tony® nominees Irene Sankoff and David Hein, and helmed by Tony®-winning Best Director Christopher Ashley. Newsweek cheers, “It takes you to a place you never want to leave!” On 9/11, the world stopped. On 9/12, their stories moved us all.

 

MEAN GIRLS

May 31-June 5, 2022

Direct from Broadway, MEAN GIRLS is the hilarious hit musical from an award-winning creative team, including book writer Tina Fey (“30 Rock”), composer Jeff Richmond (“Unbreakable Kimmy Schmidt”), lyricist Nell Benjamin (Legally Blonde) and director Casey Nicholaw (The Book of Mormon). Cady Heron may have grown up on an African savanna, but nothing prepared her for the vicious ways of her strange new home: suburban Illinois. Soon, this naïve newbie falls prey to a trio of lionized frenemies led by the charming but ruthless Regina George. But when Cady devises a plan to end Regina’s reign, she learns the hard way that you can’t cross a Queen Bee without getting stung. New York Magazine cheers, “MEAN GIRLS delivers with immense energy, a wicked sense of humor and joyful inside-jokery.” USA Today says, “We’ll let you in on a little secret, because we’re such good friends: GET YOUR TICKETS NOW!”

 

FIDDLER ON THE ROOF

June 21-26, 2022

Audiences across North America are toasting a new production of FIDDLER ON THE ROOF!  Rich with musical hits you know and love, including “Tradition,” “Sunrise, Sunset;’ “If I Were A Rich Man;’ “Matchmaker, Matchmaker” and “To Life (L’Chaim!),” FIDDLER ON THE ROOF is the heartwarming story of fathers and daughters, husbands and wives, and life, love and laughter. Tony®-winning director Bartlett Sher and the team behind South Pacific, The King and I and 2017 Tony-winning Best Play Oslo, bring a fresh and authentic vision to this beloved theatrical masterpiece from Tony® winner Joseph Stein and Pulitzer Prize winners Jerry Bock and Sheldon Harnick. Featuring a talented cast, lavish orchestra and stunning movement and dance from Israeli choreographer Hofesh Shechter, based on the original staging by Jerome Robbins,FIDDLER ON THE ROOF will introduce a new generation to the uplifting celebration that raises its cup to joy! To love! To life!

 

JESUS CHRIST SUPERSTAR

August 2-7, 2022

JESUS CHRIST SUPERSTAR is an iconic musical phenomenon with a world-wide fan base. In celebration of its 50th anniversary, a new mesmerizing production comes to North America. Originally staged by London’s Regent’s Park Open Air Theatre and helmed by the acclaimed director Timothy Sheader (Crazy for You, Into the Woods) and award-winning choreographer Drew McOnie (King Kong, Strictly Ballroom), this production won the 2017 Olivier Award for Best Musical Revival garnering unprecedented reviews and accolades. Appealing to both theater audiences and concert music fans, this production pays tribute to the historic 1971 Billboard Album of the Year while creating a modern, theatrical world that is uniquely fresh and inspiring. Featuring award-winning music by Andrew Lloyd Webber and lyrics by Tim Rice, JESUS CHRIST SUPERSTAR is set against the backdrop of an extraordinary series of events during the final weeks in the life of Jesus Christ as seen through the eyes of Judas. Reflecting the rock roots that defined a generation, the legendary score includes “I Don’t Know How to Love Him,” “Gethsemane” and “Superstar.”

 

Season Ticket Holders from the 20-21 Premier Health Broadway in Dayton Series will have their subscription tickets rolled into the new 21-22 Season. They will receive a statement of account from the Dayton Live Ticket Office which will confirm their seat locations and any amounts due. Contact the Ticket Office with any questions at 937-228-3630 or email tickets@daytonlive.org.

 

Season Tickets are the best way to guarantee seats to these Broadway hits. Call 937-228-3630 or go to daytonlive.org/broadway for more information. Season Ticket Holders get many perks, including advance opportunities to purchase tickets before they go on sale to the general public. Season Tickets are the way to go to get the best seats at the best price. Popular demand can make ticket prices go up as the performance date approaches. With titles like HAMILTON and DEAR EVAN HANSEN, Season Tickets will be the best way to guarantee seats.

