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On Stage Dayton

Fantasy will come to life at the Victoria Theatre with Shrek: The Musical

January 12, 2013 By Dayton Most Metro 26 Comments

Big, Bright Beautiful World with Perry Sook as Shrek. Shrek The Musical. Photo by LvR /Paparazzi By Appointment

Big, Bright Beautiful World with Perry Sook as Shrek. (Photo by LvR / Paparazzi By Appointment)

An unusual fairy tale featuring some of the usual suspects, “Shrek: The Musical” follows the journey of its title character, a smelly green ogre who’s far from the dashing princes the genre has brought us to expect. During a quest to rescue sassy princess Fiona, he takes on his inevitable sidekick–a wisecracking donkey–and teams up with him to defeat an evil prince with anger issues, encountering scores of familiar storybook characters along the way.

The property has a history reaching all the way back to 1990 and William Steig’s children’s book Shrek! which was transformed into Dreamworks Pictures’ computer-animated hit in 2001 starring Michael Myers, Eddie Murphy, John Lithgow, and Cameron Diaz.

Shrek: The Musical had its own long journey. Development began in 2002, in the wake of the film’s success, and continued through a late summer 2008 tryout in Seattle before moving to Broadway late in the year with a $24 million budget and 19 original songs. The production snagged eight Tony nominations, including Best Musical as well as for Jeanine Tesori’s original music and David Lindsay-Abaire’s script and lyrics, and winning Best Costume Design.

After closing in 2010, a U.S. national tour was launched, and the show was taken on the road, where it has entertained children and adults alike for more than two years.

The current tour began last October in Anchorage, Alaska, and makes it way through Ohio on the way back West, leading to Vegas and Reno in the spring. The touring cast includes Perry Sook as Shrek, Whitney Winfield as Princess Fiona, Christian Marriner as Lord Farquaad, and Courtney Daniels as Dragon.

The tour also features two former Wright State University students: Jeremy Gaston as Donkey, and Tiffani Robbins, who plays the Ugly Duckling and works as the cast’s assistant dance captain.

“It’s a lot of fun,” said Beavercreek native Gaston by phone from an Akron tour stop earlier this week. “I get to play the Ugly Duckling and other characters in the ensemble. It’s a fun, energetic, physical show. The music is really upbeat, there’s lots of dancing, lights, and pretty costumes. It’s a great show for families and kids.”

Freak Flag with Tony Johnson as Pinocchio. Shrek The Musical. Photo by LvR /Paparazzi By Appointment

Freak Flag with Tony Johnson as Pinocchio (Photo by LvR / Paparazzi By Appointment)

Robbins, also a 2004 graduate of Xenia Christian High School, trained as a dancer growing up and took part in numerous dance competitions before her mother, who was involved in Springfield community theatre, encouraged Tiffani to try doing a musical with her. She found she enjoyed acting and singing as well, and after several musicals during high school and college, she began landing professional gigs on cruise ships and found herself in New York City, where she is currently based.

“As far as being assistant dance captain,” she said of her other duty on the tour, “we don’t have the show’s original director or choreographer with us on the road, so that’s where the dance captain steps in. You have to make sure that the show’s movements look clean, that everyone is doing the correct dance steps and landing where they’re supposed to. If I see that things look incorrect, I go to the dance captain and assist with getting things back in shape.”

Winter can be a rough time to tour the country, with unpredictable weather in many regions and a large company of cast and crew coming meeting hundreds of people every week during cold and flu season.

Robbins said, “We’ve had a lot of sickness because it’s the middle of winter and we do so many shows. We had a small break for Christmas and were allowed to go home, and all the snow hit right around the holiday, so when we came back after Christmas, we didn’t get everybody back right away and had to do a show with less people. We had some work to do figuring out how to cover for the missing actors, and some people had to take on lines for those who weren’t there, and such. But, the show must go on.”

Shrek: The Musical is Robbins’ third national tour. When it ends in April, she’ll return to New York and audition for the next job. She hopes–and who wouldn’t?–to make it to Broadway eventually.

But for now, she’s excited to be based at home for a bit.

“We’ll be playing Dayton for two weeks. I’m looking forward to being at home. I lived there for 21 years, so I’m excited to be back. My parents live in Florida now, but my grandma still lives in Springfield, and I’ll be staying with her. When you’re on tour going from hotel to hotel, you always have roommates. I get to have my own room for a while! I’m going to enjoy that.”

Shrek: The Musical runs January 15 – 27 at the Victoria Theatre. Showtimes are 8 p.m. Tuesday through Friday, 2 p.m. and 8 p.m. Saturday, and 2 p.m. and 7:30 p.m. Sunday. Tickets range from $15 to $86. For information on ticket purchase, discounts, Family Broadway Matinee activity performances, and more – click here.

Dayton Most Metro Ticket Contest

We have TWO PAIRS of tickets for the Wednesday 1/16 performance of “Shrek: The Musical” courtesy of The Victoria Theatre Association, and TWO WAYS to win!  First, fill out the form below and then leave a Facebook comment saying that YOU want to win tickets to see Shrek: The Musical from Dayton Most Metro.  Then visit our On Stage Dayton Facebook Page on Monday 1/14 and share the Shrek image we post that morning and you can DOUBLE YOUR CHANCES of winning!  We’ll announce a winner from our form submissions AND a winner from our FB image shares after 5pm Monday 1/14.  GOOD LUCK!

CONTEST CLOSED

Congratulations to our winners!

Sharyl Thompson
Jamie Cress See

Filed Under: On Stage Dayton Previews Tagged With: Christian Marriner, Courtney Daniels, Jeremy Gaston, Perry Sook, shrek the musical, Shrek The Musical Article, Tiffani Robbins, Victoria Theatre, Whitney Winfield

ON STAGE DAYTON REVIEW: Crazy For You (Muse Machine) – Grand Gershwin

January 12, 2013 By Russell Florence, Jr. Leave a Comment

Musa Machine - Crazy For You(3)

Cast of “Crazy About You”

The Muse Machine supplies an absolutely delightful production of the 1992 Tony Award-winning musical “Crazy for You,” the arts education organization’s 29th annual student presentation firmly staged at the Victoria Theatre with breezy enthusiasm and character-driven assurance by Joe Deer of Wright State University.

Featuring over 100 Muse students across the Miami Valley and nearly 20 George and Ira Gershwin gems, “Crazy for You,” adapted by Ken Ludwig (“Lend Me A Tenor”), is a humorous 1930s account centered on Bobby Child (a very engaging Davis Sullivan). Bobby is a wealthy New York banker and Broadway hopeful sent to foreclose on a rundown theater in the sleepy town of Deadrock, Nevada. In Deadrock, he is immediately smitten by earthy postwoman Polly Baker (an effortlessly radiant Carly Snyder) and ultimately caught up in a hilarious case of mistaken identity that threatens their relationship.

Sullivan and Snyder, a fine duo reuniting in principal roles for the first time since respectively portraying Jack and Little Red Ridinghood in the Muse Machine’s 2011 production of “Into the Woods,” display an infectious chemistry effectively conveying the ups and downs of Bobby and Polly’s bumpy road to love. Sullivan, an adept comedian and commendable song-and-dance man, is particularly impressive when disguised as Broadway impresario Bela Zangler, whose arrival in Deadrock heightens the action in Act 2. Snyder, a true knockout as Little Red, offers an appealing array of emotional layers. She has great fun exhibiting Polly’s rough, no-nonsense demeanor and sunny twang, but a beautiful vulnerability lies within, particularly in her incredibly touching, exceptionally controlled rendition of “Someone To Watch Over Me” filled with hope, humor, wistfulness and yearning.

