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PNC Arts Annex

In Good ‘Company.’

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There’s a big basketball thing happening, and there is green beer a’plenty this week/end. Mixed in all the Hoop-La is a fun, poignant, respectable version of Sondheim’s COMPANY at the PNC Arts Annex. TheaterLab Dayton‘s enchanting stroll down the ins and outs of relationships has some real ‘moments’ that only live theater can provide. Centered around the internal conflict of ‘Bobby, Bob, Robert’ (Bobby Mitchum should be beaming about his performance as the lead!) and his desire to just feel something with someone, we meet some truly endearing couples…you’ll pick your favorite of the bunch, maybe the one you relate to most!

The show, odd for a Broadway Musical, really is about everyone and everybody, and nobody and nothing. The first act sets us up for what is to be the path to self-realization that nearly all of us face at one time or another. The energy of the show truly ‘builds’ throughout. Sondheim’s purposeful meandering between ‘happiness. craziness, and longing’ in relationships is a ride…so, relax and GO! The energy ‘pops’ when the maniacal Amy (Kara Hancock) gets to ‘Not Getting Married Today…’ an anthem for the ages. Her soon-to-be? husband, Paul (Joshua Silver Hughes) desperately seeks to save the day, and through it all Bobby watches as yet another ‘version of the ideal couple’ bounces recklessly down the aisle?? Hmmmmm.

Before we get there, we get to know the floundering other couples….the competitive neurotics, Sarah and Harry (played giddily by Allie Haines and Garrett Young); the ‘perfect couple,’ Susan and Peter ( played with complete charm by Danielle Ruddy and Derick Latimer), ; the drunk and do-gooder, Joanne and Larry, (brought to life with convincing chemistry by Lindsay Sherman and David Moyer), and the staid and plain Jenny and David ( solidly played by Abby Hoggatt and Philip Drennen ***Sidenote, Hoggatt’s voice in ‘Not Getting Married…’ is not to be forgotten!)

And, there are the girlfriends (Rachel Hertenstein, Brooke Cierra & Jackie Randall)  that pop in and out and bring to life  ‘Another 100 People & You Could Drive a Person Crazy….’ as well as pepper the plot with more trouble and tribulation for Robert.

The Second Act really picks up the pace and we dive through Bob’s ‘headwinds.’ ‘Side by Side by Side/What Would I Do‘ has moments where a solid wall of beautiful voices resonate in the theater! Bravo! And through it all, we just keep rooting for LOVE…be it in ‘Barcelona‘ or at a cocktail party thrown by the ‘ladies on their own behalf.’ All roads lead to the subtle yet impactful ending….on the tail end of the quintessential  ‘Being Alive.’ (That song still grips the heart!)

Directed by Mackensie King, with a sort of relaxed, casual appeal, you can see she trusts her cast. King sets a tone, and the cast moves forward with it! King put it like this, ‘This cast is beyond talented. Each one has really taken the time to dig deeper into their scenes, and figure out how their characters relate to the others.’ 

And the audience will connect…as Moyer put it ‘Through the laughs and the tears, I hope the audience finds that many times there is perfection in the imperfections.  We don’t all fit the same mold, or follow the same rules.  Your happiness is what you make of it, and ultimately finding that happiness is up to you, no one else.’

‘It feels like people-watching because you are getting a glimpse into the idiosyncrasies of other people’s relationships. We can nitpick at the things we think are crazy or endearing or loving, but really we all have them, and none of us in our relationships are perfect, and there’s beauty in that.’ Latimer added.

COMPANY delivers, sometimes boldly, other times with more fragility….but I guess that’s love after all!

See COMPANY

at the PNC Arts Annex.
Fri, 3/18
Sat, 3/19 at 2pm and 8pm.

