On Stage Dayton

Children’s Performing Arts of Miamisburg presents: The Music Man!

March 5, 2014 By Sarah Caplan Leave a Comment

Children’s Performing Arts of Miamisburg

The Music Man

The Theatre: Children’s Performing Arts of Miamisburg, or CPAM, is a non-profit children’s theater dedicated to promote, to all area youth, the appreciation of the performing arts through education, practice and performance. Our goal is to enrich the lives of those participants by strengthening the performing arts community. They feature classes and performances in the historic Baum Opera house in Downtown Miamisburg.

The Show: Later this week, the kids of CPAM are going to take on Meredith Wilson’s classic piece of Americana, The Music Man. This musical tells the tale of Harold Hill, a traveling ~~con artist~~ salesman who inspires the stiff-necked citizenry of fictional River City, Iowa to invest in the future of their town by putting together a Boys Band. Of course, Hill himself will lead it, and all the instruments, music and uniforms are available from him. For a fee. He never expected to meet Marian Paroo, the suspicious librarian-cum-piano teacher. The result is a beloved piece of musical theatre that gives us the songs, “76 Trombones,” “(Ya Got) Trouble,” and “Shapoopi,” among many others. By the end, you’ll wish you could play right along with the band.

Dates: Music Man opens Saturday, March 8th. The times and dates run as follows: 3/8 and 3/15, 2 pm and 7 pm. 3/9 and 3/16, 3 pm and next week, 3/13 and 3/14 at 7 pm.

Tickets: Tickets are available by following the link at CPAM’s page, here, and the prices are $17 for reserved seating, $15 for general admission and $13 for seniors (60+), military members and children ages 3-11.

Location: The Baum Opera House is located at 15 First St in Downtown Miamisburg.

TICKET GIVEAWAY
DMM has 2 pairs of tickets fro the Thursday, March 13th 7pm show. To enter our drawing, please like this post and fill out the form below. We’ll announce our winner this Friday. [form 55 “DMM Contest Entry – Generic”]

Human Race Announces 2014-2015 season

March 4, 2014 By Dayton Most Metro Leave a Comment

The Human Race Theatre Company, Dayton’s only professional regional theatre company, launches its 28th season next September with a richly diverse 6-play combination of productions on its Eichelberger Loft Series. “Selecting the season is one of the hardest, yet most exciting parts of my job,” says Producing Artistic Director Kevin Moore. “Thanks to a wonderful committee of readers, I am able to hand select just the right shows for our audience. It’s a season for everyone, with something old and something new; something funny, and something blue.”

The 2014-2015 season includes Miracle on South Division Street, a wholly divine intervention; Mame, a larger-than-life laugh riot; the world premiere of Family Shots, a still life in motion; Taking Shakespeare, a lesson in self-discovery; and Crowns, a celebration of spirit; as well as a special added production of the current Off-Broadway hit Buyer & Cellar, a diva lover’s delight.

The six plays perform in The Loft Theatre, The Human Race’s intimate 212-seat downtown performance space, located in the Metropolitan Arts Center at 126 North Main Street. The plays are scheduled for three-week runs and musicals are scheduled for four-weeks, with a number of associated special events: a Thursday night preview performance, preceded by the “Inside Track” discussion with the director; Friday Opening Night with a free post-show party with the cast in The Loft Lobby; Lite Fare at The Loft, a Tuesday night pre-show dining in The Loft Lobby, with food items provided by Citilites Restaurant; a “While We’re on the Subject” talkback following a Sunday matinee; and a Saturday night signed and audio-described performance opportunity.

THE 2014-2015 EICHELBERGER LOFT SERIES SEASON LINEUP

Miracle on South Division Street

by Tom Dudzick

September 4 – 21, 2014

60 years ago, Grandpa Nowak had a vision of the Virgin Mary in his Buffalo, New York barbershop and had an unusual statue of her made to commemorate the miracle. For decades, his family has faithfully tended to his quirky shrine—a source of hope and inspiration in an otherwise run-down part of town. That is until a deathbed confession knocks them for a loop in this hilarious hit comedy that proves when it comes to local legends, there’s more than meets the eye.

Mame

Book by Jerome Lawrence and Robert E. Lee
Music and Lyrics by Jerry Herman
Based on the novel by Patrick Dennis, and the play Auntie Mame by Lawrence and Lee

October 30 – November 23, 2014

Mame Dennis is a free-wheeling eccentric without a care until she becomes the guardian of her ten-year-old nephew, Patrick. Now it’s up to her to open new windows and show the boy worlds he never knew existed. Through the Roaring 20s and the Great Depression, Mame teaches Patrick how to “live, live, live”—whether he’s willing or not. It’s the dazzling Broadway musical that proves life’s a banquet, featuring the classic songs “We Need A Little Christmas”, “It’s Today”, “Bosom Buddies” and, of course, “Mame”.

A World Premiere Production!

Family Shots

by Michael Slade

January 22 – February 8, 2015

Charming family patriarch Sam Baker lies in a hospital bed, recovering from an apparent heart attack, but his wife, Marsha, won’t stop making the crisis all about her—much to the dismay of their son, Aaron. The young photographer wonders why his parents even stay together while dealing with his own issues as a newlywed. Intimate, yet universal, this new work by Michael Slade (Under a Red Moon, Gingerbread Children) is a wildly funny and touching comedy about marriage—its joys, challenges and responsibilities—and what’s worth fighting for.

A Special Valentine’s Event!