Additionally, strong featured performances are offered by Jeremiah Plessinger as the flamboyant Zangler, Paige McDonald as Irene, Joel Daniel as the constantly annoyed Lank Hawkins, Philip Stock (Junior), Sean Cheatwood (Mingo), William Peters (Moose) and Rollie Fisk (Sam) who join forces for “Bidin’ My Time” and “The Real American Folksong,” Kaja Burke-Williams as the adorably ditzy Patsy, Christina Fiala as Tess, Laura Walters as Bobby’s strict mother, and Michael Canada, Ellen Geiselman and Joshua Bodey as the Fodors.

Musa Machine - Crazy For You(1)Choreographer Lula Elzy’s graceful, energetic routines authentically reflect the era and the carefree spirit of the West. The exuberantly perky “I Can’t Be Bothered Now,” the lovely “Shall We Dance,” the ensemble-heavy “Slap That Bass” and “Stiff Upper Lip,” and the hoedown-inspired thrills in “I Got Rhythm” (winningly led by Snyder at the close of Act 1) are just some of the highlights of Elzy’s wonderful contributions. Musical director Timothy Olt, astutely incorporating a snippet of “Rhapsody in Blue” when the action briefly returns to the hustle and bustle of New York, leads an excellent orchestra.

“Crazy for You” continues tonight at 8 p.m. and Sunday at 2 p.m. at the Victoria Theatre, 138 N. Main St. Act One: 80 minutes; Act Two: 65 minutes. Tickets are $29-$59. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com

Filed Under: On Stage Dayton Reviews Tagged With: Carly Snyder, Christina Fiala, Crazy for You, Crazy For You Article, Davis Sullivan, Ellen Geiselman, Jeremiah Plessinger, Joe Deer, Joel Daniel, Joshua Bodey, Kaja Burke-Williams, Ken Ludwig, Laura Walters, Lula Elzy, Michael Canada, Muse Machine, Paige McDonald, Philip Stock, Rollie Fisk, Sean Cheatwood, Victoria Theatre, William Peters

Coming up in Dayton Theatre, 1/11 – 1/20

January 10, 2013 By Sarah Caplan Leave a Comment

Hi, again! This column took a wee hiatus over the Christmas/New Years holidays, waiting for everything to really start back up. Did you miss me? I missed you! And I’m sure you’re chomping at the bit to once-again ready my informative tidbits, so let’s not waste time!

Opening This Weekend!

GhostsGhosts

Dayton Theatre Guild

The Skinny: A brilliant new translation by Christopher Hampton breathes new life into this classic drama.  The ‘‘ghosts’’ in this play are taboo topics that cannot be openly discussed.  This drama is one of Ibsen’s most powerful works, but also one of his most controversial.  Family sins are revisited when a son returns home to dedicate an orphanage in his father’s name and becomes involved in a tryst that ends in the painful knowledge of long suppressed family truths.

Dates: Opening Friday, 1/11 and running three weekends, to close on Sunday, 1/27 (View All Dates)

Tickets: Please visit the Dayton Theatre Guild website for all your ticketing needs.

Opening  Next Week!

"Shrek The Musical" - January 15-27, 2013 – Victoria Theatre

Shrek The Musical

The Victoria Theatre

The Skinny: Based on the Oscar®-winning DreamWorks movie of the same name, this crowd-pleasing musical brings everyone’s favorite ogre on to the stage. Featuring music from the movie as well as original songs, this one is a sure bet for families and anyone who loves the irreverent humor of the series serving as the source material.

Dates: Opening Tuesday, 1/15 and running through Sunday 1/27. (View All Dates)

Tickets: Tickets are available by visiting Ticket Center Stage.

Coming Soon!

In the next few weeks, there’s a lot opening — The Dayton Playhouse is bringing Oscar Wilde’s classic “The Importance of Being Earnest” to the stage, Beavercreek Community Theatre has the musical “Stepping Out,” The Human Race Theatre Company will be opening “Lombardi”, a play about the legendary football coach, Brookville Community Theatre is in rehearsals for the stirring courtroom drama “Twelve Angry Men,” and many more! Keep watching this space for further updates!

 

Filed Under: On Stage Dayton Previews Tagged With: angela timpone, charles larkowski, dave nickle, dayton theatre guild, family musicals, ibsen, Jared Mola, lisa howard-welch, matthew smith, shrek, shrek the musical, Victoria Theatre

Muse Machine Presents “Crazy For You”

January 9, 2013 By Dayton Most Metro Leave a Comment

Cast members in a musical moment from Crazy For You (photo credit: Daniel Rader)

Cast members in a musical moment from Crazy For You (photo credit: Daniel Rader)

Spotlighting over 100 of the Greater Dayton area’s most talented young singers, dancers and musicians, Muse Machine is proud to present the New Gershwin Musical Comedy, Crazy For You, which plays January 10-13 on the Victoria Theatre stage.

Packed with big laughs and even bigger chorus spectacle, the production brings new life and imagination to some of the most beloved music ever written for the American stage: “I Got Rhythm,” “Someone to Watch Over Me,” “Nice Work If You Can Get It” and many other classic Gershwin tunes.

Join Polly Baker and Bobby Child as they launch a rag-tag musical comedy in a one-horse Nevada town.  Polly and Bobby fall in and out (and back into) love again, bumping into a heartwarming cast of comedic characters all along the way.

“Eighty years after these songs were originally written,” says producer Douglas Merk, they still warm our hearts and stir our memories.  Finally someone had the great idea to pack all of this classic music into one new show with a great plot, loveable characters and great humor.“

In just three months, the young performers in the Crazy For You cast pull together a show that rivals Broadway quality.  For many, these experiences are just the beginning and lead to very successful performing careers in New York City and L.A.

“What an opportunity,” says Centerville Senior Carly Snyder, “to perform for the Dayton community in such an amazing theatre and with so many talented people.  We’ve been working hard for the last three months and it’s about to pay off big time!”

Tickets for Crazy For You are available exclusively through Ticket Center Stage at 937/228-3630, online at www.ticketcenterstage.com or at the Ticket Center Stage box office in the Schuster Center in downtown Dayton.

Filed Under: On Stage Dayton Previews Tagged With: Crazy For You Article, Muse Machine, Victoria Theatre

ON STAGE DAYTON REVIEW: A Christmas Carol (Zoot Theatre Company) – Holiday Whimsy

December 13, 2012 By Russell Florence, Jr. Leave a Comment

A CHRISTMAS CAROL -John Gary Thompson, JJ Parkey, Heather Atkinson and Lizzy Miller (Photo: Scott J. Kimmins)

A CHRISTMAS CAROL -John Gary Thompson, JJ Parkey, Heather Atkinson and Lizzy Miller (Photo: Scott J. Kimmins)

Excellent puppetry boosts Zoot Theatre Company’s production of Charles Dickens’ “A Christmas Carol” at the Dayton Art Institute.

