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On Stage Dayton

Scripted: Shining A Spotlight Behind The Scenes **Ticket Contest**

May 19, 2014 By Dayton Most Metro Leave a Comment

10782846618242750364See up close and personal the stressful procedure professional actors must endure in this ultra-competitive industry to land a coveted role in a feature film. Watch how a director, producer and screenwriter works with actors to improve their performance and the transformation of the actors as they follow this direction.

 

The Concept–Scripted is as an interactive evening of entertainment, auditioning, screen testing, and fun, providing an inside look at how feature films are cast and how directors, producers and writers discover and guide actors to maximize their performances.

[yframe url=’http://www.youtube.com/watch?v=hRFtDyVe3M0#t=14′]

Local actors from across Ohio will be auditioning for roles in feature films that will be taped and reviewed and graded by Hollywood director/producer Jijo Reed. In addition, the live audience will be able to voice their opinions and submit a report card grading the performance of each actor.

 

Finally, some members of the audience will be encouraged to come on stage and read a scene from the script and go through the same evaluation process as the actors and probably learn it’s not as easy as it looks.

 

Fat Girl, Thursday May 22 at 7pm

fat girl wip artwork from jijo 3-3-14Following her mother’s death, a morbidly obese girl is put into a medically induced coma by a doctor and lawyer who are financially rewarded as long as the girl. After 10 years she awakens as a size 6 but her recurring, realistic dreams filled with erotic feelings and visions lead her to seek the truth and if deserved, revenge.

Baby fat is what her mother’s friends call it. They say Sara’s just healthy and will outgrow it. When Sara is 8, she weighs 142. At 15, 265. At her high school graduation 435. At 24 Sara’s bedridden and weighs over 800 pounds. Her mother spends hundreds of thousands of dollars on doctors trying to gain control of Sara’s weight. Nothing works. Then Sara’s mother, a single parent, discovers she’s terminally ill. She decides she needs someone to take care of Sara 24/7 after she’s dead. Someone motivated who can also manage the $100 million estate Sara will inherit from her mother. She decides a young attorney from Chicago, Brandon Parrish would work out just fine. Elaine also has other plans for Brandon.

Brandon is an estate attorney who sees himself as an actor in Hollywood. When Sara’s mother approaches him with an offer to take care of her daughter after she’s dead Brandon scoffs at the idea. But he then learns he will make $250,000 every year Sara lives and a $1 million bonus on each 4 year anniversary of Sara’s life. Brandon takes the deal. He enlists the help of a former frat brother now a physician and they come up with a medical plan to keep Sara alive. It’s called a coma. It works. Sara loses weight. As she does she transforms from an amorphous mound of flesh into a human being, into a woman, into an extremely attractive woman who aided by plastic surgery and an unlimited wardrobe budget, becomes a stunning woman. Brandon falls in love with the woman in the coma. When Sara awakens from the coma 10 years later, she has dreams of someone coming to her in the darkness. She can feel a touch, pain and the scent of someone. But are they dreams? When she learns the truth she has plans of her own.

 

Other Upcoming Scripted Events:

Stats      June 26, 2014
American elections rest on statistics that come from sources we know nothing about. How do we know the numbers are accurate? Do we care? What if someone lied about statistics that could turn an election and would kill to protect their right to do so? What if we had been lied to about these stats for 60 years?

 

Unsolicited      July 24, 2014

A grieving fiction editor struggles to make sense of strange experiences after receiving an unsolicited manuscript that depicts her life-and death- in the plot.

 

DMM Ticket Contest

We’ve got a pair of tickets for the Thursday, May 22nd performance.  If you’d like to be entered in a drawing to win just like this post and fill out the form below.  Wanna influence the drawing?  Leave us a comment below on why you should win! [form 55 “DMM Contest Entry – Generic”]

Filed Under: On Stage Dayton Tagged With: Jijo Reed, Mark Donahue, Scripted

‘Oklahoma!’ Review – Dayton Playhouse – Smokehouse Showdown

May 9, 2014 By Russell Florence, Jr. Leave a Comment

Rodgers and Hammerstein’s “Oklahoma!,” the landmark 1943 musical concerning love and statehood circa 1906 in Oklahoma territory based on Lynn Riggs’ 1930 play “Green Grow the Lilacs,” thrives on its engaging romance between a stubborn farm girl and her folksy suitor. Even so, there is another relationship, a truly alluring collaboration, key to the appeal of the Dayton Playhouse’s entertaining if off-kilter presentation.

oklahoma

David Hallowren (left) and Jeff Sams in the Dayton Playhouse production of “Oklahoma!” (Photo by Art Fabian)

 

Late in Act 1, an absolute highpoint, cowboy Curly McClain (an immensely charismatic Jeff Sams) arrives at the pornography-adorned smokehouse of surly ranch hand Jud Fry (an impressive David Hallowren). Both men vow to win the heart of Laurey Williams (Amanda Carter), but Curly particularly knows deep within that Laurey only pines for and intends to be with him. Still, Jud has the upper hand for the time being since Laurey promised to go with him to a box social despite Curly’s bewildered disdain. Under director Brian Sharp’s delicate guidance, the fascinating tug-of-war transpiring here over casual conversation and a few shots of gunfire wonderfully conveys the determination and jealousy fueling Curly and Jud’s inherent friction. In fact, Sams, carefree yet astute, hits all the right marks in an appropriately impromptu fashion while building the morbid gem “Pore Jud is Daid,” a humorously somber portrait of Jud’s demise. Having winningly interpreted Curly’s knack for fantasy in “The Surrey With the Fringe on Top,” Sams conjures another imaginary premise with colorful nuances freshly heightening the tune, particularly as Hallowren ensures the clueless Jud falls for the silly scenario perhaps due to nothing more than momentary masculine companionship. When Curly leaves the smokehouse, after intimidating Jud to the core with his confident swagger, Jud’s pain as an unloved, detached outcast is powerfully examined by Hallowren in his dynamic rendition of the haunting, underrated “Lonely Room” filled with ample heartache, vengeance and frightening decisiveness.