Buyer & Cellar

by Jonathan Tolins

February 12 – March 1, 2015

An out-of-work actor in Los Angeles, Alex takes on the oddest of odd jobs when he’s hired to work in the museum-like basement “mall” of an American entertainment icon’s lavish home. He spends his days alone and in awe, tending to a lifetime of countless mementos, until the lady of the house—the “Funny Girl” herself—appears and they strike up the unlikeliest of friendships. It’s an outrageously unbelievable comedy that will go down “like butta” as one talented performer takes on all the roles, even the dynamic “Babs”.

Taking Shakespeare

by John Murrell

April 16 – May 3, 2015

When a longtime, disillusioned college professor is asked to tutor her dean’s son through his freshman Shakespeare class, she finds it to be as much a test for her as it is for him. Although they seem to have nothing in common, as they explore the Bard’s Othello together, they learn more about each other—and themselves—than either is ready to admit. While they draw strength from the play, they come to understand what it means to live up to expectations.

Crowns

by Regina Taylor

adapted from the book by Michael Cunningham and Craig Marberry

June 11 – July 5, 2015

When troubled Brooklyn teenager Yolanda is sent to live with her church-going grandmother down South after the death of her brother, she finds healing in the personal stories of the ladies of the congregation and the hats that adorn their heads. Through time and space, their intimate histories create a soulful, joyous triumph of song, dance, culture and glorious “hattitude” in this powerhouse gospel musical like no other.

SUBSCRIPTIONS AND TICKETS

Subscriptions are available in 3-, 4- and 5-show packages, as well as in Flex Pass plans. Package prices range from $102 – $190, and discounted subscriptions are available for students. Both renewing and new subscribers may place their orders with Ticket Center Stage by calling (937) 228-3630 or by visiting the Schuster Center Box Office. New subscribers will be seated starting May 5. Single tickets to Miracle on South Division Street and Mame go on sale August 5, tickets to Family Shots go on sale October 28, tickets to Buyer & Cellar go on sale December 2, and tickets to Taking Shakespeare and Crowns go on sale February 10. Buyer & Cellar is not part of subscription packages, but subscribers can purchase tickets in advance when renewing or ordering a new subscription. Productions, performance dates and ticket prices are subject to change.

More ticketing and performance information on The Human Race Theatre Company’s 2014-2015 and 2013-2014 Loft seasons are available online or by calling Ticket Center Stage at (937) 228-3630, and at the Schuster Center box office.

The Human Race Theatre Company was founded in 1986 and moved into the Metropolitan Arts Center in 1991, taking up residence at the 212-seat Loft Theatre. In addition to the Eichelberger Loft Season, The Human Race produces for the Victoria Theatre’s Broadway Series, the Musical Theatre Workshop series, and special event programming. The Human Race, under the direction of Producing Artistic Director Kevin Moore, also maintains education and outreach programs for children, teens and adults, as well as artist residencies in area schools, The Muse Machine In-School Tour, and summer youth programs. Human Race organizational support is provided by Culture Works, the Montgomery County Arts and Cultural District, the Shubert Foundation, the Erma R. Catterton Trust Fund, the Jesse & Caryl Philips Foundation Fund for the Development of New Works, the Virginia W. Kettering Foundation and the Ohio Arts Council, which helped fund this organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The 2013-2014 season sponsor is the Jack W. and Sally D. Eichelberger Foundation of the Dayton Foundation, with additional support from Jim and Enid Goubeaux, KeyBank, the Sam Levin Foundation, Premier Health, Heidelberg Distributing Company and Morris Home Furnishings.

Victoria Theatre Association Announces Additional CELTIC WOMAN Performance

February 27, 2014 By Dayton Most Metro Leave a Comment

Victoria Theatre Association announces the addition of a 7 p.m. show for the global music phenomenon CELTIC WOMAN on May 18, 2014 at the Benjamin & Marian Schuster Performing Arts Center in downtown Dayton. Tickets for the 3:00 p.m. show are going fast and are nearly sold out.

“The ladies of CELTIC WOMAN were so impressed with the Dayton audience and the Schuster Center in May 2013, they announced they were coming back from stage,” said Ken Neufeld, President & CEO of Victoria Theatre Association and The Arts Center Foundation. “We are excited to welcome them back on May 18, 2014. The show is selling so well, we have had to add a second performance to meet demand.”

Tickets are available in person at Ticket Center Stage, located in the Wintergarden of the Schuster Center, by phone at 937-228-3630 and online at www.ticketcenterstage.com. Tickets start at $46.50.

After School Tuesdays at The Human Race Theatre’s Creativity Center @ The Caryl D. Philips Creativity Center

February 24, 2014 By Dayton Most Metro Leave a Comment

Kids, spend an afternoon The Human Race Theatre Company’s Creativity Center and you will be transported into the imaginative world of theatre. Each week will be designed to introduce a new skill or theatrical area. Develop your skills in improvisation, explore stage makeup technique, write a dramatic script, choreograph a new dance, act out your favorite myth or tall tale. Learn monologues, rehearse scenework and participate in mock auditions. And best of all, make new friends! Healthy afternoon snacks will be provided. This activity is for kids ages 8 – 13.

Event Details:

When: Tuesday February 25, 2014 03:00 PM – 06:00 PM

Cost: $15 pre-reg/$18 at the door

Event Contact Info: Marilyn Klaben

Email: [email protected]

Phone: 461-3823 x3132

Victoria’s 2014-2015 season offers ‘Billy,’ ‘Joseph,’ ‘Mormon’ & More

February 14, 2014 By Russell Florence, Jr. 1 Comment

Cast members of “The Book of Mormon”
Photo by Joan Marcus

The Victoria Theatre Association combines recognizable titles with fresher fare for a 2014-2015 season absolutely bound to please unlike any other lineup from the organization in recent memory.
The Premier Health Broadway Series, Projects Unlimited Variety Series, Star Attractions and PNC Family Series were announced Thursday, Feb. 13 in the Wintergarden of the Schuster Center. Emceed by Larry Hansgen of WHIO AM/FM, the event incorporated business and community leaders, media personalities and Victoria subscribers in addition to Victoria donors and friends. Attractive promotional banners and an assortment of entertaining production snippets also accented the breezy ceremony.