 
As the familiar, redemptive Christmas Eve journey of the miserly Ebenezer Scrooge transpires, adapted and helmed by Aaron Vega, it’s difficult not to be amazed by puppet designer D. Tristan Cupp’s artistry. Every marvelously detailed creation brims with personality from Ebenezer’s beak-like nose and thin frame to an adorably diminutive youngster with a penchant for caroling. Most eye-catching is his clever reimagining of the Ghost of Christmas Past (recounting Ebenezer’s history in the form of a film projector) and the Ghost of Christmas Present (a humorous copper conception). Due to the slight monotony of Vega’s narrative-driven adaptation, which emotionally resonates but could have been better paced without an intermission, Cupp’s contributions, which also include fine illustrations, are vital to selling the story in a fresh, unexpected fashion.
 
Still, Vega sprinkles the proceedings with inspired moments including the wonderful reveal of Ebenezer’s late partner Jacob Marley (expertly lit by John Rensel) and the spooky use of videography for the Ghost of Christmas Yet To Come. His decision to place the actors in shadow late in Act Two is a notable misstep (the actors are occasionally unintelligible which slows the action), but his staging is atmospheric, fluid and playful nonetheless.
 
Exhibiting great versatility as puppeteers, the compatible cast, adopting decent British accents and nicely costumed with a Victorian sensibility by Shirley P. Wasser, features the welcomed return of Wright State University theater graduates Ryan James Imhoff and JJ Parkey along with Heather Atkinson, Lizzy Miller and J. Gary Thompson. The tall, striking Imhoff is a terrifically conflicted Young Ebenezer and an absolutely earthy delight as the boozy Ghost of Christmas Present. Parkey, bubbly and expressive as ever, is a funny, genial and warm Bob Cratchit as well as a fittingly ominous Marley. Atkinson and Miller, a charming pair, respectively shine as Mrs. Cratchit and the Ghost of Christmas Past. Oddly, Thompson, comfortably strapped to the Ebenezer puppet akin to Julie Taymor’s visualization of Timon in “The Lion King,” is more cranky than colorful, lessening his appeal in a role with numerous layers. Even so, he endearingly reiterates the joy permeating throughout Ebenezer’s chuckle-inducing transformation, which remains the ultimate heartwarming hallmark of this enduring tale.
 
“A Christmas Carol” continues through Dec. 15 in the NCR Renaissance Auditorium of the Dayton Art Institute, 456 Belmonte Park N., Dayton. Performances are Friday and Saturday at 8 p.m. Act One: 45 minutes; Act Two: 48 minutes. Tickets are priced at $18 for adults, $15 for students and seniors and $12 for children 12 and under. For tickets, visit www.daytonartinstitute.org. For more information, visit http://zootttheatrecompany.org.

Filed Under: On Stage Dayton Reviews Tagged With: a christmas carol, Aaron Vega, Heather Atkinson, J. Gary Thompson, JJ Parkey, John Rensel, Lizzy Miller, Ryan James Imhoff, Shirley P. Wasser, tristan cupp, Zoot Theatre Company

Coming up in Dayton theatre, 12/14 – 12/23

December 13, 2012 By Sarah Caplan Leave a Comment

Hello again, one and all. I can’t believe that this edition will bring us right up to the edge of Christmas and, ergo, nearly to the dawn of 2013. Things do tend to slow down a bit as we coast into the Holiday Season, most shows are done with their runs before Christmas and new ones don’t really start up again until we get into January. But there are still several offerings out here for you to sample. For starts!

Closing This Weekend!

12 Dancing Princess

Xenia Area Community Theatre (X*ACT)

The Skinny:X*ACT bills this production as a “Holiday family show,” and indeed this story is one that will please the youngest among us. Based on the Brothers Grimm fairy tale, it follows the 12 daughters of a king who are locked in their bedroom each night, and yet appear each morning with shoes worn out from dancing.

Dates: Closing on the 16th.

Tickets: Tickets are available at the door, for more information please visit the X*ACT website, here.

A Christmas Carol

Zoot Theatre Company

The Skinny: Dayton’s puppet theatre company takes on Dickens seasonal classic, delightfully retelling this classic morality play as only Zoot can.

Dates: Closing this weekend, on the 15th.

Tickets: Tickets are available at the Dayton Art Institute website, here.

Scrooge

The Dayton Playhouse

The Skinny: Adapted from the Charles Dickens classic, “A Christmas Carol,” this musical closely follows the classic story with the miserly Ebenezer undergoing a profound experience of redemption over the course of a Christmas Eve night, after being visited by the ghost of his former partner Jacob Marley and the Spirits of Christmas past, present and future.

Dates: Three performances left, closing on 12/16.

Tickets: Tickets are available at the Dayton Playhouse website, here.

Annie

Troy Civic Theatre

The Skinny: The famous musical version of Lil’ Orphan Annie is,indeed, a Christmas-set offering. This show is a heart-warming favorite, sure to please families with kids, or without.

Dates: One more weekend, closing on the 15th.

Tickets: Tickets are available for reservation by calling 937-339-7700. Pricing information can be found at the Troy Civic Theatre website, here.

Continuing!

Oliver!

The Human Race Theatre Company

The Skinny: Christmas Eve in London, 1838. A small group of working-class, wayward souls gather in a tavern to celebrate when a small, unexpected guest prompts a spontaneous telling of the popular Oliver Twist. With traditional music-hall flair, they delve into Charles Dickens’ haunting moral tale as the lines between story and reality blur. Sized perfectly for The Loft Theatre, this reimagining of the classic Tony Award®-winning musical will touch your heart and challenge your spirit. It’s Oliver with a twist, indeed! Dayton Most Metro’s Russell Florence reviewed Oliver! Click here to read it!

Dates: You’ve got several more chances to catch this wonderful production, which runs through the 22nd.

Tickets: Tickets are available through the Human Race Theatre Company website, here.

One Weekend Only!

In The Spotlight!

Playhouse South

The Skinny: Playhouse Souths annual revue-style evening of musical theatre selections, this year entitled “At The Movies” and featuring numbers from musicals, TV shows and movies.

Dates: Two performances only, December 2oth and 21st.

Tickets: Tickets are available at the Playhouse South website, here.

 

So, that all gives you plenty to see up to Christmas eve eve eve (12/22)!  Remember, a night at the theatre is not only a wonderful date, it’s also a splendid holiday gift! There’s 9 days til Christmas and 2 nights of Hanukkah left…head to your favorite theatre box office and buy tickets!

Filed Under: On Stage Dayton Tagged With: a christmas carol, annie, Chris Shea, christmas musicals, christmas theatre, Dayton Playhouse, Kevin Moore, oliver, Playhouse South, Scott Stoney, scrooge, the human race theatre company, The Loft Theatre, tristan cupp, troy civic theatre, xact, Zoot Theatre Company

ON STAGE DAYTON REVIEW: Oliver! (Human Race Theatre Company) – A Dynamic Dickensian Delight

December 3, 2012 By Russell Florence, Jr. 2 Comments

Pictured: The cast of Oliver! Photo by Scott J. Kimmins

Lionel Bart’s perennial “Oliver!,” his immensely tuneful 1960 adaptation of Charles Dickens’ classic novel “Oliver Twist,” has been thrillingly reborn as a dynamic, ensemble-driven triumph at the Human Race Theatre Company.