Sams and Hallowren are a significant pairing primarily because of Carter’s vocal limitations hindering the cohesion she tries very hard to maintain opposite the more vocally firm Sams. Carter is an endearing presence and gives credence to Laurey’s hopeful yearnings, but the score is simply beyond her range, particularly “Many a New Day” and “People Will Say We’re in Love.” As ruthless peddler Ali Hakim, Christopher Delanis (an amusing Hero in the University of Dayton’s recent “A Funny Thing Happened on the Way to the Forum”) is equally uneven, providing an overly meek, tentative and exasperated portrayal absent of salesman-like savvy and go-getting vigor. Even “It’s a Scandal! It’s an Outrage!,” Ali’s signature tune, falls flat despite cheery backup from the male ensemble.
Nonetheless, this production has its share of strong principals and featured performers. As Aunt Eller, the outstanding Karen Righter provides a wonderfully earthy sparkle, specifically bringing substantive radiance to Eller’s words of wisdom directed to Laurey late in Act 2. Kelli Locker is chock-full of fiery abandon as the hopelessly flirtatious Ado Annie Carnes. Matthew Glenn is a delightfully dimwitted Will Parker. Shawn Hooks is effectively authoritative and sly as Andrew Carnes. Ben Douglas (Ike Skidmore) and Zack Conway (Slim) pleasantly partner as Will’s friends. The absolutely luminous Tiffany Cichanowicz captivates as Dream Laurey in the favorably abridged Dream Ballet, beautifully choreographed by Barbara Pontecorvo.
Notable choreography is also offered by Paige Hanshaw, especially in the rousing “The Farmer and the Cowman.” In-demand scenic designer Chris Newman returns to the Playhouse to create a striking set depicting an authentic homestead essence. Kathleen Carroll supplies fine period costumes. John Falkenbach’s lighting design aptly captures varying moods. Musical director Ron Kindell leads another terrific orchestra.

 

“Oklahoma!” continues through May 18 at the Dayton Playhouse, 1301 E. Siebenthaler Ave., Dayton. Performances are Fridays and Saturdays at 8 p.m. and Sundays at 2 p.m. Act One: 90 minutes; Act Two: 50 minutes. Tickets are $17 for adults and $15 for seniors and students. For tickets or more information, call (937) 424-8477 or visit online at www.daytonplayhouse.com.

In addition, the Friday, May 16 performance will be “Western Wear Night.” Patrons are encouraged to dress in their favorite farmer or cowboy/cowgirl attire. In addition, two special picnic hampers, containing gift certificates for fried chicken and other picnic delicacies from Benjamin’s Restaurant and sweet treats and coffee from Winans Fine Chocolates and Coffees, will be raffled, as a fundraiser, during all performances and awarded after the closing performance Sunday, May 18. Raffle tickets will be $1 or six for $5.

 

In related news, the Dayton Playhouse’s 2014 FutureFest of new plays will be held Friday, July 25-Sunday, July 27 at the Playhouse. From a total of 151 submissions across the country, the six finalists are: “Masterwork” and “The Paymaster” by Dayton native M.J. Feely (a previous winner and third playwright to have two plays in final six), “Sugarhill” by Linda Ramsay-Detherage, “The Humanist” by Kuros Charney (previous semi-finalist), “The Killing Jar” by Jennifer Lynne Roberts, and “Wash, Dry, Fold” by Nedra Pezold Roberts (previous semi-finalist). Auditions will be held Sunday, June 1 at 2 p.m. (all plays), Monday, June 2 at 7 p.m. (fully staged plays) and Tuesday, June 3 at 7 p.m. (staged readings). Anyone interested in directing or serving as a member of the production staff should e-mail FutureFest program director Fran Pesch by May 15 at [email protected]. FutureFest weekend passes will go on sale Wednesday, June 11. Single tickets will go on sale Tuesday, July 1. For more information, visit www.daytonplayhouse.com

 

 

Filed Under: On Stage Dayton Reviews, The Featured Articles Tagged With: David Hallowren, Dayton Playhouse, Jeff Sams, Oklahoma!

Town Hall Theatre Goes Green in May!

May 2, 2014 By Dayton Most Metro Leave a Comment

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Pictured L to R: Stephanie Radford as Donkey, RJ Steck as Shrek, Montana Iverson as Lord Farquaad and Gwyn Burton as the Princess Fiona. Picture taken by Mike Long.

Audiences can leave their table manners at the door this month. This show has it all! Burping at the table? Check! Passing gas in public? You bet! Smelling like a rotted swamp? Don’t you know it! An ogre rising above it all to save the kingdom and rescue the princess? Double-check!

 

Shrek, The Musical, based on the Oscar® winning DreamWorks film, a green-faced ogre romps through an adventure like no other hero could in this hilarious send-up of childhood’s best-loved fairy tales!

 

In a faraway kingdom turned upside down, things get ugly when an unseemly ogre – not a handsome prince – shows up to rescue a feisty princess. Throw in a donkey who won’t shut up, a bad guy with a SHORT temper, a cookie with an attitude and over a dozen other fairy tale misfits, and you’ve got the kind of mess that calls for a real hero. Luckily, there’s one on hand…and his name is Shrek.

 

Full of all-new songs, great dancing and breathtaking scenery,Shrek, The Musical is part romance, part twisted fairy tale and all irreverent fun for everyone!  Don’t miss the fun all this month. Washington Township’s Town Hall Theatre goes green from May 2- May 18.  Shows are Friday nights at 7pm and Saturday and Sunday matinees at 3pm.  More information and tickets online! 

Filed Under: On Stage Dayton Tagged With: shrek, The Musical, Town Hal Theatre

After-School Program to Perform Willy Wonka Kids the Musical

April 29, 2014 By Dayton Most Metro Leave a Comment

Willy WonkaEast End Community Services’ Miracle Makers After-School program will perform Willy Wonka KIDS the musical on Thursday, May 1st and Friday, May 2nd at 5:30pm at Ruskin PK-8 School, located at 407 Ambrose Ct. Dayton, OH 45410.

Roald Dahl’s Willy Wonka is the timeless story of the world-famous candy man and his quest to find an heir. This story comes to life in this special 30-minute stage adaptation of Charlie and the Chocolate Factory, which
features songs from the classic family film Willy Wonka and the Chocolate Factory. There is no admission charge for the performance or the reception following each performance, but reservations are required. To
reserve your FREE tickets, please call 937-542-5678.

Willy Wonka KIDS is produced by the 147 kindergarten through fifth grade students participating in East End’s Miracle Makers Program, alongside the Miracle Makers staff. The production is a culminating event for
this past quarter’s SPARK workshops in which children get the opportunity for deep learning through hands on projects. “The making of Willy Wonka has been a magical experience for all those involved. New skills,
talents, and passions have blossomed and students have literally found their voices. In the words of Willy Wonka, ‘We are the makers of music and the dreamers of dreams’” said Ellen Mays, Director of Miracle
Makers. This experience has meant a lot to the students that have been a part of it. Mason Frazier, the fifth grade student playing the role of Charlie said, “It feels good to be a part of this! The thing I like best about it is
that I love signing ‘I’ve got the golden ticket’ because I sing most of it by myself. I feel proud and nervous at the same time!”

Miracle Makers is a cornerstone program of East End Community Services that has served the children of East Dayton for 16 years. This program seeks to support student academic achievement by extending the school
day with individualized tutoring, and project-based learning opportunities called SPARKs. Teachers and parents of Miracle Maker students say that SPARK workshops are making a difference in the positive development of their children. “It is important that the community provides complementary learning opportunities beyond the school day,” said Jan Lepore-Jentleson, Executive Director of East End Community Services. To reserve your free tickets to the show and reception, please contact Ellen Mays at (937) 542-5678 or [email protected].