Single tickets will go on sale late in the summer or early in the fall for most shows. Patrons should sign up to receive Dayton Live’s emails and follow Dayton Live on social media to be sure to hear the latest on-sale information.

 

Additional performances and series being announced in chronological order:

 

STOMP

October 15-17, 2021 – Victoria Theatre – Projects Unlimited Star Attractions

 

CATS

November 23-28, 2021 – Schuster Center – Premier Health Broadway in Dayton  (not on season package)

 

GRIMMZ FAIRY TALES

November 6 & 7, 2021 – Victoria Theatre – Dayton Children’s Family Series

 

THAT GOLDEN GIRLS SHOW! A PUPPET PARODY
November 9, 2021 – Victoria Theatre – Projects Unlimited Star Attractions

 

DAVID SEDARIS LIVE

December 1, 2021 – Victoria Theatre

 

THE HIP HOP NUTCRACKER

December 3, 2021 – Victoria Theatre – Dayton Children’s Family Series

 

STRAIGHT NO CHASER

December 22, 2021 – Schuster Center

 

CLASSIC ALBUMS LIVE: LED ZEPPELIN II

January 7, 2022 – Victoria Theatre

Universal One Credit Union Music Series

 

RONAN DONOVAN: SOCIAL BY NATURE

January 9-10, 2022 – Victoria Theatre

National Geographic Live Series

Sponsored by Subaru of America & Wagner Subaru

 

CLASSIC ALBUMS LIVE: CREEDENCE CLEARWATER REVIVAL – CHRONICLES

February 4, 2022 – Victoria Theatre

Universal One Credit Union Music Series

 

KARA COONEY: WHEN WOMEN RULED THE WORLD

February 20-21, 2022 – Victoria Theatre

National Geographic Live Series

Sponsored by Subaru of America & Wagner Subaru

 

THE PRICE IS RIGHT LIVE

March 6, 2022 – Schuster Center

 

DRUM  TAO

March 10, 2022 – Victoria Theatre – Projects Unlimited Star Attractions

 

ANDY MANN: FROM SUMMIT TO SEA

March 14-15, 2022 – Victoria Theatre

National Geographic Live Series

Sponsored by Subaru of America & Wagner Subaru

 

THE PEKING ACROBATS

March 16, 2022 – Victoria Theatre – Dayton Children’s Family Series

 

ALTON BROWN LIVE

March 23, 2022 – Schuster Center – Projects Unlimited Star Attractions

 

 

RED HOT CHILI PIPERS

April 21, 2022 – Victoria Theatre – Universal 1 Credit Union Music Series

 

CLASSIC ALBUMS LIVE: AC/DC – BACK IN BLACK

April 30, 2022 – Victoria Theatre

Universal One Credit Union Music Series

 

On sale Dates will be announced at a later time. Go to DaytonLive.org for  more information.

All performances, dates & times are subject to change.

 

‘Fiddler on the Roof’ Review – Wright State University – The Winds of Change

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There are some very special musicals that have stood the test of time because no matter how often you see them they still remain fresh, profound and necessary. Case in point: composer Jerry Bock, lyricist Sheldon Harnick and librettist Joseph Stein’s 1964 classic Fiddler on the Roof, terrifically presented by Wright State University in the Festival Playhouse of the Creative Arts Center.

Halle Augenstein as The Fiddler in Fiddler on the Roof (Photo by Erin Pence)

The sheer magnetism of Fiddler occurs in its tuneful prologue. An entire town pauses to joyfully share what you should know about their lives, responsibilities, hopes, religion, and traditions. But what they don’t know is that their little spot of the world – the tiny village of Anatekva on the eve of the Russian Revolution circa 1905 – will ultimately and drastically transform beyond comprehension. Girls will be taught to read. Men will dance in public with women. A daughter will chose to love outside her faith despite ridicule. Anatekva itself will cease to exist. And along the way, there is great anticipation of how poor dairyman Tevye and his family will cope with the winds of change.