Astutely conceived with inspired direction by Alan Souza, previously associated with the Human Race productions of “Was” and “Ears on a Beatle,” “Oliver!” doesn’t begin in the traditional confines of a workhouse with a throng of hungry orphans. In Souza’s innovative landscape, the Dickensian London setting is Christmas Eve 1838 in a modest British pub, handsomely designed by David A Centers. The “Food, Glorious Food” is still praised, but the song primarily belongs to an assortment of ordinary, tough, working class men who know the tavern and each other very well, particularly the curiously combative, foreshadowing relationship between the bartender and his significant other whose child he derides. Souza doesn’t reveal their identities, which may be perturbing or perplexing to some, but these individuals are undeniably unified as their rough and tumble existence finds welcomed relief and unexpected similarities in an impromptu decision to interpret this musical rendering of “Oliver Twist,” originally published in monthly installments in “Bentley’s Miscellany” periodical beginning in 1837.

Pictured: The cast of Oliver! Photo by Scott J. Kimmins

As the bouncy title song kicks into gear, this rowdy bunch, appropriately with periodical in hand, seamlessly transition from the tavern backdrop into the familiar framework of the tale, full of the engaging, iconic characters Dickens meticulously constructed to mirror the corrupt, hypocritical, impoverished and menacing society he knew so well. Thanks to Souza’s incredibly versatile 10-member cast, Spencer Liff’s phenomenal choreography, Helen Gregory’s first-rate musical direction, and John Rensel’s excellently subtle lighting design, the two worlds smoothly coalesce without overt confusion. Fortunately, Souza’s fresh, communal approach doesn’t produce a dull moment and is consistently arresting. Even the altered if abrupt conclusion, authentically correlating with “Oliver Twist” remaining unfinished in “Bentley’s Miscellany” until 1839, packs a dark, dramatic punch. It’s extremely exciting and rare to see a director reinterpret a tried and true product with intimate boldness. In fact, Souza’s vision recalls John Doyle’s scaled-down, ensemble-centric 2005 Tony-winning revival of “Sweeney Todd,” which also lived uniquely outside the box within an intriguing milieu. And for pure ingenuity, Souza, Liff and Gregory’s kinship recalls Roger Rees and Alex Timbers’ equally creative handling of this year’s Tony-nominated play-with-music “Peter and the Starcatcher.”

Pictured: The cast of Oliver! Photo by Scott J. Kimmins

Liff, a Broadway standout who received an Emmy nomination four months ago for his splendid routines on last season’s edition of Fox’s “So You Think You Can Dance,” absolutely pulls out the stops using nearly every inch of the Loft Theatre stage for a dazzling array of breathtaking, energetic, applause-inducing sequences reflecting his trademark athletic artistry. In addition to his fantastic use of set pieces and props adhering to the tavern setting, I was particularly in awe of the jubilant atmospherics of the show-stopping “Consider Yourself,” the fast-paced cleverness permeating “You’ve Got to Pick a Pocket or Two,” the humorously posh sensibilities within “I’d Do Anything,” the amusing nod to “Les Miserables” in “Be Back Soon,” the rambunctious kicks, leaps and twirls of “Oom-Pah-Pah,” and the sliding, gliding, gleeful exuberance of “Who Will Buy?” The spirited ensemble is vigorously immersed in every mesmerizing routine to the utmost, undergoing the epitome of a theatrical workout. I wouldn’t be surprised if Gatorade is stored backstage for this hard-working crew.

Attractively costumed in period attire by Molly Walz, Souza’s marvelously cohesive cast portrays multiple roles with expertly detailed aplomb. In the titular role, Blaise Bouschard is an appealingly innocent, humble presence offering pleasant vocals, especially in his sincerely plaintive rendition of “Where is Love?” Gary Troy’s humorously slick, shrewd interpretation of Fagin, the scoundrel who craves his treasure and independence with equal passion, culminates with a delectably superb “Reviewing the Situation.” As the saucy, abused Nancy, Sara Sheperd, a terrific vocalist and a lively source of vigor and warmth, particularly supplies a compelling rendition of the lovely torch ballad “As Long as He Needs Me.” Nicholas Belton, another fine singer, is a perfectly brooding Bill Sikes. Joseph Medeiros, a skillfully sharp dancer with numerous Broadway credits, is a charming, crafty and witty Artful Dodger. He also scores big laughs as Widow Corney in “I Shall Scream” opposite the fittingly authoritative and droll Scott Stoney as Mr. Bumble. Adam Lendermon delights as creepy undertaker Mr. Sowerberry and is strikingly believable as the gentle, soft-spoken Mrs. Bedwin. Chris Shea is a great fit as the kindly Mr. Brownlow and the hopelessly agitated Mrs. Sowerberry. Ian DeVine, a Wright State University senior musical theater major who continues to amaze, winningly startles and intimidates as the cruel Noah Claypole. As Bet, the aforementioned, multitasking Gregory amiably partners with Sheperd for back-to-back knockouts “It’s a Fine Life” and “I’d Do Anything.”

Pictured: The cast of Oliver! Photo by Scott J. Kimmins

Brilliantly enhancing the art of storytelling through concept, song and dance, Souza, Liff and Gregory have overseen a must-see showcase, coinciding with the bicentennial of Dickens’ birth, which could have a life beyond Dayton in regional theaters or beyond. After all, Broadway hasn’t revived “Oliver!” since 1984, and considering the current success of the Roundabout Theatre Company’s terrific production of “The Mystery of Edwin Drood,” there could be a timely Dickens resurgence brewing which this version could promisingly accentuate.

Purists may scoff, but the Human Race supplies a joyously refreshing experience expanding the possibilities of what musical theater can be.

“Oliver!” continues through Dec. 22 in the Loft Theatre of the Human Race Theatre Company, 126 N. Main St., Dayton. Act One: 60 minutes; Act Two: 40 minutes. Performances are Tuesday at 7 p.m., Wednesday-Saturday at 8 p.m. and Sunday at 2 p.m. There is also a 2 p.m. performance on Dec. 22. The Dec. 11 performance is sold out. A post-show discussion will follow the Dec. 9 performance. Jonah Sorscher is also featured in the cast as the Oliver understudy. Tickets are $17.50-$45. A limited number of $25 tickets are available for each performance. Call Ticket Center Stage at (937) 228-3630 or visit www.humanracetheatre.org or www.ticketcenterstage.com. For more information, call the Human Race at (937) 461-3823 or visit www.humanracetheatre.org.

 

 

Filed Under: On Stage Dayton Reviews Tagged With: Adam Lendermon, Alan Souza, Blaise Bouschard, Chris Shea, David A Centers, Gary Troy, Helen Gregory, Human Race Theatre Company, Ian DeVine, John Rensel, Joseph Medeiros, Lionel Bart, Molly Walz, Nicholas Belton, oliver, Sara Sheperd, Scott Stoney, Spencer Liff, The Loft Theatre

ON STAGE DAYTON REVIEW: Irving Berlin’s White Christmas (Victoria Theatre Association) – Happy Holiday

November 29, 2012 By Russell Florence, Jr. 1 Comment

(L to R) Mara Davi, David Elder, James Clow and Stefanie Morse in Irving Berlin’s White Christmas (Contributed Photo)

A grand dose of warmhearted nostalgia and fantastic tap dancing fuels the infectious vibrancy within the national tour of the 2009 Tony Award-nominated musical “Irving Berlin’s White Christmas,” the Broadway caliber season opener of the Victoria Theatre Association’s Premier Health Partners Broadway Series presented at the Schuster Center.