Filed Under: On Stage Dayton Tagged With: Charlie and the Chocolate Factory, East End Community Services, Ellen Mays, Jan Lepore-Jentleson, Mason Frazier, Miracle Makers After-School Program, Roald Dahl, SPARKs, Willy Wonka, Willy Wonka and the Chocolate Factory

SMAG Dance Collective’s 10th Season Finale Comes to the Dayton Playhouse

April 28, 2014 By Dayton Most Metro Leave a Comment

SMAGSave the date! for SMAG Dance Collective’s 10th Anniversary Season Spring Fling concert which takes place on May 24h at Dayton Playhouse, 1301 E. Siebenthaler Ave, Dayton, Ohio 45414.

Show times are 4:00pm and 8:00pm.  Tickets can be purchased at www.smagdance.org and Brown Paper Tickets.

Spring Fling is purely devoted to the art of dance; challenging, physical, dynamic and insightful works are performed.  This 10th Anniversary Season’s Spring Fling Concert features the work of many of Dayton’s OWN, so #dateyourcity

SMAG’s 10th Anniversary Season Spring Fling features the work of nearly 10 choreographers, and SMAG is proud to present the work of the exceptionally artful, Rodney Brown, Founder/Director of the Brown Dance Project, the intensely moving work of fellow dancer and life-long friend, Shonna Hickman-Matlock, Director of DCDC2, and the work of Rodney Veal, for whom there are many accolades, and yet who is a humble man who lives art in a way that only he can and our community is blessed by his amazing gifts.

SMAG’s Spring Fling also serves as a showcase for emerging choreographers such as this season’s veteran company member and Assistant Director, Taiesha Green and first year company member, Rachelle Cartee.

This 10th Anniversary Season’s Spring Fling also features the work of Deniz and Renee McClendon.  These women are long time contributors to the body of work that is dance in Dayton, Ohio, and SMAG Dance Collective is excited to share the stage with these choreographers and their dancers.

Spring Fling is very much representative of the company’s mission which is to provide opportunity for dancers and choreographers, educate and entertain diverse audiences, and to bridge the gap between artists, arts organizations and the community.

SMAG Dance Collective extends its heartfelt thanks to everyone who contributed to the company’s Spring Fling power2give campaign and also to Culture Works!

SMAG’s programming is made possible by grant funding from the Ohio Arts Council, private donors, in kind donations from volunteers and local businesses, and most recently, with the help of Culture Works’ power2give launch.

SMAG Dance Collective is a nonprofit 501(c)(3) organization.

Filed Under: On Stage Dayton Tagged With: Brown Dance Project, Dayton Club Scene, Dayton Playhouse, DCDC2, Rodney Brown, Rodney Veal, Shonna Hickman-Matlock, SMAG Dance Collective, Spring Fling

‘An Inspector Calls’ Review – Dayton Theatre Guild – Evening Confessions

April 25, 2014 By Russell Florence, Jr. Leave a Comment

inspector

The cast of “An Inspector Calls” (Contributed photo)

J.B. Priestley’s 1945 drama “An Inspector Calls” is an engrossing, humorous, well-acted, and handsomely designed display at the Dayton Theatre Guild.

Breezily presented in three acts, Priestley’s thorough if heavy-handed chastisement of the privilege and personality of the upper class, an obvious portal into his own staunch views of socialism, concerns the Birling family of Brumley, England circa spring 1912. Inside their beautifully decorated dining room (superbly envisioned with dramatic flair by Chris Newman), the Birlings (attractively costumed with period panache by Carol Finley) gather for a dinner party celebrating Sheila Birling’s engagement to Gerald Croft. But joyful optimism suddenly subsides when the mysterious Inspector Goole arrives to aggressively interrogate everyone about their connection to the suicide of Eva Smith, a factory girl employed by Arthur, the family patriarch. It’s a stretch to assume the entire Birling clan came in contact with Eva (also known as Daisy Renton), but Priestley masterfully weaves credibility by building his case on classism. Goole adamantly feels the Birlings took advantage of Eva simply due to her status, particularly her monetary woes that ultimately lead her on a destructive path.
Director David Shough (responsible for last season’s impressive, tech-savvy production of “Dracula” at the Dayton Playhouse) once again utilizes music to heighten emotions. In this instance, flavorful strains give the drama a pinch of extra spice while simultaneously poking fun at its mystery/thriller essence. More importantly, Shough skillfully coaxes excellent, captivating portrayals from the principal players radiating with genuine passion and sophisticated authenticity.
The formidable Dave Nickel, intimidating and resolute, commands attention and vigorously propels the drama as Inspector Goole. Nickel is specifically astute at scolding in a manner that doesn’t feel excessive or cumbersome. Charles Larkowski, effortlessly firm, expertly embodies Arthur’s brash, forthright, capitalist mindset, which splendidly sets the play’s tone as a reflection of the ostentatious spirit of his fellow industrialists. “We don’t guess, we have experience, we know,” boasts Arthur ominously less than a month before the Titanic sails on her ill-fated maiden voyage. Larkowski also shows great vulnerability as accusations rise within Arthur’s imploding world. The remarkable Annie Branning, in her Guild debut, exquisitely counters as Sybil Birling, Arthur’s dutiful, headstrong wife who takes Goole to task with powerfully defensive pizzazz. As Sheila, Caitlyn Maurmeier, in another fine Guild debut, showcases a lovely evolution from innocence to spitefulness as her relationship with Gerald slowly disintegrates. Maximillian Santucci (a standout last season in the Guild’s local premiere of “100 Saints You Should Know”) underplays appealingly as Gerald, tenderly recounting his compelling history with Eva/Daisy in Act 2. As Eric Birling, Leonardo Santucci, delivering a breakthrough performance, oozes fiery contempt in Act 3 opposite Larkowski in an intense father-son showdown. Christina Tomazinis (as maid Edna) and Jamie McQuinn (as a Beggar) are underutilized but nonetheless serve as intriguing kindred spirits within the action.
“We don’t live alone,” Goole declares whether the Birlings like it or not. Without a doubt, “An Inspector Calls” prompts us to value sympathy and compassion in a world that continually places more significance in individualism.