Call 937-228-3630  or Daytonlive.org for tickets

VTA unveils newest performing arts space

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While the PNC Arts Annex has been open and operating for the past couple weeks, with performances from The Playground Theatre company The freshness and the potential of the space is undeniable. Located at the corner of Second Street and Ludlow, the PNC Arts Annex is a spacious and adaptable space for theatre, dance and music. As you walk into the lobby you first see the playful and skilled ceiling sculptural work of Landon Crowell. The Annex is made up of two main performing spaces. One is the highly adaptable black box theatre space with seating for just under two hundred. Also, the rehearsal space located on the Ludlow side of the building has the potential to be adapted for a variety of activities, only limited by the imagination.

As Dave Melin, President, PNC Dayton and Ty Sutton, the new CEO of the Victoria Theatre Association, unveiled the signage for the annex, I was struck by how people have been up in arms about the recent dark and sobering Frontline documentary and here was the the perfect antidote. The unveiling of new space for creativity and vitality. The investment in the future and private/public partnerships will make this turn around of Dayton meaningful and lasting. In the immortal words of Michelle Obama, “They go low, we go high” and look at what we can accomplish. Kudos to the Victoria Theatre Association for giving us another dream making space.

 

 

 

‘The Feast’ Review – Playground Theatre – Demons Within

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Ghastly, unearthly sounds shattering the psyche of a struggling New York artist provides the dramatic fuel for Cory Finley’s eerie yet bewildering 2015 Off-Off-Broadway comedic thriller The Feast, currently receiving an excellently chilling local premiere by Playground Theatre in the new PNC Arts Annex.

Rae Buchanan (Anna), Phillip Drennen (Man) and A.J. Breslin (Matt) star in Playground Theatre’s local premiere of “The Feast” Oct. 25-28 in the PNC Arts Annex. (Photo by Knack Creative)

Skillfully co-directed with contemporary horror flourishes and brooding intensity by Playground co-founders Jenna Valyn and Christopher Hahn, The Feast, the Playground’s fourth season opener, brings mental health to the forefront as Matt (a credibly shaken and overwhelmed A.J. Breslin) attempts to figure out why he hears something akin to “a dying whale” coming from his toilet. This is a serious concern, but Finley shortchanges the experience by not allowing a fuller picture into Matt’s background, particularly his childhood. The play’s freak-factor would’ve been raised significantly if, perhaps, Little Matt would’ve appeared to share a few scenes and offer a glimpse into what formulated the demons within. But as it stands, firmly in the present, Matt merely spends most of his time at odds with his girlfriend Anna (a resilient, mysterious Rae Buchanan) and encountering various individuals intent on making his emotionally damaged life more topsy-turvy including a frustrated plumber, an indifferent therapist and a close friend connected inside Manhattan’s thriving arts scene (all marvelously embodied with chameleon fluidity by Philip Drennen). Ultimately, Finley leaves many questions unanswered, opting instead for a plot meandering into predictable boyfriend/girlfriend revenge territory complete with an important meal served on the verge of feeling reminiscent of The Beguiled and Phantom Thread.

Rae Buchanan (Anna) and A.J. Breslin (Matt) are featured in Playground Theatre’s local premiere of “The Feast” Oct. 25-28 in the PNC Arts Annex. (Photo by Knack Creative)

Nevertheless, Valyn and Hahn, making great use of the Arts Annex’s thrust stage, fill the show with enough genuinely creepy moments to startle the senses, specifically bolstered by outstanding lighting design by Derek Dunavent and composer Skyler McNeely’s original soundscape splendidly blending pulsating suspense with rhapsodic melancholy. There is also an absolute whopper in the final seconds that makes this production totally unique and worthwhile, an apt description of the Playground pedigree.

The Feast continues through Oct. 28 in the PNC Arts Annex, Second and Ludlow Streets, Dayton. Performances are 8 p.m. Friday, 2 and 8 p.m. Saturday, and 2 p.m. Sunday. The play is performed in 65 minutes. Tickets are $15-$20 and can be purchased by calling Ticket Center Stage at (937) 228-3630 or visiting ticketcenterstage.com. Also, some of the various pieces of artwork in the show, which have been created by local artists, will be auctioned in support of Roochute, which “creates conversation about mental health and promotes acts of kindness to the world.” For more information about the auction, visit pgdyt.org/auction. For more information about Playground Theatre, visit theplaygroundtheatre.org.