Curiously, the Star Attractions can be considered the true headliners, especially 2011’s “The Book of Mormon,” the irreverent, naughty, nine-time Tony-winning joy ride from the creators of “South Park” and “Avenue Q.” The musical, which will only run one week and is sure to quickly sell out, should have jumpstarted the organization’s 2015-2016 lineup (it arrives in August 2015 after all), but kudos to the Victoria for securing such a hot commodity and being willing to push the envelope as never before. Also, Stephen Schwartz’s popular “Wicked” will return to the Schuster Center for the third time and for three weeks. Even so, I’m particularly thrilled for the overdue local premiere of 2010’s “Billy Elliot,” the remarkable 10-time Tony-winning Best Musical based on the outstanding 2000 film of the same name about a young boy’s passion for ballet.

The Broadway Series, always the main attraction, supplies a very promising six-show slate. Gilbert and Sullivan’s “The Pirates of Penzance” is an odd inclusion (a tour has launched in celebration of the show’s 135th anniversary), but be thankful for 2012’s five-time Tony-winning play “Peter and the Starcatcher” (a “Peter Pan” prequel full of brilliant storytelling and stagecraft), 2012’s charming Gershwin outing “Nice Work If You Can Get It,” the tuneful return of 1995’s “Smokey Joe’s Café” (which played the Victoria Theatre during its last engagement well over a decade ago) featuring legendary troupe the Coasters, a new, vocally enticing production of Tim Rice and Andrew Lloyd Webber’s “Joseph and the Amazing Technicolor Dreamcoat” starring “American Idol” alums/husband and wife Ace Young and Diana DeGarmo, and the Human Race Theatre Company’s local premiere of Christopher Durang’s dysfunctional family comedy “Vanya and Sonia and Masha and Spike,” the 2013 Tony winner for Best Play.

The Variety Series supplies evenings with Songwriters Hall of Fame inductee/singer-songwriter J.D. Souther (ABC’s “Nashville”), mind reader/comedian Eric Dittelman, and the Nobodies of Comedy Tour featuring up-and-coming comedians who have appeared on Comedy Central, “Late Show with David Letterman,” “The Tonight Show with Jay Leno” and “Late Late Show with Craig Ferguson.” The Family Series features Zoot Theatre Company’s production of “The Velveteen Rabbit” in addition to tours of “Pinkalicious: The Musical” and “Robin Hood.”
“Every show and every Season is a leap of faith,” said Victoria and Arts Center Foundation CEO and President Ken Neufeld in a press statement. “Certain shows touch us and inspire us to share the story, the songs and the message with our audience. 2014-2015 will be a season audiences will reconnect with some familiar titles that may surprise them as well as connect with some of the very best work from the contemporary stage for both the Premier Health Broadway Series and Star Attractions.”

Season tickets for the 2014-2015 Broadway Series and Variety Series are on sale now by calling Ticket Center Stage at (937) 228-3630 or visiting online at www.ticketcenterstage.com. Single tickets will go on sale this summer. Single tickets for “The Book of Mormon” and “Wicked” will specifically go on sale in 2015. Additional Star Attractions and Family Series selections as well as the lineups for the Cool Films Series and National Geographic Live! Series will be revealed at a later date.

2014-2015 Premier Health Broadway Series

Joseph and the Amazing Technicolor Dreamcoat (Oct. 21-26, 2014 – Schuster Center)

Smokey Joe’s Café (Nov. 11-23, 2014 – Victoria Theatre)

The Pirates of Penzance (Jan. 20-25, 2015 – Schuster Center)

Nice Work If You Can Get It (Feb. 10-15, 2015 – Schuster Center)

Vanya and Sonia and Masha and Spike (March 10-22, 2015 – Victoria Theatre)

Peter and the Starcatcher (June 9-14, 2015 – Schuster Center)

2014-2015 Star Attractions
Billy Elliot: The Musical (Nov. 28-30, 2014 – Schuster Center)

Wicked (Apr. 29-May 17, 2015 – Schuster Center)

The Book of Mormon (Aug. 18-23, 2015 – Schuster Center)

2014-2015 Projects Unlimited Variety Series

Singer/songwriter J.D. Souther (Oct. 10, 2014 – Victoria Theatre)

Mind reader/comedian Eric Dittelman (Feb. 6, 2015 – Victoria Theatre)

The Nobodies of Comedy Tour (Apr. 10, 2015 – Victoria Theatre)

2014-2015 PNC Family Series

The Velveteen Rabbit (Dec. 6, 2014 – Victoria Theatre)

Pinkalicious (Feb. 2, 2015 – Victoria Theatre)

Robin Hood (May 2, 2015 – Victoria Theatre)

For more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com or www.victoriaheatre.com

Sunny Drake To Perform Transgender Seeking… at Antioch College

February 12, 2014 By Dayton Most Metro Leave a Comment

Sunny Drake (photo by Tania Anderson)

The Antioch College performance program is hosting Transgender Seeking…, a solo performance by artist Sunny Drake on Friday, February 21, at 7:00 p.m. in the Glen Helen Auditorium.

Drake, an award-winning Australian queer and transgender theater maker, performer and educator will explore queer relationships as “the space between our big political visions and our messy lives in trying to live up to them.”

Recently featured in Gscene Gay Magazine, writer Eric Page wrote, “Drake is one of those rare provocative performers who are uber-smart but ultra cozy at heart… one of the most interesting and touching performances I’ve seen in a while.”