 

“An Inspector Calls” continues through May 4 at the Dayton Theatre Guild, 430 Wayne Ave., Dayton. Act One: 40 minutes; Act Two: 42 minutes; Act Three: 37 minutes. Performances are Fridays at 8 p.m., Saturdays at 5 p.m., and Sundays at 3 p.m. Tickets are $18 for adults, $16 for seniors, and $11 for students. For tickets or more information, call (937) 278-5993 or visit www.daytontheatreguild.org

In related news, the Dayton Theatre Guild’s 2014-15 season will consist of Lee  Blessing’s “Nice People Dancing to Good Country Music” (Aug. 22-Sept. 7, directed by Ralph Dennler), David Lindsay-Abaire’s “Good People” (Oct. 3-19, directed by Debra Kent), Amy Herzog’s “4000 Miles” (Jan. 9-25, directed by Kathy Mola), Eugene O’Neill’s “Desire Under the Elms” (Feb. 27-March. 15, directed by Craig Smith), Jane Martin’s “Criminal Hearts” (April 17-May 3, directed by Saul Caplan), and George Bernard Shaw’s “Heartbreak House” (May 29-June 14, directed by Patrick Hayes).

 

 

Filed Under: On Stage Dayton Reviews Tagged With: An Inspector Calls, dayton theatre guild

‘Bring it On’ Review – Victoria Theatre Association – Smells Like Teen Spirit

April 23, 2014 By Russell Florence, Jr. Leave a Comment

showFun, sassy exuberance is the bill of fare at the Schuster Center as the appealing national tour/ local premiere of “Bring it On: The Musical” charms and entertains.
Presented as a special Star Attractions courtesy of the Victoria Theatre Association, “Bring it On,” a 2013 Tony Award nominee for Best Musical, effectively adheres to the silly, fluff-filled cinematic franchise of the same name launched in 2000 starring Kirsten Dunst. Popular Truman High School cheerleader Campbell (truly delightful triple threat Nadia Vynnytsky) is thrown for a loop when she’s suddenly redistricted to urban Jackson High School. In an attempt to assimilate as best as possible, Campbell joins Jackson’s flavorful hip-hop crew led by the fiery, no-nonsense Danielle (a marvelously commanding, vocally strong Zuri Washington). However, Campbell’s insistence that Jackson create a squad that can match the Truman team, now led by the wholesome yet treacherous sophomore Eva (a fittingly coy Emily Mitchell, who was replaced in Act 2 at the performance attended by the comical Mia Weinberger), is a morale-boosting decision that ultimately evolves with disheartening repercussions which shape the musical’s engaging viewpoints of friendship, disloyalty, identity and forgiveness.
Tony-winning librettist Jeff Whitty (“Avenue Q”) crafts a thoroughly engaging and witty look at contemporary high school life although Truman lacks the personality and depth of Jackson. The catchy, tuneful score, co-composed by Tony and Pulitzer Prize winner Tom Kitt (“Next to Normal”), Tony nominee Amanda Green (“Hands on a Hardbody”) and Tony winner Lin-Manuel Miranda (“In the Heights”), contains too many similarly introspective ballads for Campbell, but the upbeat, hip-hop-infused numbers are scintillating, especially “Do Your Own Thing,” “We Ain’t No Cheerleaders,” “Friday Night Jackson,” and “It’s All Happening.”
In addition to the aforementioned principals, excellent performances extend to the hilariously spunky Maisie Salinger as Campbell’s goofy friend Bridget, the terrifically spicy Sharrod Williams as the uniquely flamboyant La Cienega, Jennifer Geller as La Cienega’s lively cohort Nautica, Bailey Purvis as Truman mean girl Skylar, the charismatic Tyler Bertolone as Campbell’s unpretentious love interest Randall, Andy White as Campbell’s dopey ex-boyfriend Steven, and Erin L. Fleming (Twig) and AJ Lockhart (Cameron) as playful Jackson students.
Tony-winning director/choreographer and Cincinnati native Andy Blankenbuehler (“In the Heights”) keeps the fast-paced action breezy and fluid. His sharp vision is nicely complemented by Jeff Sugg’s eye-catching video design, David Korins’ efficient sets, Jason Lyons’ expert lighting, Cody Spencer’s first-rate sound design, and Andrea Lauer’s colorful costumes. Still, Blankenbuehler absolutely pulls out the stops with his jaw-dropping competition routines spotlighted in “What I Was Born to Do,” “Legendary,” “Cross the Line,” and the title number. When this cast flies into the air with zestful abandon, “Bring it On” thrillingly soars.

 

“Bring it On: The Musical” concludes tonight at 7:30 p.m. at the Schuster Center, Second and Main Streets, Dayton. Act One: 58 minutes; Act Two: 60 minutes. Tickets are $25-$70. Students are encouraged to take advantage of the student rush discount for half off tickets. For tickets or more information, call Ticket Center Stage (937) 228-3630 or visit www.ticketcenterstage.com

 

 

 

 

 

 

Filed Under: On Stage Dayton Reviews Tagged With: Bring it on, Victoria Theatre

WSU SPRING DANCE CONCERT 2014

April 19, 2014 By Dayton Most Metro Leave a Comment

WSU Dance 1Announcing our versatile program for the WSU Dance Concert 2014!  We invite you to experience the innovation and virtuosity of the WSU Dance Ensemble and guests, Dayton Ballet II and Dayton Contemporary Dance Company II on April 24 at 7:00, April 25 and 26 at 8:00, April 27 at 2:00. Adults/$10, Students/$5   Box Office:  937.775.2500.  Works span from the abstract to traditional, the athletic to the emotional. This year’s concert features six world premiere pieces reflecting the vitality of our Dance Program. We are especially thrilled to showcase an emerging, dynamic choreographer, Shannon Bramham, who will present the premiere of “Let It Go.”  Shannon, a company member of the national and internationally renowned Koresh Dance Company, choreographed the work on the WSU Dance Ensemble during her November residency. Works by Teressa Wylie McWilliams, Gina Walther, and Justin Gibbs as well as guest pieces by DB II and DCDC II as well as senior Abby Leithart provide a multifaceted concert.  Please join us for an evening celebrating the poetry and power of movement!

Choreographic Works include…

Let It Go, Premiere, choreographed by guest choreographer Shannon Bramham…“though we spend the majority of our lives waiting in daily situations, the difficult and emotional waiting we endure for the passing of a loved one becomes the spark for this work and the moment when you let them go.” 

Pull, Premiere, choreographed by Gina Walther…“describes the building of tension in movement and in relationships, the ten dancers perform with dynamic intensity and realism to the gorgeous music of Ezio Bosso.”

…transcending tides…, Reconstruction, choreographed by Teressa Wylie McWilliams…. “a visual landscape in movement inspired by the notion of transcending from a place of negativity and darkness to a place of freedom and celebration…shedding our protective layers in order to see all beings with clear eyes.”

They have escaped the weight of.…, Premiere, choreographed by Justin Gibbs…“about going beyond the things that hold us back so we can find our way back to our flock. Once more it gives us the courage to lead, not just ourselves, but others into an unknown darkness that is full of hope.”