 


Josh Beasley’s playful, lighthearted and physical portrayal of Tevye fittingly conveys the role’s affectionate qualities as a loving father whose frequent chats with God give him purpose and direction. Megan Valle, stern yet comedic as Tevye’s wife Golde, exudes strength and authority, but also conveys tender sensitivity. In fact, during one of the most gorgeously staged renditions of Sunrise, Sunset I have seen, Valle spins her introspective lines into beautiful morsels of bewilderment brought about by the passage of time. Kayli Modell (Tzeitel), Danielle Bessler (Hodel), Emma Buchanan (Chava), Michaella Waickman (Shprintze), and Dana Bixler (Bielke) are uniformly dynamic as Tevye and Golde’s daughters. In particular, Modell is a refreshingly headstrong Tzeitel and Bessler delivers a phenomenally lyric-driven Far From the Home I Love absolutely testifying to the fact that Hodel’s unwavering love for her family will burn bright no matter where she resides (“I must go” never sounded so sure or lovingly defiant). Aaron Roitman (Motel), Kyle Miller (Perchik), and knockout dancer Philip Stock (Fydeka) are equally and respectively appealing as the suitors of Tzeitel, Hodel and Chava. Roitman’s awkward charm, Miller’s determined spirit (Now I Have Everything leaps forth as a meaningful epiphany), and Stock’s fiery flair are fine attributes. The cast also contains notable portrayals from Isabella Andrews as an appropriately nosey and concerned Yente, Joe Green as a firmly grounded Lazar Wolf, Joey Kennedy making the most of the easily perturbed Mendel in unexpected ways, Justin Matthews as the intimidating Constable, Louis Kurtzman as the Rabbi, the aforementioned Bixler as Grandma Tzeitel, Halle Augenstein as the Fiddler, and Rachel Mary Green who blends opera, pop and R&B with ghoulish glee as the frightening Fruma Sarah in Tevye’s Dream.

Michaella Waickman (Shprintze), Emma Buchanan (Chava), Kayli Modell (Tzeitel), Danielle Bessler (Hodel), and Dana Bixler (Bielke) in Fiddler on the Roof (Photo by Erin Pence)

Director W. Stuart McDowell incorporates a few touches from Broadway’s stunning 2016 Tony-nominated Fiddler revival (for example, featuring all of Tevye and Golde’s daughters in Matchmaker), but adds specific elements of his own which broaden the story’s scope. In addition to allowing Tzeitel one last chance to take a snapshot of the mind while in her family’s presence, McDowell astutely aims for deeper resonance in the exceptional final sequence. Seeing the citizens of Anatevka separate to start their lives anew gives haunting credence to the current plight of refugees throughout the world. In fact, there is a brief, awe-inspiring moment implying that Tevye and his family have arrived in New York City as the spirit of the Fiddler guides them from above. McDowell’s first-rate artistic team includes choreographer Teressa Wylie McWilliams (an exuberant To Life and lively series of Wedding Dances, the aforementioned Tevye’s Dream, and luminous Chava Sequence are among her excellently character-focused routines), set designer David J. Castellano, lighting designer Matthew P. Benjamin, costumer Naomi Reisner, sound designer Ryan Burgdorf (expertly crafting the destruction pivotal to the distressing Act 1 finale), dialect coach Deborah Thomas, and music director Scot Wolley who conducts a superb onstage orchestra.

Now more than ever, it’s time to reassess the relatable potency and urgent relevancy of this marvelous tale of family, community and hope.

Fiddler on the Roof continues through Nov. 19 in the Festival Playhouse of the Creative Arts Center, 3640 Col. Glenn Hwy., Fairborn. Act One: 100 minutes; Act Two: 45 minutes. Performances are Thursday at 7 p.m., Friday at 8 p.m., Saturday at 2 and 8 p.m., and Sunday at 2 p.m. Tickets are $22 for adults and $20 for seniors and students. For tickets or more information, call (937) 775-2500 or visit https://liberal-arts.wright.edu/theatre-dance-and-motion-pictures/box-office.

In related news, Broadway producer and author Jack Viertel will speak at Wright State University on Tuesday, Nov. 28 courtesy of the Musical Theatre Initiative. Viertel is Vice-President of Jujamcyn Theatre, one of Broadway’s largest and most successful producers, the artistic director of Encores series at New York City Center, and author of the book The Secret Life of the American Musical. Viertel, a member of MTI’s advisory board, will give a talk on his book from 10 a.m. to noon in the Creative Arts Center’s Jubilee Theatre (Directing Lab) and from 1 to 3 p.m. will give an interview and discussion with MTI Director, Joe Deer, in the same space. All events are free and open to the public.