Based in Toronto, Drake has toured his work extensively in Canada, Europe and the United States. He recently won the SummerWorks RBC Professional Artist Award (Canada’s biggest juried theater festival), and was honored by NOW Magazine (Toronto) for “Outstanding Performance” and “Outstanding Design.”

Transgender Seeking… has been generously supported by Antioch College’s Community Council, and is free and open to the public. For more information, please contact Gabrielle Civil, associate professor of performance, at [email protected].

Dayton Theatre Hall of Fame Nomination Forms Now Online

February 11, 2014 By Dayton Most Metro Leave a Comment

Nominations are being sought for 2014 Dayton Theatre Hall Of Fame inductees. Any member of the Dayton arts community is eligible to receive this annual award designed to recognize individuals who have dedicated themselves to theatre arts in Dayton. Completed nomination forms and two letters of recommendation must be received by May 10, 2014 and will be reviewed by the Hall of Fame Committee. Online nominations can now be submitted by going to www.daytonys.org or you can receive a nomination form by contacting the Dayton Theatre Hall of Fame Nomination Committee Chair, Barbara Jorgensen, at [email protected].

Established in 2002, the Dayton Theatre Hall of Fame was created to honor local theatre artists and patrons of the arts. It is designed to acknowledge people whose life-long participation, innovation, and creativity have influenced the Dayton arts culture. The Hall Of Fame recognizes their contributions to the arts by perpetuating their legacies. The Induction Ceremony will be held in conjunction with the annual DayTony Awards Presentation on August 9, 2014 at Sinclair Community College. The Awards Ceremony is open to the public. The 2013 inductees were Darrel Anderson, Chris Harmon, John Kenley, and Kay Frances Wean. The Dayton Theatre Hall of Fame is operated and governed by the Dayton Theatre Hall of Fame Executive Committee.

Spend Father’s Day With Bill Cosby!

February 7, 2014 By Dayton Most Metro Leave a Comment

The last time Bill Cosby was in Dayton was 2003, when he was the last act to play at Memorial Hall, before they mothballed it. Now 11 years later, one of America’s most beloved comedians of all time, Cosby, whose comedy transcends age, gender and cultural barriers, will return to town to play the Benjamin & Marian Schuster Performing Arts Center, Sunday, June 15 at 7 pm. Cosby has captivated generations of fans with his comedy routines, iconic albums and best-selling books, including “Fatherhood,” “Time Flies” and his current bestseller, “I Didn’t Ask to Be Born, (But I’m Glad I Was.)”

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Bill Cosby broke television’s racial barrier with “I Spy,” becoming the first African American to co-star on a television series while winning three consecutive Emmys^©. He created and produced the Emmy^©-winning cartoon “Fat Albert” and the “Cosby Kids,” which began airing in the 1970s and was made into a film in 2004. The show, based upon Cosby’s childhood in Philadelphia, was designed to educate and entertain.

The former Navy serviceman’s illustrious list of accomplishments includes roles on the children’s educational show “Electric Company” and creating and producing the Emmy^© award winning “Little Bill,” which is based on his bestselling book series. Cosby has received the Kennedy Center Honors, the Presidential Medal of Freedom (America’s highest civilian honor), the Mark Twain Prize for American Humor and the Marian Anderson Award. Among his many awards for his stand-up comedy albums are five Grammy^© Awards, eight Gold and five Platinum records.

Perhaps Cosby’s greatest contribution to American entertainment and culture is “The Cosby Show,” about a close-knit, upper class black family. Cosby said his intent was to portray an American family. Time magazine called the show “an encouraging sign of maturity in matters of race.” “The Cosby Show” dominated the No. 1 spot for years, earning nearly unanimous critical praise. Life magazine described the program as “a gentle, whimsical, warmhearted” show whose “delicious ordinariness of its pleasures and tribulations has given millions a fresh, laughter-splashed perspective on their own domestic lives.”

Don’t miss the iconic Bill Cosby at the Schuster Center, on his Comedy Central “Far From Finished Tour“, Sunday, June 15 at 7 pm! Tickets go on sale Feb. 14, and start at just $39.25. Ticket are available the Ticket Center Stage Box Office, located in the Wintergarden of the Schuster Center or by phone at 937-228-3630, 888-228-3630 and online at www.ticketcenterstage.com.

Godzilla Set To Invade Yellow Springs Playhouse

February 7, 2014 By Dayton Most Metro Leave a Comment

QUICK! LOOK!

RUN FOR YOUR LIVES!

IT’S GODZILLA!

The 500 foot dinosaur-like creature that has rough, bumpy gray scales and a long tail that could wipe out buildings with a single swipe. The lizard that has terrorized Japan and the world will once again come to instigate havoc on the mainland.

The Yellow Springs Kids Playhouse will be presenting the musical parody of GODZILLA!, written by Corrie Van Ausdal in collaboration with Phillip and Gordon Reynolds and musician Blaze Wright. The show will begn starting tonight at the Glen Building in Yellow Springs.

For those who aren’t aware of the story involving Godzilla, the story begins in the island called Lagos Island. By surviving the extinction of the dinosaurs, Godzilla mutated to be the its size by the nuclear fallout of atomic bomb tests performed on the island near Lagos Island called Rongerik. Godzilla was awakened when an American hydrogen bomb was tested in the Pacific Ocean. The large monster made its way toward Tokyo, with the goal of destroying much of the city. The fictional character was conceived and came to the big screen for the first time in 1954. Since then, Godzilla has become a huge phenomenon in the entire monster movies ever created. In the Japanese pop culture, Godzilla is still widely popular and is still one most recognizable feature.