Sharply staged by Norb Joerder and faithfully adapted by Tony nominee David Ives (“Venus in Fur”) and Paul Blake from the 1954 Academy Award-nominated film of the same name, “White Christmas” tells an engaging if old-fashioned tale of song-and-dance duo Bob Wallace (James Clow) and Phil Davis (David Elder), close-knit World War II veterans who partner with singing sisters Betty Haynes (Stefanie Morse) and Judy Haynes (Mara Davi) to raise money for a struggling Vermont inn run by Bob and Phil’s stern yet sincere former commanding general. Romance, wisecracks and misunderstanding are key components in the hokey, simple plot greatly accented by some of Berlin’s finest songs. The film’s familiar treasures are here (“Count Your Blessings Instead of Sheep,” “Sisters,” “Snow” and the title song) along with toe-tapping extras from the vast Berlin canon such as “Happy Holiday,” “Love and the Weather,” “Falling Out of Love Can Be Fun” and “I’ve Got My Love to Keep Me Warm.”

Berlin’s tunes, overflowing with charm and tenderness, are certainly a main attraction, but Randy Skinner’s Tony-nominated choreography, brilliantly executed with crisp preciseness and debonair finesse, simply dazzles. The breezy “Let Yourself Go” effortlessly sets a spirited tone for the evening. The elegant, jazzy “Blue Skies” and the terrifically cute “I Love a Piano” are applause-inducing knockouts recalling Skinner’s remarkable contributions to the 2001 Broadway revival of “42nd Street,” which memorably featured Elder, a radiant tenor, as Billy Lawlor.

Further, it’s not surprising this show clicks as well as it does because its leading players, a dandy group of Broadway standouts, are no strangers to the material. Elder portrayed the good-natured Phil on tour three years ago. Clow, Morse and Davi appeared in the Broadway production along with Ruth Williamson (Martha Watson) and Cliff Bemis (Mr. Snoring Man/Ezekiel Foster). When they join forces their chemistry and camaraderie is palpable. In fact, Elder and Davi, exceptional dancers, create Fred and Ginger sparks while gliding across the stage in “The Best Things Happen While You’re Dancing.” Clow (an appealingly awkward Bob) and Morse are equally strong in a classy scene comprising the lovely torch song “Love, You Didn’t Do Right By Me” (beautifully sung by Morse) and “How Deep is the Ocean.” The wonderfully earthy Williamson, a hilarious Eulalie Mackecknie Shinn in the 2000 Broadway revival of “The Music Man,” belts “Let Me Sing and I’m Happy” with gusto. Bemis scores his share of laughs in tailor-made roles. Joseph Costa is austerely authoritative and genuinely touching as General Waverly. Tony Lawson as Ralph Sheldrake, Kilty Reidy in multiple roles and the fittingly precocious, vocally pleasant Andie Mechanic as Susan Waverly are also notable. It’s particularly great to see Wright State University alumna Darien Crago among the first-rate ensemble.

This strikingly designed recreation of the Broadway production features attractive costumes by Carrie Robbins, proficient lighting by Ken Billington and Kenneth Foy’s seamless adaptation of Anna Louizos’ colorful sets. Musical director Michael Horsley’s conducts an excellent orchestra.

“Irving Berlin’s White Christmas” continues through Dec. 2 at the Schuster Center, Second and Main Streets. Performances are Thursday and Friday at 8 p.m., Saturday at 2 and 8 p.m. and Sunday at 2 and 7:30 p.m. Act One: 80 minutes; Act Two: 50 minutes. Tickets are $15-$101. For tickets or more information, call Ticket Center Stage at (937) 228-3630 or visit www.ticketcenterstage.com

 

Filed Under: On Stage Dayton Reviews Tagged With: Betty Haynes, Bob Wallace, Carrie Robbins, Cliff Bemis, David Ives, Irving Berlin's White Christmas, Judy Haynes, Michael Horsley, Norb Joerder, Phil Davis, Ruth Williamson, Victoria Theatre Association

Coming up in Dayton Theatre, 11/30 – 12/9

November 29, 2012 By Sarah Caplan Leave a Comment

Welcome back, theatre lover! Hope you had a wonderful Thanksgiving. We’ve gotten into the cinematic heavyweight season now, with all the studios releasing their highly anticipated pieces, hoping to garner little golden statues. But remember, there are also pieces of theatre in the area just as highly anticipated and every bit as delightful!

Closing This Weekend!

 

White Christmas

The Schuster Center

The Skinny: Irving Berlin’s classic Christmas tale comes to the Schuster Center stage in all it’s glory!

Dates: Only a few performances left, closing on Sunday, 12/2!

Tickets: All ticketing information is available online, here

 

Now Running!

A Tuna Christmas

The Dayton Theatre Guild

The Skinny: It’s Christmas time and local radio personalities Thurston Wheelis and Arles Struvie tell us all about the annual Christmas lawn display contest that Viola Carp keeps winning (14 times), the troubled local production of A Christmas Carol and along the way introduce us to a host of colorful characters, each one funnier than the last, in this little mythical Texas town.  Two actors portray more than twenty roles in this hilarious production.

Dates: A Tuna Christmas runs 2 more weekends, closing Sunday the 9th. The Saturday performances for this weekend and next are at 5 pm.

Tickets: Ticketing information is available via the DTG website, here.

Opening This Weekend!

Oliver!

The Human Race Theatre Company

The Skinny: Christmas Eve in London, 1838. A small group of working-class, wayward souls gather in a tavern to celebrate when a small, unexpected guest prompts a spontaneous telling of the popular Oliver Twist. With traditional music-hall flair, they delve into Charles Dickens’ haunting moral tale as the lines between story and reality blur. Sized perfectly for The Loft Theatre, this reimagining of the classic Tony Award®-winning musical will touch your heart and challenge your spirit. It’s Oliver with a twist, indeed!

Dates: With a run extended past it’s original dates, Oliver! now opens Friday, 11/30 and runs through 12/22, making it a perfect Christmastime date.

Tickets: Tickets are available online at the Human Race Theatre Company website, here.

Scrooge

The Dayton Playhouse

The Skinny: Adapted from the Charles Dickens classic, “A Christmas Carol,” this musical closely follows the classic story with the miserly Ebenezer undergoing a profound experience of redemption over the course of a Christmas Eve night, after being visited by the ghost of his former partner Jacob Marley and the Spirits of Christmas past, present and future.

Dates: Opening on 11/30 and running three weekends to close 12/16.

Tickets: Tickets are available online at the Dayton Playhouse website, here.

A Christmas Carol

Zoot Theatre Company

The Skinny: Dayton’s puppet theatre company takes on Dickens seasonal classic, retelling a familiar story in the way only Zoot can.

Dates: Opening 11/30 and running 3 weekends, closing December 15th.

Tickets: Tickets are available for purchase online at the Dayton Art Institute website, here.

Annie

Troy Civic Theatre

The Skinny: The famous musical version of Lil’ Orphan Annieis,indeed, a Christmas-set offering. This show is a heart-warming favorite, sure to please families with kids, or without.

Dates: Opening 11/30 and running 3 weekends, to close on 12/15.

Tickets: Tickets are available for reservation by calling 937-339-7700. Pricing information can be found at the Troy Civic Theatre website, here.

One Night Only!

How The Grinch Stole Christmas

Tipp City Players

The Skinny: Another Christmas-themed offering; Tipp City is bring a readers-theatre rendition of the Dr. Seuss morality play of a green man whose heart “grew three sizes that day.”