‘Fiddler on the Roof’ Review – Cedarville University – Prolonged Exodus

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Fiddler on the Roof

Robert Rhodes as Tevye in Cedarville University’s production of “Fiddler on the Roof”

Cedarville University’s production of Joseph Stein, Jerry Bock and Sheldon Harnick’s classic 1964 musical “Fiddler on the Roof,” based on the stories of Sholom Aleichem, is deflated by awkward, inadequate musicality.

Barring technical difficulties, there’s no reason in the world why anybody’s staging of “Fiddler” should produce an Act 1 heading toward two hours. But this is exactly what’s happened at Cedarville due to weak music direction by conductor Carlos Elias who hasn’t mastered the timing within Bock and Harnick’s score, superbly accenting an endearing story of a poor Jewish family coping with change in their tiny Russian village of Anatevka in 1905.

In Elias’ hands, the waltzes are startlingly slow (“Sunrise, Sunset” is particularly painful) and the sprightly sentiments (“If I Were a Rich Man,” “To Life,” snippets of “Tevye’s Dream”) lack vigor. The only number that truly resonates in terms of musicianship is “Do You Love Me?,” an Act 2 gem containing an engaging, conversational essence (akin to “I Remember It Well” from “Gigi”) that constantly flows thereby avoiding any sense of derailment.

Thankfully, “Do You Love Me?” is also a signature moment because of the wonderful rapport and lyric-driven astuteness of Robert Rhodes and Anna Caroline Porter as Tevye and Golde. Throughout the tune, which finds Tevye and Golde tenderly reminiscing about their marriage, Rhodes and Porter beautifully connect with humor, depth and a mutual understanding that their love will survive no matter what the future holds. Excellent portrayals under the direction of Diane Conrad Merchant extend to the sharp, witty David Widder-Varhegyi as humble tailor Motel and a marvelously firm Madison Hart as the daring Chava who defies her family with dramatic results.

Choreographer Carrie Anthony’s commendable routines bursting with personality and colorful exchanges, Robert Clements’ first-rate scenic and lighting design, and Debbie Hamrick’s attractive period costumes are additional assets of this presentation still in search of its musical pulse.

“Fiddler on the Roof” continues through Feb. 8 in the DeVries Theatre of the Stevens Student Center at Cedarville University, 251 N. Main St., Cedarville. Performances are Friday at 8 p.m., Saturday at 2 and 8 p.m., and Sunday at 3 p.m. Act One: 1 hour and 45 minutes; Act Two: 55 minutes. Tickets are $12-$15. For tickets or more information, call (937) 766-7787 or visit www.cedarville.edu

‘Fiddler on the Roof’ Review – Human Race Theatre Company – Tradition in Transition ** Ticket Contest**

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HRTC-Fiddler

Drew Pulver as Tevye in “Fiddler on the Roof” (
Photo by Scott J. Kimmins)

The Human Race Theatre Company’s refreshingly intimate take on Joseph Stein, Jerry Bock and Sheldon Harnick’s timeless 1964 musical “Fiddler on the Roof” is an enormously pleasant experience inside its cozy Loft Theatre.

Director Kevin Moore deftly and breezily swaps the sweeping heft typically associated with the material for a smaller, character-conscious approach ripe with immediacy and emotional resonance. His communal, campfire-esque concept, carried out by an excellently cohesive cast of 25 including four musicians who double in smaller roles, unquestionably allows the audience to feel as if they’re right in the heart of the tiny village of Anatevka circa 1905. In fact, when one resident wistfully sung about his quaint surroundings while seated in the aisle next to me, I nearly joined in. After all, by that point, this faith-based community grounded in tradition yet rocked by unexpected transition became so relatable that genuine concern for their future well-being was inescapable. But that’s what makes “Fiddler” so special and practically bulletproof as one of the best musicals ever created. You absolutely care about the characters, specifically as stakes are raised in the darker Act 2 marvelously contrasting the sunny prologue bursting with promise, purpose and possibility.