Additional Works by guests Dayton Contemporary Dance Company II and Dayton Ballet II!  We invite you to experience the versatility and power of movement with us!WSU Dance 2

ALSO:   DANCE INTENSIVE, SATURDAY, April 26, 10 AM  –  4 PM

Wright State University will conduct the seventh annual Dance Intensive Workshop on Saturday, April 26, 2014 from 10am-4pm. The faculty and students of Wright State University’s dance program want to share our dance experience with all students, age 14 and older, who are interested in sampling a variety of dance styles. Faculty members Teressa Wylie McWilliams, Gina Walther, Justin Gibbs, and Greg Hellems and along with various guest instructors will teach technique classes in jazz, tap, modern, ballet, pointe, hip-hop and lyrical. Each participant will receive a complimentary ticket to the Spring Dance Concert. The cost for the entire day is only $45.

For more information, registration and schedule of classes, log onto our WSU website at www.wright.edu/dance and click on Dance Intensive or call 937.775.3792.

 

Filed Under: On Stage Dayton, The Featured Articles Tagged With: Dayton Ballet II, Dayton Contemporary Dance Company II, Koresh Dance Company, Let it Go, Shannon Bramham, wright state university, WSU Dance Concert, WSU Dance Ensemble

‘Memphis’ Review – Victoria Theatre Association – Music of the Soul

April 11, 2014 By Russell Florence, Jr. Leave a Comment

memphis

Jasmin Richardson and Joey Elrose in Memphis (Contributed photo)

The current national tour of Joe DiPietro and David Bryan’s “Memphis,” recipient of the 2010 Tony Award for Best Musical, vigorously thrills with potency and heart in its firm local premiere at the Schuster Center courtesy of the Victoria Theatre Association’s Premier Health Broadway Series.

Set in the 1950s and based on a concept by George W. George, “Memphis” centers on the forbidden interracial romance between kooky DJ Huey Calhoun (an immensely amiable Joey Elrose) and R&B nightclub singer Felicia Farrell (a radiant Jasmin Richardson). Huey, an uneducated outcast who feels a deep kinship to black music culture, longs to turn Felicia into a star thanks to the popularity of his radio show, but his dream isn’t universally embraced. In fact, Huey and Felicia face significant challenges as they seek to make their relationship work in a segregated climate. Huey’s mother and Felicia’s brother particularly express their contempt, fueling the production’s forthright authenticity to appropriately shocking degrees. Even so, Huey and Felicia’s charming, heartbreaking journey smoothly drives the action, accented by a very tuneful score and complex characterizations.
The endearing, goofy Elrose injects great persistence, determination, arrogance and stubbornness into the socially awkward Huey, loosely inspired by trailblazer Dewey Phillips who was the first DJ to play Elvis Presley’s debut record. Elrose specifically gives Huey’s passionate anthem “Memphis Lives in Me” an aptly earnest treatment. Vocal powerhouse Richardson, fierce and vivacious with an appealing Diana Ross sensibility to boot, provides dynamite renditions of “Make Me Stronger,” “Colored Woman,” “Someday” and “Love Will Stand When All Else Falls.”
Well-defined, engaging supporting portrayals are offered by RaMond Thomas as Felicia’s hardnosed, overprotective brother Delray, D. Scott Withers as Huey’s boss Mr. Simmons, Kyshawn K. Lane as the timid Gator, Jerrial T. Young as the bubbly Bobby, and Pat Sibley as Huey’s bigoted Mama. Thomas’ fiery “She’s My Sister” and Sibley’s humorous “Change Don’t Come Easy” fittingly add spice and color to their solid work.
Christopher Ashley’s original direction and Sergio Trujillo’s original choreography is smoothly, respectively recreated by Adam Arian and Jermaine R. Rembert. Rembert’s contributions distinctively retain Trujillo’s astuteness and vivacity, especially the exuberant “Radio” skillfully commenting on race through dance in an inspired manner not seen since Jerry Mitchell’s exhilarating choreography for “Hairspray.”
David Gallo’s terrifically stark sets, Paul Tazewell’s attractive period costumes, Howell Binkley’s expert lighting, and conductor Alan J. Plado’s first-rate orchestra are additional attributes of this energetic showcase.
“Memphis” continues through April 13 at the Schuster Center, Second and Main Streets, Dayton. Performances are today at 8 p.m., Saturday at 2 and 8 p.m. and Sunday at 2 and 7:30 p.m. Act One: 75 minutes; Act Two: 55 minutes. Tickets are $40-$96. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit ticketcenterstage.com.

 

Filed Under: On Stage Dayton Reviews, The Featured Articles Tagged With: Memphis, Schuster Center

Cautiously Optimistic Step in the Right Direction

April 7, 2014 By Rodney Veal Leave a Comment

10246470_10151947842630448_8714991152748457916_nAs I arrived at the Victoria Theatre on spring-like Sunday afternoon, I was curious to see how this season would end for this venerable troupe. While there were a few surprises, the final spring concert of the Dayton Ballet season ended on a quiet note.

The concert began with former artistic director Dermott Burke’s Fete des Courtiers; a swirling confection of neoclassical formalism, it was perfectly perfunctory in form and execution as couples moved through formations that hinted at a noble engagement. While Fete Des Courtiers broke no new ground choreographically, it nevertheless engaged both the performers and the viewer.

Susanne Payne’s Interactions was a winner of the choreographic competition that Dayton Ballet held three years ago and it has not lost1393537_10151910517295448_940011296_n any of it’s charm or choreographic vitality. I have always believed that Ms. Payne is a tremendous artistic asset to Dayton Ballet and to the cultural fabric of our community when she creates works like this. Her talents for generating unique movement vocabulary is wildly entertaining. This was the first time we had a chance to explore the talents that she possesses and she continues to grow and develop artistically. It is evident that over the past few years Dayton Ballet has benefited from an influx of new performers with their energy and ability to tackle the modernist movement vocabulary of Ms. Payne; in turn helping to illuminate her work to dazzling effect. Interactions felt as vibrant and thrilling now as its did during its world premiere a few years ago.

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Jessica Lang

Next up on the bill was Jessica Lang’s From Foreign Lands and People. And what a powerful and unique work. When the curtaine opened we were presented with several four-sided columns from five to ten feet tall as well as a group of dancers. As a viewer you were automatically expecting some interaction or engagement with the columns. As the work progressed you were surprised just how farthat interaction would go. The dancers manipulated the columns into slides and hurdles that they moved across, rolled and leaped under and over, respectively. They then proceeded to stack the columns into evocative sculptural tableaus. The choreography was sublime in the economy of its construction. Jessica Lang weaved a magical spell on the audience that left more than one person in the theatre swooning with giddy satisfaction. This is a work that bears repeating and deserves to be in the repertory of the company. It is a sure fire audience pleaser and beautifully constructed work of art.