Tickets: Admission is free, but donations are warmly appreciated. Information is available on the Tipp City Players website, here.

 

 

Filed Under: On Stage Dayton Previews Tagged With: a christmas carol, a tuna christmas, charles dickens, christmas musicals, christmas theatre, dayton theatre guild, oliver, puppet theatre, the human race theatre company, The Loft Theatre, the schuster center, the victoria theatre association, tristan cupp, White Christmas, Zoot Theatre Company

The Zoot Theatre Company presents “A Christmas Carol”

November 28, 2012 By Dayton Most Metro 15 Comments

The Zoot Theatre Company, Dayton’s only professional puppetry and mask company will produce Charles Dicken’s classic tale A CHRISTMAS CAROL in the Dayton Art Institute’s NCR Renaissance Auditorium, Zoot’s new home. A CHRISTMAS CAROL opens on Friday, November 30. This haunting tale of Scrooge and Marley is given new life in this all new production! This adaptation of Charles Dickens’ classic Christmas story will feature a small cast of live actors and tone of puppets to help bring this age-old story to life. Get carried away this holiday season and remember that you’re never too old to make a change …it just might take a few ghosts to help. Aaron Vega, a founding artist of The Zoot Theatre Company and graduate of Wright State University’s Professional Acting Program is directing. Known for its creative and imaginative puppets and masks used in each show, Zoot fulfills its Mission by blending the visual and performing arts into a single medium.

Ebenezer Scrooge

A CHRISTMAS CAROL opens on Friday, November 30 and runs Fridays, Saturdays, and Sundays through Saturday, December 15. Show times are 8 p.m. on Fridays and Saturdays and 2 p.m. on Sundays. All performances are held at the Dayton Art Institute’s NCR Renaissance Auditorium. Tickets are on sale now and can be purchased online at www.zoottheatrecompany.org and over the phone by calling 937.223.5277. Both single performance tickets and subscriptions are available. Groups of 10 or more can receive a special discount by calling 937.512.0140.  Tickets prices for A CHRISTMAS CAROL and the 2012-13 Zoot MainStage Season are: $18.00 for adults; $15.00 for seniors; $15.00 for students with a valid ID; and $12.00 for children 12 and under.

Dayton Most Metro Ticket Contest

We have THREE PAIRS OF TICKETS to give away for The Zoot Theatre Company’s production of “A Christmas Carol”!  Simply fill out the form below and then leave a comment saying that you’d like to see this show.  We’ll pick three random winners on Friday 11/30 after 1pm – GOOD LUCK!

CONTEST CLOSED

Congratulations to:

Rachelle Smith Stokes.
David E. Slivken
Renee Franck-Reed

Filed Under: On Stage Dayton Previews

Dayton Gay Men’s Chorus ‘Celebrate!’ the Holidays

November 28, 2012 By Dayton Most Metro 11 Comments

The Dayton Gay Men’s Chorus is pleased to once again be performing their annual Holiday Concert entitled “Celebrate” on Saturday December 1, 2012 6pm at the Westminster Presbyterian Church (125 N. Wilkinson Street in Downtown Dayton), which will kick off their 10 Year Anniversary Season. This year’s concert will feature audience and chorus favorites from the past ten years, as well as new compositions, which have been specifically written for Gay Men’s Choruses across the country.

DGMC Artistic Director, Jason Coatney-Schuler, has programmed a whimsical journey down memory lane, celebrating everyone’s favorite part of the holidays…food! Classics like “Fruitcake”, “Frim Fram Sauce”, and “Hard Candy Christmas”, are sure to leave the audience with a smile on their face and a belly full of Christmas cheer.

In celebration of their 10 year anniversary season, entitled “TEN: Then and Now”, the chorus is also pleased to partner with the historic Westminster Presbyterian for their first performance in this venue. The stunning grandeur of this magnificent building, combined with the elegant harmonies of the DGMC, sublime pipe organ talents of David Comer, and the incomparable piano styling of Raymonde Rougier, is sure be the largest holiday concert for them to date. Although seating is general admission, patrons are highly encouraged to purchase their tickets in advance.  Tickets are $15 and can be purchased online here.

The DGMC organized in 2003, under the leadership and guidance of former Managing Director, Fred Poland. Mr. Poland set the chorus in motion for success by accomplishing 501(C)3 non-profit status, drafting the chorus’s by-laws and constitution, and developing the infrastructure and standards for the chorus to follow. Local and regional appearances have included the community-based Dayton LGBT Center’s Annual Thanksgiving Dinner, United Church of Christ, First Baptist Church, Christ Episcopal Church of Springfield, Parents, Friends and Families of Lesbians and Gays (PFLAG) Annual Holiday gathering, Barnes and Noble Bookstore in Miamisburg, and the Community Holiday Home Tour in McPherson Town (for which they will be appearing once again this season), and the Downtown Dayton Holiday Festival and Tree Lighting. These community outreach performances help the DGMC achieve its vision “to offer a broad repertoire of music in a variety of visible and accessible venues, to forge active community partnerships, and to educate the community at large about the value of diversity.”

Dayton Most Metro Ticket Contest

We have THREE PAIRS OF TICKETS to the Dayton Gay Men’s Chorus “Celebrate!” concert to give away – simply fill out the form below and leave a comment telling us that you want to see the show.  We’ll announce winners on Thursday 11/29 after 1pm – GOOD LUCK!

CONTEST CLOSED

Congratulations to our winners!

Anna Black
Rachel DeFord
Donald Weaver

Filed Under: On Stage Dayton Previews Tagged With: Celebrate, Dayton Gay Men's Chorus, DGMC

Disney Live! present Mickey’s Music Festival at The Nutter Center

November 27, 2012 By Dayton Most Metro 20 Comments

Mickey Mouse and friends rock the world with the stars from The Little Mermaid, Aladdin and Disney/Pixar’s Toy Story in their new touring show Disney Live! Mickey’s Music Festival, coming to The Nutter Center on Friday November 30!  Disney hits are remixed to the hottest sounds of today featuring hip hop, pop, swing, reggae, rock, country and much more!  The irresistible lineup of performers, including Mickey, Minnie, Donald and Goofy; Ariel, Sebastian and Ursula; Jasmine, Aladdin and Genie; and Woody, Buzz and Jessie; are among the more than 25 Disney stars featured in this jam session fit for the entire family! You can’t resist dancing, singing, playing your air-guitar and laughing with this band of characters! Come join them at Disney Live! Mickey’s Music Festival for a lively concert experience guaranteed to deliver enough rockin’ memories to last a lifetime.

Tickets are $17.00, $25.00, $40.00 (VIP) & $50.00 (Front row), available at TicketMaster.com for the 3:30pm and 6:30pm performances.

Check out this video that features Costume Designer Scott Lane talking about his inspiration for Disney Live!

[yframe url=’http://www.youtube.com/watch?v=GFcAHHKKUXk’]

SPECIAL OFFER

People can use code DANCE to save $4 PER ticket on regularly $25 and $17 seating. This code is redeemable online at ticketmaster.com, by phone at 1-800-745-3000 or at the Nutter Center Box Office.  (Disclaimer: Valid on all performances. No double discounts. This offer is subject to ticket availability. Additional fees may apply.)