The Yellow Springs Kids Playhouse was founded in 1995 and was a summer theater experience for the youth. The playhouse started commissioning original musicals from playwrights regional and nationally couple of years later. The mission is simple-develop youth who are interested in being future actors, leaders, patrons, and audiences and enhance art awareness in the community. To achieve this, they will do it through the education of arts and the creation of original multimedia theater for youth. Over 1200 youths have participated in the productions, with some going off to becoming professionals in theatre and performing arts.

GODZILLA! centers around the 500 foot monster rising from the sea and destroying everything that gets in its way. The cast of teens and young adults will travel around the world, risking their lives and hoping the save all mankind. The play will feature visual effects by local graphic artist Zane Reichert, as well as live sound effects and music directed by Xavier Suarez. Also part of the production are Bear Wright, Duard Headley and Sumayah Chappelle. Along with these folks are musicians Sam Salazar and Jason McClean , sound effects creator Maddie Allen, Assistant Director/Antioch student Hannah Craig, and Stage Manager Amy Cunningham. All of the performances will also showcase a one-night only celebrity guest star.

GODZILLA! will be taking over Yellow Springs starting tonight at Glen Building, which is located at 405 Corry Street. The performance dates and times are:

February 8th @ 7pm

February 9th @ 3pm

February 14th @ 7pm

February 15th @ 7pm & 10pm

Tickets $10 for adults, $5 for seniors and students.

‘The Magic Fire’ Review – Wright State University – Our Private World

February 7, 2014 By Russell Florence, Jr. 1 Comment

The cast of Wright State University’s production of “The Magic Fire” (Contributed photo)

Wright State University returns to sophisticated fare with a beautifully executed regional premiere of Lillian Groag’s semi-autobiographical, thought-provoking Argentinean drama “The Magic Fire.”

Commissioned and originally produced in 1997 by the Oregon Shakespeare Festival, the engrossing, highbrow “Magic Fire” concerns a close-knit family of European immigrants living in Buenos Aires circa 1952 during the divisive Juan Peron regime. As chaos consumes the streets with ever-present military force, the argumentative, opinionated, opera-adoring Bergs are reticent to join the fray, opting instead to safeguard themselves within their own private world of culture and music they hope cannot be vanquished. The symbolism of their behavior and the play’s title astutely mirrors the final act of Richard Wagner’s opera “Die Walküre,” specifically Wotan’s decision to encircle his sleeping daughter Brünnhilde with an artificial wall of fire that only the bravest of men can penetrate. However, when the brother of the family’s housekeeper seeks shelter in their home, it becomes impossible to ignore the political turmoil swirling in their midst.

Groag’s poetic, female-driven look at differing generations and changing times is simultaneously endearing and confusing in its scope. Her decision to conceive the material as a nearly three-hour memory play lends itself to numerous moments of heartfelt earnestness and subtle grandeur, but the key reason why narrator/protagonist Lise (Layan Elwazani) looks back on her life is muddled. In Tennessee Williams’ “The Glass Menagerie,” one of the greatest memory plays, disillusioned Tom is kicked out of his home by his domineering mother only to be haunted by the memory of his fragile sister, prompting him to reflect. Here, it is a mystery why Lise so emphatically desires nostalgia. Nonetheless, despite conceptual flaws including an abundance of overlapping arcs, director Lee Merill supplies elegant stage pictures bolstered by her innate grasp of classical music and superbly evocative assistance from lighting designer Samantha Jelinek.

The aforementioned Elwazani is an emotionally strong focal point seamlessly weaving in and out of the flashbacks shaped around the events of Lise’s seventh birthday. She also establishes a gentle kinship with the adorably precocious Ally Miller, who portrays young Lise with tenderness and feistiness. As Otto Berg, Lise’s father who fled Nazi-occupied Austria, Mathys Herbert excellently grasps the character’s pivotal choices and deep affection for opera. DeLee Cooper (who also choreographs) is a genial presence as Amalia, Otto’s dutiful wife. Mimi Klipstine completely satisfies as diva Elena Guarneri, Amalia’s actress-sister out of work because she refuses to support Peron. Tommy DiMassimo vigorously inhabits Gianni “Juan” Guarneri, Amalia’s passionate father. Kristina Hopkins is perfectly tipsy as Paula Guarneri, Amalia’s aunt. The terrifically expressive Alyssa Brembeck charms as 98-year-old Mussolini-hating matriarch Maddalena Guarneri, who arrived in Argentina with her husband in 1890. The handsome Stephen Kell is fittingly authoritative and enigmatic as General Henri Fontannes, a Peron loyalist and neighbor of the Bergs specifically drawn to young Lise. Logan Torbet is firm and fiery as newspaper publisher Alberto Barcos, who despises Peron and therefore loathes Henri. Jasmine Easler brings quiet dignity and a no-nonsense sensibility to her role as housekeeper Rosa Arrua. Diana Frankhauser (Clara Stepaneck), Julia Gomez (Leila) and Julian Rojas (Santa Arrua) are noteworthy. Taylor Hinkle portrays young Lise at certain performances. Merrill’s first-rate artistic team includes costumer David J. Castellano, scenic designer Lydia Watson (filling the revolving stage with trunks and crates suggesting a family on the move), sound designer James Dunlap, and dialect coach Deborah Thomas.

In related news, WSU’s 40th anniversary 2014-15 season will consist of “Fences” (Sept. 18-28, co-directed by W. Stuart McDowell and Sheila Ramsey), “Hot Mikado” (Oct. 23-Nov. 9, directed by Greg Hellems with choreography by Teressa Wylie McWilliams), “Romeo and Juliet” (Nov. 14-23, directed by Sandra Crews in the Herbst Theatre) “Pride and Prejudice” (Jan. 29-Feb. 8, directed by Marya Spring Cordes), the musical “Peter Pan” (Mar. 19-Apr. 5, directed by Joe Deer and starring Bruce Cromer as Captain Hook), and the local premiere of “Sondheim on Sondheim” (Apr. 17-26, directed by Jamie Cordes in the Herbst Theatre).