The concert concluded with Karen Burke Russo’s Canyons, a semi-abstract work that highlights her skills as a choreographer to maximum effect. Canyons evoked a Native-American motif in the imagery and movement vocabulary without being so literal as to fall into tropes and mawkish triviality. The dancers danced it with a beautifully modulated sense of control and abandonment, which they displayed consistently throughout the concert. Dayton Ballet is benefiting from a similar scenario that exists for Dayton Contemporary Dance Company; an A company of young and eager performers that are pushing the performance quality of older works in the rep as well providing a blank canvas for new and thrilling choreographers in which to create their particular form of artistic alchemy. Now is the time to be bold and decisive. While it may not draw record crowds, it makes a better case for relevancy and the right for continued support from the community.

Filed Under: On Stage Dayton Reviews Tagged With: Dayton Ballet

A sychronized DCDC at the Dayton Art Institute

April 3, 2014 By Rodney Veal Leave a Comment

1526687_10152051825110698_917156290_nAnother excellent chance to see the Dayton Contemporary Dance Company as it presents Synchronicity, a unique concert in collaboration with student musicians attending two of the company’s university partners, Central State University and Wright State University as well as South Dayton Dance Theatre. Special guest artist, Dayton’s very own renowned jazz musician, Khalid Moss and his Trio, will also perform. Mr. Khalid’s trio features Eddie Brookshire on bass and Fenton Sparks on drums. The performance takes place on Saturday, April 5, 2014 at 7:30pm and Sunday, April 6, 2014 at 3:00pm in the Renaissance Auditorium at the Dayton Art Institute.

For tickets to Synchronicity  please contact Ticket Center Stage at 937-228-3630 or 888-228-3630 or www.ticketcenterstage.com.

Filed Under: On Stage Dayton Previews Tagged With: DCDC, Khalid Moss

‘Other Desert Cities’ Review – The Cost of Thriving **Ticket Contest**

April 2, 2014 By Russell Florence, Jr. 1 Comment

HRTC ODC Prod Photo 1Painful lies and political allegiances consume the dysfunctional Wyeth family of Palm Springs in Jon Robin Baitz’s compelling 2011 Tony Award and Pulitzer Prize-nominated drama “Other Desert Cities,” commendably staged by Margarett Perry in its local premiere by the Human Race Theatre Company.
On Christmas Eve 2004, envisioned within beautifully stylish surroundings by set designer Tamara L. Honesty, the Wyeths are far from merry and bright. Republican hotshots Polly and Lyman fiercely clash with their liberal, emotionally scarred daughter Brooke, a novelist who plans to publish her scandalous “Love and Mercy: A Memoir” that startlingly reveals some unsettling truths about her privileged upbringing. More concerned with perception than reality, Polly and Lyman quickly scold and threaten Brooke, calling her characterizations of their friends “grotesque” in the hope she will postpone or completely scrap her plans. “You’d still be my daughter, but the meaning of it would change,” warns Polly in particular before planting a chilling kiss on her cheek that speaks volumes. However, Brooke finds favor and encouragement from her recovering alcoholic aunt Silda, Polly’s liberal sister, as well as her easygoing brother Trip, who has become somewhat of a black sheep due to his frowned upon association with reality television.

 

HRTC ODC Prod Photo 2
Baitz’s battle of wills, sometimes unnecessarily overtly political, is tightly drawn in Act 1 giving the audience a productive pathway into rooting for or against Brooke’s mission. Even so, he masterfully raises the stakes by fashioning a more engrossing Act 2 crafted around a secret that would destroy the family if the public ever knew. Carefully taught “how to control things” by none other than Nancy Reagan, Polly and Lyman ultimately risk everything to explain the cost of thriving, the ability to navigate among certain circles without blemish in order to fuel discretion and protect image.
An exceptionally domineering Kate Young and admirable Scott Stoney compatibly blend as the core couple whose scorn sets the action in motion, far more noticeable as a driving force here than the original Broadway production which tipped the scales in favor of Brooke (Rachel Griffiths, an alumna of Baitz’s terrific ABC family drama “Brothers & Sisters”) and Silda (a phenomenal Judith Light). Young and Stoney memorably partnered under Perry’s direction nine years ago in the Human Race’s splendid local premiere of “The Retreat from Moscow” (Young’s electrifying portrayal of a rejected wife remains among the best I have seen on a local stage) and their welcomed reunion is long overdue. Skillfully attacking her role with incredible nuances and an impressive proficiency of language, Young is a force to behold as Polly spews her opinionated, often politically incorrect views while ruling the roost. Stoney, in a less showy capacity, becomes too stiff when exuding Lyman’s rigidity, but amiably showcases the character’s softer side when revealing his genuine love and concern for Brooke.

 

Additionally, Jennifer Joplin brings intensity, compassion and wit to the tenacious Brooke in a solid portrayal effortlessly escalating to heartbreaking degrees when her dreams are unexpectedly shattered. As Silda, Sherman Fracher surprisingly stops short of taking her juicy role to sardonic, Edward Albee-esque proportions but provides apt comic relief and an astute understanding of her character’s familial disdain and discontent. Aaron Vega, humorous and impactful, turns Trip into an engaging, entertaining mediator.
“I don’t like weakness,” says Polly during one of her diatribes. “You can die from too much sensitivity in this world.” It’s clear the Wyeths may never recover from their self-inflected wounds. Thankfully, Baitz and the Human Race certainly make their journey rewarding and unforgettable.

“Other Desert Cities” continues through April 13 at the Loft Theatre of the Metropolitan Arts Center, 126 N. Main St., Dayton. Performances are Wednesday-Saturday evenings at 8 p.m., Tuesday evenings at 7 p.m.; Sunday matinees at 2 p.m. Act One: 65 minutes; Act Two: 47 minutes. Tickets are $36-$43 (prices vary depending on performance date and discounts are also available). For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com or www.humanracetheatre.org

TICKET CONTEST:

We’ve got 2 pairs of ticket to giveaway for Other Desert Cities.  To enter our drawing, just like this article, comment below on why you should win and fill out the form below.    Contest now closed.  Congratulations to Jamie McQuinn and Vicki Thompson.