Dayton Most Metro Ticket Contest

We have TICKETS to give away for you and your family to see Disney Live’s “Mickey’s Music Festival”!  Just fill out the form below and then leave us a comment telling us that you want to win tickets, and we’ll randomly draw winners Tuesday 11/27 after 5pm – GOOD LUCK!

CONTEST CLOSED

Congratulations to our winners:

Brad Hansen
Heather Krey
Abby Puterbaugh
Heather Lance
Ashley Hill

 

Filed Under: On Stage Dayton Previews

It’s not a pen – it’s a FRINDLE!

November 27, 2012 By Dayton Most Metro Leave a Comment

Nicholas Allen has plenty of ideas. Who can forget the time he turned his third-grade classroom into a tropical island, or the time he fooled his teacher by chirping like a blackbird? But when Nick learns an interesting tidbit about words and where they come from, it inspires his greatest plan yet: to invent a new word. From now on, a pen is no longer a pen–it’s a frindle. It doesn’t take long for “frindle” to take root, and soon the excitement spreads well beyond his school and town. His parents and Mrs. Granger would like Nick to put an end to all this nonsense. But “frindle” doesn’t belong to Nick anymore. All he can do now is sit back and watch what happens. This quirky, imaginative tale about creative thought and the power of words will have you inventing your own words before the curtain comes down.

Victoria Theatre Association is presenting FRINDLE December 1 and 2 at 1 p.m. and 3:30 p.m. in the historic Victoria Theatre.  Tickets are on sale now at the Ticket Center Stage Box Office for $15, via phone (937) 228.3630 or online at www.ticketcenterstage.com.  Purchase a season subscription and see the three remaining shows in the PNC Family Series for $30 dollars!

NEW FAMILY WORKSHOPS and PNC STORYTIME!

Family Workshops at just $5 per child—parents attend for free!

  • ·         Learn about juggling, miming, bouncing and more with the Cincinnati Circus Company.
  • ·         Workshops begin at 2:15 p.m. between the Saturday and Sunday shows.
  • ·         Workshop includes a tasty, kid-friendly snack.
  • ·         PNC Storytime begins at 3 p.m. on Saturdays.
  • ·         Appropriate for children ages 5-10.
  • ·         Parents may tag along to watch for free.

Filed Under: On Stage Dayton Previews Tagged With: Victoria Theatre

Irving Berlin’s White Christmas

November 20, 2012 By Dayton Most Metro 2 Comments

IRVING BERLIN’S WHITE CHRISTMAS, the stage adaptation of the beloved classic film is coming to the Benjamin & Marian Schuster Performing Arts Center this holiday season.  Bring your loved ones for a heart-warming celebration of Americana from November 27 – December 2 at the Schuster Center in downtown Dayton. Tickets are on sale now at www.ticketcenterstage.com, by phone (937) 228-3630 or at the Ticket Center Stage Box Office located in the Wintergarden of the Schuster Center.

IRVING BERLIN’S WHITE CHRISTMAS tells the story of two showbiz buddies putting on a show in a picturesque Vermont inn, and finding their perfect mates in the bargain.  Full of dancing, romance, laughter and some of the greatest songs ever written, including “Count Your Blessings Instead of Sheep,” “Happy Holiday,” “Sisters,” “Blue Skies,” and the unforgettable title song, IRVING BERLIN’S WHITE CHRISTMAS promises to be a merry and bright experience for the entire family!

The New York Times claims “this cozy trip down memory lane should be put on your wish list.”  And, the New York Daily News hails IRVING BERLIN’SWHITE CHRISTMAS as “a holiday card come to life.”

IRVING BERLIN’S WHITE CHRISTMAS features Music and Lyrics by Irving Berlin with Book by David Ives and Paul Blake and is based upon the Paramount Pictures film written for the screen by Norman Krasna, Norman Panama and Melvin Frank.

This brand new production of IRVING BERLIN’S WHITE CHRISTMAS is produced by Atlanta’s Theater of the Stars. The creative team includes direction by Norb Joerder, choreography by Randy Skinner, scenic design by Anna Louizos, scenic supervision and adaptation by Kenneth Foy, lighting design by Ken Billington, and sound design by Peter Fitzgerald and Erich Bechtel.  The tour is produced by agreement with R&H Theatricals, an Imagem Company.

Tickets start at $15*.  For tickets call Ticket Center Stage at (937) 228-3630 at (888) 228-3630,  Go online to www.ticketcenterstage.com or visit the Ticket Center Stage Box Office in person, located in the Wintergarden of the Schuster Center.

The 2012-2013 Premier Health Partners Broadway Series presentation of IRVING BERLIN’S WHITE CHRISTMAS receives support from Leadership Sponsor Fifth Third Bank and Performance Sponsor WHIO-TV, a product of CMGO. The official hotel of the Premier Health Partners Broadway Series isCrowne Plaza Dayton.  Assistive hearing devices are provided by Hillcrest Hearing Aids & Balance Center. Victoria Theatre Association’s recycling partner is Waste Management with DataYard as the official internet service provider. 

*$15 tickets are limited and located in the Upper Balcony.

Filed Under: On Stage Dayton Previews

Human Race Theatre Company Presents Oliver!

November 20, 2012 By Dayton937 9 Comments

Scott Stoney as Mr. Bumble and Blaise Bouschard as Oliver in Oliver!. Photo by Scott J. Kimmins.

The 2012-2013 Eichelberger Loft Season continues with Alan Souza’s uniquely revisionist version of Oliver!, Lionel Bart’s play of an orphan who dared to ask for more. Exchanging the full orchestra of musicians and the workhouse full of children for a gifted cast of ten performers who play multiple roles, Souza reduces the story to its relevant core in a play within a play. Christmas Eve in London, 1838. A small group of working-class, wayward souls gather in a tavern to celebrate when a small, unexpected guest prompts a spontaneous telling of the popular Oliver Twist. With traditional music-hall flair, they delve into Charles Dickens’ haunting moral tale as the lines between story and reality blur. Sized perfectly for The Loft Theatre, this reimagining of the classic Tony Award®-winning musical will touch your heart and challenge your spirit. It’s Oliver with a twist, indeed!

Oliver! is directed by Alan Souza (Ears on a Beatle, 2008), who developed the new concept for the show. Helen Gregory is the music director and Spencer Liff (recent Emmy® Award nominee for So You Think You Can Dance) is the choreographer. The set design is by David A. Centers, costume design by Molly Walz, lighting design by John Rensel and sound design by Brian Retterer. Kay Carver is the production stage manager. Originally slated to perform until December 16, the run has been extended to add seven performances. Oliver! runs November 29 through December 22, 2012. Opening night is Friday, November 30.

Blaise Bouschard as Oliver, Joseph Medeiros as the Artful Dodger and Gary Troy as Fagin in Oliver!. Photo by Scott J. Kimmins.

The 10-member cast includes: Nicholas Belton, Blaise Bouschard, Ian DeVine, Helen Gregory, Adam Lendermon, Joseph Medeiros, Chris Shea, Sara Sheperd, Human Race Resident Artist Scott Stoney and Gary Troy. Jonah Sorscher is the understudy.