“The Magic Fire” continues through Feb. 9 in the Festival Playhouse of the Creative Arts Center at Wright State University, 3640 Col. Glenn Hwy., Fairborn. Performances are Feb. 5 and 6 at 7 p.m., Feb. 7 and 8 at 8 p.m., and Feb. 8 and 9 at 2 p.m. Act One: 1 hour and 50 minutes; Act Two: 45 minutes. Tickets are $22 for adults and $20 seniors and students. For tickets or more information, call the WSU box office at (937) 775-2500.

A Muse Sparkles Brightly at the DCDC ReVisioning Concert

February 6, 2014 By Rodney Veal Leave a Comment

What makes a legend? In the dance world, it is a dancer whose singular talent that has been burnished to a blinding artistic brilliance by time. Sheri “Sparkle” Williams, the vessel for the post modern choreographic sensibilities of Rodney Brown, is that legend.

“The Gathering/wee Thing” had it’s world premiere in 2012 as part of the world premiere of the Julia Reichert and Steve Bognar Documentary Film “Sparkle” at the Dayton Art Institute.
I had the great fortune of being in the audience for the sold out event, a powerful testimony to the magical allure of Sheri “Sparkle” Williams, and bearing witness to her masterful talents. The powerful combination of Rodney Brown’s multifaceted and textured choreography and the magisterial interpretive skills was absolutely intoxicating.

As a reviewer I am grateful for the opportunity to revisit this work and that a larger audience will get an opportunity to experience this indelibly awe-inspiring work of art.

The fact that Sheri “Sparkle” Williams is receiving the Ohio Governors Award for Arts Excellence this spring is another reason we all need to be at this concert to show our appreciation and gratitude for a woman and an artist who defies categorization and all the normal laws of the physical universe. I cannot imagine any obstacles or excuses for not attending this show.

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ReVisioning 45: New Works Unveiled
Saturday, February 8, 2014 at 7:30pm and Sunday, February 9, 2014 at 3:00pm
Victoria Theatre, 138 North Main Street, Dayton, Ohio 45402
For tickets to ReVisioning 45: New Works Unveiled please contact Ticket Center Stage at 937-228-3630 or 888-228-3630 or www.ticketcenterstage.com.

‘Working’ Review – Dayton Playhouse – It’s a Living

February 4, 2014 By Russell Florence, Jr. Leave a Comment

Suzanne Clabaugh and William “Kip” Moore rehearse a scene from “Working” with director Jim Lockwood (Contributed photo)

The Dayton Playhouse delivers an admirable, often touching production of Stephen Schwartz and Nina Faso’s 1978 musical “Working,” based on Studs Terkel’s 1974 book “Working: People Talk About What They Do and How They Feel About What They Do.”

Nearly 30 wide-ranging occupations from a publicist and project manager to a community organizer and fundraiser are the lifeblood of this meaningful, intermissionless outing insightfully conceived from a series of interviews. The allure of the material, including additional contributions by Gordon Greenberg, rests in its endearing simplicity reminding us that every worker contributes to the productivity of our society. Some jobs may seem trivial or underhanded, but all of them undeniably serve a purpose. The dialogue, flowing with smooth transitions by director Jim Lockwood, is peppered with personality and depth by an assortment of terrific songwriters including Schwartz, Craig Carnelia, Mary Rodgers, Micki Grant and James Taylor. The Playhouse uses the revised 2011 version, which particularly trims the cast to six and incorporates new professions (including a Verizon tech support and fast food delivery employee) and two songs from Tony Award-winning composer Lin-Manuel Miranda (“In the Heights”). Interestingly, the revised script also effectively remembers the unemployed.

A true ensemble showcase, “Working” features enjoyable, entertaining portrayals from a vocally sufficient cast. Matt Poliachik incites laughs and groans as a privileged student who seemingly has his life all planned out. He also offers a sincerely plaintive rendition of Carnelia’s wonderful Billy Joel-esque tune “The Mason.” Matthew Clifton is equally humorous as the aforementioned fast food worker and a crazed ex-newsroom assistant. Lynn Kesson, sweet and grounded, particularly joins Clifton for the impactful duet “A Very Good Day,” which focuses on the joys and concerns of an elder care worker and a nanny. Suzanne Clabaugh gives credence to her earthy assignments as a prostitute and cleaning lady. Tori T. Tuccillo adeptly inhabits an agitated school teacher (“Nobody Tells Me How”) and an energetic waitress (“It’s an Art”). In addition to rendering a tender version of Schwartz’s moving “Fathers and Sons,” William “Kip” Moore, in a welcomed return to the Playhouse, simply mesmerizes as a retiree discussing the monotony of his daily routine (“Joe”).
Scenic designer Chris Newman’s metropolitan backdrop, Allison Eder’s understatedly organic choreography, and musical director Lorri B. Topping’s fine onstage band are added benefits.

“Working” continues through Feb. 16 at the Dayton Playhouse, 1301 E. Siebenthaler Ave., Dayton. Performances are Fridays and Saturdays at 8 p.m. and Sundays at 2 p.m. The production is performed in 90 minutes without intermission. Tickets are $17 for adults and $15 for seniors and students. For tickets or more information, call (937) 424-8477 or visit online at www.daytonplayhouse.com

A New Choreographic Perspective on DCDC Concert Stage

February 4, 2014 By Rodney Veal Leave a Comment

One of the many pleasures of a mixed repertory concert is the diversity of artistic voices and choreographic invention. You, as an arts patron are privy to work that has not been seen and disseminated by others; part of a special moment that only occurs once, bearing witness to a premiere performance. Who doesn’t want to be an early adopter?