Drew Pulver is a wonderfully earthy, credibly conflicted everyman in the plum role of poor milkman Tevye, the amiable father of five daughters and the popular glue that holds Anatevka (and this musical) together. As Tevye copes with a whirlwind of change and treasures his chit-chats with God, Pulver’s easygoing, mildly contemporary persona and outstanding vocals (“If I Were a Rich Man” doesn’t disappoint) propel his multifaceted characterization. Still, the volatile anger he displays when Tevye dismisses his daughter Chava for wanting to marry outside the faith is a significant revelation. Chills arise as Tevye is suddenly caught in an utterly disgusted, nearly abusive frame of mind unlike any production of “Fiddler” I have seen, including Canada’s Stratford Festival three months ago. The dynamic Rachel Coloff, who appeared in David Leveaux’s mammoth 2004 Broadway revival of “Fiddler,” shines with great sternness and sharp timing as Tevye’s headstrong wife Golde. Coloff is particularly appealing in the loving, temperamental rapport she establishes with Pulver beautifully highlighted in their poignant rendition of “Do You Love Me?”
Christine Zavakos (Tzeitel), Charity Farrell (Hodel), Ashley Campana (Chava), Abby E. Cates (Shprintze) and Hannah Sayer and Jordan Vandersluis (sharing the role of Bielke) are delightful as Tevye and Golde’s children. The sweet, gentle Zavakos, the radiant, vocally stunning Farrell and the intriguing, introverted Campana enjoyably join forces early in the tale for a fun, graceful “Matchmaker, Matchmaker” that typifies their close-knit sisterhood. This winning trio also has engaging partners in Drew Helton, Josh Kenney and Adam Brown, respectively. Helton, a recent Wright State University graduate possessing geeky charm and finding delicious nuances in the script as timid tailor Motel, notably delivers a bubbly, lyric-fueled “Miracle of Miracles” simultaneously warming the heart of Zavakos and the audience. Kenney, a real find as outspoken student Perchik, is fittingly intellectual and fiery while perfectly matched with Farrell. As Fyedka, Brown’s charisma and skillful dancing is a joy.

HRTC-Fiddler-7

The cast of “Fiddler on the Roof” in “Tevye’s Dream”
(Photo by Scott J. Kimmins)

Colorfully authentic, fully realized performances are also given by Caitlin Larsen (Yente/Grandma Tzeitel), Saul Caplan (Lazar Wolf), K.L. Storer (Rabbi), Matty Rickard (Mendel), Ryan Heinrich (Mordcha), Eric Byrd (Vanya), Joshua Silver Hughes (Yussel), Adam Lendermon (Sasha), Jeff Sams (Constable), and Linda June Snyder (Shaindel). Larsen’s comedic expertise, Caplan’s joviality, Sams’ cool, imposing demeanor, and Rickard, Byrd, Hughes and Lendermon’s splendid execution of the iconic “Bottle Dance” (one of many crisp, spirited routines marvelously reproduced by Chris Crowthers from Jerome Robbins’ original choreography) are noteworthy.
The production’s superb ambience is heightened by Dick Block’s strikingly detailed set evoking religion, John Rensel’s proficient lighting expertly marking shifts in tone, Tony Ray Hicks’ attractive costumes (originally designed for a 2009 “Fiddler” national tour starring Topol), Nathan D. Dean’s first-rate sound design (“Tevye’s Dream,” featuring Campana as the eerie Fruma-Sarah, is a spooky delight), and music director/guitarist Jay Brunner’s (Nachum) terrific klezmer band (particularly giving Farrell’s gorgeous rendition of “Far From the Home I Love” a tender acoustic flair) featuring Brent Eresman (Seth/clarinet), Joel Greenberg (Zev/mandolin), and brilliant, expressive violinist George Abud (Fiddler). Janet Yates Vogt provides vocal music direction.

It’s no surprise “Fiddler” has endured for generations. The Human Race keeps the musical’s tuneful, meaningful legacy alive with stripped down potency accenting the fact that it’s never too late to reexamine a classic.

“Fiddler on the Roof” continues through Nov. 30 at the Loft Theatre, 126 N. Main St., Dayton. Performances are Nov. 8-9, Nov. 13-16, Nov. 20-23, Nov. 27, 29-30 at 8 p.m.; Nov. 10, 17, 24 and 30 at 2 p.m.; and Nov. 26 at 7 p.m. The Nov. 12 and 19 performances are sold out. Act One: 95 minutes; Act Two: 50 minutes. Tickets are $21-$45. Call Ticket Center Stage at (937) 228-3630 or visit www.humanracetheatre.org.There will also be a special Sing-a-Long “Fiddler” concert Dec. 1 at 2 p.m. Song lyrics will be provided. All tickets are $18.

