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Karri O'Reilly

Returning to Toronto International Film Fest – 4 Years Later!

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Hello Dayton937!

It’s been 4 years since I’ve made the trip to Toronto for TIFF (The Toronto International Film Festival), and my soul has truly missed it.  I know that this year will be very different.  Not only has COVID changed how festivals work, the ongoing writer & actor strikes will also likely change the energy at this year’s festival.  Regardless, I’m anxious to go and submerge myself in multiple screenings of international cinema for 9 days.

The illuminated sign on King Street West indicates the start of the festival!

I’m feeling a little out of practice, but I hope to update you every day with details about the films I’m seeing, the Q&A’s I’m observing and the glitterati I’m spotting.  I’m not sure how many parties will be happening this year, but I hope to pop in on a couple.

For industry folks, the fest works a little different.  I will have an opportunity to see 10 films with the general public.  These are the screenings where directors, producers and stars might walk the Red Carpet and be interviewed for television.  When people think “glamorous film festivals,” these are the screenings that come to mind.  That said, the majority of the films I screen will be in multiplex settings with other press and industry folks.  I might get sandwiched between an international sales agent on one side and someone writing for HOLLYWOOD REPORTER on the other.  It’s fun to rub elbows with a variety of people who make this industry tick.

Maya Hawke as Flannery O’Connor in WILDCAT

I already have a handful of tickets to screenings and events.  In addition to the premiere of NORTH STAR on Opening Night (the directorial debut of Kristin Scott Thomas – starring Scarlett Johansson), Taika Waititi’s latest NEXT GOAL WINS and the anticipated feature WILDCAT (directed by Ethan Hawke and produced by Dayton’s own Karri O’Reilly), I’m so delighted that I scored a ticket to IN CONVERSATION WITH PEDRO ALMODOVAR – a sit down interview (Charlie Rose-style – but in front of an audience)  with my favorite filmmaker of all time!

I’ll try to stay on top of updating this blog on a daily basis after my first day of movie watching.  (Screenings start on Sept. 7 – and I’ll have a full day!)  I’ll screen films through the 15th and head back to Dayton on the 16th.

Thanks for reading.

More soon,

Jonathan

Ohio-born filmmakers come together to Make ‘The Big Ugly,’ starring Ron Perlman, Malcolm McDowell

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Directed, written and produced by Ohio native Scott Wiper, The Big Ugly makes its big screen debut this weekend at the Dixie Drive-In , followed by video on demand screenings next week.

The story of the film:  Neeyln (Vinnie Jones) has always been the loyal enforcer for crime boss Harris (Malcolm McDowell) back in London, taking care of problems and people that disrupt his illicit business. When Harris strikes a deal with an old friend – American oilman Preston (Ron Perlman) – they find themselves in the wild hills of West Virginia. Contracts are signed and the whiskey flows in celebration, but overnight Neelyn’s girlfriend disappears, last seen with Preston’s wayward son Junior. Lines are drawn between family and friends, but nothing will stop Neelyn from getting answers — and retribution.

Photos courtesy of 4G VISION

Dayton’s own  Karri O’Reilly, who served as a producer on The Big Ugly, befriended Wiper working with him on his early films in the ’90s, also said she had hoped to film the project in Ohio near her home in Dayton.

Karri O’Reilly

“I’m from Ohio, I love to work here. Scott’s from Ohio, he really wanted to do another movie here. Part of it was our bad, because we didn’t get in line(for the Ohio Film Tax Rebate), but it just shows why the tax incentive is such a critical piece to attracting projects, even homegrown projects,” O’Reilly said. “There’s nothing like making a movie at home.”  The movie ended up being filmed in Morehead, Kentucky  in six weeks over the summer of 2018.

Wiper and O’Reilly pulled from their Ohio networks to put together a cast and crew that drew in film industry workers from the state. That included Anne Taylor and Jaclyn Laravie doing makeup, Kevin Martt as best boy grip, Jane Streeter on locations, Mike Salamone as Grip, Jessalyn Lauree was an Asst to Malcolm McDowell, David Gewertz as background BG Wrangler, and many more.  Wiper estimated that about 75% of the film’s crew is from Ohio.

Many of the local film crew will meet up this Sunday at the Dixie Drive-In to see the film on the big screen.  Gates open at 8pm, the film will begin at 9:30pm. There will be a brief Q & A before the screening.

TIFF 2017 – Day #9

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Hello Everyone,

Today was my last day of screenings at TIFF 2017.  I’ve been all around the world on this trip to Toronto, and I ended up beating my record by one film this year.  In all (meaning I sat through each film entirely – I don’t count or report on the films I walk out of), I saw 34 movies…and I had a marvelous time.

My first film today was KINGS, directed by Deniz Gamze Erguyen.  Because Erguyen had directed MUSTANG (nominated for “Best Foreign Film” Oscar in 2016), I was looking forward to this film about a family caught in the middle of the L.A. riots starring Halle Berry.  Unfortunately, it’s a mess.  The family dynamics are complicated (Berry is a single mother and a foster mother to several children).  She bakes cakes for clients around town and relies on her oldest son to help keep all the kids in check.  Daniel Craig plays a crazy next-door-neighbor who likes to yield and occasionally shoot a shotgun into the air.  As racial tensions are escalating after the brutal police attack on Rodney King, Berry’s family is also going through transition…and everything starts to boil at the same time.  Erguyen attempts to inject the film with some visual poetry of lava boiling under the earth’s surface, but tonally it doesn’t work with some of the silliness we’re seeing on screen (like Berry’s outer space sex dream).  I wanted to like this film, but it just didn’t work.