Ray Mercer is the least known choreographer premiering work on the ReVisioning concert, however he brings a unique and never the less impressive biography to the fore. Mr. Mercer, currently starring on Broadway in Walt Disney’s “The Lion King,” has had an eclectic performance career that has taken him from the concert stage to the bright lights of Broadway, having worked with the likes of Aretha Franklin, Rod Stewart and Garth Fagan. His choreographic work has been presented all of over the country on companies such as Philidanco, Dallas Black Dance Theatre, Cleo Parker Robinson Dance and now Dayton Contemporary Dance Company.

Because of Mr. Mercer’s background, I am curious to see how his aesthetic sensibilities meld with the talents of the DCDC dancers. Oh how I love the unpredictability and the visceral experience of the new and so should you.

Check out the work of Mr. Ray Mercer.

[yframe url=’http://www.youtube.com/watch?v=abb8CmmcNT4′]

http://www.youtube.com/watch?v=QUyTwPlh3Ts

ReVisioning 45: New Works Unveiled
Saturday, February 8, 2014 at 7:30pm and Sunday, February 9, 2014 at 3:00pm
Victoria Theatre, 138 North Main Street, Dayton, Ohio 45402
For tickets to ReVisioning 45: New Works Unveiled please contact Ticket Center Stage at 937-228-3630 or 888-228-3630 or www.ticketcenterstage.com

‘Torch Song Trilogy’ Review – Human Race Theatre Company – Who Will Love Me As I Am?

February 3, 2014 By Russell Florence, Jr. 1 Comment

Jamison Stern as Arnold in “Torch Song Trilogy”

Harvey Fierstein’s groundbreaking 1983 Tony Award-winning dramedy “Torch Song Trilogy” captivates with delightful humor and poignant heartbreak in its outstanding Human Race Theatre Company debut.
Skillfully directed by Scott Stoney and intimately transpiring on a revolving set by Scott J. Kimmins, “Torch Song Trilogy” predates AIDS in its blunt, colorful, sexually charged account of larger-than-life Arnold Beckoff, a funny, flamboyant, torch song-adoring Jewish drag queen longing to find Mr. Right in New York City. As the title suggests, Arnold’s saga occurs in three segments spanning seven years. “International Stud,” the boldest portion, launches the show in 1978 centered on Arnold’s attraction to bisexual Ed Reese, a choice that holds immense ramifications. A year later, in “Fugue in a Nursery,” Arnold and his new partner Alan, a young model/hustler, are invited to the country home of Ed and his fiancée Laurel only to have their burgeoning relationship put to the test. Five years later, in “Widows and Children First!,” Arnold, still mourning Alan’s untimely death as a victim of a hate crime, seeks to adopt a gay teenager, which infuriates his intolerant mother. Stoney, avoiding the temptation to go broad or melodramatic, expertly grasps the play’s clever intricacies and varying shifts in tone, particularly providing excellent blocking for Act 2 which symbolically takes place on a large bed with the aforementioned foursome continuously altering positions in bedrooms and other locations.

Jamison Stern as Arnold and Jon Hacker as Alan in “Torch Song Trilogy”

The fantastic Jamison Stern, a sharp comedian and find singer dives into Arnold’s vivid evolution from independence to fatherhood with great vulnerability. Exposing a gamut of emotions over the course of three and a half hours encompassing racy comic relief and tear-jerking defiance with a terrific rendition of “The Man That Got Away” thrown in for good measure, Stern fuels Arnold’s desire for connection and companionship with sincerity and passion. He has a winning rapport with all of his fellow actors, but his dynamically dramatic work in Act 3 opposite a brutally stern Patricia Linhart as Mrs. Beckoff provides significant sparks that cut deep.

Jamie Cordes, typically seen in musicals, commendably delivers one of his most complex portrayals as the hopelessly mysterious and perturbing Ed. Lisa Ann Goldsmith is an engaging open book as the forgiving and understanding Laurel, who has a history of attracting bisexual men. The endlessly charming Jon Hacker, a Wright State University standout, appealingly embodies Alan as a carefree romantic. As David, a damaged product of foster care who finally finds solace and meaning with Arnold, Philip Thomas Stock, a senior at Stivers School for the Arts, enjoyably fits the mold of a wisecracking teen. In addition to portraying Mrs. Beckoff, Linhart amplifies the potency of Act 1 in Janet G. Powell’s lovely gowns as torch singer Lady Blues, particularly shining with “I Don’t Care Much.”

Jasmion Stern as Arnold and Patricia Linhart as Mrs. Beckoff in “Torch Song Trilogy”

“Torch Song Trilogy” transcends sexuality in its pursuit of happiness, but bittersweet feelings remain when you consider what the future held for Arnold as AIDS devastatingly transformed the community he treasured so dearly. But I prefer to believe Arnold is currently supporting the wave of marriage equality and feverishly anticipating the upcoming season of “RuPaul’s Drag Race.” And above all, I hope he’s truly content with someone special who absolutely accepts everything about him – his faults, his goodness, his insecurities, his preferences, his eccentricities, his past – in genuine love.