MostMetro.com wants has a pair of tickets to share with our readers.  If you’d like to see the show on us, like this story, and tell us inthe comments why we should send you, then fill out the form below.  We’ll announce our winner on Sunday![form 55 “DMM Contest Entry – Generic”]

Coming up in Dayton theatre, 10/23 – 11/3

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Welcome back! You know, whenever I type that  phrase, I think of the theme song to the 1970’s sitcom “Welcome Back, Kotter!” Only, in this case, your dreams aren’t your ticket. Your tickets are your dreams. And in each one of the pieces I’m synopsizing for you, there are dreams a’plenty. For safety, for glory, for happiness…and maybe just for a really good-looking man.

Was that too much? I may be waxing poetic. Probably best, then, just to dive right in!

Limited Engagement!

War Horse

imgres-1The Schuster Center

The Skinny: A heart-warming tale of loyalty and friendship, War Horse is based on the 1982 novel of the same name. The plot heart-warming tale of loyalty and friendship, War Horse tells the story of young Albert and his beloved horse, Joey, set amid the horrors of the first World War. And features puppetry you must see to believe.

Dates:

Tickets: Tickets are available at the Victoria Theatre Association website, www.victoriatheatre.com

Opening This Weekend!

Deathtrap

21016B67A-E92D-F73F-FC1D8715FDB04ADBDayton Playhouse

The Skinny: A writer of thrillers, who has seen his unsuccessful plays greatly outnumber his smashes, receives a nearly perfect thriller in the mail from a fan. After inviting the fan to his home, the question becomes…what would you do for a taste of glory? This is a dark comedy that will make you laugh, and gasp, and keep you guessing.

Dates: Deathtrap opens 10/25 and will run through 11/03.

Tickets: Please visit the Dayton Playhouse website at www.daytonplayhouse.com

Dog Sees God – Confessions of a Teenaged Blockhead

Dog Sees God FB picBeavercreek Community Theatre

The Skinny:  An “unauthorized parody,” the play imagines characters from the popular comic strip Peanuts as teenagers. Drug use, suicide, eating disorders, teen violence, rebellion, sexual relations and identity are among the issues covered in this drama. Not for the younger set, as this is produced by BCT’s more-adult “Edge Of The Creek” season.

Dates:

Tickets: Please see the Beavercreek Community Theatre website at www.bctheatre.org

Oklahoma!

OK FLYER 1Wright State University

The Skinny: This beloved Rogers & Hammerstein classic tells the story of the denizens of the Oklahoma territory, just as it is poised on the cusp of statehood. You know it, you love it. It’s a guaranteed good time in the theatre.

Dates: Oklahoma opens Thursday, 10/24 and will run through 11/10.

Tickets: Please visit the Wright State box office page, here.

Currently In Production!

The Rocky Horror (Puppet!) Show

1173871_10100273183026040_1503918685_nZoot Theatre Company

The Skinny: The sweet transvestite and his motley crew will take the stage in an entirely new way and for the first time ever at the NCR Renaissance Auditorium. A much different take on this classic, yet campy musical this deliberately kitschy rock ‘n’ roll sci-fi Gothic is more fun than ever and let’s face it…it’s going to be done like ONLY Zoot can do! Caution: adult themes and strong language are used. Recommended for those ages 16 and up.

Dates: RH(P)S is currently in production, having opened last weekend, and will run through 11/2.

Tickets: Please call the Zoot box office at  937.512.0140

Opening Next Weekend!

Fiddler On The Roof

u897ff6o70mayiekm6rzt89q0gttig7iThe Human Race Theatre Company

The Skinny: Based on the short stories of Sholem Aleichem, Fiddler is the tale of Tevye the milkman and his family. The shtetl of Anatevka seems safe and peaceful, but the sweeping changes facing Russia in 1905 bring strife and worry even to its smallest pockets. Fiddler juxtaposes the large changes rocking the world with the intimate, beautiful and sometimes heart-breaking changes that can rock a family.

Dates: This production will open on 10/31 and run through 12/1.

Tickets: Please visit the Human Race Theatre Company website at www.humanracetheatre.org