Next up, I saw DON’T TALK TO IRENE, directed by Pat Mills.  We had Mills as a guest at the Dayton LGBT Film Festival a couple years ago, and I’ve been anxious to see what he would do next.  I’ll be honest, the trailer wasn’t doing much for me…but the film ended up being pretty terrific.  This charming (yet unafraid to be crude) tale of an overweight high school outsider who wants to be a cheerleader is very funny and engaging.  When she gets suspended at school, she has to do volunteer work at a retirement home as punishment.  What results is hilarious and quite touching.

https://www.youtube.com/watch?v=56xfd8POz4c

My last film of the day (and of the festival) was MY DAYS OF MERCY, directed by Tali Shalom-Ezer and shot in Cincinnati.  Dayton’s own Karri O’Reilly served as executive producer, and she invited me to be her “Plus One” for a lovely dinner & the film’s international premiere with some of the cast and crew (including the director, the Director of Photography, folks from Killer Films and more).  After the dinner, we all walked down the Red Carpet with fans, reporters and paparazzi clicking photos and hollering out for “Ellen” as we walked by (Ellen Page was right behind us, and everyone was hoping to get a great picture or an autograph).  The film was introduced by the director and all the key people from the film were onstage and thanked.  The film is a lovely, quiet romantic story about two women on opposing sides of the death penalty debate.  Starring Ellen Page, Kate Mara, Amy Seimetz, and Charlie Shotwell – the performances are all very strong.  This was the first time that many of the people involved with the film had seen it since the score had been added, and the crowd reaction went over quite well.  I think this film will find distribution, which doesn’t hurt to help secure even more films from shooting in the area.

So now I’m done with TIFF 2017.  I’ve seen some tremendous work, a few stinkers and quite few films that I think will do well at THE NEON.

Thanks so much for joining me on my cinematic journey.  (Below are a few pics from last night’s premiere.)

See you at the movies,

Jonathan

MANY CONGRATS to Karri O’Reilly & Her Team for a great film and a great premiere!

TIFF 2017 – Day #8

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Hello Everyone,

I’m starting to slow down.  A bit exhausted and a little sore (eyes, butt, etc.), it was time to scale back to four screenings today. Tomorrow will be my last day, and I’ll see even fewer because I have a big event on the books.  Dayton-based producer Karri O’Reilly (who has worked on numerous feature-length films around the world including BLUE CAR and CAROL) has a film premiering tomorrow night – MY DAYS OF MERCY (which shot in Cincinnati) – and she has invited me to be part of the festivities.  You’ll get all the latest before I head out of town on Saturday afternoon.

My first film for today was FILM STARS DON’T DIE IN LIVERPOOL, directed by Paul McGuigan.  Starring Annette Bening and Jamie Bell, this is the story of movie star Gloria Grahame and the last of her May-December romances.  At first, I found Bening’s accent and whispy delivery a little hard to take, but I eventually accepted it and fell for the chemistry of her and Jamie Bell (who is absolutely darling in this film).  The film has a jumpy structure, and I fear that some of our regulars (who prefer linear storylines) might get a little confused regarding the timeline.  Regardless, I think this is a film that could do well for us – especially if Bening gets an Oscar nomination.

MUDBOUND, directed by Dee Rees (PARIAH), was my second film of the day.  This film will get a very limited release (NYC and LA) and then go straight to streaming service on Netflix…which is too bad – because it works really well on a big screen.  That said, I think it will still be a big award contender this year.  With multiple protagonists/narrators, this is the story of two families in the deep South during World War II.  The racial tensions are heavy, and the stories are so well developed – a white family and a black family are trying to do the best they can for their families as they farm their land and try to encourage their children to excel.  This film, though set 80 years ago, is very timely…and it will break your heart.

DARKEST HOUR, directed by Joe Wright, has a lot of Oscar buzz for Gary Oldman playing Winston Churchill.  This is a film about the weeks leading up to Dunkirk…which has been a very popular theme this year (CHURCHILL, THEIR FINEST, DUNKIRK, and some television too).  This film is very polished and has some really wonderful moments, but I don’t completely agree with the Oscar buzz.  Is it a complete transformation?  Absolutely!  But I think his performance borders on camp – as some of his choices are very hammy and singsongy.  So I’m guessing I’ll be in the minority on this one.

MARROWBONE, directed by Sergio Sanchez (THE ORPHANAGE), was my final film of the day.  This ghost story/thriller is in the vein of THE OTHERS and SIXTH SENSE – but is clearly made for a more tweenage crowd.  It’s the story of a group of kids who lock themselves away from the world after the death of their mother.  With lovely photography and successful moments intended to make your jump, it works on a certain level…but the story too conveniently leaves out important plot points so it can reveal them later – which feels like cheating.  I also felt like some of the revelations were trite while others were genuinely fresh.

https://www.youtube.com/watch?v=1FaRYVCZZyo

Only one day of screenings left.  In some respects, those first movies I saw exactly a week ago seem so far away…but it also seems like I just got here yesterday.

I’m going to try and get a good night of sleep so I don’t scare people with bloodshot eyes tomorrow.

Thanks for reading,

Jonathan