 

 

 

Filed Under: On Stage Dayton Reviews Tagged With: Human Race, Kate Young, Loft Theatre, Other Desert Cities, Scott Stoney, Sherman Fracher

‘Les Misérables’ Review – Wright State University – Stunning Success

March 27, 2014 By Russell Florence, Jr. Leave a Comment

les mis wsu

Mark Beyer as Enjolras (center) and the cast of Les Miserables (contributed photo)

Wright State University delivers an outstanding local collegiate premiere of Alain Boublil, Claude-Michel Schönberg and Herbert Kretzmer’s “Les Misérables,” the popular, unabashedly sentimental 1987 Tony Award-winning pop opera based on Victor Hugo’s legendary 1862 novel exploring the human condition through plight and promise within turbulent France.
Inspired by the harrowing June revolt of 1832 (the French Revolution concluded 33 years prior), “Les Miz” hasn’t lost one morsel of its angst-ridden, melodramatic urgency under W. Stuart McDowell’s excellently firm, fluid and inventive direction. As a throng of fascinating, emotionally-charged characters leap forth spanning nearly 20 years, McDowell ensures every individual is clearly defined and every moment counts. Incorporating unique flourishes beyond the use of a turntable, a signature component of Trevor Nunn and John Caird’s original iconic stagecraft, he allows the show to resonate anew with a skillful grasp of atmosphere and tone. In addition to sprinkling the action with red, white and blue in a patriotic nod to the French flag, the opening seconds single-handedly stimulates the ensuing drama with a fresh grip by reiterating the magnitude of the story in a historical context. McDowell’s large, passionate cast, vocally on par with WSU’s fabulous productions of “The Light in the Piazza” and “Grand Hotel,” is powerfully led by Andrew Quiett as ex-convict Jean Valjean. Quiett gave one of the finest performances of this season last fall as Jud Fry in “Oklahoma!,” and his return is equally praiseworthy as he fills Valjean’s redemptive journey with engrossing humility and searing potency, especially in his gorgeously heartfelt “Bring Him Home.” At the same rate, Law Dunford, in a breakthrough performance benefitted by non-traditional casting, truly captivates as Inspector Javert, a devout Christian whose unforgiving heart and obsessive drive clouds his judgment as he relentlessly pursues Valjean. Instilling fear with a marvelously formidable demeanor and razor sharp intensity, Dunford avoids morphing into a one-dimensional antagonist by astutely interpreting Javert’s harsh convictions from the perspective of duty and principle instead of blatant vengeance.

 

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Andrew Quiett as Jean Valjean (contributed photo)

Quiett and Dunford are explosive adversaries (“Confrontation” is a knockout), but the featured players are very strong as well. The lovely, disenchanted Amy Wheeler is heartbreaking as the doomed Fantine, treating “I Dreamed a Dream” with sorrowful, lyric-driven, speak-sung eloquence. Ian Benjamin and Cassie Mikat playfully coalesce as the treacherous Thenardiers seeking to thwart Valjean. As lovebirds Marius and Cosette, an appealingly resolute Zack Steele and sweetly genteel Kaitlyn Sage beautifully intertwine although Steele (filling “Empty Chairs at Empty Tables” with poignant solemnity) finds more depth in his portrayal than Sage who is saddled with thinner material. As the street-tough Eponine, hopelessly in love with Marius, the luminous Liz Romey blossoms into a superb storyteller in her fantastic “On My Own” radiating with anger, yearning and an eerily extended silence illustrating Eponine’s loneliness on the streets of Paris. Terrific tenor Mark Beyer brings fiery zeal to his striking, comforting portrayal of student rebel leader Enjolras.
Additionally, as Young Cosette, Emma Fry refreshingly embraces “Castle on a Cloud” as the haunting lullaby it was written to be by adding a few chilling inflections. Connor Iverson is a scrappy, spunky Gavroche. Abbey Fry is a delightful Young Eponine, particularly aiding in the frenzied swindling throughout “Master of the House” expertly choreographed by Dionysia Williams. Drew Bowen is delectably creepy opposite Wheeler as the cruel Factory Foreman and snobbish Bamatabois. Bowen also shines as Jean Prouvaire alongside Connor Lysholm (Combeferre), Brandon Kinley (Feuilly), Jordan Adams (Courfeyrac), Bailey Olean (Joly), Keaton Eckoff (Grantaire), and Jim Miller (Lesgles) as the defiant rebels of the ABC Café stirring the souls of their countrymen upon the death of General Lamarque (an advocate of the poor) in the rousing “Do You Hear the People Sing?” Bradley Farmer and Paige Dobkins are among the standouts of the female ensemble fiercely attacking “Lovely Ladies.” The cast also includes Bailey Edmonds, Peter Cutler, Caitlyn Geisser, Emsie Hapner, Haley Iverson, King Jones, Owen Kresse, Kody Mullins, Kate Mueller, Kelsey Pohl, Brandon Ramos, Tyrell Reggins, Alyson Snyder, MacKenzie Stephens, Ben Tracy, Abby Murray Vachon, Jake West, Sabria Wynn, and Meredith Zahn.

 

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The rebels at the barricades in Les Miserables (contributed photo)

The marvelous tech artists accenting this experience with color, dimension, nuance, realism and vigor include scenic designer Pam Knauert Lavarnway, lighting designers Matthew P. Benjamin and Erin Jones, costumer D. Bartlett Blair, sound designer James Dunlap, musical director Scot Woolley, fight choreographer Bruce Cromer, and dialect coach Deborah Thomas.
“Les Miz” dynamically champions freedom and faith, but it also serves as an impressive landmark in the history of WSU’s musical theater department and one of the best productions the Miami Valley will witness in 2014.

 

“Les Misérables” continues through April 6 in the Festival Playhouse of the Creative Arts Center at Wright State University, 3640 Col. Glenn Hwy., Fairborn. Performances are March 27, April 2 and 3 at 7 p.m., March 28, 29, April 4 and 5 at 8 p.m., and March 29, 30, April 5 and 6 at 2 p.m. The production, running slightly over three hours including one 20-minute intermission, is sold-out. For more information or to inquire about ticket availability, contact the WSU box office at (937) 775-2500.

 

Filed Under: On Stage Dayton Reviews, The Featured Articles Tagged With: Andrew Quiett, Festival Playhouse of the Creative Arts Center, Law Dunford, Les Miserables, Stuart McDowell, WSU

The BOB & TOM Show and Dayton’s Rock Station 104.7 TUE present: The Keystone Light Friends of The Bob & Tom Show Comedy Tour

March 26, 2014 By Dayton Most Metro Leave a Comment

Bob and Tom ShowThe Keystone Light Friends of The BOB & TOM Show Comedy Tour presents a rotating ensemble of the world’s best comedians to stages all across America. Each live comedy show features several headliners heard on The BOB & TOM Show, one of the longest-running and highest-rated radio programs in America and the premiere radio showcase for today’s top comedians. Now in its 9th year, The Keystone Light Friends of The BOB & TOM Show Comedy Tour has performed more than 400 shows from coast-to-coast.