The story of The Human Race’s new production of Oliver! began when Kevin Moore wanted to do something special to commemorate the 200th anniversary of Charles Dickens’ birth for the 2012-2013 season. “We’d already produced A Christmas Carol for Dayton audiences five times and I felt like they deserved something new,” says Moore. “Oliver! had been on my wish list for a long time, but the established cast size and scale of the musical made such a production in The Loft Theatre unlikely.” But a fortuitous conversation with director Alan Souza suddenly made the improbable highly possible. Souza had recently re-imagined My Fair Lady and Camelot at the Engeman Theater at Northport, New York, turning them into smaller scale productions, and he had a similar concept for Oliver! already in mind.

Dickens’ originally published Oliver Twist as a magazine serial, with installments released periodically from 1837 to 1839. “Perhaps the most telling evidence of the novel’s appeal is the fact that many separate, unauthorized stage plays—based on the story—were put into production before it was ever finished!” says Souza. “Clearly the citizens of Victorian England saw themselves in the characters and situations. It was the Harry Potter of its generation.” Inspired by this historical fact and the British “music hall” style of theatrical entertainment that originated in pubs and taverns around the same time, Souza hit upon a concept that would reduce Oliver! to its core and also make it more manageable for intimate theatres by taking Lionel Bart’s original musical and setting it in a 1838 London pub. The result—a play within a play—as the pub’s patrons act out Oliver’s exploits to entertain themselves. “What if the patrons—the very type of folks the story is written about—found themselves in a predicament that directly reflected the now-famous catalyst for Oliver’s adventures?” Souza wondered, “Would life imitate art, or vice-versa? Certainly they would sing about it!”

“Our rendition is set when the chronicles of Oliver Twist were all the rage, even as his fate remained a mystery.” Souza then explores the impact of such a telling on those telling the story, “Our unlikely combination of revelers finds both great joy and enlightenment in enacting a pantomime of his tale as an entertainment, but in process they reveal their own struggles for survival, acceptance, and love as their identities with their characters merge.”

Blaise Bouschard as Oliver and Joseph Medeiros as the Artful Dodger in Oliver!. Photo by Scott J. Kimmins.

PERFORMANCE AND SPECIAL EVENT INFORMATION

Tickets for the preview performance of Oliver! on November 29 are $36 for adults, $34 for seniors and $17.50 for students. For all performances November 30 – December 22, single ticket prices are $41 and $45 for adults, $39 and $43 for seniors and $20 and $22 for students. Prices vary depending on the day of the week desired. Group discounts are available. The Human Race Theatre is offering a pair of discount ticket opportunities. Twenty-five special $25 tickets are available at each performance, on sale two weeks prior to that performance. The Sunday, December 2 7:00 p.m. performance is “Sawbuck Sunday”, when a limited number of available seats can be purchased in person for just $10 at The Loft Theatre box office two hours prior to the show. Discounts are subject to availability and some restrictions apply.

All performances are at the Metropolitan Art Center’s Loft Theatre, located at 126 North Main Street in downtown Dayton, Ohio.

Show times for Oliver! are 8:00 p.m. on Wednesday through Saturday evenings and 7:00 p.m. on Sunday and Tuesday evenings. Sunday matinees are at 2:00 p.m. The Pay-What-You-CAN performance is Wednesday, November 28 at 8:00 p.m. The “Inside Track” pre-show discussion begins at 7:15 p.m. on Thursday, November 29, prior to the 8:00 p.m. preview performance. The opening night performance is Friday, November 30 at 8:00 p.m., followed by a free party with the cast in The Loft Lobby. “Lite Fare at the Loft” with food and drink provided by Citilites begins in The Loft Theatre lobby at 5:30 p.m. on Tuesday, December 4. The “While We’re on the Subject” post-show talkback is on Sunday, December 9, immediately following the 2:00 p.m. performance. There is a Saturday matinee at 2:00 p.m. on Saturday, December 22.

Tickets and performance information on Oliver! are available online at www.humanracetheatre.org or by calling Ticket Center Stage at (937) 228-3630, and at the Schuster Center box office.

Dayton Most Metro Ticket Contest

We have THREE PAIRS of tickets to give away for Oliver! – just fill out the form below and then leave a comment telling us that you want to win tickets to see Oliver! by the Human Race Theatre Company, and we’ll draw three random winners on Friday November 23rd – GOOD LUCK!

CONTEST CLOSED

Congratulations to our three winners:

Shannon Blair

Brian Gerhardstein

Margie Rivera

Filed Under: On Stage Dayton Previews

ON STAGE DAYTON REVIEW: Legally Blonde (Playhouse South) – Pretty in Pink

November 16, 2012 By Russell Florence, Jr. Leave a Comment

Katie McCarthy, bubbly, jovial and endearing, delightfully anchors Playhouse South’s admirable production of the upbeat, silly and surprisingly touching “Legally Blonde: The Musical,” breezily directed by Jim Brown and adapted in 2007 by Laurence O’Keefe, Nell Benjamin and Heather Hach based on the 2001 film of the same name.

McCarthy, colorfully costumed by Jenni Cypher, was born to play fashion-conscious sorority star Elle Woods, who optimistically journeys to Harvard Law School in order to reclaim her ex-boyfriend. Displaying pleasant vocals and a perky spirit that sidesteps annoyance, she firmly grasps Elle’s innate cheerleading instincts, particularly as a Pied Piper enthusiastically drawing crowds, and tender vulnerability, specifically when her world crumbles late in Act 2 after she rediscovers the beauty of staying true to self.

Elsewhere, the supporting cast cohesively gels. The amiable Josh Livecchi is appropriately unassuming as Emmett Forest, the introverted teaching assistant who grows to care for Elle in spite of her outgoing flair. Brad Bishop is sharply hard-nosed as Callahan, Elle’s ruthless professor. Angie Thacker adds enjoyable comic relief as Paulette, the beauty shop proprietor whose self-esteem and love life is reborn. The lively Jackie Darnell, as Elle’s sorority sister Serena, particularly leads the infectious “Bend and Snap” with vim and verve. Meagan Kuchan and Stefanie Dodge are respectively solid as liberal Enid Hoopes and imprisoned fitness guru Brooke Wyndham. Megan Rademacher is effectively snippy as Elle’s nemesis Vivienne Kensington. Matthew Scheerschmidt and Brett Norgaard are funny cohorts in “There! Right There!” Waky Harris fits the bill as Kyle, Paulette’s crush. Jessica Jones, appearing briefly, is a hoot as Elle’s tipsy mother. Brian Kester is too old to play Elle’s boyfriend Warner Huntington III but his efforts are serviceable nonetheless.

Energetic routines from choreographer Greg Andrus and a fine set designed by Ray Zupp are added benefits within this artistically sound endeavor.

“Legally Blonde: The Musical” continues through Nov. 17 at the Clark Haines Theatre of the Kettering Board of Education Building, 3750 Far Hills Ave., Kettering. Performances are Friday and Saturday at 8 p.m. Act One: 70 minutes; Act Two: 55 minutes. Tickets are $13 for adults, $11 for seniors and military and $8 for students. For tickets or more information, call (888) 262-3792 or visit www.playhousesouth.org

 

Filed Under: On Stage Dayton Reviews Tagged With: Angie Thacker, Brad Bishop, Brett Norgaard, Brian Kester, Clark Haines Theatre, Greg Andrus, Jackie Darnell, Jenni Cypher, Jim Brown, Josh Livecchi, Katie McCarthy, legally blonde the musical, Matthew Scheerschmidt, Meagan Kuchan, Megan Rademacher, Playhouse South, Ray Zupp, Stefanie Dodge

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