“Torch Song Trilogy” continues through Feb. 16 at the Loft Theatre of the Metropolitan Arts Center, 126 N. Main St., Dayton. Performances are Wednesdays-Saturdays at 7:30 p.m. and Sundays at 2 p.m. There is also a 7 p.m. performance Feb. 4. Act One: 55 minutes; Act Two: 60 minutes; Act Three: 80 minutes. There are two intermissions. Tickets are $31-$40 for adults, $29-$38 for seniors and $16.50-$20.50 for students. Discounts are available. For tickets, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com or www.humanracetheatre.org. Patrons are advised the show contains adult language and content. There is also a special talkback scheduled following the Feb. 9 performance. The Greater Dayton LGBT Center has partnered with the Race to present LGBT Pride Night for the Feb. 11 performance.

Ronen Koresh and a Fresh Choreographic Vision for DCDC

January 30, 2014 By Rodney Veal Leave a Comment

Choreography that combines technical agility, emotional resonance and visceral impact; there are few choreographers working today with this level of acumen. This makes seeing the work of Ronen Koresh, being set on Dayton Contemporary Dance Company, all the more necessary.

Ronen (Roni) comes to the International dance scene via early training in folk dancing in the Yemenite tradition in his native Israel. Ronen actively pursued his dance training in Israel while serving his three year enlistment in the Israeli army. In 1983 he left for the United States to actively pursue his dance training and career. He is a multi-year recipient of fellowships from the Pew Charitable Trusts, the Philadelphia College of Performing Arts and the Pennsylvania Council on the Arts. While he has his own namesake company, he is also a highly sought after choreographer and teacher renowned for his choreographic inventiveness and transformative teaching skills; That will be on full display February 8th and 9th at DCDC’s winter concert.

Check out the following youtube clips and you will see why he was selected to create work for this seminal moment in the forty -five year history of the one artistic institution in our community with well deserved international credentials.

[yframe url=’http://www.youtube.com/watch?v=BHPd95IJ2Rg&list=UU2b9I5D1i1R7xaW-eJHr1iQ&feature=share&index=2′]

And also check out http://youtu.be/HI8ZB1p8Vdw.

This gives you a point of entry to the choreographer’s aesthetics and movement vocabulary. Brave the weather forecasts and get tickets to what promises to be must see art event.

‘Sister Act’ Review – Victoria Theatre Association – A Joyful Noise

January 30, 2014 By Russell Florence, Jr. Leave a Comment

The cast of “Sister Act: The Musical”

The local premiere and national tour of the immensely tuneful 2011 Tony Award-nominated musical “Sister Act” arrives at the Schuster Center as an uplifting, endearing, silly, and thoroughly entertaining experience.
Presented by the Victoria Theatre Association’s Premier Health Broadway Series and based on the 1992 Whoopi Goldberg film of the same name, “Sister Act” concerns the humorous, redemptive journey of wannabe diva Deloris Van Cartier (amiable understudy Mary Searcy), who is forced to hide in a convent and disguise herself as a nun after witnessing a murder at the hand of her gangster boyfriend Curtis (a sharply menacing Melvin Abston). Along the way, Deloris finds her purpose by transforming the convent’s hopelessly inept choir into an overnight sensation much to the chagrin of the Mother Superior (a splendidly resolute Lynne Wintersteller).

This funny, predictable fish-out-of-water premise, adapted by librettists Cheri & Bill Steinkeller (“Cheers”) and Douglas Carter Beane and accented with spirited direction by Jerry Zaks, could use more depth but basically adheres to the foundation of Joseph Howard’s original screenplay, particularly the delightful, clashing exchanges between sassy Deloris and the no-nonsense Mother Superior that shape the show’s themes of love, friendship, sacrifice and forgiveness. Even when a few jokes written for Curtis’ corny cronies misfire, the feel-good spirit of the show never wanes. In fact, the key decision to transplant the material from the early 1990s to late 1970s Philadelphia is an outright winner, specifically from a music standpoint. After all, the main attraction is the fantastic score by lyricist Glenn Slater and Tony- winning and eight-time Academy Award-winning composer Alan Menken. Menken’s marvelous melodies are a delectable, toe-tapping blend of disco (“Take Me to Heaven,” “Sunday Morning Fever”), pop (“Fabulous, Baby!,” “Sister Act”), R&B (“When I Find My Baby,” “Lady in the Long Black Dress”), and peppy show tunes (“It’s Good to Be a Nun,” “Raise Your Voice,” “Spread the Love Around”) with a sunny pinch of Disney thrown in for extra measure (the darling “Bless Our Show”).

In addition to the aforementioned actors and a terrific female ensemble, first-rate performances extend to the supporting players. Chester Gregory reprises the role of insecure police officer Eddie Souther (which he originated) with endless charm, particularly producing a heartfelt, Lou Rawls-tinged version of “I Could Be That Guy” complete with one of the best costume changes in recent musical comedy. Florrie Bagel is a bouncy bundle of gleeful energy as Sister Mary Patrick. As timid Sister Mary Robert, dynamic soprano Ashley Moniz fills “The Life I Never Led” with sincerity and gusto. Richard Pruitt enjoyably embodies Monsignor O’Hara with lighthearted authority.
Scenic designer Klara Zieglerova’s striking stained glass motif, Lez Brotherston’s stylish, era-appropriate costumes, and Anthony Van Laast’s cheery, sprightly choreography also boosts this glitzy showcase that remains as infectious as the first time I saw it in London’s West End in 2009.

“Sister Act: The Musical” continues through Feb. 2 at the Schuster Center, Second and Main Streets, Dayton. Performances are today and Friday at 8 p.m., Saturday at 2 and 8 p.m. and Sunday at 2 and 7:30 p.m. Act One: 65 minutes; Act Two: 60 minutes. Tickets are $40-$96. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com. There is a special Super Bowl discount for the Sunday evening performance if purchased by Jan. 31 (use code HAILMARY at www.ticketcenterstage.com or call Ticket Center Stage at 937-228-3630).