Hosted by Bob & Tom’s own Chick McGee, The Keystone Light Friends of The Bob & Tom Show Comedy Tour in Dayton, OH will feature the following Bob & Tom comedians: Ralph Harris (www.ralphharris.com), David Crowe (www.davidcrowe.com) and Jack Freeman.*

Showtime is Saturday, April 12, 2014 at 7:00 PM at the Victoria Theatre, 138 N. Main St. Dayton, OH 45402

Tickets will be available starting on Friday, March 7, 2014 at 10:00 AM. Tickets may be purchased by visiting www.victoriatheatre.com, calling 888-228-3630 or by visiting in person at the Ticket Center Stage Box Office, in downtown Dayton (All tickets INCLUDE a $1 Red Cross donation). This show is recommended for those 18 years old and older.


About The Bob 
& Tom Show

The Bob & Tom Show is a lively, humorous program inspired by the day’s news, sports and topical lifestyle occurrences. The program also hosts many of the world’s best comedians every weekday morning. Nationally syndicated by The Bob & Tom Radio Network, The Bob & Tom Show is one of the longest-running and highest-rated radio programs in America and one of the most award-winning morning radio shows, having been honored with seven Billboard Magazine “Personality of the Year” Awards, 11 awards from Radio & Records, and five Marconi Awards from the National Association of Broadcasters.  In addition, Bob & Tom have released more than 60 comedy albums, CDs and DVDs, and expanded their brand with popular comedy tour live shows.  Program schedules and additional information is available at www.bobandtom.com.

*Comedian lineup subject to change

Filed Under: On Stage Dayton Tagged With: 104.7 TUE, Chick McGee, Comedy Tour, David Crowe, Jack Freeman, Radio, Ralph Harris, The Bob and Tom Show, The Victoria Theatre, Top Comedians

Who’s Ready For Girls Night: THE MUSICAL? **Ticket Contest**

March 24, 2014 By Dayton Most Metro 4 Comments

1621828_10152548854753332_931963058_nSometimes you just need a reason to grab your girlfriends and plan a fun outing.  The Victoria Theatre is giving you a reason to do that this Saturday, March 29th with GIRLS NIGHT: THE MUSICAL.   This show has been thrilling audiences and earning raves from critics throughout North America since it began touring after its sensational Off-Broadway debut.  This touching and hilarious “tell-it-like-it-is” musical takes audiences on a journey into the lives of a group of female friends. Audience members can’t help but laugh, cry and even sing and dance in the aisles to some the most popular hit songs of the 80s and 90s! Follow five friends as they re-live their past, celebrate their present, and look to the future on a wild and hilarious night out … and you’ll recognize a bit of yourselves in each one of them! It is described as “’Desperate Housewives’ meets Mamma Mia” (Applause Magazine) and “As funny and outrageous as ‘Sex & the City!’” (The Advocate). GIRLS NIGHT is packed with hits “Lady Marmalade,” “It’s Raining Men,” “Man I Feel Like A Woman,” “I Will Survive,” “We are Family” and many more!

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Tickets are available for both the 4pm and 8pm show and can be reserved by visiting Ticket Center Stage.  Or for a lucky couple of ladies, you can be guests of DaytonMostMetro.com.  Just like this post, fill out the form below and leave us a comment that convinces us you need a girl night out! We’ll post the winners name Wed night!

Our contest is closed.  Congratulations to Felicia Dellis!

Filed Under: On Stage Dayton Previews Tagged With: GIRLS NIGHT: THE MUSICAL, The Victoria Theatre

‘I Love You, You’re Perfect, Now Change’ Review – Dare to Defy Productions – Love Is In The Air

March 22, 2014 By Russell Florence, Jr. Leave a Comment

perfect

Bobby Mitchum and Jackie Darnell get some Legal Assistance from Mackensie Vonderbrink in “I Love You, You’re Perfect, Now Change” (Contributed photo)

It can be extremely challenging for emerging troupes to stake their claim within Dayton’s continuously expansive theater scene. However, Dare to Defy Productions has done so with highly entertaining ease as evidenced in its very charming production of “I Love You, You’re Perfect, Now Change,” Joe DiPietro and Jimmy Roberts’ hit 1996 off-Broadway musical revue.
Presented in the Mathile Theatre of the Schuster Center fashioned in a colorful 1950s, Roy Lichtenstein–inspired decor by set designer Ray Zupp, “I Love You…” paints an amusing, appealing portrait of the relatable ups and downs of love and relationships from dating disasters and personal insecurities to wedding jitters and family squabbles.

 

Framing the show as vignettes keeps the witty action inviting and steadily paced, but there are signs the material has become dated since it was famously heralded as “‘Seinfeld’ set to music.” After all, Sharon Stone isn’t an apt lyric choice these days when referring to film bombshells. Nevertheless, that is a minor quibble among an otherwise playfully sound and surprisingly tender examination of the pursuit men and women undergo in order to find and cherish The One.

Director Rebecca Norgaard, Dare to Defy founder/CEO, assembles a totally engaging, vocally strong ensemble consisting of Jackie Darnell, Bobby Mitchum, Zach King and Mackensie Vonderbrink, familiar faces from Kettering’s Playhouse South. Inhabiting more than 50 roles, the cast, impressively accompanied by pianist Julia Brown and violinist Josh Vantilburgh, is versatile and sharply prepared which isn’t surprising considering this production was previously held in January and February at Mimi’s Café in Beavercreek. When featured as a foursome, the cast’s noteworthy moments include opening number “Cantata for a First Date,” funny double bill “Single Man Drought”/”Why? Cause I’m a Guy,” and the equally comical “Hey There, Single Gal/Guy” that hilariously musicalizes a breakup from a parental perspective. Individually, they firmly step into the spotlight with character-conscious intent. Darnell, a fine soprano, supplies a beautifully gentle “I Will Be Loved Tonight” and is also an operatic joy during “He Called Me.” Mitchum, one of the best tenors in town, fills the moving ballad “Shouldn’t I Be Less in Love with You?” with compellingly mature wonder. King, a source of comic relief, scores big laughs with “The Baby Song.” Vonderbrink, in one of her most endearing appearances, fully embraces “Always a Bridesmaid” with lovelorn radiance.
Dare to Defy’s promising path has only begun, but if the company’s future productions are as good as “I Love You…” I have a feeling audiences will keep coming back.

 

“I Love You, You’re Perfect, Now Change” concludes today in the Mathile Theatre of the Schuster Center, Second and Main Streets, Dayton. Performances are at 2 and 8 p.m. Act One: 57 minutes; Act Two: 55 minutes. Tickets are $20 and can be purchased by calling Ticket Center Stage at (937) 228-3630 or visiting www.ticketcenterstage.com. For more information about Dare to Defy auditions and its 2014 season (featuring “You’re A Good Man, Charlie Brown,” “Altar Boyz,” “Rent” and “Nunsense”) visit daretodefyllc.com, call (937) 999-9949 or send an e-mail to [email protected].

 

 

 

 

 

 

Filed Under: On Stage Dayton Reviews, The Featured Articles Tagged With: Dare to Defy Productions, I Love You You’re Perfect, Now Change, Ray Zupp

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